OAEC Fundraising Dinners

0

Tending to business: Doug Gosling, head gardener at the Occidental Arts and Ecology Center, doubles as executive chef Sept. 9 at a vegetarian benefit dinner culled from the facility’s extensive selection of heirloom plants.

Humbly Exotic

OAEC dinners offer peek at possibilities

By Marina Wolf

FUNDRAISING DINNERS. The causes are many and worthy–from monkeys for the color-blind to aid for Kabuki- deprived children–but the dinners are often the same: California French food (in intent, if not execution), black-tie attire, and silent art auctions in tents so large as to obliterate any sense of community or connection to the cause.

In that atmosphere of extravaganza and effect, the Occidental Arts and Ecology Center fundraisers stand out by virtue of understatement. A spreading oak tree will likely be both ceiling and decoration at this year’s harvest dinner, held on Sept. 9 at the center’s 80-acre spread in the hills of Occidental in west Sonoma County. The paths surrounding the “dining room” are carpeted with plain old backwoods grass, made slightly treacherous by clumps of composting straw and volunteer vegetables (weeds). In other words, heels are unnecessary and probably hazardous.

And rather than undergoing acrobatic feats of transformation behind kitchen doors, the food is being prepared simply.

Head gardener Doug Gosling also plays executive chef on these occasions, but his gardener’s devotion to the unpredictable rhythms of Sonoma County seasons doesn’t allow him to even outline the menu until the day of the event: he would prefer to build the dinner around what’s really ripe.

That wait-and-see approach sounds a little risky, but Gosling insists that cooking is easier. All the flavors are there in the produce, so complicated sauces and preparations are unnecessary.

Harvest Dinner: A great diversity of ingredients, tastes, and colors typifies the OAEC’s fare, as in this sample menu from a past dinner.

“Ripe, in-season ingredients take care of themselves,” he says, echoing chef-advocates such as Alice Waters and Molly Katzen in their dedication to vibrantly healthy fruits and vegetables. “There doesn’t need to be a lot of processing when you have fresh, organically grown produce.”

These ideals, as well as a commitment to biodiversity, intentional communities, and sustainable food systems, took root at the OAEC site back in 1974, when gardeners of the Farallones Institute first broke ground. Two changes of ownership later, the densely planted main garden, which staff members affectionately call the Mother Garden, is the generous source of plants for the center’s semiannual plant sales, as well as school-garden programs around the county and even an organic garden supplying the Food for Thought food bank for those with AIDS.

OAEC goes beyond organic into heirloom: many of the fruits and vegetables in its gardens are rare or old-fashioned varieties, if not to say almost extinct or simply unheard of in the North American marketplace. Andean fruits and vegetables, some of which have been cultivated in the mountain ranges of South America for thousands of years, form a significant part of the collection.

In the coastal hills, these ancient plants have found a match for their growing conditions at home and thrive so well that Gosling showcases them every spring in a fundraising dinner of their own. Here are squashes, summer and winter, in shapes and colors never seen in the supermarkets; legumes and roots that are distant relatives of the potato and string bean and taste very little like them; and fruits such as the Cape gooseberry that somehow captures a mango-coconut-berry taste in a tomato texture and a tomatillo husk (Gosling is planning to incorporate it in the evening’s dessert).

As exotic as they are, these vegetables and fruits are easy additions to the harvest feast that Gosling plans each summer. Past dinners have featured summer weeds lasagne, sautéed Peruvian fava beans, and bread flavored with popped Aztec amaranth seeds (“under a magnifying glass they look like little tiny popcorn”). For appetizers one year, Gosling set out crostini with three kinds of pesto, made from Azerbaijanian, Italian, and Iranian basil. And the “Mother Garden” salad contains some 40 kinds of greens and flowers.

All these unusual and colorful dishes illustrate one thing clearly: we are starved for variety.

“Before the Second World War, people had much more diversity,” says Gosling. “But now the food supply has been very streamlined and simplified. We might think we have a lot of choices, but in fact, relative to what used to be available, the choices are extremely limited.”

What’s more, he says, the flavors we have access to are limited, too: “Produce grown by agribusiness isn’t grown either for taste or for nutrition. For them, it’s all about transportation, shelf life, and uniformity of size and color.”

Gosling and the other workers at OAEC hope to reverse the trend, planting seeds, as it were, about the other possibilities of food supply.

Clearly, enough patrons have thought the cause worthy to fill up the fundraisers every year. But a few otherwise supportive community members have balked at the suggested sliding scale for donations–$100 to $500 per person.

Gosling acknowledges the complaint; it is a lot of money.

But it’s well within the range for fundraising events, he says, especially considering that the dinner is one of the few sources of money that OAEC relies on. And anyway, fine dining in the Bay Area, even in Sonoma County, can easily top $100 a head.

“I think we’re offering an experience you can’t get anywhere else,” he says.

A vegetarian benefit dinner, “Fall Harvest Dinner: Tastes of Diversity,” will be served on Saturday, Sept. 9, with hors d’oeuvres around 5:30 and dinner at 6:30, at the Occidental Arts and Ecology Center, 15299 Coleman Valley Road, Occidental. Reservations are required. Proceeds benefit the OAEC. Tickets: $100&-$500. 874-1557.

From the August 31-September 6, 2000 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Russian River Jazz Festival

0

Leader of the pack: Roy Hargrove is back with a new album of ballads–with strings–and an upcoming appearance at this year’s Russian River Jazz Festival.

The Lion King

Trumpet player Roy Hargrove still leads the pack of young jazz lions

By Greg Cahill

“I’VE ALWAYS wanted to do a ballad project,” says trumpet player Roy Hargrove, 30, a hard-bop player who has just released his first collection of songs with strings–usually a hallmark of only the most serious ballad players. “Whenever I perform ballads in live sets, people respond. So I thought it would be a good idea to devote a whole album to ballads. I’ve always loved those kinds of albums, especially John Coltrane’s and those ballads-with-strings albums by Clifford Brown and Donald Byrd.”

On Moment to Moment (Verve), Hargrove does indeed evoke the soulful eloquence of Brown’s 1955 classic Clifford Brown with Strings–relaxed mood music with pockets of dim-the-lights romanticism, hushed sentimentality, and quiet dreaminess.

The CD includes covers of such standards as the Sammy Cahn/Jules Styne gem “I Fall in Love Too Easily,” Johnny Mandel’s “A Time for Love,” Jimmy Dorsey’s “I’m Glad There Is You,” and the Henry Mancini/Johnny Mercer&-penned title track. In addition, Hargrove lends his touch to Pat Metheny’s “Always and Forever” and Antonio Carlos Jobim’s “How Sensitive,” as well as the original composition “Natural Wonders.”

His departure from hard bop has drawn mixed reviews. Jazz critic Richard Ginell of the All Music Guide praised much of Hargrove’s playing on the disc–the follow-up to 1997’s highly acclaimed Habana, a foray into Cuban jazz–as “gorgeous.” But he added that the trumpet player’s “undoubted sincerity and musicality go only a limited distance over the 68-minute span of the CD before simply repeating themselves out. CDs like this make one wish that the 10″ LP was back; that time frame was just long enough for some of jazz’s best string albums of the past.”

Hargrove recorded Moment to Moment at Red Barn Studios (owned by Al Jardine of the Beach Boys), just 200 yards from the secluded Pfeiffer Beach in Big Sur. “It’s such a beautiful place, and that added to the vibe of the sessions,” he says.

The Bay Area has become a second home for Hargrove, a Texas native who resides in New York. In recent years, he has performed regularly at the Russian River Jazz Festival (where he returns on Sept. 17), and the Monterey and Big Sur jazz festivals.

On the weeks when Hargrove isn’t on the road, the area has become a favorite vacation destination.

Russian River Jazz Festival Schedule

HARGROVE’S rise on the jazz scene has been meteoric, placing him at the front of the pack of young jazz lions. He grew up in Dallas, an inquisitive kid who read voraciously and once thought of becoming a psychologist. The trumpet changed all that. At age 9, he joined an elementary school band and immediately realized that the horn was something special.

“From the very beginning, I was turned on to improvisation with roots within the blues,” he explains. “I was very impressed that the kids would get up and take improvised solos. When I saw that, I said, ‘Yeah, this is what I want to do.’ I was inspired to practice a lot because I wanted to do better than everyone else.

“I wanted to make a difference and really stand out.”

As a teen, Hargrove attended Booker T. Washington High School in Dallas, a renowned performing arts school. “That’s where I started finding out about trumpet players like Clifford Brown, Lee Morgan, Freddie Hubbard, Fats Navarro, and Blue Mitchell–and, of course, Miles Davis and Dizzy Gillespie,” he says. “That’s also when I really started listening to acoustic jazz, because before that I had a really different sense of what jazz was, since I listened to the radio. And what they call jazz on the radio in Dallas really is electronic music or fusion or whatever you want to call it. But when I started hearing these other cats play on their recordings, it just turned my whole head around.

“I mean, when I heard Clifford Brown, I went insane,” he adds with a laugh.

All that rehearsal paid off. Hargrove met Wynton Marsalis in 1987 when the jazz star visited his high school and allowed Hargrove to sit in with his band. Soon afterward, and with Marsalis’ help, Hargrove began playing with Superblue, as well as with such talented players as saxophonist Bobby Watson.

He attended the prestigious Berklee School of Music in the 1980s.

With his 1990 recording debut, Diamond in the Rough (RCA/Novus), Hargrove unleashed a set of full-blown instrumental chops that rivaled those of Marsalis, Terence Blanchard, Wallace Roney, or any one of the other media darlings mining the same so-called neoconservative vein of acoustic, traditional jazz. A series of hard bop excursions with saxophonist Antonio Hart followed. While Hargrove’s playing may have lacked the polish of his more established peers, he still caught the collective ear of the jazz community with riveting, rafter-rattling solos and a loose, lyrical groove that must leave other Young Turks green with envy.

The years of woodshedding, playing the summer jazz festival circuit (with the likes of Frank Morgan and Art Blakey), and supplementing his after-hours jam sessions in Greenwich Village helped put Hargrove’s career on the fast track. In 1991, Hargrove marked his unofficial coming out at Carnegie Hall, where he played alongside legendary tenor saxophonist Sonny Rollins.

It was a heady experience for the then 21-year-old Hargrove.

“I’d always dreamed of playing with someone like Sonny Rollins, and when I finally got a chance to be up there with him, I just couldn’t believe it,” he recalls with a laugh. “It was very exciting because he’s a real unpredictable player. He throws a lot of curves, and you have to really stay on your toes to hang in there with him.”

Hargrove passed muster. Indeed, his increasing notoriety led to a bidding war–if such a thing exists in the relatively low-budget jazz world–that landed him in 1994 at Verve Records, a seasoned company that after 50 years had re-emerged as the world’s premier jazz label. His first release for Verve, Roy Hargrove Quintet with the Tenors of Our Time, teamed the trumpeter with such heavy-hitting tenor sax players as Joe Henderson, Stanley Turrentine, Johnny Griffin, Branford Marsalis, and Joshua Redman.

“It was a real learning experience,” Hargove says, reverentially. “There’s nothing like actually being there and having the experience of playing with someone you always used to listen to. You never forget that. It stays with you.”

And just what did he learn?

“It’s hard to describe, but playing along with, or even just standing next to, someone like Joe Henderson or Johnny Griffin is astounding,” he says. “You learn a lot listening to how they approach what they play, whether it is where they leave spaces, or where they take a breath, or how they hold the instrument, or even what they choose not to play.

“And, of course, there are all those great stories they tell in between tunes.”

Just a few short years after his discovery, Hargrove was playing with Dizzy Gillespie, being hailed in the press as a young Clifford Brown, and picking up a 1995 Downbeat Readers’ Poll spot as best jazz trumpeter. He’s even being compared to a young Miles Davis. “It’s very flattering, but there will never be another Miles Davis,” he says, modestly. “Still, it’s flattering because these are people I really look up to and try to emulate.”

And where does he think the music is headed now that most of the originators of bebop are dead?

“It’s true that those people are gone from the physical realm, but they still live within our hearts and our souls,” he says. “I think that people like Miles and Dizzy left a long legacy of music for us to continue to study and to learn about. The music itself is timeless, so it will never be gone or get old. I mean, there are recordings by them that I listen to over and over again, and each time I hear something new.”

“What I try to do is apply all the knowledge I’ve gotten from them with my own feeling, my own emotions, and bring that as lyrically as possible through the bell of my trumpet.”

From the August 31-September 6, 2000 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Online Dating Service in Prison

0

Jailbird Lovebirds

Online dating service goes behind prison bars for romance

By Michael Goldman

RONALD BISHOP’S marriage of 20 years collapsed nine years ago. Since then there have been many lonely moments, he says. So when the 53-year-old oil-processing supervisor from Liberty, Texas, hooked up with Carol Sevilla, he was elated. Now he has someone to cherish on Valentine’s Day, someone special to hang up a stocking for on Christmas, and a partner with whom to share life’s disappointments and victories. “She’s the best thing that’s happened to me,” Bishop says. “We’re in love.”

Bishop, however, has never met Sevilla.

That’s because Sevilla, 25, is an inmate at the California Correctional Women’s Facility in Chowchilla, Calif., where she is serving time for second-degree robbery. She and Bishop have corresponded since he obtained her address 10 months ago from an online dating service called Prisonbabes.com. Bishop says that once Sevilla is released, they plan to live together in Texas.

“It’s the best $4.50 I ever spent,” Bishop says of the fee he paid for the address.

Prisonbabes is one of a handful of online services that match men with young single women behind bars. Most sites include pictures of the women, as well as their biographical profiles and release dates. Criminal records are not provided. Clients choose whom they’d like to correspond with, then pay a small fee for the address. After that, they’re on their own to write letters, make calls, and arrange visits.

Use of the service has led to six marriages and many happy relationships, according to Prisonbabes’ founder, Skip Harris, 36, of Stockton, Calif.

But Kim Gandy, executive vice president of the National Organization for Women, says the sites “attempt to exploit women in difficult circumstances.”

She’s not the only one voicing concern. Some clients complain that they are the ones being victimized by dishonest prisoners, while some psychologists question whether the relationships are healthy.

Lonely Hearts behind Bars

THE INSPIRATION for Jailbabes .com, another online service, came in a flash for its founder, Ken Klein. After being dismissed from his paralegal job, Klein, 63, of Orange County, Calif., was looking for work. When a friend who had been in prison mentioned the loneliness she felt while incarcerated, Klein had his idea. The former inmate offered to round up some prison friends to participate, they passed on the word to other inmates, and in 1997 Jailbabes was born.

The site has since featured more than 3,000 women in 28 states. Klein says it attracts 60,000 to 70,000 hits per day, yielding hundreds of customers.

The site’s success can be explained in part by the glut of young single women in jail, he says. Many women get in trouble early on in their lives, Klein says, because “they come from broken homes and may not have had any place to go after high school, if they went to high school at all.”

That explains the supply. But the demand is fueled by other factors.

Referring to his “jailbabes,” Klein says, “You don’t have to buy them lavish presents or jewelry. That’s not allowed. But you can talk about sex, politics, or religion and have a chance to see if there’s any chemistry.”

Corey Habben, a clinical psychologist in the Chicago area who specializes in men’s issues, says there’s a less elaborate explanation for the attraction: desperation.

“The prospect of going to a club or bar to meet someone,” he says, “is more daunting than having a captive audience.”

Fantasy or real love? The attraction might also have its roots in men’s sexual fantasies, according to John Ross, a clinical professor of psychology at Columbia University’s College of Physicians and Surgeons in New York whose areas of expertise include men’s sexuality and sexual fantasies.

“The whole culture puts a kind of premium on kinkiness and breaking all sorts of taboos,” Dr. Ross says. “This would be one sort of major taboo to be broken, to be involved with a woman who’s a criminal.”

Yet another explanation is offered by Wayne Myers, a professor of psychiatry at Cornell University’s Weil College of Medicine in New York. He says that while women have been known to start romances with murderers and other hardened criminals because of the “danger aspect of it,” the case of men being attracted to women behind bars is an entirely different matter.

“It’s very much rescuing the fallen woman, the damsel in distress,” says Myers, who is a sex addict expert. “You are saving the [woman] from the state she has fallen to and you’re going to bring her back from her fallen state, back to respectability. And therefore you become very manly. There’s a sense of hyperpotency there.”

But according to Gary, a 34-year-old information technology salesman from Anaheim, Calif., who declined to give his last name, a relationship with an incarcerated woman is not very different from any other relationship.

He met “Lisa,” who also is an inmate at the Chowchilla, Calif., prison, a couple of months ago while using the Jailbabes service and has been corresponding with her since.

“It’s something that absolutely just clicked,” he says. “We’re attracted to each other, and I get a good sense that we want the same things.”

Can these women be trusted? Some relationships fostered through the services seem to be on shaky ground.

Bishop, the Texan, says that his girlfriend, Sevilla, told him she is Asian, has only been in prison three years, and is to be released in December of 2001, at which point she will move to Texas to start her life anew with him.

But Margot Bach, a spokeswoman for the California Department of Corrections, which operates the prison in which Sevilla is incarcerated, tells a different story.

According to prison records, Sevilla is an illegal immigrant from Honduras serving an eight-year term. Her earliest possible release date is February 2003.

There’s More

BACH SAYS that California inmates must generally serve a three-year parole period in their counties of residence, which in Sevilla’s case is Los Angeles. But since Sevilla is an illegal immigrant, when she does come up for parole the Immigration and Naturalization Service may deport her, Bach says.

That’s no surprise to David Smith, a 58-year-old computer programmer from Hartford, Conn., who has contacted eight or nine incarcerated women over the past two years using various services. He says that although he has now found a stable relationship using one of the services, he had been lied to repeatedly by other women.

“The big problem,” he says, “is that many of these girls are writing many guys, sometimes between 15 and 20 of them, and promising to marry five or six of them.”

The motivation, he says, is money. Except in the case of his current mate, every woman he has written to has asked for cash in her first letter.

“It starts with $20, which I have no problem sending,” Smith says. “But by the time you write a half-dozen letters, $20 has turned into $200 or $300.”

Harris, the founder of Prisonbabes, says he does not check the accuracy of the claims made by women on the service, but regrets any dishonesty on their part. Klein, the operator of Jailbabes, says he makes inquiries only when he comes across information that appears “suspicious.”

That is of little consolation to Bishop. When told of the discrepancies between what the California Department of Corrections had to say about her records and what Sevilla told him, Bishop says, “Looks like the service ought to have dug a little deeper rather than just taking her word for it.”

But even if Sevilla lied, “I can understand that,” he says. “There are things I haven’t wanted to tell her either. This really doesn’t change nothing.”

Michael Goldman is a Columbia News Service staff reporter.

From the August 31-September 6, 2000 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Usual Suspects

0

How green is your garden? Presidential candidate Ralph Nader.

Party Pooper

Ralph Nader snubs the Green Party

By John Yewell

RALPH NADER’s stump speech drips with contempt for the two major political parties, calling the system a “duopoly” dominated by Tweedledum and Tweedledee. But Nader’s disregard for party politics also appears to extend to the Green Party, under whose banner he is running for president.

Why isn’t Ralph Nader, who spoke Aug. 27 at the Luther Burbank Center, a member of the party he represents? “He’s running with the Green Party because he’s sympathetic with their core principles,” says campaign spokesperson Laura Jones from Nader’s headquarters in Washington, D.C. “He’s always identified himself as an independent voter.”

Jones says the goal is to build up the party into a viable alternative third (or fourth?) party, but Suspects is skeptical. Doesn’t his refusal to become a member of the party show that Nader doesn’t believe enough in what the party stands for?

“It’s kind of immaterial to us,” says local campaign co-coordinator Jeff Shuey. “The Green Party is much more of a loose-knit group.”

Nader has the option to register Green. In Connecticut, his home state, the Green Party has minor-party status. According to Connecticut director of elections Tom Ferguson, if Nader wins he becomes a Green Party member by virtue of being its nominee, regardless of how he is registered.

Meanwhile, Nader has a lot of Democrats worried. Polls show Nader’s presence in the campaign could hurt Al Gore in Minnesota, Ohio, Oregon, Pennsylvania, Wisconsin, Michigan, and California–all key battleground states–and possibly hand the election to the Republicans. While he is sympathetic to Nader’s issues, even Gore supporter Paul Wellstone of Minnesota, the Senate’s most liberal member, has warned against the impact of Nader’s candidacy.

Jones is unmoved. “He’s running with the Green Party to offer people a way that they don’t have to vote out of fear,” she claims. Unless, of course, their fear is of a Bush presidency.

Settlement in Fire District Suit

By Greg Cahill and Paula Harris

WHEN THE 1993 verdict in the Rodney King beating case was announced, Shirlee Ploeger says, Windsor Fire Chief Ron Collier commented to her: “Well, that shows you what we can do to a man. Can you imagine what we could get away with doing to a woman?”

After eight years as a secretary, Ploeger last year filed a lawsuit against the Windsor Fire Protection District, alleging years of sexual harassment that she says culminated in wrongful termination.

Last week, the fire district’s insurance carrier awarded Ploeger a $550,000 settlement in the case, with an additional $50,000 paid by the district workers’ compensation insurer–reportedly the largest settlement of a sexual harassment claim ever paid in Sonoma County.

According to Ploeger’s suit, employees at the district had elevated sexual harassment to an art form, even going so far as to post a vulgar slur on the business card of a company that offers sexual-harassment awareness training. Ploeger’s complaint contained a litany of allegations–including many involving firefighter Troy Collier and his father, Fire Chief Ron Collier, both of whom were named in the suit as the primary persons involved in the sexual harassment which Ploeger says began in 1989.

Included in the complaint were 17 pages of obscene jokes, cartoons, postcards, and other material that Ploeger said were frequently posted on the fire station’s bulletin boards and in the break room. Among the charges, Ploeger claimed the all-male firefighting force screened pornographic movies after mandatory training meetings and often circulated sex magazines during work.

Ploeger also alleged that the firefighters made “comments about women’s and young girls’ bodies, breasts, and buttocks, including about women who entered or passed by the fire station or who were seen on fire or medical calls.”

Chief Collier, who has held the position since 1985, has not commented on Ploeger’s lawsuit and has declined even to discuss the department’s current policy on sexual harassment.

Bill Arnone, an attorney for the fire district, has denied any wrongdoing on the part of Windsor fire officials.

From the August 31-September 6, 2000 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Robert Bradley’s Blackwater Surprise

0

Fast friends: Robert Bradley, second from right, is an unlikely MTV star.

Street Smart

Robert Bradley’s brand-new start

By Alan Sculley

TWO YEARS AGO, the members of Robert Bradley’s Blackwater Surprise figured their 1996 self-titled CD was about to join the legion of albums that are released and disappear without making much of an impact. Then came a most unexpected event. The video for the acoustic soul ballad “Once upon a Time” was aired by MTV on its “12 Angry Viewers” show. Though the song was pitted against some high-profile competition on this record review program, the viewers made it their top pick for that day and later their favorite for the week. This prompted MTV to put the video into heavy rotation.

Suddenly Robert Bradley’s Blackwater Surprise (RCA) had been given a whole new life.

“It was a big surprise, that ’12 Angry Viewers’ thing, because you know, hey, RCA was probably about ready to let us go,” Bradley says. “Most radio stations, programmers, they didn’t know what type of music this was [or what radio format it fit]. What do you do? Well, we don’t know what we do either. That’s why it’s a surprise. That’s how we came up with the name Blackwater Surprise. We didn’t know.

“So I mean, MTV, that was a shock. We went from selling 50 records a week to 3,000. So that kept us on the line at RCA and enabled us to get to the second record. That was really MTV–I can’t thank them enough.”

The arrival of Robert Bradley’s Blackwater Surprise on MTV is only slightly less remarkable than the circumstances that spawned the band itself. One day in 1990, guitarist Michael Nehra, his brother, bassist Andrew Nehra, and drummer Jeff Fowlkes–three musicians who had recently been in a band signed to EMI Records called Second Self–were in the Nehra brothers’ downtown Detroit studio rehearsing. That morning they heard Bradley singing on a street corner outside the studio. Stunned by Bradley’s earthy and soulful vocals and the songs he was singing, the three decided to approach Bradley and invite him up to the studio.

Bradley hesitated at the invitation.

The truth is that being a street musician had become a fairly lucrative pursuit for Bradley, an Alabama native who had been legally blind since birth.

It wasn’t as though this had been Bradley’s original lifestyle. In fact, he had gotten married in 1972 and had five children. But by the mid 1970s, the marriage had begun to crumble and Bradley wasn’t all that thrilled with his job running a store for the blind for the state of Alabama. He decided to move to Detroit, where he had lived with his family as a teenager. There he was introduced to the idea of busking on the streets for money.

“I met this guy on the corner [playing songs],” Bradley explains. “He said, ‘Man, go get you a guitar and get out here and I’ll make you some money.’ So I went and bought a guitar, learned a few chords, and started doing it.”

Soon Bradley was making trips to California and Alabama, playing on the streets whenever he needed to make money along the way and enjoying the life of a gypsy musician. But by the 1980s, he was spending much of his time in Detroit, where he had become a fixture in Detroit’s Eastern Market. In fact, Bradley had become so popular that when the city tried to ban street musicians from playing, citizens successfully pressed a petition allowing Bradley to play his Eastern Market gig again.

“It was like it got to the point where I didn’t work but once a week and I’d make $500 bucks,” Bradley said. “I’d play there for four hours and then go home, and I wouldn’t go back to work until I’d spent it all.”

Part of what made Bradley a unique attraction was that he played nearly all original material. Blessed with the ability to come up with melodies and lyrics on the spot, he estimates that he created around 1,000 songs during his years of busking.

“I know all of them. They’re in my head,” he says. “But there are probably about 250 of them that I can just down and go through one to the other.”

Andrew and Michael Nehra and Keith Fowlkes finally persuaded Bradley to come to their studio and began recording some of his originals. Slowly, over the course of three years, Bradley and his future bandmates built a personal rapport and a musical chemistry that compelled them to form Robert Bradley’s Blackwater Surprise. “We just got together gradually over the four years,” Bradley says. “I would go down there maybe on Mondays, Wednesdays, and Fridays and stuff like that. So it went on like that for a while. And so we got to know each other really before we formed the group.

“That’s what made us friends first.”

THE GROUP’S self-titled debut had plenty of virtues. Leaning heavily on a gritty foundation of 1960s soul, classic blues, and rock–all highlighted by Bradley’s rough, emotional vocals–the debut CD featured a mix of stirring rockers, melodic ballads, and funk.

But Bradley feels the newly released Time to Discover represents a significant step forward for the group, which has added a keyboard player, Tim Diaz, to the lineup. The group members draw on a similar range of influences–pulling a taste of Sly and the Family Stone&-style rock on “Ride” and a grittier brand of Philly-style soul on “Baby.” On the ballad “Take Love and Receive It,” the band evokes the music of Curtis Mayfield, but with some hip-hop&-type sonic flourishes. The title song taps folk and rock influences, creating a sound that would be at home on a Hootie & the Blowfish album.

Part of the cohesion is a product of the 400-plus shows the group has played following the release of the first CD. “We had grown as a group together being out touring,” Bradley says. “So we became a band.”

But for Bradley, 50, one of the biggest differences is that the songs incorporate more of the rock influences of his bandmates–who are all some 15 years younger than he–to create more of a contemporary sound.

“Really what I wanted to do with those guys was put a little more of themselves into it, make it more up-to-date sounding,” Bradley says. “We didn’t want to take it too far away that we would lose the people we had gained at first, but what I figured is, I told them, ‘Look, just try to make it a little bit more radio friendly, like maybe so it could get programmed on radio a bit more.’ ”

Robert Bradley’s Blackwater Surprise perform Tuesday, Sept. 12, at 8 p.m., Mystic Theater, 21 Petaluma Blvd. N., Petaluma. Tickets are $12. 765-2121.

From the August 31-September 6, 2000 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Spins

0

In love again: Greg Brown’s latest touches on affairs of the heart.

Roadhouse Prophet

Greg Brown delivers his most righteous sermon yet

Greg Brown Covenant Red House

AS A FOLK-BLUES SINGER, Greg Brown has earned a well-deserved reputation as “a wickedly sharp observer of the human condition,” to borrow a phrase from Rolling Stone. This, his first album in three years and the follow-up to the road-weary Slant 6 Mind, is perhaps his best. Brown–hailed as Iowa’s Bruce Springsteen and arguably one of America’s best songwriters–just keeps getting better, albeit in a grizzled, life-is-weighing-heavily-on-my-shoulders sort of way.

Indeed, even when Brown is happy and singing about the upside of love, he displays a wry wit and cynical streak. Yet there is a haunting quality to his songs, thanks in no small part to the wistful, bluesy guitar accents of longtime collaborator Bo Ramsey. Whether he’s caressing a restless ballad (“Rexroth’s Daughter”) or spinning a subtle analogy for a well-worn love affair (“Blue Car”), Brown lays bare your soul in a way that only Bob Dylan, Springsteen, and handful of others can.

In the future, this underrated tunesmith should be getting much more attention: word is that Brown will be the subject of an upcoming tribute album, featuring his songs covered by Lucinda Williams, Ani DeFranco, Iris Dement, Stacey Earle, and others. Greg Cahill

Stuck Mojo Declaration of a Headhunter Century Media

Taproot Taproot Gift Atlantic

THE BACKBONE of “nu-metal” still owes a heavy debt to hip-hop, as bands like Papa Roach and P.O.D. find identity and success riding a post&-Rage/Bizkit wave. But an evolving edge has heavy bands echoing alt-rock’s “emo-core” in a quest for expansive melodic expression. Acts like Stuck Mojo and Taproot can’t help but employ rap-metal’s staccato vocal attack and punk-funk base, but they infuse the aggro-groove with reflective change-ups, harmonic bursts, and tuneful choruses.

Stuck Mojo find melody in a classic chunky thrash snarl. Their latest fits neatly with Anthrax’s many catchy, driving works, and the band’s prominent hook-laden, bright, doubled guitar leads recall Iron Maiden and Thin Lizzy. Their insurgent, survivalist lyrical stance aims for Rage Against the Wannabes, but is grounded by self-searching challenges. Taproot are emo-core/alt-rock in the way melodic twists help singer Stephen Richards highlight his pain. They’re nu-metal in the way their clichéd riffs surround those songwriting shifts. And they’re weird like early alt-metal pioneers Faith No More, with a strummed consistency similar to that of recent Filter.

While these current headbangers don’t seek the full structural or emotional freedom that marks pure emo-core, their tweaking of the groove formula helps keep nu-metal new. Karl Byrn

Neko Case & Her Boyfriends Furnace Room Lullaby Bloodshot

Kelly Hogan & the Pine Valley Cosmonauts Beneath the Country Underdog Bloodshot

SOMETIMES alt-country acts don’t mimic or twist classic country styles; they just favor those styles in a blend of rootsy retro-pop. That’s true of two recent efforts by indie gals Neko Case and Kelly Hogan, both from Chicago’s Bloodshot Records, which rightfully calls itself the home of “insurgent country.” Case and Hogan are both spunky singer/stylists who rely on the country-rock chops of their bands, and despite Bloodshot’s claims, they’re more accessible than rebellious. Case is the more involved songwriter and hits a somewhat purer rockabilly-meets-countrypolitan sound, working with indie-rock guys like Evan Johns and Ron Sexsmith. On the waltz-time cut “Thrice All American,” she gracefully describes her hometown of Tacoma as “a dusty old jewel in the south Puget Sound/ where the factories churn/ and the timber’s all cut down.” But she still notices gangs and Wal-Mart. Hogan’s band includes Jon Langford and Steve Goulding of the Mekons, and her interesting choice of covers (Johnny Paycheck, Stephin Merritt, the Band) adds to a disc of colorful folk-pop that echoes ’60s and ’70s hits.

Both Case and Hogan often hit their mark, making alt-country that’s not too daring or derivative but sure is sweet, sad, and sassy. K.B.

James Armstrong Got It Goin’ On Hightone

A KNIFE ATTACK three years ago cut into blues guitarist and singer James Armstrong’s momentum right in the midst of his touring for 1995’s acclaimed HighTone debut, Sleeping with a Stranger. That led Armstrong to record a more vocal-oriented soul album as a follow-up. This time out, the blues is in the house, and Armstrong shows that you can’t keep a good guitar slinger down. While he hasn’t fully regained the use of his left hand, Armstrong sounds strong–just check out his wrenching solo on the ballad “Another Dream”–and has added a stinging slide guitar to his arsenal. Joe Louis Walker’s rhythm section provides the backup, and Robert Cray keyboardist Jimmy Pugh appears on two tracks. But Armstrong sounds confident, and, while he’s not as fast as he used to be, this is one cat who can serve up plenty of soul. G.C.

Spin du Jour

Mike Audridge, Bob Brozman, and David Grisman Tone Poems III: The Sounds of Great Slide & Resophonic Instruments Acoustic Disc

MONDO-MANDOLINIST David Grisman returns with another dazzling display of bluegrass wizardry and a pair of fast-picking friends, master dobro player Mike Auldridge and slide guitarist extraordinaire Bob Brozman. As with past volumes, this recording employs vintage instruments (and stunning photos of the artsy detail that graces these gorgeous guitars, mandolins, ukes, tenortropes, and other stringed wonders). The tunes, mostly classic jazz, get an old-timey treatment as well: “Stomping at the Savoy,” “Limehouse Blues,” “Crazy Rhythm.” Smooth as silk. G.C.

From the August 31-September 6, 2000 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Russian River Jazz Festival Schedule

0

Chick chic: Pianist and composer Chick Corea and his trio co-headline this year’s fest.

Russian River Jazz Festival Schedule

SOMETIMES dreams do come true. A lot of local jazz fans grumbled about the smooth jazz (pronounced “pop”) and chardonnay haze that had come to obscure this venerable event, which in the past has showcased the likes of bebop pioneer Dizzy Gillespie. The people spoke , and the programmers listened. The top acts featured at the annual festival–now in its 24th year at Johnson’s Beach in Guerneville–are mostly rooted in straight-ahead jazz and are far more innovative than recent offerings. The Chick Corea Trio, vocalist Dee Dee Bridgewater, percussionist Poncho Sanchez, singer Kevin Mahogany, and the Mel Martin/Harold Jones 17-piece big band will shine on Saturday, Sept. 9. The Sunday, Sept. 10, lineup features saxophonist Branford Marsalis, trumpeter Roy Hargrove, vocalist Flora Purim and percussionist Airto, and the Omega Aires Gospel Singers. The gate opens at 10 a.m. Advance tickets are $40 each day, $70 for both. 869-3940.

From the August 31-September 6, 2000 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Tastings Restaurant and Wine Bar

0

A taste sensation: Sandy Kim and Derek McCarthy, co-owners of the newly opened Tastings in Healdsburg, offer an eclectic menu that allows diners to sample a variety of thoughtfully prepared foods and international wines.

Good Taste

Healdsburg’s Tastings a new dining delight

By Paula Harris

FEELING somewhat overheated and limp-limbed after a taxing Sunday afternoon spent stretched out on the sun-drenched lawn at Healdsburg Plaza while enjoying a free concert, we decide it’s time for well-earned refreshment.

Today we head for the town’s latest offering: Tastings Restaurant and Wine Bar. Located kind of out of the way–in a strip mall off the main plaza on a corner behind West America Bank that used to house a taqueria–the restaurant is a slight challenge to find, but well worth it.

You’ll know the place by the rows of oversized plant pots and greenery that decorate the front.

It’s only 4:30 p.m., so Tastings hasn’t yet opened for dinner when we arrive, but we’re impressed with the place even before we sample the cuisine. We haven’t even had enough time to curiously peek in through the window when one of the wait staff, a beaming young man dressed in casual clothes and not yet on duty, unlocks and throws open the door upon seeing us approach the building.

He presents us with a sample menu, invites us in to look around the empty restaurant, and then offers to answer any questions. He sheepishly promises us that the earsplitting rock music–glass polishin’, table-settin’ music–will be toned down by the time the place opens for biz.

We make our reservation, go for a walk, and return a bit later. When we get back, the place already is buzzing with customers.

There are nine tables set with white linen cloths inside the simple dining room and another seven tables out back in the enclosed patio area. It’s a comfortable and stylish, unfussy environment: pale lemon walls accented with just four pieces of artwork; tiled floor; and shelves all around a wine bar/counter decorated with gleaming rows of designer wine glasses.

The menu, which changes daily, is divided into three main sections. The first is “Nibbles,” small, single-serving plates, which include such exotic appetizers as New Zealand lamb chops with roasted potatoes and pomegranate glaze ($12); and Pacific sturgeon with shaved fennel, citrus salad, and topiko caviar ($11).

The second section is “Big Plates.” These are generous portions meant to serve two. This evening’s selections are a 22-ounce grilled T-bone steak with roasted-potato medley and red wine jus ($24); a two-pound grilled Maine lobster with pei mussels, tomato, and saffron ($35); and a mixed grill of stuffed quail, marinated chicken leg, and escolar with grilled summer vegetables ($27).

The final, and seemingly most popular, section of the menu is called “Tastings,” a rotating, fixed-price, five-course menu with food alone ($34) or paired with four wines for $10 more.

Tonight’s Tastings menu begins with a handful of delicate smoked mussels in a lush Pernod, parsley, and garlic sauce. The effect is sweet and smoky. It’s paired with 1999 light and medium-dry Muga rosé from Spain’s Rioja region.

Then comes a small oblong of tender white fish–tilapia (also known as Hawaiian sunfish)–rolled in a crust of porcini mushrooms and topped with French beans and kernels of crunchy fresh sweet corn. It pairs well with a 1998 Albert Seltz pinot blanc from Alsace. Three mouthfuls, three good long sips, and the whole thing is gone like a dream.

Next is a little portion of herbed gnocchi, soft little pillows filled with almost undetectable lobster and lusty housemade sausage with tomato and basil. This burst of flavors and textures is paired with a mellow 1996 Sierra Cantabria rioja from Spain.

(A vegetarian gnocchi dish also is offered.)

BY NOW, we’re salivating for the next course. It’s three slices of tender magret duck breast on a fluffy bed of Moroccan couscous with a foie cherry sauce. It’s paired with a 1998 Domaine Pontifical chateau neuf-du-pape, from the French Rhône region, arguably the best wine of the four.

The meal is capped with a slice of ultrarich linzertorte, all buttery crust, ground hazelnuts, sweet raspberry jam, and whipped cream. Dee-lish.

Other desserts are apple pie ($7) and blueberry and pluot tart ($7).

The wine list is an exciting international romp, featuring wines separated into different categories, such as: Alsace, Burgundy, Bordeaux, Spain, New Zealand, Australia, South America, Beaujolais, and Tuscany, as well as the routine local standbys.

Chef/owner Derek McCarthy should be commended for bringing a new and varied dining concept to the local table. But be forewarned that the small portions of the Tastings menu do take a bit of getting used to and could be torturously teasing if you’re starving when you sit down to eat. And they don’t serve bread or butter, which would be very welcome.

Still, the service is exceptional.

McCarthy plans eventually to fly in seafood from around the world to ensure freshness. Right now, he is working with one purveyor on the East Coast, so look forward to even more exciting expansions on the menu. *

Tasting’s Restaurant and Wine Bar 505 Healdsburg Ave., Healdsburg; 433-3936 Hours: Thursday-Monday, from 6 p.m.; no determined closing time Food: Eclectic gourmet fare specializing in fresh seafood and game; some vegetarian dishes Service: Excellent Ambiance: Relaxed Price: Moderate to expensive Wine list: Great international selection Overall: 3 1/2 stars (out of 4)

From the August 24-30, 2000 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Senator Joe Lieberman

0

Not-so-hot ticket? Political pundits praised Al Gore for selecting Sen. Joe Lieberman, D-Conn., as a running mate, making the Veep candidate the first Jew to run on a national ticket. But some Jewish liberals are less than impressed.

Oy Vey!

Jewish dissent over selection of Lieberman

By Jennifer Bleyer

AS DELEGATES rallied around Joseph Lieberman’s Aug. 16 acceptance speech, making him America’s first Jewish nominee to a national ticket, politically progressive Jews expressed their disenchantment with Al Gore’s vice-presidential pick.

Aryeh Cohen, a professor of Talmud at the University of Judaism in Bel-Air, says that although he was pleased that a Jew was nominated for the office, he would rather it had been someone like Minnesota Sen. Paul Wellstone, noting that “there’s much more to the Jewish tradition of social justice than being able to stand on the Senate floor and point out to Bill Clinton that he’s an adulterer. I may share in common with Lieberman that he’s shomer shabbos (Sabbath observant), but not his political agenda.”

Cohen is a founding member of L.A.’s egalitarian Orthodox Shtibl Minyan, a Jewish spiritual group that considers social and economic justice as much a part of their religious tradition as prayer and ritual. “Shtibl” refers to the small prayer rooms that were once a fixture of Jewish Eastern Europe and that operated more like community centers than temples.

On Aug. 14, the Shtibl Minyan called for a Jewish demonstration outside the Democratic National Convention to protest the country’s growing divide in economic prosperity. About 30 participants marched as a contingent within the larger “Human Needs Not Corporate Greed” march, singing Hasidic songs and carrying signs that said “Bush and Gore see salvation in corporate dollars; the Talmud sees God in the face of the poor.”

Another Shtibl Minyan member, musician David Rubinstein, says that he was disappointed in Lieberman as well. “On some level, as a Jew I feel pleased that a barrier has been broken. But so much of Jewish political history in this country has been about social justice, and it’s too bad that Lieberman seems to counter that voice.” Lieberman’s record in the Senate has shown him to be a conservative-leaning Democrat who supports increased defense spending, school vouchers, welfare reform, cultural censorship, and the death penalty, in contrast to the views of many liberal Jews.

Cohen noted that he often gauges Jewish opinion according to his own mother, a retired public school teacher who is alienated by Lieberman’s favoring of school vouchers. “She’s a one-generation-away-from-poverty, Ed Koch liberal,” says Cohen. “Gore hasn’t won her vote just by nominating someone who’s Orthodox to be vice president.”

AT THE AUG. 14 MARCH, Cohen delivered a speech affirming that “the Talmud defines the first obligation of citizenship as setting up sufficient resources for the poor. Anyone living in a city beyond a certain time has to contribute to the soup kitchen and the welfare fund. Mr. Lieberman,” he asked, “how could you vote to tear them down?”

Rabbi Michael Lerner, the editor of the progressive Jewish magazine Tikkun and author of Spirit Matters: Global Wisdom and the Healing of the Soul, echoed others’ mix of pride and criticism. “On the one hand, I was celebrating American society for being able to transcend 200 years of Christian anti-Semitism.

“On the other hand, I was very unhappy that it was Lieberman who was chosen, because he is bad for Jews and bad for the country. He has further moved the Democrats from being champions of working and poor people, at least in their own eyes, to being a clone of the Republican Party.”

Lerner, who spoke at the Shadow Convention about the dangerous convergence of the left and the right, also commented on the media’s relentless infatuation with Lieberman’s Orthodoxy. He asserted that even though Lieberman adheres to religious law, he is an “assimilated Jew,” having assimilated to American values of materialism and selfishness, a trap into which many American Jews have fallen.

“America offered Jews an incredible deal when they came here,” Lerner explained. “They said we could be white, as long we turned our religion into ritual and reinforced the status quo.” Speculating on how non-Jews might react to a Lieberman vice presidency, Lerner predicted that “it will intensify negative images about who Jews are–namely, as people who support corporate power over human needs.”

OTHER JEWISH Los Angelenos were critical yet hopeful about Lieberman’s ability to move further to the left. Stephen Rohde, a board member of the Progressive Jewish Alliance and president of the ACLU of Southern California, spoke at a rally on Sunday against the death penalty and at another rally on Wednesday against the flawed criminal-justice system. He describes himself as “cautiously optimistic” about Lieberman and hopes that his clarified support of affirmative action on Tuesday was in earnest.

“Frankly, my first choices for a Jew on a national ticket would have been Barney Frank first, Paul Wellstone second, and Russ Feingold third,” Rohde says. “But Lieberman seems like someone we can have a dialogue with and reach on a range of issues.”

Other Jewish activists says that, issues aside, they were swept up in a feeling of tribalist pride that overrode ideological differences. Rita Lowenthal, the 73-year-old vice president of the Progressive Jewish Alliance and an outspoken proponent of living wages for immigrant hotel workers in Santa Monica, says that she was distraught when first informed of the Lieberman designation, but it has gotten better every day.

“I hear him mellowing, and I believe that people can change their minds. Just think, all these people will now be called ‘Hadassah Jones’ and ‘Hadassah Smith!’ Besides,” says Lowenthal, “I have a friend in Pittsburgh who knows Lieberman, and she says, ‘Trust him.’ ”

From the August 24-30, 2000 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Author Appearances

0

In person: Novelist Isabel Alende comes to Sonoma on Sept. 21.

Photograph by Marcia Lieberman

Author Appearances

WANT TO MEET the people who push the pens that bring you the best books on the shelves? You’re in luck: some of the most fascinating authors on the contemporary scene will swing through the North Bay in the coming months.

Canadian novelist Margaret Atwood (most famous for The Handmaid’s Tale) reads from her new book, The Blind Assassin, on Sept. 14 at Book Passage, 51 Tamal Vista Blvd., Corte Madera. Also on the Book Passage calendar: iconoclast and author Gore Vidal reads from Golden Age, his latest entry in a series of narratives about the American empire, on Oct. 5. Vidal appears at Olney Hall at the College of Marin, 835 College Ave., Kentfield. Call 415/927-0960 for details.

Renegade theologian and author Matthew Fox reads One River, Many Wells on Sept. 20 at 7:30 p.m. at Readers’ Books, 130 E. Napa St., Sonoma. Readers’ Books also brings Isabel Allende to town on Sept. 21. The acclaimed novelist (Daughter of Fortune) will appear at the Sebastiani Theatre, on the Plaza, Sonoma. Tickets are $7 in advance and $10 at the door. For details, call 939-1779.

Political columnist Molly Ivins teams up with author and essayist Anne Lamott (Bird by Bird and Traveling Mercies) for a unique onstage conversation on Oct. 5 at 8 p.m. at the Marin Center, Avenue of the Flags, San Rafael. Tickets are $18. But the teamwork doesn’t stop there. The Marin Center also plays host to author Michael Ondaatje (The English Patient) and Russell Banks (The Sweet Hereafter), who will discuss fiction and film on Feb. 28 at 8 p.m. For details, call 415/472-3500.

A pair of big-name novelists from Northern California are the highlight of the fall schedule at Copperfield’s Books. Armistead Maupin (Tales of the City) appears on Oct. 21, and Alice Walker (The Color Purple) makes an appearance on Oct. 23. Reading locations are still to be announced. For details, call 823-8991.

From the August 24-30, 2000 issue of the Sonoma County Independent.

© Metro Publishing Inc.

OAEC Fundraising Dinners

Tending to business: Doug Gosling, head gardener at the Occidental Arts and Ecology Center, doubles as executive chef Sept. 9 at a vegetarian benefit dinner culled from the facility's extensive selection of heirloom plants. Humbly Exotic OAEC dinners offer peek at possibilities By Marina Wolf FUNDRAISING DINNERS. The...

Russian River Jazz Festival

Leader of the pack: Roy Hargrove is back with a new album of ballads--with strings--and an upcoming appearance at this year's Russian River Jazz Festival. The Lion King Trumpet player Roy Hargrove still leads the pack of young jazz lions By Greg Cahill "I'VE ALWAYS wanted to...

Online Dating Service in Prison

Jailbird Lovebirds Online dating service goes behind prison bars for romance By Michael Goldman RONALD BISHOP'S marriage of 20 years collapsed nine years ago. Since then there have been many lonely moments, he says. So when the 53-year-old oil-processing supervisor from Liberty, Texas, hooked up with Carol Sevilla, he was elated....

Usual Suspects

How green is your garden? Presidential candidate Ralph Nader. Party Pooper Ralph Nader snubs the Green Party By John Yewell RALPH NADER's stump speech drips with contempt for the two major political parties, calling the system a "duopoly" dominated by Tweedledum and Tweedledee. But Nader's disregard for party politics also appears...

Robert Bradley’s Blackwater Surprise

Fast friends: Robert Bradley, second from right, is an unlikely MTV star. Street Smart Robert Bradley's brand-new start By Alan Sculley TWO YEARS AGO, the members of Robert Bradley's Blackwater Surprise figured their 1996 self-titled CD was about to join the legion of albums that are released and...

Spins

In love again: Greg Brown's latest touches on affairs of the heart. Roadhouse Prophet Greg Brown delivers his most righteous sermon yet Greg Brown Covenant Red House AS A FOLK-BLUES SINGER, Greg Brown has earned a well-deserved reputation as "a wickedly sharp observer of the human...

Russian River Jazz Festival Schedule

Chick chic: Pianist and composer Chick Corea and his trio co-headline this year's fest. Russian River Jazz Festival Schedule SOMETIMES dreams do come true. A lot of local jazz fans grumbled about the smooth jazz (pronounced "pop") and chardonnay haze that had come to obscure this venerable event, which in the past has showcased...

Tastings Restaurant and Wine Bar

A taste sensation: Sandy Kim and Derek McCarthy, co-owners of the newly opened Tastings in Healdsburg, offer an eclectic menu that allows diners to sample a variety of thoughtfully prepared foods and international wines. Good Taste Healdsburg's Tastings a new dining delight By Paula Harris FEELING somewhat...

Senator Joe Lieberman

Not-so-hot ticket? Political pundits praised Al Gore for selecting Sen. Joe Lieberman, D-Conn., as a running mate, making the Veep candidate the first Jew to run on a national ticket. But some Jewish liberals are less than impressed. Oy Vey! Jewish dissent over selection of Lieberman By Jennifer Bleyer ...

Author Appearances

In person: Novelist Isabel Alende comes to Sonoma on Sept. 21. Photograph by Marcia Lieberman Author Appearances WANT TO MEET the people who push the pens that bring you the best books on the shelves? You're in luck: some of the most fascinating authors on the contemporary scene will swing...
11,084FansLike
4,606FollowersFollow
6,928FollowersFollow