Plane Hijacked, Nobody Died, Media Moves On

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Did you hear about the plane that was hijacked the other day? I heard it was headed to the Olympics! Then I heard it was an Ethopian pilot who wanted asylum! Then, the real story unfolded in a Q&A session on the social networking site Reddit from a passenger who says, contrary to news reports, passengers did know the plane was being hijacked for the entire six-hour flight.

There was scant news coverage on this event, considering there were 202 people on board that could have died in an instant. But nobody died, not even the hijacker. He landed safely in Geneva, Switzerland, seeking asylum. The cynic in me thinks this that this didn’t make as big a news splash in the United States because A) it was an Ethopian Airlines plane from Ethiopia to Switzerland and B) nobody died. Why do we watch Nascar? For the crashes. Why do we watch downhill skiing? For the crashes. Why do we watch Football? You get the picture.

Apparently the hijacker acted alone—he was the co-pilot on the flight and locked the door when the pilot took a bathroom break. He dropped air pressure in the cabin and forced passengers to put on their oxygen masks. The crew acted as if everything were normal, serving drinks and allowing passengers to walk freely through the cabin. The hijacker reportedly only said, “Sit down, put on your masks. I’m cutting the oxygen,” repeating it three times. News reports said passengers were unaware of the hijacking, but news reports were wrong.

The pilot negotiated the safe landing and release of all passengers (the definition of hero). The hijacker could face up to 20 years in prison, according to Swiss law. The unspoken crime here is the underreporting of this incident and the faulty information that was printed, but not changed when it was proven false. This is big news. Hopefully, we will see more information reported from this event, like, why was he seeking asylum? How was he able to hijack the plane on his own? What security measures are being taken to ensure this never happens again? Let’s hope the answers are eventually printed correctly.

Feb.13: Freedom Riders at the Arlene Francis Center

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On the morning of May 4, 1961, a small gathering of civil rights activists boarded a bus in Washington, D.C., bound for New Orleans in the first Freedom Ride. That year hundreds of activists joined in, traveling to the Deep South in mixed-race groups to challenge local laws that enforced unconstitutional segregation in seating. These were the first steps in what became the American Civil Rights movement. As part of the Black History Month Film Festival at the Arlene Francis Center, the award-winning 2010 documentary Freedom Riders is screened as a benefit for the Police Accountability Clinic and Helpline. Thursday, Feb. 13, at the Arlene Francis Center. 99 Sixth St., Santa Rosa. 7pm. $5. 707.528.3009

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Feb. 19: John Butler Trio at the Hopmonk Tavern

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From busking the streets of Fremantle, in western Australia, to world tours fronting his own roots Americana trio, John Butler has seen it all. Forming the John Butler Trio in 1998, the singer-songwriter has led the group through six acclaimed albums, including three consecutive records that all went platinum and topped the Australian charts. Highlighted by a dusty rock sound and spontaneous jam-band aesthetics, the John Butler Trio appear in concert free and early courtesy of KRSH radio station to promote the band’s latest release, Flesh & Blood. Wednesday, Feb. 19, at the Hopmonk Tavern. 230 Petaluma Ave., Sebastopol. 7:30pm. Free. 707.829.7300

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Feb. 15: Bill Cosby at Marin Center’s Veteran’s Memorial Auditorium

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Consummate storyteller and comedian extraordinaire Bill Cosby simply will not stop. Nearing 80 years old (he’s 76) and blind in one eye, Cosby’s presence in the spotlight saw a significant decline at the beginning of this century. After 40 years of game-changing comedy albums and ground-breaking television shows, the legendary performer has recently returned to the stage more regularly and even recorded his first television concert special in 30 years, Bill Cosby: Far from Finished, late last year via Comedy Central. The Coz brings his stories and his humor to the stage once again on Saturday, Feb. 15, at the Marin Center’s Veterans Memorial Auditorium. 10 Avenue of the Flags. San Rafael. 8pm. $40—$75. 415.499.6800.

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Feb.14-17: Cloverdale Citrus Fair

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A tradition going back to 1924, the Cloverdale Citrus Fair is the annual event for all things citrusy. Just going down the list of events, from pygmy goat shows to orange-juicing contests, this fair has it all. A parade? They got it. Gourmet chefs? Got it. Carnival rides? Oh, you know they got it. Building the fair around this year’s “Fair’ly Country” theme, the event also boasts performances from the Cabaret Players and country-western dancing complete with line-dancing lessons. Family-friendly, fruit-focused and fun all around. Did I mention the giant 3D models and exhibits made entirely out of citrus? That’s worth the ticket right there. The Cloverdale Citrus Fair runs Friday, Feb. 14, through Monday, Feb. 17, at the Cloverdale Fairgrounds. 1 Citrus Fair Drive, Cloverdale. $5—$7. 707.894.3992.

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Rosé is Riveting

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Let’s hear it for flowers, chocolates and pink Champagne! Wait, why am I hearing more scoffs and groans that moans and sighs? Look, nobody had any more say about this Valentine’s Day business than they did about inventing the seven-day week, so get right with it—the road to hell is paved with bottles of unpopped pink sparkling wine.

Four sparkling wines and one Champagne were tasted sort-of-blind, allowing for different styles of bottles. All of these wines are enjoyable in their own way, and it seems unfair to coldly assign them a point score. So they’re ranked in order of favorites. (Don’t we all do that, anyway?)

Chandon 40th Anniversary Cuvée Sonoma County Sparkling Rosé ($40) This was released in 2013 to celebrate the winery’s beginning. Wouldn’t it be a coup to use it to celebrate your own 40th anniversary? Act fast, because it’s a limited production that is nearly sold-out; after it’s gone, there’ll be no use crying for more. It’s a pale, copper-tinged salmon pink, with the finest of bubbles. Aromas of maple syrup, raisins and faint hints of hazelnut may or may not strike one as ideal, but wait for the glazed-fruit-topped cheesecake aromas. This wine wins because it’s a little different, a little sensual.

Chandon Étoile North Coast Sparkling Rosé ($50) Salmon pink, with strawberry candy and meaty yeast aromas, this has a salty sensuality to it and the aroma of a real pink rose. Roiling mousse, a raspberry palate and a confected, lip-smacking finish.

Korbel California Brut Rosé ($12) The hue of a cruel, salmon-pink dawn. Aromas of sulfured apricots initially, leading to peach juice flavors and a classic, yeasty note. The Korbel might be a cheap date, but it’s reliable, fun and—who knew?—a little kinky: there’s Sangiovese, Gamay, Zinfandel and Chenin Blanc in the party with Pinot Noir.

Piper-Heidsieck Rosé Sauvage Champagne ($60) Deep apricot-pink, with aromas of blood orange and a gassy aspect that blows off after a while to reveal tantalizing aromas of just-crushed Pinot Noir grapes. It’s got hot pink packaging, but its mood is gothic and brooding.

Domaine Carneros Cuvée de la Pompadour Carneros Brut Rosé ($36) It’s got the brightest, pinkest hue of the bunch, but there’s not much to report after that. Pink grapefruit aroma, pink grapefruit flavor, some strawberry. It’s creamy and fruity enough—maybe it didn’t rate so high because it’s just so nice and well-adjusted and would pair really agreeably with a variety of brunchy cuisine. Sure, it’s not gothic and brooding like the Piper-Heidsieck (see above), but it’ll wait faithfully for you. Is the finish a little bitter? Have a damn bonbon.

JFK Bombs Twin Towers!

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There’s a secret program to brainwash unwitting Americans into carrying out nefarious tasks. Talking dolphins are being trained as underwater assassins. And the Masons have hidden a vast treasure in catacombs underneath Mount Rushmore.

Those are about the only recent conspiracy theories not touched on in Steven Dietz’s 2007 comedy-drama Yankee Tavern, directed by Elizabeth Craven and running through Feb. 23 at Main Stage West. Set just a few years after 9-11, Yankee Tavern takes place in the titular New York watering hole, housed in a soon-to-be-demolished building not far from Ground Zero. The nifty set by Paul Gilger sets the tone, suggesting that the Yankee was once a grand establishment and is now slipping toward decay.

Adam (Tyler Costin, a bit one-note and lacking the sense of practiced duplicity suggested in the script) is a grad-school student hanging on to the tavern once owned by his father, who may or may not have killed himself behind the bar. His increasingly tentative fiancée, Janet (Ilana Niernberger is fine, but a bit too hostile out of the gate) has just discovered that most of Adam’s save-the-date notices have been returned as “address unknown,” and she wants to know why.

Meanwhile, they both want to know what to do about the tavern’s resident alcoholic Ray (played with gleefully grounded mania by the ever-brilliant John Craven), who has never met a conspiracy theory he didn’t like. Starbucks is a religious cult. The moon landing was faked. The Olympics are secretly staged by Walt Disney. Yoko Ono was the mastermind of the Bay of Pigs disaster. The 2000 election was rigged—so that Al Gore would have free time to make documentaries about global warming.

And the destruction of the Twin Towers was an inside job. Of course. Next to JFK’s assassination, few national tragedies have inspired more conspiracies than this one, and in Dietz’s hands, the intricate, mesmerizing language of conspiracy becomes a kind of paranoid poetry. When a stranger (Anthony Abaté, nicely creepy) arrives at the tavern, ordering two beers and leaving one untouched, Ray’s enthusiasm for secrets is matched by the stranger’s quiet, menacing suggestions that the real truth behind 9-11 is bigger and scarier than even Ray could imagine.

To say more, or to hint at how all of this is connected to Adam and Janet, would be unfair to the audience. Suffice it to say that in Yankee Tavern, the truth is out there. Way, way out there.

Rating (out of 5): &#9733 &#9733 &#9733 &#189

‘Gloria’ Is Packing Heat

See it now, and see it before the inevitable insufferable American remake. Word will be getting out about Gloria.

There’s usually a good turnout for a film about a divorcée going wild—”women of a certain age” never lose the habit of movie-going. Yet instead of a film about a woman’s self-consciousness and shyness, there’s genuine heat in Gloria, in which the inevitable and insufferable is certain to geld.

Gloria (Paulina García) is a Santiagoan divorced for 10 years. Out dancing one night, she meets the courtly Rodolfo (Sergio Hernández), an ex–naval officer now running a paintball emporium. Though age has seasoned Gloria’s body, director Sebastián Lelio insists this be a meeting of bodies as well as minds (Gloria’s getting glaucoma and has to keep her glasses on when they tryst).

By adding more background details of the lead characters’ lives and throwing in some politics, Gloria, the official Chilean selection for the upcoming Academy Awards’ Best Foreign Film category, does what the standard American rom-com doesn’t. The film notes the student unrest current in Chile, and also shows how coolly Gloria’s family welcomes Rodolfo: the Chilean navy committed some of the worst crimes of the fascist regime.

Despite Chile’s past, Leilo shows us a culture alive to pleasure. We get the delight of seeing our characters spend a dirty weekend in Viña del Mar and attend a dinner party where an impromptu samba breaks out. And I like the ardor with which Gloria looks at everything: a consoling pisco sour, a man she’s about to husk out of his clothes, even a tiny skeleton marionette wielded by a street performer. Here, we see her get on her knees and stare the puppet down. This is a woman who gets the memento mori joke and has decided not to be amused or afraid.

‘Gloria’ is screening at the Rafael Film Center, 1118 Fourth St., San Rafael. 415.454.1222.

Kitaro: Symphonic Electronic Lover

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‘This is my dream,” Kitaro says simply.

He’s speaking of the transformation of some of his most famous electronica melodies into fully orchestrated tone poems. It’s not a new idea, just one that has taken a long time to realize for the Japanese composer, whose elegantly melodic instrumentals helped define the emerging “New Age” genre beginning in the late 1970s. Although he was encouraged to explore the tonal potential of early synthesizers by Tangerine Dream’s Klaus Schulze, and did so with great success, he longed for more.

“The synthesizer can create strange sounds, but [an] orchestra has its own beauty,” he says. “[From] the beginning of my career, always I’m focused on the actual acoustic sounds.”

When director Oliver Stone tapped Kitaro to write the score for his 1993 film Heaven and Earth, a large studio orchestra recorded the soundtrack. It was, the composer says, “soooo good. So, little by little, the last 20 years, my music is moving toward the real orchestra.”

And now, he adds, “the opportunity of working with the Santa Rosa Symphony, this is my dream.”

For the orchestra, however, it was a surprise.

“It just dropped in our lap,” says Alan Silow, the Santa Rosa Symphony‘s executive director. An out-of-the-blue call from Sonoma State University music professor Brian Wilson in November introduced the possibility, and when Kitaro’s desired Feb. 14 date turned out to be narrowly available (subscription concerts had long been scheduled for the rest of the weekend), planning accelerated, and the unusual joint performance was announced just a few weeks later.

“They didn’t hire us as ‘the band,'” Silow states, “We’re partners in the whole production.”

This concert will include music from Kitaro’s best-known recordings, such as Silk Road, Thinking of You and Kojiki. After this week’s premiere with a scaled-down version of the Santa Rosa Symphony—roughly 40 strong—the program continues with half a dozen other performances, and with other orchestras, in Russia, Eastern Europe and possibly some later dates in Southeast Asia. The show could also tour the United States late this year.

Other projects also await Kitaro: a new collaboration with percussionist Mickey Hart and the completion of his ambitious Ku-Kai Project, a series of 88 compositions that incorporate the sounds of the temple bells from the 88 temples that ring Japan’s Shikoku island. He’s written and recorded 39 so far, and expects the remainder to occupy him for four to five years.

But now his priority is to
finalize the set list, complete the orchestrations (with his long-time band leader Stephen Small, who will also conduct) and prepare for the single three-and-a-half-hour rehearsal with the symphony musicians. But even with strings, brass, woodwinds and percussion—and, of course, Kitaro’s own six-piece electronic band—there’s still one element missing.

“I think, still, the voice is the best sounding instrument,” he explains, “so I will do some surprise for the audience this time.

“One song I will sing myself.”

After the Deluge

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Last weekend, rain fell in drenching, gushing sheets across Northern California. Stream levels bounced up, fish again had room to swim and farmers saw puddles form over their dusty properties. The Russian River, flowing at a trickle of 24 cubic feet per second last week in Mendocino County, had become a torrent of more than 4,000 by Sunday. But the relief did not undo the work of the driest year on state record.

“This did not put this drought to bed in the slightest,” says Sean White, general manager of the Russian River Flood Control District. Just over five inches fell in Ukiah, and Lake Mendocino’s volume jumped by about
20 percent. But it’s still half of its normal February capacity, White says, and there remains the real chance that the reservoir could be empty by September.

THE HEAT

Just before last weekend’s deluge, Rhonda Smith, wine grape specialist with the University of California’s cooperative extension program, said that even another foot of rain this winter would not end the drought. She expects that the season will likely be a financial disaster for some farmers.

“It’s going to be bad,” Smith says. “These are the worst water conditions we’ve ever seen.”

Warm weather has sped up vine development, and Smith says an early bud break can be expected. Once the young leaves begin unfolding into the spring sun, farmers will need water at the ready to douse their vines should nighttime temperatures crash—a common means of guarding fruit trees against frost damage. Damaged vines may produce less fruit in the fall, if any at all.

But the water may not be there to protect them. Many growers draw their frost-protection water directly from the Russian River, where flows could drop again if more rain does not maintain the tributaries. For much of this winter already, the mouth of the river has been blocked entirely by a sandbar, which the torrents of most winters usually knock out. Salmon and steelhead have been largely unable to access the river to spawn.

The extreme conditions have raised the stakes both for grape growers, who will need summer irrigation water as well as their frost-protection spray, and conservationists trying to coax coho salmon numbers back to sustainable levels. Relations between the parties are likely to grow hot.
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FISH ARE SUFFERING

Eric Larson, a biologist with the state’s Department of Fish and Wildlife, says that when the Russian River Valley experiences subfreezing temperatures, hundreds of vineyard managers may begin pumping river water at the same time to mist over their vines, causing the river’s level to drop rapidly. Salmon in the system may become stranded, and their nests of fertilized eggs may be exposed to dry air and destroyed. “When the temperatures drop, the grape growers have their eyes on the river, and we have our eyes on them,” Larson says. “We’re all watching the same temperature forecast.”

The Russian is not the only river in which salmon and steelhead populations are struggling.

“Overall, the Central Coast coho are already looking at extremely reduced numbers, and this drought does not help,” says Stafford Lehr, chief of fisheries with the Department of Fish and Wildlife. South of the Golden Gate in particular, coho streams are liable to remain dry all winter, he says, eliminating an entire year class of fish. North of San Francisco, watersheds are subject to more rainfall and may be better off. The Eel River, for example, received a tremendous dumping of rainfall this weekend, opening up spawning habitat that has been inaccessible for months.

But in the Russian River, salmon and steelhead that hatched in the system last year have reportedly mostly vanished, either killed by high temperatures in shallow standing pools of water or eaten by predators. Even the weekend’s rains did not help fish born last year. To the south, coho salmon have been struggling to enter Lagunitas Creek for weeks. The stream, which runs off the northern slopes of Mount Tamalpais and enters Tomales Bay, once hosted thousands of spawning coho each year, but now sees annual returns of just several dozen fish. Larson says that last year’s return was poor due to low flows, and 2014’s spawn, he says, could be a failure.

On the Russian River, about 400 coho salmon spawned last year. “But we want several thousand,” Larson says.

He says that almost two hundred adult coho, ready and willing to spawn, are in the system, along with Chinook salmon and steelhead. Most of the tributaries where they historically lay and fertilize their eggs, however, have been too low for fish to enter. Last Thursday, the five-member Fish and Game Commission voted to close coastal rivers to sport fishing. Winter is usually prime time for steelhead fishing, but the fish are already under extreme stress, and the decision was made to give the steelhead the best chance possible at spawning.

“The fish have been stacked near Duncans Mills, and the bait fishermen and the sea lions were just hammering them,” says Dave Wiens, a fly fisherman from Novato who supports the emergency closure. “They just didn’t need that extra pressure of being caught.”

DRINK UP

Protecting every last cubic foot of the Russian River’s water for fish could produce a sufficient return of spawners this winter, but the action could cost grape growers and winemakers a great deal of their year’s income. Most years, the average Pinot Noir vine produces enough fruit to make about three bottles of wine. But yields will likely be down this year, and some vines could be worth just a few glasses.

Loss of early growth to frost kills the most productive shoots of a vine. “That first budding is the most fruitful,” explains winemaker Scot Covington of Trione Vineyards in the Alexander Valley. “You can get growth afterward, but it won’t produce as much fruit.”

Some growers, it seems, are expecting disastrous crops. Karissa Kruse, president of the Sonoma County Winegrape Commission, says crop insurance is selling rapidly this winter. Meanwhile, other growers anticipating insufficient water for frost protection are planning to use wind machines, which can help mix warmer air above a vineyard with the freezing air at vine level, offsetting any threat to the plants. “I’ve been hearing that rentals for wind machines have quadrupled and sales have doubled,” Kruse says.

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Even if growers make it through the frost season in good shape, they may face a long, hot summer without irrigation options. Water officials announced at a meeting last week in Cloverdale that even if California received a foot of rain in the next three months—an amount that forecasters say is unlikely—the state’s water supply would still only equal what it was in 1977, the second year of the worst drought in California’s history. Lake Mendocino could even dry up at the current rate.

Indeed, with more people now using the state’s water resources, the likelihood of unprecedented damage to the environment and the state’s wine industry is substantial. Randle Johnson, winemaker with the Hess Collection, says his Mount Veeder vineyards rarely experience frost and will survive without water this spring. This summer, though, his vines could suffer. “Our reservoir is at maybe 20 percent, and by July it might be empty,” Johnson says, adding that his hillside vineyards have no wells or groundwater supply.

THE STORM WASN’T ENOUGH

Peter Baye, a resident of Annapolis and a member of the Friends of the Gualala River, says the weekend’s storm, though “a real gully-washer,” might not have been enough to quench the area’s thirst. “You can’t get much more than that in one weekend,” he says, “but this won’t much change the current hydrology.”

Many vertical feet of earth beneath the surface have slowly dried over the past several years of below-average rainfall, he says. Additionally, the Gualala watershed is under increasingly intensive use by the wine industry. (A new vineyard with a 90-acre-foot reservoir is going in now near Ohlson Ridge.) Tributaries that once contained water all year have reportedly been drying up in the summer, something that didn’t happen in the past.

“We’ve had old-timers saying this wasn’t an issue before,” Baye says. “This isn’t happening because of the drought. It’s the growing pressure on the groundwater that feeds into the streams.”

Baye says that once grape growers cease watering their vineyards, stream levels rise again. The correlation, he is certain, is no coincidence. “Magically, at the end of the irrigation season, even when it hasn’t rained yet, the rivers bounce back up,” he says.

The ridge of high atmospheric pressure over the Pacific Ocean that has been deflecting rain-making weather systems for 14 months has finally weakened, according to recent satellite images. This Sierra-size barrier of dense air, which pushed storm after storm north of California, was blamed as the cause of the state’s extended drought. Now meteorologists are speculating whether it may be gone for the season and whether winter as usual will proceed. But farmers and naturalists remain cautious.

“If these conditions continue through 2014, then people might really start asking, ‘Is this climate change?'” says Johnson.

Baye warns that the region is still thirsty even after the drenching Northern California received last weekend. “This was the third January in a row without rain,” he says. “Groundwater is down, wells have gone dry. Eight inches of rain won’t recharge the system.”

Plane Hijacked, Nobody Died, Media Moves On

Do we only care about a story if it involves death?

Feb.13: Freedom Riders at the Arlene Francis Center

On the morning of May 4, 1961, a small gathering of civil rights activists boarded a bus in Washington, D.C., bound for New Orleans in the first Freedom Ride. That year hundreds of activists joined in, traveling to the Deep South in mixed-race groups to challenge local laws that enforced unconstitutional segregation in seating. These were the first steps...

Feb. 19: John Butler Trio at the Hopmonk Tavern

From busking the streets of Fremantle, in western Australia, to world tours fronting his own roots Americana trio, John Butler has seen it all. Forming the John Butler Trio in 1998, the singer-songwriter has led the group through six acclaimed albums, including three consecutive records that all went platinum and topped the Australian charts. Highlighted by a dusty rock...

Feb. 15: Bill Cosby at Marin Center’s Veteran’s Memorial Auditorium

Consummate storyteller and comedian extraordinaire Bill Cosby simply will not stop. Nearing 80 years old (he’s 76) and blind in one eye, Cosby’s presence in the spotlight saw a significant decline at the beginning of this century. After 40 years of game-changing comedy albums and ground-breaking television shows, the legendary performer has recently returned to the stage more regularly...

Feb.14-17: Cloverdale Citrus Fair

A tradition going back to 1924, the Cloverdale Citrus Fair is the annual event for all things citrusy. Just going down the list of events, from pygmy goat shows to orange-juicing contests, this fair has it all. A parade? They got it. Gourmet chefs? Got it. Carnival rides? Oh, you know they got it. Building the fair around this...

Rosé is Riveting

Let's hear it for flowers, chocolates and pink Champagne! Wait, why am I hearing more scoffs and groans that moans and sighs? Look, nobody had any more say about this Valentine's Day business than they did about inventing the seven-day week, so get right with it—the road to hell is paved with bottles of unpopped pink sparkling wine. Four sparkling...

JFK Bombs Twin Towers!

There's a secret program to brainwash unwitting Americans into carrying out nefarious tasks. Talking dolphins are being trained as underwater assassins. And the Masons have hidden a vast treasure in catacombs underneath Mount Rushmore. Those are about the only recent conspiracy theories not touched on in Steven Dietz's 2007 comedy-drama Yankee Tavern, directed by Elizabeth Craven and running through Feb....

‘Gloria’ Is Packing Heat

See it now, and see it before the inevitable insufferable American remake. Word will be getting out about Gloria. There's usually a good turnout for a film about a divorcée going wild—"women of a certain age" never lose the habit of movie-going. Yet instead of a film about a woman's self-consciousness and shyness, there's genuine heat in Gloria, in which...

Kitaro: Symphonic Electronic Lover

'This is my dream," Kitaro says simply. He's speaking of the transformation of some of his most famous electronica melodies into fully orchestrated tone poems. It's not a new idea, just one that has taken a long time to realize for the Japanese composer, whose elegantly melodic instrumentals helped define the emerging "New Age" genre beginning in the late 1970s....

After the Deluge

Last weekend, rain fell in drenching, gushing sheets across Northern California. Stream levels bounced up, fish again had room to swim and farmers saw puddles form over their dusty properties. The Russian River, flowing at a trickle of 24 cubic feet per second last week in Mendocino County, had become a torrent of more than 4,000 by Sunday. But...
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