Debriefer: November 17, 2015

HELP WANTED:
POT CZAR

The state is getting serious about its freshly enacted medical marijuana policy—so serious that it now has a top pot job listed on the Department of Consumer Affairs that pays up to $125,000 a year for the right candidate.

The position would serve a bureaucracy to be in place by 2018 under a set of state laws passed this year, and would serve “at the pleasure of the Governor,” according to the job posting. Responsibilities are vast and include “oversight, policy, operations and management” of the soon-to-be created Bureau of Medical Marijuana Regulation. “Applicants must demonstrate the ability to perform high level administrative and policy functions effectively.”

An emergent high-tech medical-cannabis industry cheered the move as a clear indication that the normalization of a cannabis culture in California is afoot.

“California’s medical-marijuana industry has gained itself a reputation as being loosely regulated, oftentimes at the detriment of patients and business owners,” says Seth Yakatan, CEO of Kalytera Therapeutics, a California company that’s developing synthetic cannabidiols (CBDs) to treat conditions ranging from osteoporosis to Prader-Willi syndrome. “If this budding industry is to be taken seriously, California’s Bureau of Medical Marijuana Regulation will need to be properly funded and managed, and this recent announcement by the California government indicates a desire to make sure that happens,” Yakatan says.

KILLER ARGUMENT

Two big recent developments in the land of the state-sanctioned killing of its citizens: As expected, Gov. Jerry Brown’s administration offered capital punishment a lifeline with the announcement last week that it had hashed out a so-called single-shot execution protocol to replace a three-drug cocktail that has yielded unpleasant results in several executions gone awry around the country. Now the state plans to flood the bloodstream of the condemned with barbiturates and be done with it.

Days after the state issued its updated execution protocol, the three judges of the U.S. Court of Appeals for the 9th Circuit ruled on the Jones v. Davis case, which had argued that delays and arbitrary application in the implementation of the death penalty in California was itself an act of cruel and unusual dimensions, and therefore unconstitutional. The appeals court kicked the case back to the single-judge circuit court from whence it had emerged, without actually addressing the constitutional issue raised in the original suit.

The Death Penalty Information Center (DPIC), a national clearinghouse for all things capital punishment, reports that the appeals court couldn’t rule on the constitutionality of the death penalty because of procedural rules that prohibit it from considering what it called “a novel constitutional rule” built in to the lawsuit—that interminable delays can add up to a violation of the Eighth Amendment.

“The appeals court decision sends the case back to the district court,” reports the DPIC, “to address other challenges to the constitutionality” of the conviction and death sentence of Ernest Jones, who remains on death row in San Quentin—one of 749 condemned lives in limbo in California.

As the federal courts sort out constitutional issues, 2016 will likely see two competing state ballot initiatives pegged to capital punishment: one would replace the sentence with life without parole; the other seeks to limit appeals and other roadblocks to a speedy death.

Letters to the Editor: November 18, 2015

One Child Rule

I was moved to tears by the article on the increased population growth in Petaluma (“The Road Ahead,” Nov. 11).
I lived in Petaluma as a young woman in the 1970s, and it was too crowded back then! How about educating all races, socioeconomic groups and ages about the destruction of our planet on which we all depend? We have normalized overcrowding, pollution, noise, crime, animals going extinct and fighting over resources. How about only allowing newcomers who have one child or none?

Sebastopol

Dying Tradition

Some traditions are positive and make society stronger, but some have proven to weaken our character, damage our health and are cruel to others. The tradition that we must scrutinize today is the merciless killing of billions of farmed animals, and particularly poignant this month, the Thanksgiving turkey.

What was traditionally seen simply as “food” by older generations requires deeper reflection and examination with new eyes. Much like chickens bred for their meat, turkeys are overcrowded in windowless, filthy buildings and forced to live in their own waste. Suffering and misery is all they know.

As people become aware of the wretched conditions birds endure in the poultry industry, companies are attempting to appease customers by describing turkey meat as “humane” or “free-range.” Unfortunately, these labels are largely insubstantial and unregulated, and animals are still debeaked, de-toed, violently handled and sent to a frightening, painful slaughter under these “humane” labels.

Tradition should uplift and strengthen a community. As long as a tradition causes suffering, it is hindering our entire society’s ability to thrive. By practicing compassion, love and kindness, we can create a society where our holiday traditions facilitate a better world, for ourselves and all species on earth.

Penngrove

18–0

I saw Oldtymer’s letter about my story (“Busted Again,” Nov. 4). I would like to respond. I have been through the courts many times for growing and supplying medical marijuana to low-income patients. Every single time the case has been dismissed. Oldtymer, you have characterized me as being a greedy person, and all about making money. Only one problem, oldster! There is no money. The district attorneys in all my cases would have pursued the charges if they had seen criminal activity. And they did not. The fact is, 18 felonies dismissed is overwhelming evidence of my compliance with the law in each and every case. That’s why the district attorneys dropped the charges: because I didn’t break any laws.

Oldtymer, if you are broke and can’t afford medical marijuana, I will provide it for you. You’ll have to get a recommendation from a doctor. My lawyer informed me that even after the new laws go into effect, I’ll still be able to give medical marijuana out to my collective members, farm-to-patient.

Forestville

Write to us at le*****@******an.com.

Pilgrims’ Progress

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Want to have a real locavore Thanksgiving? Best set your sights on next year. At this point, the key is whether you’re really going to make those acorn crackers with chèvre and prickly pear chutney in time. You’ll probably want to start gathering the acorns on Black Friday—at the very latest.

The acorn appetizer recipe, largely sourced from foraged ingredients, is one of 11 from a West Marin Thanksgiving menu featured in the autumn issue of the Inverness Almanac. A minty yerba buena julep kicks off the celebration, chips and crackers precede the meaty mains (more on those in a minute) and panna cotta rendered from candy cap mushrooms closes out the feast with a dessert that’s definitely not grandma’s pumpkin pie.

“You are foraging year-round to make this menu,” says farmer and menu co-author Molly Myerson, who created the menu with Leah Fritts. Fritts hails from the Sierra Foothills town of Paradise and has worked at and enjoyed restaurants up and down the coast, most recently as maitre’d at Sir and Star in Olema, a post she left to focus on events management and “helping to support and grow
the amazing creative talents of West Marin, from chefs and farmers, to musicians, artists and naturalists.”

Fritts credits Myerson with most of the recipes. “She was able to paint the picture and with my experience in restaurants (mostly loving them and eating in them), I was able to offer suggestions, and a few personal touches I felt would be intriguing and delicious.”

Myerson grows vegetables and tends to a thriving quail-egg enterprise at Little Wing Farm on an acre in Bloomfield, between Petaluma and Tomales. The dinner, Myerson says, is grounded in a traditional Thanksgiving menu, with upgrades and substitutions plucked from the obscurity of the deep woods and meadows of the greater Point Reyes wilderness and beyond. You’ll pour a rich, spicy sage gravy over that wild turkey stuffed with porcini, fennel and apple, as you reach for the rosehip-cranberry sauce.

Myerson, 34, is a native of Washington Heights in upper Manhattan, and has been farming in the North Bay for eight years. Her home neighborhood is definitely known more for its Cubano sandwiches and plantain-based platters of mofongo than prickly pear chutneys and mushroom tortes.

Myerson graduated from Bard College and headed west without any of the knowledge that would come to sustain her and her farm, she says. She supplies produce to the Point Reyes Station restaurant Osteria Stellina, and quail eggs to numerous Bay Area businesses. Her knowledge was earned through accrued “dirt time”—walking, finding and digging in West Marin.

Though Myerson loves foraging, she knows it’s a touchy subject because its popularity can trample the land. Foraging should be slow food, with an emphasis on the sloooow.

“People come here and don’t respect that there are people who have been watching over and tending to forage spots for decades,” Myerson says. “The pushback comes from a good place: the invasive species of out-of-town foragers. The menu is not an invitation for everyone in San Francisco to come here to forage rosehips.” Instead, it honors the idea of intentionality around food, she says, with a menu that respects the land and those who live from it.

“It’s all about how you forage,” Myerson says. “You are on the land you love, and you protect [it], and you are getting food from that land as you harvest in a respectable way.”

Of course, there are shortcuts and supermarkets that will help you out, but if you want to get hardcore about it over the course of the year, you’ll need to shoot or otherwise acquire a deer; you’ll have to dive for an abalone—for which a license is required, and a guide if you haven’t done it before; and you may be driven to man-grab one of the numerously unhinged wild turkeys that seem to wander about everywhere.

The abalone will be crusted and feature a crab-butter dipping sauce (give it up for the currently toxic Dungeness and rock crab as you bow your head in prayer this year), while the venison will be matched with roasted salsify root and huckleberry.

Note that it can take hours to gather enough of the berries for one pie. But you will experience the taste of that pie differently, Myerson says, even if it actually tastes the same as what you’d buy in four minutes at Whole Foods.

Try to wrap your head around that one as you start to gather the acorns. It will be worth it, Myerson insists—and may reveal your inner “balanoculturalist,” your archaic acorn eater, who appreciates the nutritional value of the nut of an oak and is willing to work for it.

“The process is part of the reward,” Myerson says. “You are changed by the food.”

Stylish Kids

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The eateries and wineries came first. Then came the women’s boutiques. Now there’s Littlefour, a new store in Sebastopol’s Barlow center that’s brimming with colorful children’s clothing and accessories.

Owner Danielle Rodrigues, 36, has been designing women’s and children’s clothing for most of her life. She began her career in San Francisco, then relocated to Vallejo where cheaper rent allowed her to create a live-work studio and storefront called Littlefour. She recently moved to Sebastopol to open Littlefour’s flagship store and be part of the community. As newcomer, she exhibits wide-eyed infatuation with Sebastopol.

“I came for the day and immediately fell in love with the town and what the Barlow was doing,” she says. “After some online sleuthing, I learned that a big chunk of the businesses in the Barlow are women-owned and operated, and that just made me want to be part of it even more.”

The Vallejo store still exists, but Sonoma County is now Rodrigues’ home. She got her start selling designs on Etsy and aims to dress children in her signature prints and styles.

“I solely made women’s clothing for years and found myself with tons of scrap fabric that I loved too much to get rid of. Children’s clothing seemed like a no-brainer for these scraps. I listed a few things on Etsy and it just took off.”

The store’s current children’s clothing selection includes colorful headbands, tiny harem pants and bloomers, and dresses and beanies that all feature original graphic prints, some of them drawing on ikat and Navajo designs.

“Kids are way more fun to dress,” she says. “They are more open to taking chances than adults.”

In addition to her own line, Rodrigues carries clothing and accessories with a playful, tongue-in-cheek vibe for the sophisticated mom and dad.

Located in one of the Barlow’s most remote corners, Littlefour feels spacious and a little empty. That might be intentional.

“I don’t want Littlefour to be just another boutique,” says Rodrigues. “I want to eventually host classes and workshops by local artist, host pop-ups featuring our designers and have monthly movie nights. I want it to be a fun place to hang out in, learn some things, and hopefully you’ll leave feeling inspired.”

With the recent influx of San Francisco transplants into Sebastopol’s already bohemian scene, a crowd of stylish parents and their offspring is almost guaranteed.

“There is a definite need for something a little more young, hip and fresh,” she says of Sebastopol’s emerging fashion scene. “Sebastopol has great vintage stores, a couple of very stylish boutiques and options for the older population, but not for the younger crowd.”

Littlefour, 120 Morris St., Sebastopol, Ste. 100. 707.861.9886.

A John Trubee Primer

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For an artist who’s insisted on going it alone for most of his career, John Trubee took his time creating his own record label. Founded in 2013, Trubee Records is the horse’s mouth for the songwriter’s lyrical lunacy and musical madness, and these three releases are the perfect starting point for the curious listener.

‘A Blind Man’s Penis and Other Smash Hits,‘ John Trubee & the Ugly Janitors of America

This album is the perfect starter kit for anyone interested in Trubee’s music. Spanning decades and collecting songs that have long since gone out of print, the record opens with the infamously offensive “Blind Man’s Penis,” done up in its original, classic Nashville recording. Other tracks feature longstanding Trubee collaborators like vocalist Mark Langton and pedal steel guitarist Chas Smith, and the songs range from the silly to the serious. Trubee rails against normal ninnies on “Little Boy Melvin Rides Again” and posturing mallrat teens on “Your Stupid Friends.” In between these tirades, Trubee’s lyrics reflect deeper longings and emotions on tracks like “High Tide” and “Song of the Tiger.” There’s true beauty in these tunes, and Trubee’s evolution is on full display here.

‘Nude Woman Exdocrius,‘ John Trubee and the Ugly Janitors of America

This record represents Trubee’s latest output, recorded in Los Angeles and Cotati in 2013, and it’s probably his heaviest effort to date. Sprawling guitars, eight-minute jams and passionate lyrics all come together for a supremely satisfying album. Stunning San Francisco vocalist Laurie Amat lends her operatic voice to songs like “People Are Idiots,” a gem that will get stuck in your head for weeks. Inspired by the idea of Mary Poppins singing about morons instead of spoonfuls of sugar, Amat’s twirling, twinkling pipes are a blessing for Trubee, and expands his vision with comedic prowess on other tracks like “Hag Marcella,” a light-hearted romp about doing in a former co-worker that’s not unlike the Beatles’ “Maxwell’s Silver Hammer.” If you’re wondering what “exdocrius” means, it’s a made-up word, a piece of Trubee’s imagination that illustrates his cracked sense of humor.

‘Continuing Where the Beatles Left Off . . . ,‘ Gloop Nox and the Stik People

This album goes all the way back to Trubee’s earliest days in his first high school band. Described as progressive rock with a juvenile sense of humor, the band was short-lived. In 2011, Trubee reunited with fellow founding member Jim Nevius and a host of seasoned New York musicians to record the old tunes anew. Steeped in the classic sounds that Trubee grew up on in the 1960s, the record also hints at the weird musical world that Trubee would go on to cultivate, with songs like “Ex-Lax Superstars from Hell Vomiting in Ecstasy.”

Immigrant Song

One reason Brooklyn is among the best films of the year is that it makes an eloquent argument in favor of the classic movie-studio style without being a slavish pastiche of the way movies were once made.

Saoirse Ronan plays Eilis Lacey, key to the beauty of Brooklyn, director John Crowley’s adaptation of Colm Tóibín’s novel of the same name. Eilis is a determined, intelligent Irish girl who immigrates to New York in 1951 with the help of a priest named Father Flood (Jim Broadbent). Fresh off the boat, she finds work at a fancy department store and learns bookkeeping at night.

Eventually, Eilis meets Tony Fiorello (Emory Cohen), an Italian-American who she falls in love with. After a year acclimating to Brooklyn, Eilis has to return to County Wexford because of a family crisis. Back home, she’s a new and confident woman, and gains the attention of a propertied young man James (Domhnall Gleeson).

Crowley’s use of unbraced camera in scenes of emotional conflict—the slight shake to give immediacy—refreshes the classic-era movie studio compositions and gives them a feel of reality. The harmonious palette of creamy, balanced colors keep you rapt. Crowley seems to believe that a movie about Ireland and the Irish should have the color green in abundance, and not just to complement the colors of his red-headed, pale-skinned star.

Brooklyn isn’t about nostalgia; it’s a lived-in past, and you can observe things we’re better off without, such as a week in steerage class on an ocean liner with rotten food and shared bathrooms. The film honors its namesake borough’s past, but there’s a lesson for the present: a gentle reminder that many of us are descended from the kind of immigrants who are feared and denounced by politicians in America today. Our good luck is the fruit of their sorrow and homesickness.

‘Brooklyn’ is playing at Summerfield Cinemas, 551 Summerfield Road,
Santa Rosa. 707.525.8909.

Roadside Attraction

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Last January, Fork Roadhouse moved into a spot on Bodega Highway outside of Sebastopol that had been a revolving door of restaurants that couldn’t make the spot work. Fork has made it work.

The homey restaurant’s hearty but refined breakfast and lunch make it a Sonoma County destination. Like nearby Peter Lowell’s, the restaurant exemplifies a West County culinary aesthetic: local farms and meat and border-crossing food that’s simple yet thoughtfully prepared.

This month, the restaurant opened for dinner Thursday through Saturday, and it’s an instant hit. While the roadhouse is as friendly and casual as ever, you’re advised to make a reservation, because the place books up quickly.

The dinner menu carries over some of the popular lunch items, like the burger with caramelized onions ($13) and the signature pork belly and fried-egg taco ($6 for one; $11 for two), but goes deeper with dishes like braised short ribs, grilled fish and rack of lamb.

Things get even more interesting on Saturday nights, when the restaurant focuses on a particular cuisine or region. This past Saturday, it was south of the border: Mexico, El Salvador and Peru. The food was great. I went for the pupusas, masa griddle cakes stuffed with chipotle-pomegranate pulled pork and beans ($13). It was not the traditional Salvadoran style, but plenty good. The entrée-size Handlebar Farms lettuce salad with Baja prawns, avocado, corn, pinto beans and cilantro-lime dressing ($15) was also a winner. Also on the menu was leche de tigre, coconut-milk black-cod ceviche ($12), chile rellenos stuffed with Preston Farms kabocha and spaghetti squash ($17), and a trio of tacos—fried rockfish, Korean short ribs, and mushroom and caramelized onions ($12).

With its dinner menu, Fork Roadhouse
is now a real roadside attraction.
9890 Bodega Hwy., Sebastopol. 707.634.7575.

Woman on a Wire

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What’s it like, one has to wonder, to be cast as one of the most famous fictional characters in the history of children’s literature?

“It’s very exciting,” says Alanna Weatherby, who, beginning this weekend, will play author P. L. Travers’ beloved flying nanny Mary Poppins, when the Santa Rosa Junior College’s theater arts department takes a crack at the insanely popular stage musical.

Based on the acclaimed 1964 Disney movie, with a pleasantly dark-tinged new script by Downton Abbey creator Julian Fellowes, this Mary Poppins contains many of the same moments that charmed audiences in the Julie Andrews’ film. But it removes some of the elements that horrified the author of the books (dancing penguins, upside-down tea parties!), while layering in a number of bits that those who’ve actually read the books might remember—slightly frightening dancing toys, talking statues, an adversarial nanny full of brimstone and treacle.

But the true value of any production of Mary Poppins is not measured out in teaspoons and medicine bottles, but in the actor recruited to play the title character herself.

“Julie Andrews is one of my favorite people in the world,” admits Weatherby, whose enthusiasm and exhilaration are palpable, even over the phone, as the ArtQuest graduate prepares for a rehearsal at Burbank Auditorium, just days before the Friday-night opening. “The fact that I get to play one of Julie Andrews’ most famous roles is really daunting,” she says, sounding not the least bit daunted. “She originated the role,” Weatherby adds, “and now I get to put my own spin on Mary Poppins.”

The actress almost got to make “spin” literal the first time she strapped on the harness and was pulled into the air by wire to practice the indelible moment when Mary flies into view.

“I do get to fly!” Weatherby laughs. “I was so nervous at first, but when I finally got there and I lifted up into the air, it was very exciting. I really wasn’t that frightened. After a few moments dangling above the stage,
I actually wanted to try doing a flip in the air.”

Alas, this Mary Poppins merely floats above the stage, ladylike and proper.

“Bert gets to do a flip, though,” Weatherby says.

Wait. Bert (Noah Sternhill), the chimney sweep, also flies?

“In our show he does,” Weatherby says. “Mary Poppins has that effect on people. Well, my Mary Poppins does.”

Cutting Class

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“Don’t defend yourself,” intones Leonard (Ron Severdia), an esteemed author-turned-teacher-for-hire. “If you’re defending yourself,” he tells a group of young writers he is in the middle of eviscerating, “you’re not listening.”

In Theresa Rebeck’s wickedly witty but occasionally infuriating comedy-drama, presented by Left Edge Theatre, Severdia plays Leonard with a mix of resignation, antagonism and bloodlust in a story of four would-be writers who pay a local legend $5,000 to give a private class “critiquing” their writing—and everything else about them—over the course of 10 soul-shattering weeks. Rose Roberts, as the Jane Austen–loving Kate (who rents the New York apartment where the classes take place), is at the top of her game, and her variously talented classmates (Jacob de Heer, Devin McConnell and Veronica Valencia) give strong, appealing performances in a play in which every character is required to be torn apart, before learning the fine art of tearing apart others.

As Leonard gleefully pronounces early in the show, “Writers, in their natural state, are as civilized as feral cats.” This entertaining exploration of artistic egos under pressure is a bit overcooked at times, but on the whole is deliciously fierce, ferocious and funny. Seminar runs Friday–Sunday through Nov. 28 at the Wells Fargo Center for the Performing Arts, 50 Mark West Springs Road, Santa Rosa. $30–$40. 707.546.3600.

Bet Noir

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There may be some overblown myths attached to the Thanksgiving holiday, but that bit about the Pinot Noir and the turkey dinner is not one of them. The Burgundy works with the bird and all the heart-burning miscellany that surrounds it on the table.

Still, those of us tasked only with choosing the right bottle of wine for the feast really owe it to those others, who are laboring over hot stoves and hand-stuffing the posterior cavities of large, dead birds, to put in a little extra effort and bring variety to the table.

You’re going to want a butterball on the table, and I’m not talking about the turkey. Unless you’re having an unconventional meal of white fish with a squeeze of lemon, that unoaked, lean style of Chard may not cut it. Go big. Go butterball, or go Chalk Hill 2013 Estate Chardonnay ($42). It’s got a good hit of quality oak and butterscotch, a sweet, round palate sensation, with juicy lemon and apple flavors that steer it well of cloying.

You want real apples, so try ACE Blackjack 21 ($15.99). This all-Gravenstein, limited edition is unlike other ACE ciders on the market; the color is deep gold, the aroma hints at cinnamon bark, and the flavors are deep with papaya and baked apple. Rich, full-bodied and fairly dry, this is aged in Chardonnay barrels. Aged in rye whiskey barrels, Tilted Shed’s new release of 2014 Barred Rock barrel-aged cider ($18) is a craft cider that promises a bit of that sweet whiskey flavor on the finish.

The best wine pairing for this holiday may be sparkling red wine—once you taste it, it’s not as oddball as it sounds. It’s festive, it’s red, it’s light on the palate, and it’s hard to find, but not if I tell you where to look: try Korbel Rouge ($14.99) or, if you’re up for a field trip, Mumm Sparkling Pinot Noir ($34.99) in Napa Valley or Harvest Moon 2013 Sparkling Pinot Noir ($42) and Zinfandel ($48) from Russian River Valley, available only at the winery.

As for the right Pinot Noir, it’s like picking a horse by her name alone, and I did OK with a bottle of Maggy Hawk 2012 Jolie Anderson Valley Pinot Noir ($65). From Jackson Family Wines, each wine in this series is named for a thoroughbred related to owner Barbara Banke’s favorite, Maggy Hawk. The medium-bodied Jolie shows muted aromas of mixed berry potpourri, rose hip tea and orange peel, and soft tannins texture the tang of cherry-cranberry fruit wrap just so.

Debriefer: November 17, 2015

HELP WANTED: POT CZAR The state is getting serious about its freshly enacted medical marijuana policy—so serious that it now has a top pot job listed on the Department of Consumer Affairs that pays up to $125,000 a year for the right candidate. The position would serve a bureaucracy to be in place by 2018 under a set of state laws...

Letters to the Editor: November 18, 2015

One Child Rule I was moved to tears by the article on the increased population growth in Petaluma ("The Road Ahead," Nov. 11). I lived in Petaluma as a young woman in the 1970s, and it was too crowded back then! How about educating all races, socioeconomic groups and ages about the destruction of our planet on which we all...

Pilgrims’ Progress

Want to have a real locavore Thanksgiving? Best set your sights on next year. At this point, the key is whether you're really going to make those acorn crackers with chèvre and prickly pear chutney in time. You'll probably want to start gathering the acorns on Black Friday—at the very latest. The acorn appetizer recipe, largely sourced from foraged ingredients,...

Stylish Kids

The eateries and wineries came first. Then came the women's boutiques. Now there's Littlefour, a new store in Sebastopol's Barlow center that's brimming with colorful children's clothing and accessories. Owner Danielle Rodrigues, 36, has been designing women's and children's clothing for most of her life. She began her career in San Francisco, then relocated to Vallejo where cheaper rent allowed...

A John Trubee Primer

For an artist who's insisted on going it alone for most of his career, John Trubee took his time creating his own record label. Founded in 2013, Trubee Records is the horse's mouth for the songwriter's lyrical lunacy and musical madness, and these three releases are the perfect starting point for the curious listener. 'A Blind Man's Penis and Other...

Immigrant Song

One reason Brooklyn is among the best films of the year is that it makes an eloquent argument in favor of the classic movie-studio style without being a slavish pastiche of the way movies were once made. Saoirse Ronan plays Eilis Lacey, key to the beauty of Brooklyn, director John Crowley's adaptation of Colm Tóibín's novel of the same name....

Roadside Attraction

Last January, Fork Roadhouse moved into a spot on Bodega Highway outside of Sebastopol that had been a revolving door of restaurants that couldn't make the spot work. Fork has made it work. The homey restaurant's hearty but refined breakfast and lunch make it a Sonoma County destination. Like nearby Peter Lowell's, the restaurant exemplifies a West County culinary aesthetic:...

Woman on a Wire

What's it like, one has to wonder, to be cast as one of the most famous fictional characters in the history of children's literature? "It's very exciting," says Alanna Weatherby, who, beginning this weekend, will play author P. L. Travers' beloved flying nanny Mary Poppins, when the Santa Rosa Junior College's theater arts department takes a crack at the insanely...

Cutting Class

"Don't defend yourself," intones Leonard (Ron Severdia), an esteemed author-turned-teacher-for-hire. "If you're defending yourself," he tells a group of young writers he is in the middle of eviscerating, "you're not listening." In Theresa Rebeck's wickedly witty but occasionally infuriating comedy-drama, presented by Left Edge Theatre, Severdia plays Leonard with a mix of resignation, antagonism and bloodlust in a story of...

Bet Noir

There may be some overblown myths attached to the Thanksgiving holiday, but that bit about the Pinot Noir and the turkey dinner is not one of them. The Burgundy works with the bird and all the heart-burning miscellany that surrounds it on the table. Still, those of us tasked only with choosing the right bottle of wine for the feast...
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