Scoop

Gossips R Us

Matt Drudge’s sordid tryst with a banana

By Bob Harris

THIS JUST IN: Kenneth Starr is secretly attacking witnesses with nerve gas. OK, that’s not exactly true. I actually have no information whatsoever that the special prosecutor is using nerve gas to try to compel testimony. In fact, he very probably isn’t.

Normally, I wouldn’t go around just making stuff up, but suddenly it’s the fashionable thing to do these days. The rules of journalism are starting to look curvier than Out of Sight film actress Jennifer Lopez doing the limbo in a fisheye mirror.

Look what’s happened just in the last couple of weeks:

A Cincinnati Enquirer reporter admitted stealing voice-mail messages in an attempt to nail the bad boys behind Chiquita bananas.

The Boston Globe was forced to fire columnist Patricia Smith for making up quotes out of whole cloth, just to make her stories sound smoother.

Not to be outdone, the New Republic had to fire star writer Stephen Glass for making up, in whole or in part, no less than 27 stories.

And CNN and Time stole the show with their now-famous report alleging that U.S. troops secretly used nerve gas in Laos. Something worth noting: Leaving aside the intense backlash that followed, CNN’s ombudsman never actually determined whether the story was true or false; what he did determine was simply that the reporters hadn’t either.

“Journalistic credibility” has lately become an even bigger contradiction than Martha Stewart’s Living.

Here’s how bad things are: Matt Drudge, the Internet gossip columnist who got famous because (a) he became the target of a huge libel suit from Sidney Blumenthal, and (b) he helped break a story about the president’s sex life that, so far, no one in the world–even a guy equipped with subpoena power and CS gas–has been able to verify, now has his own highly promoted show on Rupert Murdoch’s 24-hour Fox News Network.

Demonstrating all the imagination for which Fox is known, the show is called “The Drudge Report.” Although in keeping with the rest of Fox programming, a better name might be “When Journalists Attack.”

Woops, there I go again about Ken Starr and nerve gas. Sorry.

Y’know what? I usually spend a lot of time and energy researching these little screeds, but maybe I shouldn’t bother. From here on in, I think I’ll just make it up as I go along.

Next week’s top story: Linda Tripp’s voice mail proves Matt Drudge is having a sordid affair with Martha Stewart and a banana.

Finally, I can start making some real money.

HOW DO YOU KNOW what’s in your lunch? You read the ingredients. Unless you’re eating a can of generic Potted Meat Food Product, in which case you just sort of mentally picture a petting zoo being lowered into a blender.

How do you know what goes into a TV program? Again, you read the ingredients. You check out the viewpoints of the sponsors and the people on screen and the owners of the networks. Unless you’re watching Fox News, in which case you just sort of mentally picture Edward R. Murrow being lowered into a blender.

So how do you know what goes into a scientific study? Same thing. You go over the data and make sure they support the conclusions, and if not, it helps to know who paid for the research.

Guess what? Studies financed by cigarette companies often reveal that smoking has unexpected benefits. Scientists who work for heavy polluters sometimes conclude that kids really aren’t getting enough heavy metals in their diet. And when you read that a synthetic food additive is actually good for you, even though a guy down the hall ate it once and now he has a limp, a facial tic, and a giant third eye, you can figure that the research might just have been financed by the folks who make that additive.

That doesn’t mean that the research is fraudulent. But knowing who paid for the whole shebang often gives you a hint about who got the benefit of any ambiguity in the data.

That’s why leading experts in medicine, urban affairs, and environmental policy are advocating that scientific journals begin publishing funding information as a standard part of articles, along with financial disclosures in which writers state for the record any potential personal gain they stand to get from their findings.

Reasonable? Believe it or not, most journals don’t do anything like that right now.

But it’s such a good idea, I’ll start right here.

The only people who pay for these commentaries are the folks on the masthead of the paper in your hands. If you’re reading this online, I’m not making a dime.

And the only profit I stand to gain from the whole thing is cutting a syndication deal, landing a TV show, eventually directing my own movies, and getting really, really rich.

After which I intend to suffer through an early peak, alienate my loved ones, and slip into a long downward spiral of smoking, bingeing on junk food, and eating lead.

There. Now you know my ingredients.

Just mentally picture realistic expectations and linear thought being lowered into a blender.

From the July 23-29, 1998 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Bulimia

The Urge to Purge


Aldo Mazza

Nurtured by self-hate, bulimics face a life of shame–and sometimes even death

By Shelley Lawrence

PULLING INTO the parking lot of the small restaurant where I am to have breakfast with an interviewee, I grow apprehensive. Is a restaurant really the best place to meet? For more than a year, a food addiction has controlled Jonelle Hayes, an attractive 18-year- old with a pretty smile and clear skin.

She’s not waif-skinny and not overweight, unless you’re judging her by fashion-magazine standards, which she is quick to tell me that she judges herself by.

Now, I wonder, will it be hard for her to eat and speak with me as well? If she runs to the bathroom, am I supposed to act unconcerned?

Hayes (who has asked that her real name not be used) soon puts my qualms to rest. “I don’t consider myself to be a bulimic anymore because I don’t throw up– bulimia doesn’t control my life like it used to,” she says as our eggs Florentine and coffee arrive. “But I still think about food constantly–how I can lose weight, what I’m going to do differently in order to accomplish that, how much I’ve already eaten today, how much I’ll allow myself to eat for the rest of the day.

“I don’t even know what’s normal anymore.”

Eighteen months ago, Hayes was controlled by the obsession that was an everyday part of her life. For her, the disorder began with a strict vegan diet to control the developing figure with which she was so disgusted. Hayes was obsessed with what she put into her mouth–and what she didn’t. She would refuse food cooked by anybody else, paranoid that fats or oils would have been used in the preparation. She found herself refusing dinner invitations, becoming defensive and angry when she was offered food that wasn’t on her diet.

Hayes did lose weight on the diet, but couldn’t keep up the strict regimen of food “dos and don’ts.”

“The first time I ate anything off my diet was when I had a bunch of girlfriends over for a Christmas-cookie baking session,” she recalls. “I was snacking on the cookies all night and they asked me how I could be constantly eating and still stay so thin. It made me arrogant, I guess you could say, and then I stopped worrying about what I was eating because I had pretty much reached my weight goal.

“Of course, when I stopped dieting I gained weight back and it completely freaked me out. I felt like I’d lost control.”

So Hayes started purging, forcing herself to throw up after eating anything she felt would make her fat. Unfortunately, this was almost everything. Soon her disorder started spinning out of control.

Hayes continues, “Bulimia is an eating disorder that makes you feel horrible about yourself because you have this dirty secret. Bulimics are excellent liars; usually nobody realizes how they stuff themselves repeatedly and then throw it up again.”

Diary of a teen bulimic.

HAYES, a Santa Rosa resident, is one of an estimated 8 million Americans–95 percent of whom are women–between the ages of 16 and 25 who suffer from bulimia nervosa, a psychosomatic illness (first diagnosed as such in 1980) in which the victim has a continuing obsession with food, weight, and figure, and an intense fear of “becoming too fat.”

Among public figures who battled bulimia were the late Princess Di, fitness guru Jane Fonda, and actress Ally Sheedy. But many women continue to suffer, spurred, in part, by social pressure to fit a slim Kate Moss ideal.

While in recent years there has been little new literature that focuses on the disorder, Dr. Dierdra Price, a San Diego-based psychiatrist, recently published a self-help workbook for sufferers of bulimia, Healing the Hungry Self: The Diet-Free Solution to Lifelong Weight Management.

“It’s very complex,” says Price, when asked what triggers the binge-purge complex. “What initially happens is that somebody will start dieting in an attempt to lose weight; to reach a standard or ideal. Because most people cannot maintain that stance, they binge on the foods they have been restricting themselves from. Because they are so frightened of gaining back the weight they have lost, they will learn to purge in order to control this.”

Typically, bulimics are white, college-educated, single, 20-something women whose weight is close to ideal. They have low-esteem; overdepend on the approval of others; find it hard to express anger; are often depressed, even suicidal; and perhaps have other compulsive behaviors (e.g., drug abuse, stealing). They spend much of their time buying enormous quantities of food and seeking private places to eat (they live in fear of their secret being discovered) and then purging.

Changing the bulimic’s attitude toward food, eating, and body size may involve psychotherapy, family therapy, medication, nutrition intervention, and/or medication.

Because of erratic eating habits and vomiting, the bulimic can suffer from an electrolyte imbalance that leads to dangerously low potassium levels. This vicious cycle perpetuates itself in recurring “hunger attacks” during which the bulimic consumes large amounts of food in a short amount of time (under two hours), although not physically hungry.

During a binge, the bulimic eats more rapidly than normal, eats alone owing to embarrassment by how much she is eating, feels a loss of self-control, and afterwards has intense feelings of self-disgust, depression, and guilt.

These feelings cause the bulimic to purge by self-induced vomiting or with laxatives, exercise strenuously, or fast to rid herself of the calories taken in during a binge.

The World Health Organization classifies bulimia nervosa as a disease in which the bulimic suffers from a binge-purge episode at least twice a week over a period of three months or more. Some bulimics can have 10 or more attacks a day. The number of attacks and their frequency can vary, and are usually provoked by stress, anxiety, or unhappiness. Many bulimics are also clinically depressed; the eating disorder can cause the depression or vice versa.

The binge-purge cycle is the bulimic’s effort (either conscious or subconscious) to avoid and/or release feelings of anger, frustration, or helplessness.

The cycle is also a form of self-punishment or sabotage; if the bulimic believes that she has been “bad,” she will binge and then purge to regain a feeling of control over herself.

As do most sufferers of bulimia, Hayes started bingeing and purging when she faced a drastic life change–in her case, becoming an au pair overseas, far away from everything familiar. Other changes that can spark an eating disorder include the death of someone close, leaving home for the first time, marriage, or divorce.

But bulimia is not a spontaneously occurring eating disorder. Most bulimics have suffered from child abuse, either physical, emotional, or sexual.

“Yes, I was abused as a child,” Hayes states flatly. “It’s something that I’ve dealt with, that I’ve come to terms with. I went through extensive therapy when I was a child, and I thought that it was over. When I was researching bulimia in order to overcome it, I found that the most probable cause for my disorder was that I was abused.

“It makes me furious all over again.”

BULIMICS ARE usually perceived by others as perfectionists, and at first they control the disorder in an effort to appear perfect to themselves. However, the disorder rapidly becomes an addiction and bulimia gains the upper hand.

“It’s actually a physiological push to eat a lot of food, to compensate for what the body has been deprived of,” adds Dr. Mary Neal, a San Diego psychiatrist. “Another reason the bulimic may binge is because of emotional instability. Bulimics can’t regulate their own negative emotions such as anger, tiredness, or guilt. Food is immediately accessible and comforting. The act of eating distracts from emotions, and the tryptophan [an amino acid] . . . actually has a sedating effect.”

“Since I’ve been back from New Zealand, I’ve been keeping it under control,” Hayes explains. “I’ve only thrown up when I’m under a lot of stress, maybe if I’m nervous about something. I can honestly say that this is the first time in two years that I feel like I have normal eating habits, even though I don’t feel that the way I think about food is normal.”

Hayes has been home for almost a year now. In that time, she says, she has made herself throw up only three or four times. “I’m still not happy with my body,” she says, “but I try to improve it by working out a lot and eating healthy, not by throwing up. But sometimes I’ll go through a phase where I’ll only eat junk food for about three weeks. I’ll get really depressed and start hating myself again. It’s nuts how what I eat determines how I feel about myself.

“For me, it was hard because I was such a late bloomer; my body really only started developing hips and stuff in the last two years. Because I thought I was already shaped the way I was going to be shaped, the changes completely shocked me.”

Hayes prods one of her thighs with a forefinger, then looks wistfully out the window. “This was at the same time that I went to New Zealand and I really felt like I was out of control. I couldn’t keep a rein on my body, and I was in a different culture,” she explains. “My host parents would get really upset if I refused food, and I didn’t want to eat anything that they served me; it was all butter and cheese, and I was vegan.

“So I decided that I would just eat anything that I wanted and then throw it up so I wouldn’t get fat. I used to have to make myself do it, and I’d scold myself for acting like such a cheap soap-opera character.

“But after a while I got into the habit of stuffing myself with so much food–I couldn’t control how much I was eating–that even the throwing up part of it became an addiction. I needed to feel the reassurance of everything coming up again. I’d feel so much better afterwards.”

She looks uneasily at the hollandaise sauce on her eggs, pushes a bite around the plate, and then swallows it. She smiles. “This is good, though,” she offers. “I just won’t eat anything else today.

“I do try to stay healthy,” she adds. “I’m afraid to go to the dentist, though. I know that my body is pretty healthy because I generally eat right and I do sports, but my teeth hurt a lot. I hope they didn’t rot from stomach acid. I can’t even afford to have them cleaned right now, much less have root canals or something.”

BULIMIA DOES take its toll on the body. Induced vomiting can cause enlarged parotid glands (in the neck), inflammation in the esophagus, dental cavities and erosion, and injuries to the inside of the mouth. The bulimic’s low potassium level can cause urinary tract infections, kidney failure, and heart irregularities. Laxative abuse can damage the colon and slow the intestinal tract. Abuse of diet pills can cause dehydration and low potassium.

A bulimic may suffer from indigestion, facial puffiness, sore throat, constipation, muscle weakness, irregular menstrual periods, and fatigue.

To those that are suffering from bulimia, and to the families of bulimics, Dr. Price offers some tips. “First of all, the bulimic needs to stop dieting,” she emphasizes. “She needs to practice eating three meals a day. The human body gets hungry about every four to five hours. If the bulimic goes beyond that time frame without eating, it will be that much easier for her to binge out of hunger.”

Bulimics should also stop weighing themselves, says Price, and get rid of any clothing that is too small that they are trying to fit back into. These are obsessive behaviors, and obsession is the root of bulimia. A sufferer of bulimia should practice changing one behavior at a time. For example, if she knows that her difficult period–the time during which she is most likely to binge–is in the late afternoon, she should have some kind of high-carbohydrate food like a baked potato that will take away the urge to binge while leaving her craving for food satisfied.

“I had a five-gallon jar full of suckers,” observes Hayes. “When I was trying to overcome the urge to binge, I would grab a sucker so I’d have something in my mouth, and I’d try to leave the house. It’s really important to get away from food when you know you want to binge.”

Dr. Neal also urges bulimics to seek help. Most bulimics will not tell anyone about their disorder because they are ashamed and afraid that others will reject them because of it. Until the disease has completely taken over their life, she says, they will not seek help.

“Often a friend will notice that someone is bulimic, and it’s very important for the friend to confront the bulimic,” notes Neal. “The bulimic will become very defensive, but the friend [or family member] should persist with the expression of their concern.”

She also advises that in the case of a younger bulimic, a family member, school nurse, teacher, or school counselor should be made aware of the problem. “Sometimes it’s easier for an adult to intervene,” Neal says, “and the sooner you nip bulimia, the sooner it can be taken care of.”

FOR HAYES, recovery was not a cut-and-dried process. After making the conscious decision that being a little overweight was better than being a bulimic, Hayes stopped purging. The binges were harder to control. “After I stopped throwing up, I gained about 10 pounds because I would still binge. I’d eat like a gallon of ice cream and five cheese sandwiches, but I wouldn’t let myself throw up,” she says.

“I’d lie on my bed and groan and suffer. I wanted my body to see what it felt like to have all of that food inside of it. It took a few months of about twice-weekly binges”–Hayes had been bingeing and purging four to five times a day–“but I finally stopped bingeing.”

When asked how she feels her disorder is doing today, Hayes replies, “The worst thing is that every day, although I don’t have to worry about bingeing and purging anymore, I still analyze everything that I put into my mouth, and most of it I feel guilty for eating. And if I feel too badly about it, or try to deprive myself of a food because I’m afraid that it will make me fat, that I won’t be able to stop eating, and then I’ll fast the next day.

“I hate it,” she says angrily. Then she adds, “I’ve talked to some of my girlfriends about it and a lot of them have the same problem. It’s just ingrained into women of this culture that no matter what height you are, you’re supposed to weigh 125 pounds. I used to model, and I think that’s part of what messed with my head. I did it when I was 16, and I still feel like I should look that way now because that’s our cultural standard of perfection. And even though I know it’s wrong and that women in magazines are too skinny et cetera ad nauseam, I still push myself to look that way.

“It’s really fucked up.”

From the July 23-29, 1998 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Spins

0

Hillbilly Heaven



New releases by and about country singer Dwight Yoakam

Dwight Yoakam
A Long Way Home (Reprise)

MUSIC CRITICS and feature writers across the land are tugging their forelocks over country crooner Dwight Yoakam, trying to reconcile his burgeoning Hollywood career with his status as one of country music’s most enduring and innovative talents.

Breathless and agitated, they pose the same question over and over again: What does it all mean?

With his recently released A Long Way Home, singer and songwriter Yoakam–who rode into the spotlight during the mid-’80s on the leading edge of the genre’s neo-traditionalist movement and helped spark the decade’s country revival–counters with a succinct answer: Nothing.

Those seeking proof need only consult “Traveler’s Lantern,” a bluegrass tune so pure that, by the second verse, it conjures images of mountain folk drinking moonshine while their barefoot children dance with chickens around a campfire.

So much for Yoakam going Hollywood.

If anything, A Long Way Home is a metaphorical journey about embracing roots, not abandoning them. On his last collection of originals, 1995’s Gone (followed by a live album and a set of covers), Yoakam shunned his honky-tonk pedigree, exploring a more mongrel sound and incorporating a broad tapestry of influences.

Interesting, yes, but hardly memorable. And a subsequent release of cover tunes that ventured into swing was downright forgettable. But now Yoakam is back, and once again he’s packing a punch.

While the masterful songwriting of A Long Way Home evokes such Yoakam classics as This Time and If There Was a Way, it also explores fresh sonic territory, cultivating a working balance between tradition and experimentation.

Ultimately, however, Yoakam is at his finest when twanging his way through such hardcore honky- tonkers as “These Arms” and “That’s Okay” or balladeering on the haunting “I’ll Just Take These.”

While the arrangements on A Long Way Home are spare, the sound is fat and crystalline. And Yoakam’s voice has perhaps never sounded better.

In a musical genre increasingly populated by sellouts and poppinjays, it’s reassuring to know that there’s an “actor” out there capable of injecting passion and ingenuity into popular country music.
CHRIS WEIR

Various Artists
Will Sing for Food: The Songs of Dwight Yoakam (Little Dog/Mercury)

IT’S FITTING that this collection of 14 Dwight Yoakam songs, performed by other artists, serves as a benefit for the homeless, given the populist sentiment of his music. Conceived by Yoakam and his guitarist- producer Pete Anderson (who serves as executive producer), this project brings together an impressive variety of roots Americana musicians, including mandolinist Tim O’Brien, country vocalist Bonnie Bramlett, the Blazers, and mystical singer/songwriter Gillian Welch with David Rawlings.

Their interpretations shine new light on such Yoakam-penned classics as “This Time,” “Miner’s Prayer,” and “I Sang Dixie,” presenting further evidence for his status as a country music original in the tradition of Hank Williams, Johnny Cash, Merle Haggard, and Willie Nelson.
TERRY HANSEN

From the July 23-29, 1998 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Wine Country Film Festival

0

Passion Play

The Bird People of China takes flight at the Wine Country Film Festival, which begins showing films in Sonoma County on Aug. 5.

Michael Amsler


Movies find love at the Wine Country Film Festival

By David Templeton

JUST A FEW moments ago, Steve Ashton appeared relatively calm. His manner was easygoing, his voice and gestures composed, as he led the way through a rambling old farmhouse–from which the annual Wine Country Film Festival is dreamed up and launched each year–and out to a peaceful spot by the side of a sun-drenched, frog-filled pond. As Ashton discusses the film festival in general terms, characterizing various aspects of this year’s event and comparing it all to festivals of the past, his manner remains composed, professional, reserved.

Then he starts talking about the movies–the specific films that have been selected for the 12th Wine Country Film Festival: films from Algeria, South Africa, Germany, the Czech Republic, Mexico, Canada, and Iran; films about love, passion, music, freedom, revolution, friendship, obsession, spicy shrimp, and the imminent demise of the world. As Ashton describes each new film, his voice rises in excitement, he grins, laughs, shouts, barely containing his enthusiasm for the remarkable visions crafted by each of these filmmakers from around the world.

As the founder and director of the homegrown extravaganza that takes place in Napa and Sonoma counties over a four-week period every summer, Ashton is doing something he loves, and it shows, in the way he talks about it and in the festival itself.

Sure, the Wine Country Film Festival may not be as trendy or well known as some its Northern California cousins–the increasingly glittery San Francisco and Mill Valley Film Festivals, for example. Still, over the course of its existence, the event has earned a unique reputation. Without question, the WCFF is one of the country’s more offbeat and eccentric celebrations of cinematic art. But most important–certainly this is the one element that has brought the festival heightened international awareness in recent years– the WCFF places a special emphasis on films with a social conscience, works that Ashton identifies as “films from commitment.”

No other mainstream festival of comparable size and scope has devoted as much energy and inventiveness to promoting and identifying those films and filmmakers that attempt–often daringly so–to make a difference, to alter people’s perceptions of one another, to bridge cultural gaps.

“To change the world,” Ashton affirms. “That’s certainly one of our hopes in presenting these films. Our program will contain the words ‘Film can give rise to our dreams and bring forth creative new possibilities in each of us. Through film, sometimes a person can be awakened.'”

“Any film, international or otherwise, that effectively bridges some kind of gap–that’s an important film,” he adds.

It was Ashton’s commitment to such films that brought him to the attention of the United Nations. This August, the United Nations will be celebrating the 50th anniversary of the Declaration of Human Rights, with a massive symposium to take place at the United Nations in Geneva, Switzerland. In concert with this event, a special film festival is being organized, and Ashton has been asked to select the movies that will be seen by delegates from all corners of the planet.

Many of the chosen films will be screened at this year’s WCFF. Among them is Polyas (meaning “jester”), which was filmed in South Africa. It was the first movie in the Afrikaans language to be submitted for an Academy Award. The story of a mute boy escaping a troubled home life who befriends a mysterious clown after joining a traveling circus, the film was produced by Anant Singh (Cry the Beloved Country, Sarafina), who will be on hand to receive the festival’s Distinguished Producer Award.

“The relationship between this white boy and this African jester in makeup,” Ashton enthuses, “is the central metaphor, the metaphor of accepting differences in other people. That is at the base of every conflict you can think of, be it racism, apartheid, nationalism, whatever. It’s all about learning to accept one another’s differences.”

Polyas will be screened outdoors at the Valley of the Moon theater in Jack London State Park. The showing of movies beneath the stars is one of the unconventional elements of this festival; numerous outdoor screenings will be held in Napa as well, at the Napa Valley Museum.

Other notable films the festival will be offering:

Dance with Me–the opening night film–is directed by Rhanda Haines (Children of a Lesser God, The Doctor) and stars Vanessa L. Williams, Chayanne, and Kris Kristofferson. Exploring the relationship between a bitter, unlucky-in-love ballroom dance champion (Williams) whose passion for dance is rekindled after meeting a young Cuban dancer (Chayanne), the film will be preceded by a Latin ballroom dance competition, open to the public.

The Tic Code, starring Gregory Hines and Polly Draper, is a jazz-laced story of a 12-year-old musical genius, his mentor (Hines), and the boy’s mother (Draper). The title has to do with an unspoken communication between those with the nervous disorder Tourette’s syndrome. Draper (who wrote the screenplay) and her jazz composer husband, Michael Wolff (who lives with Tourette’s himself), will make an appearance.

“It’s a film about transformation,” explains Ashton. “A very rich picture.”

FELIX ADLON (son of Bagdad Cafe director Percy Adlon) will attend to screen Eat Your Heart Out, his new film about fame, friendship, and good cooking, preceded by a spicy shrimp cook-off between father and son. The remarkable Chiapas, a film about an Irish couple on a journey through Mexico, is one of the films Ashton has selected to take to Geneva, as is Honey and Ashes, a beautiful Algerian film about a trio of modern women dealing with the ingrained misogyny of North African culture. The Secret Life of Algernon stars Northern Exposure’s John Cullum (who will also be in attendance) as a hapless hermit upset by the intervention of a sexy and ruthless treasure hunter who is sure that a valuable artifact is buried somewhere on the old man’s property.

“As you can see, we’ve got a lot going on,” Ashton concludes, beginning to return to his formerly low-key demeanor. Suddenly, however, he’s reminded of another film. “It’s Zakir and His Friends, following Zakir Hussein, the great tabla player, literally around the world as he plays with every conceivable type of percussionist! That’ll be al fresco, and Zakir will perform before the film.”

Ashton, fired up by the mere thought of so much rare and eclectic cinema, is fully amped again.

“Wait till you see Divorce: A Contemporary Western,” he grins. “You won’t believe how good this movie is.”

The Wine Country Film Festival runs July 23 through Aug. 16. Films will be shown in Napa County until Aug. 2, and the festival comes to Sonoma County Aug. 5. For details, call the 935-3456.

From the July 16-22, 1998 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Talking Pictures

0

Twisting Fate


Michael Amsler

Chin up: George Clooney comes face to face with love in ‘Out of Sight.’

Novelist/screenwriter Amy Ephron on Jennifer Lopez’s ‘Out of Sight’

By David Templeton

David Templeton takes interesting people to interesting movies in his ongoing quest for the ultimate post-film conversation. This time out, he meets author/screenwriter Amy Ephron to check out the outlandish crime-thriller Out of Sight.

LET’S DO THIS again some time,” suggests Amy Ephron, shaking hands as we part ways on a San Francisco street corner–across from the theater where we’ve just seen the new George Clooney film Out of Sight.

“But next time,” she emphasizes, “we’ll pick a better movie.”

Born and raised in Hollywood, Ephron is from a whole family of successful authors and screenwriters that includes her late parents, Henry and Phoebe (There’s No Business Like Show Business, Daddy Long Legs) and her sister, writer-director Nora Ephron (When Harry Met Sally, Sleepless in Seattle). Amy–for years a respected Hollywood production executive–has taken up the family business in recent years, writing numerous screenplays and even landing a much- discussed novel on the New York Times bestseller list.

Now at the tail end of a multicity book tour, Amy is currently visiting Northern California to promote the paperback release of that book, the celebrated A Cup of Tea. Like Frances Hodgson Burnett’s classic A Little Princess–which Ephron adapted for the screen in 1995’s award-winning film version–A Cup of Tea takes place in New York during World War I and explores similar themes of class distinction and prejudice.

The tale of a privileged woman whose destiny takes a nasty turn after she impulsively invites a penniless woman home for a cup of tea, the book has been optioned for the big screen by none other than legendary producer Jerry Bruckheimer and his wife, Linda. Bruckheimer–the force behind such explosive entertainment as Armageddon, The Rock, and Top Gun— seems an off-the-wall match for this quiet little story that takes place mainly in drawing rooms and hat shops. Thankfully, Linda–who read the book and loved it–will be handling the hands-on producing chores.

“We’ll see what they do with it,” Ephron grins. “It’s going to be fascinating.”

Bruckheimer, in fact, is one reason we chose to see Out of Sight–an outlandish yarn about a charming bank robber (Clooney) and a feisty U.S. marshal (Jennifer Lopez) who fall in love while trapped together in the trunk of a getaway car. The movie– directed by Steven Soderbergh–was produced by Bruckheimer.

I GUESS MEN really like Jennifer Lopez, huh?” Ephron quizzes me. “Men think she’s pretty hot?” We’re sipping Turkish coffee at a small cafe down the street, having left so quickly after the movie was over that, even as we settle into our seats here, the credits may still be rolling back at the theater.

“I’d have to agree with those men,” I reply.

“I don’t think her character made any sense,” Ephron says. “But then nothing in this film made sense. Some of the direction is so good, though–with those neat little instant-freeze frames right in the middle of action, and the way the plot started in the middle, skipped back to the beginning, and then worked its way back to the middle and on into the whole shoot-out thing at the end …”

“With Lopez waiting outside with her loaded gun and her lip gloss,” I interject.

“Right! Well, that’s another thing that doesn’t make sense,” Ephron laughs. “But some of it was so clever that every once in a while I was fooled into thinking I was watching a good movie. It just goes to show what a good director can do with a not-so-great script.

“So what did you think?” she wants to know. “Aside from Jennifer Lopez.”

“I enjoyed the impulsiveness of the love story,” I admit. “That this U.S. marshal, who by a weird, accidental twist of fate ends up in a trunk with an escaped convict, would be so compelled to pursue him– professionally and romantically–was kind of fun. Not unlike the impulsiveness of the woman in A Cup of Tea,” I point out, “who gives in to the impulse to invite this stranger home to tea, and later regrets it.”

“Well,” Ephron mulls this over, cradling her coffee cup. “In my book she was compelled to do what she did, as opposed to merely being impulsive. There’s a difference. When you are compelled, it is as if you have no choice, but when Jennifer Lopez decides to sleep with George Clooney, she’s being impulsive–almost psychotic, actually. What am I saying, ‘almost’? It was completely psychotic.”

“I think that if there’s any lesson here,” she continues, “it’s like … don’t write the end of the story before it happens. Sometimes in life we will stop ourselves from doing something–or choose to do something– because we think we can see the ending of the story before it happens; we think we know how it’s all going to turn out. And that’s probably not smart, because the truth is, you can’t see the end of the story before it happens, not in our own lives.”

“So, the bank robber and the marshal think they can see the end of their story?” I wonder.

“Sure,” Ephron nods. “They probably think they’ll end up in Mexico together, or something. But we, the audience, can see the end of the story coming, too–and we know it’s never going to turn out like that.”

“But with another little accident of fate couldn’t Mexico be possible?” I argue.

“In fiction anything is possible,” Ephron says. “In real life … well, in real life a lot is possible, too. It’s that ingrained belief in fairy tales. I think we all believe that just around the corner–maybe this corner, maybe that corner–something might be waiting to happen, something that might change our life. That the next five minutes could end up defining our entire existence.

“And you know what?” Amy Ephron smiles. “Sometimes that’s exactly what happens.”

From the July 16-22, 1998 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Stone Creek Wines

0

Wine Trek

Courtesy of Paramount


Local winemaker warps into the future

By David Templeton

STARDATE: 1998.7.16. While firmly rooted in the rugged history of Northern California–and with literal roots in the region’s fertile land–a small, family-owned Sonoma County winery has recently gained a thrilling glimpse into its own possible far-flung future. Stone Creek Wines of Kenwood has, one might say, boldly gone where no winery has gone before–warp speed into the 24th century.

This isn’t science fiction we’re talking about here.

When the creative whiz kids at Paramount Studios first conceived of a major Las Vegas attraction based on their famous Star Trek television show, their ambitious concept was to create an environment in which fans of the popular sci-fi series could make believe that they had actually entered the vivid world of Star Trek.

Visitors would be “beamed up” to the transporter room of a Federation starship, walk the deck of a life-size Enterprise, suffer an attack by Klingon birds of prey, escape aboard a bouncy shuttlecraft, and then be sucked into a whirling time warp. Guests would be able to stroll along the promenade of the vast intergalactic space station Deep Space Nine.

There they would interact with Klingons, Ferrengi, Vulcans, and Federation crew members. Visitors could even have lunch–at Quark’s Bar and Restaurant, lifted whole from the Deep Space Nine TV show–and enjoy imaginative and tasty cuisine, while sipping such bizarre interplanetary libations as Romulan Ales, Cardassian Coolers, Vulcan Nerve Pinch Martinis, and, of course, Deep Space Wines.

How about a nice Klingon Blood Wine? Maybe a rich ceremonial cabernet worthy of the Sacred Chalice of Rixx? There would have to be a good aged El Aurian wine (El Aurians live a long time!) and perhaps a refreshing white zinfandel for the Trill in all of us. After all, no self-respecting Ferrengi barkeep would dream of opening his doors without a good wine cellar under the floor.

This is where Stone Creek beams into the picture. While Paramount’s engineers and designers set about bringing all the rest of the concept to glorious, three-dimensional life, Simon Liu–director of food services for the recently opened Star Trek Experience at the Las Vegas Hilton–searched the universe for a suitable maker of wines.

“First of all, I knew it wouldn’t be easy to find any winery willing to do a special labeling, especially with a wine from Sonoma County,” explains Liu. “And I was looking for a quality wine. I wasn’t about to go with just anybody. Quark’s Bar and Restaurant is a quality establishment,” he adds. “I wanted a wine that would do us justice.”

Luckily, Stone Creek general manager Barry Jacobs is a Star Trek fan himself. “I loved the idea,” Jacobs laughs. “I mean, Deep Space Wine! Why not?”

Adds Stone Creek marketing director Cynthia Slayton, “At first we had no idea what the labels would look like, or what the names of the wines would be, and we were concerned about getting the labels approved by the [Bureau of Alcohol, Tobacco and Firearms], which is notoriously picky about what goes on a wine bottle.”

Their concerns were valid. How do you explain a product called Klingon Blood Wine, or the Sacred Chalice of Rixx? “The government,” Slayton laughs, “didn’t have a clue what to make of any of this.”

EVENTUALLY Paramount provided a step-by-step explanation of the labels for each of the four suggested wines–complete with a guide to various Star Trek aliens. One can only imagine the look on the faces of the board members as they examined the label for Trill.

It read: “In reference to a species of alien called Trill, a species made up of a humanoid host and a symbiont that lives inside the host: The Trill are extremely long-lived, and consequently the label makes a good play on the idea of an aged wine.”

It’s a good thing the BATF didn’t see the classy, full-colored Quark’s wine list, describing Trill wines with the words, “These grapes have been tended by the same Trill for over 350 years, through seven different hosts.”

Likewise, the Klingon Blood Wine label proclaimed, “An honorable vintage to quench the thirst that burns in the heart of a true warrior.”

The labels were approved.

“I always said there had to be at least one Star Trek fan on the board,” quips Jacobs.

Quark produced an initial order of 2,000 bottles. “It’s selling even better than we expected,” says Liu, who probably could have guessed that travelers would want a drink after traveling through space and time (and yes, visitors really are “beamed up” to the Enterprise, in a satisfying blend of show-biz trickery and special effects).

So, will Stone Creek still be around in another 400 years, providing exceptional wines for all the sentient beings of the universe? Will Northern California still be growing grapes, for that matter, or will the humans have sucked the last of the minerals from the soil by then?

“My prediction,” offers Slayton, “is that Napa will have sold off all its vineyards to real estate developers, and the county will become a giant picnic park with tasting rooms here and there, selling wines made from grapes grown in the Central Valley, or out in space.”

“Sonoma, of course, will have managed its soil better,” continues Jacobs. “We’ll have cut our vineyards in half and alternated growing back and forth every seven years, so the soil stays fertile.

“We’ll be right here,” he adds with a confident chuckle, “in the 24th century, still making the best wines in the universe.”

From the July 16-22, 1998 issue of the Sonoma County Independent.

© Metro Publishing Inc.

The Fishing Industry

Fate of the Fishes


Michael Amsler

The tale of the fish: The Cordell Banks west of Bodega Bay are a rich resource, locals say, but stringent state and federal regulations–along with claims that the stock is being overfished–are making life harder for commercial fishermen like John Salerno (above), for whom the regulations are “a big fuck job.”

Regulations may be killing the local fishing industry; but is the industry itself killing the resource?

By Stephanie Hiller

EARL CARPENTER is not going salmon fishing these days. Warm ocean currents have taken a toll on the salmon population on the central coast. The fish have moved north, to colder waters; but up north, the fishing season hasn’t opened yet. “If we didn’t have the fishing regulations, most of the boats would be up in Northern California where the feed is,” says Carpenter, a longtime Bodega Bay resident. “But they’ve got us pretty locked in now.”

Carpenter, 69, is standing on his weathered boat, the Annabelle, twisting a piece of twine in his scarred fingers while he talks. He’s doing a little work on his boat today before going out to pull in a few crab pots. He’s been a fisherman since he graduated from grade school in ’41, when his father moved the family down here from the Pacific Northwest.

“Up in Oregon,” he recalls, “the wind blew

“Up in Oregon,” he recalls, “the wind blew so bad you had to pull the boats up out of the water every night.”

The safe harbor of Bodega Bay was just opening up for crab fishing at the time. When the crab season ended, there were salmon all summer long. New salmon trollers were outfitted with stainless steel lines, thanks to wartime technology, and lots of newcomers were joining the fleet. “All the veterans came back pretty disgusted at the world,” Carpenter says, “so they thought fishing would be perfect for them.” There were plenty of fish processing plants all up the coast, most of them family operations.

In those good ‘ol days, fish were plentiful and restrictions few. “In my time, the season used to be from May 1 to the end of September,” Carpenter says.

Sacramento River King salmon (Chinook) were the industry’s main staple, along with some silver salmon (coho) from the Russian River.

Carpenter raised his two sons to be fishermen. They did well enough, he says, supporting their own families. But their children will not be going fishing. “They’re in college where they belong,” says Carpenter, noting that very few young people are joining the fleet. “Used to be, you could start out with a little boat, and if you were tough enough, and worked hard enough, well, you could get a bigger boat. You could make it.”

Today, permits alone are often prohibitively expensive. You just can’t get started unless you have the money.

“There’s no future in it,” he says.

SPORTS FISHERMAN Mike Malone also is worried. From where he sits, he’s become convinced that the last great California fishery is about to meet its demise. “In the mid-’80s, we were catching four or five hundred pounds of rockfish out of Bodega Head with a hook and line,” he says, taking a bite out of his stack of pancakes at the Pine Grove Restaurant in Sebastopol. “Then the longliners came on, and the fish were gone!”

A geologist by profession and an avid sports fisherman, Malone spends most of his spare time as a volunteer activist working with United Anglers to preserve the fishery. For him, fishing is a sport, but commercial fishermen have been part of his life since boyhood. “They were my heroes!” he says, with a good-humored smile and a James Stewart chuckle about a situation he takes very seriously. He tried his hand at commercial fishing himself, but gave it up when he saw the stocks go down.”When there aren’t very many fish, what do the fishermen do?” he asks. “They fish harder! And I understand that. They’ve got to pay the bills. But I’m not sure it’s good for the resource.”

Malone does not want to get embroiled in the argument between the sports anglers and the commercial fishermen that has long plagued the debate about fisheries management, with each side accusing the other of taking more than its fair share.

“I look at this as a resources issue,” he says.

Without the fish, after all, there’s no fishing for anyone.

FISH, the Seafood Council is happy to remind us, is a healthy food, low in cholesterol, high in nutritious omega-3 oils. Fish used to be inexpensive as well as salubrious. Now the cost of ordinary fish fillets rival that of steak, and year after year the price goes up.

A relatively new fishery, rockfish, or ground fish, comprises the majority of the fish fillets we commonly find at the supermarket, including the staple red snapper, which is actually a market term for a number of rockfish with red coloration.

Unlike salmon, which range hundreds of miles from the ocean to the inland freshwater streams to spawn, ground fish are fairly sedentary characters who, like old sages, prefer to remain at home in their caves in the ocean deep. They do not pursue their prey but simply wait for it to pass their doors. In their supreme patience, they seem to get by when food is scarce. They are unusually long-lived, with some species known to exceed 100 years.

Until fishermen found ways to penetrate the ocean’s depths, predators at the bottom of the sea were rare. Now, relatively new techniques have shattered the agreeable silence once enjoyed by the bocaccios, the yellowtails, and their neighbors, the ling cod. Drag boats comb the ocean floor with huge nets, picking up everything they encounter along the way, landing as many as 100,000 pounds of fish in one trip. But the method is so indiscriminate–sweeping in sea mammals along with the occasional boulder and old rubber tire–that it has been outlawed within three miles of the coast.

“It’s just like plowing a field,” says former drag fisherman Charlie Ford. “It turns everything upside down and throws it in the net–pieces of coral, a lot of fish you can’t use. It’s a real destructive method.”

Fish and Game biologist John Mello points out that the dragnets may be destroying valuable habitat for other species that live at the bottom of the sea. When the draggers were pushed far offshore in the 1980s, the long line was developed as an alternative by some clever Vietnamese fishermen. Literally a long fishing line with a thousand baited hooks, it is pulled along the ocean bottom, luring the fish from the safety of their nooks and crannies in the rocky reef. Long lines are cleaner than the nets and highly efficient. Using smaller boats than the draggers do, longliners can land 10,000 pounds of fish in a day.

All this activity has its effect on the fish. Up and down the coast, some species of rockfish are starting to bottom out. The Cordell Bank off Bodega Bay, where longliners and recreational party boats compete for fish, “is quite a lush fishing ground,” says Mello, who works out at the bay. “It receives an awful lot of fishing pressure.”

Says Malone, “The fish are just not there.”

According to Larry Six, executive director of the coastwide Portland-based Pacific Fishery Management Council, “The declining populations of some ground fish strain our capability to provide a year-round fishery. We are not seeing a strong recruitment of young fish.”

As a result, five fish were placed under significant restrictions last year: ling cod, bocaccio, sable fish, yellowtails, and thornyheads. According to some reports, bocaccio, which appears at the market as red snapper, has dropped 80 percent in the last decade. Fishing bocaccio up and down the coast has been strictly limited this year.

But Pete Leibzig, head of the Eureka Fishermen’s Marketing Association for ground fish, says the assessments are wrong. “These fish had not been fished until the 1970s,” he says. “If you tell me the population has dropped in the past 20 years, I will tell you I am not surprised. Fishermen will tell you they don’t see any change. They’ve been out on the sea for years; they see the fish. It’s anecdotal information, but it’s very important, and I think its value is underestimated.

“When the computer printout is very inconsistent with what the fishermen see, I think you should take a look at your computer model.”

Fishermen have a great interest in protecting the resource, and “we hope they’re in [fishing] for the long term,” says Deb Wilson, a Monterey biologist who keeps tabs on the recreational fishery. “But with overcapitalization, that may not be the case.”

THESE DAYS, fishing has gone high-tech, and the equipment is expensive. It’s also devastatingly effective. “The fish have nowhere to hide,” says Tom Moore, head of the Bodega Bay Fish and Game research facility. Sonar sensors placed on the dragnets send images to a computer screen on board the boat.

“It’s like a video game,” says Moore. “Fishermen can see exactly where the fish are and scoop up the entire school. It becomes a kind of a Catch-22. Now the fishermen have to fish that much harder to pay for the sonar. Rising expenses of licenses as well as gear make it harder and harder for them to own their own boats.

“A lot of skippers don’t own their boats,” adds Moore. “The boat may be owned by the fishing processor. He’s telling the skipper, I want so many pounds of this fish and so many pounds of that. If the skipper doesn’t bring that much in, the owner will get a new skipper.

“It’s tough!”

And the processor is the one making the lion’s share of the profits. The fishermen earn 50 to 80 cents a pound for fish that may cost $6 at the store.

“Every year fewer boats can catch the same amount of fish,” Moore continues. “Do you manage the fishery biologically or for economics? The federal Magnuson Act says manage for both. Tough!”

And the supply, adds Moore, is going down–no question. “1989 was the peak year of world fishery. Production will be declining from that point from now on. Nothing you can do about it.”

Assessing the health of particular fish stocks is complicated by the number of agencies assigned to regulate them. The National Marine Fisheries Service recently took over the management of the ground fish in the offshore area, three miles off the coast. Commercial fishing within three miles is managed by the California’s Department of Fish and Game. But the recreational, or sports, fishery is overseen by an entirely different agency, the state Fish and Game Commission.

All agree that monitoring the health of the fish populations is a tough call. “I think we’re seeing a decline in fish,” says Wilson, “and that means we’re going to have to make some tough decisions. But it’s very difficult to assess what the resources are.”

Says Pete Glock of the Pacific Fishery Management Council, “We don’t have the information. It’s a real problem. Some of these fish are a mile deep.”

Fish and Game biologist L. B. Boydstun echoes their lament, speaking of the “administrative difficulty of managing these fisheries, assuming we could understand the situation. What’s missing here is definitive biological information.” And, says Wilson, that information, in the form of unbiased studies that do not rely on the fishermen, is very expensive.

With state budget cutbacks of 60 percent over the past decade, the department finds itself too understaffed and underfunded to produce the necessary scientific studies. Meanwhile, the fishing continues. “We see this problem over and over again,” says Mello. “A stock will be fished and we don’t have the records on which to base management policy.”

While biologists try to gather hard data, he adds, the fishery gets wiped out. “We’re trying to turn that around,” Mello explains.

In Alaska, when a new fishery is developed, regulators limit the catch at the outset and observe the results before heavy fishing is allowed. A bill before the California Legislature includes recommendations for that type of precautionary management.

But it may be too late for rockfish, which are threatened not only offshore but in the kelp beds that fringe the Sonoma County coastline. These inshore rockfish species constitute the live fishery, which meets the growing demand of the Asian market for fish 1 to 3 feet long, for which it pays handsomely. Instead of getting 80 cents or a dollar a pound for the bigger offshore varieties, fishers can earn as much as $5 a pound for the live fish. Fishermen use small boats and a simple line made of PVC pipe with about a dozen hooks attached to it.

“I only need 100 to 150 pounds a day,” says Charlie Ford, who, at 42, calls himself semi-retired. Ford says most of the fish he takes are 12 inches long and “don’t get any bigger”–in other words, they’re mature.

But Fish and Game biologist Tom Moore says that “12 inches isn’t a magic number. We like cabezone to be bigger. At the same time, we’re trying not to double dip; taking pre-spawners and the fish that are the big spawners will do serious damage.”

If Ford is careful to let the little ones return to the ocean in good shape, other fishermen keep whatever they get, Moore says. “Some bring in 3- and 4-inch fish. If the market doesn’t want them, they’ll take them home and fry them in the wok.”

MEANWHILE, fishing in the near shore has been limited. Where once boats went in with 5,000 or 6,00

0 hooks, they are now limited to 150 and prohibited from weekend fishing. Those regulations will sunset in 1999, leaving the resource unprotected unless AB 1336, a bill proposed by state Sen. Mike Thompson, D-Sonoma County, is passed to renew them. “My fear is that we fished too long here before the regulations went in, and passed the threshold for the survival of some of these fish,” says Moore.

To the fishermen, regulations are onerous, creating tons of paperwork, adding costs, and putting their livelihoods at the disposal of political vicissitudes.

Says John Obertelli, a former welder turned commercial fisherman, “I thought fishing was the perfect getaway, out there on the sea by yourself. But I’ve never seen a business more regulated than fishing.”

John Salerno, manager of Eureka Fisheries in Bodega Bay (which sells the fish to markets) agrees: “It’s a big fuck job. The drag boats are on quotas–so many pounds of this, so many pounds of that. Say they’re out fishing black cod. They have 1,500 pounds of those they can get. If, in the meantime, they get short spine and they’ve already filled their quota on that, they have to throw them over.

“If I buy too many fish, I get a fine and the fisherman gets a fine, too. But they don’t care if the fishermen throw away a million pounds at sea, because that’s not landed. The state says you can’t throw it away inside the three-mile limit, but the fed says you can throw it way outside the three-mile limit!”

That means a lot of wasted–and very dead–fish, since those fish packed together in huge dragnets do not survive. Many types of rockfish also have air bladders that explode when the fish are brought up. All the fish that exceed the quota are wasted. Fishermen, both commercial and sports, decry this waste, an outcome of a quota system they say is a major factor in the decline of the fisheries.

Obertelli suggests that the wasted bycatch be given instead to charity and the fishermen allowed a tax credit. “Fish and Game would have a better record of them, too,” he says.

As it is now, nobody knows how many fish are thrown away. Moore says the National Marine Fisheries Service has been mandated to do something about the bycatch, and is making moves to do so.

It would certainly help to get all the fishermen, commercial and recreational, on the same side of the resource. Currently, commercial regulation must be approved by the Legislature, a cumbersome process. By contrast, the Fish and Game Commission, composed of fishermen, is able to act quickly to regulate sports fishing. A new law (AB 1241) proposed by state Sen. Keeley, D-Santa Cruz, would establish a single management body for both commercial and sports fishing. For Mike Malone, this is the necessary first step to saving the fish.

“We’ve seen that the fishing industry is pretty much in crisis and are trying to rethink how we manage it,” says Assemblywoman Virginia Strom-Martin, who will be chairing the Joint Committee on Fisheries and Aquaculture next year. “The Keeley bill takes a holistic view of fisheries management.”

BUT IF YOU ASK the salmon fishermen, regulations are not the answer. Season closures and other restrictions have done little to address the problem for salmon, according to Chuck Wise, head of the Fisherman’s Marketing Association for Bodega Bay and one of the directors of the Pacific Coast Federation of Fishermen’s Associa-tions.

“Some people would argue closure of the North Coast in California has not resulted in any fish populations coming back,” says Wise. “But it has ruined an industry. Fort Bragg, Eureka, Crescent City have no fishery at all anymore.”

Because salmon is an ocean fish that goes up the rivers to spawn, protecting this resource is very complex. “With the salmon, you have to talk about one river system at a time,” says Wise. Despite an increased population of Sacramento Chinook, the season has been reduced to protect the Klamath River salmon.

That’s frustrating for fishermen, says Wise, because it’s not fishing that has ruined the Klamath run: it’s the dams. The fish can’t get back up the river to the hatcheries to spawn. “You no longer have rivers. You have a series of lakes. There are 1,000 dams in that habitat drainage system on the Columbia River,” Wise says.

One human need has threatened another. Not the need for drinking water, but the need for hydroelectric power. “The Klamath run is never going to come back to where it was,” Wise contends.

Half the Klamath fish are given to the Native American tribes in Oregon. Some of the local fishermen object that the tribes are using gill nets in the rivers, further threatening habitat. Wise says the tribes “tend to catch less than what they’re credited with. They seem to be working on some sort of solution in this river.”

For Bodega Bay fisherman Earl Carpenter, who has been fishing these waters for 50 years, it’s federal management that has botched the job. “They have very few data and there’s no way of arguing ’em out of it.”

Carpenter believes that state Fish and Game has done a better job of fisheries management. But the impacts on salmon habitat may never be repaired. “You’ll never see any salmon in the mainstream of the San Joaquin River, but the tributaries are doing better.”

Some of the runs have recovered, fishermen report, with a record 500 spawners going back to the Sacramento River last year. Wise credits the rebounding fish populations to the contributions of the salmon fishermen themselves. “We tax ourselves to support the hatcheries,” he says. Carpenter cites the fishermen’s stamp program, a self-tax that goes to hatcheries and habitat restoration.

“And then we have a say about how it’s spent,” he says. “It gives us some clout.”

The return of the Chinook salmon is an encouraging sign that seems to indicate that when fishermen get involved, protection of the resource is more effective. Says Obertelli, “Once upon a time, fishermen were environmentally unconscious. But now they’re more educated about how interconnected everything is. It’s not rape and plunder.”

In his opinion, it’s not too late for recovery. “Resources can swing back.”

CARPENTER isn’t worrying about the rockfish. “They’re hard to catch. It’s hard to keep them alive.” He says people are in an uproar because the fishing is done close to shore where folks can see it. “And because most of the fishermen are Asian.”

He looks off in the distance as he talks, still holding onto the lighter he’s had in his palm for the past hour. He measures his words carefully, not wanting to offend anyone–the biologists he has worked with all these years, the sports fishers, or the other commercial fishermen. But the long pauses between his sentences reveal his sadness at the passing of a way of life that was good.

“I’ve been a fisherman all my life. That’s who I am. I’ve never regretted going fishing.” But for him, it’s over. He’s thinking about retirement.

“I just hate to leave the industry worse off than how I found it.”

From the July 16-22, 1998 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Greg Sarris

Hidden History

Janet Orsi


Greg Sarris’ ‘Watermelon Nights’ delivers epic story

By Patrick Sullivan

DON’T BE DECEIVED: The smooth skin of modern life hides something dark and potent underneath. Below the shiny, plastic surface, there is a hidden history waiting to be revealed. But no mere archaeologist, anthropologist, or historian can crack that Plexiglas shell and begin the necessary excavation. It takes a novelist of the caliber of Greg Sarris to uncover the truth, comfortable or (more often) not. In his new book, Sarris digs up enough skeletons to make us squirm and enough marvels to elicit repeated gasps of wonder.

Watermelon Nights (Hyperion; $24.95) is a sweepingly epic story that also manages to maintain an intimate focus on the lives of an American Indian family living in Sonoma County. Grandmother, mother, son: Three generations of the Waterplace Pomo tribe take a bumpy (and often tragic) ride through the 20th century. This tough-minded tale of poverty, prejudice, and violence plays out, like Sarris’ 1994 book, Grand Avenue, in the streets and fields of Santa Rosa and Sebastopol.

If the setting is familiar, some of the characters are initially quite inscrutable. The mysterious figure of Grandma casts a long shadow over this book. We are as confused by her subtle motivations as her puzzled 20-something grandson, Johnny, who lives in her house and sells used clothing while he plans his next move in life. He tries to pry truths from the old woman about tribal history and the emotional geography of his family, but often finds that she reveals the facts only after he has already figured things out for himself: “The problem is you can never know if she forgot or just never thought to tell you, or if she set the puzzle out on purpose,” Johnny tells us after stumbling across the fact that his best friend’s mother had been murdered.

But, as in real life, time blows much of the mist off the mysteries. The book works its way back through history at a measured pace, and Grandma soon emerges as a superbly drawn character, a woman who has been on the most intimate terms with horrific tragedy and lived to become a person gifted with strange (perhaps magical) ways of seeing.

Johnny’s mother, Iris, may be the most tragic character in this novel, even though she seems on the surface to suffer the least. Well educated and financially comfortable, Iris grows up struggling hard with her Indian identity. As a grown woman, she fights to understand her mother and her son. But both seem to slip like water through her fingers.

Sarris’ supple prose keeps this history lesson firmly on its feet. He often allows hair-raising events to sneak up on the reader–the full significance of a tragic event takes some time to sink in. Then, it hits us like a hammer. But these grim circumstances go hand in hand with sudden bursts of poetic beauty that appear like a rainbow after the storm.

Sarris–who is chairman of the Federated Coast Miwok Tribe–is also a master of the subtle nuances of racial politics. White racism stalks his characters like a hungry ghost, but tension over skin color and “Indianness” also flares up frequently within the novel’s Indian community. The author does a powerful and convincing job of portraying the complexities of this tragic situation.

In the end, Watermelon Nights has no easy answers to offer. But Sarris gives us something better–a powerful novel about deeply complicated human beings. It’s easy to say that we live on Indian land. Sarris tells us what that means.

From the July 16-22, 1998 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Tinder Records

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Light My Fire


Merrick Morton

Cameroon crooner: African superstar Henri Dikongue is signed to a local label.

Rohnert Park-based Tinder Records ignites the world of world music

By Charles McDermid

A STONE’S THROW from the Sonoma County Crushers Stadium, where one can watch a unique rendition of America’s favorite pastime, is the main office of World Music Distribution. That an ultra-modern, globe- spanning company with offices in New York City, Los Angeles, and Madrid maintains its nondescript headquarters amidst the industrial warehousing of westside Rohnert Park just adds to the immense irony.

Nestled between a frozen-calzone distributor and endless movers of car audio equipment, the nerve center of WMD could not be more innocuous. The passerby would undoubtedly do just that–pass by, hardly aware that within the confines of Unit No. 1 exists some of the most exotic music imaginable.

Salsa from Japan, Chinese Cha Cha Cha, flamenco, mambo, even a fusion album with the Bulgarian Women’s Choir: a tour through the catalog of Tinder Records (the recording label of World Music Distribution) is both a dizzying assault on the sensibilities for anyone weaned on mainstream American music of the last half-century and a candy store for the musically curious.

In all, Tinder promotes 2,000 different titles spanning 12 countries.

Of course, “world music” is a blanket term. One is reminded of comedian Steven Wright’s comment, “You can’t have everything in the world, because where would you put it?”

“There are really two definitions of world music,” says Didier Pilon, co-owner and co-founder of WMD. “In the United States it is everything outside the United States, but in Europe it mostly means African music. We don’t mix that with Latin.”

WORLD MUSIC is actually a marketing concept that began in London in 1987. Only an international style that proves commercially viable enough to warrant its own heading at the record stores is allowed to slip from the world music banner. Reggae and ska seemed the first to shed this onus and swam on to more profitable waters.

Pilon and partner Sandrine Direnzo began WMD from a garage in New York City shortly after arriving in the United States from Paris in 1992 and noticing the “big gap” in world music selections at American record stores.

“I was on vacation and stayed,” laughs the young Sebastopol resident, who admits to being too broke at times even to “buy a hotdog” in the early days.

After fleeing New York to Mill Valley in 1993, soaring costs in Marin forced the rapidly growing company north to its current Rohnert Park location. Since arriving in Sonoma County in 1994, WMD has grown 500 percent.

“We do our own manufacturing now,” says Pilon. “We have talent scouts around the world that buy master recordings of artists. We handle the manufacturing and marketing end. We then distribute this international music to retailers entirely within the United States.”

Despite such furious growth, Pilon is still somewhat frustrated with the American consumer audience. “The United States has been such a melting pot for music in the past, but it isn’t anymore. Find me a radio station that plays world music.”

LOCALLY, The Last Record Store in Santa Rosa reports that World Music comprises 10 percent of its sales–a majority of this behind the strength of recent releases from Cuba, which thanks to major label interest have dominated the world music market.

“We are looking for a better marketing tool and to raise awareness,” admits Pilon. “On the local market this basically means concerts. A Sonoma County World Music Festival is something we’re working on for the future.”

Already the county has benefited from Pilan’s commitment. Cameroonian singer/songwriter Henri Dikongue played at the Powerhouse Brewing Co. in Sebastopol last month in support of an album that received considerable critical and commercial recognition. With more events planned locally through October, this seems an opportunity to tap a newly found community resource.

It is easy to tell that WMD and its most visible subsidiary, Tinder Records, are experiencing an exciting period of growth. On the inside, the otherwise nondescript offices are being hastily remodeled in a style that suggests the parvenu. One can only assume that the enormous warehouse space is used for activity of some volume and that all that impressive technology is being used to link up the world even tighter.

The bottom line, of course, is the music. Tinder is committed to a self-described “post-modern” stance epitomized by “cultural interactions and expressions never before imagined,” as well as “concoctions of traditional and the contemporary.”

With these parameters spread around the music of a dozen cultures, one cannot help but be intrigued.

From the July 16-22, 1998 issue of the Sonoma County Independent.

© Metro Publishing Inc.

The Headwaters Deal

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Forest’s Fate


Christopher Gardner

Fallen timber: Thousands of redwood trees lie stacked near the Pacific Lumber Co. mill in Scotia. State legislators say too many trees will be harvested under a PL plan that was supposed to save the ancient Headwaters grove.

$380 million Headwaters deal comes to head

By Eric Johnson

ASSEMBLYWOMAN Virginia Strom-Martin says she knew what the call was about when she heard that Sen. Dianne Feinstein, D-Calif., was on the phone a couple of weeks ago. Reports had gotten back to D.C. that the assemblywoman from the west county hamlet of Duncans Mills had joined a posse of renegade Sacramento lawmakers to scuttle the Headwaters deal.

News stories quoted California’s senior senator as warning Strom-Martin and her colleagues that they were jeopardizing her plan to save Pacific Lumber’s ancient grove, the largest stand of virgin redwoods under private ownership. Still, when the call came, Strom-Martin was unfazed. She says the conversation was amicable: “Dianne said she feels like this is it– that this deal is as good as it gets, and I said, ‘I’m not so sure about that.’

“I explained that I have to represent the folks in Humboldt County, people who’ve lived there for generations, and that they feel like they’re getting left out in the cold. I think she understood what I was saying.”

Last year, Feinstein had helped broker the controversial deal in which the state and federal governments would buy a big piece of the Headwaters Forest from Charles Hurwitz’s Maxxam Corp., which acquired the Pacific Lumber Co. through a corporate takeover in 1985.

The Headwaters deal would give Maxxam $380 million– including $130 million from the state–for 7,500 acres of old-growth land. California lawmakers are OK with that part of the agreement; but the deal also allows Maxxam to cut trees on 210,000 acres surrounding the old-growth groves.

To protect that land from being decimated by Maxxam’s notoriously shoddy logging practices (the company has been fined for violating hundreds of state logging regulations on its land), California lawmakers are holding up the state’s share of the money.

Strom-Martin signed on as a co-sponsor to a bill authored by state Sen. Byron Sher, D-Palo Alto, which would attach some stipulations to the Headwaters purchase agreement. To protect endangered coho salmon, Senate Bill 533 would keep chain saws and log-skidders up to 300 feet away from certain creeks. It also would set up some regulatory hoops to check Maxxam’s well-documented sloppiness.

Maxxam has dismissed the proposal, saying the state can either take the deal on the table or leave it.

Monday afternoon, in a move heralded as a “breakthrough” in the Press Democrat and elsewhere, company officials, along with representatives from state and federal agencies, released a document that could move the process in either direction.

In order to qualify for the multimillion-dollar windfall and to get access to the rest of its trees, Maxxam had been required to come up with a plan disclosing its intentions on the 210,000 acres surrounding the groves and that it retains in the deal. The company’s just- released Habitat Conservation Plan would allow logging to within 30 feet of streams in the area.

Until Monday, the plan was technically a missing piece of the puzzle. But it’s likely that Feinstein knew what was in the document when she called Strom-Martin–it had been available on the Maxxam website for weeks.

AFTER VISITING with families who live near Maxxam property, Strom-Martin called a June 18 hearing to allow them to voice their concerns to a joint legislative task force set up to deal with the Headwaters issue. At that hearing, 14 Humboldt County residents told lawmakers why they felt Maxxam could not be trusted.

When presenting critics of the current Headwaters deal, the media have focused on tree-sitting Earth First!ers, but not on people who live in the area. At Strom-Martin’s request, these long-ignored locals focused on economic issues.

Mike Evenson, whose family runs a ranch on the Mattole River downstream from a big Maxxam logging operation, showed the task force photos of a five-acre section of his land that was buried in silt following floods this winter. That silt, he said, came from hillsides that had been clear-cut in the previous season.

“What’s at stake here is something more than redwood groves,” Evenson said. “We’re talking about my family’s land, and a lot of families’ land. We were told this deal would offer us some protection. Well, I’m taking it in the neck.”

Christy Wrigley, a 50-year resident of the area whose family has raised apples there for 95 years, said the Elk River, from which her family draws its water, has been destroyed by Maxxam’s slovenly logging practices.

Wrigley said the once crystal-clear swimming holes she’s visited since she was a kid are now buried in eight feet of silt. I visited that river the following week and witnessed water the color of weak coffee running through thick-muddied banks.

“Water is a basic necessity,” Wrigley said at the hearing. “We need it to live and I need it to farm. What kind of people are we that we can’t stand up for what’s right for everybody?”

Most of the task force’s legislative members were busy down the hall wrangling over the budget surplus during the hearing. But as far as Maxxam’s opponents were concerned, the most important man in Sacramento was there: Sen. Mike Thompson, D-St. Helena, who hails from Humboldt himself, sat through most of the four and a half hours of emotional testimony.

Thompson, a congressional candidate who until recently had declined to take a strong position on the Headwaters deal, was apparently moved. Three days later, he signed on to SB 533 as a co-sponsor. This is crucial because Thompson heads the powerful Senate Budget Committee.

As the final days of the Legislature’s budget negotiations wind down, almost a month past the constitutionally mandated deadline, SB 533’s supporters are hoping that Gov. Pete Wilson does not force the Headwaters money to be included in the overall budget–minus the forest protection clauses.

While pundits point to the announcement Monday and predict victory for the Wilson-Feinstein giveaway, other sources close to the negotiation insist that the momentum has in fact shifted toward the stricter proposal.

Wilson’s interest in the mostly Democratic deal has mystified some Capitol-watchers, who speculate that it’s a bargaining tool. Sacramento is so far from the Lost Coast that many Democrats aren’t too worked up about the Headwaters deal and may be willing to abandon Sher and Strom-Martin. But the Democrats may start to care, now that pursestring-puller Thompson has joined the Green Team. If they do, Maxxam may have to bargain for its money.

From the July 16-22, 1998 issue of the Sonoma County Independent.

© Metro Publishing Inc.

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