Proprosed Rout For California High-Speed Rail

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Where It Will (and Won’t) Go

By Jeff Kearns

Although a final route hasn’t been selected yet, the high-speed rail line would serve all of the state’s major population centers.

From San Diego, trains will speed north to Los Angeles and Bakersfield and Fresno. Near Merced, the route will split: One track will continue north through Stockton to Sacramento, the other to San Jose and a downtown San Francisco terminus.

Though Oakland lobbied extensively for service, if the East Bay does get a high-speed line, it is likely to come only later in the development of the system, or in the form of a faster conventional rail line. Orange County is in the same boat.

However, on top of dedicated high-speed rail, the authority also hopes to upgrade service on two other busy corridors by helping to plan and finance faster, more frequent service. The conventional rail service on the San Jose-Oakland-Sacramento line and the coastal Los Angeles-San Diego route, both busy and growing today, would be targeted for upgrades under the plan.

The busiest high-speed rail station, Los Angeles Union Station, would serve 9 million passengers per year, and may be connected to Los Angeles International Airport. Today, LAX is the third busiest airport in the world, serving 68 million passengers a year, and may hit 100 million by 2010. Though SFO would be served by a high-speed rail stop in Millbrae, LAX is miles away from downtown LA and nowhere near Union Station.

While it’s essential that Union Station and LAX be linked, and governmental and business groups are already studying how to make it happen, the link will likely be eliminated from the study in November. Local agencies may instead build their own cross-town links.

From the October 11-17, 2001 issue of the Northern California Bohemian.

© Metro Publishing Inc.

Give War A Chance

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Yesiree, I say, bombs away! Rockets red glare! We are all white with foam!

By Michael Moore

Oh, don’t get me wrong–I deplore war and killing and violence. But, hey, I’m a pragmatist, I know where I live, this is America and dammit, somebody’s ass had to get kicked!

Our Leader, a former baseball club owner, could have at least had the decency to wait one more day until the baseball season was over. Poor Barry Bonds–will anyone even remember what he did a month from now? At least Fox had the good grace to get the football game back on the tube within an hour of the war’s start! They KNEW none of us could stomach looking at Stepford Drones from Fox News for the rest of the day.

Fellow liberals, lefties, Greens, workers, and even you loveable Gore voters and recovering Democrats–let me tell you why I think this war on Afghanistan is good for all of us:

1. Network unanimity in naming the war.

It has been so confusing the past four weeks, what with all the networks calling this thing we are in by so many names: “America’s New War,” “America Under Attack,” America Fights Back,” “War on Terrorism,” etc. Now, nearly every network has settled on “America Strikes Back.”

I like this because, first of all, it honors George Lucas. We’re a humble people, we Americans, so we can’t quite bring ourselves to call it “The Empire Strikes Back.” “Empire” sounds a little scary, and there’s no use reminding the rest of the world that we call all the shots now. So “America Strikes Back” is appropriate (and, as Sunday was the last day of baseball, “strikes” has the necessary sports metaphor we like to use when bombing other countries).

2. The citizenry can now go back to what they were doing.

I don’t know about you, but nearly four weeks of anxious and tense anticipation of what would happen next was starting to wear me down. I thought nothing could top what spending the whole summer agonizing over whose baby it was on “Friends” did to me.

But the last four weeks was worse than a bad classic rock extended drum solo. NOW we have resolution. NOW we know the ending–the bombing to smithereens of a country so advanced it has, to date, laid a total of 18 miles of railroad tracks throughout the entire country! How very 19th century of them! I hope our missiles were able to take them out. I don’t want this thing going on forever. Best that we obliterate them before they come up with some smart idea like the telegraph.

3. Dick Cheney has been moved into hiding again.

This can only help. The farther this mastermind can be kept from young Bush, the better. He’s like that creepy friend of your dad’s who has taken a bit too much of a shine to you. Wait–he is that creepy friend of his dad’s! Anytime I hear they have transported Cheney out of town and into a bunker in the woods, I feel safe. And don’t worry about him having any workable form of communications with Bush–remember, this is a government which discovers that a known terrorist is taking flying lessons in Florida and does nothing.

4. Rush Limbaugh, Bill O’Reilly, Orrin Hatch will all be fighting this war for us!

These are all honorable men, men of their word, men who would not expect someone else to fight their battles for them. They have all called for war, revenge, blood–and, by God, it is blood I want them to have! Now that we are at war, let us insist that those who have cried the loudest for the killing be the first to go and do just that!

I would like to see, by the end of the day, Rush and Bill, Orrin and the rest of their colleagues down at the recruiting station signing up to join the U.S. Army. Sure, I know they are no longer young, but there are many jobs they will be able to do once they get through the Khyber Pass. Surely these men would not expect our sons and daughters to die for something that they themselves would not be willing to die for.

Get your butts over there to Afghan-istan and defend a way of life that allows companies like Boeing to get rid of 30,000 people while using the tragedy in New York as their shameful excuse.

5. Really cool war footage.

It’s been way too long since we’ve been able to watch those cruise missiles and smart bombs with their little cameras on them sail in and blow the crap out of a bunch of human beings. This time, let’s hope the video is in color and that it’s attached with a miniature set of Dolby speaker microphones so we can hear the screams and wails of those Afghanis as our shrapnel guts them into strips of bacon. Oh, and let’s pray the video can be loaded into my Sony Playstation!!

6. Better a quickie war than a permanent war.

Orwell warned us about this one. Big Brother, in order to control the population, knew that it was necessary for the people to always believe they were in a state of siege, that the enemy was getting closer and closer, and that the war would take a very long time.

That is EXACTLY what George W. Bush said in his speech to Congress, and the reason he said it is because he and his buddies want us all in such a state of fear and panic that we would gladly give up the cherished freedoms that our fathers and those before them fought and died for. Who wouldn’t submit to searches, restrictions of movement, and the rounding up of anyone who looks suspicious if it would prevent another September 11?

In order to get these laws passed that will strip us of our rights, they have been telling us that we are in a LONG and PROTRACTED war that has no end in sight. Don’t buy it! We are bombing Afghanistan, and THAT is the only war in progress. It should be over anywhere from a few days from now or in about nine years (Soviet-style). Either way, it will end. The good guys will win. And, if George II is anything like George I, then the bad guy will win, too, getting to live and go on doing what he enjoys doing (what were we, like, 40 miles from Baghdad?) while we continue to bomb the innocents (540,000 Iraqi children killed by U.S. in the last 10 years from bombs and sanctions).

As I’m sure you must agree, there are many upsides to this war. Sure, The Emmys got cancelled again, and, as a nominee this year, I already found out that I wasn’t getting one of those little gold people so who cares if I can’t walk down the red carpet in my Bob Mackie gown? I don’t even wear a gown–I wear pants, ill-fitting pants at that! Yesiree, I say, BOMBS AWAY! Rockets red glare! We are all WHITE WITH FOAM!

And please, let’s look at the bright side for once: The last time a Bush took us to war and got a 90 percent approval rating, he was toast and a ghost the following year. You can’t get better than that.

Author and filmmaker Michael Moore is the creator of ‘The Awful Truth’ and ‘Roger and Me.’

From the October 11-17, 2001 issue of the Northern California Bohemian.

© Metro Publishing Inc.

Haiku Tunnel

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Job slob: Josh Kornbluth (right) weathers work in ‘Haiku Tunnel.’

Ego Trip

Insecure novelist Arthur Bradford digs ‘Haiku Tunnel’

By David Templeton

Writer David Templeton takes interesting people to interesting movies in his ongoing quest for the ultimate post-film conversation. This is not a review; rather, it’s a freewheeling discussion of art, alternative ideas, and popular culture.

SOME PEOPLE are just more secure than others. They walk this earth in a cocoon of calm assurance, all but glowing with self-worth. Their conspicuous confidence is inspiring. And dynamic. And oh-so-attractive.

On the other hand, insecure people are much more fun to watch.

“This Josh Kornbluth guy, for example, is so funny exactly because he’s so uncertain and insecure,” observes author-
filmmaker Arthur Bradford, shortly after taking in Kornbluth’s new comedy Haiku Tunnel.

Bradford, tall and lanky, blue-eyed and tangle-haired, is no stranger to insecurity himself, as he’ll happily tell you.

He is also a very busy guy, right in the midst of two different cross-country tours. One is to promote his first book, Dogwalker (Knopf; $20), a collection of outlandish short stories. The other is to attend screenings of his HBO documentary How’s Your News?, based on Bradford’s work at a camp for adults with disabilities.

Despite his full calendar, Bradford accepted my invitation to see Haiku Tunnel, a Sundance hit based on Kornbluth’s popular one-man show about a quirky office temp (and would-be writer) whose neuroses are strained when he “goes perm” at a big law firm.

This is a guy so insecure about being a law secretary that when a gorgeous lawyer from across the street falsely assumes Kornbluth is also a lawyer–and shows romantic interest–he helplessly plays along. Ironically, he actually starts to feel good about himself. Then bad things happen. Funny things.

“This movie, Haiku Tunnel, is about that period of time when you’re trying to figure out what you want to do with your life,” Bradford suggests. “There’s something really wonderful about that time, but there’s also something . . . I don’t know . . . unsettling.

“When Josh asks his attractive black co-worker, ‘Would you ever see me as man material?’ and she says, ‘You’re poor, you’re unstable, and you’re white’–that’s true! That’s real!

“That,” Bradford confesses, “is exactly how I always felt before I finally got published. As an unpublished writer, I knew I wasn’t a good bet for someone.”

“Well, now you do have a book out,” I remind him. “Feeling better?”

“Yeah,” he says, “A little.”

Fortunately, Dogwalker is a good book. It’s strange. Outrageous even. But it’s getting great reviews. Bradford may have to get used to feeling less like Kornbluth before he pretends to be someone he’s not, and more like Kornbluth the self-confident fraud.

“It’s interesting that Josh talks about wanting to be a writer,” Bradford mentions. “I think a lot of people want to be writers. So many people want to be writers that it’s always kind of made me not want to be a writer. Sometimes.”

Once, after having just won a fellowship at the Stanford Writing Project, Bradford met an attractive female in Golden Gate Park. She was also a writer. An unpublished writer. So he attempted a Kornbluth-like deception, passing himself off as a literary failure. It didn’t work out. “I was always afraid she’d find out I was published, that I was writing at Stanford, and that she wouldn’t like me anymore,” Bradford explains.

“Sounds like a love-hate relationship with success,” I therapeutically mention.

“Yeah. Maybe that’s why I’m not a very driven writer,” he allows. “I mean, I’m 31 years old, and this is my first book, and it is a pretty thin book.”

“But it is a book,” I argue. “And it is published. And you’ve made a movie.”

“Oh, I agree,” he nods. “Relatively speaking, my self-confidence is up right now.”

‘Haiku Tunnel’ opens Oct. 12 at Rialto Cinemas Lakeside, 551 Summerfield Road, Santa Rosa. For details, see Movie Times, page 27, or call 707/525-4840.

From the October 11-17, 2001 issue of the Northern California Bohemian.

© Metro Publishing Inc.

David Schmahmann

South African exile mourns lost love in ‘Empire Settings’

By Patrick Sullivan

THINK OF IT as the world’s largest prison–a horrific political edifice of laws and lies and brutality that caged a nation of millions. And when the grim walls of South African apartheid came tumbling down, it was a liberation of biblical proportions, the end of one world and the birth of another.

It’s a slice of history that’s hard to beat for drama. So it’s ironic that Empire Settings (White Pine Press; $21.95), a novel set before and after South Africa’s tumultuous transition to freedom, should be so quiet, so reserved in tone.

Ironic, but probably for the best–especially given the book’s plot, which involves lost loves, political passions, and a family beset by more troubles than Job. In lesser hands, this story might have gone melodramatically awry. But first-time novelist David Schmahmann employs a deftly understated approach to telling the story of a protagonist who strongly resembles the author himself.

Like Schmahmann, Danny Divin is a white South African now living in Massachusetts. Danny has found financial success and is married to a beautiful Latina, but he’s haunted by his African past–specifically by a lost love. Long ago, as a teenager, this son of a wealthy Durban merchant and a liberal politician braved apartheid’s strict interracial romance laws to conduct a brief but potent affair with Santi, the mixed-race daughter of a Zulu maid.

The two met by chance, as Danny explains: “I was seventeen when I first saw her and I had no idea where she came from or where she belonged. She wasn’t white but she wasn’t black either, rather a coppery brown that seemed to make irrelevant any thought of what she might be and to make who she might be all that seemed of interest.”

After Danny worked up the nerve to approach Santi, the two began the only kind of dating possible: late-night meetings in the garden. The result was instant infatuation, as Santi explains: “How can there not be love when you start with forbidden things in the dead of the night right under the noses of all those sleeping people?”

But Danny’s father discovered the romance and ordered the boy to break it off. Soon after, financial disaster and the rage of the apartheid regime broke Danny’s family like a cheap toy, ending his father’s life, shattering his strong-willed mother, and imprisoning his politically active sister. The boy fled to a new life in America. But of all Danny’s loves, his relationship with Santi–those few stolen moments in the moonlight–seems the only one with meaning.

Forbidden love may be the most frequently used plot device in literary history, employed by authors from William Shakespeare to Arundhati Roy. But while the idea isn’t new, Schmahmann brings a compelling specificity to the topic, powerfully conveying the dangers and thrills of love across South Africa’s color line.

And while both Danny and Santi possess an almost uncanny purity in their motives, Schmahmann shows other, less lovely possibilities. After all, lust mingled with racism can produce incredible ugliness, as the author demonstrates in a deftly sketched scene of Santi’s experience with a train full of white schoolboys: “Show us your tits,” one of the boys said. “We’ll give you one rand.”

Perhaps the most ambitious aspect of Empire Settings is the author’s decision to narrate this tale in the voices of five different characters, including Danny himself, Santi, and Baptie, Danny’s family’s black maid.

Surely the biggest challenge here is Baptie: How many times have white authors reduced such a person to an ugly caricature? Too many to count, even if one had the stomach for the task. And if one feels Schmahmann doesn’t quite do justice to Baptie, doesn’t quite capture the ambiguities of her remarkable life, he does far better than most.

While the voices and perspectives differ, the tone of Empire Settings is one of constant, quiet nostalgia. Schmahmann’s characters endure pain, loss, and heartbreak, but even their worst experiences are wrapped in a soft blanket of distance that makes their suffering all the more poignant. And while none of them mourn the end of apartheid, they all suffer an exile’s ache for a time and place lost beyond all recall.

David Schmahmann reads from ‘Empire Settings’ on Tuesday, Oct. 16, at 7 p.m. at Copperfield’s Books, 140 Kentucky St., Petaluma. Some proceeds from the sale of the book go to fund an AIDS hospital in Durban. For details, call 707/762-0563.

From the October 11-17, 2001 issue of the Northern California Bohemian.

© Metro Publishing Inc.

Exotic Poultry

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Illustration by Magali Pirard


Duck & Cover

Shake off that fear of flying (over to the exotic poultry section)

By Marina Wolf

THE DUCK with dirty rice and eggplant-sweet potato gravy was a simple menu, as far as Cajun food goes: only five or six subrecipes, sweet potato cut up and cooked three different ways, three quarts of homemade stock added a half a cup at a time and then simmered down to one tenth of its original volume. Three ducks for two people seemed a little extreme, but when working from a recipe I always follow a simple, yet important, precept: Don’t mess around with the measurements until you’ve done it right one time by the book. (“Don’t feed anything untested to people who don’t share your bed” is Commandment No. 2).

So, three ducks it was. Actually obtaining them wasn’t a problem. I knew our local independent food market would have them. G&G (Grand & Grotesque? Gritty & Gratifying?) looks like the shlumpiest of supermarkets, with a logo and shopping carts left behind from the ’50s, but in fact it has a well-deserved reputation for stocking obscure (to the typical Western palate) foodstuffs. Headcheese? Check. Organic St. John’s wort energy drink? Check. French cookies hand-rolled by rosy-cheeked virgins in the Alps? Check. The G&G supermarket is much like a Middle Eastern marketplace, without the dirt and the flies: anything you might want to ingest is there.

The ducks lay in the refrigerator case, as tamely wrapped as the turkey breasts on the next shelf over. It was only when I picked up one package and turned it over looking for an expiration date that I understood how much work really lay ahead. I made eye contact with the duck.

Now, I am not easily spooked by dead animals and their body parts. I have paused next to cows’ heads and bargained for bits of beef at some of the best and busiest farmers’ markets in Russia. I actually like beef tongue sandwiches, and have wrestled with gristly pig haunches on more than one festive occasion. But somehow, staring at those opaque black beads that peered out through a double layer of plastic wrap, my stomach twitched and I had to pause. The duck, being dead, didn’t even blink.

Obviously my response had something to do with eyes, a response that I probably share with many middle-class Americans. For example, we tend to be disturbed by the eye in Chinese whole-fish dishes, even though the condition of the eyes is the best measure of the fish’s freshness.

But I also think it’s representative of a larger problem of how disconnected Americans tend to be from the source of their food and its original state. The other night I overheard a conversation at a restaurant. Someone was apparently putting a lot of cream in his coffee, so a tablemate suggested that they bring a cow to the table and he could help himself. The cream-lover’s reaction was swift and strong: “Milk from a cow? Disgusting!”

Even produce, which has no eyes or bodily fluids to gross us out, seems somehow excessive, obscene, or dirty unless it’s been processed, cleaned, and chopped up as much as possible first. The first time I made a recipe that called for beet greens, I looked and looked in a Safeway for them. The beets there were invariably shorn of their crowns, sitting lumpy and crimson with no indication that they had ever reached through the ground toward the light.

Of course, beets are not birds. I could rationalize my unease with some sort of post-industrial hyperhygienic angst, or run over it with a cynical postmodern hedonism, but it was still there, the moral muddle that underlies the consciousness of any thinking meat-eater. The eyes of a dead animal are windows to our hungry souls.

The funny thing is that I still harbor some vague fantasies about getting my girlfriend and me a few acres out in the country someday, with space for a big garden and some chickens. What happens to the chickens in my fantasy looks a lot like that scene in Babe, where Farmer Hoggett strides firmly to the slaughtering room, passing over our porcine hero for an at-first nameless duck. The camera cuts away, we hear a flutter of wings and some frantic quacking, and then he heads back to the house, an unidentified bundle dangling from his hand.

TO FILL in the blanks in my imagination, I recently asked friends with chickens to invite me over the next time they kill one. If I can’t watch it, perhaps I don’t deserve to eat it. They haven’t called me yet, so these ducks were simply the next step down that path. They were already dead; my job was just to take off the bits that would remind us too much of that fact.

I thought about these things all the way home, ducks sitting at the bottom of bags in the back. Well, of course I bought them. What could I do? I had talked up the recipe for days to my sweetie, and had invested in a five-pound bag of cayenne pepper for the event. And the actual preparation wasn’t as bad as I had feared (or hoped). My prime piece of German cutlery seemed very dull as I cut the neck, but some minor thug on the poultry farm had taken the trouble of breaking the bird’s legs for me, so the feet came off easily.

I duly plastered the ducks with a pungent paste of spices and salt, roasted them for hours, and let them cool, then prepared the rest of the dishes. After only 10 hours (I did mention this was an easy menu, right?), the food was ready. The dirty rice fluffed up nicely, forming a perfect cradle on my plate for the rich spicy gravy, with the half-duck lying in state on the side, crackling brown. Before I dug in I paused again, looking over the edge into my omnivorous heart. I knew more about duck now than before; my innocence, my ignorance was gone. I was a more culpable cook.

But I will say this: it was delicious.

From the October 11-17, 2001 issue of the Northern California Bohemian.

© Metro Publishing Inc.

Morsels Bowled Over

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Celebrity status: Annie R. McCarter.

Morsels

Bowled Over

By Greg Cahill

DO YOU LIKE SOUP? Great bowls of steaming hot soup? Refreshing cups of chilled gazpacho? A hearty minestrone? Shrimp bisque? Purée of roasted eggplant and garlic soup? Creamed chestnut soup with fresh ginger? How about a nice posole-poblano soup with smoked pork and jalapeno jack cheese?

The CIA at Greystone in Napa County has them all, ready for those cool fall days and nights, in The CIA Book of Soups (Lebhar-Friedman, 2001), edited by Mary D. Donovan and S. Armentrout: broths, cream soups, cold soups, chowders, and puréed soups, plus accompaniments (croutons, buttermilk biscuits, palmiers with prosciutto, et al.). That’s 130 tasty and surprisingly simple recipes from the kitchens and classrooms of the nation’s premier cooking institute, along with a few pointers on soup basics.

Just in time for soup season (hey, that’s year round, buddy!). Hmmmm. Dive in . . . . .

On the Shelf

A COOKBOOK of favorites from Wal-Mart staff? Believe it. And while most of the recipes in the Wal*Mart Family Cookbook (Try-Foods Int’l, 2001) fit the church potluck mold, there is a scrumptious-sounding entry from Annie R. McCarter of Santa Rosa dubbed Annie & Tyrone’s Illusional Rocky Road Brownies. Sounds cosmic and deelish: made from scratch, loaded with chocolate and nuts, and at 248 calories per serving, these have just got to be good! McCarter becomes the star at her store at a book signing on Saturday, Oct. 6, from 1 to 3 p.m., at Wal-Mart, 4625 Redwood Drive, Rohnert Park.

From the October 4-10, 2001 issue of the Northern California Bohemian.

© Metro Publishing Inc.

Food and Drink

Photograph by David Licht

Burned at the Steak

Rant & roll: Carnivore culinary control gets the ax

By Christina Waters

AS MUCH AS it pains me to report this–some of you are still eating red meat! I know, I know. It’s almost Cro-Magnon, but there it is. Beef is still what’s for dinner in many philistine homes, homes where Coors Lite is the beverage of choice, where Kools are still smoked, and where the television has been on continuously since Gerald Ford was in office.

Let’s call these the Households of Darkness. The corpulent residents of such households–let’s not even use the word home to describe these troughs of ignorance–still order bacon with their eggs and dress up for a trip to McDonald’s.

Picture them. Obese, clad in polyester, they are well on their way to adult-onset diabetes. Apparently too fat to leave the house, these unfortunates haven’t yet gotten the word about cholesterol. They’ve heard about it, but they don’t quite get the connection between the C word and sudden death by stroke or heart attack.

All that butter, all that animal fat goes directly to the arteries, where it sits. It sits and waits for other globs of animal fat. Then when there are enough globs they form a fat blockade and prevent the flow of blood to important areas, like the heart and the brain. In short, the meat-eating bubba gets stupid and dead quicker than the rest of us.

Why, then, are people still eating meat? First of all, there’s that Genesis thing–you know, where God gave man dominion over the animals. Many a Republican likes to sling that quotation around as sort of a Judeo-Christian carte blanche to destroy every living thing that isn’t nailed down.

Actually God was giving humans permission to take care of animals–not to slaughter and eat them. Furthermore, in the first book of Genesis, God also gave Adam and Eve every manner of plant as their food. Not pork ribs and rack of lamb. Not bacon bits and Vienna sausage. The Garden of Eden was a veritable vegetopia, and only after the unfortunate incident with the serpent was the first bratwurst created.

THEN there’s this masculinity thing surrounding the consumption of red meat, the bloodier the better. Today’s insecure carnivore male actually believes that real men don’t eat quiche. Many a sagging ego (itself a metaphor for another sagging entity) has been propped up by a bacon cheeseburger from Burger King (430 calories, 10 grams of saturated fat).

Hey, it was “dominion,” guys. Not “domination.” Given that menus refer to carcasses euphemistically, there isn’t even an honest respect given to the animal being consumed. “Chateaubriand” is really “dead cow,” French or no French.

That we are squeamish about eating red meat is evident in the distance that is placed between the product we consume and its actual source. An ex-New Yorker confessed to me several years ago at a gathering in the Santa Cruz Mountains, “I was 20 years old before I found out that beef didn’t come wrapped in plastic.”

Those quarter-pounders you’re wolfing down (590 calories, 11 grams of saturated fat) contain the flesh of what was once an 800-pound creature. That delicate foie gras is actually a vital organ of a beautiful and intelligent bird. It always sounds less cruel in another language, doesn’t it?

How many of us would even consider eating baby back ribs if we first had to catch, kill, and butcher the pig itself? At least the ancient Romans were honest. They brought the entire pig to the table and pulled it apart with their bare hands. Barbaric, but direct. One visit to the stockyard, any stockyard, would cure most of us of that hankering for a big ole juicy steak. (And what is this need for quantity? Steaks are invariably listed on menus in terms of their weight, as if eating more is a sign of power, or machismo. Eating a steak the size of Anchorage is only a symptom of one thing: gluttony.)

Now I might cut some slack here if we were living in North Dakota, where fresh vegetables are an endangered species, where grown women have never even seen an artichoke, and everything comes from a can or a box. But this is California, where perfect, fresh, organic vegetables outnumber even cell phones.

I’m convinced that people continue to eat red meat because they’re lazy and because they’ve convinced themselves that they are immune to statistics. If we weren’t intended to eat meat, God wouldn’t have made Rolaids.

It’s quicker and easier to just swing by Burger King-where a Double Whopper with cheese runs a terrifying 1,020 calories and 25 grams of saturated fat-than to buy unprocessed vegetables, noninstant rice, and maybe some fresh salmon, and actually prepare it yourself.

Fast food is really fast grease, and everybody knows it–including the disgustingly overweight people who frequent places like KFC and McDonald’s. As for not believing the statistics, even if you only watch TV you’re aware of the health dangers (never mind the environmental ones) of eating red meat, which just recently was linked–again–with colon cancer.

It’s amazing how meat-eaters think that vegetarians are weird. Is it weird to be lean and healthy? Is it weird to respect our bodies and not poison them with decaying carcasses of fellow living creatures? Is it normal to stuff ourselves with what George Bernard Shaw called the “scorched corpses of animals”?

It’s gotta be a self-esteem issue for those of limited reasoning ability. I may be a loser, the carnivore thinks, but at least I’m better than this dead critter I’m eating.

And then there’s the snob value, the arriviste factor of meat-eating.

Only peasants would willingly eat a meatless meal, bubba believes. The ability to put a chicken in every pot and a steak on every plate continues to be a sign of status. Savvy vegetarians in the West figured out that the way to combat the snob appeal of beef was by giving even greater status to designer produce. Portobellos now have as much clout as Porterhouse, heirloom tomatoes can command prices once reserved for carpaccio.

THIS IS A GOOD sign. Because the reasons to remove red meat from your life are many. Ethically, it’s unconscionable to pamper your pets and still be a partner to the slaughter of cattle, sheep, bunnies, and pigs. We share this planet with others. They don’t kill us, and we can survive quite nicely without killing them.

Legumes, green leafy vegetables, fruits, soy products, whole grains–put them all together and you’ve got delicious paths to health and longevity. Bubba will die sooner and more horribly than those who follow the meat-free lifestyles of Tolstoy, Buddha, Leonardo da Vinci, Cesar Chavez, Gandhi, and Albert Schweitzer. (Even a pig like Hitler was smart enough to give up meat.)

If you enjoy being permanently overweight and plagued by arthritis and indigestion, keep chowing down on bacon, burgers, and barbecued ribs. If you want to contribute to the death of the planet, the eradication of green space, and the pollution of clean air, then by all means make McDonald’s your favorite restaurant. And if death by heart attack sounds good, Sizzler awaits. Remember, you are what you eat. Dead meat.

Christina Waters’ last article sang the praises of meat and dismissed veganism–go figure.

From the October 4-10, 2001 issue of the Northern California Bohemian.

© Metro Publishing Inc.

News Bites

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Under fire: Mike Mullens

Case Law

DA harassment trial set to start

By Greg Cahill

IN A CIVIL TRIAL that will be watched closely by local women’s advocates and longtime critics of Sonoma County District Attorney Mike Mullens, a female employee of the DA’s Office soon will have her day in court after charging that she was sexually harassed by a prosecutor and that Mullens retaliated against her for filing a complaint.

April Chapman, a top investigator at the DA’s Office, claims that she was sexually harassed by prosecutor Bruce Enos, who reportedly made unwanted overtures. In the complaint, Chapman further alleges that Mullens retaliated against her by demoting her.

Mullens, who is preparing to run for his third term in the March 5 election, has declined to comment on the case. But in a published statement County Counsel Steven Woodside has rebutted Chapman’s charges, saying that Mullens took undisclosed personnel action against Enos when the sexual harassment complaint came to light.

“The ultimate, most important part of the case is Mullens’ reaction [to the allegations of sexual harassment and misconduct],” said Gary Moss, the attorney for Chapman. “Frankly, this case is not here but for Mullens’ reaction. April did not want to sue Enos for his conduct and never would have if her report of the conduct, which was made in an effort to get away from Enos, had been handled the way it should have been handled under the laws and the rules, the regulations, and the procedures.

“But Mullens, for reasons he’ll have to explain, through his denial acted in a way that we believe is retaliatory under the law.”

According to Moss, Mullens made several “ill-conceived” moves. First, Chapman asked for a transfer and was denied that right even after she informed Mullens about Enos’ allegedly inappropriate misconduct. Then Mullens sent Chapman–a former sheriff’s deputy with a reputation as a top criminal fraud investigator–back to the front office to handle case-prep work, maintaining her salary but exposing her to humiliation in an entry-level position handling paperwork and serving subpoenas.

“We consider that to be an adverse business decision,” said Moss, “the equivelent of a demotion.”

The trial, which will be presided over by a retired Alameda County judge, will begin Oct. 22 at the Petaluma Municipal Court at the Petaluma City Hall. Jury selection started this week.

This is not the first time Mullens has been on the firing line over his terse management style and his handling of women’s issues. The DA’s Office has been criticized repeatedly in the past for its mishandling of cases related to women’s issues, specifically the investigation and prosecution of rape, sexual assault, and domestic violence cases. In 1999, a deputy district attorrney was removed from a rape case after the Women’s Justice Center of Santa Rosa complained about “lying,” “demeaning” behavior, and “prosecutorial misconduct” in the handling of the case. In 1996, Maria Teresa Macias, a Sonoma Valley mother, was murdered by her estranged husband after the DA’s Office and Sheriff’s Department failed to act on numerous complaints and botched the woman’s restraining order. The family of Macias has filed a wrongful-death suit against Sonoma County law enforcement agencies that were involved in the case. That trial is scheduled to begin next spring.

MOSS, who has deposed more than two dozen witnesses in the Chapman case, said he will present evidence that shows Mullens’ mishandling of the Chapman complaint is consistent with his past management decisions. “His management style is very much an issue here,” Moss said. “His decision was made very impulsively, in almost a rash manner. And we have other evidence that it is not unusual for him to make ill-considered decisons without conferring with staff.

“He’s a strong-willed person, and that serves him well as a DA in the types of decisions he has to make, but it certainly worked against him and my client in this instance.”

From the October 4-10, 2001 issue of the Northern California Bohemian.

© Metro Publishing Inc.

Art Trails

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Hands up! M.C. Carolyn’s sculpture is on display during ARTrails.

On the Trail

New twists at ARTrails open-studio tour

By Paula Harris

“STONES + Trees + Mountains = My Place” reads the sign along Mill Creek Road, a meandering route that ends high on a ridge half an hour outside Healdsburg. Every year, sculptor M. C. Carolyn sets up a series of such cues to guide visitors to her mountaintop studio, one of the most out-of-the-way venues in this year’s ARTrails open-studio tour.

“Three years ago I decided to join ARTrails and let the community in,” says Carolyn. “I meet people and we talk about art, Healdsburg, the community, and what I do. It’s a wonderful experience.”

Carolyn, who declines to reveal her age, uses a forklift and flat bed truck to help her create monumental abstract sculptures, some more than seven feet tall, from huge blocks of soapstone or exotic marble. She also creates smaller, evocative figures that are a little easier to transport.

“People are surprised to see a woman doing this work,” she says. “But I get a block of stone, an idea in mind, and I just go to it.

“With stone it’s so physical,” she continues. “I get tired and I can work out my frustrations if I get angry. And I can’t cheat. With stone, what you do is what you get.”

Even Carolyn’s gallery and workshop are products of the artist’s creativity: she built them both with materials rescued from an 1850s barn, including the original tin roof and floor planks.

Carolyn is one of 144 local artists who will open their workspaces to the public during ARTrails. For two weekends–Oct. 13-14 and Oct. 20-21–the artists will give demonstrations, answer questions, and (they hope) sell some of their work during this 16-year-old open-studio tour that stretches across Sonoma County.

But this year’s ARTrails offers a few new twists. Previously, a preview exhibit offering sample works from artists featured on the tour took place at the Sonoma County Museum in Santa Rosa. This time out, the preview exhibit will open Oct. 5 at SoFo2, the Cultural Arts Council’s Santa Rosa gallery.

Additional preview exhibits will be on view at venues throughout the county, including the Healdsburg High School Art Gallery, the Sebastopol Center for the Arts, the Herold Mahoney Library at Santa Rosa Junior College Petaluma Campus, and the Arts Guild of Sonoma.

But one thing remains the same: ARTrails continues to provide the voyeuristic thrill of traipsing through artists’ private homes and studios.

“We all have a curiosity about people’s homes and how they live,” says Elisa Baker, ARTrails coordinator. “Especially creative, artistic people.”

The workspaces featured on the tour range from a tiny corner of the kitchen to a fancy studio to a primitive barn in the backyard. In these eclectic settings, artists produce an incredible variety of arts and crafts, including textiles, woodwork, painting, printmaking, jewelry, and photography.

Indulging the curious offers big rewards for the artists. Organizers say ARTrails draws between 10,000 and 30,000 visitors annually. According to Baker, last year’s artists grossed more than $600,000 in sales from the event.

But for Carolyn, the financial benefit is only one reason she participates.

“Maybe all the people that come on ARTrails can’t take the huge pieces home,” she says. “But they can touch a piece, think about it, and take home the memory of it.”

ARTrails takes place Oct. 13-14 and 20-21. A preview exhibit Oct. 5-25 opens with a gala reception on Friday, Oct. 5, at 5:30 p.m. at SoFo2, 602 Wilson St., Santa Rosa. A catalog with maps can be found at various venues. 707/579-2787.

From the October 4-10, 2001 issue of the Northern California Bohemian.

© Metro Publishing Inc.

Arts Etc.

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Medieval Madness

By Patrick Sullivan

ATTENTION, local druids! Is Stonehenge coming to your town? If Michael Hamilton of California Entertainment Inc. has his way, a life-sized replica of the ancient British monument will be installed in one of nine towns in Sonoma, Napa, or Lake counties. The ambitious Hamilton hopes to make the replica the centerpiece of a 250-acre, Renaissance Faire-style park, complete with five fantasy villages, an arts fair, and a stage for live music. Hamilton has already sent proposals to city councils in Santa Rosa and Sebastopol, though he is apparently also considering East Coast locations. “I like Northern California because I think the market is here,” explains the Lake County resident.

The park, which Hamilton hopes to build for $3 million and open in 2003, would include fantasy versions of King Arthur’s Britain and ancient Greece. Hamilton’s press release elaborates: “In ancient Greece visitors will find themselves strolling upon Mount Olympus with Hera, Queen of the Gods, come face to face with the dreaded Hydra guarding the Golden Fleece, or celebrate the wine harvest of Dionysus. . . . Have a bite of lunch with Medusa or join Bacchus, the god of wine.”

From the October 4-10, 2001 issue of the Northern California Bohemian.

© Metro Publishing Inc.

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