Food and Drink

Photograph by David Licht

Burned at the Steak

Rant & roll: Carnivore culinary control gets the ax

By Christina Waters

AS MUCH AS it pains me to report this–some of you are still eating red meat! I know, I know. It’s almost Cro-Magnon, but there it is. Beef is still what’s for dinner in many philistine homes, homes where Coors Lite is the beverage of choice, where Kools are still smoked, and where the television has been on continuously since Gerald Ford was in office.

Let’s call these the Households of Darkness. The corpulent residents of such households–let’s not even use the word home to describe these troughs of ignorance–still order bacon with their eggs and dress up for a trip to McDonald’s.

Picture them. Obese, clad in polyester, they are well on their way to adult-onset diabetes. Apparently too fat to leave the house, these unfortunates haven’t yet gotten the word about cholesterol. They’ve heard about it, but they don’t quite get the connection between the C word and sudden death by stroke or heart attack.

All that butter, all that animal fat goes directly to the arteries, where it sits. It sits and waits for other globs of animal fat. Then when there are enough globs they form a fat blockade and prevent the flow of blood to important areas, like the heart and the brain. In short, the meat-eating bubba gets stupid and dead quicker than the rest of us.

Why, then, are people still eating meat? First of all, there’s that Genesis thing–you know, where God gave man dominion over the animals. Many a Republican likes to sling that quotation around as sort of a Judeo-Christian carte blanche to destroy every living thing that isn’t nailed down.

Actually God was giving humans permission to take care of animals–not to slaughter and eat them. Furthermore, in the first book of Genesis, God also gave Adam and Eve every manner of plant as their food. Not pork ribs and rack of lamb. Not bacon bits and Vienna sausage. The Garden of Eden was a veritable vegetopia, and only after the unfortunate incident with the serpent was the first bratwurst created.

THEN there’s this masculinity thing surrounding the consumption of red meat, the bloodier the better. Today’s insecure carnivore male actually believes that real men don’t eat quiche. Many a sagging ego (itself a metaphor for another sagging entity) has been propped up by a bacon cheeseburger from Burger King (430 calories, 10 grams of saturated fat).

Hey, it was “dominion,” guys. Not “domination.” Given that menus refer to carcasses euphemistically, there isn’t even an honest respect given to the animal being consumed. “Chateaubriand” is really “dead cow,” French or no French.

That we are squeamish about eating red meat is evident in the distance that is placed between the product we consume and its actual source. An ex-New Yorker confessed to me several years ago at a gathering in the Santa Cruz Mountains, “I was 20 years old before I found out that beef didn’t come wrapped in plastic.”

Those quarter-pounders you’re wolfing down (590 calories, 11 grams of saturated fat) contain the flesh of what was once an 800-pound creature. That delicate foie gras is actually a vital organ of a beautiful and intelligent bird. It always sounds less cruel in another language, doesn’t it?

How many of us would even consider eating baby back ribs if we first had to catch, kill, and butcher the pig itself? At least the ancient Romans were honest. They brought the entire pig to the table and pulled it apart with their bare hands. Barbaric, but direct. One visit to the stockyard, any stockyard, would cure most of us of that hankering for a big ole juicy steak. (And what is this need for quantity? Steaks are invariably listed on menus in terms of their weight, as if eating more is a sign of power, or machismo. Eating a steak the size of Anchorage is only a symptom of one thing: gluttony.)

Now I might cut some slack here if we were living in North Dakota, where fresh vegetables are an endangered species, where grown women have never even seen an artichoke, and everything comes from a can or a box. But this is California, where perfect, fresh, organic vegetables outnumber even cell phones.

I’m convinced that people continue to eat red meat because they’re lazy and because they’ve convinced themselves that they are immune to statistics. If we weren’t intended to eat meat, God wouldn’t have made Rolaids.

It’s quicker and easier to just swing by Burger King-where a Double Whopper with cheese runs a terrifying 1,020 calories and 25 grams of saturated fat-than to buy unprocessed vegetables, noninstant rice, and maybe some fresh salmon, and actually prepare it yourself.

Fast food is really fast grease, and everybody knows it–including the disgustingly overweight people who frequent places like KFC and McDonald’s. As for not believing the statistics, even if you only watch TV you’re aware of the health dangers (never mind the environmental ones) of eating red meat, which just recently was linked–again–with colon cancer.

It’s amazing how meat-eaters think that vegetarians are weird. Is it weird to be lean and healthy? Is it weird to respect our bodies and not poison them with decaying carcasses of fellow living creatures? Is it normal to stuff ourselves with what George Bernard Shaw called the “scorched corpses of animals”?

It’s gotta be a self-esteem issue for those of limited reasoning ability. I may be a loser, the carnivore thinks, but at least I’m better than this dead critter I’m eating.

And then there’s the snob value, the arriviste factor of meat-eating.

Only peasants would willingly eat a meatless meal, bubba believes. The ability to put a chicken in every pot and a steak on every plate continues to be a sign of status. Savvy vegetarians in the West figured out that the way to combat the snob appeal of beef was by giving even greater status to designer produce. Portobellos now have as much clout as Porterhouse, heirloom tomatoes can command prices once reserved for carpaccio.

THIS IS A GOOD sign. Because the reasons to remove red meat from your life are many. Ethically, it’s unconscionable to pamper your pets and still be a partner to the slaughter of cattle, sheep, bunnies, and pigs. We share this planet with others. They don’t kill us, and we can survive quite nicely without killing them.

Legumes, green leafy vegetables, fruits, soy products, whole grains–put them all together and you’ve got delicious paths to health and longevity. Bubba will die sooner and more horribly than those who follow the meat-free lifestyles of Tolstoy, Buddha, Leonardo da Vinci, Cesar Chavez, Gandhi, and Albert Schweitzer. (Even a pig like Hitler was smart enough to give up meat.)

If you enjoy being permanently overweight and plagued by arthritis and indigestion, keep chowing down on bacon, burgers, and barbecued ribs. If you want to contribute to the death of the planet, the eradication of green space, and the pollution of clean air, then by all means make McDonald’s your favorite restaurant. And if death by heart attack sounds good, Sizzler awaits. Remember, you are what you eat. Dead meat.

Christina Waters’ last article sang the praises of meat and dismissed veganism–go figure.

From the October 4-10, 2001 issue of the Northern California Bohemian.

© Metro Publishing Inc.

Art Trails

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Hands up! M.C. Carolyn’s sculpture is on display during ARTrails.

On the Trail

New twists at ARTrails open-studio tour

By Paula Harris

“STONES + Trees + Mountains = My Place” reads the sign along Mill Creek Road, a meandering route that ends high on a ridge half an hour outside Healdsburg. Every year, sculptor M. C. Carolyn sets up a series of such cues to guide visitors to her mountaintop studio, one of the most out-of-the-way venues in this year’s ARTrails open-studio tour.

“Three years ago I decided to join ARTrails and let the community in,” says Carolyn. “I meet people and we talk about art, Healdsburg, the community, and what I do. It’s a wonderful experience.”

Carolyn, who declines to reveal her age, uses a forklift and flat bed truck to help her create monumental abstract sculptures, some more than seven feet tall, from huge blocks of soapstone or exotic marble. She also creates smaller, evocative figures that are a little easier to transport.

“People are surprised to see a woman doing this work,” she says. “But I get a block of stone, an idea in mind, and I just go to it.

“With stone it’s so physical,” she continues. “I get tired and I can work out my frustrations if I get angry. And I can’t cheat. With stone, what you do is what you get.”

Even Carolyn’s gallery and workshop are products of the artist’s creativity: she built them both with materials rescued from an 1850s barn, including the original tin roof and floor planks.

Carolyn is one of 144 local artists who will open their workspaces to the public during ARTrails. For two weekends–Oct. 13-14 and Oct. 20-21–the artists will give demonstrations, answer questions, and (they hope) sell some of their work during this 16-year-old open-studio tour that stretches across Sonoma County.

But this year’s ARTrails offers a few new twists. Previously, a preview exhibit offering sample works from artists featured on the tour took place at the Sonoma County Museum in Santa Rosa. This time out, the preview exhibit will open Oct. 5 at SoFo2, the Cultural Arts Council’s Santa Rosa gallery.

Additional preview exhibits will be on view at venues throughout the county, including the Healdsburg High School Art Gallery, the Sebastopol Center for the Arts, the Herold Mahoney Library at Santa Rosa Junior College Petaluma Campus, and the Arts Guild of Sonoma.

But one thing remains the same: ARTrails continues to provide the voyeuristic thrill of traipsing through artists’ private homes and studios.

“We all have a curiosity about people’s homes and how they live,” says Elisa Baker, ARTrails coordinator. “Especially creative, artistic people.”

The workspaces featured on the tour range from a tiny corner of the kitchen to a fancy studio to a primitive barn in the backyard. In these eclectic settings, artists produce an incredible variety of arts and crafts, including textiles, woodwork, painting, printmaking, jewelry, and photography.

Indulging the curious offers big rewards for the artists. Organizers say ARTrails draws between 10,000 and 30,000 visitors annually. According to Baker, last year’s artists grossed more than $600,000 in sales from the event.

But for Carolyn, the financial benefit is only one reason she participates.

“Maybe all the people that come on ARTrails can’t take the huge pieces home,” she says. “But they can touch a piece, think about it, and take home the memory of it.”

ARTrails takes place Oct. 13-14 and 20-21. A preview exhibit Oct. 5-25 opens with a gala reception on Friday, Oct. 5, at 5:30 p.m. at SoFo2, 602 Wilson St., Santa Rosa. A catalog with maps can be found at various venues. 707/579-2787.

From the October 4-10, 2001 issue of the Northern California Bohemian.

© Metro Publishing Inc.

Arts Etc.

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Medieval Madness

By Patrick Sullivan

ATTENTION, local druids! Is Stonehenge coming to your town? If Michael Hamilton of California Entertainment Inc. has his way, a life-sized replica of the ancient British monument will be installed in one of nine towns in Sonoma, Napa, or Lake counties. The ambitious Hamilton hopes to make the replica the centerpiece of a 250-acre, Renaissance Faire-style park, complete with five fantasy villages, an arts fair, and a stage for live music. Hamilton has already sent proposals to city councils in Santa Rosa and Sebastopol, though he is apparently also considering East Coast locations. “I like Northern California because I think the market is here,” explains the Lake County resident.

The park, which Hamilton hopes to build for $3 million and open in 2003, would include fantasy versions of King Arthur’s Britain and ancient Greece. Hamilton’s press release elaborates: “In ancient Greece visitors will find themselves strolling upon Mount Olympus with Hera, Queen of the Gods, come face to face with the dreaded Hydra guarding the Golden Fleece, or celebrate the wine harvest of Dionysus. . . . Have a bite of lunch with Medusa or join Bacchus, the god of wine.”

From the October 4-10, 2001 issue of the Northern California Bohemian.

© Metro Publishing Inc.

Cover Story

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The Sonoma Land Trust became the country’s first land-saving organization of its kind

Land Grab

Sonoma Land Trust is 25 years old–and 13,000 acres strong

By David Templeton

A QUARTER CENTURY ago, in 1976, smack in the middle of America’s yearlong bicentennial celebrations, a spirited assortment of Sonoma County visionaries–activists and property owners alike–banded together to attempt something truly revolutionary. Amid all the speeches and poetry contests and related hoopla, with its chorus of voices warbling songs like This Land Is Your Land and This Is MY Country, the founding members of the Sonoma Land Trust were dreaming up a plan that would honor and protect the land that they love–in a truly literal sense. The Sonoma Land Trust became the country’s first land-saving organization of its kind by acquiring parcels of land under threat of development and by holding conservation easements that would permanently limit development on that land.

Twenty-five years later, the organization has evolved from a small cadre of activists, persuading property owners to donate land for tax advatages, to an amassment of 1,500 contributing members, with a small, committed full-ltime staff and the resources to purchase threatened properties. The Sonoma Land Trust has, to date, permanently protected over 13,000 acres of North Bay earth, currently holds 27 conservation easements, owns and manages 11 properties, and has transfered 11 properties to public agencies.

“The Sonoma Land Trust,” explains David Katz, executive director, “has matured as an organization. Since those first days, when the focus was mainly on survival, we’ve become more professional, more stable and solid. We’ve been thrown out of our infancy, and now have the broad support of all sections of the community.”

That said, it’s party time.

On Oct. 10, the SLT will be celebrating its 25 years in the land-saving business with an afternoon of story-swapping, music, food, wine, and birthday cake–two cakes, actually, each to be decorated with the icing-painted landscape of properties under the protection of the SLT–and a keynote speech by essayist Fred Euphrat.

In attendance will be members and Land Trust volunteers–who assist in various restoration projects and act as environmental monitors of the Land Trust’s properties–as well as folks from the community eager to say thank you (and, just maybe, take the opportunity to become more involved).

Says Karen d’Or, development director of the trust, “The party is a great opportunity for members of the community who’d like to have a stronger relationship with our lands to become familiar with the opportunities available through the Sonoma Land Trust.”

Opportunity is a word the SLT people use often, and with particular enthusiasm. As when d’Or describes the trust’s members-only “hiking tour” series, explaining that it offers land lovers “the opportunity to see beautiful, unknown parts of the county.” Or the way Katz describes the close-to-the-soil contact enjoyed by the SLT’s many volunteer “Land Stewards,” who “adopt” a piece of property, monitoring the land and documenting its conditions over time.

“It’s an opportunity,” he says, “for anyone who wants to have a more direct relationship to the land, not only in the broader landscape but in developing a relationship with a specific place.”

And even after 25 years of work, he adds, the land-saving opportunities in the North Bay are endless.

Says Katz, “There’s still plenty of work to be done.”

The Sonoma Land Trust Silver Anniversary celebration will be held Oct.10, from 4 to 6:30 p.m., at the Friedman Center, 4676 Mayette Ave., Santa Rosa. Cost is $20 per person. Advance reservations must be confirmed by Oct.5. Call 707/526-6930.

From the October 4-10, 2001 issue of the Northern California Bohemian.

© Metro Publishing Inc.

Garden Variety

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Photograph by Michael Amsler

Garden variety: Doug Gosling– head gardener and exectutive chef of the Occidental Arts and Ecology Center–says weeds are good for the garden and the soul.

Something Wild

Nature’s supermarket at your back door

By Marina Wolf

PICK ANY STRETCH of railroad track in any city of moderate size and you’ll find it to be a short, bleak hike–10 minutes if you stay on the packed gravel and move at a brisk clip. But walk a little slower, take some time to really look at the plants peeking out from the edges of gravel and concrete. See those spiky flowered weeds, the sprawling clumps of what looks like grass? Some of it’s good eatin’, and it’s all up for grabs.

Welcome to nature’s supermarket, open 24 hours, self-service only.

Most of us have plucked a dusty berry from a brambly ditch, or pulled apart a head of clover for the bits of nectar within, or bitten into the sour, juicy stems of sorrel. Such furtive encounters tap into our collective heritage from the earliest days of humanity, when foraging was the way we survived. Now we pay top dollar for gourmet greens while wielding a wrathful hoe at the bounty that pops up in our front yard. Oblivious to the irony, we may even plant domesticated produce in the exact same location where we uprooted its wild cousin.

There are still a few people who maintain the original “weed” connection, in one way or another. In rural Sonoma County, the Occidental Arts and Ecology Center grounds its “weed policies” in very practical principles. “Weeds are good for the garden,” states head gardener Doug Gosling firmly. Gosling oversees the two acres of bio- intensive beds, and the thriving “volunteers” (“I have a hard time with the definition of ‘weed,’ ” he chuckles) are a crucial part of the garden’s ecosystem. They keep the center’s seed bank diverse, and they also make an excellent living mulch, holding down the soil and retaining nutrients. And, of course, they’re good, dependable eating, as the menu-makers at the OAEC can attest.

“I’d say that well over 50 percent of the salads we eat, all year round, are made of so-called weeds,” says Gosling.

And why shouldn’t the weeds take center stage? These brazen green marauders are frequently more nutritious than any froufrou cultivated green stuff. Early-spring favorites–dandelion, lamb’s-quarters, curled dock–have exceptionally high levels of vitamins A and C, which would explain why people of yore placed a great deal of faith in these greens as “spring tonics” after a long winter of poor provisions.

Even into the first part of this century, New York City opened Central Park each spring to the rummagings of Italian immigrants, who loved the tender young leaves of the radichielle (dandelion).

Nowadays you don’t want to do that: most civic lawns suffer from a liberal hand with the herbicides. Fortunately, the urban landscape still abounds with foraging opportunities for those who are willing to stray from the beaten path. This has less to do with iconoclasm than with self-preservation: the beaten path has more cars and fewer buffers against them.

A road might be lined with wild food to feed an army, but without a curb, surface pollutants wash off that road right into the soil.

“There is no formula of feet away from the road to substitute for common sense,” says John Kallas, a wild-foods consultant who has been leading expeditions in Portland, Ore., since 1978.



LIKE GOSLING, Kallas expresses a certain antipathy to the term “weed.” “I get a much higher response when I call them ‘wild gourmet garden vegetables,’ ” he says laughingly. At any rate, most of his classes and field trips extend beyond weeds into the underexplored realm of eating the neighbor’s landscaping. “A lot of people plant things as ornamentals,” says Kallas, “and they either don’t know or don’t want to bother with the edible aspects.” Some varieties of roses, for example, drop their petals to reveal huge rose hips. And ornamental kale is quite edible, though you probably wouldn’t want to harvest it from a gas station, its typical North American habitat.

Foraging in any neighborhood demands that you ask permission; not only is it courteous, but it gives you a chance to inquire–nonjudgmentally, of course–about past and present gardening practices. You won’t always be able to find out, as in the case of abandoned sites and for-sale lots. But, as both experts say, unless you’ve been gardening your own land for years, there is never any way to know for sure what’s in the soil.

So with all these concerns about safety, why bother to eat wild or semi-wild foods at all? Wouldn’t it be safer and more convenient to go to the store?

Maybe. Or maybe not. As a forager, you will end up getting prickly things in your socks and biting into a lot of bitter leaves. Studying up on edible wild plants and making your first harvest in the company of an expert is a good idea, in any case. But reach beyond the thorns and you might find a a handful of greens or a hatful of blackberries more intensely flavored than any cultivated equivalent.

DOES IT FEEL STRANGE to step off the sidewalk to gather a few sweet petals from that clump of early spring violets on someone else’s lawn? It should. That’s the first step off the gastronomic “grid,” the inexorable chain of supply and demand that gives us all access to the same plastic-wrapped packages of precleaned produce.

Go on. Get your feet wet. Take the muddy ditch less traveled. Find your own food.

From the October 4-10, 2001 issue of the Northern California Bohemian.

© Metro Publishing Inc.

Ella Jenkins

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Photograph by Rory Macnamara

Children’s Choice

Ella Jenkins makes magical music for kids

By Greg Cahill

“I CALL MYSELF a natural musician,” says singer and composer Ella Jenkins, hailed as the first lady of children’s folk songs. “You know, I was always into singing la-la, lu-lu, humming, and whistling–even when it wasn’t considered proper for young ladies to whistle,” she adds with a hearty laugh. “As a kid, I simply had to go see tap dancers because there was something so very special in the staccato sound of their footsteps.”

For 45 years, this portly, gentle performer has been drawing on the rhythms of life to create some of the recording industry’s most magical–and widely imitated–children’s songs. In that time, Jenkins, 77, has taken two generations of tykes on a musical journey bristling with playful rhythms, exotic sounds, and tales of faraway places. Since the release of her acclaimed 1957 debut, Call and Response: Rhythmic Group Singing (Folkways), the St. Louis native (who lives part of the year in Marin County) has recorded two dozen albums of children’s music (all digitally remastered and reissued on the Smithsonian/Folkways label), four teachers’ manuals, and two performance videos.

Her classic recording You’ll Sing a Song and I’ll Sing a Song, released 35 years ago, is the bestselling album in the history of the acclaimed Folkways label.

On Oct. 14, in recognition of her achievements on behalf of children, Jenkins will receive the Children’s Music Network’s Magic Penny Award at a ceremony at Walker Creek Ranch in Marshall. The CMN is an international network of teachers, librarians, broadcasters, performers, parents, and children formed in 1986 to communicate songs and ideas about children’s music.

It is the latest of a long series of similar awards for this humble performer. In 1999, Jenkins became the first woman and the first African American to receive the prestigious ASCAP Lifetime Achievement Award. In 1991, Jenkins earned a Parents’ Choice Award for her album Come Play by My Ocean, a wonderful collection of songs about caring for the environment and appreciating other cultures, languages, and places.

THESE DAYS, some children’s performers (like Shelley Duvall) tend to be flashy, but Jenkins still takes a simple, no-nonsense approach, playing gentle tunes and accompanying herself on a baritone ukulele or tambourine. “There are a lot more people in the field nowadays–some good and others just coming along for the ride because they think it’s child-mania,” she muses, during a phone interview from her Chicago home. “I guess a lot of performers think children are a pushover. But you should never underestimate young people; they are your strongest critics.”

A former YMCA teen program director and sociology graduate from San Francisco State University, Jenkins started her own musical odyssey in the rough-and-tumble southside district of Chicago, home to many famous blues musicians. In the early ’50s, she began performing in local folk clubs. It wasn’t long before the host of a local public-TV show invited Jenkins to create her own musical segment on the children’s program. Jenkins brought young students into the studio and featured everything from the sounds of office equipment to the rhythms of the streets (skipping, hopping, and jumping rope) to guest appearances by such folk-blues heavyweights as Big Bill Broonzy and Josh White.

Yet it was the innovative use of the call-and-response technique–which she’d first heard in the black churches and the songs of big-band leader Cab Calloway–that brought Jenkins praise from early childhood educators. “I thought it would be a really good way to get across an idea to children, using rhyme to connect with an idea,” she says. “The whole idea is that to repeat the sounds, the child has to listen, And for them to listen, of course, you have to fill the song with something interesting. If you really want to capture a child’s attention, a song has to be adventuresome, interesting, or maybe a little bit funny.”

For Jenkins, those songs–often inspired by her travels and the children themselves–are a springboard for the imagination that sparks the curiosity with everything from Dixieland jazz to Maori battle chants. “I share those experiences [of faraway lands] with the children because many of them will never travel beyond their own community,” she explains. “But I can help them travel through my songs.”

And what does she get in return? “Oh, my goodness,” she says with a laugh, “I feel youthful, excited, and alive because even though the children change over the years, there’s something very basic in their innocence. And so long as you play it square with them and show real interest, they’ll give you their undivided love and trust.

“And that’s kept me going.”

To register for the Children’s Music Network gathering, visit their website at CMNonline.org or call 707/878-2415.

From the October 4-10, 2001 issue of the Northern California Bohemian.

© Metro Publishing Inc.

Tiger

Touchdown Town: Football is god in Massillon, Ohio.

Got Game

‘Go Tigers!’ scores with examination of high school football

By Patrick Sullivan

IN THIS TOWN, every baby boy gets a football put in his hospital crib at birth. In this town, the local funeral home offers a line of coffins adorned with the high school football team’s mascot–a grinning tiger cub. And in this town, voters decide the school district’s financial future on the basis of who wins the big game.

Welcome to Massillon, Ohio, where touchdowns trump textbooks–and just about everything else.

Folks who’ve never lived in towns like Massillon may find all this hard to believe, let alone understand. But truth is stranger than fiction, as is made clear by Go Tigers!, a documentary screening Oct. 6 at the Mill Valley Film Festival.

Directed by Kenneth A Carlson (formerly a producer on America’s Most Wanted), Go Tigers! offers a subversive exploration of this small town’s obsession with the performance of the Massillon Tigers. But this is also one of those rare documentaries that’s packed with enough drama, tension, and exciting visuals to engage even those utterly indifferent to its social message.

High school football has dominated life in Massillon for about a hundred years. Go Tigers! jumps into the story at the start of the Tigers’ recent 106th season. A new crop of players has just taken charge of the team, which suffered a losing season the year before. With a tax levy to rescue the school district’s ailing finances about to come before the fickle voters, these kids have one simple task: win every game.

“I think there’s a lot of pressure on our kids to win,” blithely explains the quarterback’s mom. “They know that’s their job. That’s your job. You do it.”

Football resembles ritualized combat in the film’s bone-crunching action scenes. Blood is shed. Heads are bashed. War is the dominant metaphor. “We’re gonna come out there and kick their fucking asses,” shrieks one player to his teammates. “I’m gonna kill somebody out there.”

Yet Go Tigers! is more compelling when it quietly explores the private lives of these young players. “Football saved my life,” explains defensive end Ellery Moore, who went from being jailed for rape to becoming one of the team’s biggest stars. Moore, who lives in a rundown house in Massillon’s black neighborhood, hopes to parley prowess on the field into a college career.

Interviews with other team members reveal that these teens have both a canny assessment of how important football could be to their future and a fairly clear idea of how absurd the town’s preoccupation with the sport is.

For if football is important to the players, it’s absolutely everything to many adults.

Go Tigers! offers no moralistic narrative voice to hammer home its message. But it’s hard to escape the point of a scene demonstrating that even religion can’t escape football’s grasp.

Before the team’s all-important contest with the McKinley Bulldogs, a priest visiting the Tigers’ locker room discusses the Jewish Passover tradition in which the family’s youngest child asks the father why this night is different from all other nights.

“Why is this day different from all other days?” the priest asks the players. “We say this is the day in which rivalry reaches its summit. This is the game of games.”

‘Go Tigers!’ screens Saturday, Oct. 6, at 4 p.m. at the Sequoia, 25 Throckmorton Ave., Mill Valley. Admission is $9. The Mill Valley Film Festival continues through Oct. 14 at various Marin County venues. For details, log on to www.mvff.com or call 925/866-9559.

From the October 4-10, 2001 issue of the Northern California Bohemian.

© Metro Publishing Inc.

Bully

Bad seeds: Brad Renfro and Nick Stahl play wicked teens in ‘Bully.’

Kids Today

Avant-garde sheen can’t hide exploitative heart of ‘Bully’

By Richard von Busack

IF LARRY CLARK had only been a little faster, he might have gotten away with it. Clark’s new film, Bully, repeats the bid for art-house fame he achieved in 1995 with Kids. But Clark won’t be so lucky this time.

Bully is based on the true-life murder, in 1993, of Bobby Kent in a Florida suburb. The crime was novelized in the book of the same title by Jim Schutze of the Houston Chronicle. No one would call the Kent case a thrill killing, because the participants (seven of whom were eventually imprisoned) didn’t derive much pleasure from it.

The victim was a would-be thug, a steroid user, and a fancier of that bully-boy urban music that sounds like pit bulls singing in chorus. The ring leader of the killing, Marty Puccio, claimed that Kent had been tormenting him since he was a child, though others noted the two seemed close enough to be lovers.

On the whole, scriptwriters David McKenna and Roger Pulis followed Schutze’s account closely. However, Schutze’s book didn’t have a single attractive character, so the makers of Bully changed two of the principals into tender lovers.

Lisa Connelly, a pudge in real life, is played by the svelte Rachel Miner as a dreamy girl who hopes to have Marty’s child (though the real Lisa panhandled to get money for an abortion). Marty is her sensitive lover, played by Brad Renfro in the best achingly post-James Dean style, though according to Schutze, Marty sometimes slugged Lisa and called her a fat bitch.

The victim, Bobby, is white, though in real life he was of Iranian parentage. Bobby is played by Nick Stahl, less a bruiser than a twerp. In one typical scene, Stahl lets the mirror have it with a mouthful of spit. Mistreating a mirror is the hallmark of the overcompensating actor.

The film starts out with two girls at the mall. Lisa and her promiscuous pal Ali (Bijou Phillips) pick up Marty and Bobby, the couples park, and Ali presents her barely covered ass to the camera as she buries her head in Bobby’s lap. It’s effortless coupling, a teenage dream of the way things work. It’s not a bad way to open a movie. But Clark seeks more tension, more argument, and the film sputters.

Bully unfolds in terms of an old drive-in movie about juvenile delinquents: it’s a protest against toxic culture. The video games, the porn, and that bitch-bitch-bitch music turned this gang crazy, just as juvenile delinquents of yore were inflamed to crime by Fats Domino.

Updating the old so-young-so-bad-so-what theme could have provided some cheap thrills. But that enjoyment is impeded by Clark’s pretense at avant-garde filmmaking–his floppy camera work, his lunch-disrupting merry-go-round cam.

There’s something cheap and exploitative in Larry Clark, and I urge him to let it out: his seriousness just invites derision. At its best Bully is dirty fun. A few may consider this flick profound–which it profoundly isn’t.

‘Bully’ opens Friday, Oct.5, at Rialto Cinemas Lakeside, 551 Summerfield Road, Santa Rosa. For details, see Movie Times, page 31, or call 707/525-4840.

From the October 4-10, 2001 issue of the Northern California Bohemian.

© Metro Publishing Inc.

Housing Prices

Sticker Shock

Oh, give me a home …

By Christian M. Chensvold

SHUFFLING BACK and forth down 101, it’s easy to forget the rural fields and forests that comprise most of Sonoma County. And yet despite the miles of open spaces, the price of housing keeps many hopeful homebuyers perhaps permanently priced out of the market.

Let’s face reality: You don’t have to leave the area (although I am), but the truth is that barring any major intervention by local government or massive recession affecting everyone but you, Sonoma County will continue to require above-average income in order to buy a safe home. Only 17 percent of Sonoma County households can now afford a median-priced home, leading a lot of folks to look northward for affordability.

Can you say, “Lake County”?

Sandra Geary of Re/Max’s Rohnert Park office says Sonoma County–which in recent years has seen a huge influx of homebuyers from Marin County and beyond–is in a declining market. Of course, coming down from space-shuttle heights means things are still pretty stellar. Geary says you’ll have a hard time finding a suitable home under $250,000. According to MLS statistics, there were 2,072 units priced under $350,000 that sold in the county through mid-September, for an average price of $264,763. This includes condos, by the way. Even one-bedroom condos.

The median price of a home in Sonoma County is $365,000, up from $313,000 a year ago.

How about Shasta County?

Even if you get lucky and find something for $250,000, with 3 percent down and financing at just under 7 percent, with property taxes and insurance you’re looking at an $1,860 monthly house payment. Lenders like to see three-and-a-half times that in gross income, or about $6,500 per month, before they’ll talk shop.

Many prospective homebuyers can afford this monthly payment, but don’t have 10s of thousands stuffed in their mattresses for the hefty down payment. Fortunately, Geary says, there are many lenders offering 100-percent financing programs. Here you essentially get a loan for the down payment as well as the mortgage and make two payments per month. As long as you make three-and-a-half times that, you can qualify. And you won’t even pay a higher interest rate. Of course, that still leaves a lot of folks priced out of the market.

 

SPEAKING of interest rates, they’ve dropped yet again as a result of the terrorist attack, making now a very good time to buy if you can afford it. The market has gone from the multiple-offer mayhem of last year to an environment in which sellers are willing to assume closing costs or grant a lease option, allowing buyers to defray the down payment if they know they are going to be coming into some money soon. Houses are also staying on the market 60-90 days.

But again, be realistic: You’re not going to buy your dream home as your first house: You’re probably looking at a condo.

Some municipalities even offer assistance for first-time homebuyers. Rohnert Park has a public fund that provides a gift of up to $30,000 for qualified applicants. Unfortunately, Santa Rosa does not. Geary warns buyers of looking to outlying areas such as Forestville or the Russian River area as many of these houses, often former cabins, have been upgraded but don’t always comply with county regulations. A new buyer could face a nightmare of violations and structural damage from floods and termites. “People love that area for the trees and privacy,” she says, “but pay attention to what you’re buying or you’ll open up a can of worms.”

If you’d rather eat bugs, worms, and pig parts on the TV reality show Fear Factor than leave the area, here are some possible solutions. One is to band together, either two couples or a group of single people, and buy a property through a joint-tenancy.

Another is so-called “granny units” or guest houses. “I totally believe you should be allowed to add a second unit to your home,” says Geary. “Why not have the county lighten up on this so that there’s more housing?” Guest houses would not only create more rental properties, they could also help first-time homeowners defray the costs of their purchase with income from a rental unit. But Geary says getting a permit to build a guest unit is “almost impossible.”

Meanwhile, the Burbank Housing Development Corporation is a Santa Rosa-based non-profit that seeks to solve the county’s affordable housing shortage with programs such as “sweat equity,” in which new homebuyers actually help build their (and their neighbor’s) home. This takes a commitment of 30 hours per week for six to 12 months and the buyers get the value of their labor in equity.

And if you’re going to sweat anyway, there’s always the desert. “I just moved my daughter to Las Vegas,” offers Geary. “I bought her a condo for $61,000.”

the current marketclimate as well as his peak income, and reduces his mortgage for his coming retirement years.

Then there’s the case of a young couple who bought a home through Cogbill last year at 8.5 percent. Since the rates have come down, he worked out a no-cost refinancing loan with no points, title, escrow, appraisal, underwriting processing–in short, no nothing. “We got them an above-market rate, but it was still less than 8.5,” he explains. “We lowered their monthly payment and they didn’t have to pay a dime.”

Then just five months later, when rates came down again, the couple refinanced yet again.

So while the gentleman paid more up-front to get a rock-bottom loan, the couple paid nothing to get an above-market loan that was still less than what they were previously paying.

So with low rates and peak properties, are you a fool not to run out today, get the groceries, pick up the dry cleaning, and refinance your home? “It needs to make sense,” says Cogbill. “You compare the amount of the points–closing costs and everything–to the payment savings.”

So let’s say you’re looking at a deal to pay $4,500 up-front in fees to save $100 a month on your payment. Since it’ll take you 45 months to break even, don’t do it if you plan on moving–to Bali, for example. If your home isn’t going to be home-sweet-home much longer, talk to a broker about the Young Couple Option mentioned above, and get yourself a no-cost loan. Even at an above-market rate, it still could save on what you’re paying now.

There’s one more piece of the planetary alignment. Refinancing means verifying your income all over again. So with the rate planet and property-value planet already in place, you’d better strike now if there’s any chance you may be laid off, as you’d have a hard time refinancing to lower your mortgage payment just when you need it most.

From the September 27-October 3, 2001 issue of the Northern California Bohemian.

© Metro Publishing Inc.

Lara Riscol

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Fighting for faith, family & freedom

By Lara Riscol

TO LIVE AND LOVE, then love no more. I’m not talking about the feeling, but the act of love. To wake up in the middle of the night and turn over to hold your sweetie, your baby, and find cold emptiness. To give anything, any thing, to just once more touch your loved one’s face and taste his lips, breathe his sweet smell. Feel his warmth. Look deep and long into his eyes and say, I love you.

Desperate calls from the doomed planes and crumbling towers carried variations of the same message, “I just want you to know I love you.” Surviving hearts will continue to break, and break again with fresh intensity, as each day belches remnants of loss from Terror Tuesday. Worldwide, deadly hate has too often forced lovers to salvage an amputated will-to-live from the ashes of war. Now, that same hate–blinded by Otherness–has crashed into American soil, ravaging American souls.

While mourning, the nation bursts with unity, sacrifice, and strength to rebuild. Aside from some asinine thuggery against Arab-looking innocents in the name of patriotism, most Americans feel humanity’s preciousness like never before.

So, “as we attempt to reconstruct our world,” the Family Research Council writes the day after The Attack, “let us resolve not to be swept up in partisan political bickering, petty offenses, and meaningless trivialities. Let us resolve to keep our minds focused on the things that draw us together, on the things that endure, on the things that count–faith, family, and freedom.”

How could I not be touched by the FRC’s commitment to move beyond their modus operandi of divisiveness to embrace core American values of inclusion?

Warriors have died for family: the one they were born to, married into, collected, extended, blended, or simply one of brotherhood, sisterhood. Ah, and freedom. Much blood has been spilled to protect this most cherished of American values.

But before the first funerals could be held, the FRC e-mailed another Washington Update praising the courage of fellow citizens, adding, “Americans are not rising up to defend the right to slaughter the unborn. They are not sacrificing their lives so homosexuals can marry. They are not paying the ultimate price so pornographers can peddle their smut. In such difficult days, Americans are sacrificing for those things that promote the common good–faith, family, freedom.”

No, the FRC didn’t go as extreme as fellow fundie Jerry Falwell, blaming America’s vulnerability on pagans, abortionists, feminists, gays and lesbians, and civil liberty groups. Still, Bush’s pet Religious Righters reached through dust and rubble to jab at those sitting on the opposite side of America’s policy table. As if those fighting for social justice on sociosexual issues are somehow less valiant and less affected by from the worst day in American history. As if those defending safe and legal abortion haven’t sacrificed their lives to Christian terrorists here in the United States.

Right now, the only struggle that seems worthy is helping the devastated heal, and encouraging our political leaders to prevent another apocalypse through calculated wisdom. Right now, it’s hard to do much more than mourn, but that doesn’t make living irrelevant. Walking my dog and drinking wine with a friend seemed horribly indulgent. Making love to my husband seemed, well, almost wrong when America’s suffering is still so raw.

But truly loving each other–and I’m talking about the act and the feeling–is what can draw us together and unveil the humanity of Others. We owe that to those who have lost their loved ones to hate.

From the September 27-October 3, 2001 issue of the Northern California Bohemian.

© Metro Publishing Inc.

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