Talking Pictures

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Moral Dilemma


Poster Boy: Undie king Mark Wahlberg stars as a porno star in ‘Boogie Nights.’

Photo by Phoebe Sudrow



Crime novelist Richard Rayner does the hustle with ‘Boogie Nights’

By David Templeton

Writer David Templeton takes interesting people to interesting movies in his ongoing quest for the ultimate post-film conversation. This time out, he meets philosophical thief-turned-crime novelist Richard Rayner to compare notes on the porno-noir epic Boogie Nights.

OUTSIDE THE LOBBY window of this downtown San Francisco hotel, an elderly woman, entirely toothless, is grinning widely at passersby, displaying a tattered slice of cardboard with the words “Singing Lessons $10 hour.” She sits on the step of a church, 20 feet from a notice board claiming “All Are Welcome,” and another sign–on the church door–reading “No Trespassing.”

As I stand observing this striking tableau, with its odd juxtaposition of themes, I notice a tall, thin, jacketed fellow sprinting down the sidewalk in my direction. I glance down at the novel in my hand, Murder Book (Houghton Mifflin, $25), by Richard Rayner. I open to the back flap displaying the author’s photograph, then glance back to the sprinter, now almost at the door of the hotel. It’s him.

“So sorry I’m late,” he gasps amiably, his English accent making itself known between gulps of air. A few moments later, we are seated in a nearby coffee shop, discussing the surprisingly popular new film Boogie Nights (starring Mark Wahlberg, Julianne Moore, and Burt Reynolds), a fascinating look at the underground world of pornographic filmmaking in Los Angeles in the ’70s and ’80s. Rayner loves the film, calling it “a great big epic played out in a world of sleaze.”

A one-time Cambridge philosophy major who minored in theft before turning to a life of crime fiction, he is the author of the darkly funny Los Angeles Without a Map (soon to be a major motion picture) and The Blue Suit, a graceful, clear-sighted memoir of his criminal past.

Murder Book, which he is in San Francisco promoting, is an example of the best of the neo-noir genre, a fiercely funny tale of a homicide cop, Billy McGrath, attempting to kill two birds with one stone–framing a confessed murderer for a second crime he did not commit in order to collect a bounty hunter’s fee from the victim’s son–a stone that quickly grows so heavy that McGrath is nearly crushed by its weight.

Of particular interest to Rayner is Boogie Nights‘ setting–Los Angeles, the city in which he now resides–and the film’s gleefully noirish structure. He has long held that film noir is a genre specific to L.A.

“Absolutely. It’s this thing about Los Angeles being the city-as-labyrinth,” he explains. “The surface of the city looks all the same, and then as you weave your way through the cracks you find these fascinating subcultural worlds. It’s a maze that you journey through looking for yourself. That’s what the noir story is. Noir isn’t suits and guns and falling rain; it’s people striving to understand something they’re not going to be able to understand. The classic noir hero is someone who’s good, but not good enough.

“In Murder Book, Billy is a good man who for complicated reasons is doing a bad thing, and he knows it, and then has to accept the consequences of the way that plays out. It’s a moral predicament. I think that the way Boogie Nights struck a nerve for me was that it turned out to be a highly moral film about an immoral world.”

I ask Rayner if he thinks that such stories, with their charismatic heroes finding elaborate ways to justify their ambiguous moral choices, are contributing to our culture’s gradual moral erosion, as some have claimed.

“Oh shit, I hope not,” he says seriously. “That is a crucial question about all fiction, though, isn’t it?

“I was reading at a bookstore the other night,” he relates. “There was a mother who’d brought her little girl, and I was reading this bit with Billy telling the story of the worst crime he’d ever seen–which is a true story, incidentally, told to me by one of the investigators at the L.A. coroner’s office–and I was reading this thing, thinking, ‘Oh, Jesus! What on earth made me write this story so unbelievably dark? And what is that mother thinking? What’s the child thinking?’

“On the subject of artistic responsibility,” he says, lowering his voice for the first time, “I was very taken, when I was a kid, when I read this novel by an English writer named Piers Paul Read, called The Upstart. It was about a guy who had a background similar to my own–slightly disenfranchised, middle-class, weird family history, went to public school where he felt an outsider, went to Cambridge–and he became a criminal, which is exactly what I then did while at university.

“That book influenced my choices. In some odd way I had taken completely the wrong thing from The Upstart. But I must say I think these things can only influence us if they are layered on top of some sort of potential that is already there inside us.” He pauses.

“That’s the dangerous thing about stories,” he muses. “To go back to the labyrinth thing, they take you into a maze, and in the end, there is only one way out. You have to make these choices the whole time. And any fiction, within the choices it makes, might speak to someone in the wrong way. Is Boogie Nights going to speak to certain people in the wrong way? Certainly. Is it therefore an immoral film? Absolutely not.

“Quite a dilemma for a moral person,” he shrugs. “Isn’t it?”

From the Oct. 30-Nov. 5, 1997 issue of the Sonoma County Independent.

© Metro Publishing Inc.

The Dog Pound

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Give Me More

By Maddog

One of the things we were always encouraged to do while growing up–besides eat our vegetables, keep quiet, and not stuff out sister down the garbage disposal–was to collect things. What you collected wasn’t important. Stamps were good. Coins were good. And sports trading cards were even better because they ended up increasing in value faster than the Dallas Cowboys can be arrested, if you can imagine such a thing.

The point was, and is, that you decide on something to collect and horde it.

The reason behind being pushed to collect things may be tradition. Your parents were taught to do it, so you were taught to do it, so you inflict it on your kids because, well, revenge is a strong motivation. More likely though, it was a way for your parents to try to get you to sit in your room quietly while they reminisced about how nice life was before having children.

It’s also possible that collecting is a genetic disposition handed down to us by our cave dwelling forefathers who spent their leisure hours carving stone shelves on which to keep their collection of Cave Barbies, which included Hair Dragging Barbie, Gatherer Barbie, and in the later, more enlightened years, Hunter Barbie. After all, reruns of The Dick Van Dyke Show hadn’t been invented yet. But I suspect the true reason parents get kids to methodically collect, catalog, and search out things is that it’s supposed to teach them something. Like being an anal retentive obsessive-compulsive has no redeeming social value.

People collect the strangest things. Just go to any antique show or flea market and you’ll see people who collect salt and pepper shakers, thimbles, spoons with enamel images of the Corn Palace on the handle, Zippo lighters, and strange looks from those of us who don’t even have silverware that matches. On a recent weekend there were ads in the newspaper for the Rubber Stamp Festival (“I’ll trade you a 1932 Paid in Full for that 1917 Past Due and the 1940 Par Avion”), the Pen Fair (“How much do you want for that first edition BIC with the teeth marks on the top?”), and the Music Collector’s Expo (“Anybody seen the guy with the ABBA 8-tracks?”). My dryer lint collection is starting to feel downright normal.

Animals are a popular collecting motif. How many times have you walked into someone’s house and seen hundred of frogs everywhere–candy dishes, lamps, throw pillows, slippers, drink stirrers, and assorted knickknacks, which is an interior decorator’s term for things that sit on shelves cluttering up your house while serving no useful purpose other than to collect dust so it all doesn’t settle on the three microwave fondue pots you got for your wedding.

Unicorns, pigs, and mushrooms are common. Cows are big right now, probably because people think having cheap plaster bookends that look like Black Angus cows doing a Nixon imitation will give them an alibi when the Got Milk police break down their door looking for people with dark colored moustaches.

For a while I collected pink flamingos. Actually, collected is the wrong word. Amassed by proxy would be more like it. It started when some friends put two plastic flamingos in front of my house as a birthday gag. Before I knew it, everyone was giving me flamingo junk. Towels, ashtrays, pens, pins, mirrors–you name it, I got it for my birthday or Christmas. Did I tell them I loved to have my house and office look like someone poured a bottle of Pepto Bismol all over them? No. Did I ever once go out and buy something with a flamingo on it for myself? No. This makes me wonder if other people collect things because they like them or end up with them because other people think they like them.

There are exceptions to this rule. Some people obviously collect things because they crave them. Michael Jackson collects exotic animals. Rupert Murdoch collects newspapers, but not for recycling. Bill Gates collects money but, unlike most collectors, he has no desire to trade with his friends. And Bill Clinton is one of the biggest collectors around, amassing lawsuits, Senate hearings, and Big Mac wrappers, though I have to wonder whether he collects frequent flier miles for all those trips on Air Force One.

So far I’ve gone through life without any big passion for collecting, which is good. I have enough to do without searching through piles of used stamps, cataloging first edition comic books, or figuring out how to mount my collection of potato chips that look like world leaders. Besides, I’d hate to think all my work could go down the drain one day just because I needed to send a postcard to my aunt, ran out of newspapers to start a fire, or got a case of the munchies.

But there is one thing I look forward to collecting eventually–social security. Finally I’ll have a hobby I really enjoy.

Web exclusive to the Oct. 30-Nov. 5, 1997 issue of the Sonoma County Independent.

© Metro Publishing Inc. Maintained by Boulevards New Media.

Playwright Migdalia Cruz

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Play Right

Angel of the House: With 27 produced plays to her credit, things continue to look up for Migdalia Cruz.

Playwright Migdalia Cruz opens doors at SSU in ‘Another Part of the House’

By Daedalus Howell

THE DRAMATIST’S Sourcebook, a veritable bible for playwrights, is an extensive list of theaters, companies, and their play-submission protocols. For playwrights it brims with possibilities. That’s especially the case for Bronx-bred dramatist Migdalia Cruz. Thumbing through its pages is nothing less than a life-affirming experience for her.

Vital and hardly jaded, the two-time NEA Playwriting Fellow would be hard-pressed to find a page listing a theater at which one of her 27 works has not been produced. On Nov. 14, Cruz will be at Sonoma State University’s Evert B. Person Theatre for the Bay Area opening of her Another Part of the House, a new work inspired by Federico García Lorca’s classic La Casa de Bernarda Alba.

“I like collaborative art, I like the idea of people working all in one room to re-create life,” says Cruz of her craft, during a telephone interview from her Chicago home where she is presently (and feverishly) completing the second act of Che, Che, Che, a Latin fugue in 5/8 time about Cuban revolutionary Che Guevera, due to premiere Nov. 1 at the Latino Chicago Theatre.

Cruz’s trajectory as a dramatist has gone generally unfettered since she was a child and her father constructed her a puppet-theater for which she prodigiously produced plays.

“This was during the civil-rights movement of the ’60s, so I would write all these puppet shows about civil rights,” Cruz, 38, laughs. The human concern prevalent in these embryonic sketches has persisted in the examinations of such themes as oppression and Latin American issues (Cruz is of Puerto Rican descent) that constitute much of her work.

“When I was 8, my best friend was raped and murdered and thrown off the roof of our building. That’s when my serious writing began–when writing became an outlet for me to express my feelings and emotions,” she explains. “That is when I began to understand the power of writing. Other kids played stickball; I’d write weird journal entries.”

An erudite student, Cruz graduated early from high school at age 16, routinely ditching class to scribe “bizarre musicals” with her best friend. She attended nearby City College in Queens at the behest of her parents, despite her desire to “get the hell out of the Bronx.”

Inexplicably, Cruz entered higher education as a math major. Studying drama or writing simply had not occurred to her as a viable option.

Says Cruz, “It hadn’t dawned on me that [playwriting] was a career or calling–a necessity for me.” And then she found the work of Samuel Beckett.

“It really was so clear–that you could use language to express human emotion,” Cruz recalls. “It just seemed like the greatest possible gift. It was like, ‘That’s what I want to do, but how do I tell my parents?'”

Cruz eventually earned her master of fine arts degree in playwriting from Columbia University and later gained her bearings as a dramatist at Maria Irene Fornes’ Playwright’s Laboratory, a professional workshop in New York specifically for Latino writers.

Though she maintains the trappings of much of her training, her creative process is often mitigated by the conditions of the work itself. Che, Che, Che, for example, required copious research that she says was intentionally “forgotten” and then “reconfigured.”

“For Another Part of the House, I was looking at the play of a great poet and saying, ‘Hmm, is there anything I could do here to say something else?'” Cruz avers. “What I wanted to do was write all the unspoken stuff that he didn’t write–what I thought was underneath the play. I felt that I wrote around the subtext and its viscera as opposed to its outside world form.”

She pauses. “I felt like I had to light candles to him every day and keep asking him to forgive me.”

That theater productions are necessarily wedded to the ephemeral appeals to Cruz. For her, theater is not about building monuments so much as memorable sandcastles.

“It makes it very intense and very passionate to be involved with something so temporary–it’s like falling in love. It only happens for a couple weeks, then you just have love,” she says wryly. “That ‘in love’ thing is very exciting, and I feel that playwriting is kind of like that.”

Though she maintains a love affair with her original genre, Cruz considers and has on occasion accepted other writing projects. She is currently working on a film rewrite and ponders the possibilities of writing for television.

“I think the audience I’d like to reach is increasingly an audience that stays home–a poor audience, a Latino audience, people of color, or people who feel disenfranchised. They’re not going out and they don’t feel entitled to theater. Theater is becoming more and more elitist because we just do it for each other. It seems that there are more theater people at the theater than regular people, and that’s not good.”

Cruz is not reticent, however, about the success theater has afforded her.

“I feel very lucky and blessed, but also I feel like it’s all so temporary. I feel you have to sort of appreciate it when it comes and not take it for granted,” says Cruz.

“I never know where I am in my career–I always think that if I live to be 112 like my great-grandfather, well, then I’ve just started.”

She chuckles. “I’m just a baby.”

Migdalia Cruz appears at SSU’s Person Theatre to speak on and read from her work on Friday, Nov. 7, at 7:30 p.m. $5. Another Part of the House plays Nov. 14-16 and 20-23; Friday-Saturday at 8 p.m.; Sunday at 2 p.m. $8-$16; free to students with ID. 664-2353.

From the Oct. 30-Nov. 5, 1997 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Nanci Griffith

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Storyteller


Se&ntildeor McGuire

Lucky Stars: Nanci Griffith loves it when a “real singer” performs her songs.

Folkabilly icon returns to LBC

By Mike Joyce

TOWNES VAN ZANDT, Guy Clark, Robert Earl Keen, Joe Ely–why has Texas produced so many great songwriters/storytellers? Nanci Griffith, who has earned a place near the top of the list, has her suspicions. “There’s nothing to look at, so you learn to use your imagination very early in life,” says Griffith, who brings her celebrated Blue Moon Orchestra to LBC on Nov. 9.

Imagination has fueled Griffith’s life for as long as she can remember. Born 42 years ago in Seguin, Texas, she became a voracious reader as a child and later devoured the Southern prose of Eudora Welty and Carson McCullers. So it was only natural, she says on the phone from Nashville, that the creation of character-driven songs would appeal to her. As it turned out, she had a gift for it, too.

By the mid-’70s, her literate songcraft was attracting attention around the country, winning her a prize at the 1976 Kerrville Folk Festival in Texas and allowing her to venture beyond the Texas honky-tonks she played as a budding performer and tunesmith. She still marvels at how silent audiences were when she began playing coffeehouses in New England. “I thought everybody was supposed to have a beer in their hand,” she says. “The quiet was a little disconcerting. At first I thought people didn’t like what they were hearing. I had no idea that people actually paid to hear you sing.”

Instead of trying to land a record deal in Nashville, Griffith toured the country extensively in the ’70s and early ’80s, playing her “folkabilly” at any place that would have her. “I started driving myself around America,” she recalls in a faint, girlish voice. “I just went out and worked wherever I could. I also made four albums for four different labels, and it was hard to do that then. But it was a great time in my life, and I wouldn’t trade it for anything.”

Griffith has been writing, touring, and recording ever since. Along the way, she’s developed a fervent international following and won several Grammies, including one for the 1993 album An Irish Evening with Roger Daltry and Nanci Griffith. She’s also had her songs recorded by numerous artists, such as Willie Nelson (“Gulf Coast Highway”), Suzy Boguss (“Outbound Plane”), and Kathy Mattea (“Love at the Five and Dime”). Whenever she hears someone singing one of her songs on the radio, Griffith says, “I just count my lucky stars.”

After all, she adds, “I do this so that a real singer will come along and sing these songs.”

Even so, in some circles Griffith is best known for her wistful voice and affecting interpretations. Her version of the Julie Gold song “From a Distance” topped the Irish charts several years before Bette Milder recorded it. Now Griffith regards Ireland as her second home.

These days, she touring to support Blue Roses from the Moons (Elektra), which features guest appearances by Buddy Holly’s legendary band the Crickets (who will join Griffith at LBC) and Hootie and the Blowfish frontman Darius Rucker

But her most personal and revealing album was 1994’s Flyer. Writing the songs for the album, she explains, was akin to “an exorcism–very much like that. Instead of writing about characters like I usually do, I became the character. It was very painful to put out an album that made you feel naked, but at the same time it was a great experience working with all of the musicians.”

Big-name collaborators on Flyer included REM’s Peter Buck, Mark Knopfler, Larry Mullen and Adam Clayton of U2, the Indigo Girls, Adam Gurvitz of Counting Crows, and her “hero,” Sonny Curtis of the Crickets. “I don’t know how it happened, but this block of songs just came flooding out of me–and they were all autobiographical.”

Griffith is quick to point out that her cycle of soul-baring songs has ended–at least for the time being. Her new album commemorates the 10th anniversary of her band, the Blue Moon Orchestra, and though it features a couple of guest cameos, she describes it as a small-scale, festive affair.

Meanwhile, upbeat, descriptive, or confessional, much of Griffith’s music has been disregarded by commercial country radio over the years, but she isn’t frustrated by a lack of exposure. From the beginning of her career, she notes, college radio has been her mainstay. “That’s always been the alternative, and I guess I just kind of fall into the alternative thing,” she explains.

Nanci Griffith and her Blue Moon Orchestra, featuring the Crickets, perform Sunday, Nov. 9, at 7:30 p.m. at the Luther Burbank Center, 50 Mark West Springs Road, Santa Rosa. Tickets are $22.50. For details, call 546-3600.

From the Oct. 30-Nov. 5, 1997 issue of the Sonoma County Independent.

© Metro Publishing Inc.

The Odd Couple

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Bosom Buddies


John Casado

Roomies: Erin Cooney and Rebecka Pinkham star in ‘The Odd Couple.’

Transgendered ‘Odd Couple’ works

By Daedalus Howell

IN 1952, AMERICAN George Jorgensen underwent the world’s first gender-reassignment operation in Denmark, and returned home as Christine Jorgensen. In 1986, with only some minor cuts and reconstruction, playwright Neil Simon successfully reassigned the genders in his famed cohabitation comedy The Odd Couple.

Lead characters Oscar Madison and Felix Unger have become Olive and Florence and–in the hands of the Santa Rosa Players–it works.

Under the able direction of Gene Abravaya, the Players embark full steam with the retread Freudian case study (nowhere else in dramatic literature have the anal-retentive and -expulsive traits been so illustratively presented) and arrive with a perceptive production about two women who need to be needed.

Like the original Odd Couple, two pals decide to share the shingles after both their spousal ventures have disintegrated. For Florence (Rebecka Pinkham), divorce precipitates homelessness. Post-marriage Olive (Erin Cooney) feels landlocked in lonesomeness and invites Florence to live with her. The two ink a contract of comic codependence and deceive themselves that theirs is a symbiotic relationship: Olive makes messes and Florence cleans them up–they have a purpose. Sure.

Director Abravaya has assembled an excitable, punchy cast that meets Simon’s pithy, though partially antiquated, script (“Fresca, anyone?”) with levity, ease, and limited schmaltz (Simon’s sweet tooth nips most aspects of his oeuvre, but Abravaya smartly underplays the sentimentalism).

Erin Cooney’s Olive is a rumpled, dowdy television news producer, more bawdy than butch, with much of her male predecessor’s braggadocio intact. Olive guffaws, curses, rolls up her shirt sleeves, and litters the apartment like a pug dog clawing newspaper.

Likewise, willowy Pinkham draws Florence as a comic miasma of housewifery and neuroses (Martha Stewart on the dark side of the Force) while admirably sustaining the character arc of the show. Pinkham renders her character’s revelations with an air of credulity despite the work’s unabashedly giddy nature.

On hand for succor and support are the duo’s crew of loyal chums, including policewoman Mickey (wryly performed by Naomi Sample, who makes an art of emotional exasperation) and daffy, well-meaning Vera (a scene-stealing Jennifer Hedgepeth). Jodie Linn and Margaret Lash also turn in fine performances as women-on-the-verge.

Manolo and Jesus Costazuela (respectively Matthew Greene and Joshua Reed) are swaggering, sweet-natured Barcelonan brothers, tossed into the comic fold when the roommates arrange a neighborly dinner party. Greene and Reed are astute comedians (borrowing a little from Dan Aykroyd and Steve Martin’s “wild and crazy guy” routine)and score easy laughs whilst scaling the language barrier and executing physical schtick.

Scenic artist Shawn Lux has superbly designed Olive’s apartment, replete with an actual toilet peeking from behind a bathroom door. An expressionistic projection of a metropolitan skyline above the stage counterpoints an otherwise realistic apartment set strewn with the detritus of slovenly living.

The realism persists in designer Teri Abravaya’s succinct and effective costume selections (Olive in spandex shorts and sports jersey, Florence in dainty day-wear, sharp double-breasted suits on the men), as well as in Jeremiah Grim’s plausible light design.

The Santa Rosa Players’ production of The Odd Couple is more than “ladies’ night” at the theater–it is real entertainment.

The Odd Couple plays Oct. 30-Nov. 2. Friday-Saturday at 8 p.m.; Sunday at 2 p.m. Santa Rosa Players, Lincoln Arts Center, 709 Davis St. Tickets are $10-$12. 544-STAR.

From the Oct. 30-Nov. 5, 1997 issue of the Sonoma County Independent.

© Metro Publishing Inc.

The Scoop

Taxing Thoughts

By Bob Harris

REPUBLICAN Congressman Bill Archer has a bold plan to make it harder for the IRS to barge into your house, take your stuff, and ruin your life. Sounds good. So far. Archer says–and most folks agree–that in disputed cases the burden of proof should lie with the IRS, instead of the taxpayer.

Damn straight. So far.

As things stand, if some IRS data hack blows a decimal point and his ancient Apple IIe decides you owe enough cash to upgrade his whole division to the almost-as-ancient Macintosh Plus, you’re the one who has to prove him wrong. Meanwhile, you’re running up penalties and interest; fight long enough, and you’ll face seizure and worse. That’s just plain wrong.

So far, so good.

Naturally, Archer’s idea is gaining popularity. Just as naturally, Bill Clinton initially sided with the IRS, changing his mind only after a long night of soul-searching and incoming focus-group data. (Clinton’s opinion-mongering is now so reflexive he’d probably support his own defenestration if it meant a boost in the polls: “I promised to provide our nation with responsive leadership. The people have spoken. The people want to hurl me through this window. And so, tonight, I say to all Americans: EEYAAHHhhhhhthunk!”)

There’s just one problem: When, exactly, did Bill Archer and the GOP suddenly start caring about the Bill of Rights? These are, after all, the same folks who would happily eliminate, among other things, the First Amendment in online communications, the Fourth and Fifth amendments in alleged drug and terrorist cases, and the Sixth through Eighth in immigration and capital crime cases.

And now, suddenly, they care about the Constitution?

Sure, the Archer plan might keep the IRS from knocking down your door–but what are you supposed to do about a surprise visit from the DEA, the INS, the BATF, the FBI, or the producers of Cops? Tough luck, Orange Jumpsuit Boy.

Don’t get me wrong: shifting the burden of proof from citizens onto the IRS is long overdue. I’ve been audited myself. Yowch. I’ll never forget the first time I got an official letter gently ordering me to present myself downtown and hand over the paper trail of my entire life. I bloody near fainted. (When a hungry animal has you in its jaws, it’s only natural to play dead.) So I feel your pain.

But remember how our political system works: Follow the money. Bill Archer is the congressman from Houston, which means he inevitably represents the interests of a bunch of oil and aerospace firms who (a) like paying taxes even less than you do, and (b) have lawyers who can string together enough loopholes to weave a Persian rug. Is it possible that’s who this new proposal is really for? You betcha.

Bill Archer’s the same guy who pushed to abolish the Alternative Minimum Tax. Remember hearing about Fortune 500 companies who avoided paying even a dime to Uncle Sam? The AMT was created in 1986 to force the big boys to pay their fair share.

Jump-cut to two years ago: while Newt was styling his Contract around like Albert Belle in spring training, it was Archer leading the backroom effort to arbitrarily expand Newt’s alleged mandate and sneak a repeal of the AMT into law–thereby moving almost $10 billion a year out of the U.S. Treasury and into the Forbes 400. So much for balanced budgets. . . .

By the way, 10 gig is roughly the same budget chunk the government couldn’t afford for the now-defunct Aid to Families with Dependent Children. Evidently, giving money to the rich is good; giving money to the poor is bad. So listen closely. Archer’s current fanfare for the common man is really just the same corporate brass line given a catchy pop motif. Sure, you and I might indeed retain relative handfuls of cash and privacy–while the biggest tax deadbeats in America make off with entire bankloads.

Predictably, the major dailies are hailing Archer without mentioning his well-documented long-term agenda. Apparently nobody in the mainstream media has a memory extending back to 1995. Even so, can we still tame the IRS while making the bullies play fair?

Yup. Easy.

You won’t find the word corporation anywhere in the Bill of Rights. Look it up. America’s founders never even considered extending anything resembling the rights of full citizenship to such fictitious corporate entities as Lockheed or Archer Daniels Midland. So let’s try this: Reform the IRS–but for individuals only. And then let’s see if Bill Archer and his flag-waving friends are still so enthusiastic about defending our personal freedom.

Bob Harris will appear as a contestant on the syndicated TV game show Jeopardy! on Halloween, Friday, Oct. 31 (and possibly, shall we say, thereafter).

From the Oct. 30-Nov. 5, 1997 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Aids Protease Inhibitors

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Bitter Pill

By Justin Hayford

I’LL TELL YOU WHY I’m not taking my medicines today,” says Sonja, lighting up a Marlboro and settling into one of the few pieces of furniture she owns, a fuzzy green sofa she bought last week at a hotel liquidation sale. “I’m not taking them because a couple of days ago I woke up and saw spiders all over the walls of my apartment. I had to close my eyes and wait for them to disappear.”

Sonja has AIDS. Among the half dozen drugs she’s decided not to take today is ritonavir, a powerful new protease inhibitor. Pills just like the ones Sonja tosses into my lap in disgust appeared on the cover of Newsweek last fall, dramatically lit underneath a bold teaser: “The End of AIDS?”

And according to an article in Time, “Everywhere they turn these days, doctors and patients are hearing good news about AIDS.” The magazine even named Dr. David Ho, one of the leaders in protease inhibitor research, as its man of the year. Ever since July’s International AIDS Conference in Vancouver, when the results of many small-scale protease inhibitor studies were announced, it’s been difficult to avoid stories in the press of people putting on weight, checking out of hospices, returning to work, or going back to bodybuilding, thanks to these drugs.

The AIDS crisis, so the story goes, is just about over.

But people like Sonja are conspicuously absent from that story. For her, and thousands like her, protease inhibitors bring their own sets of crises. Since starting on the drugs six weeks ago–a regimen consisting of about 20 pills a day with an annual price tag of around $15,000–her life has become much worse. And seeing spiders isn’t the half of it. “When I first took the drugs, I thought I was going to die,” she says. “Really. I spent the first two days in the bathroom. I had to buy an extra phone cord so it could reach.”

Within an hour of taking her dose–six oversized white capsules of ritonavir twice a day, along with two other antiviral medications, a prophylaxis against pneumonia, an antidepressant, and an occasional Tylenol 3–she’s hit with severe nausea, diarrhea, and fatigue. When she ventures out of her apartment, she’s out of breath after walking two or three blocks. “Sometimes I can’t even leave the house,” she says. “It’s too embarrassing to have to go throw up or have diarrhea.

“It’s always one end or the other.”

Sonja isn’t surprised that the drugs make her sick. For one thing, her doctor warned her about such symptoms. “I’ve heard a lot of horror stories from people whose doctors didn’t tell them what to expect when they started the drugs,” she says. “At least my doctor got me ready for it so I could cancel my plans.”

Since being diagnosed as HIV positive a little more than a year ago, Sonja has had a hard time tolerating whatever drugs her doctors have prescribed. She says she’s just about ready to give up. She learned she was infected in January 1996 while in jail, where she was serving six months for drug possession. The doctor immediately put her on a combination therapy of two antiviral medications, a regimen that was switched three times before her sentence ended, either because the drugs weren’t working or because Sonja developed such severe migraines and fatigue that she couldn’t stand to be on them any longer.

Since then, she says, her medications have been switched five times. One of her kitchen cupboards is stuffed with pills she has stopped taking.

“I’m taking all this shit that makes me feel like crap,” she says with a laugh. “And I’m supposed to take my ritonavir with food, even though it makes me throw up, so how much sense does that make?” She takes a long drag from her cigarette as though drawing sustenance from the smoke. “I didn’t go through anything this bad even when I was doing heroin. And the thing is, ever since I started on these drugs, I’ve had a lot more thoughts about relapse. I know I can go out and get a bag that will make me feel good. I mean, I know what that will lead to, and I don’t want that. But it’s even in my dreams.”

Sonja understands that by skipping her dose today–not the first time she has done so–she runs the risk of developing resistance, making the drugs ineffective against the HIV in her system. She also knows that the symptoms she’s experienced for the past six weeks are likely to diminish as her body learns to tolerate the daily, massive infusion of toxic drugs. She already feels better than she did two weeks ago. But like so many people with HIV, Sonja has been worn down by a life of recurrent chaos and crisis: raised in foster homes, hooked on cocaine by 16, hooked on heroin shortly thereafter.

Two of her children were taken from her by authorities, and she voluntarily surrendered the third for adoption. She ended up in prison, then spent nine months in a shelter concurrent with nine months in a drug-rehab program and seven months battling Social Security to get her disability benefits. Now, finally, she has a bit of stability in her own clean, quiet apartment. She finds herself living a life she never thought possible, and these days are so precious to her that she wants to enjoy them without the fear of throwing up on a street corner every time she leaves the house, even if that means surrendering 10 years of her life.

“You’ve got to think about quality as opposed to quantity of life. You know what I mean? I don’t take drugs, I feel great. So right now I’m wondering if they’re worth it.”

THE SUCCESS of protease inhibitor therapy is the subject of intense debate among AIDS service workers. “I have some patients who do well [with protease inhibitors],” says Judy Dunn, the nursing-care coordinator at Face to Face: Sonoma County AIDS Support Network, “and I have others who have failed and who are on all different kinds of other things to stay healthy until something else comes along.

“In some instance, folks have quit because of the quality-of-life issues, though two of them have decided to start again because it’s even scarier to die.”

Certainly, protease inhibitors–which will be the subject of a day-long AIDS conference in Santa Rosa on Nov. 3–have produced dramatic benefits for some. “We all have our miracle patients,” says Dr. Richard Novak, a virologist with the University of Illinois at Chicago’s HIV clinic. One of his miracle patients once suffered from multiple infections and severe weight loss, his T cells bottoming out at 16 (an AIDS diagnosis comes when T cells fall below 200; an intact immune system typically has 1,000 or more). Triple-drug therapy including a protease inhibitor brought his T-cell count up to over 350, and all his symptoms disappeared. He now has a new lease on life.

Information on the upcoming HIV conference.

As John Weekly, who runs a support group for gay men with HIV, points out, “I read there are about 100,000 people on protease inhibitors right now. But look at the total number of people with HIV or AIDS in the nation [estimated near a million]. We’re talking about a small percentage who are on the drugs. And how many of the people on the drugs are developing resistance or can’t tolerate them?”

In most of the protease inhibitor studies around the country, resistance develops in 10 to 15 percent of research subjects. Dr. Philip Loy, a biophysicist with American Viatical Services in Atlanta, has completed medical reviews of some 4,000 people on the drugs. He estimates that 30 percent of these patients become intolerant to one or more medications, while another 15 to 25 percent fail to adhere to the drug regimen.

If his sample is representative of the larger population of people on protease inhibitors–and his sample is three times larger than the largest clinical study designed to test the drugs’ effectiveness–then these drugs may fail in half of the people who take them.

If you want to see Weekly bristle, suggest to him that protease inhibitors will make AIDS as manageable for the men in his group as diabetes or hypertension, comparisons used repeatedly in the media. “How many people are fired from their jobs, or kicked out of their apartments, or abandoned by their families because they’re diabetic?” he responds immediately. “How many people are told that diabetes is their own fault? How many people have had their lovers break up with them because they’re hypertensive? Are protease inhibitors going to solve all these problems, too?”

In Weekly’s view, the recoveries he sees in his group can be credited to class and culture as well as the pills. “The guys are all white, they all have primary physicians who are HIV specialists, they’re all hooked up to support systems, and they’re all self-motivated people, the kind who see an ad in the paper and call right away. They’re not representative of a lot of people with HIV.

“I feel like they are the exceptions.”

Jeff, then, is an exception to an exception. Like the men in Weekly’s group, Jeff is white, gay, self-motivated, and well connected. His primary physician is one of the most highly respected AIDS specialists in town. Though Jeff is on disability leave from work, his employer has agreed to keep him on the company’s group insurance plan “in perpetuity,” a highly unusual arrangement that pays for all of Jeff’s drugs. He lives in a comfortable high-rise condominium light years from Sonja’s low-income unit.

Protease inhibitors have worked for Jeff–sort of. Ritonavir, in combination with the older antiretrovirals d4T and 3TC, has brought his viral load down from 460,000 to 8,000. And there it stays. His T-cell count has risen from a dangerously low 65 to a slightly less dangerous 200. And there it stays.

“For me, the drugs represent a freezing of the situation, rather than being the cure or the answer,” he says. “I am not improving as much as other people are improving. And at any time the infection could break through and the bottom could drop out.”

He started his triple-drug therapy in November 1995. When I met him the following summer, he was pale, thin, barely spoke above a whisper, and had the first telltale signs of the AIDS face rarely described in the press these days–his skull slowly rising to the surface. Now, nine months later, Jeff seems a different person–sturdier, more animated, filled out. With the dramatic reduction in the amount of HIV in his system, he says, much of his former energy has returned. He’s even able to work out and swim, activities he thought he’d given up for good a few years ago.

But Jeff can’t entertain thoughts of returning to his former life as a graphic artist and art director, in part because, like Sonja, the drugs’ side effects hit him hard. “The first time I took it, it was like my body screamed,” he recalls. “I felt this weird chemical rush, and within an hour I was running to the bathroom with diarrhea. It’s a stomach killer, the drug is. What we ended up doing–my doctor and I, because I got so sick on it –was cutting back to one twice a day, then two twice a day, and gradually building up to the six.

“But still I don’t have a normal GI system. I constantly have acid indigestion. It’s really worth it, for what the drug has done for me. I know I wouldn’t be alive today without it. But you always know that the drug is in your system. I have diarrhea. I chew Tums constantly.”

Moreover, Jeff can no longer take medication for depression, something he has battled off and on since long before he was diagnosed as HIV positive. His antidepressants are strongly contraindicated with ritonavir. For now he’s coping well. But he’s worried. “I’m really not a very stable guy,” he says with a disarming laugh.

Jeff was one of the first people to get on protease inhibitors after they were approved by the FDA. “My health was pretty stable with d4T and 3TC the year before. But my doctor was anxious. That whole year, he knew the protease inhibitors were coming. He said, ‘They’re coming out soon enough so we can hold on. But as soon as it comes, we’re going to do it.'”

It turns out that such fast action may have left Jeff at a disadvantage. “We now know that it’s best to start with two new drugs,” he explains. “In other words, I was on d4T and 3TC, and my doctor added ritonavir. It would have been smarter to change the d4T to another drug like ddC or ddI and add the ritonavir. But no one knew this back then, and in the rush to get people on the drugs, they just did it. Looking back, a lot of people have similar regrets to mine.”

Failing to change two drugs in his cocktail may account for its diminished success, a reality that hit home in January when he was flipping through the New York Times. Graphs accompanying a front-page article titled “With AIDS Advance, More Disappointment”–one of the only stories to profile people for whom the drugs don’t work–charted three case studies of people on protease inhibitors. The cases were labeled When Therapy Works Well, When It Works Somewhat, and When It Fails.

Jeff saw himself reflected almost perfectly in the second case, right down to a nearly identical T-cell count and viral load. “It was the first time I saw on paper that things aren’t as good as they could be,” he explains. “And then the doctor starts talking about if the viral load starts going up, what do we do? Which sounds to me like any day it can break through. So I’m just sitting on pins and needles about that, and feeling like I’ve got a little more time, how much I don’t know, maybe two years.”

With so much uncertainty, one of Jeff’s biggest problems is sticking to his drug regimen. Like Sonja, he takes six huge pills twice a day–pills that smell and taste terrible–always with food, along with two smaller pills.

“It’s not just the AZT popped in the mouth like it used to be,” he says. “Now it’s a major event.”

THE EXPERIENCE OF TAKING so many pills with such irritating side effects every day has begun to overwhelm everything else in his life, as he articulated in a recent painting. Spread across the canvas is his dosage blown up to monstrous size, and behind the pills lurk tiny emblems of his former life. Books lie half visible behind a huge capsule. A male dancer in the middle of a joyful leap is almost completely obscured.

In the center of the painting the Dalai Lama sits in a lotus position, his head blotted out by a gargantuan ritonavir. “That’s what it’s like for me. It pervades everything.”

It’s a sentiment Sonja knows well. As she wrote in a diary recently, “Every time I take my medication it’s a constant reminder of my limitations. Days like today I just lie around and dream I have a normal life. I’m sick of taking medicine. Great life–I have no life!”

Even without troubling side effects or an uninspiring prognosis, compliance with such a demanding regimen can be difficult. Just ask John. He’s perhaps the ideal candidate for protease inhibitors. Not only is he an organized, self-motivated person with a solid career, good insurance, and a stable home life, he started on the new drug cocktail almost immediately after becoming infected. If the ultimate goal of protease inhibitor therapy is to eradicate the virus from the body, John is in the perfect position for success, since HIV had almost no time to replicate before being suppressed by the drugs. Currently his viral load is undetectable.

John takes a protease inhibitor called indinavir, along with 3TC and AZT. He tolerates the drugs well, though he started protease inhibitor therapy last July on a different drug that crippled him with diarrhea, vomiting, and extreme anxiety for seven and a half weeks. “I got to a point where I thought, ‘I don’t care if this is going to save my life. I don’t want to live like this,'” he says.

After skipping two doses–just looking at the pills turned his stomach–he asked his doctor to change his prescription.

Now, instead of eight pills twice a day, John takes four pills every eight hours. But even without side effects, holding to the regimen is trying. “The papers all say that the regimen is difficult,” he says, “but people have no idea. First of all, I have to take the drugs at 8 a.m. 4 p.m., and midnight, every day, without fail, for the foreseeable future. And I have to take them two hours after eating, when my stomach is empty, and I can’t eat for another hour after I take them. So that means I have two three-hour periods every day when I can’t eat. I can have maybe a piece of toast or a cracker; that cuts the absorption rate to about 98 percent. If I take them on a full stomach, the absorption rate is only 23 percent. So what happens?

“It’s three in the afternoon, I’m at work, it’s somebody’s birthday, and there’s a cake. That’s too much fat, so I have to say no thank you. It’s a little thing, but little things like that add up, they intrude into your life all the time. Your life is not your own.

“My job has very regular hours. But what do you do if you’re a flight attendant, or a construction worker, or in a business where your schedule isn’t set? I know a doctor who told me he won’t prescribe protease inhibitors to one of his patients who is an attorney, because the patient’s schedule is so hectic. What if you’re homeless? Where do you refrigerate your drugs?

“And here’s the thing. I have supportive friends, a supportive lover, a supportive work environment. In my office, I can pop pills or run to the bathroom whenever I need to. I’m a very organized person with a very scheduled life. And I’m sitting here with 1,477 T cells. If it should be easy for anyone, it should be easy for me.”

But John admits that the temptation to skip dosages is real. “Some days I just don’t want to put up with it. I don’t want to be reminded that I’ve got HIV.”

THE BETTER PROTEASE inhibitors work, the more likely people are to skip doses. “The problem is, people who are asymptomatic don’t reliably take medicine,” says Dr. William Paul, a virologist specializing in the treatment of AIDS. “From poor, homeless people to doctors and nurses. Research shows that it’s quite common to have up to 40 percent of individuals miss their prescribed medicines.”

And skipping even a few doses of protease inhibitors can allow HIV to mutate into a strain resistant to those drugs.

Non-compliance with protease inhibitors’ demanding regimen stands to create an even more menacing health problem, if history is any indication. Thirty years ago Americans were led to believe that the TB crisis was over, thanks to multidrug therapy. That regimen is not nearly so difficult–and not a 10th as expensive–as the new AIDS cocktail. According to Paul, the standard course of treatment for an uncomplicated case of TB is four different antibiotics taken for two months, then two antibiotics for the final four months. These drugs typically do not produce any serious side effects.

Yet owing in part to people’s inability to adhere to this regimen, the tuberculosis bacillus was able to mutate into strains resistant to these drugs, leading in the 1980s to the appearance of multidrug-resistant TB–a killer that we are nearly powerless to cure. A 1992 survey in New York City, one of the U.S. cities hardest hit by TB, showed that more than a third of the strains tested were resistant to at least one TB drug, and nearly a fifth were resistant to the two most powerful TB drugs, rifampicin and isoniazid. According to the World Health Organization, cases of TB in New York City have increased by 150 percent since 1980. With protease inhibitors the problem stretches beyond non-compliance. Some people develop resistance to the drugs even while complying perfectly.

If resistance to one protease inhibitor develops, people can sometimes switch to another (four are FDA-approved). But those who develop a resistance to one protease inhibitor may have developed a resistance to all of them. A recent European study suggests that taking the antiviral 3TC may promote the development of HIV strains resistant to protease inhibitors. One activist who recently started on the cocktail confides, “Someday we’ll figure out that we’re all just growing mutant HIV in our blood.”

And resistant strains of HIV, which are already developing, will most certainly spread. Currently about 10 percent of new HIV infections are from AZT-resistant strains of the virus, suggesting that some people on AZT are still engaging in unsafe sex.

And given the reports of protease inhibitors’ success in all but eliminating HIV from the body, there is every reason to believe that condom use will fall along with viral loads.

Many HIV workers agree that some men are using the news about protease inhibitors as justification for reducing condom use. One says he has encountered men whose concern about becoming infected has decreased because they believe that in a few years taking protease inhibitors will be as easy as chewing gum.

As the stories of people with HIV springing back to life spread, AIDS may begin to recede from our collective consciousness, just as TB did three decades ago. Perhaps this has already started. Mary Lake, a client services representative from Howard Brown, says, “I can’t tell you how many people have said to me, ‘Isn’t AIDS over? I heard there was a cure.'”

It’s hard to find anyone working in the AIDS service world who doesn’t have a similar story to report. Recently Deborah Steinkopf, executive director of the Chicago-based Better Existence with HIV, met with funders who have given her agency several thousand dollars each year. This time they said they weren’t sure they wanted to give any money. “They said they had read all this stuff in the papers about these drugs,” Steinkopf recalls, “and they asked, ‘Are you going to be around in a couple of years?’ They were operating under the assumption that the kinds of services we provide–prevention education, counseling, case management–wouldn’t be needed soon. Or at least wouldn’t be funded.”

“From a public health standpoint,” Paul concludes, “the biggest problem may be declining interest.”

It’s nearly impossible to find anyone working in the AIDS service world–whether in social services, health care, or policy analysis–who believes that the AIDS crisis is anywhere near over. “Sure, there is good news out there, but the downsides are being hidden,” says Steinkopf, echoing sentiments often expressed by her colleagues. “The focus in the press is always on people who are getting better. They are the only ones who are real.”

And the only real problems, it seems, are those that medical science can address. For people on the front lines of the fight against AIDS, the epidemic is not only about T-cell counts and viral loads but also about fear, ignorance, and intolerance. HIV has created enormous rifts within American society and exacerbated others that already existed–rifts that no number of pills will heal.

Editor Greg Cahill contributed to this article.

From the Oct. 30-Nov. 5, 1997 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Campaign Cash

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High Stakes Game

By Doug Ireland

HAROLD ICKES IS undoubtedly the most skilled of Bill Clinton’s serial amnesiacs. As White House deputy chief of staff Ickes, documents show, coordinated the cover-up of interference by the president’s men with federal bank regulators’ investigations of Jim McDougal’s Madison Guaranty (the looted S&L at the heart of the Whitewater mess), as well as the sordid Travelgate and FBI files scandals. Quizzed about all this by previous congressional probes of Whitewater, Ickes repeatedly pretended to have no recollection of key events in which sworn testimony and documentary evidence showed him to have been intimately involved.

When Ickes–who, as the president’s political and fundraising enforcer, ran the Democratic National Committee from the White House–was called before the Thompson committee last week, he gave a repeat performance, invoking before the Senate panel memory loss 40 times after having claimed amnesia 227 times in his deposition to the committee’s lawyers.

Ickes is infinitely smarter than the GOP Senators who interrogated him: his clever combination of theatrics, obfuscation, and failure to remember was saluted by the Beltway press corps as a bravura performance. But Maine Sen. Susan Collins, in the scant 10 minutes allotted her for questioning, managed to turn over the rock on a sleazy tale of influence-peddling that illustrates why a new law to get special interest money out of politics is so urgently needed.

Here goes. It’s the story of three Wisconsin Chippewa tribes-Lac Courte Oreilles, Mole Lake-Sokaogon, and Red Cliff–that wanted to climb out of penury by opening a casino just outside the Twin Cities in Hudson, Wisconsin. Gambling is big business for many Native Americans: 184 of the nation’s 557 tribes operate 281 gaming facilities, and a 1996 report from the General Accounting Office showed that profits from Indian-run gambling are more than $4.5 billion annually.

Unemployment among the tribes was 40 percent; the average income of one tribe was only $6,000, while another was in danger of losing its medical insurance because it couldn’t pay the bills, and a third had no doctor at all. Bureau of Indian Affairs career staffers found the Chippewa worthy of help and recommended okaying their casino application, which required federal approval. But the application was opposed by other Minnesota and Wisconsin tribes grown rich from casinos (including the Shakopee Mdewakanton Dakota’s Mystic Lake). And for the first time ever in such a case, the BIA staffers’ recommendation was overruled by Secretary of State Bruce Babbitt’s Interior Department.

What killed the three tribes’ dreams of casino riches? Campaign cash. In sworn testimony, a lobbyist hired by the tribes declared that on the day the casino was killed, Secretary Babbitt told him that the application had been scuttled at the direction of Harold Ickes because the gambling-rich tribes opposing this unwanted competition had given some $500,000 to the Democrats. This testimony had great credibility because it came from Arizona lawyer Paul Eckstein, a Harvard Law School buddy of Babbitt’s who had also been Babbitt’s campaign manager when he won the Arizona governorship.

Deploying his oh-so-convenient amnesia, Ickes denied to the senators having “any recollection” of “talking to Interior” about the matter, and–having been alerted to the charge during his deposition–produced a letter from Babbitt (unsworn) claiming he never mentioned money in the conversation with Eckstein.

This, combined with Ickes non-denial denial, allowed the president’s enforcer to slip away unscathed.

But the biggest whopper from Ickes came when he said he didn’t consider the casino matter “a big deal.” There’s a lot of gambling money in politics, and non-Indian gaming interests shell out about equally to both major parties. But Indian-run gambling is a big deal for the Democrats indeed: According to a study by the nonpartisan Center for Responsive Politics, Democrats got a whopping 87 percent of the $1.6 million in hard and soft money gambling-rich tribes gave to federal elections in 1995 and 1996. And that doesn’t count hard-to-trace soft-money contribution to state parties.

Documents found in Ickes’ files show that he and the DNC directed Indian casino cash in the hundreds of thousands to Democratic parties in at least half a dozen states.

Neither party is exempt from such sleaze: one reason New Jersey’s GOP Gov. Christie Whitman finds herself in re-election difficulties this fall is that she’s under attack for funding a $330 million tunnel and roadway to a new Atlantic City casino owned by shady Las Vegas gambling mogul Steve Wynn, a megabucks contributor to both Republicans and Democrats. And the entire Nevada congressional delegation from both parties has long been in the pocket of the boys on the strip, as the Vegas casino ghetto is familiarly known.

The Ickes-Babbitt killing the Chippewas’ attempt to climb on the gambling gravy train, however, shows that the Democrats can be just as ruthless to the poor as the “party of privilege” when legally bribed with big campaign cash.

Web exclusive to the Oct. 23-29, 1997 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Sutter Medical Center in Santa Rosa

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Babes in Arms


Michael Amsler

Man with a plan: Cliff Coates, CEO Sutter Medical Center

Last year voters approved the lease of Community Hospital. Now the state is probing reports of declining patient care

By Paula Harris

ANA GRAY, an amiable woman with expressive dark eyes, curls a protective arm around her newborn son, Bailey, as she briskly carries him across downtown Santa Rosa’s Courthouse Square toward the state Department of Health Services office where she files her complaint.

According to Gray, patients are suffering because Sutter Medical Center in Santa Rosa–formerly known as Community Hospital–has closed its well-baby nursery, which had catered to the newborns while their mothers rested and recovered. In fact, many patients aren’t aware that for the past four months, Sutter Health Center of Santa Rosa has changed to “couplet care,” where mothers and babies are treated as a unit, and babies stay in the same room with mothers at all times.

Gray, 30, is incensed about her treatment at Sutter, where she delivered her son, and makes no bones about it. “I used to say Community Hospital was the best place to have a baby,” comments Gray, who delivered her first two children at Community Hospital. “I wouldn’t go there again.”

After her delivery, Gray opted to stay the two full days allowed by the insurance company, since she had two other children, ages 10 and 2, at home and she wanted to return rested. But, she wasn’t aware that policies regarding well-baby nursery care had changed.

During her Aug. 11-13 stay, Gray claims, after zero sleep for 20 hours–including 13 hours of labor and delivery–she asked a nurse to watch her newborn son, who was fussy, for two hours while Gray got some sleep. Gray says she was told the hospital no longer had a nursery and couldn’t watch babies. “I couldn’t believe it,” recalls the young mother. “All I could do was sob into my pillow from pure exhaustion.”

In her letter of complaint, Gray writes:

“New mothers used to be treated special, I appreciated being rolled from labor and delivery in a wheelchair, having my baby go in the nursery when I needed sleep or a shower. . . . I also missed the red wagons and being wheeled out to the car. These things gave Community Hospital charm and made it special.

“I feel the patient is no longer the priority, but that the appearance of the hospital is most important,” she continues. “Good looks don’t mean good care.”

Sympathetic nurses, Gray says, encouraged her to file the complaint. She has filed one copy with the hospital and another with the state Department of Health Services.

Sutter officials later denied Gray’s allegations, insisting that the nursery was still open, that it was an isolated case, that there was no change in discharge policy, and that all the small red wagons, used to transport baby gifts and belongings, had been stolen. Sutter officials also responded that allegations that nurses were watching newborns at the nursing station–a violation of state health policy–were untrue.

But Helgi Teixiera, health facilities evaluator supervisor for the state Department of Health Services, says complaints about the Well Baby Clinic not being utilized and about babies being left at the nursing station have led to a current state investigation about Sutter’s perinatal services. “We’re aware of [the complaints] and are doing an investigation,” she tells the Independent.

“Leaving babies at the nursing station is not an acceptable practice–that’s why we have nurseries. And well babies are not supposed to be in the intensive care nursery.”

State regulators have told Sutter to utilize the Well Baby Nursery, she adds. “But there have been problems and complaints,” she observes. “It’s a viable issue. More than one person has voiced concerns.”

When asked to comment, Sutter Medical Center of Santa Rosa CEO Cliff Coates says he suspects that the Health Services Department is responding to complaints from “patients, anonymous letters, employees, or the labor union.” Coates insists the hospital is not involved in any wrongdoing. “We’re very confident we’re meeting all licensing requirements,” he says, adding that the hospital is “constantly facing critics.”

Babies on Board

ALTHOUGH COUPLET CARE is on the rise in the obstetrics wards of many hospitals–for mostly economic reasons, since staffing a nursery at night becomes costly–some patients and nursing staff see it as a blatant reduction in patient services and therefore a violation of the Sutter lease agreement.

Emma, a 17-year nurse who works at the facility and spoke on condition of anonymity, verified that the hospital’s well-baby nursery had recently been closed and that nurses were encouraging patients to complain. “Mothers are being told they must keep the babies with them; they have no choice,” she explains.

She claims the main problems are staff cuts, untrained nurses, improper evaluation of newborns, and keeping babies at the nursing station instead of the well-baby nursery because there’s no one to staff the latter.

According to Emma, new mothers undergoing such surgical procedures as tubal ligations, removal of retained placentas, and cesarean sections must also care for their newborns. “I’ve seen a mother recovering from a C-section, under general anesthesia, snoring away with the TV blaring and the baby thrashing and screaming in the bassinet,” she says. “One nurse can’t simultaneously check on all babies.”

However, Coates flatly denies the well-baby nursery is closed (“absolutely untrue”) and dismisses Gray’s complaint as a “possibly isolated case of not having a staff person [on duty].”

Says Coates: “We’ve been engaged in a study to look at what customers want, and what they want is couplet care–they want to be with their babies. So we’ve been engaged in a retraining effort in our OB department so that nurses are cross-trained in taking care of babies and mothers, as the baby should be with the mother and that’s what customers are asking for.

“What that’s meant is that the nursery is used much less than it used to be, but it is not closed.”

He adds that the nursery is still available for babies whose mothers have undergone surgery, and denies reports that babies are being taken care of at the nurses’ station.

But Stacy Giles, a registered nurse in labor and delivery who called the Independent in support of couplet care, says that of the 136 deliveries in August, none went to the well-baby nursery “because it wasn’t an entity.”

When the Independent asked to view the well-baby nursery, a reporter and a photographer were shown a sparsely furnished room with the lights on and viewing window blinds up, but no babies or staff members inside. The photographer was instructed by Sarah Miller, director of physician support services at Sutter, not to take pictures of the area.

Madrone Williams, director of women’s and children’s services at Sutter, says there is the same ratio of nurses to patients in the couplet-care model. “The nurse is 100 percent responsible for the baby’s care, not the mother,” she says. “It’s not a cost-cutting measure.”

The Name Game

IT’S BEEN ALMOST A YEAR since the hotly contested election in which 60 percent of Sonoma County voters passed a controversial ballot measure to lease publicly owned Community Hospital to Sutter Health/California Health Systems, a large health-care conglomerate with headquarters in Sacramento.

Now some critics are charging that the company has violated the lease agreement and broken a pledge not to curtail services at the publicly owned facility, arguing that planned staffing changes will have grave consequences for patient care.

Events leading up to the election can best be described as a messy tussle between the Sonoma County Board of Supervisors, which wanted to unload the debt-ridden Community Hospital, and campaigners intent on keeping it. “It’s always unfortunate when well-meaning citizens get involved in something they know nothing about,” Supervisor Mike Cale chided. Finally, Superior Court Judge Lloyd von der Mehden ruled against the county’s motion to quash a petition drive to place the future of Community Hospital before local voters. Petitioners collected almost double the signatures needed to force an election, but though the initiative qualified in time to make the March ballot, supervisors refused to add it, forcing the measure to go on the November ballot and giving Sutter extra time to fight it.

One week before the election, Sutter ignored its vow to the IRS that the corporation would not intervene in political campaigns, and tossed more than $200,000 of its considerable resources into the campaign, using slick promotional mail, newspaper ads, and a last-minute poster campaign to defend its contract.

Once in charge, Sutter embarked on a snazzy marketing campaign, made exterior changes to the buildings, and ceremoniously dropped the name “Community Hospital” for image reasons. The May 9 “Community News,” a Sutter in-house newsletter for employees, volunteers, and board members, states that “it was determined that keeping [the name] ‘Community’ may reduce the potential image improvement of a name change.”

Ironically, the word community had figured quite prominently in the Sutter 1996 annual report, “1996–The Year in Review. A Report to the Community.” It states, “At Community Hospital, we believe the key to our continued success is an open, positive relationship with the members in our community. . . . We never forget that the support of our community is what makes our success possible.”

‘Dangerous Medicine’

IN PAST MONTHS, and since the takeover, there have been several state Health Services Department citations criticizing Sutter for failing to continuously monitor heart patients on telemetry, not responding to patients’ call buttons, understaffing the perinatal and pediatric wards, serving cold meals, and inadequately training nurses assigned to the intensive care unit.

Sutter officials say they’ve responded well to every state visit and add that the hospital has never been fined.

Last October, Irene Fox, an 80-year-old retired schoolteacher, died while being administered an intravenous injection while under care at the medical center. Her family has filed a wrongful death lawsuit against Sutter and against the nurse who reportedly administered the fatal, concentrated solution of potassium chloride to Fox, who lapsed into convulsions and died moments later while family members were in the room. “We will go forward with the suit and get a trial date in a year or so,” says attorney Michael Casey, who is representing Fox’s relatives. “We’ve had some discussions with the hospital about trying to resolve this, but the family thinks the hospital is not taking the claim seriously,” he adds.

The past year has also seen staffing changes and restructuring of services that have proved unpopular with workers. One detailed internal memo sent by Dr. Marc Eiseman, a physician at the Family Practice Center, to Sutter CEO Cliff Coates and all FPC staff noted that patients had to wait hours for appointments; almost half the patients’ charts were missing; no one answered calls to the radiology department (to help interpret X-rays); and a depleted staff was run ragged attempting to keep up.

“Things were bad before Sutter came on board, and now, with the recent cutbacks in the medical records department, they are shameful,” wrote Eiseman. “From a liability standpoint, it is only a matter of time before something will slip through the cracks (an abnormal Pap smear or mammogram, elevated blood glucose, etc.) which we will fail to follow up on and which will lead to a bad outcome (an undetected cancer, diabetic ketoacidosis, etc.). . .

“This is dangerous medicine.”

Another widely distributed internal memo, this time from Family Practice Center Director Sean Gaskie, M.D., notes “an alarming and unacceptable pattern of office closures and patient dislocation due to staff cuts and consolidation.”

Gaskie later blasted the Independent for publishing that memo, claiming, “It is your prerogative to quote the most inflammatory and hyperbolic rhetoric to be found in the purple prose of a couple of frustrated doctors.”

That Gaskie himself was one of those “frustrated” doctors–his memo also states “an office system based on a floating crap game can only repulse patients from our system”–goes unmentioned.

Team Approach

MEANWHILE, a new “team approach,” effective Nov. 3, is designed to reduce costs and improve efficiency, according to management. It will affect about 31 employees, including nurses, nurse assistants, and housekeepers. Under the restructuring plan, four supervisory roles will be eliminated and the new arrangement will save the financially strapped hospital about $300,000 per year.

The plan has been greeted with skepticism by workers. Michael Allen, manager of SEIU Local 707, says the union is “pessimistic and suspicious” of what looks like “de-scaling” the workforce. Nurses and health-care workers have marched in protest of the impending changes.

“The proposed model will fragment nursing care into tasks that will be performed by unlicensed, inexperienced personnel and will undoubtedly have an effect on the quality of patient care,” says Glenda Canfield, a registered nurse at the hospital.

The Sonoma County Board of Supervisors entered into the private/public partnership after the financially shaky Community Hospital reportedly lost more than $11 million in revenues over five years. Sutter/CHS agreed to run the hospital for at least the next 20 years and gave final assurance to supervisors there would be no decrease in services.

Under the terms of the lease, the Sacramento-based health-care company agreed to maintain all existing programs and services, rehire all existing staff with the same wages and benefits, and spend up to $38 million in charitable health care over the next two decades.

Sutter Medical Center CEO Cliff Coates denies any hospital services have been trimmed or eliminated. “In terms of cutbacks or layoffs, we’re constantly looking for efficiency,” he continues. “We’ve been through at least three process redesigns here, some of which included layoffs and some of which didn’t.”

However, allegations are surfacing from some nursing staff and patients, including Gray, and from consumer advocacy groups like HealthWatch of Sonoma County that the hospital is dramatically reducing services and thus violating its lease agreement. Now, say some observers, there are lingering doubts about whether the community made the right choice in giving up Community Hospital, a venerable 130-year-old public institution that had played a role in the lives of so many local residents.

Dorothy Hansen of HealthWatch of Sonoma County–a watchdog organization that includes many who opposed the Community Hospital lease–says her group has been collecting data to ensure that Sutter Medical Center lives up to its contracts. She believes Sutter is in violation of the lease agreement. “We expected it to be like this,” she notes. “It’s the same progression of staff layoffs and cutbacks in service, and that’s a familiar pattern in other North Bay Sutter hospitals. . . .

“We have to realize that Sutter is an aggressive, acquisitive company with a bottom-line mentality and they bear watching.”

But Coates says Sutter has “far exceeded” the terms of the lease, both in the amount of money invested in the organization and in the amount of indigent care provided. “Charity care under Sutter management has increased to over 8 percent [of admittals], where in previous years it averaged around 5 percent,” he observes.

The commitment made to the county did not specify providing the same services in the same way as Community Hospital did 10 years ago or one year ago, he adds. “There’s not a commitment to make no changes,” he says. “I think any organization that fails to change is not going to make it in the long run, and our commitment here is to the long run. We want to grow the organization, and in order to grow the organization we will make changes and we are making changes–and the county certainly understood that.”

Sonoma County Supervisor Mike Reilly says that the county has an obligation to make sure all provisions within the lease agreement are enforced, but stresses there’s a difference between transformation and transgression. “It’s an easy assertion to say if [Sutter] is changing something, they’re violating the lease agreement,” explains Reilly. “There’s a difference between them modifying services and violating the lease agreement.”

But he adds that if there are citizen complaints brought to him about Sutter, he’d be interested in researching them.

Coates says Sutter Medical Center is involved in a long-term conversion process and the hospital is not making a profit. “In the first nine months, we’ve posted a loss of $4.2 million. I think that’s an indication that this is a long-term project, and a quick turnaround is not something that’s going to happen,” he says. “We consider the losses that we’re incurring now an investment because we continue to do all the good things that this hospital does, and by continuing to do what we’re doing and to be more efficient at what we’re doing, I think we’re going to see growth.

“It really is going to require growth in order to operate in the black here.”

One of the major challenges facing Sutter Medical administrators, he adds, is that the environment in health care is changing so rapidly and the demands are so intense. “The customer is demanding the highest quality [of patient care] and demanding efficiency.

“If we aren’t providing both, then we aren’t serving this community,” he says.

From the Oct. 23-29, 1997 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Spins

0

Roots Rockin’


John Casado

Pensive and ‘Poison’: Buddy Miller thinks about his country.

Three artists chart the American dream

Buddy Miller
Poison Love (Hightone)
THERE’S ALT-COUNTRY–guitar-twangin’, honky-tonkin’, beer-swillin’, cowpie-kickin’, back-to-the-roots sort of stuff–and then there’s the intelligent storytellin’ of guitarist and songwriter Buddy Miller. Local audiences got a taste of Buddy earlier this year when he performed at the Mystic Theater as a member of Emmylou Harris’ Spyboy Band. On this impressive (and seriously twangy) solo debut, Miller teams with his songwriter wife, Julie Miller (who contributed some of the most haunting, emotionally packed material on Harris’ acclaimed Wrecking Ball album), and an ace line-up that includes Harris, country renegade Steve Earle, country singer Jim Lauderdale, bluegrass fiddler Sam Bush, and the Spyboy rhythm section. But the heart of this disc is a singularly rugged set of songs, ranging from the chilling “100 Million Little Bombs” (a compelling call for an end to the use of land mines) to tough little paeans to love lost and found. As a bandleader, Miller deftly handles the reins, knowing when to lie back and graciously allow his guests to snag the spotlight; Harris, Lauderdale, and Julie Miller all take turns singing lead vocals. A cut above the rest of the pack.
Greg Cahill

The Bottle Rockets
24 Hours a Day (Atlantic)

The Delevantes
Postcards from Along the Way (Capitol)

THE NEW COUNTRY-ROCK SCENE loosely known as “Americana” (often called “No Depression” for the magazine that covered this genre for almost three years) may be a flip side that answers the flurry of hype around electronica. Americana/No Depression is song-focused and acoustic guitar-based; it’s an intersection of neo-folk, alterna-country, and roots-rock that extends from the Stones-like honky-tonk of Wilco to the modern bluegrass of Alison Krauss to the hillbilly rebel rock of Steve Earle. Midwestern rockers the Bottle Rockets and the New Jersey pop-folk duo the Delevantes both help paint a larger picture of the Americana/No Depression field. 24 Hours a Day is the Bottle Rockets’ third disc of smoking, swaggering garage rock with a drawl; their idea of country rock comes from years of listening to Neil Young and ZZ Top, John Prine, and the Georgia Satellites. The rollicking remorse of “When I Was Dumb” is worthy of a mature Buddy Holly, and there are healthy echoes of venerable country-rock themes: hating the jukebox in “Indianapolis”; loving the pool hall in “Slo Tom’s.” This disc is long on crunch and heartfelt populism, short on trendiness, and medium on insight.

Melody is a strength of the Delevantes, whose aptly titled debut, Postcards from Along the Way, works in the chiming country-rock model of the Byrds and Buffalo Springfield, where spritely pop melodicism hosts detailed vignettes of hopeful yearning. This duo is composed of brothers who sing harmony with graceful simplicity, so their real roots are the Everly Brothers and the Proclaimers. But lyrical details are the key: “Suitcase of Leather” is one of the best failed kiss-off attempts ever, while “Reminds Me of You” is all tactile color (“Pavement flicking beneath my feet”). These days it’s widely known that folk and country are the last havens of pure songwriting. More important, the Americana/No Depression new breed stands with metal and punk as the last haven of traditional rock for rock’s sake.
KARL BYRN

From the Oct. 23-29, 1997 issue of the Sonoma County Independent.

© Metro Publishing Inc.

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Spins

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