Best of Local Culture

‘Best of’ local culture (Readers’ Poll Results)

Best Art Gallery

SMOVA
LBC, 50 Mark West Springs Road, Santa Rosa, 527-0297

Honorable Mention

Quicksilver Mine Co.
154 N. Main St., Sebastopol, 829-2416

Best Ballet Company

Ballet California
569 Summerfield Road, Santa Rosa, 537-0140

Honorable Mention

Santa Rosa Ballet
631 Coddingtown Mall, Santa Rosa, 575-9444

Best Band

Kabala

Honorable Mention

Mom’s a Hippie

Best Bookstore-New

First Place (tie)

Copperfield’s
138 N. Main St., Sebastopol, 823-2618; 210 Coddingtown Mall, Santa Rosa, 575-0550; 140 Kentucky St., Petaluma, 762-0563; 2316 Montgomery Drive, Santa Rosa, 578-8938

Barnes & Noble (chain)
700 Fourth St., Santa Rosa, 576-7042

Honorable Mention

North Light Books
550 E. Cotati Ave., Cotati, 792-4300

Best Bookstore-Used

Copperfield’s
176 N. Main St., Sebastopol, 829-0429; 650 Fourth St., Santa Rosa, 545-5326; 140 Kentucky St., Petaluma, 782-0228

Honorable Mention

Treehorn Books
625 Fourth St., Santa Rosa, 525-1782

Best Bowling Alley

Double Decker Lanes
300 Golf Course Drive, Rohnert Park, 585-0226

Honorable Mention

Windsor Bowl
8801 Conde Lane, Windsor, 837-9889

Best Cafe Scene

A’Roma Roasters
95 Fifth St. (Railroad Square), Santa Rosa, 576-7765

Honorable Mention

Coffee Catz
6761 Sebastopol Ave., Sebastopol, 829-6600

Best Card Room

Winners Circle Card Room
3020 Santa Rosa Ave., Santa Rosa, 579-9424

Honorable Mention

Kodiac Jack’s
256 Petaluma Blvd. N., Petaluma, 765-5760

Best Classical Music Series

Santa Rosa Symphony
LBC, 50 Mark West Springs Road, Santa Rosa, 546-8742

Honorable Mention

Redwood Arts Council-Chamber Music in Occidental Series
P.O. Box 449, Occidental, 874-1124

Best Dance Company

Dance Center
56 W. Sixth St., Santa Rosa, 575-8277

Honorable Mention

Santa Rosa High School Dance Company
1235 Mendocino Ave., Santa Rosa, 528-5291

Best Dive Bar

Red’s Recovery Room
8175 Gravenstein Hwy., Cotati

Honorable Mention

Moonlight Restaurant & Bar
515 Fourth St., Santa Rosa, 526-2662

Best Festival

Health & Harmony Festival
P.O. Box 7040, Santa Rosa, 575-9355

Honorable Mention

Apple Blossom
265 S. Main St., Sebastopol, 823-3032

Best Free Entertainment

Wednesday Night Market
637 First St., Santa Rosa, 524-2123

Honorable Mention

Downtown Summer Concerts
638 Fourth St., Santa Rosa, 542-7827

Best Mindless Chatter

A’Roma Roasters

Honorable Mention (tie)

Coffee Catz
6761 Sebastopol Ave., Sebastopol, 829-6600

Squeezer’s
419 Fourth St., Santa Rosa, 573-8080

Best Movie Theater

Sebastopol Cinemas
6868 McKinley St., Sebastopol, 829-3456

Honorable Mention (tie)

Raven Theater
115 North St., Healdsburg, 431-1214

Airport Cinema 8 (Chain)
409 Aviation Way, Santa Rosa, 522-0330

Best Museum

SMOVA

Honorable Mention

Sonoma County Museum
425 Seventh St., Santa Rosa, 579-1500

Best Music Festival

Russian River Blues Festival
P.O. Box 21329, Oakland, 510/655-5200

Honorable Mention

Russian River Jazz Festival
P.O. Box 1913, Guerneville, 869-3940

Best Music Indoor Venue

Phoenix Theatre
201 Washington St., Petaluma, 762-3566

Honorable Mention (tie)

Inn of the Beginning
8201 Old Redwood Hwy., Cotati, 664-2394

Mystic Theatre
21 Petaluma Blvd., Petaluma, 765-9211

Best Music Outdoor Venue

Health & Harmony Festival

Honorable Mention

Russian River Jazz Festival

Best Outdoor Art Event

ArtTrails
P.O. Box 7400, Santa Rosa, 579-ARTS

Honorable Mention

Health and Harmony Festival

Best Performing Arts Center

Luther Burbank Center
50 Mark West Springs Road, Santa Rosa, 527-7006

Honorable Mention

Spreckels Performing Arts Center
5409 Snyder Lane, Rohnert Park, 588-3434

Best Place to Dance

First Place (tie)

Inn of the Beginning

Cantina (chain)
500 Fourth St., Santa Rosa, 523-3663

Honorable Mention

Rumors
120 Fifth St., Santa Rosa, 545-5483

Best Radio Personality

Matthew in the Morning
101.7 The Fox, 1410 Neotomas Ave., Santa Rosa, 543-0100

Honorable Mention

Bill Bowker
KRSH, 3565 Standish Ave., Santa Rosa, 588-0707

Best Radio Station

First Place (tie)

101.7 The Fox
1410 Neotomas Ave. Box 2158, Santa Rosa, 543-0100

KRSH
3565 Standish Ave., Santa Rosa, 588-0707

Honorable Mention

KRCB
5850 LaBath Ave., Rohnert Park, 585-8522

Best Spot for Intelligent Conversation

A’Roma Roasters

Honorable Mention (tie)

Squeezer’s
419 Fourth St., Santa Rosa, 573-8080

Barnes & Noble (chain)
700 Fourth St., Santa Rosa, 576-7042

Best Teen Haven

Phoenix Theatre
201 Washington St., Petaluma, 762-3566

Honorable Mention

Sebastopol Teen Center
425 Morris St., Sebastopol, 824-1503

Best Theater Troupe

Actors’ Theatre
LBC, 50 Mark West Springs Road, Santa Rosa, 523-4185

Honorable Mention

Santa Rosa Players
709 Davis St., Santa Rosa, 544-7827

Best Community Event

Wednesday Night Market

Honorable Mention

First Night
606 Wilson St., Santa Rosa, 527-6448

Best Gripe

Highway 101 Traffic

Honorable Mention

Growth and Development

Best Nonprofit

Face to Face
823 Second St., Santa Rosa, 539-6192, 544-1581

Honorable Mention

Home Hospice
1110 N. Dutton Ave., Santa Rosa, 542-5045

Best Official

Rep. Lynn Woolsey
1101 College Ave. Suite 200, Santa Rosa, 542-7182

Honorable Mention

Noreen Evans
1637 Manzanita Ave., Santa Rosa, 539-7224

Best Pastime

Winetasting

Honorable Mention

Hiking

Best Smartest Political Move

Urban Growth Boundaries

Best Stupidest Political Move

Not Widening Highway 101

Honorable Mention

Golf Course Nets on Highway 12

Best Unsung Hero

Tom Ribbit
1410 Neotomas Ave., Santa Rosa, 543-0100

From the March 23-29, 2000 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Best of Local Everyday Stuff

‘Best of’ local everyday stuff (Readers’ Poll Results)

Best Antique Shop

Whistle Stop
130 Fourth St., Santa Rosa, 542-9474

Honorable Mention

Sebastopol Antique Mall
755 Petaluma Ave., Sebastopol, 823-1936

Best Art Supply Store

Riley Street
103 Maxwell Court, Santa Rosa, 526-2416

Honorable Mention

Montmartre
7231 Healdsburg Ave., Sebastopol, 824-4837

Best Auto Body Shop

G & C Autobody
251 Bellevue Ave., Santa Rosa, 547-2364

Best Auto Dealer-New

Prestige
2800 Corby Ave., Santa Rosa, 545-6602

Honorable Mention

Hansel Ford
3075 Corby Ave., Santa Rosa, 792-1881

Best Auto Dealer-Used

Prestige

Honorable Mention

Freeman Toyota
2875 Corby Ave., Santa Rosa, 542-1791

Best Auto Detailing

Mission Hand Car Wash
59 Mission Circle, Santa Rosa, 537-2040

Honorable Mention

California Shine
2549 Santa Rosa Ave., Santa Rosa, 573-0601

Best Auto Repair-Domestic

Empire Diagnostics
1008 S. A St., Santa Rosa, 528-2161

Honorable Mention (tie)

Michael’s Garage
4777 Guerneville Road, Santa Rosa, 829-9631

R’s Automotive
115 Morris St., Sebastopol, 823-9451

Best Auto Repair-Import

Empire Automotive
209 C St., Petaluma, 762-7577

Honorable Mention

P J’s
1801-A Empire Industrial Court, Santa Rosa, 571-8030

Best Bank

Exchange Bank
Various county locations

Honorable Mention

Redwood Credit Union
1701 Fourth St., Santa Rosa, 545-4000

Best Bike Shop

First Place (tie)

Dave’s Bike-Sport
353 College Ave., Santa Rosa, 528-3283

Bike Peddler
605 College Ave., Santa Rosa, 571-2428

Honorable Mention

Rincon Cyclery
4927 Sonoma Hwy. at Middle Rincon Road off Hwy. 12, Santa Rosa, 538-0868

Best Body-Art Place

Monkey Wrench Tattoo
1700 Mendocino Ave., Santa Rosa, 575-0610

Honorable Mention

Loops & Pierces
1700 Mendocino Ave., Santa Rosa, 546-6559

Best CD Store-New

Last Record Store
739 Fourth St., Santa Rosa, 525-1963

Honorable Mention

Copperfield’s
2324 Montgomery Drive, Santa Rosa, 546-9253

Best CD Store-Used

Last Record Store
739 Fourth St., Santa Rosa, 525-1963

Honorable Mention

Backdoor Disc & Tape
7665 Old Redwood Hwy., Cotati, 795-9597

Best Cigar/Pipe Shop

Squire
346 Coddingtown Mall, Santa Rosa, 573-8544

Honorable Mention

Peace Pipe
622 Santa Rosa Ave., Santa Rosa, 541-7016

Best Clothing-Men’s

First Place (tie)

Romero’s
423 Village Court, Santa Rosa, 527-5742

Macy’s (chain)
800 Santa Rosa Plaza, Santa Rosa, 523-3333

Honorable Mention

Patrick James
2340 Sonoma Ave., Santa Rosa, 523-2346

Best Clothing-Vintage

Hot Couture
101 Third St., Santa Rosa, 528-7247

Honorable Mention

Shards and Remnants
130 Mendocino Ave., Sebastopol, 823-1366

Best Clothing-Women’s

Las Manos
Various county locations

Honorable Mention (tie)

Dresser’s
425 S. Main St., Sebastopol, 829-8757

Macy’s (chain)

Best Computer Repair-Mac

Executron
1831 Guerneville Road, Santa Rosa, 525-3715

Honorable Mention

Downtown Computer
507 Fourth St., Santa Rosa, 527-7000

Best Computer Repair-PC

Downtown Computer

Honorable Mention

Bits & PC’s
3201 Cleveland Ave., Santa Rosa, 571-0386

Best Computer Store

Downtown Computer

Honorable Mention

Executron

Best Copy/Business Services

First Place (tie)

Sprint Copy Center
175 N. Main St., Sebastopol, 823-3900

Kinko’s (chain)
700 Third St., Santa Rosa, 523-0922

Honorable Mention

Copyworks
640 Third St., Santa Rosa, 525-0345

Best Costume Shop

Disguise the Limit
100 Fourth St., Santa Rosa, 573-1477

Honorable Mention

House of Humor
318 Mendocino Ave., Santa Rosa, 544-7600

Best Culinary Supplies

Food for Thought (now called Whole Foods)
1181 Yulupa Ave., Santa Rosa, 575-7915; 6910 McKinley St., Sebastopol, 829-9801; 621 E. Washington St., Petaluma, 762-9352

Honorable Mention (tie)

McCoy’s Cookware
2759 Fourth St., Santa Rosa, 526-3856

Pots and Pans
107 Fourth St., Santa Rosa, 566-7155

Best Day Spa

Osmosis
209 Bohemian Hwy., Freestone, 823-8231

Honorable Mention

Alles
432 Orchard St., Santa Rosa, 573-3068

Best Excuse for Being Late to Work

Traffic

Honorable Mention

Car Trouble

Best Framing Shop

Picture Perfect
21 Kentucky St., Petaluma, 762-2133

Honorable Mention

My Daughter the Framer
1617 Terrace Way, Santa Rosa, 542-3599

Best Futon Shop

Futon Shop
3499 Industrial Drive, Santa Rosa, 578-4242

Honorable Mention

Creator’s Foam Shop
3510 Industrial Drive, Santa Rosa, 572-1237

Best Gift Shop

Milk and Honey
137 N. Main St., Sebastopol, 824-1155

Honorable Mention

Opened Heart
619 Fourth St., Santa Rosa, 547-4847

Best Grocery Store

Fiesta Market
550 Gravenstein Hwy., Sebastopol, 823-4916

Honorable Mention

Food for Thought /Whole Foods

Best Hair Salon

Innovation
509 Seventh St., Santa Rosa, 526-5230

Honorable Mention

Elle Lui
209 Fifth St., Santa Rosa, 575-1474

Best Head Shop

Mighty Quinn
3444 Santa Rosa Ave., Santa Rosa, 584-0596

Honorable Mention

Gravenstone’s
8249 Old Redwood Hwy., Cotati, 795-8498

Best Home Electronics Store

First Place (tie)

Sonoma Sound Masters
723 Fourth St., Santa Rosa, 528-3130

Best Buy (chain)
1950 Santa Rosa Ave., Santa Rosa, 545-1078

Honorable Mention

Good Guys (chain)
2805 Santa Rosa Ave., Santa Rosa, 579-9494

Best Home Furnishings Store

R. S. Basso
186 N. Main St., Sebastopol, 829-1426; 115 Plaza St., Healdsburg, 431-1925;

Honorable Mention (tie)

Pedersen’s Furniture Co.
Fifth Street & D Street, Santa Rosa, 542-1855

Scandinavian Designs (chain)
3480 Industrial Lane, Santa Rosa, 528-6640

Best Home Improvement Store

First Place (tie)

Sebastopol Hardware
660 Gravenstein Hwy. W., Sebastopol, 823-7688

Yardbirds (chain)
1310 Clegg St., Petaluma, 762-5600

Honorable Mention

Home Depot (chain)
4825 Redwood Hwy. , Rohnert Park, 585-9200

Best Housewares Store

Hardisty’s Homewares
710 Farmers Lane, Santa Rosa, 545-0534

Honorable Mention

Food for Thought/Whole Foods

Best Internet Provider

Sonic.net
300 B St., Suite 101, Santa Rosa, 522-1000

Honorable Mention

metro.net
5706 Commerce Blvd., Rohnert Park, 588-7900

Best Jewelry Store

Earthworks
350 Coddingtown Mall, Santa Rosa, 528-7181; 403 First St. W., Sonoma, 935-0290

Honorable Mention

Pawn Advantage
509 Fourth St., Santa Rosa, 527-7296

Best Luggage Store

California Luggage
609 Fourth St., Santa Rosa, 528-8600

Honorable Mention

Hide Park
354 Coddingtown Mall, Santa Rosa, 546-1917; 709 Village Court, Santa Rosa, 545-2247

Best Motorcycle Shop

Mike’s Harley
7601 Redwood Drive, Cotati, 793-9180

Honorable Mention

Jim & Jim’s
910 Santa Rosa Ave., Santa Rosa, 545-1672

Best Music/Instruments Store

Zone Music
7884 Old Redwood Hwy., Cotati, 664-1213

Honorable Mention

Stanroy’s Music Center
741 Fourth St., Santa Rosa, 545-4827

Best Natural Foods Store

Food for Thought/Whole Foods

Honorable Mention

Community Market
1899 Mendocino Ave., Santa Rosa, 548-1806

Best New-Age Emporium

Opened Heart

Honorable Mention

Milk and Honey

Best Optical Store

Optical World
1054 Santa Rosa Plaza, Santa Rosa, 544-3000

Lenscrafters (chain)
2033 Santa Rosa Plaza, Santa Rosa, 544-0924

Best Outfitter

Sonoma Outfitters
145 Third St., Santa Rosa, 528-1920

Honorable Mention

Marin Outdoors
2770 Santa Rosa Ave., Santa Rosa, 765-4512

Best Shoe Store

Sole Desire
441 Coddingtown Mall, 571-8643; 2411 Magowan Drive at Montgomery Village, Santa Rosa, 542-1690

Honorable Mention

Concrete Jungle
109 Third St., Santa Rosa, 544-4327

Best Shopping Plaza

Santa Rosa Plaza
1071 Santa Rosa Plaza, Santa Rosa, 575-0115

Honorable Mention

Coddingtown
733 Coddingtown Mall, Santa Rosa, 527-5377

Best Shoe Repair

Rino Shoe Renew
7112 Bodega Ave., Sebastopol, 823-9641

Honorable Mention

Tate’s Shoe Repair
402 1/2 Medocino Ave., Santa Rosa, 545-3859

Best Ski Shop

Santa Rosa Ski & Sport
1125 W. Steele Lane, Santa Rosa, 578-4754

Honorable Mention

Sonoma Outfitters

Best Snow/Skateboard Shop

Brotherhood
1216 Mendocino Ave., Santa Rosa, 546-0660; 455 W. Napa St., Sonoma, 939-9283

Honorable Mention

Santa Rosa Ski & Sport

Best Sporting Goods

First Place (tie)

Marin Outdoors

Big 5 (chain)
360 Coddingtown Mall, Santa Rosa, 575-8475

Honorable Mention

Sonoma Outfitters

Best Surf Shop

Brotherhood
1216 Mendocino Ave., Santa Rosa, 546-0660

Honorable Mention

Bodega Bay Surf Shack
1400 Hwy. 1, Bodega Bay, 875-3944

Best Tanning Salon

Great Sensations
508 Seventh St. (Brickyard Center), Santa Rosa, 545-6786

Honorable Mention

Wine Country Tanning
100 E St. Suite 108, Santa Rosa, 579-1826

Best Thrift or Secondhand Store

Salvation Army
1059 Second St., Santa Rosa, 542- 0981

Honorable Mention

Goodwill
651 Yolanda Ave., Santa Rosa, 523-0550

Best Travel Agency

Dirt Cheap Travel
307 S. Main St., Sebastopol, 824-2550

Honorable Mention

Flying Dutchmen Travel
1006 Mendocino Ave., Santa Rosa, 546-1212; 8 E. Washington St., Petaluma, 763-5540

Best Tutor

Amathoasis
224 Washington St., Petaluma, 778-7577; 7203 Bodega Ave., Sebastopol, 829-7254

Honorable Mention (tie)

Anne O’Brien

Mare Memck

Best Video Rental

Box Office Video of Sebastopol
6960 McKinley St., Sebastopol, 823-9798

Honorable Mention

Bradley Video
56 Mission Circle, Santa Rosa, 538-7752; 3080 Marlow Road, Santa Rosa, 579-4473; 7271 Snyder Lane, Rohnert Park, 792-1644

Best Vinyl (Record) Store

Last Record Store
739 Fourth St., Santa Rosa, 525-1963

Honorable Mention

Incredible Records
112 Main St., Sebastopol, 824-8099

Best Way to Cut Expenses

Stay Home

Honorable Mention

Ride the Bus

From the March 23-29, 2000 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Pat Metheny

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From the heartland: Jazz guitarist Pat Metheny.

3’s Company

Pat Metheny brings new trio to LBC

By Greg Cahill

TAKE A PEEK at Grammy-winning guitarist Pat Metheny’s record label bio and sooner or later you’ll catch the phrase “recorded while on vacation.” It seems that the prolific jazz player just can’t sit still. “I’m very active musically, there’s no doubt about it,” he confesses, during a phone interview from New York, when asked if he ever takes a day off to go fishing. “But I really enjoy all kinds of things other than music. I have no problem at all not even touching a guitar for a week or two at a time. Honest.

“That’s something I can easily do.”

Over the years, and between recordings with the Pat Metheny Group–which are often a two- to three-year process, from conception to final recording–Metheny has managed to complete a variety of side projects, including his recent film score for A Map of the World and Trio 99>00, both on the Warner Bros. label.

“During those periods, I’ve recorded several solo things or frequently sat in as a sideman,” he explains. “I really love the variety I’m able to enjoy in my life as a musician. It’s so cool. And, in a way, that is the way I spend my vacations.

“For me, playing is fun. It’s never anything but a good thing.”

Those two most recent projects, released just weeks apart, presented quite different challenges. A Map of the World is Metheny’s 10th film score, although only the fourth released on CD. “Writing for film is a very particular kind of discipline,” he says. “In many ways, it’s the antithesis of being an improviser. Yet, at the same time, the two styles kind of inform each other. And each score is wildly different: a different director, a different cast of characters, a different story.

“This particular one was the most satisfying. For one thing, it was a great novel [by Jane Hamilton], and the tone of the musical score really was finished by the time I finished reading it. Most people don’t realize it, but the nuts and bolts of writing music for a film happen very quickly. I had 13 days, from the time the director had a final edit until we were in the studio to record the score. That’s a lot of music to come up with in a short time.

“But this project absolutely was worth every bit I could throw at it. It was a very stimulating project.”

ONE FAMILIAR quality that permeates the richly textured score–sometimes solo acoustic guitar, sometimes augmented by a chamber orchestra–is the Midwestern expansiveness that marks so much of Metheny’s recorded work. That’s a quality that some critics love to hate. Opined Downbeat critic John Ephland in his recent three-and-a-half-star review: “Like so much else Pat Metheny’s created over the years, this is dream music, plain and simple. Gorgeous stuff, but dream music just the same.”

But Metheny is unapologetic about the dreaminess that colors his emotional landscapes. He attributes his distinctive style to his Missouri roots and the vastness of the region’s infamous big-sky country.

“That’s something that’s been with me all the time, right from the beginning,” he explains. “Even the geography out there always inspired me–the openness of it–and even the distance between events is bigger. It’s a place I go back to a lot while I’m playing.

“I often think about that aesthetic and leaving room for things to happen.”

THEN THERE’S the other side of Metheny–the energetic and engaged guitarist who has now recorded four of the most revered, studied, and influential guitar trio albums of our time. As with a previous Metheny trio, which recorded the acclaimed Question and Answer, this trio came together as the guitarist finished a two-year stretch of recording around the world with his regular group. For his “vacation” period, Metheny decided to find a couple of like-minded players and continue once again to expand on his unique vision of what a guitar-led, improvisationally driven three-piece ensemble can suggest within this modern culture of music.

Metheny describes his latest trio CD–recorded with bassist Larry Grenadier and drummer Billy Stewart–as “a snapshot of three guys playing, a moment in their musical lives together.”

The impressive project was recorded in just two days, following a brief summer tour together. “As the tour progressed, I realized there was something emerging between the three of us, and it would have been a mistake not to document it,” Metheny says. “There was a chemistry there that was very cool.

“The trio is a very particular kind of animal,” he continues. “It’s a very stimulating environment to play in. It’s such a balanced musical environment. Three people in any kind of music–whether it’s classical, jazz, rock, or whatever–[can play] the right amount of lines that people can keep track of. It’s sort of transparent for the listener, in a very good way. And, for the player, each guy has to hold up his end of the triangle to keep it afloat.

“It’s just fantastic because those guys are just like me in that they don’t have an idiomatic alignment–they’re ready to play just about anything.”

The Pat Metheny Trio performs Thursday, March 30, at 8 p.m. at the Luther Burbank Center, 50 Mark West Springs Road, Santa Rosa. Tickets are $32.50. 546-3600.

From the March 16-22, 2000, 1999 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Potluck

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Feeling Lucky?

The joys of sharing the pot

By Marina Wolf

IN FOOD, as in everything else, we reject our parents. It starts as early as the high chair, with screaming and strained carrots, and continues until we leave home, swearing that we will never eat that bourgeois swill again. But give us a circle of hungry friends, a limited budget, and a desire for something other than Top Ramen, and we invariably arrive at the solution that generations have turned to: the potluck.

My friends and I discovered potluck in our sophomore year of college, that awkward time of life when the dormitories no longer wanted us, but somehow we still needed to eat every day.

On the outside, our potlucks looked nothing like the church dinners of our parents’ generation–brown rice and soy sauce vs. instant rice in mushroom sauce–but they served the same function: a reminder of community, a dinner-table declaration of interdependence.

Our potlucks kept us sane and social, and supplied a full day’s dietary requirements to boot. They were a taste of utopian socialism: from each according to ability, to each according to need. Those who could cook, did. Those who couldn’t, brought the booze, kept the stereo rolling, or did something–anything–for the edification and amusement of the party.

One boyfriend of mine, for example, could barely make ice cubes, but he played a raucously funny bluegrass guitar, so we let him play and fed him well.

Those potlucks went beyond socializing: they socialized us as well. They taught us to be on time (if I was late with the main dish, all these other starving students would starve for an extra half hour!). They taught us how to shop for things other than corn chips and canned soup.

Above all, they taught us diplomacy and tact. Let’s face it: young adults can be really rude, and some of the dishes brought to our gatherings probably deserved to be roundly mocked for their appearance and inedibility. But we never dreamed of criticizing each other’s food; we didn’t even have a framework for that. We knew nothing yet of flavor affinities or textural contrasts.

All we knew was that we were trying to take care of each other, and if the final dish didn’t fully express the cook’s regard, well, we didn’t take it personally.

The fault was in the translation; effort was what counted. We ate each dish with a deep, if inarticulate, appreciation for the intent that brought it forth.

Of course, good feeling alone does not feed the hungering hordes. As it turned out, research and planning, which defined our college education and drove us nuts, were the very elements that held our feasts together. A strictly laissez-faire approach to potluck brings on the worst sort of luck. Like the Titanic, an unplanned potluck could grind to a shuddering halt, with five tubs of store-bought baba ganoush languishing, pita-less, near three six-packs of light beer. After a couple of such disasters, we delved into The Moosewood Cookbook and Diet for a Small Planet, and explored mixes of tabbouleh and different kinds of salsa. We derandomized the occasion and imposed order on chaos, with phone calls and scribbled charts and lists, sometimes loaning cookbooks in a broad sort of hint.

SO WHY the hassle? Well, it was a little cheaper, in both time and money. Cooking for four or eight takes about as much time as cooking solo (unless you’re doing something with phyllo dough, which was way beyond us, anyway). And since nobody would ever say anything about the results, potlucks were always a great excuse to experiment a little. We all learned a lot in those days, thanks to potlucks. We learned to line our burners with foil, and line our stomachs with something a little oily before pouring any strong drinks. We learned about French presses and tequila poppers, falafel and wild rice. We learned about complementary proteins and room-temperature salads. New ingredients and condiments, such as pesto and chutney and sesame seeds and pepperoncini, emerged at these semi-festive gatherings.

In fact, my first encounter with raw fresh garlic, as opposed to powder, occurred while I was preparing a lentil soup for one of our potlucks.

Heloise would have been proud of the conclusions we reached on our own. But there was no other way to learn. Coming from our mothers, it would not have carried the same weight. We would have brushed off the helpful hints and recipe cards as carelessly as we’d knocked the strained carrots away 18 years before. No, some things need to be learned through trial and experience, some instincts aroused through exposure to the most fundamental choice: share or starve.

SO WE DID. Share, that is. Many of our landmark events–engagement parties, St. Patrick’s Day, finals weekend–were marked by these collective dinners. My girlfriend and I even did potluck for the reception that followed our commitment ceremony. The whole event was BYOE: Bring Your Own Everything. One friend planted cheap annuals along the backyard path that led to our ceremonial space. Another laboriously hand-stitched a memory wall hanging, with the date of our ceremony and a pocket for fabric pens.

We assembled and decorated our own cake, complete with two brides in a lopsided cloud of butter-cream frosting, but the rest of the food was brought by friends and family: piroshki and vodka from my new mother-in-law; crudités from housemates; crackers and cheese from a mutual friend. A fellow from one of my political-action groups outdid himself with fresh figs stuffed with cream cheese. Other than that, it was a simple reception. The food fit (barely) on our kitchen table, and love flavored every single bite.

From the March 16-22, 2000, 1999 issue of the Sonoma County Independent.

© Metro Publishing Inc.

New Jazz CDs

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Jazz Notes

A spring fling of new jazz CDs

By Greg Cahill

Steve Lacy and Roswell Rudd Monk’s Dream Verve

THE VERVE label does its share of aggressively marketing commercial jazz, but also knows when it’s time pay the jazz gods. Signing these two fiercely independent avant-jazz greats to a major label should appease those deities for quite a time to come. Lacy–a recipient of a 1992 MacArthur Foundation genius award and former Thelonious Monk quintet member–earned his reputation as the undisputed master of the soprano saxophone and as a relentless individualist. Trombonist Rudd has contributed to groundbreaking work with Archie Shepp, Carla Bley, Cecil Taylor, and many others. His solo CDs give new meaning to the term hard-to-find, but are well worth the pursuit. Together, these guys are musical magic–settling over the psyche in often challenging improvisations that never fail to live up to the wild spirit of Monk’s dream. File under: jazz–indeed. Catch them Saturday, March 18, at the Noe Valley Ministry in San Francisco at their only Bay Area performance.

John Scofield Bump Verve

AS A ONETIME member of the Miles Davis Band (from 1982 to 85), jazz guitarist John Scofield is no stranger to jazzy funk. But Scofield all but disowned A Go-Go, his much-anticipated but dreadfully uninspired 1998 collaboration with soul-jazz wunderkinds Medeski, Martin, and Wood–the trio also dissed A Go Go in interviews. This contagiously funky instrumental disc–interestingly with MMW bassist Chris Wood on board–more than makes up for the sins of A Go Go.

Mark Turner Ballad Session Warner Bros.

Known as a hard-driving postbop tenor saxophonist heavily influenced by John Coltrane, the 35-year-old Turner delivers one of the most satisfying collections of jazz ballads in years. His timbre is reminiscent of Trane’s, but Turner has a lyrical sense that surpasses his youth and often reminds the listener of the underrated Frank Morgan. Don’t settle for mundane “dinner jazz” when you can savor Turner’s full-bodied tenor.

McCoy Tyner with Stanley Clarke and Al Foster McCoy Tyner with Stanley Clarke and Al Foster Telarc Jazz

Kenny Barron Spirit Song Verve

PIANIST KENNY BARRON remains one of the most criminally ignored geniuses in the genre. While McCoy Tyner gets a lot of attention these days, despite a technically precise style that is often forgettable 10 minutes after you hear him, Barron has displayed flashes of real brilliance, no matter what the setting. After spending four critical years with Dizzy Gillespie, 57-year-old Barron honed his chops with Yusef Lateef and Ron Carter before recording a CD of brilliant piano duets on the late Stan Getz’s last sessions. His new Spirit Song finds the veteran pianist in an octet with newcomer Regina Carter on violin and with seasoned horn men Eddie Henderson and David Sanchez in an often adventurous series of songs (guitarist Russell Malone shines on the title track). Tyner’s latest disc features some of his prettiest work, but even Stanley Clarke’s long overdue return to straight-ahead jazz fails to inspire him to push the envelope. Still, that’s no reason not to sit back and enjoy the deliciously breezy “Goin’ Way Blues,” which finds Tyner sounding more and more like Vince Guaraldi.

Terence Blanchard Wandering Moon Sony Classical

THEY SAY JAZZ is America’s classical music, and that must account for the number of jazz artists drifting over the the Sony Classical signature. The twice-Grammy-nominated trumpeter–known in recent years for such acclaimed film scores as Jungle Fever and Malcolm X–returns to his hard bop roots with his first album of straight-ahead small combo jazz in five years. With a band that features tenor saxophonist Branford Marsalis, bassist Dave Holland, and pianist Edward Simon, Blanchard deftly blends jazz and classical elements to show why he remains the most innovative of the first wave of young jazz lions.

Dave Douglas Soul on Soul: A Celebration of Mary Lou Williams RCA Victor

DUKE ELLINGTON once said of Georgia-born pianist, composer, and bandleader Mary Lou Williams, “Her music is perpetually contemporary. . . . She is like soul on soul.” Avant-jazz figure Dave Douglas, considered by some to be the most original trumpeter of his generation, pays homage to Williams, who died in 1981, with four Williams covers and several exuberant originals rhythmically inspired by the late jazz great, one of the few jazz instrumentalists to gain acceptance in the male-dominated jazz world of the ’40s, ’50s, and ’60s, and one of the few female bandleaders of her time. This release may be the premiere event of Women’s History Month. Highly recommended.

From the March 16-22, 2000, 1999 issue of the Sonoma County Independent.

© Metro Publishing Inc.

‘How I Learned to Drive’

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How I Learned to Drive.

Survivor’s Tale

Incest wreaks emotional ruin in ‘How I Learned to Drive’

By Daedalus Howell

FOR SOME, the subject of Actors’ Theatre’s production of Susan Vogel’s play How I Learned to Drive may herald a red light. A seriocomic examination of child molestation cozied into a driver’s ed subplot, Vogel’s Pulitzer Prize-winning work offers a disquieting look at the emotional ruin wrought by the unhealthy relationship between an uncle and his niece.

Li’l Bit (Coco Tanner-Boylan) and Uncle Peck (Tim Hayes), nicknamed for their respective genitalia, hail from a white-trash family that boasts more crackers than a Nabisco factory. As Li’l Bit avers early on, “Family is an acquired taste–like French kissing,” and indeed, despite the tawdry aspects of her kin (a collection of mentally compromised freaks), one cannot help but warm up to them through the course of the show.

Though somewhat handicapped by a potholed “road of life” metaphor, Vogel manages several interesting left turns in a narrative that switches from past events to present ruminations. Her script, however, is more than the average survivor’s tale. It is literature of a caliber seldom seen in contemporary theater.

Tanner-Boylan’s portrayal of Li’l Bit is both profound and devastating. One of the more remarkable actresses on the local stage, Tanner-Boylan displays an astounding emotional elasticity. Her character’s laughter gives way to waterfalls of tears in the turn of a phrase, and her jollity melts into melancholy when she delivers such cryptic lines as “That was the last day I lived in my body.”

Hayes’ Uncle Peck is a chilling melange of motor enthusiast and pedophile, deceptively drawn by the actor as a sympathetic character. This challenging interpretation makes Peck simultaneously contemptible and pitiable, and by any measure marks a triumph for Hayes. When Uncle Peck quietly intones, “Nothing is going to happen to you until you want it to. Do you want something to happen?” audiences will surely shudder.

To prevent the show from crossing the double yellow line into serious downer territory, director Sheri Lee Miller adds levity with the hilarious antics of three chorus characters (Sheila Groves, Robert Mateucci, and Laura Odeh), who brighten the stage with song and dance numbers.

Groves also shines during a cameo as Li’l Bit’s mother, who effectively locks the door on future emotional communication by chiding the then 11-year-old character for whatever grief may befall her if she takes a day trip with Uncle Peck.

Though some may find this production troubling or even overwhelming, at the very least it will start one re-evaluating two classic American obsessions: cars and teenage girls. In the capable hands of Actors’ Theatre, How I Learned to Drive garners a well-deserved green light.

How I Learned to Drive hits the stage on Thursday, March 16, at 8 p.m.; on Saturday, March 18, at 4:30 p.m.; and on Sunday, March 19, at 2 p.m. The play continues through April 9 at Actors’ Theatre, LBC, 50 Mark West Springs Road, Santa Rosa. $10-$15. 523-4185.

From the March 16-22, 2000, 1999 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Usual Suspects

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Planned November transit measure hits a political roadblock

By Janet Wells

IN THE WAKE of underwhelming voter support for Measure B, its pet widen-the-highway measure, Sonoma County’s pro-development community seems to be busy licking its wounds. It’s got to be a bit embarrassing, after all. With barely a whisper of a campaign, the ballot’s fledgling public-transit initiative, Measure C, mustered more votes than Measure B, whose backers rained down a major blitz the weekend before the March 7 election.

Sam Crump, who spearheaded the Measure B campaign, didn’t return calls from Usual Suspects this week, but his dismay is apparent in published reports: “It’s incredible and absurd,” he says of the election results. “I don’t know if it was a backlash or what. Perhaps the misinformation campaign against us was effective, but I can’t think of anything else we could have done better.

“It’s just very strange.”

The $17,000 “misinformation campaign” of the anti-Measure B forces was successful in thwarting Crump and company’s $827,000 campaign to get the required 66.7 percent of the vote to raise sales taxes. Measure B received 58.4 percent approval for raising taxes one-half percent over eight years to pay for an additional lane in each direction on Highway 101. Measure C received 60.2 percent for raising taxes one-quarter percent over 16 years to pay for local road improvements and public transit.

“I am happily surprised that Measure C did better than Measure B. It demonstrates clearly that there is far more public support for mass transit than for [Highway] 101,” says Mark Green of Sonoma County Conservation Action.

“Some interesting lessons have come out of this,” he adds. “You can’t buy a super-majority under any circumstances. I believe it has always been the back-pocket strategy of business leaders that they would blow right past us with a fat checkbook.”

Green, like many environmentalists, can’t help but gloat just a little over the election outcome. “The big-checkbook employers, the chamber of commerce folks, they have thought of themselves as the rulers of the universe for a long time,” Green says. “In the past 10 years the environmental community has become more and more of a participant, and business doesn’t like it. They are going to have to have some strange bedfellows, and it makes them mad.”

After almost two decades of wrangling over Sonoma County’s increasing traffic problems, and three failed attempts to raise taxes for transit projects, it might seem that the area’s diverse population is fatally at loggerheads. Another ballot measure in November is unlikely. But efforts are once again under way to forge a workable détente.

Rick Theis, chairman of the Sonoma County Transportation and Land-Use Coalition, sent a letter last week to Sonoma County Supervisor Mike Reilly, chair of the Sonoma County Transportation Authority, calling for a regional transportation summit.

THEIS envisions a summit that includes representatives of various community groups, the Metropolitan Transportation Commission, and CalTrans, “so we have definitive answers on what’s in the pipeline and what we can expect to be funded from gasoline taxes and state and federal sources of revenue,” he says. “Until now, it has been our camp against your camp. This kind of narrow-minded thinking has no future when it comes to planning for our quality of life.”

More discussion sounds good to AnnaLis Dalrymple of Greenbelt Alliance, as long as the “average community citizen” is invited to the table and growth and long-range planning are part of the focus.

“We have got to find a holistic solution,” she says. “There are some issues that are not so obviously transportation that have got to be brought into the discussion–housing, jobs, agricultural land protection–all are issues that have to be part of the solution. We can’t address just one piece of the pie and not expect to have a really messy situation on our hands.

“I’ve talked to people who don’t want to widen the highway or to have a train, because they want congestion,” Dalrymple adds. “They want to prevent growth,” she says. “Road rage is ugly, and it’s not a good idea to keep that frustration.

“But before opening the floodgates for sprawl, we need to have a blueprint for the future.”

From the March 16-22, 2000, 1999 issue of the Sonoma County Independent.

© Metro Publishing Inc.

‘Wonder Boys’

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One-time bad boy Lewis Nordan on the mathematics of writerly failure, the myth of the tortured artist, and the new film Wonder Boys

Writer David Templeton takes interesting people to interesting movies in his ongoing quest for the ultimate post-film conversation. This is not a review; rather, it’s a free-wheeling, tangential discussion of life, alternative ideas, and popular culture.

“You know, all things considered,” states author Lewis Nordan, “seven years isn’t all that long. It’s not that long at all.”

Nordan is referring to the seven years that it has taken Grady Tripp–the irresponsible, pot-smoking, writer-hero of the new film Wonder Boys–to compose his second novel, a follow-up to his award-winning first effort, something called The Arsonist’s Daughter.

Owing to the ego-bruising lag time, Tripp (well played by Michael Douglas) has suffered a professional pummeling at the hands of his colleagues and critics, a psychic drubbing that only makes his problem worse.

Nordan is the enigmatic Mississippi-born force behind a wonderful bevy of Southern tragic-comic-folk-cult-favorite novels–Wolf Whistle, The Music of the Swamp, Sugar among the Freaks, and Lightning Song, to name a few. He, too, has gone as long as seven years between books, and yet no one would dream of suggesting that his career has ever been anything like over.

On the contrary, in conjunction with the release of Nordan’s brand-new Boy with Loaded Gun –a jaw-droppingly honest memoir that leaps from the author’s bizarre and magical childhood to his struggles with alcohol, infidelity, and his son’s brutal suicide–booksellers across the United States celebrated the event with such off-beat happenings as arrow-catching contests, massive public Nordan-o-thons, and live llama races.

Grady Tripp should be so lucky.

Wonder Boys is based on the novel by Michael Chabon, a celebrated alumnus of the University of Pittsburgh, which is the main setting of the book and film and the primary location of Nordan’s between-the-books income. He’s been a professor of creative writing there for many years.

And speaking of years . . .

“Seven years really is nothing for a novelist to wait on writing another novel,” Nordan insists. As evidence, he cites the name of Donna Tartt, another Mississippi-born writer and the author of the bestselling 1982 thriller The Secret History. “She gained all that money and fame for her first novel, and yet the second one has never appeared,” he says.

Then there’s Frank Conroy, who published the cult classic Stop-Time in 1967 and didn’t write another book until Mid-Air in 1985. In between, he remained an omnipresent figure at writers’ conferences around the country.

“He was respected and famous even though he didn’t publish any books for years,” says Nordan. “So seven years seems too soon to say that Grady Tripp was all washed up.”

Wonder Boys–with its motley cast of book-writing characters (including Tobey Maguire as a suicidal literary genius and Robert Downey Jr. as a gleefully hedonistic, drug-addled book editor)–is a veritable parade of agonized artists, happily wallowing in their own misery. In many ways, Wonder Boys is about misery. At the very heart of the movie, and to a degree, at the heart of Nordan’s own alcohol-fueled history, there writhes an enduring old myth: that of the brilliant-but-tortured writer.

“Of course, the mythological part is the notion that you need the torture in order to be a writer,” says Nordan. “It’s the idea that if you were to quit drinking or using you would lose the capacity to feel as a writer feels, or to do as a writer must do.

“It’s not that writers don’t act as if that is true,” he admits. “But it still isn’t true.”

Toward the end of Boy with Loaded Gun–which Talk magazine listed as one of 10 books that will “keep you talking all month long”–a now-sober Nordan writes, “Hard drinking was part of the romance of writerly suffering. I sincerely believed this part. When I finally quit drinking years later, I believed that I had also quit writing, the two were so intricately woven into a single fabric in my imagination.”

Did Nordan really believe that sobriety would mean an end to his writing career?

“I did indeed,” Nordan says. “I thought, ‘Well, this is the end. I’ll save my life by stopping my drinking, even though I know my ability to write will fall away.’ But it didn’t. I made this big, melodramatic choice of ‘Life over Art’–and then found out I hadn’t given up art at all. I could have both.”

In fact–mirroring the sentiment of Grady’s concerned student-border, who boldly suggests that her landlord’s writing might go more smoothly if Tripp wasn’t always stoned–Nordan feels that he’s become a much better writer since giving up the bottle.

“Oh, I do,” he says, with a sharp-edged chuckle, “and not just because I’m a living writer instead of a dead one. After I quit drinking–even though I was very frightened, and really couldn’t write for a while–I began to see more clearly, to sense intuitively what I had been doing as a writer, and to recognize what I needed to do to build on that.

“I’m convinced that I wouldn’t have been there without sobriety.”

Which brings us back to Wonder Boys and poor old Grady Tripp, who, in the movie at least, ends up losing almost everything but somehow stumbles into a kind of bittersweet redemption.

“That’s another thing that bothered me,” Nordan remarks. “In the end, Grady’s psychological problems were allowed to just dissipate. We didn’t see how a person comes to grips with his life crashing in on him like that.”

Instead, as in some fairy tale, a wish is made and every problem disappears–without much effort or concentrated self-improvement from Tripp.

“Take it from me,” Nordan says, “whether you’re a writer or not, tortured or not–your life doesn’t get better until you make it better.”

From the March 16-22, 2000 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Hoarding

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Clutter Busters

Deconstructing our acquisitive human nature

By Bill Strubbe

THE RED T-SHIRT I usually wore on the job read: “Obey Me.” Though I once did facetiously return to a particularly recalcitrant client’s house with a cat-o’-nine-tails, the whips and paddles in my arsenal were more figurative than literal. That clients had dialed up Clutter Busters was a sure indication that they’d already traversed some crucial inner line of demarcation to acknowledge that they were helpless helpless: in the face of their amassed junk and in need of a “professional organizer” to help deconstruct their chaos.

Milder cases simply needed assistance in cleaning out the garage or rearranging their home office. Others were truly desperate. One client shoved a dresser in front of a bursting closet; another rented a parking space because his garage was a tinderbox crammed with newspapers; another’s husband had given her the ultimatum–her stuff or him.

It wasn’t until about four months into my moonlighting career that it belatedly dawned on me that these worst-case scenarios were not just lazy stuff-sluts, but that something beyond the pale of run-of-the-mill human behavior was at play here. I should have been forewarned when the caller asked if I had a pickup truck. Still unsuspecting, when the door opened, I was nearly bowled over by the stench.

Recovering from momentary shock, I resisted the urge to pronounce in my best Bette Davis voice, “What a dump”–which it was, literally.

Unless you’ve actually entered a horror house like this, you’ll deem my account more fiction than fact. The five rooms were accessible via narrow trails blazed through waist-high garbage. The bed had long ago disappeared under a drift of clothes, books, newspapers, and unimaginable things. In the kitchen, filthy dishes and pots and pans encrusted with blackened crud were heaped everywhere.

I shuddered as something small and furry disappeared under a pile of boxes. And the bathroom . . . well, I’ll spare you.

Ever optimistic, the man, perched on a corner of the couch–the only uncluttered surface–asked, “Can you do it by Friday? My landlord is going to evict me unless it’s all out.”

When I asked how he planned to pay me, he replied matter-of-factly, “I thought there might be some things here that you’d want in trade.”

Incredulously, as I scanned the room, daftly thinking I might have overlooked a valuable antique or piece of artwork, I realized that all of this stuff was of value to him. My irritation quickly waned in the face of this belated revelation. I wished him good luck and left; I couldn’t wait to get home and shower. Initially, I found them rather pitiful, these crucibles of chaos couched in a myriad of inane rationalizations. But I was being paid–rather well, in fact–so I’d mask my disdain and feign sympathy while the more extreme hoarders dismantled their armor of junk, shielding what I imagined were grievously wounded souls.

The kinks in the psyches behind this passion to amass intrigued me, made me ponder the origins of the acquisitive nature of human beings.

PEOPLE OFTEN wonder what grants me the credentials to be a professional organizer and turn a stranger’s house upside down and inside out. Certainly no college course offers Mess Management 101, but it does help that I’m big, somewhat intimidating, and naturally bossy.

That my decidedly recessive shopping gene manifests an aversion to malls and department stores adds to my résumé. Perhaps because I’ve moved enough times to embody the axiom that a rolling stone gathers no moss, I’ve garnered a modicum of authority to encourage/cajole others to winnow their possessions down to the essentials.

But who among us doesn’t collect something or another? Growing up, I had a penchant for psychedelic Fillmore Auditorium and Avalon Ballroom posters. My sister collected spoons; my mother, native California Indian artifacts; a friend, dead insects entombed in Elmer’s glue. Even the dearly departed aren’t exempt–though it’s highly unlikely they give a damn. The Egyptians established an entire culture around catering to the needs of the dead. In China, thousands of terra-cotta soldiers and horses march into eternity with an emperor.

Apparently acquisitiveness is imbedded in our human genes.

But the boundary between collecting as hobby and hoarding as illness becomes obscured when a neighbor’s collection of 1,455 snails–cuff links, jewelry, ceramics, dishes, carpets, etc.–takes up every square inch of house space; or when Aunt Nell must rent a storage unit to house her collection of books, most of which she’s never read and never will.

My first encounter with pathological hoarding was at a relative’s. Her living room’s most impressive feature–besides the hideous stench–was the endless stacks of newspapers and magazines covering floors, tables, couches, and chairs. When I asked why, she explained that she planned–someday–to clip out interesting articles for a folder. She added that the newspapers kept the cats–she had dozens of them–from climbing up and peeing on the chairs, except for the one unobstructed armchair in the corner, whence arose the stink.

My subsequent experience with hoarding occurred in Israel, where I lived on a kibbutz. While taking afternoon tea at an elderly couple’s house, I went to retrieve sugar in the kitchen. I opened the cupboard and was startled to see enough provender and supplies–distributed free on the kibbutz every week–to last half a lifetime.

I snooped into other cupboards, and it was the same: top to bottom with soap, toothpaste, shampoo, vanilla packets, baking powder, raisins, nuts, powdered tahini, Osem soups, matches, toilet paper, matzos, Shabbat candles, etc. Later, I learned that they had both survived World War II.

Though they now live in a relatively safe place, their psyches, forever scarred by lack and deprivation, have made manifest in cupboards and closets the corollary “I shall not want” to their pledge of “Never again.”

AS A COUNTY mental health worker in California, Jane Walberg encountered numerous intractable hoarders and related this story about a former resistance fighter in World War II. “Inside her front door was a dead cat being eaten by creatures,” Walberg recalls. “To get from one room to another you had to crawl on your stomach over mountains of garbage that reached almost to the ceiling. Her husband, who drank heavily, moved out to the garage, then moved back into the house.

“He died, and two weeks later they found his body buried in all that stuff.”

At first glance, to a novice like me, hoarding seemed to be engendered by a scarcity mentality anchored in some past trauma–the Holocaust, the Depression, or unpleasant familial experience. Formerly, behavioral scientists believed that excessively rigid childhood family relationships played a role in obsessive-compulsive disorders, or OCDs.

But it appears that hoarding, like an increasing number of aberrant behaviors, is not the roguish choice of a free will, but is in the sway of some molecular imbalance, a fluke of chemistry.

When asked what I wanted to be when I grew up, it’s not as if I replied, “Oh, maybe a fireman, a doctor, or a professional organizer.” My Clutter Buster career didn’t coalesce until decades later, after I tackled–and perversely enjoyed–organizing a friend’s immense basement, consolidating all like items, such as light bulbs, paint cans, Christmas decorations, tools, and pink tulle, in one place.

Friends joked that maybe I could earn money from this new “skill.” Later, I discovered in the Yellow Pages six listings under professional organizers and then bumped into an old friend exploring the same line of work. He invited me to attend a meeting of the local chapter of NAPO, the National Association of Professional Organizers. Seventy people attended–all women except for four men–and, as you might well imagine, the meeting itself was very organized. With about 1,600 members nationwide and an annual national convention, the association demonstrated that professional organizers are in a booming business. Encouraged, I placed a few ads in local rags and made a go of it.

Then, by word of mouth, business took off.

The general plan of attack was this: one pile for the garbage bin; one for the Goodwill (if you hadn’t worn/used/tasted it within a year, it was out); one for items to give to friends; the rest to keep. Negotiations were allowed–though I usually prevailed–and when a stalemate was reached, there was the “Maybe Box” for the terminally indecisive. The operative words here were “Obey Me,” and my clients usually did. Though I’d kid around to try and make it fun, I was one strict mother (fucker) superior, and occasionally I made people cry.

Over time, as I learned more about hoarding, my harsh judgments–perhaps backlash to my own closeted acquisitive inclinations (occasionally I kept for myself choice items being tossed)–were mitigated with a modicum of compassion.

Hoarders are not just bums; they truly cannot help themselves.

“A hoarder perceives a great need for a particular piece of junk,” explains Sanjaya Saxena, M.D., assistant professor in UCLA’s department of psychiatry and director of its Obsessive-Compulsive Research Program. “A plastic McDonald’s cup may be junk to anyone else, but a hoarder may inexplicably express some sentimental attachment to it, or [not] want to throw it away because there might be something valuable inside (money, jewelry, lotto tickets).”

“They always have come up with some reason or future need for it,” explains John Gillette, M.D., staff psychiatrist with Community Mental Health and Older Adult Services in Santa Cruz. ” ‘I’m saving it for my grandchildren,’ or ‘I love literature and am going to read that book someday.’ They know enough to put you off with a logical excuse.”

IN OCD’s extreme form, even bodily excrement is not exempt from being saved. An elderly woman and her grown son used the guest bedroom as their lavatory. Another wouldn’t flush her excrement down the toilet, saving it and her urine instead in Tupperware. One man shat in his socks, then returned them to the drawer.

Scavengers, pack rats, and junkaholics are lay terms, but the clinical appellation for their disorder is obsessive-compulsive hoarding–defined as “the acquisition of and failure to discard possessions which appear to be useless or of limited value,” a relatively new frontier in psychotherapy circles.

Although hoarding behavior may manifest in people suffering from psychosis, brain damage, or dementia, most severe hoarding appears to be a subtype of OCD and is usually coupled with other OCD behavior such as compulsive counting, hand washing, checking (making sure the stove is off), and organizing (never mind!)

Studies carried out by an expert in the field, Randy Frost, Ph.D., and a National Institute of Mental Health survey, both estimate that between 2 and 3 percent of the population suffers from OCD–creating around $8 billion annually in social and economic losses, with about 15 percent to 30 percent of those OCD sufferers experiencing hoarding as their primary symptom.

“OCD hoarding is an extremely confounding disorder, difficult to treat, and in severe cases life threatening,” explains Dr. Gillette, who has worked with the elderly for more than 25 years. “Outdated food spoils, accumulated food and feces breed health problems, little critters move in, and stacked newspapers and magazines become fire hazards.”

Indeed, a friend’s mother’s house which was crammed from basement to attic with garbage, burned to the ground last year.

In one study of children who suffered from OCD, 20 to 70 percent of first-degree relatives also exhibited significant signs of OCD. It is now widely believed that hoarding, like other OCDs, has a strong genetic component and often runs in families, as in Barbara’s.

Both of Barbara’s parents were hoarders, and as a child she collected rocks, shells, leaves, and flowers pressed in books, and assorted insects kept in jars for show-and-tell. She particularly treasured books–“I go into a trance when I look at books,” she says.

Now, at 62, Barbara has walls lined with tomes. Her collection–estimated at 50,000 editions–rivals the stock of nearby bookstores. Her formidable stash also includes LPs, videos, audiocassettes, computer stuff, tools, craft materials, odd pieces of fabric, beads, shoes, hats, gloves, scarves, purses, tote bags, cat paraphernalia, radios by the dozen, mirrors, beer steins and liquor glasses, ashtrays, exercise gear she never used (she’s “exercise intolerant”), baskets, and advertising art like “Absolut Vodka” and “Got Milk.”

All this booty is stashed in her 12-by-16-foot single-wide mobile home, which she has humorously dubbed her “Pack Rat Aversion Therapy Center.” A narrow “goat trail” necessitates scooting sideways from the front door, down the hall, and into the kitchen, which she can barely use. She fears that “the floors may cave in under the load” and that the Health Department or the manager of the complex will evict her.

The medically prescribed Paxil that Barbara takes daily has helped combat her depression and anxiety, but hasn’t stemmed her hoarding. She carts off or gives away as much as possible to charities or friends, but the more she takes out, the more comes in. “I go to thrift shops to donate and can’t resist looking,” she explains.

“Recently I was going to give myself five minutes in the Goodwill, but saw a familiar face and stayed two hours. It’s my favorite place to socialize.”

INDECISIVENESS and procrastination, along with magical thinking and repetitive rituals to stave off anxiety and panic attacks, are often symptomatic of OCD behaviors. “I often pray and sometimes even believe that I will go to sleep and wake up and this will all be a bad dream,” Barbara says, petting one of her cats.

“Sometimes I feel so overwhelmed that I just scream inwardly or sit and cry. If I pray when I go to sleep that I won’t wake up, then I worry about what will happen to my cats.”

As with Barbara, early signs of hoarding generally manifest in adolescence, gradually intensifying in later years. Many victims lead otherwise normal lives and may feel a sense of embarrassment or shame about their hoarding, while others are unable to acknowledge that their behavior is peculiar. Their preoccupation with hoarding will eventually come to exclude work, family, and friends.

“Whereas most people with OCD are aware that their behavior is out of control, OCD hoarders usually lack that insight or don’t think that it’s that unusual,” says Dr. Saxena.

“Inevitably it’s a family member or friend who brings them in for therapy, and they’re unusually difficult to treat.”

As hoarders age, they face an escalating series of stress factors–loss of control over children, retirement, death of a spouse, impending illnesses, diminished ability to care for themselves, etc., and hoarding is the imaginary line of defense in the face of inevitable loss of control.

As the baby-boomer generation grays, it’s likely that society can expect an increase in hoarding, especially dementia-related.

“The average age for those with hoarding problems is about 50, and many are older,” says Gail Steketee, professor at the Boston University School of Social work.

“There’s a growing concern on the part of elder service workers about hoarding and how to manage its potential consequences, such as fire, risk of falling, inability to find medications, etc.”

ONCE A HOARDER crosses the hurdle of seeking help, the physician must determine the actual underlying cause. Successful treatment for OCD hoarding, which generally reduces symptoms only 50 to 80 percent, includes therapeutic, environmental, and psychopharmacological aproaches.

Therapeutic behavioral treatment for OCD hoarding involves five steps: helping hoarders understand how out of control and damaging their behavior is; cognitive restructuring, helping hoarders identify their thoughts and beliefs about hoarding, and challenging these attitudes by employing particular techniques; improving their organizational and decision-making skills; teaching hoarders how to tolerate the fears while “excavating” their space and becoming habituated to the anxiety; and enabling them to maintain their space–canceling subscriptions and credit cards, no stopping for yard sales or malls.

The first line of medications to combat OCDs and OCD hoarding is serotonin reuptake inhibitors, or SRIs, such as Paxil and Zoloft, commonly used as antidepressants.

“For some unknown reason, hoarders often don’t respond to SRIs, which tells us this may be a unique neurological subtype,” explains Dr. Saxena, heading a three-year UCLA study.

“There’s a likelihood that OCD hoarders exhibit unique patterns of brain abnormalities, different from those of other OCDs, which will enable us to direct our research into other drugs.”

Words of hope for those whose cluttered lives have become a living hell.

Since most of my Clutter Buster clients had money to spare, I couldn’t help wondering whether hoarding was perhaps more prevalent among the wealthy, a symptom of a creeping cultural emptiness. But then we’ve all seen street people shoving shopping carts bulging with God knows what.

Maybe the difference is that the rich possess the means to acquire their stuff with credit cards at Bed, Bath, and Beyond or Macy’s, while the street lady gathers hers by hand from gutters and dumpsters.

I WONDERED if people in India, Albania, or Sierra Leone suffer from OCD hoarding to the same degree as Westerners do. The few cross-cultural studies (one in particular done in Egypt, and others currently under way in Italy and Australia) show that hoarding does, indeed, cross cultural, ethnic, gender, and economic boundaries.

“It seems that economics doesn’t have much to do with acquisition or saving, though those with money may save more expensive items than those with little money, who might collect free or inexpensive items,” explains Dr. Steketee.

Dr. Saxena conjectures that hoarding lacks natural control systems and is an evolutionary adaptive behavior gone awry. Hoarders, who simply cannot control themselves, have taken our pathological national pastime of acquisitiveness, magnified it a thousandfold, and reflected back to us the void of our rampant materialism.

Perhaps, for the spiritually deprived, amassing stuff keeps their minds on a permanent detour.

One 56-year-old hoarder shared the following: “There is not a moment that loop tape of inner dialogue isn’t playing, even in my dreams: ‘Another day, the same mess. Why can’t I be organized like other people? I’m not a stingy person–how did I become a hoarder?’

“In all these boxes are my fulfilled and unfulfilled dreams, my memories of people, my attempts at having a life, my good intentions.

“It wounds my childish id to admit that these things–all this flimsy evidence that I have even existed–matter to no one else but me.

“Mere ashes in the winds of time.”

Years ago I was impressed enough with an anonymous poem I came across to write it down: “The more I have, the more I want. The more I want, the less I have. The less I have, the less I want. The less I want, the more I have.”

A simple formula for a happier life.

Bill Strubbe, a freelance writer and photographer, lives in a yurt on a hillside in Occidental.

From the March 16-22, 2000, 1999 issue of the Sonoma County Independent.

© Metro Publishing Inc.

‘Judy Berlin’

Judy Berlin.

Rare Bloom

‘Judy Berlin’ is everything that ‘Magnolia’ wanted to be

By Richard von Busack

MAYBE IT’S BECAUSE it was shot in black and white. Or blame it on the fact that it doesn’t star anyone under 30, or that its biggest names are only semi-famous performers like Madeline Kahn and Bob Dish, or that its delicate, shadowy mood might feel depressing to the shallow viewer.

But whatever the reason, the 1999 film Judy Berlin didn’t find a distributor until it received a brief showing this month in San Francisco. Now, starting March 17, it comes to UA 5 in Santa Rosa.

The first feature film from director Eric Mendelsohn, Judy Berlin is a comedy with a compassionate sensibility. Yet it’s not at all mushy. Mendelsohn boasts a particular mixture of open eyes and open heart that is almost extinct in today’s film world.

The film takes place during a morning and afternoon in Babylon, a New York City suburb. A housewife named Alice (Kahn) awakes, trilling her love for her husband (“My paramour!” she calls him). But Arthur Gold (Dish), her husband, is nobody’s idea of a paramour. He’s a middle-aged elementary-school teacher facing a sunless day at work, and he looks at her, unable to comprehend her mood.

Watching the couple is their son, the bitter comic relief in the marriage. David (Aaron Harnick) is a budding filmmaker who has recently moved back into his parents’ house from Hollywood. What happened to David on the Coast isn’t described. It doesn’t have to be. From his look of dejection, we can tell that he’s certainly had his ass handed to him by the film industry.

Facing a day of wandering, with the idea of making a documentary about suburban Long Island, David encounters a woman from high school: a naïve aspiring actress named Judy Berlin (Edie Falco of The Sopranos).

Judy is planning to catch a plane that night to Hollywood to make it big. David, who can’t bear to disillusion her, is heavy with the knowledge of what awaits her there.

The day is interrupted by a total eclipse, which doesn’t end. The strange phenomenon, which only mildly puzzles the characters, reflects their strayed happiness.

Judy Berlin gives us the last of Madeline Kahn, who died last December. Alice Gold is Kahn’s best performance. She shows her usual humor in the fussy, interfering quality of Alice. But this role is comedy on the edge of tragedy. All day long, Alice is pestered by a childhood rhyme she can’t remember, and she has pushed a bit of her own bad behavior right out of her mind.

Falco, a goofy Long Island sprite, leavens this astonishing debut film. Far more than a caricature of a bad actress, she turns out to be the smartest person on the screen. There’s hope here, and that sense of budding possibility makes Judy Berlin everything Magnolia sought to be. Here’s a mix of lost people, caught in coincidence, tied together by a magical-realist event.

At times, Judy Berlin is as elating as the films of the great humanist directors: Renoir, Ophuls, and Mizoguchi. Mendelsohn takes elusive experience and loss and distills these fragile emotions as only an extraordinary director can.

‘Judy Berlin’ opens Friday, March 17, at UA Movies 5, 547 Mendocino Ave., Santa Rosa. For details, see Movie Times, page 48, or call 528-7200.

From the March 16-22, 2000, 1999 issue of the Sonoma County Independent.

© Metro Publishing Inc.

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