Peter Tosh

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Tough Stuff


David Corio

Riddim and Blues: Reggae star Peter Tosh still proves to be tough enough.

The legacy of Peter Tosh

By Robert Ambrose

ONCE THEY WERE a trinity. Robert Nesta Marley became Bob, and he was king and was consumed. Neville Livingston named himself Bunny, and he keeps the spirit alive. And then there was Peter Tosh, who called himself “the toughest,” and he was murdered.

Ten years ago Tosh, the true soul rebel of the Wailers, the quintessential reggae band, died tragically in his home when three intruders emptied their guns into him. Although one gunman, a man whom Tosh had known and aided, was convicted in one of the shortest trials in Jamaica’s history, the other two disappeared without a trace. Many believe that Tosh was assassinated by pawns of those in power because of his unrelenting criticism of the “shitstem” and his extremely visible and audible campaign to legalize marijuana. After all, the police had nearly ended his life before, beating him mercilessly to within an inch of his life years earlier.

The life and music of Tosh are celebrated in a striking new CD boxed-set, Honorary Citizen, from the Legacy wing of Columbia Records. Composed of three discs representing three dimensions of Tosh’s musical legacy, Honorary Citizen begins with rare Jamaican singles, mostly from the late ’60s and early ’70s, among them the classic Wailers’ cuts “Pound Get a Blow” and “Fire Fire,” which reflect the group’s increasing social activism.

On those solo excursions where Tosh’s rich baritone shines outside of Bob Marley’s shadow, his militancy is clearly expressed. The Lee Perry-produced duet with U. Roy stakes out Tosh’s Rastafarian convictions, putting Roy, the deejay originator, on vinyl for the first time.

“Here Comes the Judge” casts Tosh as the arbiter deciding the fate of a group of colonial defendants, including Christopher Columbus and Vasco da Gama, and with severity he sentences them to hang by their tongues for, among other things, killing 50 million black people. The collection of early Tosh singles is Honorary Citizen‘s first strength.

The second CD collects Peter Tosh live from recordings made during his 1982 tour through North America. Tosh was at the peak of his abilities then, and his performances resonate with awesome power and conviction. Tosh often embellished his music with sermons or “livatribes” that challenged the audience spiritually or politically, and a couple of them are preserved here. In Southern California he introduced “Glass House” by saying, “When you and you and you see I and I here, don’t think I come here for an entertainment. I and I come to flash lightnin’, earthquake, and thunder in these places of destruction and unrighteousness.”

The final disc is a greatest-hits compilation from Tosh’s solo albums, and the music is very familiar. Having “Downpressor Man,” “Stepping Razor,” “Equal Rights,” “Bush Doctor,” and “No Nuclear War” on one CD is a good alternative to searching for them on assorted records, but it is disappointing that alternate or extended versions of the great songs were not included. Surely they must exist. This third disc also ends with a lame tribute song written and sung by Pauline Morris, Tosh’s cousin and the CD’s producer.

The set also boasts a 60-page booklet that includes detailed notes, giving the context for every song, including recording details and striking photographs. Reggae archivist Roger Steffens, one of the pre-eminent experts on Bob Marley and the Wailers, also provides a short biography and a list of Tosh’s many recordings.

Honorary Citizen is as much a monument as it is a collection of music, and that is exactly how it should be. The essence of Peter Tosh was his revolutionary message. Music was his weapon, and this tribute displays much of his ammunition, but he also delivered through his language, his image, and his living. This collection preserves Tosh’s essence remarkably well.

From the Dec. 18-24, 1997 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Nike Boycott

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Swooshtika Politics

By Josh Feit

For many of America’s Fortune 500 CEOs, Oct. 16 was big business as usual. Bill Gates was working on a proposal to invest $1 billion in cable giant TCI. Intel’s Andrew Grove was on the phone with competitor Digital Equipment Corp., discussing an $800 million settlement with the Boston semiconductor company. MCI’s Bill Roberts was scrutinizing a $30 billion offer from GTE chairman Charles Lee.

In Beaverton, however, Nike chief Phil Knight was tending to his company’s bad reputation. Knight was logged on to Nike’s internal chat room, SwooshNet, fielding questions from employees across the globe about the company’s labor practices in Asia. He was trying to fortify company morale in the face of the next round of allegations, which came on Oct. 18.

That Saturday, dubbed Anti-Nike Day, protesters demonstrated in 13 countries, 25 states and 50 communities across the United States. In downtown Portland, 75 demonstrators picketed Nike Town. In Manhattan–at the Nike complex on 57th and Madison Avenue–radio personality and activist Jim Hightower introduced a new word into the English language: Swooshtika.

“Nike is the perfect corporate villain for these times,” Hightower said, “an example of the new global corporate hegemony.”

Wait a minute. What about the days when the bad guys were napalm and weapon-producing cogs in the Military Industrial Complex, like Dow Chemical and General Electric? What happened to baby killers like Nestle or environmental outlaws like Exxon?

Why is Nike, a sneaker company that promotes health and fitness, the “perfect corporate villain”? “For an accumulation of reasons,” says Harvard Business School professor Joe Badaracco, “Nike has been asking for this.” Most Portlanders are familiar with the charges against Nike’s overseas contractors: failing to pay livable wages, forcing factory employees to work illegal overtime hours, hiring child labor, inflicting corporal punishment. What readers may not know is that the charges have sparked an anti-Nike movement that is taking on historic dimensions.

“Nike has been singled out in a way that others have not,” says Aaron Cramer of Business for Social Responsibility, a San Francisco firm that advises companies on social issues. “I don’t know that another company has been the focus of such targeted efforts. You’d have to go back 20 or 25 years to Nestle, they are the only one I can think of, and they were accused of killing babies.” (A consumer boycott of Nestle in the late ’70s forced that company to stop marketing baby formula in Third World nations after women became dependent on the milk substitute but couldn’t afford to continue using it.)

All over the country, knocking Nike has gone mainstream.

At Florida State University, in Tallahassee, the most famous student protest movement until this year involved drunken demands from frat boys that the administration build a statue honoring the late rock singer Jim Morrison. “FSU is like the University of Michigan without the academics,” says Ed Dandrow, former president of the student senate. “People drink and watch football [the team is ranked third in the nation] and drink some more.” This year, an agitprop protest group called Coalition for a Corporate Free Campus descended on FSU, which was voted the “No. 1 Party School” in America last year by the Princeton Review.

On Oct. 25, at the FSU-Georgia Tech football game, student protesters entered the president’s box to hand him an anti-Nike flyer. At halftime, the activists paraded banners along the top aisle of the 80,000-seat football stadium, reading, “No Nike at FSU!” The activists are demanding that the administration cancel the FSU athletic program’s five-year, $3.5 million contract with Nike. The school, they say, shouldn’t be doing business with a company that is exploiting Third World workers.

The FSU dissidents are among several student groups across the country, including “Nike Workers Before Nike Profits” at Penn State University, “Students Against Sweat Shops” at Duke and the “Nike Awareness Campaign” at the University of North Carolina, Michael Jordan’s alma mater. The group at UNC, as reported by the Associated Press last week, forced a meeting with legendary basketball coach Dean Smith, who is under contract with the Swoosh.

It’s not just those wacky college kids.

Doonsebury cartoonist Garry Trudeau has been satirizing Nike for months. New York Times columnist Bob Herbert has written several tirades against Nike. “The systematic denial of worker rights,” Herbert wrote in June, “is precisely what companies like Nike are seeking when they set up shop in countries like Indonesia, China and Vietnam.” With the exception of the Gap, Herbert says, he can’t recall using his column to criticize any other corporations. Major media have jumped aboard the bandwagon. As CBS news cameras panned over Ho Chi Minh City late last year, a grim voice narrated, “The signs are everywhere of an American invasion in search of cheap labor. This is Nike Town.”

Even the U.S. Congress is weighing in. Two weeks ago, a letter signed by 41 members of the House showed up on Phil Knight’s desk.

“We are … embarrassed that a company like Nike, headquartered in the United States, could be so directly involved in the ruthless exploitation of hundreds of thousands of desperate Third World workers,” the letter states. “It is not acceptable to us.”

Rep. Bernie Sanders of Vermont, who co-wrote the Knight letter, told Willamette Week that it is “rare” for him to send a letter to the CEO of an American company.

The same week that the letter to Knight began circulating in Congress, novelist Alice Walker and a coalition of women’s organizations including NOW, the Ms. Foundation and the Feminist Majority held a press conference a few blocks away from the Capitol, denouncing Nike’s treatment of female workers in Asia. The press conference was packed with news cameras and generated stories by the New York Times, National Public Radio and Reuters news service.

Nike’s status as the favorite corporate bull’s-eye is puzzling. Especially considering, in the corporate community, Nike is hardly the worst company on the block.

In the summer of 1996, a factory worker in Haiti told a visiting Long Island Newsday reporter, “Working in this factory is like disguised unemployment because you don’t see your money. You end up paying back [the] food vendors and interest on loans you need to survive. It’s like you spill your blood for nothing.”

Another worker at the same factory said, “I bring home so little money for so much work, I am so depressed at times I want to die.”

The company that contracts with the factory has also been charged with forcing young Vietnamese girls to work 10 hours a day for less than 20 cents an hour; paying young workers in Indonesia less than the minimum wage; and paying Chinese employees such pitiful wages that 16 workers must share a room in order to afford the rent.

Ready to set up a picket line at Nike Town?

Try Disneyland.

For several years Disney has been targeted by the New York City-based National Labor Committee. But the campaign hasn’t received much attention in the mainstream media, hasn’t stirred public opinion and certainly hasn’t found its way onto the editorial pages of Florida State University’s campus paper.

Disney’s treatment of overseas workers has been spotlighted in the pages of Multinational Monitor, a little-known magazine founded by consumer crusader Ralph Nader. Every year, the Monitor lists the 10 worst corporations. In December 1996, Disney was joined by the following:

Archer Daniels Midland. The Federal Trade Commission found the huge agribusiness company guilty of bilking American consumers out of hundreds of millions of dollars. The Illinois-based giant was fined a record $100 million by the feds in 1996 for fixing artificially high prices between 1992 and ’95 on a range of additives that affect the soft drink, livestock, processed food, detergent, pharmaceutical and cosmetic markets. To make matters worse, a huge amount of ADM’s business is subsidized by U.S. taxpayers.

Caterpillar. The heavy-equipment manufacturer has drawn a record 300 unfair-labor-practice charges in the company’s continuing dispute with the United Auto Workers. Meanwhile, the Occupational Safety and Health Administration fined Caterpillar in 1996 for alleged safety violations involved in the death of a 36-year-old employee.

Mitsubishi. The Japanese conglomerate invests millions of dollars in the military dictatorship in Burma, which is accused of enforcing slave labor.

Daiwa. The Osaka, Japan-based financial institution, one of the largest consumer banks in the world, was barred from doing business in the United States after federal regulators fined it $340 million for stealing from customers’ securities investments.

Freeport. The U.S. mining company is accused of dumping poisonous metal tailings into the rivers of Indonesia.

Daishowa. This Japanese multinational was listed for clear-cutting Canadian forests.

Gerber. The baby-food manufacturer is accused of doing exactly what Nestle did 20 years ago in Africa: marketing breast-milk substitute to Third World countries.

Seagrams. In June 1996, the liquor company broke the 48-year voluntary industry ban on broadcasting advertising of hard alcohol.

Texaco. In August 1996, former Texaco executive Richard Lundwall released tapes that exposed Texaco top management as racist.

Nike is nowhere to be found on the Multinational Monitor‘s list. The magazine’s editors haven’t decided whether the shoe company will show up next time around.

Multinational Monitor aside, none of these companies is feeling the heat like Nike is. Even The New York Times’ Herbert acknowledges that Nike may be unfairly singled out. “Nike is not the only offender,” the columnist told Willamette Week. “And I’m not even contending that they’re the worst offender.”

A Nike marketing director who asked to remain anonymous says she’s been at footwear focus groups–sitting behind a one-way glass partition–and heard high-school boys describe Nike as a “big, huge company that owns everybody and is everywhere.”

Such comments help explain why tossing tomatoes at the Swoosh has become so fashionable: The anti-Nike backlash is not just about the company’s labor record. It’s also a reaction to the global reach of the Nike brand, the wall-to-wall ubiquity of its corporate moniker. (The company spends an estimated $1 billion on advertising annually and was named “Marketer of the Year” last year by Advertising Age.)

Specifically, Nike has pushed the limits of commercialism. It’s one thing to tie up half the NBA with endorsement contracts, but it’s quite another to penetrate high schools.

“Nike has certainly been a leading perpetrator in bringing corporate imagery into places where it’s never been before,” says Newsweek senior business reporter Jolie Solomon. “Where do you draw the line? I haven’t seen any line being drawn.”

UNC junior and anti-Nike coordinator Marion Traub-Werner (the woman who got Dean Smith’s attention last week) says that although her anti-Nike campaign was originally about workers’ rights, the campaign has become “twofold.”

“Obviously,” she says, “there’s the labor issue. But we’re also concerned about Nike’s intrusion into our campus culture.”

In July, Nike renewed its contract to outfit the school’s athletic teams for $7.1 million. Traub-Werner says her campaign to focus attention on Nike’s labor practices in Asia has caught on at UNC because it touched a deeper nerve about resentment of Nike’s commercialism. “The Swoosh is everywhere,” she says. “In addition to all the uniforms, it’s on the game schedules, it’s on all the posters and it dominates the clothing section in the campus store.” “I get sympathy from students who wouldn’t otherwise be interested in Third World workers,” Traub-Werner concludes.

“For young people,” says Mark Crispin Miller, professor of media studies at Johns Hopkins University, “it makes perfect sense to target Nike. It offers a way to make an issue out of commercial culture.”

Adam Black, a 20-year-old anti-Nike crusader at Penn State University, has caught onto the sentiment.

“Every Penn State athlete has Swooshes all over,” Black says. “It’s the Nike uniform. It’s on the coach’s outfit, hats, T-shirts, sweat pants. Everywhere there’s a Nittany Lion, there’s a Swoosh. The university has sold its soul to Nike.”

Is there a Nike section in the campus store?

“Yeah,” he says cynically, “it’s called the clothing department.”

It’s not just Nike’s aggressive commercialism that makes the company such a susceptible target. It’s also the unique tone of the company’s marketing. Many large companies use image advertising to associate their product with larger themes. A recent Mazda campaign, for example, used pagan symbols and devil imagery to promote its car to Gen-Xers as mysterious and cool. But few companies have been able to connect their products with an entire value system the way Nike has. According to Alice Cuneo, a senior editor with Advertising Age who covers Nike’s ad agency, Wieden & Kennedy, Nike’s advertising makes the company seem “holier than thou.” Cuneo says the recent “If You Let Me Play” ad campaign about little girls promotes feminism.

She also cites Nike’s Tiger Woods ads as promoting civil rights. (The TV ads — accompanied by a Swoosh — claim that some golf courses still exclude blacks.) Another example of this sort of advertising is Nike’s series of “Peace” TV commercials, in which pro athletes preach against inner-city violence.

“This is cause marketing,” says Oakland, Calif., media critic Makani Themba.

But Nike has a different approach than most companies, says Kate Fitzgerald, a reporter at Advertising Age. “Companies generally prop up their social-cause images by donating money directly to causes,” she says, pointing to the Ronald McDonald House as an example.

With the exception of MCI’s ad campaign to promote voter turnout in 1992, however, Fitzgerald couldn’t think of another major company that had tied a value system directly to its product. “You can’t compare anyone to Nike,” she said. “Nike has its own way of communicating ’cause’ image advertising.”

The problem, as Advertising Age‘s Jeff Jensen puts it, is that “Nike has put itself in a position to be bashed.”

“If you put yourself in that holier-than-thou role, you’re asking for it,” Jensen says. “People want to put you in your place whether you deserve it or not.”

“You have to be careful of pontificating,” Cuneo warns. “And some people would say that Nike is pontificating.”

You have to be particularly careful when it appears you don’t practice what you preach. “Nike sees themselves as saintly,” says Hightower. “They run those ads with preachy slogans and sports stars. They set themselves up as righteous with Tiger Woods against racist America. Well, they shouldn’t be surprised that people are angry about their treatment of women in Asia.”

“One thing big advertisers and big companies have always wanted to avoid,” says Johns Hopkins professor Miller, “is a contrast between appearance and reality. Now, you don’t need to be sophisticated to understand that the discrepancy between Nike’s feminist pitch and the way it treats the women in its factories is explosive.”

“I think people feel uneasy about the repackaging of social justice images as commercials from the start,” says Themba, “but they’re not sure why. Then you hear these charges and you’re ready to pounce on Nike as hypocritical.”

Nike is aware that it has come under harsh scrutiny.

But the company discounts the attention, claiming it’s the result of strategic maneuvers by so-called anti-free-trade activists. Nike says the activists are trying to get press by attacking a high-profile company. “The basic question,” says Nike spokesman Vada Manager, “is, ‘Would you care about this if it was Converse?’ You can’t draw attention to your cause unless you target a company like Nike.”

It’s true that activists are thinking strategically about Nike. Manager, however, is missing the bigger picture.

Deservedly or not, Nike has become nothing less than the poster child of corporate villainy. And judging from the venom and persistence of the bashing, it’s clear that critics are peeved about something more than the specific charges of labor exploitation in Asia. Ultimately, the charges, serious as they are in their own right, have tapped into a more complex resentment of the Beaverton company — ironically, based on its successful marketing.

In a sense, Americans were waiting to pounce on Nike. The charges of labor abuses have given them an excuse.

This story is re-printed from Willamette Week an alternative newsweekly in Portland, Oregon.

From the Dec. 11-17, 1997 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Sam Keen

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Keen on Love


Jerry Bauer

Love and Happiness: Keen ties love in with a spiritual sense, one he feels that Americans decidedly lack. “We imagine that spirituality is something pronounced by a little old lady who would never fart in church,” he says.

Author Sam Keen has greatest of ease

By David Templeton

AT FIRST GLANCE, there is nothing out of the ordinary about the ranch in the hills above the town of Sonoma where writer and philosopher Sam Keen lives.

Located on a paved one-lane road that rises up from the historic downtown area, the ranch is marked by a sign at the front gate with the cryptic message “HEARTHEARTHEART,” a whimsical wordplay that readers might recognize from the cover of Keen’s best-selling 1991 book A Fire in the Belly. After turning onto a long, dusty dirt road, you see much what you’d expect from a hillside ranch: a stable, some horses, a few weathered outbuildings, and the main house, an old barn that Keen has transformed into a gorgeous, light-filled home worthy of Town & Country magazine.

Even so, it would be a stretch to call it an unexpected sight. The unexpected lies beyond the house, just across a small ravine from the free-standing cabin in which Keen writes. There, rooted within a grove of trees, is a vast trapeze rig: All nets, ropes, ladders, and glimmering metal, it’s a bizarre but singularly magical sight.

“It’s beautiful, isn’t it?” Keen acknowledges, standing in his studio and cocking his head backward to indicate the rig outside the window behind him. “Let’s not talk about that first, though. We’ll talk about the flying later on.” His phone rings. It’s an associate needing to iron out details of an excursion Keen will be leading into the remote Himalayan country of Bhutan, his fourth trip there, and his first after filming the just-completed documentary Journey to Bhutan. Lean and agile, Keen stretches his long legs onto the table and pushes back in his chair, chatting amiably, a man clearly at ease with his surroundings, himself, and his life.

Born in Tennessee to fundamentalist Christian parents, Keen, now 66, chose an unforeseen path when–while pursuing Ph.D. in theology–he became a colleague and friend of mythology guru Joseph Campbell and found a way to combine his previous loss of faith with a growing, lifelong curiosity about the mysteries of the heart and mind. For years Keen was a contributing editor to Psychology Today magazine and produced a series of probing, deeply personal books, including Apology for Wonder (1980), The Passionate Life : The Stages of Loving (1983), and The Faces of the Enemy: Reflections of the Hostile Imagination (1986; turned into a PBS documentary).

It was at the height of the so-called Men’s Movement, with 1991’s Fire in the Belly –which he now refers to simply as “my men’s book”–that Keen burst onto the bestseller lists and into the public consciousness, unintentionally taking the role of the sensible, down-to-earth elder, a welcome presence compared to Robert Bly’s drumbeating, easy-to-parody “wild man” persona.

“Bly’s book Iron John brought up a lot of questions within men,” Keen explains, after his phone business is complete. “It tapped into a hunger men felt, but served mainly to confuse them. With my men’s book, I tried to show a way to get to the answers.” That effort was followed by Hymns to an Unknown God (1994) and the just-released To Love and Be Loved (Bantam; $29.95). He’s currently putting the finishing touches on his next book, in which the trapeze rig will play a significant part.

“It’s about flying as a metaphor for life,” Keen brightly relates. “It’s been one of the easiest books I’ve ever done.” But we’ll talk about that later. He has high hopes for the Bhutan film, made with his longtime friend Bill Juriss, a film he began after gaining special permission from the queen of England, who governs the region but strictly curtails tourism and outside interference with the Tibetan Buddhist culture.

“The film is an existential confrontation with a culture that believes very differently than we do,” Keen says. “It’s an effort, really, to see myself in the mirror of their culture and to see them in the mirror of our culture.

“We visit the monasteries and talk to the monks, and we talk to the road workers and the lowest members of society. We ask them what their religious practice means to them, comparing what a religious system is on the ground vs. what it is in the textbooks. Turns out, most of them have never heard of the Tibetan Book of the Dead and all those esoteric things they talk about in Marin County. Everybody isn’t sitting around the temple, saying mantras and trying to chase their kundalini up their chakras. It’s very different than what we’d expect.”

Keen, who hopes to expand the film into a series, hopes it will run on PBS sometime in 1998.

The conversation now shifts to the subject of love. “Love,” he laughs appreciatively at the very mention of the word. “The morning and evening star! Let’s talk about love!”

In To Love and Be Loved –or, as Keen emphasizes it, “the love book”–he examines the meanings of love and loving, separating them from traditional notions of romance and intimacy. “Ninety-eight percent of the books out on love are about intimacy, about sex, about marriage,” he says. “Of these, about 91 percent are saying the problem’s just communication, men speak Martian or something stupid like that. The American obsession is with intimacy and the assumption that if we could just get this intimacy thing working, then all our love problems are solved.

“It isn’t so,” he exclaims. “If you’re asking how to achieve more intimacy, you’re asking the wrong question. Passion and love have nothing to do with intimacy. Somebody who wants their life to be rich in love has to first ask the question, ‘How do I become a loving human being?’ That’s a very different question than ‘How do I get the love I need?’ or ‘How do I hold on to the love I need?’

“So with the love book,” he continues, “I’m trying to take the word love and really dig into what it means. To bring out the importance of wonder in love, of admiration. The word for admire comes from admirari, meaning ‘to look at, to wonder at.’ So you can say, ‘What is wonderful about you is not what you are, but that you are.’ That’s unconditional love.”

Keen stands up, stretching his arms out to the side.

“Now,” he grins, “talking about love  … would you like to see that trapeze? It’s love. It’s my love affair. I fly about five days a week.”

A few years back, at the age of 62, Keen indulged a lifelong desire to run away with the circus by enrolling in trapeze classes at San Francisco’s School of Circus Arts, becoming the oldest student the school had ever taken on. He immediately saw the potential for the trapeze as a method of working through issues of trust and fear.

After obtaining the rig now towering above him in the grove, Keen began hosting groups of at-risk teens and women from drug and abuse recovery groups, working with professional trapeze artists to coax the often nervous women through the process of swinging out into space and letting go, and letting someone–usually Keen, hanging upside down from an opposite swing–catch them in mid-air. Two months ago, one such women’s group included Sarah Ferguson, the duchess of York, filming her terrified attempts at the trapeze for last month’s televised special, Adventures with the Duchess.

“She finally let go and flew,” Keen says proudly, beginning his 30-foot climb up to the first platform. “And I did catch her,” he adds.

“The trapeze gives you a chance to become a connoisseur of fear,” he shouts down from the ladder’s peak. “If you don’t have some fear up here, you’re in some kind of trouble. You could break your neck.

“Want to see me fall?” he grins. Taking the bar of swing with both hands, Keen leaps forward, sailing up and out above the ground, with the spider web-like safety net stretched out beneath him. “The most important thing to learn is the right way to fall,” he shouts. “That’s one of the metaphors for life, love, you name it. So this is swinging. And this,” he says, “is falling.”

Sam Keen lets go and hangs happily in the air for one split second, and then gravity returns him to the net. Immediately, he bounces up from the fall.

“I love that,” he beams.

From the Dec. 11-17, 1997 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Sierra Club

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Fresh Prince


No Apologies: Since taking the helm of the nation’s largest environmental group last year, 24-year-old Adam Werbach has helped recruit a younger legion of activists.

Photo by Michael Amsler



The Sierra Club’s young president Adam Werbach heralds a new charge for environmentalists

By Kelle Walsh

“I wish I could mint time,” Adam Werbach mumbles as we nearly trot from the Sierra Club national offices in downtown San Francisco to Yerba Buena Gardens. It’s a phrase he will utter again before I leave him, and one gets the feeling it is something he tells himself often.

As the president of the nation’s oldest environmental organization, Werbach has his hands full.

His election last year at age 23 sent shock waves through the club’s 600,000-member guard, many of whom came on board before Werbach was even a thought. Perhaps more challenging than overcoming the stigma of his age, however, is his charge of turning this old barge into a battleship ready to take on the environmental threats of a new millennium.

As the president of the nation’s oldest environmental organization, Werbach has his hands full. His election last year at age 23 sent shock waves through the club’s 600,000-member guard, many of whom came on board before Werbach was even a thought. Perhaps more challenging than overcoming the stigma of his age, however, is his charge of turning this old barge into a battleship ready to take on the environmental threats of a new millennium.

I’m just trying to keep up with him. Like most 24-year-olds, Werbach has tons of energy. Bounding down Mission Street in jeans and a well-fitted herringbone jacket thrown over a cotton tee, he could be any young career climber making a run to the espresso cart. And from casual conversation, one would never guess that this soft-spoken, almost shy, gentleman could be at any moment fielding calls from Egypt or the White House to discuss environmental policies that influence the entire planet.

Needless to say, for Werbach, there’s little slowing down. Early last week, he had worked 13 days straight, and was scheduled to leave for Asheville, N.C., the next morning. To his credit, despite a frenetic schedule, Werbach made himself available to this reporter as he has often done for both the media and the public.

Indeed, one of many legacies Werbach will surely leave behind is his accessibility. Since taking office in April 1996, he has visited almost every local chapter of the Sierra Club, veering back and forth across the nation like a mascot migratory bird.

Werbach’s new book, Act Now, Apologize Later–a 300-page treatise filled with recollections, fairy tales, and some rather scathing reviews of environmental and social faux pas–is rife with stories of grassroots efforts and the characters who make up the ranks of local Sierra Club chapters. “From rural priests to animal trackers, from a 12-year-old girl in California to three elderly women in Georgia, from senators to surfers and from Woody Harrelson to llama riders, an incredible array of people give us a thousand reasons to be hopeful,” he writes.

Werbach himself will certainly go down in history as one of those memorable characters. He started the now 30,000-member Sierra Student Coalition as a precocious high schooler, and watched it grow into a powerful activist force during his years at Brown University. He has held audiences with both President Clinton and Vice President Gore, and was hand-picked by David Brower, probably the most influential environmentalist of our time, to head the Sierra Club.

“One of the biggest problems we face right now is not that people don’t understand the issues; it’s that [they don’t believe] they can actually do something themselves,” he says, sitting forward excitedly. “And the strongest message of this book, hopefully, is that real people can do it, even this lanky, 24-year-old kid.”

WERBACH’S ascension to the Sierra Club throne last year heralded a new era for an organization often associated with aging upper-middle-class white folks with lots of time on their hands and a bankroll to support their causes. His mission was to reinvigorate the organization, make it more attractive to young people, and gear up for a new millennium very different than when John Muir started the Sierra Club more than 100 years ago.

According to Werbach, it’s working. Since assuming the presidency, the organization has seen its average member age drop from 42.7 to 37.2–a change Werbach says “is huge to me.” Additionally, now more than half of the Sierra Club’s national board members are under the age of 40. The organization has also become more visible on college campuses than ever before; it deftly utilizes the World Wide Web and media-savvy projects with high-profile support from the music and film industry elite. The Sierra Club is even releasing a benefit CD, and next year will hold Sierra Training Academies at a record 16 sites to train top youth leaders of environmental causes.

But what Werbach has brought to the Sierra Club is not all about youth–something that is easily forgotten in the hype surrounding his age. The Sierra Club has in the past year lobbied hard for the passage of two clean-air standards; ushered through Congress a restoration bill for Yosemite National Park in the wake of last winter’s devastating floods; and formed unheard-of alliances among hunters, fishermen, ranchers, and religious groups with whom Werbach says the club shares many of the same concerns.

And keenly aware of the eyes upon him, Werbach notes that many of the Sierra Club’s actions this year haven’t been only important environmental successes, but evidence of a changing direction for the organization. “Our major campaign over the summer was clean air, and that’s including all of our resources in the Sierra Club to protecting clean air,” he says. “People may say, what do you mean [making this] our No. 1 priority? The Sierra Club cares about mountains and trees and birds. Well, we care about people, and we care about people first.”

The protection of the 30,000-acre Sterling Forest on the border of New York and New Jersey bears witness to the Sierra Club’s position on more people-friendly projects, Werbach says. “It helped us redefine a position that we are heading in because what we argued was not that it was an important wilderness project, but that it protected the watershed for 2 million New Jersey residents and is also a great recreation area for people from New York City to let off steam.”

But other recent Sierra Club actions seemingly indicate a dichotomy at work far from the “Sterling Forest path” of which Werbach boasts. Arguments made in the club’s name on immigration and high-profile restoration projects, for example, have drawn heaps of criticism as being particularly unyielding to human interests.

The club’s upcoming vote on whether to take a position on national immigration policy has generated charges of racism and classism from both within and outside the organization. Werbach is sensitive to such criticism, shaking his head angrily when asked why the Sierra Club would take any position on immigration. “We shouldn’t be,” he says. “It has to do with population control, birth control … but I’m more concerned about the refrigerator every family has contributing to global warming!”

The club’s current policy states that it will take no position on immigration levels or national immigration policy. In just the past month, 1,600 members signed a petition for a ballot initiative to change that position–a move that would require approval of the entire membership. It’s a topic that obviously makes Werbach uncomfortable. Genuinely enthusiastic about his job, he appears a little shaken by a gnarly controversy over which he has little control and one that directly challenges the “happy environmentalist” image he promotes.

Administratively, Werbach has attempted to tackle one of the oldest criticisms lobbed against the club: that it appeals to primarily white, educated people of means while ignoring the real-life problems of urban and rural minorities. He disagrees with the recruiting methods proposed by the Diversity Project the club initiated in 1990 to attract members of color. Instead of just getting people to meetings, Werbach says, “you need to change your agenda and make it reflective of people’s needs.”

More urban outings, and an organizing effort in the rural South to help residents fight environmental challenges, will make the Sierra Club useful to a greater diversity of people, he says.

Perhaps more controversial to some environmentalists and recreationalists who more often than not lean “green” is the club’s controversial position advocating the draining of Lake Powell in Page, Ariz., to restore the submerged canyon to its natural state. The 186-mile lake created in 1957 with the building of the Glen Canyon Dam has since become the nation’s second most popular camping destination, pumping an estimated $500 million into the economy of the town of 8,200 residents. In addition to supporting a diverse ecosystem, the lake also serves as a water bank for flood control and supplies hydroelectric power and water for Phoenix, Las Vegas, and Los Angeles. It also provides jobs for some 1,200 Navajos who work at the Navajo Generating Station, which could fold if the lake were drained. The Navajo Nation has joined an army of opposition to the Sierra Club’s position.

Other opponents contend the young Werbach, who defends the position adamantly, is being used as a puppet by his mentor, former Sierra Club Executive Director David Brower. Brower, who was at the helm when the dam was built, has since said that not fighting the dam, and the subsequent development of Lake Powell, is a lasting regret he wants to see righted. At 84, there is a sense of urgency to Brower’s mission.

Werbach grins and looks down at his hands when asked about Brower’s influence in his decision to bring the issue to the board of directors’ attention. “That’s cute,” he says quietly. He pauses. “But in the end, does it really matter what my motives are for it if it is the right thing to do? And that’s where I come down. I mean, I can tell you, the first time I heard about it was not through David Brower, but through [author and environmentalist] Edward Abbey. And I don’t care what they say.

“It’s the difference between strategy and goals,” he adds. “On goals, there’s no way to compromise or minimize them or to change them in any way. Your strategy can be incremental, your strategy can be peacemaking and building, but it can’t affect your goals. Draining Lake Powell is the right thing to do, so it’s the right thing to do. I’m sick of people saying it’s too hard, why don’t we ask for something half-way down. No. No.

“You ask for what you want,” he adds, “and then you get people to get there.”

WHILE SOME LONGTIME members of the organization might shudder with the increasingly social and political stance the club is taking, Werbach is unapologetic. “John Muir said, ‘When you pick up anything by itself you find it hitched to almost everything else in the universe.’ There is no way we can ignore social issues,” Werbach says.

“We’re not a junior politicians’ league. It’s not our job to be liked by everyone,” he adds. “It’s our job to be clear that we’re justified in what we’re doing. But sometimes we’re going to make someone angry.”

He openly laughs at what he calls the “green-washing” efforts of companies like Ben & Jerry’s that make 1-percent donations of proceeds to environmental causes, and consumer-friendly guides like 50 Ways to Save the Earth. When asked about the Clinton administration’s environmental record, he spits, “It’s like putting out a house fire with a squirt gun.

“When I took this job, the past president, David Cox, took me aside and said, ‘Don’t get frustrated during your years; just remember that when you’re trying to do something right, it’s easier to ask for forgiveness than permission,'” Werbach tells me. It was good advice, he says. Coming as a cub into an organization with more than its share of growling old cats, he had to learn quickly that it was sometimes better to act, then listen. Hence the title of his book, Act Now, Apologize Later.

“I’ve spent every waking hour as an environmentalist fighting fires,” he says. “[Glen Canyon] is a step forward. This is how I’m going to say to my kids that during my lifetime I made things better than they were before.”

From the Dec. 11-17, 1997 issue of the Sonoma County Independent.

© Metro Publishing Inc.

The Scoop

Shady Deals

By Bob Harris

THIS SPACE predicted over six months ago that Elizabeth Dole would run for president in 2000. Why? Because Bob Dole has never made a habit of giving a political favor without collecting something in return. And in accepting $300,000 from tobacco lobbying firm Verner, Liipfert and forwarding it to Gingrich only six days later, Dole took a tremendous (and so far successful) risk that both his and the GOP’s mythical high ground on shady campaign fundraising might be lost for good.

What might Dole want from Gingrich in return for saving Newt’s career? Bob Dole’s own political career is over. The only imaginable incentive is Gingrich’s support in rallying the conservative wing of the GOP to Liddy’s cause.

Wild speculation? Nope. Check out Liddy’s personal staff: a bunch of Bob’s campaign organizers are now working for the Mrs. over at the Red Cross. There are exactly two possible reasons for this: either (a) there’s a sudden need for Republican fundraisers in Third World war zones, or (b) Liddy’s doing groundwork for her own run at the White House.

Early money is key in national campaigns, because election-year contributors rarely fork over for a candidate who’s already behind. That’s why Dan Quayle began his campaign for 2000 before ’96 had even ended. That’s why Bob Kasich, Lamar Alexander, Steve Forbes, and the rest of the white shirts are already visiting Iowa and New Hampshire.

And that’s why, three years before the 2000 elections, Bob Dole has already begun stumping for Liddy.

Just as Meet the Press received major media attention for its 50th anniversary, Bob Dole went on the show and pointedly stated that the Republican Party should consider putting a woman on the ticket in 2000. Why? Dole gave two reasons: (a) to reduce the “gender gap,” wherein women vote by large margins for Democratic candidates, and (b) because “I’ve still got one chance to get there–if Elizabeth runs.”

Dole also added, unsurprisingly, “I think she is certainly qualified.”

Oh, really?

Elizabeth Dole was secretary of labor for a while, secretary of transportation another time, and currently runs the American Red Cross. She also did a nice impression of Oprah at the convention in San Diego.

Swell.

Now remember that Liddy has never stood as a candidate for public office, much less actually raised campaign funds or won an election. Never mind the guys; Elizabeth Dole isn’t even the GOP’s best-qualified woman. Off the top of my head, New Jersey Gov. Christine Todd Whitman has been a prominent and consistent electoral winner, as have Maine Sens. Susan Collins and Olympia Snowe. There’s also Sen. Kay Bailey Hutchison, R-Texas; former labor secretary and congresswoman Lynne Cheney, R-lll.; and pothead-turned-anti-drug-congresswoman- turned-CBS-talking-head Susan Molinari, R-N.Y.

Aw heck, even Rep. Helen Chenoweth, Lunatic-Idaho, who spouts militia-inspired nonsense about black helicopters, U.N. internment camps, and the environmental movement as a plot to enslave Americans, has won more actual elections than Elizabeth Dole.

Obviously, if Liddy wasn’t married to Bob, there’s not much chance she’d be in the race. Which means Liddy is an intelligent, articulate, telegenic woman whose main qualification for the White House is that she occasionally sleeps with a famous politician.

If that’s political progress for women, Bob Dole and the GOP still have a lot to learn.

This column also predicted in May that Newt would support Liddy’s campaign sometime after the 1998 midterm elections, when the memory of the tobacco payoff will presumably have faded.

That’s still a year away. Let’s keep an eye on Newt and enjoy the show.

From the Dec. 11-17, 1997 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Wine Gifts

0

Runneth Over


Jug of Wine & Thou: Sometimes that ain’t enough–but a $9.4 million ranch will do.

Photo by Michael Amsler



Gifts for sippers, swillers, swirlers, and other imbibers

By Bob Johnson

HAVE YOU EVER noticed how certain colognes smell wonderful on some people, but ghastly on others? The same is true of wine. And while we’re not suggesting you pour wine all over your significant other and start sniffing (although you certainly wouldn’t be the first to do so), we’re talking about the taste of wine. A glass of fine Sonoma County cabernet sauvignon may taste fruity and vivacious to one imbiber, but sour and harsh to another.

Who’s right? Both are. Like scent, wine is a very personal thing, which makes buying a bottle of wine for a business associate, friend, or even family member a real conundrum. Complicating the situation is today’s wine marketplace, in which price doesn’t always equate with quality. There are some absolutely dreadful bottles of wine–especially of the imported variety–that cost more than $30, and some surprisingly delightful bottlings that can be had for less than $10.

So what’s a holiday shopper to do if there is a wine lover on his or her list? We wouldn’t go so far as to suggest not purchasing wine, but if buying a bottle is your route of choice, negotiate it with care: Find out exactly what kind of wine the person enjoys–winery, varietal, and vintage–and buy that specific bottle.

If you’d prefer that your choice of a gift be a surprise, a number of other wine-related options are available. The shopping list below includes ideas both for people on a tight budget and for those for whom money is no object.

Cook ’em, Dano: The Robert Mondavi Winery has published a compact booklet containing appetizer recipes for antipasto prawns with button mushrooms and red onions, scallops wrapped in pancetta, and other delectable appetizers. Each recipe is accompanied by an appropriate wine recommendation–featuring the Mondavi line, of course–and each booklet has a string tie, making it ideal for placing around the top of a wine bottle or attaching to another gift. The winery is offering up to three booklets per person, free of charge, while supplies last.
Robert Mondavi Winery, P.O. Box 106, Oakville, CA 94562.

Screen Dreams: Sutter Home Winery has created four humorous wine-themed computer-screen savers and is offering them free to anyone with a machine capable of downloading them. Three are animated. The one that isn’t shows two men wearing antlers, about to square off over a glass of red wine. The caption reads: “Under two bucks, a glass.”
For downloading information, check out the Sutter Home website. Windows NT, ’95, or 3.11 operating software is required.

Save (Part of) a Tree: If you’ve ever accidentally pushed a cork down into the wine when trying to open a bottle, you know how frustrating it can be to retrieve. The solution: a unique pronged tool called the Cork Retriever ($9.99), which enables the user to snatch the cork before it harms the flavor of the wine.
If your favorite wine shop doesn’t carry it, call 417/883-4066 to order.

Days of Our Lives: Fetzer Vineyards in Hopland offers a full-color 1998 calendar featuring a dozen gorgeous vineyard and winery scenes.
$9.95, plus $2 postage. Ordering info: 800/846-8637.

Dum, Dum, Dum: Red Wine for Dummies ($12.99) is another in the series of business and general reference books from Dummies Press, the people who brought you DOS for Dummies. Each entry in the book, written by Ed McCarthy and Mary Ewing-Mulligan, contains just enough information about the topic to inform without boring wine novices.

Collectibles: If you’ve been a fan of Lytton Springs wines over the years, please note that the 1994 Sonoma County Zinfandel ($16) will be the final bottling bearing the Lytton Springs name and label. The winery was purchased by Ridge Vineyards a few years ago, and the Lytton Springs brand is being phased out. Buy it at the Healdsburg winery, where you also can purchase older Lytton Springs vintages. One of my all-time favorite wines, the 1985 Lytton Springs Reserve Zinfandel, is still holding up well and selling at the winery for $35. And Healdsburg’s Dry Creek Vineyard has released its 25th Anniversary Cabernet Sauvignon, a special limited-edition bottling from the 1994 vintage, featuring a classy silk-screened label.
Ridge-Lytton Springs Winery, 650 Lytton Springs Road (433-7721); Dry Creek Vineyard, 3770 Lambert Bridge Road (433-1000).

Wall to Wall: Dozens of Sonoma County wineries offer posters that depict either the wineries themselves, their vineyards, or both. Gundlach-Bundschu Winery in Sonoma carries a line of humorous posters created for the Sonoma Valley Harvest Wine Auction; some of them are also available as postcards. Armida Winery in Healdsburg has just released its first winery poster and also sells a number of vineyard scene posters. Prices vary.
Gundlach-Bundschu, 3775 Thornsberry Road (938-5277); Armida Winery, 2201 Westside Road (433-2222).

Land Ho!: Actor James Garner has put his 400-acre Southern California ranch, which includes 22 acres of chardonnay vines, on the market. The property–located in the bucolic Santa Ynez Valley north of Santa Barbara–also features a six-bedroom, 8,000-square-foot house, with a temperature-controlled wine cellar; a three-bedroom manager’s house; a four-stall barn; a croquet court; koi ponds; and a reservoir. All for only a cool $9.4 million.
For information on this monstrous holiday gift, call T. Hayer & Associates in Solvang (805/688-9300).

From the Dec. 11-17, 1997 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Talking Pictures

0

Record Breaker


Peter C. Cook

Goo goo gaga: Robin Williams absents his mind from ‘Flubber.’

Just how many fart jokes does it take to make ‘Flubber’ a winner?

By David Templeton

David Templeton takes interesting people to interesting movies in his ongoing quest for the ultimate post-film conversation. This time around, he phones up Mark Young–editor of The Guinness Book of World Records–for a bouncy discussion of the slapstick comedy Flubber.

MARK YOUNG has a cold, which leads him to mention that the world record for consecutive sneezes is held by Donna Griffiths of Pershore, England, near the place where the British-born Young grew up.

He explains this almost immediately after answering the phone at the Connecticut offices of the Guinness Book of World Records, of which he is publisher, editor, and CEO. “She sneezed for well over two years,” he informs me. “Something like that. Quite a long time.”

Nine hundred and seventy-eight days, to be exact. That’s according to the gleaming new 1998 edition of Guinness’ fanciful record-breaking tome (Guinness Publishing; $24.95), in which the exhausted Griffiths is said to have logged more than a million sneezes in the first year of her epic nasal snit-fit–establishing a record that has been unbeaten for 15 years.

And 15 years is about how long it felt to sit through a recent screening of Flubber, Disney’s dreadful, mean-spirited remake of The Absentminded Professor. The new film stars Robin Williams as the brilliant but forgetful inventor of flubber, a weird, bouncy glob of gunk that is possessed with unstoppable energy; the eponymous substance causes cars to fly and allows basketball players to leap from one end of the court to other.

Flubber can even be ingested and expelled, flatulently, as is demonstrated by a snarly bad guy in what is surely the most outrageous fart joke in the history of cinema.

The goo is violent, too. Applied to a bowling ball, the go-getting glob bounces thousands of feet in the air, never losing momentum even after crashing (repeatedly) onto the skulls of weapon-wielding thugs.

Thump!

“I sat there thinking, ‘You gotta be kidding me,'” says Young (who might qualify for his own book as the “only living Englishman who has never seen either the TV series or the movie of Bean,” a similarly low-brow brand of slapstickish mayhem). “I mean, I like slapstick,” he insists. “It’s a very English kind of thing. But a guy being hit with a bowling ball from 20,000 feet … The first time I suppose you could say it was cute, but five times?”

“What is the record for most times being hit by a bowling ball?” I wonder.

“If it exists,” Young shoots back amiably, “I don’t want to know about it.”

Now that we’re on the subject, the movie Flubber–were it a documentary of a serious scientific discovery–could be seen as a veritable parade of world records being broken one after another: the bowling ball, certainly; the first flying car; the longest jump through a basketball hoop.

And the flimsiest excuse for missing your own wedding.

“Right,” Young laughs. “What did WIlliams say? ‘I’m only absent-minded because I love you so much.’ That’s why he missed his wedding three times. Tell you what, I’m gonna try that one on my wife, you try it on yours, and let’s see what happens. That’s when the bowling ball will come into play for us, no doubt,” he adds.

“Flubber itself, the invention, would qualify for Guinness, wouldn’t it?” I ask.

“Oh yeah,” he affirms. “We certainly have lots of entries for science; the lowest coefficient of friction, the smelliest substance, and all this kind of business. That is an area where we find more and more interesting things. In fact, somebody–we just found out recently–has made the world’s smallest guitar out of subatomic particles. It’s a nanometer long or something.

“Wait a minute,” he interrupts himself. “I want to go get a copy of the book. I gave mine to Kenny G this morning.” The famous soft jazz saxophonist had met with Young and other Guinness officials to establish the world record for the longest sustained note on a musical instrument. His record: over 45 minutes.

“Here it is,” Young says on returning. “Page 181. ‘Harold Craighead and Dustin Carr of Cornell University sculpted the “nanoguitar” out of a single crystal of silicon. The guitar measures 10 micrometers long, about the size of a human blood cell.’ These guys must have had nothing to do that day.”

“Back to the bowling ball,” I say, “is there anything about ‘most bounces by a 10-pound ball’ or anything?”

“There are plenty of pogo-stick records, that’s for sure,” he replies. “We used to have the largest rubber-band ball, but I don’t think we have that anymore.” He admits that a flubberized bowling ball would easily rate a mention in the book.

“Though I’m not sure I’d put it in,” he sighs. “I just personally disliked that whole scene so much that maybe I would just use my line-item veto and just say no.

“I don’t know how principled a character I am,” he continues, “but that scene did bug me. Today, we’re bombarded with so much violence that we’re not quite sure what the line is anymore. God, I’m sounding so preachy here, but in Flubber there was a real crudity to all the head whacking. There was no style to it.”

“Oh, come on,” I insist. “There was style to that flubberized fart scene.”

“We’ve never seen anything like that before, have we?” he chuckles. “You’re right about that.”

“Does that mean it qualifies for the book?” I wonder.

“Hmmm,” Young ponders. “I suppose we’ll just use the line-item veto on that one as well, don’t you think?”

From the Dec. 11-17, 1997 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Spins

0

Latin Beat


Cuba is Smokin’: All roads lead to the Caribbean hot spot.

Hot sounds from Havana

Buena Vista Social Club
Buena Vista Social Club
(World Circuit/Nonesuch)

Papi Oviedo
Encuentro entre Soneros
(Candela/Tinder)

THOSE LUSH LATIN SOUNDS continue to inform pop music–witness the south-of-the-border charm of Paul Simon’s new Songs from the Capeman (Warner Bros.), the score to Simon’s acclaimed Broadway musical and the folk-rocker’s first new release in seven years. But don’t miss the opportunity to go directly to the source, especially since Latin music has never been more accessible.

Case in point: Ry Cooder’s stunning Buena Vista Social Club, one of a marvelous series of recent Cuban music discs from the folks at World Circuit/Nonesuch. While most recordings of Cuban musicians have filtered through Mexico in recent years, the U.S. economic sanctions against that Communist Caribbean country actually do not cover musical recordings. And the increasing stateside interest in musicians from the isolated island nation has led the Castro government to invest in a state-of-the-art studio, making it easier to produce high-quality recordings on-site. Guitarist Ry Cooder has taken full advantage of that situation, rounding up many of the country’s finest players, including 77-year-old pianist Ruben Gonzalez, one of Cuba’s national treasures. The result is refreshing and sensuous. “In Cuba, the music flows a river,” Cooder comments in the liner notes. “It takes care of you and rebuilds you from the inside out.” He has created a remarkably warm ensemble that evokes the simple pleasures of hot summer nights whiled away with friends at, well, a social club. Think slow ballads laced with plaintive guitars, trilling trumpets, and lilting rhythms.

On the local front, Rohnert Park-based Tinder Records has launched its Latin Candela subsidiary with a series of some sizzling salsa and an absolute gem from Papi Oviedo y sus Soneros. It features the renowned Cuban musician Papi Oviedo on tres guitar, a contagious acoustic Latin instrument that employs three pairs of specially tuned strings plucked with a plectrum of tortoise shell. Combining traditional Cuban songs with a bluesy sensibility and gyspy guitar riffs, Oviedo’s music is charged with energy and brimming with vitality.
GREG CAHILL

The Aquamen
Do Thee Alkeehol! [and Other Hits]
(Aquatone)

NOT THE AQUA VELVETS, not the Aquabats, it’s the Aquamen. The San Francisco band fell off the wagon of traditional surf music long ago, staggering around the stage in suits, striking metal poses, yowling in staccato outbursts. The band’s unique blend of spastic surf “intoxica” channels the spirits of the Jon Spencer Blues Explosion, Man (or Astroman)?, and Dean Martin in a boozy séance. Main topics of choice: sucking ’em up (“Gin and Tonic,” “Jose Cuervo,” “Wild Turkey”), dancing up a storm (the explosive “Do Thee Alkeehol”), and some non-alcoholic selections (“Cuz Yo a Woman,” “Beans and Rice,” “Panty Raid”). The fellas claim to have tossed back more than a few while they recorded the album, and the result can be heard in a smattering of overeager timing mistakes. But so what? The Aquamen bring out the “happy drunk” in all of us.
TODD S. INOUE

Rop Style
You’re Gonna Dig This
(Self-released)

THE LATEST TAPE of turntable trickery from Pee Chees/Lefties bassist Rop Vasquez is a distinctly lo-fi affair. Rop cuts up a menagerie of samples on a shorted-out tape deck that allows him to flip left and right channels with a flick of a switch. Rop’s basement tapes are flavorful and DIY. Even better, he has an upcoming tape devoted to scratching indie-rock .
T.S.I.

Sherri Jackson
Sherri Jackson
(Hybrid)

SINGER AND STRING instrumentalist Sherri Jackson is like Alanis Morissette injected with melanin–well, not exactly, but on Sherri Jackson, the neo-folkie’s breathy vocals do recall the Canadian’s throaty style. Jackson’s lyrics, however, are a little more literate. “Ain’t That Good” reads like a finely wrought novel, evoking post-Irangate paranoia. Indeed, Jackson’s debut defies hoary stereotypes. Like soulmates Joan Armatrading and Tracy Chapman, she sounds more like a sister raised in Bel Air than in the Bronx–good diction, as Malcolm X would put it.
NICKY BAXTER

From the Dec. 11-17, 1997 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Medical Marijuana

0

Medical Marijuana

By Greg Cahill

WITH LITTLE FANFARE, the Marin County Board of Supervisors last week approved a plan to issue certificates to help patients verify that they are authorized to cultivate, possess, and use medical marijuana.

Starting next month, Marin’s Department of Health and Human Services will provide a Certificate of Independent Verification for $25 to any county resident who brings a note from an approved physician confirming that marijuana has been prescribed for use under the State Health Code.

The innovative program, which will be administered by Marin County Health Director Thomas Peters, is designed to protect the medical records of patients and prevent legitimate medical marijuana users from being forced into the criminal-justice system as they are under the newly adopted Sonoma County guidelines. It is modeled after a certificate program first developed in Arcata in Humboldt County. A similar program is set to go into effect next month in Santa Clara County.

“Officers will still have to use their best judgement in some cases,” Mike Gridley, Marin’s chief assistant district attorney, told the Marin Independent Journal, adding that the program should provide a quick and easy way for law enforcement officers to determine if a person legally possesses pot. “I would suspect that if a person is growing 500 plants, a certificate is not going to convince the police that the marijuana is for that person’s use.”

The certificate program has the blessing of state Attorney General Dan Lungren, a staunch opponent of Prop. 215, since the program doesn’t sanction a Cannibas Buyers’ Club. Lungren still objects to the legal distribution of the weed through private clubs.

From the Dec. 11-17, 1997 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Rage Against the Machine

0

Smells Like Gun Grease


Rage On: You don’t have to agree with their radical politics to appreciate the raw power of Rage Against the Machine.

Rage Against the Machine keeps ’em honest

By Sal Hepatica

DROP DA BOMB! It’s only fitting that the year started with a big musical bomb–U2’s disappointing and much overhyped POP! album–and ended with the explosive eponymous video release by Rage Against the Machine, the L.A.-based metal band that not only has inherited U2’s vaunted crown as rock’s reigning political force, but also upstaged their Irish counterparts as an opening band at this year’s otherwise disastrous POPMart tour.

Fueled by dreadlocked singer Zack de la Rocha’s angry lyrics–including such screeching, expletive-driven tirades against the ills of American society as “Killing in the Name” (with its anthemic refrain “Fuck you, I won’t do what you tell me”) and “Bullet in the Head”–and Tom Morello’s buzz-saw guitar, the Grammy-winning RATM is an alternative media forum bristling with rebellious political polemic and supported by CD sales, concerts, and its own Propaganda Network web site.

These aren’t angst-ridden, suburban youths whining that they’re misunderstood. These are fiercely angry young men who align themselves with the Zapatista rebels in rural Mexico and demand the release of jailed American Indian Movement leader Leonard Peltier and death-row inmate Mumia Abu Jamal.

And they have credentials. During the ’50s, Morello’s father fought British colonialism in the bloody Mau Mau uprising in Kenya, his uncle Jomo Kenyatta was the first elected president in that East African nation, and his mother was a driving force behind Parents for Rock and Rap, an organization that has fought censorship in the music business.

At a time when music biz execs are crying in their expense account receipts about sagging record sales–as if anyone with half a brain is perplexed that the cookie-cutter alt-rock flooding the stores fails to excite–RATM has shown that the major labels can stand by their guns and sign bands with the power of their convictions.

RATM has that in spades. Sure, there are those detractors, and the Web is filthy with their chat, who find contradictory that a metal band–capable of crossing over to both white rock and black rap audiences, and signed to a corporate label–can rail against the machine, what the band itself defines as “the overall corporate capitalist bureaucracy that we are trained to obey from birth.”

RATM admits that some alliance with the corporate world is necessary to connect with the widest possible audience. Still, the band has not diluted its message. That’s good news for those who complain that modern rock is more often defined by style and fashion–from the flannel-clad grunge of Pearl Jam to the spiky-haired retro posturing of Green Day–than the aggressive assault on the status quo that has marked the best rock, from Chuck Berry to the Sex Pistols.

RATM–the band–has distilled anarchic defiance into a potent brew that shakes comfortable conventions and rattles nerves. Rage Against the Machine–the newly released 70-minute video from Epic Music Video–captures the band in all its ragged glory. RATM grinds its way through 15 segments that feature mostly live concert footage shot over the past four years, including the 1994 Pink Pop Festival in which a silver-haired grandmother introduces RATM as “the best band in the fucking universe!” The video comes with a CD single of the band covering “The Ghost of Tom Joad,” Bruce Springsteen’s post-folkie tribute to John Steinbeck’s Depression-era homage The Grapes of Wrath.

A half dozen “uncensored” video clips–liberally sprinkled with the F-word–juxtapose studio shots, subliminal messages, and staged scenes depicting the Mexican revolution and the 1973 FBI firefight at Pine Ridge that led to Peltier’s arrest.

All this rage has made RATM a target of the establishment the band fights in song. In September, a local sheriff in Washington state went to court in an attempt to block the band from performing at an amphitheater in George, Wash. In his complaint, the sheriff called the group “militant, radical, and anti-establishment” and alleged that RATM’s songs sport “violent and anti-law enforcement” themes. The show went on anyway, with a beefed-up security force busting 90 fans for a variety of minor drug- and alcohol-related charges.

In the end, despite the attempt at censorship, de la Rocha got the last word. He kicked off the show with a blistering rendition of NWA’s incendiary “Fuck Tha Police.” Citing civil-rights groups that estimate 80,000 cases of police brutality each year, de la Rocha later charged: “There ain’t nothing more frightening than [a cop] with political aspirations. We take it as an insult that he calls us violent, because everybody knows the police are out of control.”

From the Dec. 11-17, 1997 issue of the Sonoma County Independent.

© Metro Publishing Inc.

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