Let’s Be Clear

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When it comes to discussing water in the North Bay, the conversation couldn’t be more polarized.

Either you support the struggling salmon in our creeks and point your finger at the vineyards dotting the landscape, or you support our agriculture and adamantly object to any suggestion that the wine industry’s treatment of the environment is anything less than exemplary. This fractured conversation has been stuck on replay for decades and has festered into a lack of trust, a lack of transparency and a lack of productive work toward a sustainable water future.

The dearth of data on our water resources has allowed this unproductive dialogue to persist. When we don’t know how much water is in our creeks and aquifers, and when we don’t know how much water is being used to support people and to irrigate vineyards, it is equally easy and equally pointless to argue that the impact is huge or that the impact is minimal. We can argue all day long, but when wells remain unmetered and comprehensive studies of our watersheds have not been done, no progress can be made.

So how do we move forward? First, we must remove the veil of secrecy. Residents and the wine industry alike need to disclose how much water they are using and from what sources. This is basic information we need in order to properly manage our water resources. Second, we need comprehensive monitoring and modeling studies of all of our watersheds. These studies should provide estimates of groundwater recharge, stream/aquifer connectivity and both residential and agricultural water use. These studies can then provide the basis for conducting water-availability analyses whenever permits are requested for new residential, vineyard or winery development.

So since everyone has a right to know how much water is being recharged and withdrawn from the aquifers we all share, let’s call for transparency and urge our county and state governments to develop comprehensive watershed models and integrate them into the land-use planning process.

Jeremy Kobor is a hydrogeologist from Sebastopol.

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Mild in the Streets

Director Crystal Moselle was on the street in Manhattan one day when she encountered the Angulo siblings, a group of long-haired, teenage boys dressed like Reservoir Dogs characters, in black suits and sunglasses.

Over the course of four and a half years, Moselle got to know the boys and their mother, the gentle Suzanne, a reticent woman from Michigan who was homeschooling her sons out of the apartment building where they lived. Moselle learned of the Angulo’s bizarre history. Their Peruvian father, Oscar, is an ex–Hare Krishna who gave his seven sons names from the Hindu religion. Oscar refused to let them leave the house, sometimes for a year at a time.

One question the film doesn’t answer is why a religious maniac would allow movies into his home, when the power of cinema to mold and change people should be apparent even to the most blinkered New Ager. The boys got their views of the world watching Tarantino, the Halloween series and Christopher Nolan. Besotted, these captives recreated the films as best they could with cardboard sets and duct-tape costumes.

Moselle doesn’t identify the boys every time, and since they’re born a year or so apart and have similar mannerisms, we do get a sense of them being a pack—a pack of playful puppies. Any actual violence between the cooped-up teens is kept offscreen, as is the commented-upon violence between Oscar and Suzanne. It’s clear that discretion was the price of Moselle’s access.

The director’s camera feasts on the unselfconscious male beauty of these adolescents. The film has great goofy charm during a trip to Coney Island. But there’s an element of manipulation in the way Moselle frames this family history—in essence, a story of appalling child abuse—as a tale of success, complete with a happy ending down on the farm.

‘The Wolfpack’ is available on-demand from Vudu and Amazon.

Furrowed Brau

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When UC Davis–trained brewer Kevin Robinson left a brewing job at San Francisco’s Speakeasy to work at a St. Helena winery, he aimed to learn more about using wine barrels, which were becoming increasingly important in the craft-brew business. But he found a key insight for his current business a little further down the bottling line: wine has a better presentation than beer.

“I mean, literally,” says Robinson, “some of the best beers in the world have cartoons on them.” So he designed the packaging for his Belgian-inspired Divine Brewing beers (“Vintner’s Brew,” April 4, 2012) so that they’d look good on a white tablecloth, and they’re only sold in bottles through distributors that regularly deal in wine.

While his Divine beers may hold a nose to the firmament, Robinson’s newer Plow Brewing Company is squarely planted in terra firma. Plow beers, canned on-site at the Santa Rosa taproom, are meant to be plunked on a rusty workbench, says Robinson.

A tour of Robinson’s brewery reveals that it’s almost as much workbench as brewery. His mash tun, for instance (where cracked barley is steeped in hot water to release its sugar content), is an ingeniously converted self-dumping hopper. His fermenters are dinged-up old dairy tanks. And the heat exchanger is a hand-me-down from a Gatorade plant. A tinkerer and fix-it guy, Robinson got all of these to work for his purposes.

Waiting in the corner is his surprise salvage score: Russian River Brewing Company’s former 50-barrel brewing setup, which was, in turn, purchased from Delaware’s Dogfish Head Brewery. Robinson says he knows how to optimize the old tanks: after all, he operated the setup as a brewer for Russian River Brewing for three years.

Plow Brewing Company is a 15-barrel brewhouse that opened in April. Optimistically, Robinson installed 12 taps in his spartan, darkly detailed taproom in northwest Santa Rosa. Bar stools are black-painted tractor seats; farming implements hang from the walls.

Currently, he’s got just three taps open. Beers are also available off-sale: Belgian-style Divine beers by the 750ml bottle, Plow pilsner and double IPA in 32-ounce cans, custom-filled to order and sealed with a modified beer-canning system developed by Colorado’s Oskar Blues Brewery.

Now, all he needs are those barrels.

Plow Brewing Company, 3334 Industrial Drive, Santa Rosa. Open Monday–Friday, 4–8pm; Saturday–Sunday, 2–7pm. 707.843.4583.

Last Hurrahs

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Some sad news came to the Napa Valley Opera House this month when City Winery officially announced it would be leaving the historic downtown Napa space at the end of this year. Apparently, the venue has simply failed to sell enough tickets despite booking popular headliners.

The only silver lining is that City Winery will continue to offer a full slate of concerts up until Dec. 31, and this weekend is a prime example of their eclectic quality bookings. The venue’s week starts with surfer-turned-songwriter Donavon Frankenreiter appearing on Thursday, Sept. 17, with opener Peter Harper. Frankenreiter’s new album, Start Livin’, is a joyful call for simplicity, and drips with the singer’s thickly sweet vocals and intimate folk guitar.

Friday, Sept. 18, a songwriter of another color performs, in Deer Tick frontman John McCauley (pictured). The Rhode Island native’s introspective style has set a high bar for alt-country artists everywhere, not only through his work with Deer Tick, but through his many acclaimed collaborative projects like Middle Brother and Diamond Rugs.

As if that wasn’t enough, the weekend also sees former Hüsker Dü frontman Bob Mould playing an early “solo electric” show that will feature new songs, old favorites and a few surprises, on Saturday, Sept. 19.

City Winery, 1030 Main St., Napa. 707.260.1600.

Gastro Station

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Pub grub . . . bar bites . . . tavern
trayf . . . There are only so many ways to generalize about the eats you’ll find at your typical beer joint.

There’s nothing wrong with pulling up to the stool at Dino’s Dive to be greeted with a Bud and a choice from the usuals: burgers and wings, potato skins gloopy with the cheddar, the mozzarella-marinara dippity-doo-dah routine, maybe some stuffed mushrooms or a cuppa that greasy turkey soup. You know the score.

Well, the Mill Valley Beerworks gives the slip to those saloon-slop conventions. It’s a low-lit and sleekly publike place on the quieter end of Throckmorton Avenue, in Mill Valley, that splits the difference between pleasuring a haute-hops scene and embracing Marin County’s convivial kickback sensibility.

There’s a burger on the menu, but I have a feeling Beerworks doesn’t necessarily want you to order it. See, the Beerworks bacon-cheeseburger is going to set you back $18—pricey!—and represents the only gesture in the direction of pub-grub.

Oh, it’s pleasing, don’t get me wrong. There’s a slab of bacon to chew on, a sharp slather of aioli dressing, a pleasantly greasy brioche bun. Order the burger and you’ll be hard-pressed to work through half the fries in front of you. Especially after you’ve just taken a tour through half the items on the small-plates menu—which are anything but small.

Let’s just dive right in. A crisp, cool salad, the Little Gem caesar ($12), features romaine fronds and thin ribbons of kale and romaine in a toss brought to crunchy pleasure with seasoned breadcrumbs. This was shareable for two and with a slightly redolent backbite of anchovy, bespeaking caesarian authenticity.

Then on to a wooden bowl of wee mussels brimming in a fennel and garlic broth ($12). The mussels were firm, plump and clean—nary a grain of sand or off-flavor bivalve in the mix—and the rich, slippery broth was made for slurping, spooning or otherwise sopping with hearty hunks of levain toast. A classic.

If you had to pick a small-plate comparison dish with which to compare the burger, it would be the maitake mushroom toast ($14). It’s a signature item, a heap of thinly sliced, char-flavored mushrooms over toast with some ricotta and beet greens. It’s meaty like the burger, yet suitable for vegetarians.

And then there was the burrata. The burrata ($10) is an oozy dollop of made-from-mozzarella soft cheese, here served with coins of marinated beet root, red quinoa, and sesame and poppy seeds. The numerously noncompeting textures and flavors conspired to win this dish the most points for complexity.

Off the mains, we had to try the halibut. A little pricey at $28, given the diminutive filet, an iron-shaped offering roasted to golden-brown goodness and served over shelling beans and heirloom tidbits of broccoli di cicco.

There’s a starters menu at the Beerworks—and, no, you aren’t going to be able to order fries and be done with it. Try a couple of cheese choices ($7 each). The Wabash Cannonball was a soft, round wad of goat cheese served with peach jam. The cheese was rich without being overly goaty. The Smokey Blue, from Rogue Creamery in Oregon, was the standout choice between the two—smoked over hazelnuts and served with a half fig.

Beerworks is basically a sister restaurant of the new Fort Point Beer Company, founded in 2014 in San Francisco by some young cats, and the menu offers options from the house selection and from guest brewers. Two of the owners had previously opened the Beerworks in 2010.

The four-beer sampler for $12 is a good deal and better still for Beerworks’ restraint in the department of suggested “beer pairings.” That’s kind of a twee gesture that has no place in a pub, even a gastro-pub like Beerworks.

I stayed with the house brews. Fort Point’s KSA holds up the light-and-satisfying-ale end of the deal. The St. Francis Belgian offered subtle and nearly metaphysical undertones of molasses, as advertised; by contrast, the Treble Hook rye was sharp and pointed—like its namesake says it ought to be. Beerworks Black was stoutlike and delivered on promised notes of toffee.

You’re wondering about service and the general vibe here? My guest and I arrived at Beerworks at 8pm and perched at a two-top in the front window, where we could overlook Throckmorton and the Beerworks crowd. There was a full house when we got there, and a full house when we waddled out around 10:30.

And it was mostly the same full house. In that time I saw a total of one group exit the restaurant. Our waitress confirmed that Beerworks has staying power in spades. You’ll want to linger.

The night wore on and we lingered over port and dessert. A dark chocolate torte ($8) for me; for my friend, a dollop of elderflower mascarpone ($8) over sliced melon, rendered sushi-roll style. The mild, creamy mascarpone only served to remind us of the burrata.

We lingered some more and on the way out the door, the crew fired up some music: Karen O of the Yeah Yeah Yeah’s singing that great song, you know the one.

It was the perfect accompaniment to dance out the door to as we spilled into the cool Marin night: “Wait!! They don’t love you like I do! Wait!!”

Mill Valley Beerworks, 173 Throckmorton Ave., Mill Valley. 415.888.8218

Letters to the Editor: September 16, 2015

Fade Away

Steve Heilig’s “Burn Out” (Open Mic, Sept. 2) is a thinly veiled attempt to disguise his contempt for Burning Man with a critique of the carbon footprint of the event. Although I have never been to Burning Man, I can appreciate the artistic and cultural values that it nourishes, and can even imagine that future events could focus on innovative ideas for climate action. Canceling the event is the opposite of radical. We need opportunities to learn from each other and how to work together. That will add to our carbon footprint in the short term, in the same way that traveling to a climate-change conference also adds to carbon emissions, but the alternative is more polarization and fewer solutions.

Let’s focus on solutions that will make a real difference, such as using renewable energy instead of fossil fuels, rather than trying to pick apart such an insignificant contributor to emissions as Burning Man.

Occidental

After living up here in Sonoma Valley these past two years, I have come to understand this area is no different than any other small town in Middle America. Small town, small minds.

I could bitch about the stupid little arguments over a drive-though restaurant, leaf blowers, whether dogs should be allowed to hike with their owners or the one lady who wanted more tickets written to all the so-called dangerous bike riders. I have to stop and remind myself: this is what people worry about in small towns while the walls of the world cave in all around them.

No, I am more pissed off about the “radical” idea that Burning Man should take a year off because of all the pollution from the traveling to and back. I don’t care one way or the other about BM, but that’s a radical idea? I’m so tired of people with too much time on their hands, who think they know better telling others what to do. Here’s a radical idea: stop polluting the world’s water. What’s the point of worrying if we have enough or not when we allow the dumping of our waste into our greatest resource? Radical idea? What are we going to do about the islands of trash, several larger than the size of Texas, floating aimlessly around the oceans?

Worried about serious emissions? Stop eating meat. That ain’t too hard. The raising and transporting of beef is one of our greatest polluters. And then you won’t have any drive-through issues either! Ha!

Sonoma Valley

Steve Heilig condemns Burning Man for its supposedly horrible environmental impact, yet admits that 87 percent of the greenhouse gases generated stem from travel to and from the event. If Burning Man were canceled next year, as Heilig suggests, does he think those 70,000 playful adventurers would all stay home for the holiday weekend? Really?

If Heilig means to suggest that the time has come to cease all recreational travel due to global warming, then he should say so. But to single Burning Man out from all the other carbon-intensive leisure activities people still eagerly pursue makes no rational sense, and sounds a bit like sour grapes.

Healdsburg

Write to us at le*****@******an.com.

Films al Fresco

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Making the most of the picturesque Sonoma Valley, the Wine Country Film Festival returns for a 29th year of independent and major studio films sharing the spotlight in Glen Ellen and Kenwood, Sept. 16–21.

The festival offers a high-quality al fresco setting at Deerfield Ranch Winery to screen the biggest films of the week, complete with VIP tables and wine service. Under the stars, you can see the upcoming Nancy Meyers–directed comedy The Intern, which pairs Robert De Niro and Anne Hathaway. The twist? He’s the intern and she’s the boss. Spoiler alert: they become friends and both learn a little something about themselves along the way.

Also showing outdoors is the documentary Poet of Havana, which explores the life of Carlos Varela, a poet and songwriter instrumental in the Cuban revolution. Director Ron Chapman will be on hand for that showing, as will many other filmmakers and producers, as they introduce and discuss their works at several of the screenings.

Other festival highlights include Paulo Coelho’s Best Story, the dramatic retelling of the Brazilian author’s journey from troubled youth to influential figure, and the in-depth documentary Steve McQueen: The Man &
Le Mans
, which chronicles the actor’s dream-turned-obsession of racecar driving.

Wine Country Film Festival runs from Wednesday, Sept. 16, through Monday,
Sept. 21, in various locations throughout Glen Ellen and Kenwood. $25 and up. Residents of Sonoma and Napa counties are eligible for a local pass, good for all regular screenings. Info and schedule at wcff.us.

A Year in Beer

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October

Oct. 3 Cloverdale Oktoberfest. 707.328.2147.

Oct. 2–4 Sonoma County
Harvest Fair. harvestfair.org.

Oct. 10 Cotati Oktoberfest. 707.795.5508.

Oct. 17 Biketoberfest in Fairfax. biketoberfestmarin.com.

Oct. 31 Russian River
Brewing Co. Halloween Party. 745 Fourth St., Santa Rosa. 707.545.BEER (2337).

November

Nov. 27 Fairfax’s Iron Springs Pub and Brewery releases winter four packs (2015 Winterscotch, Chardonnay Barrel Aged 10 Years Strong, 2014 Quad, and the coffee-infused Mark Twain’s Summer Ale). 765 Center Blvd., Fairfax. 415.485.1005. Ironspringspub.com.

November, Henhouse Brewing Co. releases it Belgian Style Golden Ale. In**@*************ng.com.

December

Dec. 14 Third Street AleWorks releases it 2014 Brass Parachute Barleywine. 610 Third St., Santa Rosa. 707.523.3060.

Dec. 19 Baeltane Brewing’s Third Anniversary and Winter Solstice Party. 401-B Bel Marin Keys Blvd., Novato. 415.883.2040.

Dec. 31 Fogbelt Brewing Co. New Year’s Eve Celebration. fogbeltbrewing.com

January

Jan. 22 Third Street AleWorks releases its Double Standard Double IPA. 610 Third St., Santa Rosa. 707.523.3060.

Jan. 30–31 RateBeer Best Beer Festival. More than 40 breweries from around the world will be pouring their stuff. Ratebeerbest.com.

January Henhouse Brewing Co. releases it Big Chicken, a bold Double IPA. In**@*************ng.com

February

Feb. 5 Russian RiverBrewing Co.’s Pliny the Younger released. Get in line now. 745 Fourth St., Santa Rosa. 707.545.BEER (2337).

Feb. 13 Fogbelt Brewing Co. anniversary celebration and seasonal beer release. Fogbeltbrewing.com

Feb. 27 Sonoma County Beer, Cider & Spirits Conference. The event is full, but there is a wait list. Contact the Sonoma County Economic Development Board at 707.565.7170.

.

March

March 8 Third Street AleWorks 20-year anniversary party. 610 Third St., Santa Rosa. 707.523.3060.

March 17 St. Patrick’s Day at a pub near you. Duh.

Mid-March Fairfax Beer Festival. fairfaxbrewfest.com.

March 28 Battle of the Brews, Sonoma County Fairgrounds. Battleofthebrews.com.

April

April 1 North Bay breweries deliver cases of free beer to ‘Bohemian’ offices.

April 30 Pagan party at Baeltane Brewing to mark the arrival of spring. And beer. 401-B Bel Marin Keys Blvd., Novato. 415.883.2040.

April Tentative opening of Henhouse Brewing Co’s new Santa Rosa Taproom. In**@*************ng.com.

May

Late May Rohnert Park Craft Beer Festival, Sonoma Mountain Village Event Center. Rpcraftbeerfest.org.

Late May Sonoma County Home Brewer’s Competition, Petaluma. petalumadowntown.com/schbc.html.

June

Early June Beerfest, the Good One, Wells Fargo Center, Santa Rosa. beerfestthegoodone.com.

June 18 California Beer Festival, Stafford Park, Novato. californiabeerfestival.com/marin.

July

Early July The Breastfest Beer Festival, Marin Center, San Rafael. Fundraiser featuring beer from over 40 of the best California breweries to support the Charlotte Maxwell Complementary Clinic, a state-licensed nonprofit offering alternative medical treatments for low-income women diagnosed with cancer. thebreastfest.org.

August

Mid-August Ales for ALS. Top North Bay brewers join forces and craft distinct beers that all share the same hop profile, specifically for this event, which raises funds to fight Lou Gehrig’s disease. alesforals.com.

Mid-August Lagunitas Beer Circus, Petaluma Fairgrounds, Petaluma. lagunitas.com/beercircus.

September

Mid-September Petaluma River Craft Beer Festival. Over a dozen North Bay brewers set up shop on the riverfront walkway, with live music and more. petalumarivercraftbeerfest.org.

Mid-September Napa Valley BBQ & Beer Battle, Napa Valley Marriott, Napa. nvef.org/events/napa-valley-bbq-beer.

Mid-September Beer in the Plaza, Healdsburg Plaza, Healdsburg. sihealdsburg.org/beerintheplaza.html.

Enter Stage Left

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There was once a tiny theater tucked into a corner of the Luther Burbank Center, at the northernmost edge of Santa Rosa. From the way people talk about it today, it’s hard to believe such a place was ever real.

Though the space is gone, replaced almost 10 years ago by offices and storage space at the center—since renamed the Wells Fargo Center for the Arts—the shows that were performed at Actors Theatre during its mighty reign have lingered in the memories of North Bay theater fans and artists. Some of those productions—Tom Stoppard’s Arcadia, Tony Kushner’s Angels in America, Joan Ackermann’s Off the Map—have become the stuff of local-theater legend.

“It was an amazing time, and the best artists in the area did great work there,” says Argo Thompson, who joined the company after its foundation, and served as artistic director of Actors Theatre from 1997 to 2005. “It changed the scene completely, proving that when groundbreaking theater is being done by first-rate artists, people will make the effort to come see it.”

Actors Theatre soon earned such a stellar reputation that audiences from as far away as Berkeley and San Francisco would make the drive to Santa Rosa to see what was happening. Thompson was there when the company—formerly a breakaway from the long-established Santa Rosa Players—rejoined to create the 6th Street Playhouse, folding both companies into one under the 6th Street banner. After serving as executive director of 6th Street for three years, a reorganization of management effectively ended Thompson’s participation in the North Bay theater scene for the next decade.

Thompson has finally reentered the scene with Left Edge Theatre, a brand-new company in Santa Rosa, performing its first season of shows within a few hundred feet of where the original Actors Theater once stood. Beginning with David Lindsay-Abaire’s Good People, Left Edge Theatre has officially landed at the Wells Fargo Center, where two resident theater companies, Roustabout Theater and North Bay Stage, also operate.

“We have a strong season of four great shows to kick this off,” says Thompson. “Once we make it through this first year, we will see what happens next, but my goal is to establish Left Edge as a professional theater company. The best thing for building an audience for theater is having good theater available. So that, more than anything, is our goal.”

Album Review: Katie Phillips “Killer” EP

phillips
Recorded last Valentine’s Day and released last month, the five-song “Killer” EP from Santa Rosa singer-songwriter Katie Phillips is strong. From the easy, muted strumming to Phillips’ fearless voice, this largely acoustic Americana rock offering is potent with stirring melodies and memorable hooks.
One third of local band the Bootleg Honeys (who perform this weekend at the American Roots Music Festival), Phillips says she takes influence from Karen Carpenter and Led Zeppelin, though on this new collection there’s plenty of other artists that come to mind, like John Mellencamp and Fiona Apple. Joining Phillips on the record is drummer and producer Mark Tarlton, who also provided the studio space in his Sonoma location.
For me, the best track is “Baby Blue,” which builds with a driving rhythm and features a powerful conclusion. “Hobo” is also an interesting turn, finding Phillips singing nearly a capella while Tarlton’s drums underscore her vocals like a roots rock chant, or a chain gang hymn. In fact, each track on the EP is a solid, confident outing that encourages repeat listens. Sample the EP below and see Phillips and Tarlton play as the Katie Phillips Duo on Friday, Sept 18, at Pub Republic, 3120 Lakeville Hwy, Petaluma.

Let’s Be Clear

When it comes to discussing water in the North Bay, the conversation couldn't be more polarized. Either you support the struggling salmon in our creeks and point your finger at the vineyards dotting the landscape, or you support our agriculture and adamantly object to any suggestion that the wine industry's treatment of the environment is anything less than exemplary. This...

Mild in the Streets

Director Crystal Moselle was on the street in Manhattan one day when she encountered the Angulo siblings, a group of long-haired, teenage boys dressed like Reservoir Dogs characters, in black suits and sunglasses. Over the course of four and a half years, Moselle got to know the boys and their mother, the gentle Suzanne, a reticent woman from Michigan who...

Furrowed Brau

When UC Davis–trained brewer Kevin Robinson left a brewing job at San Francisco's Speakeasy to work at a St. Helena winery, he aimed to learn more about using wine barrels, which were becoming increasingly important in the craft-brew business. But he found a key insight for his current business a little further down the bottling line: wine has a...

Last Hurrahs

Some sad news came to the Napa Valley Opera House this month when City Winery officially announced it would be leaving the historic downtown Napa space at the end of this year. Apparently, the venue has simply failed to sell enough tickets despite booking popular headliners. The only silver lining is that City Winery will continue to offer a full...

Gastro Station

Pub grub . . . bar bites . . . tavern trayf . . . There are only so many ways to generalize about the eats you'll find at your typical beer joint. There's nothing wrong with pulling up to the stool at Dino's Dive to be greeted with a Bud and a choice from the usuals: burgers and wings,...

Letters to the Editor: September 16, 2015

Fade Away Steve Heilig's "Burn Out" (Open Mic, Sept. 2) is a thinly veiled attempt to disguise his contempt for Burning Man with a critique of the carbon footprint of the event. Although I have never been to Burning Man, I can appreciate the artistic and cultural values that it nourishes, and can even imagine that future events could focus...

Films al Fresco

Making the most of the picturesque Sonoma Valley, the Wine Country Film Festival returns for a 29th year of independent and major studio films sharing the spotlight in Glen Ellen and Kenwood, Sept. 16–21. The festival offers a high-quality al fresco setting at Deerfield Ranch Winery to screen the biggest films of the week, complete with VIP tables and wine...

A Year in Beer

October Oct. 3 Cloverdale Oktoberfest. 707.328.2147. Oct. 2–4 Sonoma County Harvest Fair. harvestfair.org. Oct. 10 Cotati Oktoberfest. 707.795.5508. Oct. 17 Biketoberfest in Fairfax. biketoberfestmarin.com. Oct. 31 Russian River Brewing Co. Halloween Party. 745 Fourth St., Santa Rosa. 707.545.BEER (2337). November Nov. 27 Fairfax's Iron Springs Pub and Brewery releases winter four packs (2015 Winterscotch, Chardonnay Barrel Aged 10 Years Strong, 2014 Quad, and the coffee-infused Mark...

Enter Stage Left

There was once a tiny theater tucked into a corner of the Luther Burbank Center, at the northernmost edge of Santa Rosa. From the way people talk about it today, it's hard to believe such a place was ever real. Though the space is gone, replaced almost 10 years ago by offices and storage space at the center—since renamed the...

Album Review: Katie Phillips “Killer” EP

Recorded last Valentine's Day and released last month, the five-song "Killer" EP from Santa Rosa singer-songwriter Katie Phillips is strong. From the easy, muted strumming to Phillips' fearless voice, this largely acoustic Americana rock offering is potent with stirring melodies and memorable hooks. One third of local band the Bootleg Honeys (who perform this weekend at the American Roots Music...
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