Inherently Good

Lazy story structure and arcless arc complement, rather than injure, Inherent Vice, Paul Thomas Anderson’s terrific version of sometimes Redwood Empire denizen Thomas Pynchon’s homage to detective fiction.

The mood of the film is far more important than its story. Inherent Vice serves as a threnody for the end of the 1960s, as the best defective-detective since Dude Lebowski tries to determine who is responsible for what.

Narration by a female psychic named Sortilège (NorCalharpist Joanna Newsom) provides a frame for the adventures of Doc Sportello, played by Joaquin Phoenix looking like a young mutton-chopped, straw-hatted Neil Young. He’s sort of on the trail of a vanished developer named Wolfmann (Eric Roberts). The detective learns the real estate bigwig has connections to Shasta (Katherine Waterston), the lovely whom Doc said farewell to years before.

For a time, Doc’s nemesis seems to be the furious yet telegenic “Renaissance cop” Bigfoot Bjornsen (Josh Brolin). The way Anderson reveals a friendship between the hippie-hating flattop and the passive stoner is one of the film’s surprises.

Inherent Vice isn’t a lavish recreation of 1970 L.A.; it takes place in cars, offices and other interiors where the walls barely keep out the ambient paranoia. Understanding the way this time-honored genre makes its own gravy, Anderson has Doc knocked cold to wake up somewhere else, and sends strangers into the room holding weapons. Many exotic women turn up to turn Doc around, including bad-girl Shasta, who whips up a memorable sex scene—in the end, what’s more erotic than a woman describing exactly what she wants?

A malign influence on all is a mysterious organization called “the Golden Fang,” perhaps still at large. Inherent Vice is a light film, but it leaves an impression that heavy films can’t.

‘Inherent Vice’ opens Jan. 9 at Summerfield Cinemas, 551 Summerfield Road, Santa Rosa. Special advance show Jan. 8 at 7pm. 707.522.0718.

Funny Pages

I wish to make a complaint. There are exceptions, and I’ll try to name them, but most mainstream media coverage of comics sucks the air out of the room. And this in a time when the lively medium needs all the help it can get.

One of the bigger comic-book-related stories of 2014 was a copy of Action Comics #1 selling for $2.3 million on Ebay. Sadly, the monster price of this issue containing the first adventure of Superman doesn’t trickle down. You-Store-It lockers, crowded with double cellophane-wrapped 1990s hologram collectable covers in varying colors, didn’t rise in value.

Right about the time of the San Diego Comic Con in mid-July came the news that Archie Andrews was going to catch a fatal bullet for defending his gay friend in issue #36 of Life With Archie.

“We will not be retconning [sic], reversing or backtracking on this story,” Archie comics CEO Jon Goldwater told CNN reporter Henry Hanks.

Archie’s death was a side plot to something more exciting: the ongoing walking dead situation in Riverdale in After Life With Archie, a horror title that transports zombie infatuation to the Archie universe. The hell vortex was opened by Sabrina the Teenage Witch, leading ultimately to her possible forced marriage with the Elder God, C’thulu. A huge improvement over Beth Broderick and the taxidermed cat puppet from the Sabrina TV show.

In the meantime, the news kept churning: Batwoman is a lesbian. The Golden Age Green Lantern is gay. Wonder Woman is going to be apparently slightly women-identified (in an upcoming version by comic-book writer Grant Morrison), superhero Miles Morales is now a sometimes Spider-Man, the new Captain America will be the Falcon and ergo African American. And Thor is to be reincarnated as a dumb gurl.

Marvel Comics burned up the feminist goodwill it got from Thor’s sex change by leaking an alarming picture of Spider-Woman in an alternative cover for this fall’s Spider-Woman #1 by Italian cartoonist Milo Manara. The heroine, decked out in a nigh painted-on costume, is posed in a splayed butt-thrust you wouldn’t see outside of the Catwalk Club. “What Is Marvel’s Problem with Women?” shouted the headline in the Hollywood Reporter over this not atypical drawing by Manara.

You can count on ink or pixels any time Superman dies. The aforementioned Morrison recently killed him again, thoroughly and touchingly, in All Star Superman. Incidentally, this was made into an animated film which beats Zack Snyder’s Man of Steel like a red-headed stepson.

Transformation and resurrection are essential to the comic-book legacy and its survival—it’s the Ovid built into them. But comic books—the mainstream ones—require regular attention, not attention grabs. In the opinion of Kris Bartolome, owner of Santa Rosa’s Comics FTW, “One highly acclaimed comic series that doesn’t get enough attention from the rest of the world is Love and Rockets. It’s just really good storytelling, with some of the best characters in comics ever. It really expanded my interests in the medium, and art and storytelling in general.”

There is good regular writing about comics, beyond the parody of the tunnel-visioned fanboys on Tim Chamberlain’s “Our Valued Customers” blog. The Los Angeles Times‘ intrepid “Hero Complex” section gives comics the respect they deserve, as does Scott Mendelson’s comic coverage in Forbes. Various female bloggers who love comics maintain an uproar against the cheesecaking of the classics, as per DC’s tits-and-ass-laden New 52 series, which in 2011 relaunched the company’s entire line of titles. As payback, they get a good deal of squalid, sexually threatening outrage.

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Marvel Comics writer Brian Michael Bendis created a kind of meme—WWCAD?—when in an interview with entertainment news site Vulture.com he said, “You love Captain America? You know what Captain America would never do? Go online anonymously and shit on a girl for having an opinion.”

The comic superstars of today are overshadowed by two writers. Few if any comics have gotten deeper into the psychology of the masked vigilantes, even 30 years after the groundbreaking Watchmen graphic novel came out. The Watchmen‘s prescient creator Alan Moore wrote a comic in 1986 called “In Pictopia” about a city of cartoon characters experiencing gentrification. Playful funny animals and debonair crime fighters were pushed out of their already crowded tenements by masked bruisers, scarcely recognizable in their stubble and Goliath-sized muscles as the kid-friendly swashbucklers of yesterday.

Frank Miller, today a crank responsible for the indescribably low Holy Terror, helped carry out the process Moore was parodying when he revived a dangerous Batman in the mid-1980s. The Dark Knight Returns kept Batman alive, just as the phantasmagorical but occasionally serious-as-cancer 1966 TV show did—now available on Blu-Ray or on delightful MeTV reruns. The show was an urbane joke, but it tended to go into nightmareland and take its audience with it. Frank Gorshin’s flawless imitation of noir idol Richard Widmark wasn’t compromised by a green leotard.

Miller had arresting visual skills, taking the lessons of graphic artist Jim Steranko and Japanese manga in his use of negative space. It’s Miller who may be longer remembered. He not only created and directed the movie Sin City: A Dame to Kill For, but also inadvertently brought us the new Teenage Ninja Mutant Turtles film, created long ago by a pair of fanboys pastiching Miller’s run of Marvel’s Daredevil. (Miller’s ninja “The Hand” becomes “The Foot,” the blind martial arts teacher “Stick” becomes “Splinter”—hey, this stuff writes itself!) Moore, sadly, is secluded from the comics world, coming forth infrequently to castigate a lousy prequelization of his work.

Three guesses as to how I know this. I used to make a stench out of myself, hanging around the comic-book shop near my college campus waiting for the newest X-Men, Daredevil, Peter Bagge’s Neat Stuff and Daniel Clowes’ Eightball. In writing about the various lives and deaths of DC and Marvel’s caped assets, I can never be against the idea of the format, never be blind to its beauty or potential.

“I think it’s subjective whether or not certain genres should be popular,” says Kris Bartolome. “I’ve read a lot of bad superhero comics, but some of the best comics I’ve read were about superheroes. I do wish people were more adventurous with comics, instead of sticking to what they already are familiar with. And I do think what gets an undeserved amount of attention are the marketing gimmicks commonly associated with making comics collectible. I think the focus of comics should always be good storytelling.”

My complaint is this: I want cartoonist Chris Ware’s Building Stories to get the attention Archie’s cadaver got. I want to see urban renewal for Pictopia, a place for autobiographical work, for comedy and the kind of wistfulness that curls up and wilts in any other medium except for words and pictures. I prefer Batman as detective to soldier. I prefer Superman wise and patient instead of angry and emo. I think the purpose of Wonder Woman is to put a brake on human folly—and the folly is rich in so many shoddy cross-media adaptations.

It’s said that only computer games are interactive enough to survive deep into the next century. Such games give the brain a challenge that it’s allegedly not receiving while passively sitting and taking in images. But the reader of comics has work to do—to imagine the leap between panels (as Scott McCloud’s Understanding Comics points out). There is room for the unseen and indescribable in that invisible land. Dumb as the coverage was in this last year, the comic book is an old medium that never gets old.

Family Ties

‘It never occurred to me, when we were doing Next to Normal last year, that we’d be doing it again in the future,” says director Kim Bromley, discussing this month’s resurrection of the critically acclaimed musical drama she helmed last April for Novato Theater Co.

“And now here we are, all together again, getting ready to return to a show we put our hearts and souls into.”

The Pulitzer-winning play, by Brian Yorkey, with music by Tom Kitt, is a rock musical about the power of healing and self-discovery. The story unfolds in a modern American family where the mom, Dianna, is beginning to show symptoms of the illness that once put her on a regimen of psychiatric treatments and medications. Fierce, funny, deeply moving and profoundly intelligent, the play itself is a knockout, and NTC’s production was a huge hit for the company.

When the show closed, Bromley’s directorial radar did not yet indicate that a revival—with the same cast and musical team in place—was on the horizon. Through cast member Anthony Martinez, a frequent artist at Spreckels Performing Arts Center in Rohnert Park, a conversation was begin as to how Next to Normal might be brought north in early 2015.

Fortunately, Bromley and crew had had the foresight to hold on to the set pieces, props and costumes. This is good, since rebuilding designer David Shirk’s gorgeous two-story set from scratch might have been a deal-killer.

“Starting last August, we’ve been getting together once a month or so, just gathering and singing the show through from beginning to end,” explains Bromley. “It’s sort of remarkable, how much of the show everyone remembered after all those months. The cast all still had it in them. Over the next few months, we had a rehearsal with our musical director to go over all the music and another with our choreographer to go over all the dancing, just to keep it all fresh.”

While the goal is to deliver the same show that earned them the remounted production, Bromley points out that the change of venue—from NTC’s relatively intimate space to Spreckels’ much larger theater—will have its own unpredictable effect on the production.

“Under all of the difficulties this family is facing,” notes Bromley, “these are people who truly love each other. Audiences felt that in Novato, and I believe they’re going to fall in love with this family all over again.”

Letters to the Editor: January 7, 2015

Just the Facts

I doubt I’m the first, nor the last, to point out Richard von Busack’s boo-boo in identifying Danny Huston’s character in Big Eyes (“The Eyes Have It,” Dec. 31). Huston played San Francisco Examiner columnist Dick Nolan. Von Busack mistakenly cited James Bacon, longtime columnist for the Los Angeles Herald-Examiner. Not mentioning any names, but some movie reviewers ought to watch the credits before writing about the characters. Just sayin’.

Via Bohemian.com

The Fine Print

This Modern World is one of my favorite features. Now if only it were large enough to read! I’m aware of today’s proclivity for ever-shrinking comics and ever-expanding advertisements, but what you’ve done to Tom Tomorrow is ridiculous! I think the Dec. 31 issue reaches a new low. I have good eyesight and didn’t have to wear reading glasses till I was 60. I can still read without them if necessary. But even with glasses and a magnifying glass, I found it quite difficult to make out This Modern World this time. That’s a shame, because there’s a lot of wit and some information in the cartoon. I’m sure Tom Tomorrow puts a good bit of work into creating it.

May I suggest you put it on a page with narrower ads at the side, thus allowing more room? You can even put it at the back of the Bohemian, if ad-space is cheaper there. There simply has to be a way to give it more space! I’m sure people will find it no matter where you hide it, because others probably feel the way I do!

Let’s face it: your newspaper is crammed with content and to give This Modern World another half-inch of space cannot be all that difficult. Please give our eyes a break!

Sonoma

Editor’s note: Space constraints prevent us from increasing the size of ‘This Modern World,’ and moving it would cause a ripple effect of design changes in the paper.

Cuban American

I read with interest the article on the Cuban food being served at Rumba in Windsor (“Vive Cuba,” Dec. 24). I happen to be an expert on the matter. I’m Cuban and left my beloved island at the age of 11, after the failed Bay of Pigs invasion.

I suspect I was a foodie since birth, as I remember very clearly all the fine food I ate there. Our cook, who left with us, was a superlative Cuban cook, and I enjoyed her fine cooking until her passing. I have eaten it on many continents, and have bemoaned that in the North Bay it was basically non-existent. I remember the Cuban sandwiches in Cuba, Puerto Rico (where we eventually settled) and Miami. It was difficult to achieve perfection, but some eating establishments got it right. Too much mustard, lesser quality bread, mediocre Swiss cheese—it would all detract from a potential top score.

Not sure why Mr. Holbrook took the liberty of deeming the Cuban sandwich “Americanized” and wondering if it would be repatriated back to Cuba. A real Cuban sandwich remains . . . well, Cuban. I’m sure that if the ingredients were abundant, the sandwich would be just as perfect and non-Americanized as it was when I left in ’61. A warm welcome to Rumba Cuban Café!

Sebastopol

Walk in Their Shoes

It’s the Israeli occupation that’s at the root of the Mideast problem. Put yourself in the Palestinians’ situation for a moment. Walk in their shoes with me. For more than 40 years you’ve been occupied by a foreign power with the most powerful military in the region. They seize your country, move in hundreds of thousands of heavily armed settlers and pen you up either in squalid refugee camps or poverty-stricken cities and villages, separated by roadblocks and patrolled by their military with tanks and machine guns.

When they want more of your land, they just take it, and there’s nothing you can do about it, since they control the courts. If you build a new house where they don’t like it, they’ll just bulldoze it. Or if one of your friends or neighbors does something they don’t like, they may bulldoze both his house and yours, as well as everything on your land, with barely enough warning for you to get out before it comes tumbling down around your ears. If they want to cut off your meager drinking water so they have more water for their lawns and swimming pools, they can do it.

If you demonstrate against these injustices, even doing as little as throwing rocks, you may get shot and maimed or killed. They may close your camp or village and surround it with tanks and snipers, cutting off food and medical supplies. If you get sick and need to go to the hospital, that’s too bad. Pregnant and about to deliver? That’s tough. In fact, they may tear down your clinic or use your hospital for target practice. Got kids who need an education? Forget about it. Even if they let the school open, you couldn’t afford it anyway, since you have no money, no job and very little food.

Palo Alto

Write to us at le*****@******an.com.

Eggs with Dregs

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There was a brief, glorious period in my life when I thought I had invented a delicious breakfast dish, which, it turns out, has long existed.

Migas translates from Spanish into “crumbs.” In Portuguese, the word is migalhas. In both countries, “crumbs” are typically made with day-old bread and a varying mix of meat, veggies and seasonings. There’s also a Jewish version that combines old matzo with eggs.

The migas that I thought I had invented is a Tex-Mex dish made with leftover tortilla chips, or tortillas, and eggs, along with regional ingredients like salsa, cheese, beans and avocado.

When my inspiration hit, I was standing in my kitchen, holding a nearly empty bag of corn chips, wondering what to do with them. The chips were all too small for dipping, but I still hated to waste them. Instead of tossing the tortilla crumbs to my deserving hens, I tossed them into a hot pan of bacon and grease.

A few moments later, when the bacon was done to my liking, I tossed in some raw garlic, stirred it around and then poured a couple of beaten eggs into the pan. After a couple of stirs, I turned off the heat, seasoned the dish with salt and pepper, adorned it with salsa, then christened it Eggs with Dregs.

By the time I first saw migas on a menu, in a northern New Mexico restaurant, I had already experimented with the dish several times. I read the menu description of migas with a mixture of disappointment and excitement. The fame I had assumed was coming my way for creating Eggs with Dregs vanished before my eyes, but still I couldn’t wait to taste what this New Mexican cook would do with my recipe.

It wasn’t much different, although being in Northern New Mexico, there was red chile mixed in. And being in a restaurant, whole chips were used, not dregs.

My propensity to experiment with chips and eggs reared its head again on a recent car-camping trip. This foray led to another version of migas that, after a spirited Google search, I feel I can legitimately call my own.

Instead of corn chips, this dish incorporates potato chips—preferably jalapeno cheddar potato chips. All one must remember to do is scramble some eggs and toss in the chips, or the crumbs thereof, when the eggs are nearly done. The outcome depends entirely on the quality of chip and your proficiency at scrambling eggs.

There should be enough oil to thoroughly coat the pan so the eggs float on top when first added. We don’t want eggs touching bare pan, which can lead to them sticking and burning.

Before adding the eggs, you have the opportunity to toss in vegetables or spices, such as chopped garlic, garlic flower sections, asparagus or other egg-friendly goodies. When these are properly done, pour in the beaten eggs.

Let the eggs set up briefly, then give it all one quick stir. If using cheese, add it now. Then add the potato chips, stir again briefly and arrange the eggs in a pile, where they will stay warm, while any remaining gooiness is cooked firm.

Your potato chip migas are ready for consumption. I hope you enjoy them. And if anyone has already heard of this dish, please don’t tell me. Unless the recipe is really interesting.

Hotel Sebastopol?

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A plan is quietly afoot in Sebastopol to build a boutique hotel on what’s now the
site of the Sebastopol Tractor Co.

Local commercial real estate developer Ronald Basso and the Piazza Hospitality Group, which owns the upscale Hotel Healdsburg and h2hotel (and the upcoming h3 Guest House in Healdsburg) have brought in an architect to design a hotel for the site.

If built, the hotel would be located right around the block from another hotel-in-the-works located at the Barlow, an upscale retail complex. The area is a part of town that’s been subject to intense debate over development and the future character of Sebastopol.

Details on the hotel are scant. “We have an idea,” says David Baker, the San Francisco–based architect who designed the Piazza hotel properties in Healdsburg.

Baker says Basso and Circe Sher, Piazza group’s sales and marketing executive, have been laying the groundwork for the proposed hotel, which, he says could house a restaurant, spa, gardens in the spirit of Luther Burbank and perhaps work
space for artists. The property at 6828 Depot St. is 1.13 acres, according to real estate records.

The proposed hotel was news to James Saxson, who owns the 30-year-old tractor business but not the building it’s housed in, which had historically been the site of a lumberyard. Basso owns the building and the lot.

“I haven’t heard a word about that,” says Saxon.

He says Basso’s had the 1940s-era building up for sale “since he’s owned it,” and the asking price is $3 million.

“As much as I’d love to, there isn’t much to talk about at this point,” says Basso. “At this point, everything is very preliminary.”

He says he would like to develop the property, but it’s an open question as to what form that will take. “There’s a desire on my part to develop the property, no question.”

But he says, “You’re way premature on this. Nothing has been submitted, not even as a concept.”

Basso says he is sympathetic to Saxson and his business.

“He’s a small businessman and he’s struggling, and I don’t want him to think he’s getting kicked out next week, before this is even going before the planning commission.”

Northeast Sebastopol is where highways 12 and 116 cut through the town, which provides a useful metaphor for a town at the crossroads. Sebastopol has worked to attract the tourist trade to the advantage of the town’s tax base, while possibly ushering out some of the last of the agricultural services economy in the process.

“The whole farm-support businesses that were out here are gone,” says Saxson. “Ninety percent of what used to be here has disappeared.”

Redevelopment-minded Sebastopol leaders had previously put together the Northeast Area Redevelopment Plan for this part of town, historically the city’s industrial and commercial district. It called for a pedestrian-friendly, mixed-use new neighborhood of 55 acres, with retail outlets, a “civic space” (park) and other developments.

As a candidate for Sebastopol city council in 2010, Basso, who owns numerous commercial properties in town, answered a candidate questionnaire about the plan pretty bluntly: “The Northeast Plan is dead and buried.”

Five years later, it’s not so dead after all—even if the hotel proposal is in its infancy.

“The [hotel] proposal is unformed as yet,” Baker says, “because we’re going to be taking a lot of input from a lot of people. We’re going to ask people, what do they want to see? Sebastopol’s a special place, and people will want to have a voice with what’s going on there.”

Baker hopes to see “workshops on the site” to talk about the proposed hotel, but none has yet been scheduled, and says the immediate task is to talk to the “various stakeholders and get their feedback on it.”

“We’re going to talk to the community first and not just say, ‘We’ve got the money, here’s the plan, if you don’t like it, go away.'”

Last June, city planners put on a workshop devoted to the fate of northeast Sebastopol. Saxson says he wasn’t invited to the workshop, but he went to it anyway. He says he didn’t hear anything about a hotel to replace his tractor store at the workshop, which Basso also attended.

In an email, Sher said she was traveling and unavailable for comment. Sebastopol councilman Robert Jacob did not return a call for comment.

A spokesperson from the firm that represents the Piazza Hospitality Group, Glodow Nead Communications in San Francisco, said she “cannot confirm that this project is connected to the Piazza Hospitality Group.” Pressed, she would only say that Piazza is “investigating” the plan.

Ready to Rock

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This time last year, BottleRock producer Dave Graham and the partners of Latitude 38 Entertainment were in a very different place. Still negotiating the asset purchase of the popular yet financially strapped festival in Napa, Latitude 38 didn’t get a lineup in 2014 until almost April.

This year, the producers of the third annual music, wine and
food festival, which takes place May 29–31, are ahead of the curve, and they have already announced BottleRock 2015’s three-day lineup of big name bands and emerging artists.

Headlining BottleRock Napa Valley this year is chart-topping indie rock band Imagine Dragons, recently reunited alternative megastars No Doubt (pictured) and rock legend Robert Plant.

“We’re not trying to be like any other festival,” says Graham. “The notion of having something for everyone applies to BottleRock. You have bands that gear towards younger crowds as well as the older crowd.”

Imagine Dragons, which includes Forestville native Ben McKee on bass, came out of Las Vegas in 2012 with a succession of hits. No Doubt’s iconic frontwoman Gwen Stefani was recently well-received on NBC’s karaoke competition show,
The Voice. Stefani and the gang are reportedly only performing a handful of dates this year, as is Robert Plant.

“Nuff said,” comments Graham, when asked about Plant. “He’s one of the biggest names in rock and roll history.” (For you kids, Plant sang in some band called Led Zeppelin). “To have him in Napa Valley is going to be so cool,” says Graham.

Joining these diverse headliners are a slew of indie darlings: the Avett Brothers, Foster the People, Cage the Elephant, Capital Cities and Portugal, the Man. Graham is also bringing in a slew of hip-hop acts like Snoop Dogg, Afrolicious and Public Enemy; jazz greats such as Preservation Hall Jazz Band and JJ Grey & Mofo; and international stars like Xavier Rudd & the United Nations and Courtney Barnett.

Graham is especially excited to welcome Michael Franti & Spearhead to BottleRock. “I love their music, but they’re just good people. They stepped it up for Napa after the earthquake and played a fundraising show for free. Napa loves them,” says Graham.

Los Lobos, Gipsy Kings, Young the Giant, AWOLNATION, Trampled by Turtles, American Authors, ZZ Ward, Echosmith, the Chris Robinson Brotherhood, Scott Weiland & the Wildabouts, Brothers Comatose, Knox Hamilton, MoonAlice and many others are already booked. Tickets go on sale Thursday, Jan. 8, at 10am.

No to Walmart

The day has finally come. After five years of public protests, city hall testimonies and lawsuits, the five members of the Rohnert Park City Council will decide next Tuesday whether to allow the corporate colossus that is Walmart to build the first supercenter in the North Bay, and so tighten its grip on the city and the region. Which side will our representatives be on, the people’s or big money’s?

At stake is more than the nominal number of mostly low-wage jobs the supercenter would bring to Rohnert Park and the low prices it would offer the public—two so-called benefits often peddled by supporters of expansion.

These superficial benefits pale in comparison to the retail behemoth’s many well-documented negative economic, environmental and fiscal impacts on its host communities and beyond. To name a few:

• A supercenter will undermine local agriculture due to Walmart’s reliance on distant factory farms for its meat, dairy products, fruits and vegetables.

• A supercenter’s supply chain and operations, of which only a tiny percentage would come from clean energy sources, will thus increase greenhouse gas emissions and reduce air quality in the region.

• Walmart’s low prices are based on low employee compensation, which forces competitors to also slash wages and benefits.

• For every new job created by a supercenter, 1.4 jobs are lost elsewhere in the county’s grocery and retail sectors.

• Each new supercenter with 300 employees costs the taxpayers nearly $1 million annually in food stamps, rental assistance, Medicaid and other state-subsidized healthcare services.

If Black Friday protests at Walmart’s Rohnert Park store over the last three years are any indication, the number of North Bay residents aware of the retail giant’s role in the national—and global—race to the bottom is growing. If you’re among these folks, council members need to hear from you Jan. 13 at 5pm. We’ll save you a spot.

Luis Santoyo-Mejía is lead organizer of North Bay Jobs with Justice.

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Debriefer: January 7, 2015

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MADE FROM SCRATCH

The French Laundry restaurant has teamed up with California Lottery in what’s got to be one of the tastiest promotions ever. At stake: a dinner for two at the estimable and wickedly high-end Yountville restaurant, and a two-night stay at the nearby Napa Valley Lodge. Lots of wine and Champagne too.

So how do you participate in this “Ultimate Foodie” contest, which runs through the end of the month?

According to a release from the California Lottery, it’s pretty simple.

Go buy an Emerald 10’s scratch-off, take a picture of yourself with the ticket and then “send us that photo with the best caption you’ve ever written telling us who you’d share this exceptional dinner with and why.”

You’ve got a 500-character limit to convince the lottery that you’ve earned this 18-course tasting menu dinner. But here’s the thing we have to mention. State lotteries have long been criticized because of the income demographic of the typical scratch-off buyer; lottery tickets are generally the poor-man’s gamble. It would be great if a couple of lesser means won this dinner, but we suspect a run on the $10 Emerald 10’s from all economic quarters this month, which is probably part of the idea.

The Lottery will pick a winner by Valentine’s Day.

The California Lottery brags that it is a $5 billion operation, and “one of the few state agencies that is a revenue generator,” and, yes, sales from scratch-offs go to fund schools and other wholesome things.

RUMI WITH A VIEW

Want to fight climate change while listening to the poetry of Rumi and other mystics? Well, who doesn’t?

 Mark you calendar and get set for the return of Rumi’s Caravan. The rolling poetry ensemble, made up of poets from around the Bay Area, is coming to Santa Rosa Feb. 7 for a day of poetry and a Persian eats throwdown at the Glaser Center in Santa Rosa. The event even includes live music and whirling dervish dancers.

All proceeds go to benefit the Santa Rosa–based Center for Climate Protection.

DOWN & OUT IN SANTA ROSA

Downtown Santa Rosa has a significant presence of homeless persons, no question about it. The morning scene in front of Peet’s on Fourth Street, the homeless who hang around the library—there’s a down-and-out, naked-city feel to these streets, and you don’t have to cock too much of an ear to hear the grumblings from local business owners about the situation.

Santa Rosa Chamber of Commerce president and CEO Jonathon Coe sent around an email late last week to businesses in and around Downtown Santa Rosa. He writes, “During our meeting with many of you to discuss issues facing downtown as well as in the surveys we conducted, the topic of homelessness was mentioned a great deal.”

As the Bohemian was going to press on Jan. 6, the Santa Rosa City Council was meeting to discuss the issue, and what might be done about it.

What indeed. There’s a report from Santa Rosa city officials in the offing. We’ll keep you posted.

BottleRock Napa Valley 2015 Festival Lineup Announced

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1501.Music.NoDoubt
This time last year, BottleRock producer Dave Graham and the partners of Latitude 38 Entertainment were in a very different place. Still negotiating the asset purchase of the popular yet financially strapped festival in Napa, Latitude 38 didn’t get a lineup in 2014 until almost April. This year, the producers of the third annual music, wine and food festival, which takes place May 29–31, are ahead of the curve, and they have already announced BottleRock 2015’s three-day lineup of big name bands and emerging artists.
Chart-topping indie rock band Imagine Dragons, alternative megastars No Doubt and rock legend Robert Plant will be headlining BottleRock Napa Valley 2015.
“We’re not trying to be like any other festival,” says Graham. “The notion of having something for everyone applies to BottleRock. You have bands that gear towards younger crowds as well as the older crowd.”
Imagine Dragons, which includes Forestville native Ben McKee on bass, emerged out of Las Vegas in 2012 with a succession of hits. No Doubt’s iconic front woman Gwen Stefani was recently well received on NBC’s karaoke competition show, The Voice. Stefani and the gang are reportedly only performing a handful of dates this year, as is Robert Plant.
“Nuff said,” comments Graham, when asked about Plant. “He’s one of the biggest names in rock and roll history.” (For you kids, Plant sang in some band called Led Zeppelin). “To have him in Napa Valley is going to be so cool,” says Graham.
Joining these diverse headliners are a slew of indie darlings; the Avett Brothers, Passion Pit, Foster the People, Cage the Elephant, Capital Cities and Portugal, the Man. Graham is also bringing in a slew of hip-hop acts like Snoop Dogg, Afrolicious and Public Enemy; jazz greats such as Preservation Hall Jazz Band and JJ Grey & Mofo; and international stars like Xavier Rudd & the United Nations and Courtney Barnett.
Graham is especially excited to welcome Michael Franti & Spearhead to BottleRock. “I love their music, but they’re just good people. They stepped it up for Napa after the earthquake and played a fundraising show for free. Napa loves them,” says Graham.
The rest of the lineup includes Gipsy Kings, Young the Giant,  AWOLNATION,  American Authors, Trampled By Turtles, Los Lobos, The Chris Robinson Brotherhood, ZZ Ward, Echosmith, Brett Dennen, Scott Weiland & the Wildabouts, Lettuce, Los Amigos Invisibles, Aer, The Mowglis, Kopecky, Big Talk, Tristan Prettyman, People Under the Stairs, Vacationer, The Brothers Comatose, Knox Hamilton, The Last Internationale, Zella Day, Finish Ticket, Sister Sparrow & The Dirty Birds, Ryan Sims Band, The London Souls, MoonAlice, Grizfolk, Black English, Wild Ones, The Record Company, Kawehi, Emily Wolfe, Afrolicious, Con Brio, Wildlife Control, Sneakout, Transfer, Battle Tapes, The Trims, Fritz Montana, The Frail, Eagle Wolf Snake, Matt Moon, Sielle, The Iron Heart, The Bad Jones, Silverado Pickups, The Deadlies, grass child, Pion 2 Zion, Walsh, Napa Crossroads Live featuring: David Pack of Ambrosia, John Elefante of Kansas, Bill Champlin formerly of Chicago, Jim Peterik founding member of Survivor.
Tickets go on sale Thursday, Jan. 8, at 10am.

Inherently Good

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BottleRock Napa Valley 2015 Festival Lineup Announced

This time last year, BottleRock producer Dave Graham and the partners of Latitude 38 Entertainment were in a very different place. Still negotiating the asset purchase of the popular yet financially strapped festival in Napa, Latitude 38 didn’t get a lineup in 2014 until almost April. This year, the producers of the third annual music, wine and food festival,...
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