Sonoma County Ecological Footprint Project

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Ballooning Out Of Control: Mathis Wackernagel demonstrates how resources can be stretched to the breaking point.

Photograph by Scott Hess


Dangerous Feet

North Bay Environmentalists meet to compare footprints

So how big is yours?” That was the question on everyone’s lips when several dozen environmentalists, scientists, and North Bay community leaders came together on May 10 for a three-hour conference focusing almost entirely on feet. Or to be specific, footprints. Ecological footprints.

The rather unusual public meeting–sponsored by Sustainable Sonoma County, headquartered in Sebastopol, and the Oakland-based Redefining Progress–marked the big moment for the Sonoma County Ecological Footprint Project. As announced last November, the project was launched in order to calculate the size of Sonoma County’s ecological footprint and to compare it to the average national and international footprints and the footprints of neighboring counties.

We’re not talking about shoe sizes.

Simply put, your ecological footprint–an idea developed about 10 years ago by activist and author Mathis Wackernagel, director of Redefining Progress–is a calculation of the demand an individual puts on nature, based on the average amount of resources one consumes. Taking into account such things as transportation, housing, and food, each footprint is expressed in terms of acres. The more stuff one uses up, the bigger one’s footprint. In this case, bigger is not better.

Wackernagel, appearing early on in the conference to announce his findings, provided a bit of context by first informing the crowd that the average American leaves an ecological footprint of 24 acres, which he compared to France where the average is 13 acres. Marin County, it turns out, exceeds the U.S. national average with a footprint of 27 acres, and Sonoma County (drumroll, please) comes in just under the national average with a footprint of 22 acres per person. Think that doesn’t sound so bad?

“Consider this,” explained Ann Hancock, Sonoma County Footprint Project coordinator. “If everyone on the planet consumed like we do in Sonoma [County], it would use up four more Earths.”

The whole concept of the ecological footprint, she explains, has become a common tool among scientists and ecologists studying the earth’s capacity and different populations’ demand on it. The footprint’s greatest value, according to Hancock, is that the concept is rather compelling, relatively simple to understand, and easy to visualize. To date, hundreds of thousands have estimated their own personal ecological footprints by logging on to www.myfootprint.org. There, a simple 16-point questionnaire asks you for such information as how many times a week you eat meat, what size home you live in, and what kind of mileage your automobile gets. A click of a button later, the size of your footprint appears, along with the number of planets that would be chewed through were every human on earth consuming at that same rate.

Lest overwhelmed foot-measurers become despondent and suicidal at the size of their prints, Hancock says there are plenty of fairly painless steps one can take to reduce footprint size. Drive less. Conserve energy. Go to farmers markets more.

Hancock jokingly suggests distributing little buttons to those trying to reduce their own footprints. “Really. They could all say, ‘Mine’s Smaller!'” she laughs.

For an environmentalist in touch with the kind of numbers reported at the conference, Hancock and Wackernagel were both in surprisingly high spirits. Which points to yet another radical idea that emerged at the event: a sense of humor.

Throughout the conference–which was attended by only one North Bay politician, Windsor councilmember Debbie Fudge–a remarkable spirit of lighthearted fun kept popping up among all the furrowed brows and frightening statistics.

Hancock says the levity was intentional.

“I’ve been looking for ways to find humor amidst all of the usual environmentalist doom and gloom.” There’s another reason for injecting humor into the report. Says Hancock, with a laugh, “We’re distributing 500 copies to every elected official and community and business leader in the area. So if we make it fun to pick up, maybe they’ll actually read it.”

Copies of the Sonoma County Ecological Footprint Project report can be obtained by calling Sustainable Sonoma County at 707.829.1224 or by visiting www.sustainablesonoma.org.

From the May 23-29, 2002 issue of the North Bay Bohemian.

© Metro Publishing Inc.

Soda Pop Health Issues

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Killing Me Softly: Pleasing to the tongue, harmful to the body?

Battle Royale

Is soda pop being demonized in the fight against obesity?

By Joy Lanzendorfer

Americans are fat. Our propensity for super-sized value meals, sugared beverages, and too much TV has taken its toll. As a result, the number of obese Americans has soared to “epidemic proportions,” according to Surgeon General David Satcher. In response to this crisis, some believe a war on fat has been declared. The newest enemy? Soda pop.

The most recent battle against soda was a bill (SB 1520) penned by California Sen. Deborah Ortiz, D-Sacramento. Originally, the bill would have taxed soda (excluding diet versions) 2 cents a can and raised $342 million yearly to replace lost revenue in schools and fund educational programs targeting obesity. However, strong opposition led Ortiz to put the tax proposal on hold and instead propose a ban on the sale of soda by schools.

“The opposition to the bill was much louder and angrier than I anticipated,” says Ortiz. “Nevertheless, legislators are always reluctant to support new taxes, especially during election years, which I did anticipate.”

As of this writing, the bill is under consideration by the Revenue and Taxation Committee, which it must pass before going on to the Senate. But whether it passes or not, Ortiz’s bill is the latest in a number of proposals across the country targeting junk food. Governor Davis recently signed a bill prohibiting schools from selling foods that don’t meet specific dietary factors, such as those with a high fat content. In Maryland, a proposed bill would require restaurants providing sugared beverages to also provide a sugar-free alternative. The Kentucky House recently banned sodas and certain high-fat snacks from school vending machines. In Connecticut, a bill was filed to repeal a 6 percent sales tax exemption for candy sold to college cafeterias, senior centers, and daycare centers.

These states are focusing on junk food because of convincing data that obesity is becoming the country’s biggest health crisis. According to Satcher’s report, 61 percent of adults are overweight or obese, and some 300,000 people die each year from obesity-related health problems (compared to 400,000 yearly deaths linked to cigarette smoking). Children are affected as well, with 13 percent nationwide considered overweight. And in California, according to Ortiz, 30 percent of children are listed as overweight or obese.

“Obesity is definitely a huge problem,” says Eileen Jensen, family nurse practitioner and employee health manager for St. Joseph Health System, Greater Sonoma County. “In addition to increased injuries, obesity has been linked to many illnesses, such as diabetes, heart disease, and hypertension. Much of the time, these diseases can be prevented through weight management.”

It’s an expensive problem as well. In California, the cost of overweight adults is roughly $24.6 billion. Nationwide, obesity costs $117 billion per year in “direct and indirect costs.”

Soda is often mentioned because it has been specifically linked to childhood obesity in addition to adult obesity. Nicknamed “liquid candy” because of its high sugar content and null nutritional value, children get little benefit from drinking soda besides the obligatory caffeine and sugar high. And studies show that drinking soda is becoming a habit for many students, with the average teenage boy drinking 2.2 cans a day and the average teenage girl drinking 1.7 cans a day. In the United States, the average kid drinks more soda than milk.

But while these are good reasons for concern, some groups believe that these scientific findings have spurred a nationwide war on fat, which, in its most extreme form, threatens an individual’s right to choose his or her children’s diet. One such group is the Center for Consumer Freedom, which formed in direct response to the war on fat and now represents more than 30,000 supporters, including numerous eating establishments.

“We’re seeing activist groups and politicians attempt to affect consumer diets through hysteria or other political means,” says CCF communications director Mike Burita. “We believe that they use studies like the recent surgeon general’s report as leverage to advance their causes. We’re against all the bureaucrats and activists who think they can decide better than you what’s best for you.”

One trend in the war on fat is to categorize certain foods as bad or good. Some groups, like the Center for Science in the Public Interest based in Washington, D.C., even advocate subsidizing healthy food and taxing unhealthy food. Demonizing certain foods does little to help obesity since it takes the focus off lifestyle changes and moderation, according to Burita.

In this light, bills to ban certain foods in schools take on dangerous implications. Such bills strip schools of much needed revenue. Analy High School in Sebastopol, for example, sells soda in its student store, vending machines, and cafeteria. According to co-principal Doria Trombetta, the vending machines and student store support the associate student body, which funds sports and other student activities. Without the sale of food like soda, the school would lose a “great deal of those activities.”

In addition, banning foods in school can open doors to other laws. Shannon Brownlee, a Markle Senior Fellow at the New America Foundation, has advocated banning soda in schools as a “wedge” to open foods and beverages up to new government regulations and restrictions. And while legislators’ motives may not be that deliberate, there is some logic to the idea that since soda is already taxable, it’s easier for legislators to target than, say, butter or cream.

“Soda has been subject to the sales tax for as long as anyone can remember,” Says Ortiz. “Clearly people in this state have agreed for a long time that soda can barely be categorized as a food and is not essential to anyone’s diet. I would not necessarily advocate taxing and subsidizing a whole range of foods, but we do need to find ways to get people, especially kids, to think about the choices they make and how those choices affect their overall health and quality of life.”

Though an all-out war on fat is disputed, efforts to tackle the obesity problem are definitely coming into play. The surgeon general’s report stated that obesity could soon cause as much preventable disease and death as cigarette smoking. A RAND study published in March called the health risks of obesity “worse than smoking, drinking, or poverty.”

According to the CCF, the comparison to cigarette smoking is not coincidental. The group says that a parallel can be drawn between the movement to ban junk food from schools and the movement to ban tobacco advertising to kids.

“The same model that was applied to the tobacco industry can be applied to the food industry,” says Burita. “Obesity is starting to be compared to smoking more and more.”

But in the end, all sides agree on the best response to the obesity epidemic.

“The key to this issue is education,” says Jensen. “People need to be taught about obesity and to, for example, drink more water instead of drinking soda. I don’t think extra taxes or banning certain foods will make the same kind of impact that more education will to the problem.”

From the May 23-29, 2002 issue of the North Bay Bohemian.

© Metro Publishing Inc.

2002 Healdsburg Jazz Festival

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Cultural Ambassador: Randy Weston brings the rhythms of Africa to the Raven.

Jazz Notes

Healdsburg Jazz Fest beats the odds

By Greg Cahill

Call it the blast effect. The Sept. 11 terrorist attacks in New York and Washington, D.C., had an unexpected and far-reaching impact on fundraising by nonprofit arts organizations, an impact that rippled across the country. Coupled with the recession and the unprecedented exodus of hundreds of millions of charity dollars to the victims or families of victims of the attacks, it was devastating for arts organizations surviving on a shoestring. The Healdsburg Jazz Festival–already struggling to gain a foothold in a region dominated by wineries that routinely spend big bucks to promote low-brow smooth jazz programming–was among those that felt the blow, forcing the fledgling four-year-old event to scale down its programming this season after three years of promising growth.

“This year was very difficult to pull together,” says festival founder and organizer Jessica Felix, a longtime jazz fan who also owns a local art gallery. “Last year took so much energy that our volunteers were slow to recover. Then, after Sept. 11, there was zero momentum. When we finally decided to try and pull a festival off we had to make it somewhat smaller due to the short time frame.

“We didn’t have enough time to do a successful fundraising drive, making our sponsorships smaller. The sponsors themselves are all having financial problems as well.”

That hasn’t stopped Felix and her cadre of volunteers from creating an impressive festival lineup that includes such legendary jazz performers as Cedar Walton, who has recorded with John Coltrane and many others, and trombonist Curtis Fuller, who has contributed to jazz orchestras under the batons of Gil Evans, Count Basie, and Quincy Jones.

On Friday, May 31, pianist and composer Randy Weston–whose 50 albums have garnered two Grammy nominations–offers an African rhythms solo piano recital during two shows (7pm and 9pm) at the Raven Performing Arts Center. It’s a rare opportunity to catch a truly remarkable performer in an intimate setting. Tickets are $30. Saturday, June 1, features a day-long concert at the Rodney Strong Vineyards, a triple bill with the Cedar Walton Trio with David Williams and Albert “Tootie” Heath and featured guest Jackie McLean (whose résumé includes stints with Miles Davis, Sonny Rollins, and Art Blakey’s Jazz Messengers); the Curtis Fuller Super Band (with James Williams, Javon Jackson, Michael Bowie, and Louis Hayes); and the Julian Lage Group (with Art Hirahara, Todd Sickafoose, and Alan U’Ren). The concert starts at noon. Tickets are $35. The free concert in Healdsburg Plaza, a festival tradition, returns on Sunday, June 2, with Babatunde Lea Quintet (with Richard Howell and Angela Wellman) and the Operation Jazz Orchestra.

Other festival-related events include Jazz Cinema under the Stars at the Hotel Healdsburg, a program of rare jazz film clips compiled by film historian Mark Cantor. The event–held in the courtyard on Monday, May 27 at 8pm–costs $20 and includes a glass of wine and a dessert. The screening is a benefit for the Healdsburg Jazz Festival Education Program.

For more information about festival events and tickets, call 707.433.4633 or visit www.healdsburgjazzfestival.com.

From the May 23-29, 2002 issue of the North Bay Bohemian.

© Metro Publishing Inc.

Summer Beverages

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Hints Of Summer: Warm weather is nicer under the influence of a cool Vinho Verde or a refreshing Lillet.

We Like Cold Beverages

Summer means it’s time for high-fun, low-impact drinks

By Sara Bir

There are more efficient ways to beat the heat then tipping back a relaxing drink–like, say, taking a dip in the pool or cranking up the AC–but what about those who don’t have a pool? Or an air conditioner? Or even a house with decent air circulation? This is when we must literally take matters–matters being cold beverages–into our own hands.

The stifling heat of summer is a marvelous time to indulge your inner lazy slob; i.e., sit around in a lawn chair and do nothing. Keep in mind, though, that a long, hard day of enjoying cool summer drinks can render you asunder faster than you might desire. To keep both the levels of fun and functionality steadily plugging along, here are some low-alcohol, high-pleasure bevies to soothe your inner thermostat.

Vinho Verde

A sticky Port is the last thing you’d want to drink on a sticky day, so turn to Portugal’s “green” wine–so-called not because it is green, but because it is meant to be drunk young. Most of the Vinho Verde exported from Portugal is white, with no vintage date. Straw-colored and gently fizzy on the tongue, Vinho Verde is a nubile wine with party potential. Acidic but easygoing, it pairs excellently with seafood and spicy foods, and is so well-suited to picnics and cookouts (e.g., grilled fish or chicken) that it seems a crime to drink it indoors. Plus, it’s cheap, as in hella cheap, as in $5 to $6 a bottle.

If you entertain often, Vinho Verde is a great wine to buy by the case. Your guests (and you) can spend a casual afternoon sipping away and not skid under the table. Looking at some old notes documenting my first encounter with Vinho Verde at a winetasting, I noticed the impressions I had carefully recorded: “Wheeee!” I did have a point, albeit a simply worded one: Vinho Verde is all about fun. Casal Garcia and Aveleda are two common Vinhos Verdes; I found three selections at Beverages & More.

Lillet

Aperitifs (French for “appetizers”) are the best thing ever, and Bordeaux’s Lillet is the aperitif wine. Lillet over ice is just as swanky as a cocktail, but instead of clubbing your palate to death before you even get to dinner, it piques it up. Lillet comes in red and white variations, the red being the sweeter, spicier, and less often tasted of the two.

Sunny but sophisticated, Lillet Blanc screams out “summer!” It’s a pretty pale-gold, off-dry with a hint of orange blossom and honey. Lillet matches up well with cold summer appetizers: shrimp, crudités, little toasted things with dip (the slight sweetness and acidity cuts through brandade expertly). Serving Lillet could not be easier: a chilled glass, a few ice cubes, a twist of orange–boom! It’s also fun with club soda and a lime twist. Once, on a fluke, I even tried it with sparkling mineral water, and that was good, too.

You could easily develop the bad habit of walking around the house in cheap nylon slips, glass of Lillet in hand, pretending you’re Elizabeth Taylor in Butterfield 8. She never drank Lillet in the movie, but that can be overlooked.

Dubonnet is another French aperitif wine with both red and white variations, but lackluster Dubonnet is no Lillet, my friends! A bottle of Lillet (around $15) may be a few dollars more, but it’s a few dollars well-spent.

Cheap American Beer

Is this too obvious? How come a chilly Hamm’s on a 90-degree day hits the spot about a thousand times better than a Hamm’s on a mid-January evening? Cheap beer tastes like water, water quenches our thirst, and summer makes us thirsty. That’s when a shiny, condensation-dappled can of good ol’ American lager beer feels sooo right. And, as implied in the name, it’s cheap.

I’m a big fan of Pabst Blue Ribbon. I don’t like Bud, Corona makes me sick, and Coors shares a nickname with Bob Seeger’s band. In a blind taste test, I bet I wouldn’t be able to tell the difference, but PBR me ASAP, thanks.

Once, a beer authority told me that Bavarian beer (according to the Bavarian Purity Law of 1514) contains no additives and thus will not give you a hangover, because additives are what make your head hurt the next day. He’s probably right, but that has not waylaid me from the hangover-strewn path of fine cheap American beer.

In any case, a cool cheap American beer drunk outdoors is on par with a carefully brewed fine beer drunk indoors. Fine beer outside is all right, but on a lazy day, who wants to be bothered with distractions of quality? Why waste precious great beer when you are not very likely going to put forth the effort to properly appreciate it?

Shandy

How about a tasty beer and lemonade? Wait–keep reading! This English classic is greater than the sum of its parts. OK, I know mixing lemonade with beer sounds gross–and therefore typically British–but think: What could be more refreshing than to combine the two most refreshing summer beverages known to humankind? It’s sweet but not too sweet, crisp and tart, and fizzy enough to not be distracting.

The shandy has a few how-tos: first, the lemonade part needs to be good lemonade, preferably homemade. And for God’s sake, don’t even think of using Country Time.

Second, the beer: In England, they use pale or light ale. The ratio of beer to lemonade is flexible. I like 1-1, but some prefer one part beer to two parts lemonade. You’ll just have to play around and see what works for you.

An interesting bit of info: according to my friend who went to school in Scotland and married a bona fide Englishman, lemonade in England is sometimes a fizzy, lemon-flavored carbonated beverage. So versions of shandy that replace the lemonade with ginger ale are not totally out of line. I have not tried any, because I am a big fan of lemonade. I have, however, opted to fill the beer portion of my glass with Pabst Blue Ribbon (see above) instead of the requisite ale, and I like this better than the traditional shandy. In England I could be tarred and feathered for such behavior, but at least I’m trad enough to put real lemonade in my shandy rather than fizzy “lemon drink.”

From the May 23-29, 2002 issue of the North Bay Bohemian.

© Metro Publishing Inc.

Webcams

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Photograph by Rory McNamara

Somebody’s Watching Me: It’s not paranoia; Carli Schultz Kruse is being watched.

Free to Be Me

Weirdos, freaks, and regular people from Mill Valley bare their souls online

By M. V. Wood

When technology first started invading our privacy, Americans worried about looming societal changes. If everything we say and do can be recorded and shown to others, how will we lead our lives? Will we all take on the role of saints and conform to some standardized ideal of normalcy? That idea sent chills down our collective, free-spirited spine. And so some self-preserving, intelligent, unconscious life force led the people of this great nation to create The Jerry Springer Show.

The program normalized any behavior that you and I might possibly come up with. So now when you’re in a hotel room or public restroom and you know there’s the chance you might be secretly taped, you can think to yourself, “Eh, whatever.” It’s all rather ordinary and commonplace compared to the stuff we’ve seen before. So don’t worry; do what you need to do. And remember who you have to thank for that freedom.

That’s how Jerry Springer saved life in America, as we know it.

But we’re not ones to let down our guard in the fight for liberty. So while Springer featured obvious freaks, reality TV stepped in and showed us that even those members of society who seem more average are, essentially, a bunch of weirdos as well. And the margins of what constitutes “normal” widened even more.

The newest vanguards for the preservation of America’s freedoms are folks like Carli Schultz Kruse of Mill Valley. They’re not freaks. They’re not weirdos. They’re our neighbors. And they’re reassuring proof that humans are an odd and messy lot.

Not surprisingly, Kruse isn’t even aware of her mission as a warrior; she thinks she’s just an egocentric exhibitionist.

Kruse, 29, greets me at the two-bedroom apartment she shares with her husband and cats. She shows me to the couch, asks if I’d like a glass of water, and tells me to sit down and make myself comfortable. There’s not even a hint of sarcasm in her voice as she says this.

I’m not comfortable. As I sit there, I spy the little camera pointed in my direction, taking a picture every 30 seconds. Those pictures can be viewed and downloaded by anyone who happens to be visiting Kruse’s website at www.lunesse.com. I’m not one of the warriors. If a camera is pointed at me, I sit up straight and suck in my stomach.

Kruse plops down on the couch, tucks her feet under herself, and has absolutely no intention of sitting up straight. She seems oblivious to the one-eyed intruder. Last month, Kruse celebrated the three-year anniversary of the day she pointed three webcams at her life. Two are at home, one’s at her office. They’re on all the time, following her day-to-day life: making breakfast, reading a book, talking on the phone. They cover all work and living spaces except for two private areas.

“No cameras in the bedroom or the bathroom. That’s where I draw the line,” she says. Once again, she says this in all sincerity, as if having a camera in either of these rooms is a viable option. Of course, there are people who make a lot of money doing just that. But Kruse is not that kind of girl. There’s no money or nudity involved in this little endeavor. It’s a labor of love.

Kruse is one of a growing number of online diarists who have taken the next step in exposing their inner selves via modern technology. As if it weren’t enough that they were already writing about their most intimate moments and personal desires online, now these folks are offering up peepholes as well.

The cameras are “just a natural extension” of the online diary Kruse has been keeping for the past six years, she explains. “I know when I read other people’s journals I wonder what they look like and what their house looks like and things like that. And I figured they might have the same feelings about me. So I put up the cameras.”

Kruse says that about 170 people visit her website each day. Although the webcams are an added benefit for her fans, she believes the journal is the main draw.

Unlike some of her contemporaries, Kruse doesn’t entice readers with lurid tales of hedonism by the Bay. Her journal’s strength instead lies in the fact that the entries are so universally human and touching. For example, on the day before her wedding, she wrote about her fears of intimacy and about finally falling in love. (Of course, that someone who fears intimacy would bear so much on the Internet offers a rich playground for any budding psychoanalyst.)

Kruse writes: “I’m absolutely crazy about DLJ [her groom]. I want to see a smile break across his face, have love astound him in its depth–I’m slowly still letting my guard down, and in the past few months, I’ve made big hurdles in letting the old scars show for what they are, and trust him not to pick at them. It was so hard to believe that someone could really care enough to not hurt me, to find joy and pleasure through keeping me safe and happy.”

Though she writes about the euphoria of pure love, Kruse doesn’t shy away from detailing life’s more earthy pleasures as well. She talks about waking up one morning to the delightful sensation of her lover “spooning me, and he was pressing into me, slowly moving, in short, I was being poked.” In another entry she writes: “I was once again lain on my back on my bed, towel beneath me, and treated to a fair amount of attention by DLJ, shaving cream, and a razor.”

Those types of entries are always written in purple font. “My mom and I have a system worked out,” Kruse explains. “She likes reading my diary. And I like her to; it helps us stay close. But neither of us wants her reading the parts about my sex life. So I put all those entries in purple so that she knows to skip them. Sometimes I’ll get e-mails from people complaining that there haven’t been enough purple entries for a while.”

When asked why she would sacrifice so much of her privacy for no tangible reward, Kruse replies, “I don’t really know why I do it.”

The fact that Kruse isn’t completely aware of her motivations isn’t for lack of trying. She tries and tries to understand her intentions, her emotions, her thoughts, her ambitions, her life. And all this introspection finds a place in her journal. “I’m sure that anyone who spends that much time thinking about themselves must be at least a bit of an exhibitionist–and somewhat egocentric,” she muses.

But Kruse’s site isn’t some narcissistic shrine. She doesn’t try to come off as a sex goddess or a genius or a saint. Instead, her goal is to expose her true self–scars and warts and all–as honestly and openly as possible. There are still some parts of herself she keeps private and hidden, but she admires the online diarists who are able to be more revealing. They’re using technology to make all the varied nuances of humanity rather ordinary and commonplace.

Who knows, maybe by the time technology completely invades our privacy and there’s nowhere left to hide, we won’t be frightened into conforming into some standardized ideal. Maybe by then, when we catch a glimpse of Big Brother staring at us, we’ll just think to ourselves, “Eh, whatever.”

From the May 16-22, 2002 issue of the North Bay Bohemian.

© Metro Publishing Inc.

‘Dogtown And Z-Boys’

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Z-Girls, Too: Peggy Oki, an original Z-boy, plays with the big boys.

The Z-Boys of Summer

‘Dogtown and Z-Boys’ carves the new wave of old school

By Sara Bir

Northern California, 2002. There are skate parks all over the North Bay. If you ask a random person on the street who Tony Hawk is, he or she might very well know. The X-Games have brought underground sports to the mainstream. If you skate, you probably won’t get beat up for it.

Dogtown, 1975. When you can’t surf, you skate. Forget about helmets and knee pads–sometimes you don’t even skate wearing shoes. Prevailing style sees skateboarders rigid and upright on their boards, but you crouch close to the ground, carving the urban undulations of asphalt and concrete the way your surfing idols ride waves. You look like a bunch of shaggy-haired misfits with ratty deck shoes and torn-off back pockets, and you don’t give a shit.

Even though skating has graduated from a worldwide network of pariahs to a very visible billion-dollar phenomenon, the story of how it evolved from the stick-figure-stiff tricks on banana boards to today’s monster-sized extreme stunts has been quietly dormant for years. Dogtown and Z-Boys, a documentary chronicling the pivotal years that saw the birth and explosion of skateboarding as it is practiced now, may be the movie that communicates skateboarding’s appeal to the nonskating public.

“Watching that movie brought back a whole lot of memories,” says Kurt Hurley, who’s been skating since 1963 and in 1978 went pro for three years. Now he owns and runs Brotherhood Board Shop in Santa Rosa. “These guys rode for a surf team and skated, which would never happen today. Skateboarders and surfers don’t connect like that anymore.”

Dogtown was the nickname for a rundown section of Santa Monica and Venice that was the antithesis of polished Beverly Hills and a truly urban beach neighborhood where, in the 1970s, kids from broken homes hung out surfing all day. The hot spot was the Pacific Ocean Park pier, which just happened to be in the middle of a tangled mass of rubble that jutted out from the water like a broken skeleton. Dogtown‘s footage of surfers navigating the spiny wreckage is mind-blowing.

The Jeff Ho & Zephyr Productions Surf Shop became a sort of clubhouse for Dogtown kids, who passed time by skateboarding. “Their motions reflected their surfing style, and it crossed over,” Hurley says. “They got into skateboarding because [the surf] got blown out by 10 or 11 in the morning, and they didn’t have anything else to do.”

What they wound up doing was getting very good at skating, which, with the introduction of the urethane wheel in 1974, was seeing a resurgence of popularity. Noting their talent, the Zephyr Surf Shop shaped them into a team, the Z-Boys, and sponsored them.

It’s the old 8mm and 16mm footage of the Z-Boys skating schools and pools that makes Dogtown and Z-Boys. Even though they’re 25 years old, the images flow with a vibrancy and immediacy that’s spine-tingling. It’s a time capsule bringing us into a singular, complete moment, simultaneously fleeting and timeless, that wordlessly explains why they skated: Their motions have a stunning purity.

“All the good skateboarders then, they all surfed,” says Hurley. “Ninety-nine percent of the skateboarders today don’t surf. It was the difference between the guys that had style and they guys that didn’t. It was more fluid. Skateboarding today’s more technical; it’s not as styled out.

“Now guys are so into skateboarding, they start at five years old. You could go to any town, anywhere in the world, and there’s someone skateboarding. Back then there wasn’t. We took all of our p’s and q’s from those guys in that movie. Those were the guys I skated against, those were the guys I looked up to. We were trying to be as cool as them. We wouldn’t admit it, but we were.”

Hurley was one of the first skaters doing frontside airs, a move that’s integral to the high-flying style known as vertical skating. Dogtown and Z-Boys shows Tony Alva doing what is arguably the first ever frontside air. So why don’t kids today know about him or any of the other influential skateboarders from the ’70s?

“Skateboarders today owe everything to us,” says Hurley, who was actually at one of the pool sessions filmed in the movie. Still, he doubts that kids skating now will incorporate more style into their tricks as a result of seeing Dogtown and Z-Boys, whose mantra is “going big works only as long as you look good doing it.” “I took a couple of my good friends to see the movie,” Hurley says, “and one of them brought his son–who’s a really good skateboarder–and he fell asleep. They can’t relate; it’s not even their style. It’s almost like watching Elvis. Some people get how profound he was, and some people don’t.

“The one thing that I think is really cool about skateboarding today is the guys who are really good don’t have an air about them. It’s almost cool to be not cool now. Back then, if we walked into a pool, everybody stopped and watched us, and we made sure they watched us. But nobody took us seriously, and we wanted to be taken seriously. So we had something to prove.”

The Z-Boys broke up after their first contest and simply receded into the background as the years passed. “After the skateboard revolution of the ’70s died off, that next generation took over,” says Hurley. “Most of those guys took off to places that they wanted to be, to do what made themselves happy.”

“I’m 43 years old, and I still skate. You’re going to see more 40-year-old guys like me skating in the future.” In fact, right after this interview, Hurley was off to skate a pool he had just found out about. The discovery of an unskated, secret pool still holds the same allure that it did in 1978. The style of skating may change, but the reason to do it never will.

From the May 16-22, 2002 issue of the North Bay Bohemian.

© Metro Publishing Inc.

West County Watershed Day And Art Show

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Land, trees, people, and bees. Creeks, fogs, fishes, and dogs. We are all part of the watershed!

By Tara Treasurefield

Come on out to the West County Watershed Day and Art Show. “We are going to present a great, free day of fun, rock-solid information, and most importantly, an opportunity for the entire watershed community to get together and celebrate,” says Kurt Erickson of Occidental Arts and Ecology Center.

Events will include games, a parade, poetry, food, live music, an art sale, kids’ watershed posters, videos, and speakers. Learn about wildlife-friendly fencing, Sudden Oak Death, watershed restoration, native plants, water rights and responsibilities, and more.

Saturday, May 18, 10am-4pm at Salmon Creek Middle School, 1935 Bohemian Hwy. (between Freestone and Occidental). Also, be sure not to miss the Watershed Stomp, Friday, May 17, at 8:30pm at the Powerhouse Brewery in Sebastopol. Admission is $10. Tickets are available at the door. For more information, call 707.874.2014.

From the May 16-22, 2002 issue of the North Bay Bohemian.

© Metro Publishing Inc.

Wastewater Reuse Project

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Far and Wide: A wastewater reuse project puts the already endangered Russian River Watershed at further risk.

Up a Creek

Wastewater reuse plan threatens watershed, wine industry

By Tara Treasurefield

Turtle Creek winds through Marty Griffin’s property in Healdsburg on its way to the Russian River. This creek, like many others in the Russian River Watershed, has suffered serious abuse. Gravel miners nearly destroyed it when they dug a huge pit at its mouth in the early 1960s. For 38 years, Griffin, whose property includes Hop Kiln Winery and who cofounded Friends of the Russian River, has been repairing the damage. Now, just as Turtle Creek is beginning to heal, there’s a new threat: A group of farmers, the city of Santa Rosa, and the Sonoma County Water Agency intend to use city wastewater for irrigation.

Three of the 17 reservoirs described in the plan would be in the headwaters of Turtle Creek. Reservoirs leak, says Griffin, and that’s a problem. “This wastewater is lethal to aquatic life. [Wastewater leakage from the reservoirs] would kill the little animals and plants that live in streams and creeks and the Russian River.” The plan also calls for five reservoirs next to the Bishop’s Ranch retreat center, just above water agency wells. “There must be better locations for wastewater storage than right in the watershed that feeds your drinking-water wells,” says Judith Olney of the Healdsburg Association for Responsible Citizenship.

Some of the proposed reservoirs are 120 feet high, and that presents other problems. “They want to put them in steep canyons with very unstable soil,” says Griffin. “They’re going to have to take out hundreds of thousands of cubic yards of soil. It will make a God-awful mess. If [the reservoirs] break–which is very likely, because this is a very active earthquake area–they would inundate parts of our ranches with a wall of water that would wipe out everything on the way down.” Bishop’s Ranch is also alarmed and is a plaintiff on three of the 19 lawsuits filed against the project.

Celebrate the Watershed: We are all part of the watershed.

Dan Carlson, capitol projects manager for the Santa Rosa Utilities Department, acknowledges that reservoirs leak, that Santa Rosa’s treated wastewater kills marine life, and that Healdsburg is prone to earthquakes. He says that environmental impact reports will evaluate all this, as well as mitigations that include lining reservoirs to prevent leakage, determining if the amount of leakage would significantly impact downstream users, and evaluating the effects of an earthquake. Pam Jeane, deputy chief engineer at the Sonoma County Water Agency, says, “Whoever proposes a project will have to do an environmental review. People will have a chance to comment at that time.” No specific project has been selected yet, she says.

But Griffin has no doubt that the plan to construct 17 wastewater reservoirs and 74 miles of distribution lines in North County is a done deal. It costs $875,000 to develop the plan and over $20 million to make the geysers’ pipeline large enough to accommodate wastewater for irrigation. Santa Rosa is also prepared to pay up to 100 percent of the cost of constructing reservoirs on private agricultural land. Acknowledging that all this amounts to a sizable investment in a project that hasn’t even gone through an environmental impact report yet, Carlson says, “I believe that [the Santa Rosa City Council and Board of Supervisors] believe that some part of that project will likely go ahead in the future, if not all of it.”

A major appeal of the project is that it will allow Santa Rosa to build affordable housing in the city center. Carlson says that though front yards and backyards are good places to dispose of wastewater, the new dwellings won’t have any yards. The wastewater has to go somewhere. Carlson says, “Why not use it for agriculture? Farmers already need it, and we want to make sure that if those areas want to use the water, we have it available to them.”

Tom Hobart at Clos du Bois Winery in Healdsburg supports the project because vineyards will be “at the bottom of the list” for fresh water as it becomes increasingly scarce. “Twenty or 25 years from now, this may be the most important thing we ever did,” he says. But as owner of a winery himself, Marty Griffin questions the wisdom of using wastewater to irrigate vineyards. “It may hurt the reputation of vineyards in North County,” he says. “It’s very hard to clean up, and there are a lot of chemicals left in the wastewater even after treatment.”

What’s really driving this project, says Griffin, is greed. “Sonoma County is a developer-controlled county, and Santa Rosa is a developer-controlled city. They’ll do anything to get rid of the wastewater, because it’s the only thing that’s holding up development. Sonoma County could end up like Los Angeles. I think they should slow down their growth, stop their growth. They should recycle all this wastewater in their own backyards and not ours. It’s a big rip-off for North County.”

Devoted as ever to Turtle Creek and the Russian River Watershed, Griffin says, “They’re going to build those reservoirs over our dead bodies.” On second thought, he adds, “I’ve never believed in lying down in front of bulldozers, because by then it’s too late. We have to stop them in the courts and in the court of public opinion.”

From the May 16-22, 2002 issue of the North Bay Bohemian.

© Metro Publishing Inc.

Sustainability Tour

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Photograph by Michael Amsler

Daily Acts: Trathen Heckman spreads the good word.

Tour of Duty

Sustainability Tour is home-grown ecotourism

By Sara Bir

Throwing some hot dogs on the grill and sitting back on the lawn chair, margarita in hand, might be fairly typical Memorial Day weekend festivities. An equally relaxing but much more proactive alternative is the Sustainability Tour taking place Saturday, May 25, which highlights local applications of permaculture.

“I started studying this because I wanted to get exposed to the doom and gloom and figure out what our lives cost,” says Trathen Heckman, the 31-year-old Monte Rio resident who organized the tour. “You get too focused on that and it gets kind of overwhelming, so I started studying what all the different solutions were.”

Heckman’s initial idea for the tour was inspired by the people he met while studying and volunteering with different organizations in the North Bay. One of those was the Permaculture Institute of Northern California, an educational and research organization in Point Reyes that promotes sustainable technologies and methodologies.

A contraction of “permanent agriculture” or “permanent culture,” permaculture “looks at what nature does and copies nature,” Heckman says. “Permaculture is not this crazy, labor-intensive thing; it’s just working within nature’s needs. You can keep the resources on your land. That’s a big aspect of it.”

Finding sites for the tour wasn’t difficult, Heckman says. “It was just looking at people who were already in my life and figuring out a way to showcase what they are doing.”

Because of the distance covered–the tour begins in Sebastopol and ends in Monte Rio–participants won’t be riding bikes but will be riding in alternative energy vehicles. “Bikes are obviously a lot better than cars, but if we were going to use cars, I figured we’d try to focus on alternative energy solutions, like electric and biodiesel and vegetable oil.”

The tour starts at Laguna Farms, a Community Supported Agriculture farm in Sebastopol. Participants will get a chance to pick a few veggies and reconnect with food at its source. “There’s some really great local organic food. Laguna Farms is also using solar energy and wind energy, and they just converted their tractors to run on vegetable oil. So they’re beyond organic,” says Heckman.

The next stop on the Sustainability Tour is right down the street. “Eric Ohlson has a permaculture site that’s an urban scale, so it’s what can you do in a backyard in the middle of downtown Santa Rosa, or anywhere. We’ll go through setting up a worm bin so you can compost your food scraps, different solutions that you can apply in a small space.

“From there we’ll go to Ocean Song outside of Occidental, to a naturalized conventional home with earth plasters and natural paints, and also some cob and straw-bale projects.”

The tour ends at Heckman’s home, where the focus will be on medicinal plants and erosion control. Heckman shored up his yard, a ferociously steep, shaded redwood hillside, with an attractively textured series of urbanite rock walls–broken recycled concrete. “To make concrete, first you have to break apart the earth, then you have to heat it to 2,500 degrees, so it’s really energy-intensive as far as global warming. To reuse it seems pretty ideal. The concrete is a thermal mass, so the sun heats it up and it draws extra heat for other plants to be able to make it here.”

Alternating with the steps that wind across the hillside are herbs and edible plants: arugula, lemon balm, rosemary, calendula, yarrow, chamomile, borage, huckleberries, blueberries, currants. “Two or three years ago I would have walked out here and thought, ‘Oh yeah, lots of flowers and rocks.’ Now I see food, medicine, . . . wonder.”

Heckman, formerly a full-time snowboarder and computer programmer, recently published the first issue of his zine, Ripples, which focuses on reclaiming daily acts and bringing greater awareness to our lives.

“Have you ever seen Willy Wonka and the Chocolate Factory?” he asks. “Willy Wonka says, ‘Come and live with me away from all the wangdoodles, snozzwangers, and rotten vicious kinits.’ We have nowhere to go–this is Wonkaland. I don’t see any rotten vicious kinits, I just see good people in a bad system. Sustainability, to me, is about helping heal that system and show fun, good alternatives.”

The Sustainability Tour runs 10am-4pm, Saturday, May 25. Bring a lunch. Reserve space by May 18 by e-mail (da*******@****sp.com) or mail (Daily Acts, Box 826, Monte Rio, CA 95462). $10-$20 donation. Call 707.865.2915 for information.

From the May 16-22, 2002 issue of the North Bay Bohemian.

© Metro Publishing Inc.

Spins

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Spins

Little Cat
(Pandacide Records)
Little Cat

Somewhere between a rabid sequencer and the background music to Nick Jr.’s Blue’s Clues lies the domain of Little Cat, an alternately soothing and driving mix of Nintendo themes, video game blips, and New Age trance arcs. The Little Cat in question is Sonoma County’s Devon Rumrill, who has such a heavy penchant for lo-fi that he records on a VCR. While undeniably an electronic project (read: not live, no vocals), Little Cat contains enough endearing kinks–comic-book sound effects, fuzzed-out snippets of samples, and a subversive sense of melody–that what emerges is textured and distinctive, providing the listener with offbeat nooks and crannies to latch onto. The result is surprisingly sweet, the sort of digitized innocence you’d expect from someone claiming video game music as one of his biggest influences.

Little Cat may call to mind an equally serene but more upbeat Seefeel or a Scatter-Shot Theory minus the brooding. The CD’s 20 tracks hold tasty nuggets of traditional songwriting–“2nd Grade (Hi-5)” even has synthy echoes of early Cure. Little Cat is charming and refreshing but never dull. (This CD, tough to find in stores, is available from the Pandacide website at www.pandacide.com.)

-Sara Bir

Proud of You
(Music Makers)
Cindy Cohen and Peter Penhallow

Good Morning Sun, Goodnight Moon
(Rivertown)
James K

The North Bay hasn’t nurtured many prominent children’s music performers over the years, Marin County singer-songwriter Tim Cain being one notable exception. Two new and impressive recordings indicate that situation may be changing. Proud of You by Cindy Cohen and Peter Penhallow offers 16 festive tracks (including five holiday songs) aimed mostly at younger tykes. The CD features several original compositions and is an outgrowth of Music Makers in Mill Valley (www.music-makers.org), a program for children ages 18 months to six years that explores music through song, movement, finger plays, puppets, and games. Easy on the ears and easy on the eyes; acclaimed Marin children’s author and artist Karen Barbour contributed the fanciful cover art.

For older children, Petaluma singer-songwriter James K returns with his second self-produced CD of original songs appealing to elementary- and middle-school-aged kids. And, like his 1998 debut A Giggle Can Wiggle Its Way through a Wall, James K shows an easy command of musical styles, from Cajun to country, blues to show tunes. On this outing, he’s joined by a small children’s choir and a host of local musicians. These very listenable songs are filled with empowering messages of self-esteem and love, but James K knows how to keep it fun, whether he’s stalking the wild asparagus or riding the range. For information, visit www.jamesk.com.

-Greg Cahill

Eric Lindell
(Sparco Records)
Eric Lindell

Long a local favorite–he’s been playing local bars and clubs for years–Eric Lindell has a fair legion of fans awaiting his next release. He may have deserted Sonoma County for New Orleans, New York, and beyond, but it’s all for the best: Lindell’s latest self-titled release is a rollicking rock revival. The sound is distinctly New Orleans blues rock, an avalanche of sound dripping with horns and sax and shored up by Lindell’s scratchy, hoarse voice. Backup vocals from Delisha Adams and Raychell Richard tie up the sonic package with a bright, soulful bow while Lindell’s band keeps the rhythm going strong and tight.

-Davina Baum

From the May 16-22, 2002 issue of the North Bay Bohemian.

© Metro Publishing Inc.

Sonoma County Ecological Footprint Project

Ballooning Out Of Control: Mathis Wackernagel demonstrates how resources can be stretched to the breaking point.Photograph by Scott HessDangerous FeetNorth Bay Environmentalists meet to compare footprints So how big is yours?" That was the question on everyone's lips when several dozen environmentalists, scientists, and North Bay community leaders came together on May 10 for a three-hour conference focusing...

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Cultural Ambassador: Randy Weston brings the rhythms of Africa to the Raven.Jazz NotesHealdsburg Jazz Fest beats the oddsBy Greg CahillCall it the blast effect. The Sept. 11 terrorist attacks in New York and Washington, D.C., had an unexpected and far-reaching impact on fundraising by nonprofit arts organizations, an impact that rippled across the country. Coupled with the...

Summer Beverages

Hints Of Summer: Warm weather is nicer under the influence of a cool Vinho Verde or a refreshing Lillet. We Like Cold Beverages Summer means it's time for high-fun, low-impact drinksBy Sara Bir There are more efficient ways to beat the heat then tipping back a relaxing drink--like, say, taking a dip in the pool or cranking up...

Webcams

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‘Dogtown And Z-Boys’

Z-Girls, Too: Peggy Oki, an original Z-boy, plays with the big boys. The Z-Boys of Summer'Dogtown and Z-Boys' carves the new wave of old schoolBy Sara BirNorthern California, 2002. There are skate parks all over the North Bay. If you ask a random person on the street who Tony Hawk is, he or she might very well know....

West County Watershed Day And Art Show

Land, trees, people, and bees. Creeks, fogs, fishes, and dogs. We are all part of the watershed!By Tara TreasurefieldCome on out to the West County Watershed Day and Art Show. "We are going to present a great, free day of fun, rock-solid information, and most importantly, an opportunity for the entire watershed community to get together and celebrate," says...

Wastewater Reuse Project

Far and Wide: A wastewater reuse project puts the already endangered Russian River Watershed at further risk. Up a CreekWastewater reuse plan threatens watershed, wine industryBy Tara TreasurefieldTurtle Creek winds through Marty Griffin's property in Healdsburg on its way to the Russian River. This creek, like many others in the Russian River Watershed, has suffered serious abuse. Gravel miners...

Sustainability Tour

Photograph by Michael AmslerDaily Acts: Trathen Heckman spreads the good word.Tour of DutySustainability Tour is home-grown ecotourism By Sara BirThrowing some hot dogs on the grill and sitting back on the lawn chair, margarita in hand, might be fairly typical Memorial Day weekend festivities. An equally relaxing but much more proactive alternative is the Sustainability Tour taking place Saturday,...

Spins

SpinsLittle Cat(Pandacide Records)Little CatSomewhere between a rabid sequencer and the background music to Nick Jr.'s Blue's Clues lies the domain of Little Cat, an alternately soothing and driving mix of Nintendo themes, video game blips, and New Age trance arcs. The Little Cat in question is Sonoma County's Devon Rumrill, who has such a heavy penchant for lo-fi that...
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