Dog Pound

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Dino Dung

Hey, what’s your specialty?

By Mad Dog

IF IT’S EVER CROSSED your mind for even a moment that we’re in the age of specialization, you can put your mind at ease. We are. Doctors specialize in arcane branches of medicine like post-pediatric neuro-gastro-oncology, there are lawyers who make their living by handling only lawsuits against presidents (a lucrative field these days), and God help you if you take your aging Yugo to a mechanic who works only on new Chryslers. Face it, nowadays generalists are about as common as a guy who hasn’t put in for his Viagra prescription.

Take, for example, the recent news that scientists discovered a 150-pound chunk of petrified Tyrannosaurus rex manure. I’m not sure how they knew that’s what it was, since something makes me think it would look an awful lot like, say, a 150-pound hunk of dried mud. But somehow they knew. Probably because they called in Karen Chin of the U.S. Geological Survey, whom a newspaper article described as “the world’s foremost expert on the fecal remains of dinosaurs.”

Now there’s something to put on your business card: Karen Chin, Dino-dungologist.

There are a couple of ways Karen could have earned this title. The first is that she’s the only person who ever thought to chip off pieces of dinosaur dung and analyze them, making for pleasant dinnertime conversation with her husband. The second is that she just happened to have examined more pterodactyl pies than anyone else, which I don’t think would be difficult since most of us think that’s a dessert made by Entenmann’s.

Though we still prefer the Pecan Ring.

The third, and most likely, way is that she earned a liberal arts degree, then woke up the day after graduation thinking, “I don’t want to teach. I don’t want to be a teller in a bank. What else can I do with this degree?” and thanks to a quirky score on an aptitude test decided to go into the lucrative field of testing triceratops ka-ka.

The truth be known, she was probably the only one who responded to the offer on the back of the matchbook cover.

Contrary to what you may think, a degree isn’t necessary to become a specialist. Louis Johnson of Oakland, Calif., has turned himself into a cinema specialist by seeing Titanic 100 times–at the same theater, no less–and has the ticket stubs to prove it. This points out one of the chief hazards of specialization: you can become a very boring person.

Specialization knows no international boundaries. In Hoevelaken, a city in the Netherlands that translates as “Hoboken,” there’s a veterinarian named Mario Blom who opened a hospital that takes care of only sick fish. If you go online you can find the Airsickness Bag Museum, which shows and describes those little bags you always hope the person next to you on the 10-hour trans-Atlantic flight won’t have to use.

And believe it or not, there’s even a special holiday for those who think pie is something to celebrate rather than to eat.

THAT’S RIGHT. Every March 14 at 1:59 p.m. people all around the world who have no life celebrate the irrational number pi, more commonly known as 3.1415926535 and so on, carrying it out to more decimal places than Fox has disaster shows. They hold it on that day because March is the third month, it’s the 14th day … yes, you get the idea. Some of these people are so into it that they even celebrate 2 pi day on June 28.

Did I mention any of the hazards of specialization?

And finally, it turns out that specialization isn’t just a human thing. The National Highway Traffic Safety Administration (motto: “Cars don’t kill people. Guns fired out of car windows kill people”) has decided that those famous crash-test dummies are too generalized, so they’re going to make a whole family of them.

That’s why they’re in the process of designing a 6-year-old child dummy, a small woman dummy, a 3-year-old child dummy, an infant dummy, and a Dan Quayle dummy, which may be redundant but this is, you remember, a part of the federal government.

So keep all this in mind if you’re talking to your guidance counselor, looking for a new job, going through a midlife crisis, or watching Titanic for the 101st time. Generally speaking, a specialty is a good thing.

From the July 16-22, 1998 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Harvey

Hardly Harvey

Rob Dillion


SRT can’t pull a rabbit out of its hat

By Daedalus Howell

THERE IS A PHYSICS experiment being conducted during Summer Repertory Theatre’s production of playwright Mary Coyle Chase’s Harvey. Looming above the exit sign of the Santa Rosa High School Auditorium’s stage is a clock. Unfortunately, it seems to be there so audiences can witness, firsthand, time gradually slowing to a standstill under the influence of lackluster theater.

A whimsical (almost syrupy) comedy, Harvey follows the exploits of affable man-about-town Elwood P. Dowd, an avid social drinker with a genius for making friends. His quaint alcoholism aside, what really confounds his sister Veta and niece Myrtle is Dowd’s drinking buddy–the play’s title character–a 6-foot- tall rabbit visible only to the big-hearted loon.

Veta and Myrtle are understandably concerned about Dowd’s mental well-being and (perhaps less understandably) conspire to lock him up in a nuthouse. Meanwhile, perfunctory subplots develop between various minor characters (a bevy of one-dimensional psych-industry professionals) to fill out what is chiefly a philosophical treatise on healthy living with one foot firmly planted in the illusory.

Unfortunately, director Dan Kern chose this production to reveal an unusual faculty for taking a taut (and Pulitzer Prize-proven) script and insinuating his own brand of slack into it. Consequently, SRT’s Harvey develops into a protracted, listless experience with more missed beats than a one-legged tap dancer imperiled by spilled ball bearings.

William McNeil turns in an earnest and dutiful performance as Dowd, with nary a nod to James Stewart’s immortalization of the role in the 1950 film. McNeil should be applauded for forgoing an impersonation of the Golden Age actor (a common pitfall), but ultimately his performance comes across as uninspired and tepid–“understated” would be an understatement. Conversely, Terri Park invests herself so zealously into the role of the nattering, rein-tugging sister Veta that her performance practically demands a chorus of the proverbial phrase “less is more.”

As the social-climbing Myrtle, Hollie Martin effectively portrays the turn from the demure debutante beleaguered by her uncle’s preoccupation with his phantom rodent to the plotting, avaricious niece intent on using Dowd’s property for a real estate venture while he is bouncing off the psych ward’s rubber walls.

Mercifully stealing the show is Tim Sabourin as Dowd’s senior psychiatrist, Dr. William Chumley. Sabourin very nearly saves the ho-hum production with his superb expressions, antics, and comic timing and is a solid argument for human cloning. A whole cast of Sabourins would be marvelous.

Scene designer Eric E. Sinkkonen’s sets are decidedly subtle and successful re-creations of an upper- middle-class 1940s home (replete with wood paneling, fireplace, and vintage furniture) and an antiseptic mental hospital administrative office. However, the set seems possessed by a poltergeist: Opening night saw candlesticks leaping inexplicably from their holders and a telephone ringing after it was answered.

In the final analysis, SRT’s Harvey is like wading slowly into an episode of major depression. But, like Dowd’s bunny, the effects of the play can perhaps be expunged with a fistful of psychotropic medication.

Summer Repertory Theatre’s production of Harvey plays through Aug. 1 at the Santa Rosa Junior High School Auditorium, 1235 Mendocino Ave., Santa Rosa. Fridays and Saturdays at 8 p.m.; Sundays at 2 and 7:30 p.m. Tickets are $5-$11. 527-4343.

From the July 9-15, 1998 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Spins

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Woody Lives!

James Michin III


Agit-rocker Billy Bragg salvages lost Woody Guthrie masterpieces

Billy Bragg & Wilco
Mermaid Avenue (Elektra)

YOU CAN BET Bruce Springsteen would give his impeccably capped eyeteeth for this project. When folk legend Woody Guthrie’s daughter Nora–who runs the Woody Guthrie archive–went looking for someone to pen music to some of her famous dad’s unpublished lyrics, she made a wise choice by selecting British working-class hero Billy Bragg. On 15 tracks, agit-rocker Bragg breathes life into remarkably contemporary-sounding songs, teaming up with members of the alt-country unit Wilco. Natalie Merchant and bluesman Corey Harris also contribute to this stunning collection of raw, visceral folk rock, ranging from the intensely personal to the incisively satiric. But make no doubt about it, the star is Woody Guthrie, who died in 1967 after a long bout with a debilitating nerve disease. While Guthrie’s recording career was over, for the most part, by 1947, he penned hundreds of lyrics that never saw the light of day– until now. The plaintive “One by One,” a litany of sorrows (“One by one, my hair is turning gray/ One by one, my dreams are fading away”) is worth the price of admission alone. Prepare to be blown away.
Greg Cahill

Tom Waits
Beautiful Maladies: The Island Years (Island)

WHEN TOM WAITS signed with Chris Blackwell’s Island Records in 1983, his music took a dramatic turn from the folk/jazz-style he had established throughout the ’70s during his tenure with Asylum Records. His lyrics still dealt with the other side of midnight, but instead of beat raps and neo-Tin-Pan Alley-style musical accompaniment, he was now banging his tunes to the rhythm of a very different drummer– more aligned with Captain Beefheart’s avant-garde stew than closing time at the hep-cat lounge. This compilation pulls 23 barbed-wire tracks from the seven albums he recorded through 1993, from the personal apocalypse of “Earth Died Screaming” to the aching sentiment on “Downtown Train” to weary resignation on his enduring “Time.” As Waits readies his first album in five years for a new label, there are signs that it will signal a more rural direction, leaving Beautiful Maladies as closure for the second phase of his unique musical career.
TERRY HANSEN

Girls Against Boys
Freakonica (Geffen)

ELECTRONICA has already gone from the next big thing to no big deal, but the trend has made a lasting link with rock. Indie hardcore stalwarts Girls Against Boys willingly embrace rock’s electronic future on this major-label debut, but they do so with the middle finger of their own harsh and heavy guitar terms. There’s nothing fluid, ambient, or loopy in their keyboard parts and samples. Instead, synth pulses add thickness and conflict to what these guys do best, which is to stomp out ultra-tight riffs that are more about big metal than slacker punk.
KARL BYRN

Van Morrison
The Philosopher’s Stone (Polydor)

THIS TREASURE CHEST of rarities from 1971 through 1988 at once begs the question, “Why weren’t these released before now?” Many of the 30 songs on this two-CD set stand with Morrison’s finest work and in some cases surpass the previously released versions. For example, the newly revealed take of “Wonderful Remark,” originally found on the King of Comedy soundtrack, is an absolute masterpiece in this new context. Among the other chestnuts are “Laughing in the Wind,” featuring Jackie De Shannon on vocals, and “High Spirits,” recorded with the Chieftains. The traditional folktale “John Henry” gets a sweaty soul workout from Morrison, who refuses to let it go until he’s ready to drop at the end. The collection’s subtitle–“Unreleased Tapes, Vol. 1”–bodes well that more of these gems will see the light of day. By embracing his past, Van Morrison’s future recordings may again channel the inspiration of his transcendental early work found here.
TH

From the July 9-15, 1998 issue of the Sonoma County Independent.

© Metro Publishing Inc.

The Scoop

Solar Sense

Sun-powered energy is hot stuff

By Bob Harris

I LIKE TO THINK of myself as an environmentally friendly guy, but I’m really a massive hypocrite. Just to write these things, I use an enormous amount of electricity.

Between my computer and my Internet hookup and the radio on all day and the cable TV and the little vibrating thing I like to wear on my, uh, shoulders, I probably use almost as much electricity as the Florida justice system.

So I worry about where the energy comes from. Nuclear power? Too bad about those 100,000 years of toxic leftovers. Oil? Maybe, if they’d stop forging tanker hulls out of the captains’ leftover beer cans. And don’t even talk to me about coal. One of my grandfathers was a coal miner. He had lungs like a Brillo pad. When his hair went gray, he didn’t buy Grecian Formula, he just coughed on his comb.

Which is why I continue to advocate the development of more sustainable sources of power: wind turbines, biomass and geothermal generators, hydroelectric plants, and a national initiative to recapture the petroleum content of Cher.

Most of all, I’m rooting for solar power. Properly developed, solar power will be clean, cheap, and inexhaustible. In other words, pretty much what Clinton expected from his intern program.

(Sorry. Sometimes the punch lines just write themselves. That’s the only Lewinsky joke I’ll ever do, I promise.)

Unfortunately, so far you see solar power used only in really desolate, hopeless locations almost no one visits, like a remote pay phone, a billboard in the desert, or Magic Johnson’s late-night talk show.

(Speaking of which, have you seen the opening monologue? What is this, the Discovery Channel? I don’t think there’s enough oxygen in the room. Stop the experiment. The man could die. Fun’s fun, but please, get the guy some 02 and a mask, stat.)

Anyway, through little fault of the major energy companies, solar power is finally becoming viable as a large-scale source of power. And as a demonstration to the people of Los Angeles, the big ferris wheel down at the Santa Monica pier is getting hooked up.

Finally, the future we read about as kids is about to arrive.

Solar ferris wheels! Solar public buses and trains! And in Florida, the Sunshine State, the ultimate liberal conundrum: solar electric chairs!

Talk about good news and bad news …

DOES THE FIRST Amendment protect calculated lies? Apparently so. The state of Oregon is an extremely pleasant place. You don’t hear much about it, largely because lots of people who go there simply never leave. The scenery is gorgeous, the cities are clean, and most of the really scary people have already moved to Idaho.

There’s another reason why some Oregon visitors, many from as far away as Florida or New England, never leave: legalized doctor-assisted suicide.

This figures: The only place you can legally kill yourself is the last place you’d ever want to.

Anyway, the neighboring state of Washington also recently considered a referendum legalizing assisted suicide. In a state with thousands of Microsoft employees, when it comes to pressing the cosmic Escape key, they probably can’t help but go after market share.

However, some Washingtonians think physician- assisted suicide is a bad idea–apparently, such things are best left to amateurs–so they published a scary handbill claiming that if the measure passed, “your eye doctor could kill you.”

Well, heck, your eye doctor can kill you right now. So can a proctologist, for that matter. Me, I’m taking the eye doctor.

What they meant was: Your eye doctor could kill you legally.

Still, that’s not what the bill was really about, so the pro-legal-suicide folks filed a complaint under a Washington law that says lying in political campaigns is a crime.

Of course, if anyone paid much attention to a law against political lying, they’d probably have to just put locks on the legislature door and be done with it.

Anyhow, the law about lying went all the way to the state Supreme Court, which threw it out–ruling that the First Amendment even applies to a calculated lie.

Which means: Next year, when Spokane Republicans accuse Clinton of sleeping with a lemur, and Seattle Democrats respond that Newt Gingrich and Trent Lott are alien space robots controlled by the tobacco lobby, it’ll all be part of the big fun stew we call democracy. Which would be really depressing. But still nothing to move to Oregon over.

From the July 9-15, 1998 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Roy Rogers

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Trailhappy


Merrick Morton

The singing cowboy: Roy Rogers–gone but not forgotten.

Searching for the spirit of Roy Rogers

By David Templeton

IT WAS EARLY in the morning–listening for the weather report on the radio–that I first heard the news: Roy Rogers was dead. At the age of 86, the Singing Cowboy had died of congestive heart failure at his home in Apple Valley, Calif. A big lump began to gather in my throat.

“Wow,” I muttered, barely able to say the word. I went looking for my Roy Rogers T-shirt or my Roy Rogers trick pocket knife, something to act as a kind of instant memorial to the quirky, soft-spoken guy who once stood as an international symbol of American decency.

As I set out on my search for Roy Rogers paraphernalia, I recalled another quest–exactly five years ago–for the King of the Cowboys. It began as a hunt through local video stores, inspired by a phone chat with my dad. My father had related his own boyish memory of playing cowboy in his front yard, of going to the movies and paying a quarter to see Roy Rogers onscreen with his “wonder horse” Trigger, of seeing Roy in person riding Trigger in a Fourth of July parade down the center of Dad’s hometown of Ontario, Calif.

The picture of my father playing cowboy was an enigma. He’d always seemed so old to me: It was hard to imagine him even playing, harder still to imagine him–a stationery salesman turned purchasing agent–as a cowboy.

Aware of Roy mainly through my father’s stories, I was curious to see what the films were like.

Unable to locate any of the movies–“Who’s Roy Rogers?” I was frequently asked, though Roy made almost 90 movies and once was the top box-office movie star for 11 years running, from 1943 to 1954–I finally finagled an interview with the man himself.

“What do you got to say?” Rogers asked, talking to me by phone from the office of the Roy Rogers-Dale Evans Museum, in Victorville.

“Where can I find some of your movies?” I asked.

“We got ’em all right here in the gift shop,” he said. “Why don’t you come on down and see the museum. We got Trigger here, stuffed. You need to see this.”

I drove down to Victorville, with Susan, my wife. My father met me at the museum door. For the next few hours, we wandered together through rows and rows of old costumes and castoffs and knickknacks that most people–those without their own museums–tend to throw away.

It was a strange form of bonding, viewing all the bits and pieces of a man’s life, a man who was once an inspiration to millions of little boys and girls, and who now was barely remembered by anyone under the age of 40.

“Everything fades,” Dad explained, as we stood gazing at the stuffed remains of good old Trigger. “Everything fades.” In the gift shop, I bought a few videos, a little cowboy hat, and the Roy Rogers T-shirt. My father and I grinned “Happy Trails,” at each other, and Susan and I drove off into the desert.

What occurred then was another kind of search for Roy Rogers.

TRAVELING UP through the middle of California–hard country, ranch country, cowboy country–I stopped often, questioning the shopkeepers, ranch hands, and waitresses along the way. “Tell me about Roy Rogers,” I’d say.

“He wore fancy outfits,” drawled one well-read cowboy, the ranch foreman at Deep Springs College, in Bishop, an innovative, academically rigorous school/ranch where students alternate their studies with daily chores: milking, roping, slaughtering. “I never knew a real cowboy who’d wear any of that Roy Rogers stuff,” he said. “But people saw that and they thought that’s what a cowboy was. I’m still trying to live Roy Rogers down, to tell you the truth.”

In the Alabama Hills above the nearby town of Lone Pine, we camped on the very same mountain where Roy Rogers had filmed many of his movies. Lone Pine had just seen the completion of filming on Mel Gibson’s movie Maverick, shot in those very same hills, and the town was preparing for the annual Lone Pine Film Festival, a celebration of great old-time Western movies.

“Roy is the king,” enthused Blackie, proprietor of a video store with a shrinelike section devoted to Roy Rogers’ movies. Like me, however, Blackie admitted that his love of the Singing Cowboy was a hand-me- down from his own father. “He saw Roy and Trigger in person once,” Blackie proudly said.

“He even had an autographed Roy Rogers comic book.”

I finished my journey home, watched my movies, wore my T-shirt, but felt no closer to Roy Rogers, the enigma from a time I never knew. On the other hand, I did feel closer to my father than ever before. Weeks later, I met Thys Ockersen, a Dutch documentary maker who’d made a film–The King of the Cowboys–about his own search for Roy Rogers.

“Roy Rogers will live forever,” he explained, in slightly tweaked English, “because our fathers once went to his movies and told us about it. It goes in a circle. By loving the things our fathers have loved, we can hold our fathers even closer.”

Makes sense to me.

Long live Roy Rogers.

From the July 9-15, 1998 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Della Santina’s

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That’s Italian!


Michael Amsler

Secret garden: The atmosphere is cozy and mellow in the courtyard at Della Santina’s just off the Sonoma Plaza.

Delightful outdoor dining at Della Santina’s

By Paula Harris

AFTER a monotonous succession of cool gray days, the sun suddenly cracked through the clouds late one recent Sunday afternoon. The sure-fire tonic to El Niño blahs was to hit the road and follow the streaming golden light as it beckoned between the long shadows slanting across the vineyards all along Highway 12 between Santa Rosa and Sonoma. The clouds clung to the tip of the Mayacamas mountains in a single charcoal band, and the air smelled of lavender and honeysuckle. Finally summer!

Our destination: Della Santina’s, a combination trattoria/rostic-ceria/pasticceria, an informal, family-run Italian eatery, which also features roasted meats and house-made pastries. Once housed in a cramped space on one corner of the plaza, the restaurant has now expanded into the choice location that was previously Les Arcades, and more recently, East Side Oyster Bar and Grill.

The restaurant has a pleasant indoor dining room with artwork on the pale walls and starched white linen tablecloths, but we needed to prolong the sensation of fresh air and sunlight. Tucked out of view from the street is Della Santina’s hidden gem: a small rustic patio garden, which is reached by strolling through a wrought-iron gate, along a narrow uneven brick walkway and past oversize terra-cotta urns that sport cascading greenery.

The garden is naturally sheltered by a canopy of spindly shade trees, hanging overhead grapevines, and an ivy-covered trellis. There is also a retractable canvas awning shielding one section. Several tables with comfortable wrought-iron chairs are placed beneath decorative heat lamps. During our visit each table was set with a spray of miniature crimson carnations in a bud vase beside a bottle of golden-green olive oil. A fountain gurgled and splashed, cheerfully accompanying singer Andrea Bocelli, whose sweeping voice surged from the outdoor sound system.

We whetted our appetites with a small spinach and radicchio salad ($4.25) that arrived fresh, crisp, and lightly dressed with a subtle roasted- garlic vinaigrette.

The minestrone del contadino ($5.25) was a hearty country-style vegetable soup brimming with generous chunks of cabbage, tomatoes, carrots, and celery. Even without the beans or pasta, found in many Italian vegetable soups, this broth tasted lush and full-flavored.

There was a good broad spectrum of Italian and California wines. To elevate the Sonoma-Italia experience, we chose one of the five California-grown Italian varietals: a 1994 Atlas Peak Sangiovese ($28). A medium-bodied, well-balanced red, it tasted of plummy fruits and a hint of licorice.

Our server was friendly but unobtrusive, and he recommended the day’s special pasta dish: house-made penne with mushrooms ($12.25). This was a pleasing blend of expertly cooked, ribbed penne pasta cloaked in a rich savory sauce containing pieces of porcini and portobello mushrooms.

Next we tried the prawn dish, gamberoni dorati ($15.50), which was a disappointment. Listed on the menu as “prawns dore in a wine, lemon, and butter sauce,” the prawns arrived coated in a limp egg batter that we found gave an unpleasant texture and flavor. We asked about this, and the server told us this was the correct preparation for a “dorati” dish. The prawns came with roasted potatoes and steamed broccoli.

The gnocchi of the day ($10.95) was a better choice. The plump mouthful-sized pillows of potato pasta came with a rosy glaze of tomato and basil, a lovely sauce that was delicate and light but slightly creamy.

DELLA SANTINA’S rosticceria boasts a mouth-watering selection of roasted meats. There’s spit-roasted chicken redolent with fresh herbs ($12.95); herb-filled loin of pork in natural juices ($12.95); roast turkey ($11.95); Petaluma duck with wild rice ($14.75); and spit-roasted rabbit ($13.50). As the last item was not available on two recent visits, bunny-fanciers may want to call ahead.

A combination plate of any three roasted meats ($14.75) is a great choice for indecisive diners. We sampled the chicken, pork, and duck medley. Plainly roasted with herbs and basted with natural juices, each succulent item was a study in simplicity. The roasts were accompanied by crunchy, flavorful oven-browned potatoes and steamed asparagus spears.

As the sun eventually slipped down, a server brought out a tray of shimmering votive candles and set one on each table. The atmosphere outdoors was cozy and mellow, and it felt as though we were lingering in a friend’s garden after dark.

For dessert, we selected a couple of house-made goodies. A lemon tart ($5) had a smooth, slightly acidic citrus topping and a dense pastry base that was hard to break into with a fork. We preferred the spongy, creamy tiramisu ($5) edged with ladyfingers and layered with whipped cream, cocoa, and mascarpone cheese. Although it looked heavy, this was an airy puff of a dessert that dissolved in the mouth.

As we prepared to leave, we noticed KGO-TV’s Dr. Dean Edell seated at a neighboring table. Although we subtly craned our necks and squinted in the semi-darkness, we could not see whether he’d ordered low-fat fare. We mused that it was a pity his colleague meteorologist- celeb Pete Giddings wasn’t also at the table–we would have liked to ask him if the sudden balmy weather would last.

If it does, Della Santina’s is definitely a fine place to enjoy it.

Della Santina’s
Address: 133 E. Napa St., Sonoma; 935-0576
Hours: Open daily; lunch, 11:30 a.m. to 3:15 p.m.; dinner, 5 to 9:30 p.m.
Food: Italian, specialties of pastas and roast meats
Service: Friendly, and unobtrusive
Ambiance: Rustic garden patio and indoor dining
Price: Moderate
Wine list: Good selection of California and Italian offerings
Overall: *** (out of 4)

From the July 9-15, 1998 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Babatunde Olatunji

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Rhythm King

Michael Amsler


Babatunde Olatunji taps soul of Africa

By Greg Cahill

RHYTHM is the soul of life,” Babatunde Olatunji likes to remind those not in the know-zone. For his massive impact on the sound of music worldwide, this percussionist is widely recognized as the djahlibah of African percussion playing, the undisputed African drumming master. “Apart from the human voice, the drum is the next best instrument that, because of its evocative power, can bring more people together,” he says.

“It is a unifying force.”

Though jazz legend John Coltrane was his most noted student, the Nigerian’s admirers are legion, especially among musicians. Over the past 40 years, he has worked with a long list of improvisational music movers and shakers, including saxophonist Sonny Rollins, trumpet player Freddie Hubbard, drummer and bandleader Max Roach, and jazz flautist Yusef Lateef, among others.

But today, the irrepressible 71-year-old percussionist has other things on his mind. “I just got back from South Africa,” says Olatunji, his sonorous voice belying his enthusiasm, during a phone call from the Esalen Institute in Big Sur, where he teaches advanced drumming seminars. “I’m putting together something called Voices of Africa, which is a non-profit literacy project that can address this rampant problem of illiteracy.

“We cannot wait on the political leaders any longer to tackle this situation.”

On a continent where illiteracy can run as high as 85 percent, Olatunji has enlisted the help of a few friends to draw attention to this crisis. He recently met with newly repatriated South African singer Miriam Makeba, Afro-pop legend Manu Dbango, jazz and pop trumpeter Hugh Masakela, jazz pianist Abdulla Ibrahaim, and others, laying plans for corporate sponsorship of a world concert tour to raise millions of dollars over the next seven years in an effort to provide free education for every child in Africa.

“We’re going to make sure every child goes to school,” he says. “I’m tired of criticizing political leaders. Now it’s time to ask, What can we do for Africa?”

This isn’t the first time Olatunji has set out to conquer a formidable obstacle. In 1959, the then-unknown percussionist became the first African musician to hit the U.S. pop charts, all with a contagious blend of African beats and ostinato Yoruba chanting. His ebullient Drums of Passion (Columbia)–a milestone release on a par with Miles Davis’ Kind of Blue and Dave Brubeck’s Take Five–became a landmark, a percussion exploration unlike any American audiences had ever known. Here drums were liberated from their metronomic duty, music critic Mark Keating wrote last year, as servants to the melody. These drums were tonal, projecting harmony as well as rhythm.

“It’s a universal message–that’s what it is,” Olatunji says when asked to explain why Americans at the tail end of the Eisenhower era responded to his exotic sound. “I was able to bring it to them, but they were waiting for it–people were ripe for it. After all, Americans love to travel, and America being the kind of society that it is, everybody gets a chance to get listened to.

“If you have something worthwhile to say, it will be embraced–it will be welcomed.”

Olatunji got his 15 minutes of fame and used it for good purpose. He appeared on the Tonight Show and other TV programs, and used his earnings to fund a pivotal African cultural center in Harlem. In the process, Olatunji blazed a path for the world-beat explosion that followed; without Drums of Passion, there might never have been Paul Simon’s Graceland or David Byrne’s Rei Momo.

And the Grateful Dead’s percolating percussion jams? Forget ’em.

At a chance encounter at a Long Island high school with Olatunji–who after the success of Drums of Passion and a subsequent stint at the 1964-65 New York World’s Fair had begun lecturing at New York public schools–a then-teenage Mickey Hart, the Grateful Dead’s future percussionist, decided to become a drummer.

Hart later got a chance to return the favor. In 1985, Hart invited Olatunji–who had been without a record deal for 10 years–to sit in with the Grateful Dead at a New Year’s Eve show at the Oakland Coliseum. Hart later brought Olatunji into the studio to record with Carlos Santana, Airto Moreira, and others.

THE RESULTING CDs, 1986’s Drums of Passion: The Beat and 1988’s Drums of Passion: The Invocation, both produced by Hart on his acclaimed Rykodisc world music series, put Olatunji back in the spotlight.

Olatunji later conceived of the Planet Drum tour in which Hart showcased many of the world’s top drumming masters, including Olatunji and Hamza El Din of Sudan. Olatunji also chalked up some impressive stage and screen credits, composing the score for Lorraine Hansberry’s A Raisin in the Sun and later collaborating on the soundtrack of Spike Lee’s She’s Gotta have It. More recently, Olatunji earned a Grammy Award nomination for last year’s Love Drum Talk (Chesky), a collection of drum-propelled love songs.

But it is onstage that Olatunji really shines. “That is the happiest moment of my life,” he says breathlessly. “Of everything I do, it is the most uplifting. I feel at home. I feel … accomplished. The joy, the happiness–I’m sharing the moment I’m onstage. I give all that I know, all that I can express. I am lifted far beyond what you can imagine.”

Babatunde Olatunji and Drums of Passion perform on Friday, July 10, at 9:30 p.m. at the Mystic Theater, 21 Petaluma Blvd. N., Petaluma. Tickets are $15. For details, call 765-6665.

From the July 9-15, 1998 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Talking Pictures

0

Real Gone


‘The Goners’ creators get scared at The X Files

By David Templeton

In his ongoing quest for the ultimate post-film conversation, writer David Templeton sends interesting people to interesting movies. This time out, he asks the popular science-fiction writing team of Jamie Simons and E.W. Scollon to check out the very-scary film version of T.V’s phenomenonal The X Files.

There are two kinds of people in the world, somebody once said: those who divide space-aliens into two different categories–and those who don’t. E. W. Scollon and Jamie Simons do.

The creator/writers of The Goners, a remarkably popular science-fiction book series for kids, have observed that throughout modern literature– including movies and television–extraterrestials are either kind and benevolent, possessed of magical powers and good intentions, or they are snarly, drooling monsters that want mainly to frighten us, enslave us, use our bodies for gestation, and suck out our our brains for dessert.

For the record, Simons and Scollon prefer the former, such as the gung-ho, time-traveling, teenage aliens in the Goners books (Avon, 1998, $3.99 each); all they want to do is save their elders, long ago marooned on Earth and taken to impersonating humans. Remember Thomas Jefferson? He was a Goner, along with several other historical figures known for their goodness and wisdom. With the possible exception of Napoleon–a partially mutated space-case with an overly-developed sense of order and control–there’s not a scary alien in the bunch.

The good-hearted adolescent heroes of Scolon and Simons’ epic adventures would, in fact, probably be scared out of their wits if they ever came face-to- face with the kinds of slimy, horrific, slobbery fellows that make an appearamce in The X Files, the latest in a long string of movies suggesting that if something is out there, it’s probably hungry.

And what did Scollon and Simons think of the film?

“I got through it all right,” chuckles Scollon, shortly after returning from the theater, “But Jamie …”

“I walked out after 10 minutes,” Simons confesses with a laugh. “I admit that I don’t like being scared. This was way too much for me.”

The film–based on the phenomenal TV series of the same name–follows intrepid FBI agents Fox Mulder and Dana Scully as they scamper in and out of trouble while tracking down the truth behind a certain global conspiracy to cover up the existence of the aliens, who may be planning to colonize Earth, and whom appear to have a very low opinion of the human race.

Come to think of it, Scollon and Simons don’t always seem to think very highly of humanity either. Earth, after all, is frequently referred to in the Goners books as “the least known of the Lesser Planets,” and most– but not all–of history’s great peacemakers turn out to be non-human.

So why not turn Earth into a giant smorgasboard–and just be done with us?

“I’d rather we not be eaten, to tell you the truth,” Scollon admits. “But we make the case that humanity hasn’t always lived up to its potential.”

“I do think we’re probably at the bottom of the planetary heap,” laughs Simons. “We’re not much to write home about. I’m personally not very encouraged by what we’ve done with the planet Earth. But in fiction, we can make things right with the world.

“You know,” she continues, “until I started writing the Goners, I never really liked the science fiction genre. The only science fiction book I’ve ever read and loved is Arthur C. Clark’s Childhood’s End, because I liked the idea of aliens coming to earth to help us mend the mistakes we’d made. I read that book in college, it was in the middle of the Vietnam War, and I could think, ‘Yes, we are blowing it, but someone’s going to come and help us.’

“I do believe there’s life out there on other planets,” she adds, “and it’s very comforting to me to believe that someone out there is doing things better, and that maybe they’ll come help us out some day.”

Simons admits that one or two people have been disturbed at the Goners notion of our home planet as being insignificant to the Universe at large.

“One friend of mine thought it was a terrible message to give kids,” she reveals. “That humans might not have behaved well enough to deserve more honor in the universe.”

Ray Bradbury’s The Martian Chronicles is mentioned. A book that was also once criticized, it describes the first travellers to Mars as arrogant rogues, carelessly dumping litter into the pristine Martian canals, racing through the ancient Martian cities, using everything in sight as target practice.

“Typical least-known-of-the-lesser-planets behaviour,” says Scollon.

“It gets back to that thing of, ‘Are we going to be the heroes of the Universe or are we going to be just one part of the whole stew,’ Simons says. “Is it even possible for us to see ourselves as part of a giant intergalactic stew, or we will always view ourselves as masters of the universe. Will we ever grow up?”

“One element of The X Files that I like,” Scollon points out, “is the sense of wonder that Mulder has, in spite of all the frightening things he sees and experiences. Its almost childlike, his point of view. Toward the end, in Antarctica, when he finally does see a space ship lift of and fly overhead, Mulder breaks out in a big smile, even though he’s on the verge of freezing to death. So through his eyes, we get a sense of the kind of glorious strangeness of childhood, where anything is possible and even the scary stuff is slightly wonderful.”

“Kids do feel that anything is possible,” Simons agrees. “That there is more out there. I think that’s the appeal of the books–and the appeal of The X Files and all these kinds of movies–is the idea that we’re not alone. There could be something out there. In The X Files it’s a horrific something.

“But who knows?” adds Scollon. “It might be something wonderful.”

Web extra to the July 9-15, 1998 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Porn Probe

0

Porno Probe Still Unresolved

WHILE THE STATE Board of Corrections review is being conducted, a separate internal probe involving nearly half the male correctional officers remains unresolved. On April 15, the Independent reported that at least 29 correctional officers–and maybe as many as 50–are under investigation for downloading Internet pornography while on duty.

One guard, dismissed during his probationary period, reportedly in connection with the porn probe, was on duty the night Harris committed suicide. Sheriff’s Department officials declined to state whether he was using the Internet that night.

The lingering eight-month investigation involves guards at both the Main Adult Detention Facility (the county jail) and the North County Detention Facility (the honor farm), both in Santa Rosa. The internal affairs division has been investigating the male staffers for allegedly spending up to several hours a night downloading pornographic images into personal files on the department’s new computer system and using county phone lines to participate in sexually explicit Internet chat lines.

According to knowledgeable sources who asked for anonymity out of fear of retaliation, the investigation has targeted members of the county jail’s elite Special Emergency Response Team and facility training officers, as well as rank-and-file guards.

McDermott has insisted that the probe involves seven correctional officers. Two months ago, he reported that the department’s internal affairs division was “putting the finishing touches” on the investigation. But no public report has been issued. “The investigation is for all intents and purposes complete,” McDermott said this week. “I hope to wrap it up soon.”

He has promised that the department will discipline guards “if … warranted.”

Critics charge that the Sheriff’s Department is downplaying the magnitude of the scandal to cover up the extent of the activity, especially in light of the department’s poor record in sexual harassment cases involving female deputies and jail staff members.

The Independent has learned that as of two weeks ago the state Board of Corrections officials reviewing operations at the jail are not looking into reports that a large segment of the male correctional officers may have downloaded pornography during the night shift and allegedly shirked their duties.

From the July 2-8, 1998 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Sonoma County Jail Abuse

0

Jail House Blues

Michael Amsler


In the wake of recent in-custody deaths, escapes, and a porn scandal involving correctional officers, new allegations of abuse surface at the Sonoma County Jail

By Greg Cahill and Paula Harris

JOAN MCMILLAN’S journey “through hell and back” started last April on a short bus ride from the honor farm near the Santa Rosa Airport to the Sonoma County Jail’s main adult detention facility. Six months pregnant and busted for supplementing her welfare income, the 44-year-old faced jeers from male inmates sharing the ride. “I started having contractions,” she recalls. “I already had some [pregnancy] complications.”

It was a bad omen. At the jail, correctional officers placed McMillan in a tiny holding cell for nine hours, she says, and her physical condition began to deteriorate. “After eight hours I was experiencing dizziness and almost blacking out,” McMillan recalls. “My body was going into some kind of weird shock. I was sweating and I lay on the floor, freezing and shaking … .

“The next thing I knew, a female guard was kicking me on my hips and thighs, calling me ‘drama queen’ and ‘bitch.'”

That night the county jail staff moved her to an infirmary cell, but things didn’t improve, McMillan says. “I was throwing up, dehydrated, a total wreck,” she remembers. “The medical treatment was horrible. I would ring the emergency buzzer when I was having contractions, but the guards, especially the younger ones, seemed preoccupied at the computers. They would ignore the buzzers as long as they could.”

Seated at a wooden table in the kitchen of her old farmhouse in rural Freestone–with several excitable dogs at her feet, and a mellow, sweet-faced 10-month- old baby girl on her knee–McMillan wears no makeup, her blondish hair scraped back in a ponytail topped by a baseball cap. She has clear, contemplative eyes and an easy smile that belies an air of melancholy as she speaks.

“I almost died there,” she says in a low, steady voice. “I still have bad dreams from the experience.”

Porno probe still unresolved.

Investigation reveals at
Sonoma County Jail has an ugly past.

Allegations of Abuse

McMillan is one of numerous inmates and their relatives who have contacted the Independent in the past 18 months with allegations of abuses at the Sonoma County Jail, ranging from substandard food to alleged acts reminiscent of the Soviet gulags.

For example, inmate Darlene Baldridge, now in custody at the jail’s mental health unit, wrote on June 8: “The treatment I have received here at the main jail has caused me to consider suicide. I have never attempted suicide, but I made a noose. [When it was discovered], I was stripped naked and locked in a ‘safety cell’ for two days and subjected to a constant parade of male guards coming by the cell to tell me I was ‘disgusting, indecent, ugly, and shameful.’ They took away my clothes and then tortured me for being naked.

“Everything, before I have been to trial,” she adds. “If this is how innocent people are being treated in America, someone needs to rewrite the Constitution. I thought people were innocent until proven guilty, but you don’t need a trial for a dead inmate.”

When asked about that incident, Assistant Sheriff Sean McDermott, who heads the county jail, is dismissive. “That’s an inmate in mental health,” says McDermott, who doesn’t recall any formal complaint about alleged verbal abuse in the Baldridge case. “If we believe someone is actually suicidal, we’ll put them in a safety cell. We do take their clothes. We issue paper safety gowns until they pass an evaluation with the psychiatrist.”

Former inmate Sean Raab wrote on Sept. 16 that he unsuccessfully battled jail medical staff to receive a diabetic diet because he suffered from hypoglycemia. He says it took almost a year to recover from a bout of malnutrition while he was incarcerated. “Being punished by jail time is one thing,” he wrote, “but malnutrition should not be a part of that in modern times.”

The private food service at the jail is a frequent source of complaints from inmates. On Aug. 30, then-inmate Steve Woodward wrote: “After working in the kitchen, [I’ve observed that] the quality of the food and the condition of sanitation is enough to make me appreciate the fact that I didn’t eat very much while I was there.

“If the kitchen were a commercial one, it would have been closed down by the [county] health department due to blatant violations of basic hygiene.”

Ten days later, Woodward wrote: “Several inmates experienced food poisoning after eating tainted soup. According to inmates working in the kitchen, one of the supervisorial staff is loath to throw anything out, and is known for adding borderline rotten food, as well as food [that] has been improperly stored, into the soup kettle.”

McDermott defends the conditions of the jail kitchen. “The jail is routinely inspected by public health, especially the food service, for cleanliness, dietary needs, and nutrition,” he says. “We meet that every year. We pride ourselves in absolute cleanliness in our facility. We challenge anyone to find the facility to be unclean.”

Admittedly, it’s difficult to verify these reports, because of the closed nature of the jail. The Independent had requested a jail tour in connection with this article. McDermott refused to allow a reporter and photographer access to the facility.

But the frequency and similarities of these and other allegations suggest a pattern and beg the question of whether there are fundamental deficiencies in the policies and procedures used to care for county jail inmates.

County jail officials contend the reports are fabrications. “In reality, the people we have in this institution aren’t here because they are very truthful,” says McDermott, “and their behavior isn’t so positive that it would warrant they not be here.”

In the past, McDermott has sung the praises of correctional officers and medical personnel at the jail. “We train our staff to high standards to deal with these circumstances,” he said recently on KPFA-FM’s Flashpoints show.

The Sonoma County Jail is one of 16 out of 135 similar facilities around the state that met compliance with all state Board of Correction standards last year. The county is also one of 19 in the state that has fully accredited medical facilities.

State Review Ordered

But in March the county Board of Supervisors, at the request of Sheriff Jim Piccinini, approved a $35,000 review of county jail conditions and operations, including medical and mental health services (which are handled by the Sonoma County Mental Health Services Division). The results of that state Board of Corrections review are expected within the next two weeks.

The review follows six in-custody deaths, at least three suicide attempts, two escapes, and one attempted escape, all within the past 18 months.

Among the recent incidents at the jail, the June 4, 1997, death of Joanne Marie Holmes, 35, who died in custody after being arrested for a traffic offense and outstanding warrants, sparked a storm of protests from longtime critics of jail conditions. According to an autopsy report, Holmes suffered a seizure and other complications of heroin withdrawal. A wrongful death lawsuit filed by her estranged husband, Robert Holmes, claims that jail medical staff “failed to evaluate and treat her condition” or to provide medical assistance “even after [Holmes] became visibly ill.”

Crystal (who asked that her real name not be used), a former inmate who was incarcerated in Sonoma County Main Jail for four days and three nights in June 1997, was confined two cells away from Holmes. Crystal says that when she met Holmes on the first day, Holmes appeared to be physically healthy, but she didn’t see her again for a couple of days. “[Holmes] never came out of the cell,” Crystal says. “One day, she finally came out for about 10 minutes and I didn’t recognize her. Her eyelids were pulled away from her eyes, she smelled bad, and her skin was gray. She went back into the cell and I never saw her again.

“On the first night [Holmes] kept pressing the call button because she was sick. They gave her a form to fill out and said, ‘The doctor will be with you in a couple of days.’ At night, I could hear [her] gasping for air, vomiting, and moaning all night long.”

“[Holmes] was only buzzing the first day. She gave up because no one was helping her,” says Crystal. “She was too sick to move … .

“When I got home, I heard the next day that [Holmes] had died.”

In a Feb. 2 press release, Sonoma County District Attorney Mike Mullins stated that his investigation found no criminal neglect in the Holmes case, and noted that Holmes never reported her addiction to medical staff or correctional officers. “Health care staff will see [about 20 to 25 inmates a year undergoing drug withdrawal and who do not die] … and based on their experiences, [they] believe that inmates do not die from drug withdrawal. In fact, other than Ms. Holmes, there have been no deaths in the [county jail] due to complications from withdrawal in recent history. These facts would lead staff to believe withdrawal does not involve a high degree of risk of death.”

The contention that jail staff see only a couple of dozen drug-addicted inmates each year is contradicted by Dr. John P. Hibbard, an addictionologist and staff physician at the Sonoma County Jail who also is named in the Holmes lawsuit. In an essay on the Sonoma County Medical Association website, Hibbard wrote:

“For the last year, I’ve worked at the county jail and have become ever more convinced of the futility of criminal sanctions [for addicted inmates]. Most of the more than 900 prisoners are chemically dependent. Many of these men and women, unless effectively treated, are destined to become permanent wards of the state under the rigors of the ‘three strikes’ system. The inhumanity and crushing expense of this system, as opposed to the ruinous social costs of substance abuse, pose a true dilemma for policymakers.

“I believe we have a resolution for the dilemma, although not an easy one … . Only when this view gives way to the newer perspective of addiction as an illness can we start to make genuine progress.”

More recently, Drue Harris, 30, arrested after an altercation with a female companion, hanged himself Feb. 24 in a county jail infirmary cell after being in custody 17 hours. According to family members, inmates report that Harris was crying and distraught an hour before his death and would still be alive if correctional officers had intervened.

Jailers say Harris showed no signs of distress.

According to the coroner’s investigation, “[Harris] was found in a sitting position at the foot of his bed. Spare jail clothing had been used to wrap around his neck. The clothing had been attached to the springs of the bed on the inside of the footboard. It is speculated that the decedent then somehow somersaulted over the end of his bed ending up in a sitting position hanging himself.”

Jamie Harris, Drue Harris’ mother, is not convinced by the report. She believes her son did not commit suicide but died of an untreated head injury allegedly suffered shortly before his arrest.

She complains that the District Attorney’s Office refuses to give out any information about the case, and that situation is hindering her from filing a lawsuit against the county. “They say there’s a pending investigation [into the suicide], but it seems like a tactic,” she says. “I have no faith in any of this; it’s just completely whitewashed.

“The whole environment is totally silent, secret, and without accountability.”

Experts agree that these types of medical and mental health cases pose a significant challenge to correctional facilities. “I’d say you have a lot of deaths [in Sonoma County],” concludes Dr. Terry Kupers, an Oakland-based physician and psychiatrist who testifies in class-action lawsuits regarding inmate conditions, and who testified in a 1992 settlement about conditions at the Sonoma County Jail. “The population that comes to jail is often medically sick and physically prone to suicide. Something is wrong when you have that many deaths in that short of a time.

“It’s an emergency, and you need to reform medical health and mental health services.”

Medical Malaise

Last week, the Independent reported that Correctional Medical Services, the St. Louis-based firm contracted by the county for almost $3 million a year to provide private health care at the jail, was named in 1997 in nearly 800 lawsuits nationwide alleging medical negligence. Since 1992, county supervisors have continued to approve that contract each year without close examination of CMS’ track record.

Locally, CMS is named in a wrongful death suit filed in Sonoma County Superior Court by Holmes’ estranged husband, Robert Holmes.

It was the March 9 suicide of Carolyn Telzrow, 47, that once again drew attention to medical services at the jail. Telzrow, a licensed vocational nurse, was arrested for shoplifting. Her sister, Mary Hickerson, says Telzrow was on state disability for an injury because she had broken her back in a horse-riding accident. Telzrow was put on methadone by a community doctor for chronic back pain, and she was registered at a Sacramento-area methadone clinic. Telzrow was also under psychiatric care because she had a history of depression.

Telzrow was incarcerated at the Sonoma County Jail March 2-9. During that time, jail personnel did not consult with her psychiatrist or her community doctor, says Hickerson, adding that the jail doctor took Telzrow off the 100 mg. of methadone that had been prescribed for pain management.

“[The doctor] was not giving her anything for pain and she was going crazy–screaming, crying, and really in a lot of pain,” recalls Hickerson. “[The family] really feels that’s why she killed herself.”

Telzrow had been put on suicide watch for one day and then removed to remain in an infirmary cell. According to family members, inmates reported that Telzrow was in tremendous pain, screaming, “Help me, help me!” for two hours before her death, but jail staff reportedly did not respond. Telzrow eventually used her bra to hang herself inside the jail cell.

“She goes from suicide watch to not being watched at all, to killing herself,” marvels Hickerson. “What’re the criteria here? If there is a stated policy to give methadone, why didn’t they give it to her?

“Basically, she couldn’t stand what she was going through so she put herself to sleep,” says Hickerson. “In today’s world, in the medical field, there’s no reason for people to be in pain. My God, that’s prehistoric.”

County jail officials later gave Hickerson a courtesy tour of the facility. “I looked inside the cell where my sister had died and noticed there was a camera in there. I was told it was on her when she died, but they weren’t monitoring it,” she recalls.

When Hickerson returned with her lawyer, jails officials reportedly told her the monitor had been switched on to view an adjacent cell at the time that Telzrow killed herself.

Hickerson has filed complaints with the Sonoma County grand jury and the California Medical Association. She was not contacted by the state Board of Corrections for its review. “I didn’t even know they came,” she says. “But how can you investigate her death if you don’t have comprehensive information about Carol’s life before.

“She would be alive today if she hadn’t been in that jail, and I just don’t feel that what she did equated to a death sentence.”

A jail source, speaking on condition of anonymity, agrees. “[Telzrow] didn’t have to die, somebody should have been watching … . The officers were obviously preoccupied with other things. Whether they were working incredible amounts of overtime, or whether they were tuning in on the porn [see sidebar, “Porn Probe“], they missed those warning signs.”

Michael Spielman, executive director of the Drug Abuse Alternatives Center in Santa Rosa, says the jail is not at fault for not administering methadone to Telzrow. “If a person goes into the jail and is legally involved in taking methadone, it is up to the methodone clinic to dose them, it’s not up to the jail,” he explains.

He adds that DAAC’s Redwood Empire Addiction Program doses clients in jail, but some programs do not follow the same procedure. “Sometimes other clinics call us to do it. It’s called ‘courtesy dosing.'”

He says DAAC will dose clients for a maximum of 21 days. “If inmates are going to be in for a long time, we need to detoxify them,” he says.

Still, some inmates are fearful of telling jail personnel that they are addicted to narcotics because of possible third-strike charges. If they do not disclose this information, he adds, the jail is not at fault should the inmate go into withdrawal.

“The jail has to respond to the information provided by inmates,” Spielman says, “and it depends on whether people tell the truth.”

Meanwhile, jail officials dismiss the lawsuits. “We have a legitimate grievance process. We have grievance officers who take it very seriously, and we’ve effected changes on concerns raised,” says Assistant Sheriff McDermott.

“On the national average, inmates file tens of thousands of lawsuits, and about 98 percent are frivolous.”

Nowhere to Run

One fact that emerges from this investigation is how few watchdog agencies–public or otherwise–are keeping track of the conditions at the Sonoma County Jail in particular and at county jails statewide in general.

For this story, the American Civil Liberties Union in San Francisco referred Independent reporters to the Prison Law Office in San Rafael. That advocacy group doesn’t handle county jail complaints. Neither does the National Prisons Project in Washington, D.C.

“There’s nowhere to take complaints,” says Tanya Brannan of the Guerneville-based Purple Berets women’s advocacy group. “No one is really tallying and keeping track of the complaints. In this county, no one is really monitoring what’s going on inside. There are no outside advocates.”

Charla Greene, a Rohnert Park resident who works for Abolition Road, a group that keeps track of state prison issues, says, “The county jails fall through the cracks, and the county jails are even worse than the state prisons.

“Since inmates are basically invisible, authorities feel they can act with impunity,” Greene adds, “Also, public opinion is against inmates. The feeling is ‘they did something bad, so let them be treated bad.'”

Judith Volkart, chairperson of the local chapter of the ACLU, says that the group does receive some pleas for help from Sonoma County Jail inmates, but there is no comprehensive record of the complaints. “Not all the complaints are coming to us,” she says. “Maybe that’s a service we need to provide … . There needs to be someone keeping track of the information and a place to funnel complaints.”

Volkart plans to raise the issue at the ACLU’s next meeting. “It seems to me there needs to be a clearinghouse,” she adds, “so statistics can be gathered to see if there is any pattern [to the complaints].”

‘Holocaust’ Survivor

These days, Joan McMillan is worlds away from her county jail experience. Yet she clearly recalls the troubling details that led to Sonoma County Superior Court Judge Mark Tansil’s ruling last year that she should be released from the facility.

“He said I ‘could not thrive’ being pregnant within the Sonoma County Jail system,” says McMillan, pausing to adjust her shirt and gently shifting her daughter, Samantha Rose, into a nursing position beneath the fabric.

Undergoing a high-risk pregnancy at the time of her incarceration, McMillan wrote to Rep. Lynn Woolsey for help, and asked Judge Tansil to allow her to see her regular physician. Finally, McMillan was permitted a visit to the Occidental Area Health Center. “When the doctors saw me, their jaws dropped,” she recalls. “I had lost more than 10 pounds in two weeks.”

Dr. Trina Bowen, a physician at the health center, wrote to Tansil on McMillan’s behalf and asked him to reconsider her case. “[McMillan] didn’t seem to be a danger to society, and I didn’t see any reason for her to be incarcerated when that could be a threat to her pregnancy,” Bowen says.

In response, the judge changed McMillan’s criminal charges to a civil case, allowing her to pay restitution. He then released McMillan on conditional probation.

“I felt like a Holocaust victim when I got out,” says McMillan, who now breeds horses and plans to teach riding to children. “It was a miracle that I survived the conditions there and that my baby survived.”

From the July 2-8, 1998 issue of the Sonoma County Independent.

© Metro Publishing Inc.

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