Domestic Nature

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Domestic Bliss


Michael Amsler

Wheel Thing: Judith Blankman and Lorna Stevens stand inside Susan Steinman’s “Balance,” a tree hung with tires.

Artists take the inside out at Paradise Ridge

By Gretchen Giles

THE FIRST THING YOU SEE are the beds hanging from the trees. Or is it the chairs–empty-seated if you don’t count the large rocks piled inside of them? Perhaps you came in the other way and encountered first the ordinary bathtub, filled with mosquito fish and aqueous plants, the elaborately adorned hummingbird feeder, or the L-shape of two screen doors sitting stubbornly out in the middle of dry scrub, screening out exactly nothing.

You’d be sure to hear the birds, squawking and fluttering out of cages whose doors are meant to stay ajar in open invitation, and to see the glinting light of clear glass tea and punch cups hanging from medical tubing tied to oaks, flashing away in the flat glare of a hot afternoon.

Because, set out on the gentle slopes leading to Fountaingrove’s Paradise Ridge Winery, are a few acres of art. Showcasing work by five women–Judith Blankman, Etsuko Sakimura, Susan Leibovitz Steinman, Lorna Stevens, and Andrée Singer Thompson–Paradise Ridge owners Walter Byck and Marijke Byck-Hoenselaars have given their outdoors over to an examination of the indoors.

Titling the exhibit “Domestic Nature,” these five artists, led by Blankman–who conceived the initial idea–set about pacing off the land and discussing the possibilities inherent in the concept. Last April, their visions were realized in a chewy, thoughtful exploration of domestic themes as hung from trees, sprung from the ground, and laid out vertically in those shapes that mankind has always sought to wring from nature.

The work remains on the Paradise Ridge grounds through the end of the year, with the artists hosting a tour and talk Sept. 10 at the winery.

The work of each artist stands singularly out from the others, making one truly feel as if having entered the haven or domicile of five different entities.

Sakimura has created the most palpably homey sort of installation, using burned redwood–most of it embedded with small white granite teeth–rock, and cast stands to form low benches and tables that invite backs and bottoms. Stevens reports that on her numerous trips to the site she has often seen people picnicking on the work.

Stevens and Singer Thompson both have devoted their eyes to the avian population, Stevens feeding off the idea of nourishment as a domestic ideal, Singer Thompson providing housing for the birds, as well as the very literal birdbath described above.

Steinman’s installations bring the most diverse reading to the site, as she mimics the curves of an old oak by nailing white-painted tires onto the limbs; sparkles the site with party glasses; creates a baby crib ringing a tree, with only a sharp pile of rocks for a mattress; snugly secures a trunk with rope; and uses lawn mowers in a manner that seems almost predatory.

Standing with colleague Stevens under her “Red River Beds” installation–a current of nine fire-engine red beds swinging lightly in single file from the trees–Judith Blankman kindly attempts to answer the reporter’s stumbling questions about meaning.

“The kinds of metaphors that I like to give to it are those that are kind of dreamy and liquid and have to do with nature and floating,” she says. “It’s not so literally about domesticity or about nature, but it is its own metaphor.

“I’m very vague about it on purpose,” she concludes with an enigmatic smile. “I could tell you what it means for me, but I don’t think that, other than for tabloid purposes, that is very interesting.”

Later, she relents. Sort of.

“It’s about wanting to be somewhere else,” Blankman explains, “in this sort of idealized state, but also to be where you are and to be dealing with struggles and change and figuring out who you are. With me, that’s what I’m facing in my life. I’m 38, and I’m trying to figure out some things about who I am and why I’m doing it.

“That’s a lie,” she says suddenly, shaking her head. “It is. That’s not what it’s really about.”

OK–that’s fair. After all, from the first mad housewife’s diary (see Genesis re: Eve) to today, discovering the truth in our own domestic natures has never been easy.

“An Evening with the Artists” is scheduled for Wednesday, Sept. 10, at 7 p.m. Paradise Ridge Winery, 4545 Thomas Lake Harris Drive, Santa Rosa. Event is free. 528-9463.

From the Sept. 4-10, 1997 issue of the Sonoma County Independent.

© Metro Publishing Inc.

G.I. Jane

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Francke Talk


Phil Bray

Spit and polish: Demi Moore kicks butt in ‘G.I. Jane.’

‘G.I. Jane’ and the military men’s club

By David Templeton

Writer David Templeton takes interesting people to interesting movies in his ongoing quest for the ultimate post-film conversation. This time out, he enlists author Linda Bird Francke to discuss Demi Moore’s feminist-tinged new Navy drama, G.I. Jane.

IT IS A SUNNY, hot day in Southampton. Linda Bird Francke–now on the phone–has just returned from a local air-conditioned theater screening of G.I. Jane, in which Demi Moore sweats, shivers, shaves her head, does one-armed pushups, is beaten up, kicks her commanding officer in the testicles, and drags wounded male comrades to safety through a veritable blizzard of Libyan bullets.

The as-yet fictional tale of the first female officer to be allowed to train in the elite Navy SEALs fighting force, G.I. Jane offers more, obviously, than those parts mentioned above.

“Those are pretty much the high points, though,” affirms Francke, with a deep, gleeful, barklike laugh that is simultaneously disarming and just a little intimidating. Francke (pronounced “Franky”) is the author of a deservedly high-profile new non-fiction book, Ground Zero: The Gender Wars in the U.S. Military (Simon & Schuster, 1997), a work that was recently excerpted in Time magazine along with an exposé of ousted Air Force 1st Lt. Kelly Flinn.

Ground Zero is an eye-opening, sharply written exploration of the roles that sex and gender play in our nation’s modern armed forces. It paints a fascinating picture of an age-old institution suddenly at war with itself, as the military’s time-honored dependence on souped-up, testosterone-fueled masculinity has slammed headlong into the treacherous sexual politics of integrating a once all-male armed force.

“The movie raised 7,000 issues,” Francke says. “Issues that men in the miltary always raise, and one of the first ones is, ‘I don’t want to be in a foxhole with anybody who can’t carry me out!’ They love that bit.”

Another issue, mentioned by a male officer choosing to lecture Moore while she showers, is the fear that men will put themselves in jeopardy to assist fallen female trench mates.

“Which made it so satisfying,” she laughs again, “when that same guy, later on, is saved [by the Moore character]. ‘I’ll never live this down,’ he says. I thought it was a hoot. It was terrific having this bionic woman heroine. Why not? It’s fun to have heroic female characters, no doubt, and to see this woman kicking butt was just plain fun.”

The brunt of the raw brutality of SEAL training–and the determination with which Moore’s character endures it–is borne largely, in the film, by recruits facing the tortures of SERE school (the military’s Search, Evasion, Resistance, and Escape program), in which combat conditions and simulated POW situations are re-created in all their dehumanizing glory.

“They do lock you in tiger cages at prisoner-of-war camp,” Francke affirms, describing features–such as strip searches and verbal sexual abuse–that were left out of the film. “They do punch you repeatedly in the face. One Navy lieutenant I spoke to said she was at a great disadvantage at prisoner-of-war camp because she had come from a happy and functional family. She’d had never been hit. So that was a disadvantage, because suddenly she was being hit in the face for the very first time. Whereas people who’ve come from abusive families say, ‘It really wasn’t that bad!’ Makes you shudder, doesn’t it?”

Earlier in the week, while setting up this conversation, Francke made the remark that most people would be eager to see G.I. Jane primarily for the opportunity to watch Moore’s head get slammed against a wall. When I remind her of the comment now, she doesn’t back off.

“Yes, I think that’s true!” she says, forcefully enough to suggest that she has given some thought to the subject. “It’s taboo to hit a woman, right? Yet I don’t think there’s a man on earth who hasn’t wanted to slug a woman at some point, but he’s been conditioned not to.

“I think that’s one of the dirty little secrets that lies in the heart of many men,” Francke suggests. “‘Gee, I just wish I could slug her,’ and here, finally, is a big screen, fully sanctioned slugging.”

The Navy, not surprisingly, refused to cooperate with G.I. Jane‘s producers, and there are suggestions that the Navy might fear increased pressure to admit women to the SEALs if the movie is embraced by the public.

“I’ve never seen any reason why women shouldn’t be in the SEALs, if they can qualify,” Francke says. “I don’t think gender should be the dividing line here. If they have the same skills and qualifications as men, why should they not be allowed to do it? The reality is that women have been combatants in various wars since the beginning of time.

“I think,” she continues, “that most men don’t want women to succeed because if women can do it, it means that it’s not that big a deal for men to have done it. In the military, the resentment factor is enormous when a woman in the ranks begins to gain a particular level of success or renown. Look at Kelly Flinn!

“It was so reminiscent of Kelly Flinn when one guy in the movie said, ‘Big symbols make big targets.’ Well, God knows that as the first female B-52 pilot, Kelly Flinn was a big symbol, and she made a big target, and she sure took a big fall.”

I ask Francke if she can foresee a time when women will be successfully integrated into the military.

“No matter how you slice it, women have been successfully integrated into the military, if not the SEALs,” she replies. “They’re there, they’re commanding ships, they’re flying fighter planes. What they haven’t been, though, is assimilated; they haven’t been accepted as true members of the club.

“And you know what?” Francke concludes, a rueful chuckle punctuating the thought. “I really don’t think that’s ever going to happen.”

From the Sept. 4-10, 1997 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Russian River

Russian Roulette


Michael Amsler

As steelhead lurch toward extinction, Sonoma County enters an era of environmental reckoning. A river ecosystem report.

By Christopher Weir

Last month’s listing of the Russian River steelhead trout as “threatened” under the federal Endangered Species Act may have generated more questions than answers, but it is the ugliest confirmation to date that Sonoma County is on the verge of ecological critical mass. Warned by the National Oceanic and Atmospheric Administration that “extinction is not an option,” local agencies have vowed to orchestrate broad restorative and management measures to rehabilitate the Russian River and its tributaries.

But while the federal government has promised to unleash more than mere sound bites upon the county if it fails to solve its watershed conundrums, developmental forces remain poised to push the region’s environmental envelope until it bursts with bleak irony.

“You’ve got the Board of Supervisors approving gravel mining [in the riverbed] during the same period they’re putting money into programs to plant trees along the riverbanks,” says Joan Vilms, president of Friends of the Russian River. “You’ve got the Sonoma County Water Agency pursuing an EIR process for nearly a doubling of their water appropriations from the Russian River at the same time they’re spending millions of dollars on piecemeal restoration projects.

“Restoration is certainly an issue, but nature has tremendous recuperative powers. The first action that needs to be taken–and which nobody is doing–is stopping the damage.”

For now, the National Marine Fisheries Service and the California Department of Fish and Game will be closely monitoring how Sonoma County responds to the challenge of reversing steelhead decline and resurrecting watershed viability. Both agencies have promised to take active roles in coordinating management plans
and monitoring resources, but are neither inclined nor equipped–at least for now–to establish a ground-level environmental police state in the Russian River region.

Clearly, the most fascinating aspect of the steelhead situation is whether or not broad-scale cooperation can eventually tame the special- and self-interests that continue to trash the Russian River watershed. “I’m a little bit skeptical that it can work, but I firmly believe that it’s the only thing that can work,” says Bill Cox, local fishery biologist for the Department of Fish and Game. “To simply try to go out and use regulations to protect steelhead resources hasn’t worked in the past and really won’t work in the future.”

Caught in the intensified crossfire over the steelhead and its habitats are county agencies, municipalities, dairy farmers, winegrowers, and development interests. Virtually no one is without a stake in the issue, and all stand to be impacted by the recent listing. The question is not just what those impacts will be, but how they will transpire and to what degree they can be mitigated.


Michael Amsler

Paradox: Activist Joan Vilms contends that a $200 million plan to recycle Santa Rosa wastewater for agricultural use, including that now dumped into the river, could fuel more farm development and further strain the river.

SONOMA COUNTY’S split personality as the North Bay’s agricultural crown jewel and suburban ground zero has overtaxed the regional river system. Meanwhile, related mismanagement of land and water resources has forged a watershed emergency state, decimating habitats and sabotaging local wildlife. The species now in question is not some esoteric amphibian or reptile. Rather, it’s a fish noted for its powerful physique and elegant grandeur, a fish that weighs up to 20 pounds and navigates miles of tributaries.

The steelhead trout is, in essence, an indicator species, and it is clearly indicating that the Russian River watershed–1,500 square miles shared by Sonoma and Mendocino counties–has become fundamentally dysfunctional.

“The steelhead uses a fairly wide range of habitats,” Cox says. “If they are in pretty bad shape, that’s a strong suggestion that our streams and watersheds are in pretty bad shape.”

Unfortunately, Sonoma County’s fisheries issues represent a microcosm of the entire West Coast, where watershed disruption is far more the norm than the exception. Some might take comfort in the notion that the Russian River steelhead merits a less critical “threatened” listing while the Southern California steelhead is now classified as “endangered.” Others would suggest that being one step removed from Santa Barbara’s or Los Angeles’ river conditions is not only a dubious distinction, but perhaps a disturbingly prophetic symptom of things to come for both the local environment and Sonoma County’s quality of life.

Born in freshwater river tributaries, steelhead juveniles migrate to estuaries, then to the ocean. After one to three years spent foraging amid the Pacific, they return to their native rivers and tributaries for spawning. Unlike salmon, a single steelhead can make such a journey more than once.

Just 50 years ago, the Russian River and its tributaries supported an annual steelhead run of up to 90,000 fish. That number has declined by at least 90 percent, leaving fewer than 10,000 steelhead in local waters annually. Some estimates place the run as low as 1,000. Water diversions, increasing sedimentation from gravel mining and steep-slope planting of vineyards, riverbank manipulation, and loss of riparian habitats are just some of the interconnected developments that have contributed to the steelhead’s precipitous decline.

The listing of the Russian River steelhead trout as threatened comes on the heels of a similar listing for local coho salmon last April. While the coho is a hardy and dynamic species as well, the steelhead listing was met with more morbid anticipation primarily because the trout’s wide-ranging behavior not only suggests a broader prognosis for watershed health, but also represents greater impacts on a vast spectrum of developmental and agricultural interests.

“Coho occur in a select few streams, mostly in heavily forested areas where there’s not going to be a lot of conflict with agriculture, development, or flood-control measures, but mainly with timber harvesting,” Cox says. “Steelhead occur in streams that flow through downtown Santa Rosa, in east Marin streams where there’s a lot of development, in areas where there are flood-control issues.

“So I think the fear that drove all the interest in the steelhead listing is that it could affect many aspects of human activities.”

According to Cox, a region’s dominant watershed activity is also the one likely to cause the most damage to river and tributary habitats. So whereas timber harvesting would be the primary source of problems farther north, he says, agriculture–mainly vineyards–remains the Russian River region’s primary culprit.

Still, Cox says, “it’s hard to generalize. Some grape growers have been sensitive to riparian areas and erosion control on their lands. Others have not been sensitive to that, and we’ve got places where the riparian vegetation has been cleared right up to the edge of the water, and places where very steep lands have been cultivated with no erosion controls. We’ve lost large amounts of soil off the land and into the streams.”

Loss of riparian vegetation not only eliminates the woody labyrinths favored by spawning fish and their offspring, but also undermines stream bank stability, encouraging erosion and subsequent sedimentation that throttles underwater spawning habitats.

On a brighter note, Cox suggests that successful cooperation between Sonoma Valley winegrowers and the local Resource Conservation District can be seen as a model for the type of collaborative measures that the NMFS would like to employ as an alternative to increased federal pressure.

Yet, despite all the environmental enlightenment and regulatory threats that have transpired over the past several years regarding watershed health, some grape growers remain mired in a cycle of renegade exploitation.


Michael Amsler

A Bridge Too Far: Winery owner and conservationist Martin Griffin warns that new agricultural projects along the river could do irreparable harm.

“Right down here by the Wohler Bridge, just in the last week, somebody has cleared about 10 acres right up to the edge of Mark West Creek,” says Dr. Martin Griffin, local conservationist and owner of the Hop Kiln Winery. “It’s tragic. They left a few big trees, but those will slide right into the creek.”

BEFORE THE DECISION [to place steelhead on the threatened species list], you had people saying, ‘Life as we know it will change if the fish gets listed,'” Vilms says. “Well, the fact is that life as we know it had already changed, which is why the fish got listed. The listing is a result, not the cause. The fish are not the problem. The fish have a problem.”

And now that Sonoma County’s fish have a problem, so do a number of local agencies, most notably the Sonoma County Water Agency and Santa Rosa’s Board of Public Utilities, which is still considering an option to dramatically increase the controversial dumping flow of that city’s wastewater into the river. By essentially requiring these agencies to comply with stricter environmental considerations, the listings of the coho and steelhead promise to play an integral role not only in watershed management, but in the county’s long-term growth and development .

With the hot breath of an imminent steelhead listing breathing down its neck, the Sonoma County Water Agency this spring released its Russian River Action Plan, a sweeping fisheries restoration and management blueprint that presumes to orchestrate a healthier future for the Russian River and its tributaries. While the plan suggests an array of options, ranging from fish ladders to sewage treatment upgrades, it commits to none.

“It’s not a working document that identifies a particular project,” says Ellen Dowling, public information officer for the Sonoma County Water Agency. “It’s a document that identifies needs within this region to improve fisheries conditions.”

Nevertheless, the plan was cited by the NMFS as a major factor in the decision to list the steelhead as threatened rather than endangered. The implication is that the federal government expects much of the plan to be executed. Dowling says that the plan will evolve to reflect funding, prioritization, and interagency collaboration.

Just after the steelhead listing, the county Board of Supervisors–the water agency’s “board of directors”–voted to authorize $394,000 for fiscal 1997-98 to set the plan in motion and develop a memorandum of understanding between the agency, the NMFS, and the U.S. Army Corps of Engineers. The Russian River Action Plan could ultimately cost $340 million. Central to the plan is a $200 million proposal to integrate county sewage plants within a 45-mile distribution pipeline that would divert highly treated wastewater from the river and its tributaries, instead allocating it to north county farmers and winegrowers.

Says Dowling of the proposal, “The benefits are multiple, from offsetting freshwater diversions to reducing discharges to surface waters to providing water sources for agriculture.”

Vilms counters that the proposal could simply fuel continued agricultural development, further straining the river system. “I think it’s laudable that the county wants to reuse wastewater, but they are really stretching to show how it would be beneficial to the fish without actual contracts that would make wastewater a replacement for tributary water. . . .

“Our concern about the reuse is simply that it conceivably or potentially allows greater expansion of agricultural use into natural lands that could impact the fish.”

Meanwhile, Santa Rosa’s long-awaited wastewater project is not only coming under continued fire, but may also be upstaged by the Sonoma County Water Agency’s wastewater pipeline plan. Santa Rosa is exploring several options, including the possibility of raising the allowable wintertime discharge level from 1 percent of the river’s flow to 20 percent.

“Just a couple of weeks ago it seemed like it was a foregone conclusion that they were going to select a 20 percent discharge option,” says Russian River Watershed Protection Committee spokesperson Brenda Adelman. “Now there are all kinds of shifting and moving of the various agencies since the listing. . . . The water agency is sort of upsetting the apple cart in response to the feds, and nobody knows how it’s all going to play out. It’s going to be a very fascinating story.”

The water agency has approached Santa Rosa about consolidating the city’s subregional system with the agency’s sanitation districts and operations facilities to harness as much recycled water as possible to be utilized through this distribution system. For now, however, it remains to be seen to what degree Santa Rosa is enamored with the water agency’s courtship. “The Board of Public
Utilities [members have] not made up their minds one way or the other,” says Pat Fruiht, community affairs coordinator for Santa Rosa. “I think it’s too early in the game to anticipate what they might do.”

According to Adelman, Santa Rosa’s wastewater is already wreaking an ecological toll. “The river has become very high in nutrients,” she says. “There are all kinds of blooms, all kinds of algae and other degradation.”

She also accuses Santa Rosa of “playing games” with its discharge numbers. “Even though their permit says in no case shall you discharge over 5 percent [of the river flow], they’ve got the staff at the Regional Water Quality Control Board to say, ‘Yeah, you can do a seven-day average, and you can base your discharge on the high flow of the day before in the river.’ And so by the time their discharge reaches the river, it can be 10 or 15 percent.”

Retorts Dan Carlson, capital projects coordinator for Santa Rosa, “Our permit is administered by the regional board, and they tell us how to determine the percentages, and we do what they authorize us to do. . . . Usually we’re well below [the 5 percent limit]. Sometimes you could find that the percentage is slightly above, but from the standpoint of the permit, it’s what is allowed.”

The direct effects of wastewater on wildlife remain a matter of debate. “There’s never been a correlation of any short-term effects with the river health, fish, or anything else,” Carlson says. “It’s all long-term things. So percentages, whether they’re slightly high or slightly low, aren’t changing whether there’s a health risk or fishery risk or anything else.”

Replies Adelman, “Their own tests show that in some cases there’s impairment on the fishery from their wastewater. They just think people don’t know that.”

THE RIVER is a living system with an intelligence that knows and seeks its needs,” Vilms says. “And it needs its gravels, it needs its floodplains, it needs the room to do the work that rivers do.”


Michael Amsler

Rock Hard: Companies like Syar Industries Inc. of Healdsburg rely on gravel mining for their livelihood. But conservationists say the operations put too much stress on an already overtaxed ecosystem.

Developmental forces, however, continue to underestimate the Russian River’s intelligence. Its flow manipulated by dams, its volume decimated by diversions, its banks streamlined by flood-control projects, and its waters choked with sediment, the river has become less a living system than a refraction of the county’s hyperactive growth. The perpetual-motion machines of gravel mining, timber harvesting, and grape growing fuel the construction and tourism that in turn intensify the increasing demands and impacts on the watershed.

Anyone searching for a crystal ball to catch a glimpse into the region’s future might want to start with the Sonoma County Water Agency’s application for a 40 percent increase of its river diversions to “accommodate” anticipated growth in Sonoma and Marin counties.

Such anticipated growth, however, might itself become endangered if current growth patterns fail to accommodate the coho and steelhead.

The possibilities that could transpire if the listings are ratcheted from “threatened” to “endangered” include rigid restrictions on agricultural diversions for irrigation, moratoriums on agricultural or municipal expansions, stricter regulations for logging and mining operations, and a major cutback on the 160,000 acre-feet of water currently diverted to the Russian River from the Eel River.

Unfortunately, such threats might prompt special interests to take as much as they can, as fast as they can.

“The mining firms are not about to give up,” Griffin says. “They’ve gotten much more aggressive since the listings of coho and steelhead, and they’re applying for permits up and down the river. We’re disillusioned by the county continuing to issue mining permits in the face of the listings.”

According to Griffin, 800 county agricultural acres–most of them vineyards–have been converted and mined, and are now “open pits that are taxed as wasteland.”

“Gravel mining has a powerful impact on habitats,” he says, “especially the in-stream mining that is being stepped up right now.”

Floodplain mining also causes habitat problems, he adds. “Rivers constantly migrate back and forth across their floodplain, and eventually they capture these gravel pits that are deeper than the riverbed. It has a devastating effect on the fishery habitat.”

According to Cox, however, since mining in the main river doesn’t occur in the middle of migration season, “it has very little effect on steelhead.”

As for logging, he explains, “Timber harvest practices are vastly better than they were 15 or 20 years ago. . . . But any logging is going to cause some erosion and sedimentation. It’s something that I believe the state Board of Forestry is going to have to address in revisions to timber harvest rules as a result of the listing of the steelhead and coho.”

For now, speculation reigns as to just how Sonoma County’s environmental challenge will manifest at ground level. The steelhead listing won’t even become official until it’s entered into the Federal Register later this month, and it may take a year or two before the NMFS and California Department of Fish and Game can assess the county’s progress.

Subsequent to the steelhead listing, the National Oceanic and Atmospheric Administration and the NMFS were charged with being deliberately “circumspect” about their regulatory firepower.

But the fisheries service’s Patrick Rutten was anything but circumspect when he said that federal controls “will get a hell of a lot tighter, real fast” if Sonoma County fails to take advantage of its “window of opportunity.”

That opportunity belongs not just to the coho and steelhead, but also to the residents of Sonoma County.

“Our watersheds are not in good condition,” Cox concedes. “They may support us for the next 50 years. But unless we are so selfish as to say we don’t care what we leave our children, then this is the wake-up call to improve not just the fish’s environment, but our environment.”

From the Sept. 4-10, 1997 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Funny Money

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Funny Money


Michael Amsler

Cash in Hand: Stefan Goya shows a mockup of a local currency note modeled after the fabled Ithaca Hour.

Sonoma County activists may
issue their own currency

By Paula Harris

CRAVING MORE CASH? Not those familiar greenbacks adorned with dead presidents, but a colorful currency exclusively for Sonoma County, featuring indigenous animals, or local landmarks, or a boat-full of old ladies, babies, and pierced-punk rockers floating down the Russian River.

It may sound crazy, but creating your own money–even during a cozy potluck dinner–does not necessarily lead to jail time.

Uncle Sam may be crushed to learn his bank notes aren’t inspiring much confidence in some local residents. Sonoma County residents are part of a growing number of communities across the nation exploring the possibility of establishing a local currency as a way to stimulate locally owned businesses.

“The money stays in the community rather than going to corporate headquarters,” explains Bill North, one of several local residents pushing for Sonoma County cash. “This would support local products instead of national chains; rather than being backed by debt, this money is backed by skills, products, and labor.”

Stefan Goya, a local manufacturer of wind-chime parts, who’s designed a prototype local currency note depicting “River People”, agrees. “There are all kinds of handicrafts people do and they can’t break into the mainstream economy. If there was an alternate currency, those people would have a better chance,” he says. “This currency would build morale and create a focus.”

Here’s how it works. The non-profit group pushing for an alternate money supply is patterning its version on a successful homegrown currency phenomenon in Ithaca, N.Y., a counterculture haven and college town where the local tender is known as “Ithaca Hours.” The Ithaca Hour is a locally created $10 bill, designated as the average hourly wage. The Hour notes buy a myriad of local products and services, and the credit union accepts them for mortgage and loan fees.

Every business that agrees to accept Hours is paid one or two Hours ($10 or $20) for being listed in the Hour Town directory, which is how the per capita supply of money is gradually increased.

Paul Glover, the chief clerk of Ithaca Hours who created the alternate paper money for the town in 1991, says there are 35 communities nationwide using local currency, five in Canada, and one in Mexico, and he’s had inquiries from France and England.

“It’s becoming popular because the national system is serving a smaller proportion of the general population by putting money into speculative investment rather than productive capacity, by putting money into high-return investments regardless of the effects these investments have on communities or the environments,” says Glover. “I saw national money was being used to degrade the environment and enrich an elite.

“Every community has talent and time that is not compensated by the formal economy, and a community with a money boundary around it is dedicated to bringing its talents into the market and giving us more spending power to trade with one another.”

He says that local currency systems like the Ithaca Hours differ from more common trading or bartering systems because they bring together all sectors of the economy.

Since 1991, Ithaca Hours members have issued $63,000 in local notes, and thousands of people have made transactions with the Hours, including 360 local businesses, such as movie theaters, restaurants, and even the hospital. In some cases, businesses in surrounding communities will honor the notes. Taxes on Hours are paid individually.

The five Ithaca Hours denominations are tinted, and, according to Glover, “reflect nature and cultures that are most widely respected by people who value ecology and social justice.” He adds that the local district attorney has declared that counterfeiting the Hours would be “forgery of a financial instrument,” giving the notes more credibility. Decisions about how much money to release at a given time are made at potluck dinners.

Glover, a former journalist and urban designer, says his full-time job is now to promote the alternate currency idea. He sells display ads, Home Town Money start-up kits, videos, and T-shirts. (He does, of course, accept the Almighty Dollar–$25 for the kit, $17 for the video, and $15 for the T-shirt.)

AT A RECENT MEETING in Santa Rosa, a handful of Sonoma County residents met and voted on a name for the proposed new local tender.

After tossing out about 20 suggestions–including “Sonoma Currency Now,” “Money Tree,” “Mo’ Money,” and “Sonoma Buck Fund”–the group settled on “Our Community Cash”–with the word our to be possibly replaced with an hourglass symbol.

Goya envisions members silk-screening and printing the currency themselves, with a $5 charge for paper and ink costs. Materials such as watermarked cattail or handmade hemp paper could be used, with non-Xeroxable thermal ink and a serial number to deter counterfeiters. A design contest would be held.

Some critics think the group is trying to reinvent the wheel. “The problem is in the distortion of the money system, not the system itself,” says one meeting participant. “I’m not sure they’re addressing the real problem.”

If there’s sufficient interest, the Sonoma County group would like to have the local currency in place before the end of the year. But Glover hopes that the Sonoma County plan will develop at its own pace.

“In Ithaca, we started with 90 people and very little local currency, and it’s taken more than five years to achieve several million dollars of trading,” he says.

“It’s a cultural process that takes its own time.”

From the Sept. 4-10, 1997 issue of the Sonoma County Independent.

© Metro Publishing Inc.

The Scoop

Schlock & Stocks

Singing in the rain? Not the Pentagon

By Bob Harris

I GREW UP in Ohio. It rains a lot. It snows. It sleets and hails. There are tornadoes. We get stuff some folks in California wouldn’t even know the words for, like “virga” and “lake effect” and “black ice” and “whiteout.” And you know what? Ain’t no big thing. You wear a coat. You press on and make do. You drive slow, but even a Yugo can almost always get you across town.

In the real world, a cold wind and a little water in the sky are part of life pretty much everywhere human beings live on the entire planet.

The real world, of course, is a completely alien place to the Pentagon.

Y’know those B-2 Stealth Bomber planes you and I have been paying for all these years, the ones that cost a few billion bucks a pop before dealer prep and destination charges and the AM/FM cassette and all that? Turns out they’re even a more ridiculous rip-off than we thought. In fact, the General Accounting Office reports that to keep the stealth coating in place, the B-2, quote, “must be sheltered or exposed only to the most benign environments–low humidity, no precipitation, moderate temperatures.”

Funny, I have a diabetic uncle in Reno who needs the exact same conditions.

Let’s get this straight: Water–like the kind that falls from the sky everywhere in the world–makes the B-2 lose its magic vestments and fall down and go boom. Two H’s and an O. That’s not exactly a countermeasure we can embargo.

The GAO also says the Air Force now believes that it’s unlikely the problem, quote, “will ever be fully resolved.” I was thinking a can of ScotchGard and maybe a dab of Rain-X on the windshield, but apparently not. So the Air Force no longer plans to station any bombers overseas. Instead, they say the B-2 can still perform its mission by flying anywhere from their climate-controlled base in Missouri.

Unless, of course, they have to fly over Ohio. Or anywhere else human beings live. So where is the outrage? This is a multibillion-dollar scandal–literally tens of thousands of times larger than any coffee deal in the White House.

Memo to the Pentagon: Next time we have a war, make sure it’s nice out.

IF YOU HAVEN’T HAD ENOUGH scandals today, here’s another one.

There’s new evidence that the wife of a prominent national leader has used her position to profit from some highly suspicious securities trading. Besides Hillary.

The September issue of Money magazine reports that Marianne Gingrich recently made three quick trades on extremely obscure stocks, all of which were underwritten by a generous contributor to Newt’s campaigns. Her total score was maybe $10,000 or so. At the time, the contributor was lobbying Congress for a big tax loophole that would benefit his company.

The brokerage Mrs. Gingrich dealt with is itself a pretty fishy place for the wife of a Speaker to be hanging around. It was just fined a quarter million by the New York Stock Exchange for widespread misconduct and is still under investigation by the National Association of Securities Dealers.

Why didn’t she just go down and open an account at Schwab or Fidelity? Turns out the brokerage is owned largely by the family of the same guy who underwrote the stocks she traded. Aha.

Maybe there’s an innocent explanation. And you’d think Sen. Fred Thompson would show some interest. And maybe Rupert Murdoch is good for baseball, the Macintosh will make a stunning comeback, and Keenan Ivory Wayans’ new show is all the reason you need to stay up past your bedtime.

Newt and the Mrs. might have an excuse if Marianne was an active stock trader; then the three trades might not seem extraordinary. But, strikingly, she’s hardly an investor at all. In fact, her financial disclosure forms show zero capital gains from 1992 through 1995. And then three quick trades in a row dealing with three stocks and a brokerage with a major contributor’s fingerprints all over them.

As Money points out, when Gingrich got the merest whiff of Speaker Tom Foley’s possible financial chicanery, he shouted to the heavens for a full and complete explanation. Now, the Speaker and his wife have refused to comment.

Then again, why should they? We all know the folks at Money are just a bunch of crazed socialists trying to destroy the Republic.

From the Sept. 4-10, 1997 issue of the Sonoma County Independent.

© Metro Publishing Inc.

How To Risotto

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Rice Dreams


Joyce Oudkerk Pool

Grain gain: Light dishes, such as this asparagus risotto, make ideal one-stop meals when paired with a salad and wine.

How risotto can change your life–
or at least one happy hour of it

By Gretchen Giles

ADMITTEDLY a humble grain, there is more to rice than just throwing a coupla cups of water on top of it, covering the mess, lowering the heat, and turning your back for 25 minutes. There is, for example, risotto.

Requiring constant tending, risotto is the ideal informal dinner party dish, perfectly designed to ensnare that well-intentioned friend who leans into the kitchen to inquire if there is anything he can do to help. Thank you for asking, you can stir the risotto, without cease, for well-nigh on a half an hour.

And while some sweet cajoling may be needed to convince your friend to consider the upper-body strength increase associated with such an activity, the end result is handsomely paired with actually having the upper-body strength necessary to lift a fork and taste the stuff.

Medium-grained Arborio rice is the primary source for the basic, creamy wonder that is formed when the Arborio is sautéed with onions and butter, gently coddled with white wine and broth until tender, and finally infused with cheese. It can be either eaten directly out of the pan, served to complement large protein portions, used instead of pasta for a coating of pesto or as a support for a bolognese sauce, or mixed with a vegetable purée such as pumpkin for a sublime evening at home all tucked in with a napkin.

A homespun poem on a plate, risotto is also an ideal canvas for those with wild creative ideas, Martha Stewart victims who desire to theme one’s evening repast lyrically to the season, or for the kind of cook with whom we are more familiar: one with a bunch of leftovers dying in the fridge.

Arborio, unlike its less easily obtained cousins Carnaroli and Vialone Nano rice, can be found at most supermarkets, even those that don’t pride themselves on having a fancy-food section. Choosing Kristine Kidd’s excellent Risotto cookbook (Williams-Sonoma; 1996) as our base-point for stealing recipes, the basic risotto concoction offered below is outstanding when used cold after cooking, formed into lunchtime pancakes (mix the risotto with a beaten egg for binding and lightly fry, topping with grated Parmesan cheese; serve with a green salad), or as the basis for anything that is legal and strikes your fancy.

The main difference between risotto and traditional rice preparation is that the liquid must be gently introduced to the rice: It’s Elvis and Nixon, Khrushchev and Nixon, Ellsberg and Nixon.

Heat 6 cups of broth until simmering (chicken is traditional; vegetable, fish, or beef stock are fine; regular old tap water is an insult), and keep the broth hot at all times. In a deep-sided pan, sauté the chop of one medium-sized yellow onion (we like to add 2 well-washed and -chopped tender leeks here, too) until translucent, about five minutes.

To the onion mixture, add 2 1/2 cups of Arborio rice. Sauté until the grains conceive a white spot in the middle, about one minute. Add 2/3 of a cup of a kind of dry white wine that you can actually stand to imbibe in a glass, and stir until it is absorbed. Reminder: Wine that tastes ugh in a cup will taste ugh on a plate.

Beginning with 1/2 cup increments, start adding the hot broth. Stir like a demon with each addition of liquid, being sure that the stock is absorbed, over medium-low heat. Like Ward Cleaver, the rice, when all liquid has been added, should be firm but tender. The resulting creaminess is one of Arborio rice’s selling points, a product of the grain’s starchy composition. Add 1 3/4 cups of freshly grated Parmesan cheese, and stir until the cheese is just incorporated. We like a good, solid grind of fresh pepper, and some chopped fresh flat-leaf (Italian) parsley riding loftily on top. Salt with caution if using commercial brands of broth.

Variations might include adding fresh herbs to the onion mixture for a deepening of taste, using gorgonzola in lieu of the Parmesan, topping the dish with diced tomatoes in a simple vinaigrette, adding butternut squash, zucchini, asparagus tips, artichoke hearts, or other veggies to the onion mixture, or keeping it simple under a luscious serving of fresh shellfish. Add lemon zest, capers, garlic, Kalamata olives, plenty of parsley, and other wonders of the natural world to such seafood recipes.

From the Sept. 4-10, 1997 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Teen Stats

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Facts ‘n’ Stats

CALIFORNIA’S overall crime rate has declined in recent years, but statistics still paint an alarming picture of juvenile encounters with the law:

More than 250,000 juveniles were arrested in California in 1995. That included over 223,000 arrests for felonies and misdemeanors, and over 31,000 for such status offenses as running away from home, skipping school, and breaking curfew.

An estimated one in three boys growing up in an urbanized area in the United States will be arrested before his 18th birthday.

Nearly one in five California homicide suspects arrested in 1995 was under the age of 18. Nearly one in three robbery arrests, one in seven forcible rape arrests, one in three motor vehicle theft arrests, and one in two arson arrests involved a juvenile.

From 1985 to 1994, California’s homicide rate for victims under the the age of 18 increased by more than 60 percent, while the rate for victims over age 40 dropped by more than 25 percent.

From the Aug. 27-Sept. 3, 1997 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Greenpeace

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Rough Waters


Michael Amsler

It’s No Fluke: Infighting and funding problems at Greenpeace could spell disaster for the world’s largest environmental organization.

It’s not easy being Green(peace) in this day and age

By Don Hazen

GREENPEACE USA, the immensely popular and influential environmental organization known for its aggressive direct-action campaign and promotional flair, is in turmoil. In a drastic move that has the environmental world’s tongues wagging, the Washington, D.C.­based organization plans to reduce its 400-person staff to a mere 65 and will close down at least five of its 10 field offices across the country, a downsizing of unprecedented scope in the environmental movement.

The layoffs, dubbed a “restructuring” by Greenpeace representatives, essentially cut the heart out of the group’s grassroots operations–eliminating its field offices and effectively halting its long-established door-to-door canvassing operation. This dramatic move was made by the Greenpeace USA board of directors, reportedly under strong pressure from Thilo Bode, executive director of Greenpeace International and the former head of Greenpeace Germany.


Rex Weyler/Greenpeace

Direct Action–Da! High-profile, heroic acts of civil disobedience, like this run against a Russian whaling ship, are winning out over grassroots organizing.

The portentous restructuring decision was blamed on nagging budget problems that apparently have plagued Greenpeace for years, exacerbated by declining fundraising in the Clinton era and perhaps a faded Greenpeace image. In the face of growing deficits, the group’s $29.5 million annual budget will be slashed to $20.1 million.

But under the surface burns a fundamental fissure in the far-flung Greenpeace family: a culture clash between the old-style European-initiated model of direct action and focus on large-scale international issues of the global climate change and ancient forests (embraced by Greenpeace International and Bode), and more recent efforts by Greenpeace USA at grassroots environmental organizing, making connections between local and national and international issues.

The contrast is between macho, but effective symbolic actions–saving whales, fighting nuclear testing, and struggling against drift-net fishing–vs. Greenpeace USA’s long evolution into a multifaceted organization deeply concerned with toxics dumps in poor communities and environmental justice.

While the turmoil is far from over, it appears that a return to the dominance of the traditional direct-action model has the upper hand as a three-person transition team–seemingly sympathetic to Bode’s position–takes charge.

What these changes mean to Greenpeace and the environmental movement as a whole are open to debate. But this much is evident: The era of Greenpeace USA as a large-scale, free-spending, diverse organization grappling with the full plate of U.S. environmental problems is over.

One Greenpeace insider suggested that the restructuring has the makings of a new leaner, meaner machine focused on its traditional bread and butter–political campaigns with clearly defined targets. Others are far less certain what the future will bring.


European Greenpeace groups have much easier access to and influence over legislators in their countries than Greenpeace does in the United States. “These guys have a hard time understanding why Greenpeace USA needed to be mucking around at the grassroots,” says former Greenpeace USA Media Director Bill Walker.

Photo by Ken Hardouin/Greenpeace



Is Smaller Better?

THE UPHEAVAL at Greenpeace included the May resignation of Executive Director Barbara Dudley, who served five difficult years at the helm. And in August, in the wake of the layoffs, legendary Greenpeace activist, Earth First! founder, and Dudley antagonist Mike Roselle angrily resigned from the Greenpeace board of directors.

Dudley said she resigned exhausted from years of crisis management. “A week didn’t go by without personnel problems, international political problems, fundraising problems. I’m just worn out and want to be an activist again instead of an administrator of a huge organization.” Nevertheless, in major ways, the restructuring underway undermines much of what Dudley worked for. As one former high-ranking insider put it, “There’s been a fight for Greenpeace’s USA’s soul–and the soul lost.”

In many ways Dudley and Roselle are symbols of the schisms within Greenpeace. Roselle, who has twice worked at Greenpeace, is famous for organizing in-your-face direct actions, which often garner inspirational media coverage. Recently he and other veterans independently organized the Ruckus Society, an effort that has trained more than 500 of the next generation in direct-action tactics à la Greenpeace.

After three tries, Roselle finally was elected to the Greenpeace board in an attempt to influence Greenpeace from within, an organization he felt “was completely staff-driven.” Long critical of the Dudley direction, Roselle calls himself an “internationalist now and always,” a position that made him a minority on the board, but an advocate for intervention by Greenpeace International.

One of the internal questions that continually has dogged Greenpeace USA has been its relationship to the International, headquartered in Amsterdam. Is Greenpeace an international organization with offices in 32 different countries or a federation of semi-autonomous organizations forged in an international alliance?

This issue has never been resolved, but the point was rendered moot as Greenpeace USA’s success over the last decade enabled it to keep Greenpeace International somewhat at arm’s length. (In 1991, with Peter Bahouth in the director’s chair, Greenpeace USA had more than 2 million members and a budget in the neighborhood of $50 million.) However, its steadily declining economic fortune and dwindling membership–currently down to 450,000–made it vulnerable to Greenpeace International’s increased influence.

Another factor for the split between the U.S. and International organizations, according to former Greenpeace USA Media Director Bill Walker, is that European Greenpeace groups have much easier access to and influence over legislators in their countries than Greenpeace does in the United States. “These guys have a hard time understanding why Greenpeace USA needed to be mucking around at the grassroots.”

But Greenpeace was victorious in such battles as pressing the House to pass a ban on factory trawlers in Eastern Atlantic waters. Board member Harriet Barlow called the unexpected trawler ban one of Greenpeace’s biggest recent victories: “When lately has Congress voted against organized corporate interests, siding with small communities?”

In this uphill struggle, Greenpeace was aligned with New England fishing communities, whose waters had been raped continuously by these monster ships, against such companies as Tyson Foods Inc., a huge producer of fish sticks, along with all those chickens.

Cash Crunch

THE EXTENT of Greenpeace’s actual financial crisis is open to debate. While the restructuring axed more than $9 million from the fiscal budget, one board member suggests that the projected deficit for the year was close to 10 percent of the overall budget, not a shocking position for difficult fundraising times.

In fact, according to sources within Greenpeace, similar deficit projections last year were overcome, ending the year with a slight surplus.

Former board member Roselle, on the other hand, says that these budget figures are misleading. “The deficit would have been $7 million and Greenpeace USA would not have been able to send its $3.5 million to the International, hurting the entire organization and justifying intervention from the International.” In fact, Roselle feels that, overall, Greenpeace USA has just not been supportive of the International’s activities, especially in the priority areas of fisheries, climate, and forests. “Thilo Bode is the only person who can save Greenpeace,” he adds.

Roselle said he quit the board because he couldn’t assure financial accountability and he couldn’t organize while being on the inside. Describing the board process as “chaotic,” he maintained that “the board lacked honor; it was like the Village of the Damned.” And besides, Thilo Bode had demanded that the entire Greenpeace board resign, Roselle claims, and he complied.

The rest of the board, however, hasn’t resigned, although the board is not proceeding with business as usual. Running the organization is a transitional team made up of board chair Joanne Kliejunas; Seattle Regional Director Bill Keller, who represents staff; and international representative Kristen Engberg. Kliejunas, who was brought onto the board to help with management advice, has ended up in the hot power seat.

While rumors abound that other board members likely will be ousted under continued pressure from Bode, Kliejunas says that although changes are being “actively discussed” within the organization, nothing has been finalized.

Show Us the Money

IN THE LARGER SENSE, no one disagrees that Greenpeace was struggling financially. What brought Greenpeace to this point, in part, reflects many of the problems facing large membership advocacy groups in the United States today. In Greenpeace’s case, trying to combine a grassroots operation with a direct-mail and telemarketing membership base was a constant balancing act. Greenpeace always has been very proud that almost all of its funding came from “the people,” via door-to-door canvassing and direct mail. Only 2 percent of its budget came from foundation grants.

By seeking more foundation support and phasing out the canvassing earlier, Greenpeace USA likely wouldn’t be facing this crisis. But Greenpeace USA saw the values of independence from foundations and a continuous grassroots presence as essential to its character, probably no less so than Greenpeace veterans see direct action as fundamental to their vision. (It is important to note that direct action has continuously been a strategy for Greenpeace USA all along, particularly in its toxics organizing.)

In fact, financially, the canvass operation, which included many of the staff people laid off, was at best a break-even proposition. And as Greenpeace board member Barlow explained, it was Greenpeace’s commitment to pay canvassers a living wage and benefits that somewhat contributed to its budget woes.

At the same time, direct mail was slow. With a Democrat in the White House, and the ability of Clinton/Gore to project a green-washed image–particularly through its Environmental Protection Agency Director Carol Browner–direct mail, which works best with an identified enemy or crisis, continued to drop off.

What Next?

WHAT THE TRANSITIONAL team means for the future is a wide-open question. The Greenpeace community has petitioned for a voting members’ meeting with the board, scheduled for Sept. 13. Greenpeace has a unique form of internal democracy: Current and former staff members who have worked for more than six years make up the official community and vote for the board of directors. Currently, there are more than 170 members of that community, and many of them–including some in the recently laid-off canvassing operation–are angry.

One of those staffers with serious questions for the Greenpeace board is current Southwest Toxics campaigner Bradley Angel. Bradley is confident that voting membership will succeed in preserving some of Greenpeace USA’s current focus. “We look forward to a constructive meeting among voting members–both current and former staff. I think having 172 people there, we’re in a very good position to come up with alternative proposals.”

The role of–and the power wielded by–that community, however, is unclear in this battle. Board chair Kliejunas emphasized that only the board can determine how the resources are allocated. No doubt the meeting will produce a lot of fireworks.

The turmoil at Greenpeace is bound to have repercussions in movement politics. Thousands of activists in organizations around the world in addition to the current staff have cut their organizing teeth at Greenpeace. Greenpeace has been the model of bold, media-savvy actions that encouraged hope and conscience in many. Will the activist diaspora and the laid-off staff mark this difficult moment in Greenpeace history as a huge defeat or as a chance to return to the Greenpeace roots?

Longtime activist and board member Barlow was upbeat, saying this move might very well save Greenpeace in the long run. “While this reorganization is tough on everybody, it does offer us an important opportunity. The future of Greenpeace rests on the ability to liberate Greenpeace campaign activities and allow staff to do what Greenpeace does best. Greenpeace staff won’t be stuck in D.C. They will go where the action is. There has been a pattern of layoffs for several years, and that has had a eroding psychological effect on everyone in the organization.

“Hopefully, a new spirit, a new board, and a new executive director will bring us into a new era.”

From former director Dudley’s perspective, she offered just one sentiment for the future. “Whatever they do, they should move out of Washington. If Greenpeace is to have an effective role in the future, it shouldn’t be walking the halls inside the Beltway.”

Don Hazen is the executive director of the Institute for Alternative Journalism and former publisher of Mother Jones.

From the Aug. 27-Sept. 3, 1997 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Arts Events

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Arts Events


Red Hot: Lavay Smith cooks up a mess of fun with her Red Hot Skillet Lickers when they clean up the beach Sept. 6 at the Russian River Jazz Festival.

The Fall Events Schedule

WITH A FULL SUMMER of fresh air out-and-abouting under the belt, coming to the indoor side of things is easy-peasy with such an array of intellectual and artistic spark in store. Below we offer our highly arbitrary guide for falling into the arts this autumn, from Labor Day to Thanksgiving.

Russian River Jazz Festival
This shake-it-up fest, now in its 21st year, is one that well deserves its worldwide reputation. Sept. 6-7, from 10 a.m. each day. Saturday: Mose Allison, Les McCann, Bobby Hutcherson, Cedar Walton Quintet, Larry Carlton, Lavay Smith and Her Red Hot Skillet Lickers. Sunday: Herbie Hancock and Wayne Shorter, Jimmy Smith Quartet, Ivan Lins, the Persuasions, Ann Dyer and the No Good Time Fairies. Johnson’s Beach in Guerneville. $37 per day at the gate. 869-3940.


Clowning Around: Eliot Fintushel keeps ’em laughing.

Performing Arts at SSU
Eliot Fintushel begins the university’s guest artist series Sept. 12 with sophisticated mime, mask, and other forms of clowning. Sept. 18, faculty artists present chamber music with a difference. Sept. 25 offers the medieval drama of four of Chaucer’s Canterbury Tales, performed by Marin County’s Geoffrey Chaucer & Company. Oct. 18 finds Paris-based saxophone artist Odean Pope leading a free workshop, followed by an evening concert. Playwright Migdalia Cruz reads from her numerous works, then takes questions from the audience Nov. 7. Finally, a concert from legendary jazz saxophone artist Steve Lacy and his trio put a little zing in the late fall on the night of Nov. 18. Evert B. Person Theatre or Warren Auditorium, SSU, 1801 E. Cotati Ave., Rohnert Park. Ticket prices and times vary. 664-2353.

University Art Shows
The Santa Rosa Junior College Art Gallery presents two shows this fall. Sept. 11 through Oct. 16, “Working from the Body” focuses on the body as subject, content, form, and/or metaphor, and opens with a reception Sept. 11. Nov. 2-Dec. 11, “Installed” promises to transform space into an all-encompassing environment, beginning with a reception Nov. 2 (1501 Mendo-cino Ave., Santa Rosa; 527-4298). SRJC’s Petaluma campus is enlivened by the vision of Petaluma photographer Morrie Camhi, whose photos hang Oct. 30-Dec. 6 (Herold Mahoney Library, 680 Sonoma Mountain Parkway; 778-2410). Nov. 13-Dec. 19, the University Art Gallery at Sonoma State University showcases sculpture by Catherine Lee–exhibiting her “Alphabets” series of cast-bronze sculptures–and the paintings and drawings of San Francisco­based artist Joan Perlman, which abstractly explore the moonlike landscape of Iceland(1801 E. Cotati Ave., Rohnert Park; 664-2295).

Copperfield’s Fall Events
Political animals with half her exposure have been lost to the jaws of the jungle, but Angela Alioto keeps on swinging. Alioto reads from her new book Sept. 17 at the Petaluma store (140 Kentucky St.; 762-0563). Frances Mayes, the San Francisco State University writing professor and poet who has written an enchanting memoir about making a new home for herself in Italy, reads at the Montgomery Village store Sept. 30 ((2316 Montgomery Drive; 578-8938). On Oct. 7, in Sebastopol, poet Dana Gioia reads from his work and shares his thoughts on the role of poetry in our culture (138 N. Main St.; 823-2618). Sexpert Susie Bright makes an appearance in Montgomery Village Oct. 8 with Best American Erotica, the anthology series she has edited with great success for several years. Oct. 15 brings Lynn Freed to the same store, where she will read from her fictional memoir The Mirror, the tale of an independent woman emigrating to South Africa after the Great War.

Celebrate Rohnert Park
Past years have included bed races and the strangely named “Diaper Derby”–there’s truly nothing like undignified games to really bring a community together. This year Rohnert Park sticks with the basics: art shows, a parade, a community talent show, and live music, with performers including Phil’s Harmonic Orchestra, Blusion, Mark Mclay and the Dust Devils, and the Ken Winett Jazz Ensemble, Sept. 18-21. We can’t even keep track of all the good stuff, so call 522-9800.

Sebast O’pol
You should have learned by now to keep an eye out for this once-a-year spelling, which signals the approach of the locally famous Celtic Festival. Now in its third year, the Celtic Festival features three stages of music, along with workshops and dance, Sept. 19-20. Friday night features Martin Hayes, Dennis Cahill, and Andy Irvine; Saturday finds Alasdair Fraser and Skyedance headlining with Andy Stewart, Gerry O’Beirne, and others. Both events at Analy High School (6950 Analy Ave.). Saturday proper finds workshops, fiddling, Highland games, and such artists as the Old Blind Dogs, Croabh Rua, and Connie Dover, ongoing from 10 a.m. to 6 p.m. at the Sebastopol Community Center (390 Morris St.) Tickets are $5-$25. 829-7067 or 823-1511.

Petaluma Poetry Walk
Downtown Petaluma opens its doors for that poor cousin of the literary world, giving it king-for-a-day status in a progressive poetry feast at various locations downtown, Sept. 21, noon to 7 p.m. Among the 17 Bay Area poets represented are such outstanding writers as Brenda Hillman, Terry Ehret, Frances Mayes, Kathleen Frasier, and Jane Hirshfield. 763-4271.

Art for Life
More than 200 works of art will be exhibited and, we hope, sold at the 10th annual art auction organized by Face to Face/ Sonoma County AIDS Network. Over the years, Art for Life events have raised nearly half a million dollars for Sonoma County AIDS services. The exhibit is free and open to the public Sept. 24-26; entry to the auction Saturday, Sept. 27, is $39 (the equivalent of three hours of in-home care). Friedman Center, 4676 Mayette Ave., Santa Rosa. 544-1581.

Jive 3
Braggarts, bards, and unrepentant liars throw out their best boasts at the awards evening for our third annual jive writing contest, sponsored by the Independent and Copperfield’s Books. Who you are or who you would like to think you are, or who you would like to be . . . the truth may be out there, but it certainly ain’t here. Fun, food, and fabulous prizes make these lies even more excusable. Oct. 1 at 7 p.m. Copperfield’s Annex, 650 Fourth St., Santa Rosa. 546-9252.

Carmen
It just ain’t an arts season without a glimpse at one of opera’s most compelling female characters. Thank goodness for Western Opera Theater, the touring company of the San Francisco Opera Center, which brings Bizet’s grand-scale, fully staged classic Carmen to the Main Theatre of the Luther Burbank Center Oct. 2. Supertitles in English will be projected above the stage for the French-impaired. Tickets are $20-$30. 546-3600.

Spreckels Center
The 1997-98 season opens Oct. 2 with the Pacific Alliance Stage Company’s Lend Me a Tenor, a romantic comic opera about the biggest night in the history of the Cleveland Grand Opera Company. On Oct. 25-26, the Rohnert Park Chamber Orchestra presents “Long Ago but Not Forgotten: Homages, Impressions, and Memories.” Bobby Hutcherson, who was awarded the title of “World’s Best Vibest” in the International Jazz Critics Poll, brings his marimba magic Nov. 1. The Festival of Harps returns Nov. 8, offering yet again a wide range of styles and music for devotees to revel in. Spreckels Performing Arts Center, 5409 Snyder Lane, Rohnert Park. Ticket prices vary. 584-1700 .

Comedy Competition
The annual San Francisco International Stand-Up Comedy Competition has a national reputation for revealing the foremost comedy starts of tomorrow, with Robin Williams, Ellen DeGeneres, and satirist Will Durst on the alumni list. The semi-finals are back in Santa Rosa this year on Oct. 3 at the Luther Burbank Center, 50 Mark West Springs Road. Tickets are $19.50-$22.50. 546-3600.

MOMIX
Combining dance with illusionary props and enigmatic lighting, the MOMIX group has danced its way into the cold, tiny hearts of critics over the last 15 years. The troupe springs the goods upon the Marin Center with its performance of “Baseball,” an elegaic tribute to this most American of sports Oct. 3. Avenue of the Flags, San Rafael. Tickets are $18-$28. 415/472-3500.

Sonoma County Harvest Fair
Abundance abounds at the annual celebration of the fruits of fall, held Oct. 3-5. For some, the highlight may be the opportunity to taste winning wines from a concourse of hundreds of local varietals. Others may find the World Championship Grape Stomp more to their liking. And don’t forget to line your stomach with winning entries in the professional and amateur food divisions. Sonoma County Fairgrounds, 1350 Bennett Valley Road, Santa Rosa. Admission is $2-$4. 545-4203.

Los Lobos
Rolling Stone calls them “America’s Greatest Band.” Decide for yourself at the upcoming Santa Rosa appearance of the funky, Tex-Mex rock band that has been steadily gaining fans for over two decades. Dancing is firmly encouraged at this gig. Jorge Santana opens the show Oct. 4. Luther Burbank Center, 50 Mark West Springs Road. Tickets are $22.50. 546-3600.

Santa Rosa Symphony
The West Coast premiere of “Shivaree,” by composer-in-residence Kenneth Frazelle, kicks off the 1997-98 season Oct. 11-13, along with variations and interludes by Dohnányi and Britten. Guest conductor and violinist Marin Alsop joins the symphony Nov. 22-24 for Dvorak’s “New World” Symphony and two jazz-infused works from David Balakrishnan and Paul Schoenfield. Tickets for single performances are $12-$30. 546-8742.

Arts and Lectures
Santa Rosa Junior College continues its fine series of free, noontime glimpses of intellectual well-being, bringing scholars from all walks to discuss their passions. Among the highlights are Elanle Moore’s lecture on “Aboriginal Visions: The Cave Art of Baja California” (Oct. 13); in the Petaluma Center, classical guitarist John Stover gives a recital and lecture on “The History of the Guitar” (later on Oct.13); and poet Marjorie Agosin reads from her collection Tapestries of Hope, Threads of Love (Nov. 3). 1501 Mendocino Ave., Santa Rosa. 527-4372.

Paul Taylor Dance Company
Receiving critical acclaim wherever it goes, this troupe has performed in more than 400 cities all over the world since it was founded 42 years ago. Now Sonoma County residents can experience Paul Taylor’s genius in this rare performance at the Luther Burbank Center Oct. 14. 50 Mark West Springs Road, Santa Rosa. Tickets are $12.50-$30. 546-3600.

Dar Williams
One of contemporary folk’s newest and most original songwriters, Williams captures the spirit of her folk heroes with graceful lyrics, a supple voice, and an impeccable sense of melody. Opening the show is singer/songwriter/former seminarian Richard Shindell. Oct. 16 at Luther Burbank Center, 50 Mark West Springs Road, Santa Rosa. Tickets are $16.50. 546-3600.

California Small Works Show
Unlike in so many other arenas, small counts in this collection, where all the participating pieces are no larger than 12″x12″x12″. Now in its ninth year, the show features the works of more than 100 artists Oct. 15 through Dec. 21 at the California Museum of Art, opening with a reception Oct. 17. Ship entries before Sept. 21 or hand-deliver Sept. 27-28. 50 Mark West Springs Road, Santa Rosa. 527-0297.


Aubri Lane

Self-portrait With Shower Curtain and Tattoo: Aubri Lane is among the artists exhibiting at this year’s ARTrails open-studio event.

ARTrails
Over 100 artists invite visitors into their Sonoma County studios, giving the public a unique opportunity to meet with artists in their natural habitats–just like “Wild America,” only a lot less bloody. Two weekends, Oct. 18-19 and 25-26; attend the preview exhibition at the Sonoma County Museum Oct. 10. 579-2787.

John Lee Hooker
Hooker is one of the last living members of that generation of artists who spread the music of the Mississippi Delta north, influencing virtually all of rock ‘n’ roll. Opening for the blues legend is the rolling Duke Robillard from Roomful of Blues; Hooker’s daughter Zakiya will also be joining in for this evening devoted to the original blues. Oct. 18 at the Luther Burbank Center, 50 Mark West Springs Road, Santa Rosa. Tickets are $25. 546-3600.

Santa Rosa Community Concerts
Now in its 49th season, these subscription-only community concerts, which continue through April, still offer one of the best deals going. Featuring six separate events held at the Luther Burbank Center, they literally kick off Oct. 30 with the Russian Seasons Dance Company in “A Celebration of World Dance,” exploring the folk traditions of Eastern Europe, Argentina, and Spain. Classical guitarist Virginia Luque displays skills honed from the six years she spent studying with famed guitarist Andrés Segovia Nov. 5 in the second of the series. 50 Mark West Springs Road, Santa Rosa. Series tickets are $45 general; just $20 for full-time students. 542-2032.

Mystical Arts of Tibet
Buddhist lamas perform their exquisite monastic dances and multiphonic singing ( hitting two notes at once; don’t try this at home) in a sacred production for world healing. The Drepung Loseling monks have received official sanction for their efforts from the Dalai Lama himself. Oct. 22 at the Luther Burbank Center, 50 Mark West Springs Road, Santa Rosa. Tickets are $11.50-$17.50. 546-3600.

Carol Burnett
Get intimate with one of America’s most popular comic actors. The audience sets the agenda for an evening of conversation with this always funny woman. Oct. 30 at Luther Burbank Center, 50 Mark West Springs Road, Santa Rosa. $35-$55. 546-3600.

Ani DiFranco
Truly a self-made star, DiFranco began releasing her own albums on her Righteous Babe label at the age of 18. Now she’s one of the country’s most successful (completely) independent musicians; the praise just doesn’t stop for her soul-ragged, alt-folk stuff. Come dance in front of the stage! Nov. 1 at Luther Burbank Center, 50 Mark West Springs Road, Santa Rosa. 546-3600.

Mark Twain Tonight!
Clemens’ veteran inhabiter, Hal Holbrook, returns to the Marin Center with his one-man tribute to humorist and social critic Mark Twain, crackling in a white suit while cracking aphorisms. Nov. 1. Avenue of the Flags, San Rafael. Tickets are $20-$30. 415/472-3500.

Cesaria Evora
The critically acclaimed Cape Verde singer graces the stage at the Luther Burbank Center with a voice like Bessie Smith’s and a style like no one else’s. Catch this Grammy nominee in her Sonoma County debut. Nov. 10 at Luther Burbank Center, 50 Mark West Springs Road, Santa Rosa. Tickets are $20-$25. 546-3600.

Mini Nutcracker
The ever-innovative Redwood Empire Ballet deconstructs The Nutcracker, offering a narrated and danced exploration of that ballet’s beginnings, with an emphasis on how choreography has variously interpreted this tale. Ballet director Steffon Long ends the performance by having his dancers present his own interpretation, entitled “The Ballet Formerly Known as The Nutcracker.” Sounds like a prince of a show. Nov. 10 at the Spreckels Performing Arts Center, 5409 Snyder Lane, Rohnert Park. Call for prices. 584-1700.

Compiled by Gretchen Giles and Marina Wolf.

From the Aug. 27-Sept. 3, 1997 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Chamber Music Events

0

Old Gold This Fall

Classical Chamber Music Series
“Music for a While,” works by Poulenc and Brahms. Sept. 18 at 8 p.m.; pre-concert talk at 7:15 p.m. Evert B. Person Theatre, SSU, 1801 E. Cotati Ave., Rohnert Park. Tickets are $6-$10.664-2353.

Redwood Arts Council
Chamber Music in Occidental Series: Rongchun Zhao, Sept. 13; Ian Swenson (violin), Oct. 18; John Dornenburg and Malcolm Proud (viola and harpsichord), Nov. 8. Occidental Community Church, Second and Church streets. Shows at 8:15 p.m. Prices vary. 874-1124.

Rohnert Park Chamber Orchestra
“Long Ago but Not Forgotten: Homages, Impressions, and Memories,” music by Ravel, Glanville-Hicks, Handel, Zwilich, and Still. Oct. 25 at 8 p.m.; Oct. 26 at 2:30 p.m. Spreckels Performing Arts Center, 5409 Snyder Lane, Rohnert Park. Tickets are $13-$17. 584-1700

Russian River Chamber Music
Rebel Consort with recorder virtuoso Matthias Maute. Nov. 15 at 8 p.m. Federated Church, 1100 University, Healdsburg. Tickets are $15 and include post-concert receptions. 524-8700.

SRJC Chamber Series
Hans Boepple, pianist, Sept. 19; Alexander String Quartet, Oct. 17; Marc Telcholz and Ian Swensen (guitar and violin), Nov. 14. Newman Auditorium, 1501 Mendocino Ave. Shows at 8 p.m. Tickets are $10-$15. 527-4372.

From the Aug. 27-Sept. 3, 1997 issue of the Sonoma County Independent.

© Metro Publishing Inc.

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