Hillside Vineyards

Slippery Slope

Voice in the wilderness: The county’s new ordinance on hillside vineyard planting is a model of consensus, many conservationists say. West county activist Ann Maurice begs to differ, calling the long-awaited law ” a scam.”

Is the county’s new ordinance on hillside vineyard planting a bust?

By Janet Wells

THAT’S NOT their job!” Ann Maurice’s voice practically explodes into the phone before launching into a tirade about county officials who Maurice says are selling the deed to the proverbial ranch to the burgeoning wine-grape-growing industry. “The wine industry is just too close to this county. This is proof that the Board of Supervisors is selling us out to wine interests,” she says.

What has Maurice in such a tizzy? The county’s long-awaited vineyard-planting ordinance, to which the Board of Supervisors is slated to give final approval June 15. Vineyard neighbors and many other county residents had hoped the ordinance would stem the tide of forest conversion, help curtail increasing pesticide use, and stop the degradation of fish habitat.

But Maurice argues that the resulting law falls far short of those goals.

First Maurice takes umbrage against the ordinance’s stated purpose to “protect the lands … while ensuring the ongoing economic viability of the wine industry.”

“I wish they had ensured the viability of the fishing industry. Then the marina out at Bodega Bay wouldn’t be in the disaster it is in,” she fumes. “If one of their purposes was to ensure the viability of salmon and steelhead, there wouldn’t be a problem in the river. But they didn’t give a damn, no.

“They’re going to lead us to hell in a hand basket,” she adds. “It’s not in the personal interest of the people in the county to have methyl bromide all over their property. It’s not in our interest to have a mono-crop.”

Maurice, a Sebastopol artist who has done graduate work in land use and economic geography, criticizes the ordinance as putting the cart before the horse by penalizing growers for failing to comply with erosion-control standards that the county has not yet adopted.

“How could they pass an ordinance that says we’ll throw you in jail if you don’t comply with regulations that don’t exist?” she says. “They’re telling us, ‘We’ll come up with those.’ This should be one whole package. How do we know if those erosion-control guidelines are going to be worth dog shit?”

Finally, there’s the part that really galls Maurice: The ordinance has no appeal process.

“So if you’re next door to the [new vineyard], you’re clean out of luck if you don’t like it,” she says. “Even rapists and mass murderers have the right to appeal. Isn’t that a fundamental right of due process guaranteed in the Constitution? Since when did any county bureaucrat get to be king?”

While west county activist Maurice is the leading–and loudest–voice against the law she calls a “scam” and a “sick game,” more than 1,000 residents have agreed with her, signing a petition asking the supervisors to delay voting on the ordinance. And even a consultant hired by the county cautions that the ordinance may have significant flaws.

On the other side, many in the county are hailing the hillside-planting ordinance as a landmark in agricultural regulation and a positive step in relations between environmentalists and growers. “You never get everything you want when you sit down with the other side, who never gets what they want either,” says Sonoma County Conservation Action board chairman Bill Kortum, regarded as the dean of the local conservation movement. “This was a classic case where we finally reached a compromise. There are aspects that could be improved upon, but we’re way ahead of where we were.”

Says Sonoma County Conservation Action director Mark Green, who spent the better part of two years negotiating the tenets of the ordinance with growers, “We made a great leap forward with this vineyard-planting ordinance. The status previously was unregulated, where landowners could do whatever they wanted.”

THE BASIC PROVISIONS of the ordinance require growers to obtain and pay for permits to plant grapes and to provide erosion-control plans for steeper acreage. In addition, the ordinance requires that vineyards on the edge of waterways abide by a 25- to 50-foot setback, depending on the slope of the acreage.

The ordinance reflects the public’s growing concern as the region’s $300 million wine-grape industry expands into erosion-prone hills and fragile riparian zones. In the past few years several incidents spurred environmentalists to make noise about a ballot initiative to put limits on vineyard development. Gallo Winery was cited for recontouring hills and planting along the edge of Porter Creek, and a vineyard above Warm Springs Dam was fined $50,000 for steep-slope planting that led to an enormous amount of soil eroding into the Gualala River during a severe winter storm.

A proposal that surfaced recently to convert 10,000 acres of forestlands in Mendocino and Sonoma counties into vineyards–a project that would equal one sixth of all currently cultivated vineyard land in both counties–is the kind of mammoth scheme that motivates the public to call for stringent regulations.

Maurice, no surprise, is of the opinion that any environmentalist who backs the ordinance has sold out. She has harsh words for a law that does not address pesticides or habitat protection and mandates modest setbacks that she calls “outrageous.” Federal agencies have recommended setbacks of 300 feet or more when threatened species like coho salmon and steelhead are in the area, Maurice hastens to point out.

“Better than what the county did is if they said that setbacks had to be adequate to protect aquatic life in creeks and waterways for maintenance of the ecosystem, rather than say 25 feet is fine,” she says. “I’m concerned that plugging that number in at 25 undermines other regulatory agencies that have been arguing for more.”

Green, whose voice gets weary at criticism of the end result of a delicate negotiating process, explains that growers and others with vested agricultural interests refused to include habitat protection as part of any discussion.

“There are state laws that do that,” he says. “And the moment that the industry wasn’t willing to have habitat on the table, they relinquished the right for us not to complain about habitat. The setbacks are for erosion control, not habitat.

“Considering that we have no setbacks now, at any angle the setbacks are a significant step and a significant concession from the growers,” he adds.

Scarred landscape: Felled trees marked Gallo’s west county hillside.

THE ORDINANCE itself is a work in progress, since June 15 marks the third time it has come before the supervisors. On April 13 and again on May 11, the supervisors indicated support for the ordinance, but sent the document back to staff for changes in language and policy.

One of Maurice’s hot-button issues–the county’s nonexistent erosion-control guidelines–is expected to be adopted by the supervisors before the ordinance goes into effect on Oct. 1 and will be based on standards recommended by the Resource Conservation District, says Supervisor Mike Reilly. “The question is whether we want to adopt those in whole or tinker with them. We want a little bit of time to fine-tune stuff for Sonoma County,” he says.

Napa County’s 8-year-old vineyard-planting ordinance, known as the Conservation Regulations and that served as a model for the new Sonoma County law, has worked “extremely well,” reducing potential erosion from 14 tons per acre annually to 2.5 tons per acre, says Jeff Redding, Napa’s director of Conservation, Development and Planning.

While both ordinances seek to reduce damage caused by soil runoff into local drinking water and habitat, the two have several critical differences. Sonoma County’s law will be regulated by the county agricultural commissioner. Napa’s Resource Conservation Department works with growers to develop an erosion-control plan and sends growers to the county planning department for a use permit only if the vineyard site is over a 30 percent slope.

Unlike Sonoma County, Napa requires projects with greater than 30 percent slope to undergo review based on the tougher California Environmental Quality Act.

“Our Agriculture Department is not a regulatory agency,” Redding says. “[The slope planting is] really a land-use issue. Unless yours has skills ours doesn’t, the ag commissioner is not trained in soil erosion.”

Says Dave Steiner, a soil conservationist with the Napa Resource Conservation District, hired by Sonoma County as a consultant on its ordinance, “Sonoma County is trying to say it’s not a land-use issue. Agriculture is a permitted land use, so it’s not subject to CEQA review.”

Steiner says the biggest red flag he sees in Sonoma County’s ordinance is a loophole that allows growers to plant on hills with more than 50 percent slope if less than 7.5 percent of the planting area is over the 50 percent mark.

“People are going to spend a lot of time nitpicking and making determinations. It will take a lot of staff time,” he says. “If a corporation came in with a 100-acre project with only 7.5 percent over the threshold, they would be able to satisfy the ordinance,” he explains. “But if a small farmer came in with those same 7.5 acres as a stand-alone project, it wouldn’t be exempted.”

The penalty structure for the two ordinances also differ. Sonoma County can fine up to $1,000 a day or six months in jail. Napa has fined growers up to $10,000 for failing to comply with regulations, enforced through the Business and Professions Code, Redding says. “Our zoning ordinance has a $500 maximum or six months in jail. That’s not enough,” he says. “This is a business decision, often. If the cost of the fine is less than the benefit of not following the regulations, that’s what [businesses] do.”

SONOMA COUNTY, says Steiner, has “a lot of holes to fill in” before the ordinance will be ready to go into effect in October. But, he adds, “a public forum is not very helpful in working out the details.

“The problem with the current concord is that it was not worked out with much technical expertise. The negotiating team worked in good faith, long and hard, but they have an emotional stake in the compromises whether or not they are going to work,” he says. “I don’t see a problem with leaving the fine-tuning to the ag commissioner and the county counsel. It may not be popular,” he adds.

“I don’t know the extent to which the public and the growers trust the county.”

That would be not much, if you ask firebrand Ann Maurice. “Trust the supervisors? Ha!” she scoffs. “What did somebody say, the price of democracy is eternal vigilance’?

“Double that for Sonoma County.”

From the June 3-9, 1999 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Zinfandels

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Zin City

Photo by Michael Amsler



Sonoma County now a hotbed of zinfandels

By Bob Johnson

ZAP! NO, this is not a rerun of Batman, the campy action/adventure/dark comedy/tilted-camera series of the small screen that preceded the multimillion-dollar movie franchise. Under the Eats banner, ZAP is an acronym for Zinfandel Advocates & Producers, a far-flung fraternity of winemakers, wine marketers, and wine drinkers who possess a particular affinity for wines made from the zinfandel grape.

Each year, ZAP stages several road shows around the country, the largest of which takes place in San Francisco. This year’s S.F. ZAP event attracted 5,500 people–you read that correctly; two fives and two zeroes–all eager to sample and savor the latest bottlings of what many people refer to as “America’s wine.”

For years, the zinfandel grape was believed to have originated in the New England states, then transported to the West during California’s gold rush. That certainly would explain why most of our state’s oldest zin vines have their roots deeply embedded in the Sierra foothills.

Only in recent months have scientists brought zin’s heritage into question through high-tech testing. Now the strong belief is that the grape actually originated in Croatia. DNA fingerprinting, it would seem, may not be enough to banish O.J. from the fairways, but it is sufficient to rewrite California’s wine history.

Domestic in origin or not, there’s no denying zinfandel’s important place in the California wine industry. Before we blinked, there were nearly 50,500 acres of zinfandel vines planted in the state–more acreage than cabernet sauvignon, chardonnay, merlot, or any other varietal–with more being planted all the time. And based upon the ZAP turnout in San Francisco, it’s obvious that not all of California’s zinfandel grapes are doomed for white zinfandel purgatory–not by a long shot.

Sonoma County has emerged as a hotbed of zinfandel production, with the Dry Creek Valley, which spreads north and west from Healdsburg, considered by some as the “holy land” of zin. As the summer barbecue season kicks into gear, there is no better time to stock up on homegrown zin bottlings because there is no better red wine match for barbecued food than zinfandel.

It is zin’s inherent fruitiness that makes it the perfect foil for barbecued chicken, steak, and lamb; the fruit flavors provide a beguiling contrast to the char of grilled meats.

This is no mere ranting and raving of a professed zin lover. It is a contention backed up by no less of an authority than Weber-Stephen Products, manufacturer of Weber barbecues, through its new book, Weber’s Art of the Grille (Chronicle Books, $35). Subtitled “Recipes for Outdoor Living,” the book includes wine pairing suggestions for most of the featured recipes, and in many cases, the suggested wine is California zinfandel.

One of the finest zins made in the state each year comes from Napa Valley’s Grgich Hills. This should come as no surprise, especially to those who believe that everything in the world is somehow connected, since winemaker Mike Grgich traces his roots to Croatia.

However, one need not venture over the hill to secure satisfying, succulent zinfandel bottlings. There’s plenty to be had right here in Sonoma County. Start with zins recently featured as “Wines of the Week” in the Independent‘s weekly Touring the Vine feature: Yoakim Bridge 1997, Dry Creek Valley ($20); Ridge 1997, Coast Range ($17); Rabbit Ridge 1997, Olsen Vineyard ($20); Dashe 1997, Russian River Valley ($20); Collier Falls 1997, Dry Creek Valley ($20); and Kenwood 1996, Nuns Canyon ($17).


Photo by Michael Amsler

To this shopping list, you may take comfort in adding:

Pezzi King 1996 Dry Creek Valley ($20). Silky, creamy, and elegant. Rating: 3.5 corks.

Ridge 1997 Lytton Springs ($28). A raspberry, pepper, and mineral bombshell. 4 corks.

Gundlach-Bundschu 1996 Rhein-farm Vineyard ($15). Big, rich, and fruity. Despite its 15 percent alcohol, not at all “hot.” 3.5 corks.

Nalle 1997 Dry Creek Valley ($22). Spice and vanilla frame luscious blackberry and raspberry flavors. In perfect balance. 4 corks.

Tria 1997 Dry Creek Valley ($16). Jammy, and at once intense and smooth. 3.5 corks.

Seghesio 1997 Sonoma ($10). Mildly spicy and fruity, it may be overwhelmed by barbecued dishes, but matches perfectly with pasta. A bargain hunter’s dream wine. 3 corks.

Quivira 1997 Dry Creek Valley ($16). Steadily improving with each vintage. This ’97 is the best yet. Jammy, concentrated, and nicely balanced. 3.5 corks.

Now for the bad news: Sonoma County zins in general, and Dry Creek zins in particular, have earned such a sterling reputation that some bottlings now sell out quickly. This kind of demand creates shortages and inflates prices.

So the next time you hear ZAP!, it could very well be the sound of sticker shock.

Cork ratings: 1, commercially sound; 2, good; 3, very good; 4, outstanding.

From the June 3-9, 1999 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Syrah

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Say Syrah!

City chic, country comfort: Chef/owner Josh Silvers, formerly of Mustards Grill in Napa, has created a warm, welcoming atmosphere at Syrah.

Chic dining in Railroad Square

By Paula Harris

IF YOU BELIEVE perky professional greeters lurk solely around the electronic entrances of big-box stores, think again. A young man with gelled hair and a dark suit, poised by the back door in the ample back parking lot, jubilantly hails us when visit Syrah, a new restaurant located in Santa Rosa’s historic Railroad Square. Not a server, host, or car valet–this fellow appears to be some kind of salutation specialist as he gestures toward the new eatery named for the trendy Rhône grape.

But this is no supermart.

The gray building is a sophisticated indoor shopping/dining mall. A stylish tranquil lobby boasts muted lighting, designer benches, and a modern indoor fountain. Syrah shares the building with several businesses, including a flower vendor and an upscale hair salon.

Several tables spill forth into the lobby, giving diners the impression of sidewalk dining, except that the “street” is surrounded by curving gray slate walls set beneath a roof. Inside the restaurant are hanging golden mesh lamps, warm wood accents, and plenty of visible wine bottles. The sizzling pans in the semi-open kitchen compete with recorded smooth jazz. Yet the ambiance manages to be warm and relaxing.

Servers in shin-skimming white aprons bustle around, and the service seems to have improved in promptness and attention to detail since Syrah first opened a few weeks ago.

Chef-owner Josh Silvers, who previously worked at Napa Valley’s renowned Mustards Grill, creates imaginative California-French dishes with a penchant for variety.

The menu will change every month, Silvers tells us, so dining at Syrah should be a constant enticement. Here’s a recent sample:

Seared Sonoma foie gras ($14) featured two lobes of rich, warm foie gras melting like butter, with crisp brioche toast and three thin slices of fresh pear napped with caramelized sauce. Paired with a glass of luscious sweet Castelnau de Suduiraut sauterne from the dessert menu ($5), this was an opulent treat.

If you seek lighter fare, the haricot vert salad ($7) should suffice. A generous heap of garden-fresh green beans was topped with tiny sweet cherry tomato halves and crunchy toasted hazelnuts. An excellent whispery-light vinaigrette made with aged sherry rounded out the hazelnut flavor.

The fresh Maine crab cakes ($11) were perfect. Small delicate and greaselessly golden, they were packed with fresh crab meat and minuscule diced vegetables and served with a light silky champagne-chive beurre blanc.

A pan-roasted half chicken in a veal reduction sauce ($14) was beautifully presented with a chunky savory bread pudding, asparagus spears, shallots, and crispy sage leaves, but the overall dish tasted flat and didn’t match the visual impact.

The spring vegetable risotto with wild mushroom jus ($16) featured slender baby carrots, doll-sized zucchini, and rice rich with sweet-corn kernels and mushrooms. But we were disappointed by the skimpy portion (this isn’t a cheap dish, after all) and by the overemphasis on sweet corn, which obliterated the other flavors.

The grilled cider- and laurel-brined pork tenderloins with whole-grain mustard and Provençal honey glaze ($19) was a hearty bistro-style dish. Rosy-pink pork slices (possibly a bit too rare for some) were served with flageolet beans, torn kale leaves, and a mustard garnish.

The marzipan butter cake with sweet and sour cherries and crème brûlée pudding ($7) was wonderful. The small cake was concealed beneath a cloak of crème brûlée and plump black cherries. A scattering of whole almonds mirrored the lush flavor of the marzipan.

The appealingly titled “lemon-lavender crème anglaise with vanilla meringue pillows and fresh berries” ($6) was another winner. The “pillows” were arranged like butterfly wings amid fresh raspberries and blackberries, candied orange peel, edible flowers, pastry triangles, and a sweet soup of rich custard. Amazingly delicious.

Syrah has a varied wine list, with California and French offerings, unusual varietals, and some great selections by the glass, including Jade Mountain Carneros syrah ($7), Philip Stanley Russian River mourvèdre ($5), and Preston Dry Creek viognier ($7).

Lovers of “big reds” may enjoy a bottle of the Eberle Fralich vineyard 1996 syrah from Paso Robles ($30), a garnet-colored wine full of plums and pepper.

“Thank you for dining at Syrah,” called out the professional greeter, still stationed in the parking lot, after we’d polished off our abundant meal. “Come back soon.”

No problem.

Syrah 205 Fifth St., Santa Rosa; 568-4002 Hours: Lunch, Tuesdays-Saturdays, from 11:30 a.m. to 2:30 p.m.; dinner, Tuesdays-Thursdays, from 5:30 to 9 p.m., and Fridays-Saturdays, till 10 p.m. Food: California/French Service: Friendly and efficient Ambiance: City chic Price: Expensive Wine list: Varied selection, including plenty of Rhône wines Overall: *** (out of 4)

From the May 27-June 2, 1999 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Sonoma County Open Studios

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Open-Studio Tour Schedule

Patrick Fanning has considered for some time, and he has identified the best reason to invite strangers into his workspace.

“This is the one time of the year that my studio gets really cleaned up,” he says. “It’s like having your mom over to dinner. You suddenly feel the desire to spruce things up.”

No shirker in this regard, Fanning has installed a new tile floor in his studio, just for this occasion. “I’ve even raked the gravel walkway,” he adds.

Fanning is not alone. Across the most picturesque portions of Sonoma County, his 68 fellow painters, sculptors, artisans, and craftspeople are similarly occupied, tidying up their studios–be they located in lofts, chicken coops, back rooms, or barns–in anticipation of the throngs of guests who will be dropping in during the open-studio weekend, June 5 and 6, to peek around, catch of glimpse of how the artists work and live, and maybe even buy something. All manner of art will be for sale during the increasingly popular self-guided event, from oil paintings and sculptures and watercolors to jewelry and pottery and stuffed animals and hats.

Such events provide a valuable experience to an appreciative public, who are happy to get up close and personal to the creative people whose work enriches our lives–and the feeling is clearly mutual.

“It’s great for an artist to have this opportunity,” says Fanning, “because it reminds you, ‘Hey, I’m a real artist. I must be a real artist, because I’m opening my doors to people who want to see what I’ve been up to in here. I’m on display, I’m open for business.‘”

For more information about the Art at the Source event on Saturday and Sunday, June 5 and 6, or to find out where to pick up a map and tour listing, along with a copy of the brochure “How to Buy Real Art from a Real Artist,” call the Sebastopol Center for the Arts at 829-4797.

From the May 27-June 2, 1999 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Patrick Fanning

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New Vision

Michael Amsler



Patrick Fanning’s paintings explore a Sonoma County that never was

By David Templeton

IMAGINE downtown Petaluma, circa 1879. The giant granaries rise into the sky, the clock tower perches high atop the stone edifice of the Masonic Lodge building, the canals and waterways bustle with the merry traffic of barges full of produce and gondolas ridden by singing Mexican “vaqueros de agua,” as crates of pickled eggs lie waiting for their passage to the Russian gold fields up north.

Or conjure up a picture of Bodega Head as it once was, the ancient Spanish garrison sprawled at the ocean’s side, a mere 18 miles from the Spanish-Russian border. To the right of the lighthouse, the distinctive onion-shaped domes of the new Russian Orthodox Cathedral can be seen faintly gleaming across the peaceful green-blue waters of the bay. Assorted groups of prosperous Indians, Russians, and Mexican soldiers swap tales and songs while one or two Yankee peasants stand around begging for handouts.

Don’t worry if these 120-year-old images don’t ring any bells. You didn’t read about any of them in the local history books, because, of course, the true past of Sonoma County was nothing like this.

Such visions exist only in the fantastical paintings and “alternative histories” of west county artist and writer Patrick Fanning. In an ambitious project begun last year, Fanning–whose remarkable works will be on display for the first time during the upcoming Art at the Source open-studio tour on June 5 and 6 (see sidebar, next page)–has reimagined the history of Northern California, inventing a past in which the Indians were saved from annihilation, the Russians never left Fort Ross, and Mexico, having never ceded California to the American colonies, established a glorious artistic-industrial utopia along the rich, culturally vibrant Russian border.

Fanning, one of the organizers of the upcoming open-studio event, is also the founder of the Oakland-based New Harbinger Publications, a 25-year-old publishing firm dedicated to self-help psychology books. Now almost retired–the 52-year-old publisher still travels to Oakland once a week from his Graton home to keep tabs on things–he has devoted his spare time to painting.

“I dabbled in art back in college, but dropped it when I started my company,” he explains. “Now that I’m semi-retired, I’ve given myself over to it again. I guess you could say I’m retreading myself as a painter. For the last five years, painting has been my passion.”

This artistic resurrection took place, dramatically enough, in Italy, where Fanning was vacationing with his family.

“On a whim, I brought along a sketchpad and a box of watercolors,” he recalls. “On my travels I ran into some reproductions of work by John Singer Sargent’s ‘Venice Paintings.’ They knocked me out. Immediately, I started painting again.”

Sargent, an American painter who died in 1925 at the age of 69, was known mainly as a painter of flattering portraits, a skill that afforded him a prosperous but unsatisfying living. (Indeed, he once described himself as a pimp.)

“But I discovered in Italy that, on the side, he’d also done a lot of landscape paintings, watercolors and oils that he’d done in incredible places all over the world,” Fanning explains. “He had a loose, impressionistic style that I was drawn to.”

Open-Studio Tour Schedule

Upon his return to California, Fanning organized what he calls “the Monday Morning Painters,” a group of 120 Sonoma County artists. Once a week, a few dozen or so of the artists show up, easels and paint-boxes in tow, at prearranged sites throughout the county.

“We go to the beach, to the wineries, a lot of good spots for painting landscapes,” Fanning says. “By now, of course, I’ve painted a lot of these places many times. So I was looking for a way to reinterpret the landscape.”

Around that time, his son was given a copy of James Gurney’s Dinotopia, a sensation-causing book in which Gurney–a renowned painter for National Geographic who specializes in the speculative visual reconstruction of long-vanished civilizations–presented a world in which dinosaurs and people lived in a mutually enriching coexistence.

“I always thought that was a neat idea,” Fanning enthuses, “and I thought I’d like to try peopling the Sonoma County landscape with something fantastic, but I didn’t know what. I was quite certain I didn’t want dinosaurs.”

Eventually he arrived at an equally fantastic notion: utopia.

“I was out painting at Fort Ross,” he says, “and I realized, suddenly, that it could have conceivably turned out that California was part Russian and part Mexican, and that our area, right down the middle of Sonoma County, would have been a really dynamic border area if that had happened.

“And I was thinking how nice Bodega Bay would look if all the tacky stucco and junky buildings were gone, and instead all the architecture were done with adobe and tiled roofs. I knew I wanted to paint that, if for no other reason than so I could see what it would look like.”

RECALLING his encounter with the work of Sargent, and knowing that he’d need a “historical” framework for his make-believe history, Fanning developed a fictional time-line, and arrived at the notion of a young John Singer Sargent bumping into an itinerant Mark Twain while traveling in Alta California. In Fanning’s scenario, the artist then attempted to paint a chronicle of his sojourn in that strange land.

While the artist side of Fanning began to tackle the visual aspects of the project–trying to see the world as Sargent might have seen it–the writer in him began composing a kind of correspondence, alternating colorful newspaper dispatches by Mark Twain with personal diary entries by Sargent.

The result is definitely remarkable.

There’s a unique thrill in seeing those Mexican gondoliers in Fanning’s painting of a Venice-like “Rio Petaluma,” or that fairy-tale stone bridge over the Russian River, on which a blessing ceremony is being performed by a trio of dignitaries: a Russian Orthodox priest, a Miwok princess, and the pope–a politically “born again” Junipero Serra, the progressive leader of the newly formed Western Church, a renegade splinter from the harsh Roman papacy.

“It’s all pretty strange,” Fanning admits, with a laugh. “But it’s strange in a satisfying way.”

After completing half a dozen paintings and numerous sketches of this alternate reality, Fanning has come to the following conclusion.

“It ain’t as easy as James Gurney makes it look,” he exclaims. As for attempting to emulate Sargent, he admits, “I’m not as good a painter as Sargent. But that’s OK. I’m not as good a writer as Mark Twain, either.

“But it’s been fun to try,” Fanning adds, “and hey, I’m getting a great education.”

From the May 27-June 2, 1999 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Greg Campbell

Bad Trip

By Patrick Sullivan



HORROR HUGS the rugged terrain of the Balkans like a grotesque second skin. Many Americans can’t find Kosovo or Bosnia on a map, but most of us know, or think we know, at least the bloody outlines of the decade-long nightmare that has engulfed the former Yugoslavia, the rape and murder and mass graves that have rolled over the region in a tidal wave of evil.

But that sparse knowledge may no longer be enough. As NATO bombs fall by the thousands on Serbia, as the province of Kosovo is emptied of ethnic Albanians, as our politicians debate sending in ground troops, the whole situation threatens to jump off the television screen and into the real lives of ordinary Americans.

There is, of course, no shortage of people offering to explain the whole tangled web to us. Commentary on the Balkans has become a growth industry. Unfortunately, much of what’s offered sheds more heat than light on the complicated situation. And that brings us to the latest entry in the field, Greg Campbell’s The Road to Kosovo: A Balkan Diary (Westview Press; $25).

This flawed but interesting book is the product of the author’s courageous decision in the summer of 1998 to drive a Budget rental car across the war-torn landscape of Croatia, Bosnia, Montenegro, and Kosovo. Campbell had visited Sarajevo once before, on assignment in 1996 for an alternative newsweekly in Colorado. But this time the freelance journalist braved snipers, Serb checkpoints, and Kosovo Liberation Army guerrillas to get a close look at the uneasy peace imposed by the Dayton Accords and the new conflict building in Kosovo.

The author is at his best when he is painting vivid pictures of the scenes he encountered on his two trips. These compulsively readable passages show us the burning buildings of Sarajevo, the stark mountains of Montenegro, and the bizarre feeding frenzies of the international media. There are images of horror: fiction from Stephen King could not surpass the graphic description of the mutilated bodies of a family massacred by Serbian police. There are finely observed ironies and absurdities: a little Yugo automobile crammed full of men with rifles; a rebel fighter wearing his KLA patch sewn onto a Dallas Cowboys cap.

But this book aims to be more than a travel diary. The author also attempts a political analysis of the situation. In that, he is less successful.

Campbell sums up the key players in astoundingly simple terms: the Serbs are murderous monsters, Western nations are well-intentioned but cowardly and ineffectual, the KLA guerrillas are flawed but heroic. The holes in this analysis are obvious even to a reader who knows little about Kosovo. It’s just all too simple to really describe the complicated Balkans.

You can believe that Serb leaders are evil killers and still wonder why Campbell can’t find more ordinary Serbian people to interview. You can support the KLA and still be disturbed by the book’s harshly critical take on the non-violent Kosovo nationalist movement that preceded armed struggle in the region.

Similar flaws appear in the author’s take on U.S. actions. The book, which went to press before the bombing began, criticizes the Clinton administration for failing to intervene with more force in the region. But the author never confronts arguments that NATO’s real interest in Kosovo has little to do with humanitarian values.

Campbell is quite convincing when he says that ancient ethnic hatreds in the region weren’t the true problem in the Bosnian conflict. The real catalyst for horror was the ruthless ambition of politicians, who whipped up ultra-nationalist feeling to buttress their own power. But before you know it, the author is arguing that ancient history can explain the situation in Kosovo.

Then, suddenly, Campbell cuts it all off with a conclusion so abrupt that it borders on the bizarre. His trip ends, his analysis dribbles out a few final clichés, and he goes home.

But maybe the abrupt ending is actually oddly appropriate for a book on this subject. Everybody, it seems, wants to offer easy answers: intervene, don’t intervene, put a bag over our heads and forget the whole thing. But give writers a few hundred pages to mull the situation over, and they seem to realize that things are more tangled than they first thought. When it comes to the Balkans, simple answers may be as hard to find as peace itself.

From the May 27-June 2, 1999 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Presidential Election Websites

Talkin’ the Talk

Presidential hopefuls pitch their wares on the Net

By Jack Moczinski

GOV. GEORGE W. BUSH wants you to know that he’s all for prosperity–guess he isn’t counting on the pro-poverty vote. Liddy Dole just made the first college commencement speech in cyberspace–look out, Al Gore. And Dan Quayle wants to go back to the future–in this case the 1980s–to “resurrect the Ronald Reagan vision of government.”

With the 2000 presidential campaigns underway, just about every presidential aspirant has come up with his or her own campaign website that attempts to be worthy of the new millennium. Here’s a sample of what these contenders have to offer on the Internet.

Democrats

Al Gore
This pitstop on the information superhighway does justice to the man who recently claimed he invented the Internet. This site has it all. Vice President Gore also wins the contest for the flashiest logo, which features some sort of shooting star cascading over his name. Gore’s site even has an area to view the latest “Gore gear,” so you can buy the denim shirts, jeans, and faded caps that scream “Al Gore!” The site incorporates user surveys and an interactive town-hall meeting and is available in Spanish. It profiles his issues well and demonstrates that this guy’s campaign has its act together. But what’s up with the appeal to faith-based organizations? An obvious attempt to court the same conservative elements to which Dan Quayle is reaching out.

Bill Bradley
A nice, congenial website that reflects former ex-basketball star and ex-U.S. Sen. Bradley’s nerdy persona. Slightly disturbing is a picture of Bradley’s rounded face pasted on a campaign button that hovers over the page. Bradley, an advocate for campaign finance reform, allows the user to view all of his campaign finance reports. Somewhat tasteless, though, is the sudden solicitation for a contribution while you view them.

Republicans

George W. Bush
This isn’t his presidential campaign site, it’s the website of the “George W. Bush Exploratory Committee Inc.” Despite the fact that Bush has raised over $7 million, he’s still not sure if he’ll run (yeah, right). The site contains speeches by and video clips of Bush and emphasizes “education,” “values,” “responsibility” and “prosperity.” All that’s missing is “mom” and “apple pie.” Although the site rattles off his gubernatorial accomplishments, it is noticeably devoid of any discussion of issues that may arise on the campaign. Where are abortion and foreign policy? Is this site a preview of what to expect from Glamorous George?

Steve Forbes
This is probably the coolest political website around, reflecting a guy who can buy the best. Remember, billionaire publishing tycoon Forbes announced his candidacy on the Web. It’s updated daily with stories about Steve, the rich cyber-geek that he is. The site does a good job in graphically highlighting Forbes’ innovative policy stances like the flat tax. The Forbes site has a special area and log-in for leaders of e-precincts. The e-precinct leaders bring other online users to join the campaign.

Dan Quayle
Dan Quayle is no dummy, or so he’d like you to think. The Quayle site is full of issues, opinions, and strong stances on the issues, like “Quayle challenges ‘arrogance’ of Gore’s environmental policy.” Taking on Gore so strongly probably means that Quayle is trying to assert himself as the “I’m fed up with Clinton/Gore” guy. This site is one of the few that really explores the campaign stances of the candidate. For instance, Quayle’s tax reform proposal is filled with figures, percentages, and details that were noticeably absent from, say, George W. Bush’s site.

John McCain
This U.S. senator and former POW posts a website that’s very straightforward. But there is an obvious effort to lighten up the chief critic of Clinton’s foreign policy with some cutesy pictures of the candidate. The site highlights McCain’s tough foreign policy positions. McCain smartly uses an online questionnaire about Kosovo to substantiate his views. But like McCain’s, the site is weak on issues outside of foreign policy.

Elizabeth Dole
This is a website that pays homage to Martha Stewart with its blueberry background and sea-green highlights. It is filled with positive quotes, and Web surfers are greeted by her most famous line, “The United States of America deserves a government worthy of its people.” This is a site that tries to appeal to women and talks a lot about families and the inspiration that is Elizabeth Dole. Yuck! She doesn’t mention that husband Bob Dole last week announced he may contribute to a rival campaign (yes, Liddy quipped to the press that she sent her hubby “to the woodshed” after that remark embarrassed her campaign). On the other hand, she lets you know that she supports a taxpayer bill of rights, commends the U.S. Senate for passing anti-gun legislation, and wants even tougher gun laws. Otherwise, there’s a whole lot of soft-sell bluster about, you guessed it, Liddy Dole.

Rep. John Kasich
This is about the worst political website I’ve seen in a while. The red, white, and blue motif is so overdone you think that “It’s a Grand Old Flag” should play when you enter. The site has a section called “Who’s Your Hero?” where Kasich profiles a guy who is involved in the community and has become one of Kasich’s heroes. Not coincidentally, the guy is featured holding a copy of Kasich’s new book, Courage Is Contagious.

From the May 27-June 2, 1999 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Chris Smither

0

Mr. Blue

Quiet desperation: Roadhouse philosopher Chris Smither.

Singer/songwriter Chris Smither reflects on the dark side

By Greg Cahill

NOBODY DOES SAD like Chris Smither. Case in point: a four-minute exercise in despair called “No Reward,” from 1993’s Happier Blue (High Tone). “There’s a line in that song I got off CNN, just a wretched, miserable story about some guy who killed his son–a little boy–in some horrible manner,” he explains. “A reporter was poking a microphone in his face and asking, ‘What do you have to say for yourself?’

“The guy looks up and says, ‘Well, I did it. I didn’t mean to do it, but it happened.’ Then he shook his head and said grimly, ‘It’s just a bad day all around.’

“I was stunned by the enormity of that understatement–that line just haunted me.”

His ninth and most recent CD, Drive You Home Again, is filled with the same kind of mini-morality plays, intensely personal ruminations on life and loss, hope and heartache. His last few CDs have drawn rave reviews and led to comparisons to such country bluesmen as John Prine, Ry Cooder, and Townes Van Zandt. And even if Smither isn’t a household name, his songs may have a familiar ring: Bonnie Raitt has recorded his “Love You Like a Man” and “I Feel the Same.”

Raitt calls the 53-year-old tunesmith “my Eric Clapton.”

“As a songwriter, he is unparalleled,” the Detroit Metro News once opined. “His tunes inhabit a space which exists between the raucous joy of light and life and a darkness so profound, one wonders how he ever lived through it.”

The key, says Smither, is redemption.

“I’m in the redemption business,” he explains, during a phone interview from his west Massachusetts home. “That’s what all my songs are about. I’ve gotten to the point now that I’ve come to realize I don’t control these guys I write about. I used to think I created them–now I just think I woke them up. I chase around behind them for a couple of weeks with a pencil and a piece of paper and I record what they do, but I don’t make them up.

“If I made them up, people would start thinking that they’re me, and I can’t really afford to have that happen.”

IT’S BEEN A LONG, slow climb for this New Orleans native. In the mid-’70s, a pair of obscure Poppy recordings earned Smither a solid cult following and a major label deal. But Smither’s star faded when United Artists dropped him, along with half its roster in a corporate shuffle. Fueled by a serious drinking problem, Smither started a rapid slide into a dark abyss that nearly ended his musical career.

“At the time, it was cataclysmic, though the United Artists deal wasn’t nearly as frustrating as half the personal problems I had,” he recalls.

In 1978, Smither turned his back on the music industry. He quit recording and touring. The musician got a construction job–pounding nails instead of plucking steel strings–and played only occasional local nightclubs.

“You get to a point where drinking takes over your life and you can’t do anything else,” he says. “I don’t know why I stopped, to tell the truth.

“I got out of it because I felt like I was dying.”

Smither sobered up and in 1985 recorded a solo album, It Ain’t Easy (Adelphi), which he calls “a dying gasp of the old me.”

Four years later, he hung up his tool belt for good and resumed touring.

THESE DAYS, Smither is a roadhouse philosopher extraordinaire. “Yes, it most certainly is true–it’s hard to get away from,” he says with a laugh when asked if he’d agree with Henry David Thoreau that most men live lives of quiet desperation.

“But to tell you the truth, most of my songs are very hopeful. They’re not Pollyannaish–they’re not unreasonably hopeful. I really do think that most of them are about redemption of some sort or another. Or a hard-learned truth. I mean, the experience that goes into learning the things that the songs are about is almost all sad, but the actual knowledge that you come out with is pretty encouraging in the end.

“There’s something positive about coming to those realizations, some sort of satisfaction to finally coming to grips with at least what life isn’t. You know, even if you don’t figure out what life is, at least you figure out what the illusions are.”

Chris Smither performs Saturday, May 29, at 9 p.m. at the Powerhouse Brewing Co., 268 Petaluma Ave., Sebastopol. Tickets are $10/advance, $12 at the door. For details, call 829-9171.

From the May 27-June 2, 1999 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Summer Guide To Sonoma County Events

Summer Splendor

Our annual guide to the season’s hot delights

By Shelley Lawrence and Patrick Sullivan

SUMMER SEEMS so simple. Break out the swimsuit and the flip-flops, keep the fridge fully stocked with frosty little cans of whatever, and remember to put on some sunscreen as you move from the barbecue to the beach and back again. But face facts: Our busy little county is going all out to offer you a million and one different ways to celebrate the last summer of the century, and you need a plan. That’s where we come in. Below you’ll find the Sonoma County Independent‘s selective guide to the best in local fun, from music festivals to baseball games to outdoor evenings at the movies. After all, you can’t spend three whole months reading trashy novels on the beach. Or maybe you can, but isn’t it nice to know you have options?

May

Farmers’ Markets Get to know local growers and grope their produce at markets all over the county. Santa Rosa: Wednesdays and Saturdays, 8:30 a.m. to noon (Veterans Bldg., 1351 Maple Ave.; 523-0962). Sonoma: Fridays, 9 a.m. to noon (Arnold Field parking lot, First Street West; 538-7023). Healdsburg: Saturdays, 9 a.m. to noon (West Plaza parking lot at North and Vine streets; 431-1956). Petaluma: Saturdays, 2 to 5 p.m. (Walnut Park, Petaluma Boulevard South and D Street; 762-0344).

Santa Rosa Downtown Market The event formerly known as the Thursday Night Market boasts a wealth of fresh produce, community arts and crafts, and live entertainment. May 26-Sept. 1, Wednesdays from 5 to 8:30 p.m. The event is held between B Street to E Street and Mendocino Avenue between Third and Fifth streets, Santa Rosa. Free. 524-2123.

Michael Amsler

Sonoma County Crushers Sick of big-city prices? Come see our own homegrown champs for a few hours of fun, sun, and professional baseball. The Crushers’ first home game is May 21 at 7:05 p.m., against Zion. Sonoma County Crushers Stadium, 5900 Labath Ave., Rohnert Park. Tickets are $4-$10; season passes and other packages are available. 588-8300.

June

Art and Artisan Show The Valley of the Moon Art Association presents the eighth annual weekend with 75 Northern California painters showing their stuff, plus music and refreshments. June 5-6, 10 a.m. to 5 p.m. Sonoma Plaza, downtown Sonoma. Admission is free. 453-1656.

Art at the Source “How to Buy Art from a Real Artist” is this year’s theme of Sebastopol’s self-guided tour of 69 professional artists’ studios in west Sonoma County. Meet and speak with these artists, see their work, and buy what captivates you. June 5-6, 10 a.m. to 5 p.m. Maps are available at the Art Center, the Sebastopol Chamber of Commerce, and all Copperfield’s Books stores. Admission is free. 829-4797.

Backyard Concert Series KRSH and the Sonoma County Independent celebrate summer’s return with a series of free concerts every three weeks or so. June 8, 5:30 to 7:30 p.m., Julien Coryell surprises with “new rock.” Behind KRSH studios at the Station House, 3565 Standish Ave., Santa Rosa. Admission is free (proceeds from food and wine sales benefit Becoming Independent, an organization that helps the disabled). 588-0707.

Beerfest Oh, yeah, it’s that time again. More than 30 microbreweries join forces with musicians and people who’ll let you taste their gourmet food at this eighth annual festival. June 5, 1 to 5 p.m. LBC (mall and courtyard), 50 Mark West Springs Road, Santa Rosa. Tickets are $24 in advance, $28 at the door (proceeds benefit Face to Face/Sonoma County AIDS Network). 887-7031.

Black Bart Festival Cloverdale’s top summer frontier fest will have a Gold Rush Race (10K and 3K walks/runs), an open-air antique show, an art show, food, wine and beer, music, dancing, a magic show–and even more. Whew! June 5, 8 a.m. to midnight. Middle of the street, Cloverdale Boulevard, downtown Cloverdale. Admission is free. 894-4470.

Cotati Jazz Festival Headliners at this 19th annual jazz-a-thon include R&B diva Brenda Boykin, the Smith Dobson Quintet, and the Golden Gate Rhythm Sextet. June 19-20, 1 to 6 p.m. All shows are at the Inn of the Beginning, Tradewinds, Cotati Yacht Club, Cafe Louise, and Casa Cotati. Tickets cost $15 for one day, $25 for both days; buy tickets at the bandstand in La Plaza Park in downtown Cotati. 584-2222.

Dry Creek Vineyard Summer Celebration Indulge your senses with samplings of all kinds of wines and food and get down to the sounds of jazz, rock, and timeless favorites. June 5, noon to 5 p.m. 3770 Lambert Bridge Road, Healdsburg. Tickets are $30. 433-1000.

Duncan Mills Festival of the Arts This annual event in the little town by the river offers arts, music, and miscellaneous fun. On Saturday, hear music from Midnight Sun and Pamela Rose. On Sunday, enjoy the Savoy Swingers and classical guitarist Daniel Cain. The event also includes a fine-art competition, food, and a rubber-duck competition that offers such prizes as a trip to Maui. June 19 and 20, 10 a.m. to 6 p.m. on Saturday and 10 to 5 on Sunday. Admission is $3-$4 (proceeds benefit the Stewards of Slavianka). 824-8404.

The Elephant’s Child The Children’s Theatre of all Possibilities performance of one of Kipling’s classic “Just So” stories will delight children and adults alike. June 12 at 7:30 p.m., June 13 at 2 p.m. Evert B. Person Theater, Sonoma State University, 1801 E. Cotati Ave., Rohnert Park. Admission is $10 for adults, $4 for kids (proceeds benefit Innocence Project, a therapeutic arts program for Ugandan child soldiers). 823-8036.

Film Cafe at SMOVA The Sonoma Museum of Visual Art takes advantage of our blessedly balmy climate to present a monthly series of outdoor screenings featuring experimental short films. Experience the innovative art of some of Northern California’s quirkiest filmmakers while enjoying fine food and wine under the stars. June 11, July 9, Aug. 6, and Sept. 3. Cafe opens at 8 p.m.; the films roll at dark. SMOVA courtyard, LBC, 50 Mark West Springs Road, Santa Rosa. Tickets are $12 for museum members, $15 for non-members. 527-0297.

Fort Ross Summer Music Festival The Fort Ross Volunteer Fire Dept. proudly presents its 25th annual summer music benefit that’ll be blazing with talent, fun, and eats: music by Vinyl, John Sikora, the Azibo Tribe, and Cohesion (among many others), exotic belly dancers, Mexican cantina, kids’ activities, food, beer, and wine–plus a raffle. June 19, 10 a.m. to midnight. Take Hwy. 116 toward Cazadero and follow signs west from there. Tickets are $22.50 in advance and $25 at the door (adults); $17.50 and $20 (youth); free for under 12 and over 65. 847-3184.

Garden Expo Garden experts, music, kid’s activities, and more are on hand at the Luther Burbank Home and Gardens. June 19, 10 a.m. to 4 p.m. Santa Rosa and Sonoma avenues, Santa Rosa. Admission is $3 for adults; free for kids 12 and under. 524-5445.

Grassroots Gourmet Sonoma County Conservation Action’s annual sellout Grassroots Gourmet Celebration features a gourmet dinner, wines, music by the Pulsators, a silent auction, and the presentation of the Upstream Swimmer Award to a local official who “has “demonstrated leadership in the face of adversity.” June 26 at 6 p.m. Odd Fellows Temple, 545 Pacific Ave., Santa Rosa. Tickets are $30 in advance, and, if available, $35 at the door. 571-8566.

Healdsburg Jazz Festival Healdsburg hosts a weekend of world-class jazz. Watch jazzy movies on June 3 at the Raven Film Center (“‘Round Midnight” at 6:15 p.m. and the Chet Baker documentary Let’s Get Lost at 8:45 p.m.; $8); hear the Bobby Hutcherson Quartet on June 4 at two shows ($22); groove to the Cedar Walton Quartet ($22) or drummer Billy Higgins ($15) solo on June 5; stuff your face at a swingy brunch on June 6 (Belvedere Winery, 4035 Westside Road; $15 for adults, $8 for kids), and hear the free concert by the Cannonball Sextet and Tacuma King on the Plaza. All performances are at the Raven Performing Arts Theater, 415 Center St., Healdsburg. 433-7900.

Health and Harmony Six stage of entertainment (including Los Lobos on June 13 and Kenny Loggins on June 14) is only one highlight of this 21st annual counterculture event featuring arts and crafts, tons of food, prominent political speakers, and kids’ stuff. June 12-13, 10 a.m. to 7 p.m. Sonoma County Fairgrounds, 1350 Bennett Valley Road, Santa Rosa. Admission is $15 in advance, $18 at the door, $25 for two days; free for kids under 10. 547-9355.

Health Food and Fitness Expo This year’s expo-goers can rappel down the climbing wall, clamber over the monkey bridge, get a massage, eat free food, and learn the secrets of gourmet chefs. June 26-27, 10 a.m. to 5 p.m. Sonoma County Fairgrounds, 1350 Bennett Valley Road, Santa Rosa. Pick up free tickets at any Longs drugstores. 543-5132.

Hip-Hop Dance Camp The Sebastopol Teen Center hosts a camp committed to bringing hip-hop culture to North Bay kids ages 12 to 19. Two one-week sessions begin June 21 and July 19; Monday-Friday from 10 a.m. to 3 p.m. 425 Morris St., Sebastopol. Cost is $150, with discount given for second person. 523-2431.

Rocky Schenck

Kate Wolf Memorial Music Festival Kind friends, all gather ’round, there’s somethin’ I would say . . . come to the festival honoring the late singer-songwriter Kate Wolf with music by Greg Brown, Dave Alvin, Lucy Kaplansky, Rosalie Sorrels, and Utah Phillips, among others. June 26-27; gates open at 10 a.m. Bring a chair or blanket, and money for all the yummy food, beer, and wine. Caswell Winter Creek Farm and Vineyards, 13207 Dupont Road, Sebastopol. Tickets are $32 for one day, $60 for both days (adults); $27 and $50 (seniors); $15 and $25 (kids under 17); $5 and $8 (kids under 11). 829-7067.

Lesbian & Gay Comedy Night Marga Gomez, comedienne/actress who’s been featured on HBO, Showtime, and Comedy Central headlines at the fifth annual Lesbian & Gay Pride Comedy Night; Doug Holsclaw is sure to make you bust a gut, too. June 12 at 8 p.m. LBC, 50 Mark West Springs Road, Santa Rosa. Tickets are $16 general, $13 for seniors. 546-3600.

Russian River Blues Festival Grab a blanket and sunscreen for a weekend of serious blues on the river. This year’s lineup presented by the Sonoma County Independent includes Etta James, Booker T. and the MGs, Tower of Power, Joe Louis Walker, the Fabulous Thunderbirds, and Tommy Castro. And, of course, there’ll be food, wine, beer, and arts and crafts. June 26-27; gates open at 10 a.m. Johnson’s Beach, Guerneville. Admission is $35 for one day, $65 for a two-day pass. 510/655-9471.

Russian River Chamber Music The spring season concludes with guest pianist Dean Kramer performing Mozart and Schumann. Saturday, June 5, at 8 p.m. Federated Church, 1100 University Ave., Healdsburg. Tickets are $15. 524-8700.

Scrapture One person’s trash is another person’s . . . art project! Come and see at Garbage Reincarnation’s “Oh Rapture, It’s Scrapture!” junk-art sculpture competition. June 26, 10 a.m. to 3:30 p.m.. Recycletown, Sonoma County Central Landfill, 500 Meacham Road, Petaluma. Admission is free. 584-8666.

Cry of the wolf: Los Lobos rock the Health and Harmony Festival on June 13 at the Sonoma County Fairgrounds.

Sonoma-Marin Fair There’s something for everyone at the fair this year. Each day, hypnotist Kevin Stone entrances, Alphabet Soup puppeteers perform, and there’s auto racing, a kids’ park, a carnival, and garden shows. At night the stars come out–stars like the Tower of Power, the Shirelles, Hall and Oates, the Savoy Swingers, and country crooner Tracy Lawrence. June 23-27, noon to midnight. Follow Hwy. 101 to the Washington Street exit, and then follow the crowds to the fairgrounds. Admission is $7 general, $3 for kids under 12; free for kids 6 and under. 763-0931.

July

Art in the Park Sunday evenings are full of music at Juilliard Park this summer: July 11, Mariachi Jalisco and Mayra Carol perform festive, traditional music of Mexico; July 18, the Savoy Swingers shake it up; July 25, the Santa Rosa Symphony’s Young People’s Chamber Orchestra gets classical; Aug. 1, Michael Bolivar soothes with smooth jazz. All shows are 5 to 7 p.m. 211 Santa Rosa Ave., Santa Rosa. It’s all free. 543-3732.

Cruisin’ in the Summer Car Show Classic-car buffs from across Northern California will arrive in droves to attend this event, which features 150 restored classics, hot rods, and rare foreign cars. Other attractions include music, raffles, and contests. July 31 from 10 a.m. to 4 p.m. Plaza North, N. McDowell Blvd., Petaluma. Admiision is free. 762-2234.

Kenwood Pillow Fights The feathers fly as Kenwood celebrates Independence Day with an annual event that includes bed races, food, a parade, and, of course, the famous pillow fights, which take place in the mud for added fun. Musical performers include the Shannon Rider Band. July 4, from 9 a.m. on. Admission is $4; children under 12 get in free. 833-2440.

Marin County Fair Big-name musical acts are the name of the game this year. The big guns include rocker Eddie Money on July 1, the Oakridge Boys on July 2, and Tommy Castro on July 4. The Blues Festival returns on July 5 with such acts as Clarence Sims and Bobby Webb. Of course, you also won’t want to miss the classic fair fare, including arts and crafts and carnival ride. July 1 to 5 from 11 a.m. to 11 p.m. Marin County Fairgrounds, San Rafael. $8-$10; free for kids three and under. 415/472-3500.

Petaluma Summer Music Festival The Cinnabar Theater holds a month of music for all ages. Some highlights are “The Unicorn, the Gorgon, and the Manticore,” “Little Red Riding Hood,” and Mark Taylor. July 31-Aug. 21. 3333 Petaluma Blvd. N., Petaluma. Call for details. 763-8920.

Sonoma Valley Shakespeare Festival The annual offering of work written by or inspired by the Bard is back. Offerings this year include The Tempest, The Comedy of Errors, and Tom Stoppard’s Rosencrantz and Guildenstern Are Dead. July 2 through Sept. 25, Fridays and Saturdays. Tickets are $18 general, $10 for teens; season passes are available. 575-3854.

Sonoma County Fair It’s time to suck up the spun sugar, then try and keep it down while you ride the Kamikaze, bet on the horse races, ooh and ahh at the flower show and rodeos, and get dusty feet. This year’s Sonoma County Fair offers a musical lineup that includes Vonda Shepard (of Ally McBeal fame) on July 29, El Vez on July 31, Taj Mahal on Aug. 2, the Blues Festival on Aug. 7, and many more performers, including Lavay Smith and Broken Spoke, and comedian Paula Poundstone on Aug. 4. July 27-Aug. 9, noon to midnight. Sonoma County Fairgrounds, 1350 Bennett Valley Road, Santa Rosa. Admission is $5 general; senior, kids’, advance, and group rates are available. 545-4200.

Sonoma County Showcase and Wine Auction Sonoma County’s swankiest wine and food event returns for a summer of tours, tastings, parties, and golf. July 14-17. Locations, prices, and times vary (proceeds benefit Share Our Strength, an anti-hunger organization). Call 800/969-4767 for more info.

Sonoma Salute to the Arts Ten ‘HUT! Sonoma salutes the arts with a food, wine, and art extravaganza. The opening celebration is July 30 at 7 p.m. (Buena Vista Winery, end of Old Winery Road, Sonoma; $75); the showcase event is July 31 and Aug. 1, 10 a.m. to 6 p.m., with a Saturday night auction ($75) and a Sunday winetasting ($25). Sonoma Plaza, downtown Sonoma. The Gala opening, auction, and tasting package can be bought for $150; everything else is free. 938-1133.

Wine Country Film Festival This eclectic film festival sprawls across two counties (Napa and Sonoma) in its annual quest to offer the widest possible array of moving pictures from around the world. More than 80 films are screened this year, and opening weekend features the premiere of Mickey Blue Eyes, starring Hugh Grant and directed by his amour, Elizabeth Hurley. July 22 to Aug. 15. Sonoma County events take place at Sonoma Cinemas, Jack London State Park, and the Sebastiani Theater. 935-3456.

Lynn Ciccone

Women’s Goddess Festival Join women celebrating life by doing all sorts of fun and empowering things like tackling a ropes course, hiking, and attending workshops and rituals (all Goddess-related). July 16 at noon to July 18 at 6 p.m. (be prepared to camp out!). Ocean Song, 19100 Coleman Valley Road, Occidental. Admission is $120 for adult women, $60 for young women, free for children under 12; work exchange is available. 824-0737.

August

Blues Festival The annual blues event at the Sonoma County Fair celebrates its 20th year with performances by Ronnie Earl, Otis Taylor, Nick Gravenites, James Harmon, and more. Aug. 7 from 2 to 9 p.m. Redwood Theater at the Sonoma County Fairgrounds, 1350 Bennett Valley Road, Santa Rosa. Free with admission to the fair. 542-4200.

Cotati Accordion Festival Summer wouldn’t be quite the same without the sweet sounds of accordion music that echo through Cotati during this annual event. This year features such performers as Santiago Hemenez Jr., the Internationals, and the Steve Balich Polka Band. Aug. 28-29, from 10 a.m. to 7 p.m. Inn of the Beginning, 8201 Old Redwood Hwy., and La Plaza Park, downtown Cotati. Tickets are $8 for one day, $15 for both days. 664-0444.

Bodega Bay Seafood, Art, and Wine Festival Browse through art, dance, ride horses, and partake of excellent seafood and wine. If all that fun gets too stressful, just gaze at the ocean. Aug. 28-29, 10 a.m. to 5 p.m. Chanslor Ranch, 1 mile north of Bodega Bay on Hwy. 1 (follow the signs). $5 general, $4 for seniors, and free for kids under 12. 824-8404.

Gravenstein Apple Fair “The sweetest little fair in Sonoma County” returns for a weekend of fritters, parades, handmade crafts, music, and dancing. Aug. 21-22, 10 a.m. to 6 p.m. Follow the signs from downtown Sebastopol. Admission is $5 general, $4 for seniors, and $1 for kids up to 16.

Great Petaluma Quilt Show Hundreds of colorful quilts take up residence amid the splendors of downtown Petaluma. Aug. 14 from 10 a.m. to 4:30 p.m. Admission is free. 778-8015.

Old Adobe Fiesta Come visit California’s largest adobe and step back to 1840 at a living history day of costumed docents, live music, and food. Aug. 8, 11 a.m. to 4 p.m. Petaluma State Historical Park (free bus transportation from any bus stop in downtown Petaluma). Admission is $2; kids under 10 get in free. 769-0429.

Rodney Strong Summer Jazz Series Jazz, food, and wine are showcased on the Concert Green at the Rodney Strong Vineyards. June 13, jazz saxman Richard Elliot and Willie & Lobo perform. July 11, it’s Dave Koz and Slim Man. Aug. 22, be there for Rick Braun. All shows at 3 p.m. 11455 Old Redwood Hwy., Healdsburg. Tickets are $25 for lawn seating, $30 for the golden circle. 433-0919.

September

Russian River Jazz Festival Smooth jazz is the heavy favorite at this year’s end-of-summer concert by the river. On Sept. 11, see Michael Franks, the Braxton Brothers, and others. On Sept. 12, hear Dave Koz and Lady Bianca. Johnson’s Beach, Guerneville. One-day tickets are $30 inadvance and $40 at the gate. 869-3940.

From the May 20-26, 1999 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Bootlegged Sheet Music On The Internet

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The Pitched Battle

Greg Allen

Guitar pirates of the Internet mourn the loss of bootlegged sheet music

By Robert Downes

FOR GUITARISTS, the On Line Guitar Archive (OLGA) was a buried treasure found on the Internet–a collection of more than 26,000 guitar tablatures, chords, and lyrics that allowed amateur musicians to learn the songs of everyone from Abba to ZZ Top.

For six years, it was a joy ride for guitarists trolling the ‘net. OLGA (www.olga.net) and its mirror sites around the world received up to 200,000 visitors per week, and as many as 10,000 guitarists contributed tab transcriptions of popular songs to the archive. (Tablatures are a simplified way of writing music, with notes corresponding to each of the six guitar strings.) But on June 9, 1998, the music died when OLGA was forced to cease distributing its archive under the threat of copyright violations.

The guitar pirates of the Internet have been battling to get their treasure back ever since.

It all began 10 years earlier, when computer-savvy guitarists began trading song tablatures and lyrics through various Usenet newsgroups. In 1992, James Bender created OLGA as an archive of the Usenet postings at the University of Nevada, Las Vegas. Immensely popular, mirror OLGA sites began popping up around the world. One could choose from dozens of sites in locations as diverse as Kentucky, Germany, and New Zealand. OLGA stayed under the radar screen of the music publishing business until October 1995, when Thorn EMI, the British division of EMI Music Publishing, moved to shut down a mirror site in England. Several months later, EMI’s office in New York went on the legal attack against the University of Nevada, claiming that OLGA’s transcriptions represented a breach of copyright and a threat to the music publishing industry. In a letter from its attorneys, EMI Publishing notified the university that it would “employ all available means” to protect its copyrights.

In response, the University of Nevada caved in, shutting down the site in February 1996.

The good news for guitarists, however, was that by 1996 there were dozens of mirror OLGA sites scattered around the world, many based at libraries, colleges, and universities. OLGA also found a new temporary home. The bad news, however, was that the music publishing industry went on a search-and-destroy mission to root them out. Along with the legal muscle of EMI, the guitar pirates of OLGA found themselves faced by the Harry Fox Agency and the National Music Publishers Association.

THE HARRY FOX AGENCY was established in 1927 by the NMPA as a watchdog group to monitor and license music. Today it represents more than 20,000 American music publishers and licenses music on records, tapes, and CDs. The agency began contacting educational institutions around the world and threatening them with legal action unless the mirror sites were shut down. Most sites raised the white flag and fell on their swords as soon as the term “lawsuit” was mentioned.

To add injury to insult, OLGA itself was forced to quit distributing its archive of songs to the remaining mirror sites last June “in response to the threat of a federal summons from the Harry Fox Agency, who allege that the files in OLGA are breaches of copyright.” Another outfit, the International Lyrics Server, was also forced to shut down, denying musicians the words to more than 116,000 songs. Since then, the ILS has done some legal homework and is planning an online reincarnation as Songfile. com under a licensing agreement with music publishers.

That’s not all: Midi Haven, an audio site that features popular songs played by amateur musicians, was also quashed in what seems to be an across-the-board legal attack on amateur musicianship (or, a spirited defense of professional musicians’ royalties, depending on how you wish to look at it).

Given its labor-of-love, non-profit nature in which no money changes hands, defenders of OLGA say that music publishers are being unfair to the typical living-room guitarist who downloads songs for the joy of playing. “The tab files are often a guitarist’s interpretation of a song,” says Chris Mason, who operated an OLGA mirror site at Carnegie Mellon University in Pittsburgh before it was shut down. “Some, certainly not all, of the songs represented are copyrighted.”

MASON AND OTHER OLGA defenders note that copyright law on the Internet is still in its infancy, and there are no legal precedents to say what creative property is protected in cyberspace.

“The OLGA administrators sought legal counsel regarding the copyright issue,” Mason says. “Legal opinions varied wildly, from OLGA being in clear violation of copyright to not being in violation at all, and several [attorneys] said it was simply too novel a situation to tell.”

OLGA supporters have launched an online petition drive, collecting signatures from around the world. Many fans are also venting their rage on the Internet, as is the case of the anonymous author of “The Harry Fox Agency Sucks!” website. “I just decided I would use my freedom of speech to say how much the Harry Fox agency and the MNPA SUCKS!!” the site proclaims. “Next these people will be down at my house saying I can’t play a song on my guitar unless I pay them off!!! These people are unfair and money hungry.”

At this point, however, legal might seems to be on the side of the music publishing industry. “If you post sheet music on the Web, it’s clearly copyright infringement,” says Boston attorney Lee Gesmer, a specialist in high technology and computer law, quoted in Network World.

OLGA has been incorporated as a charitable organization and is collecting funds for its legal battle. And despite its official closure, at least seven renegade sites in Belgium, California, Poland, Australia, Slovakia, New Jersey, and South Africa are still making songs available to guitarists.

“OLGA will consider licensing only as a last resort, and we’re not quite there yet,” states a notice on the home page. “So for the meantime, guitar-players across the net will have to hang on a little longer.”

So, if you’ve been putting off learning a few tunes by the Stones, Pink Floyd, or the Meat Puppets, to name a few of the hundreds of bands listed in the OLGA, you might want to fire up your modem and start downloading songs ASAP: in the face of a terrific legal challenge, no one knows how long the remaining renegade OLGA sites will last.

From the May 20-26, 1999 issue of the Sonoma County Independent.

© Metro Publishing Inc.

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