As High-Profile Policing Stories Pile Up, Santa Rosa PD Still on Fence over “Cops” Contract

A spokesman at the Santa Rosa Police Department says the agency has not yet decided whether it will sign off on a contract with Langley Productions, the Santa Monica–based company that produces the controversial reality-show Cops.

“We are still evaluating the proposed contract,” says Captain Rainer J. Navarro via email. “As soon as we have an answer one way or the other, we will provide that information to the press.”

Langley Productions approached SCSO and SRPD back in January about signing on with the 31-year-old program, decreed by the criminal-justice news-site the Marshall Project that same month as the most polarizing reality show in America. The Sheriff’s Office signed on with Langley Productions, but SRPD did not, even as local news outlets blared with the news that SCSO and SRPD would be rolling with the TV crews, complete with the requisite and repeated cueing of the Bad Boys theme. 

Based on interviews with elected city officials, it was anticipated that SRPD Chief Hank Schreeder would have made a decision by the end of last week. City officials told the Bohemian two weeks ago that he was doing his “due diligence” and meeting with individual members of the City Council and taking the pulse of the community before he made a decision.

The Bohemian has a records request in with Sonoma County to ascertain the range and extent of SCSO’s communication with county officials or before Sheriff Rob Giordano signed the Cops contract in March.

In the meantime, days after the Cops films crews started following around swing-shift deputies with the Sonoma County Sheriff’s Office, a man died after SCSO deputies detained him in a City of Sonoma mobile-home park, on March 28 at around 10 p.m.

The “fatal incident protocol” at SCSO requires the department to hand off the investigation of the man’s death to the SRPD, which issued a statement on March 29 detailing the incident and what would happen next. 

Forty-four year old Roderic Cameron was naked and smashing streetlights at the Sonoma Oaks Mobile Home Park. The City of Sonoma has a contract with SCSO to provide police manpower there.

The SRPD statement said that the suspect was Tasered and that “maximum restraints were used to detain Cameron,” who went into a medical crisis after being detained with a cord around his ankles, according to a report in the Press Democrat.

After being treated by deputies and paramedics on the scene, Cameron was rushed to Sonoma Valley Hospital and pronounced dead.

Neither the SCSO or SRPD, or the producers of Cops, responded to inquiries sent last week about whether the Cops crews were on hand during the fatal incident, which led to the administrative suspension of several SCSO deputies and the independent investigation by SRPD, which is ongoing. 

Whether the Cops film crews were there or not, the Sonoma incident has served to underscore a longstanding critique of Cops that it has historically depicted a biased view of policing that emphasizes the public-relations benefit for local police forces that sign on to the program—without addressing some of the systemic issues around police bias that plague departments across the country. The program has also been blasted for its uneven depiction of policing, to the extent that it focuses on high-action sequences over the mundane and routine public-safety work that officers engage in most of the time. 

In its three-decade history, Cops episodes have been filled with events similar to the scenario that unfolded in the City of Sonoma. A large and irrational screaming naked man who is bleeding and smashing lighting fixtures in a motor-home facility? That’s ratings gold for the program.

But scenes of detainees dying while in custody do not typically make it onto the program, if for no other reason that the suspects have to sign a consent form before the footage can be aired. And, the police forces who sign on with Cops are typically given veto power over any clips that the producers propose to air.

“I have concerns and thoughts about Cops being filmed with SCSO and SRPD in Sonoma County” says police-accountability activist Frank Saiz, who decreed the program “garbage” as he took a shot at city- and county-police spokesmen for hyping the program and its public-relations benefits when the Press Democrat reported on its arrival in the county a few weeks ago.

“This reality show is supposed to showcase law enforcement’s good, hard work that deputies do, per [SCSO spokesman] Sgt. [Spencer] Crum, while SRPD Lt. Rick Kohut says that it is ‘good publicity for the city.’ Is the morale that bad,” says Saiz, “that law enforcement needs to get juiced up and pretty for a reality show?

Kohut subsequently told the Bohemian that Schreeder was aware of  the historical critiques on the program, and said it was a possibility that he wouldn’t sign the contract, even after the Press Democrat reported that the SRPD would be participating, beginning in May.

Meanwhile, the local death of Cameron occurred against an explosive backdrop in Sacramento where Stephon Clark was recently shot eight times by police officers there, prompting demonstrations and calls for greater police accountability in the capital city.

Clark, 22, was killed after a helicopter and foot chase, and while he was in his grandmother’s backyard. Officers claimed he was coming toward them with a gun, a claim which is now being investigated by the California Department of Justice, since a subsequent autopsy and fact-check of the officers’ claims revealed that Clark was shot six times in the back while carrying only a cellphone.

Again, the first part of the story would make for great television: With a helicopter overhead, a foot chase that ends with a suspect in handcuffs and the cops saying things like, “Why’d you run, man?” is the Cops gold standard for gripping reality TV. The foot chase that ends with an unarmed 22-year-old black man getting shot six times in the back, in his grandmother’s backyard, typically does not make the editing-room cut in Cops-land.

April 6-9: Cheap Reads in Santa Rosa

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Nonprofit organization Friends of the Santa Rosa Libraries supports the city’s libraries by raising funds for materials and activities. This month, the Friends host one of their biggest fundraising weekends of the year with the Spring Book Faire. The four-day sale boasts affordable books, CDs, DVDs and other media, all of which get more affordable as the weekend wears on, with a half-priced day on Sunday and a bag sale
on Monday. The sale takes place Friday, April 6, through Monday, April 9, at the Veterans Memorial Building, 1351 Maple Ave., Santa Rosa. Friday, 3–7:30pm; Saturday–Sunday, 10am to 5pm; Monday, 2–6pm. Free admission. sonomalibrary.org.

April 7: Beer Relief in Santa Rosa

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Like others in the North Bay, the organizers behind Santa Rosa’s long-running Battle of the Brews have turned their attention to helping those devastated by last October’s wildfires. And they’re doing it the only way they know how: with a lot of beer. This weekend’s Sonoma County Fire Relief Beer Event features dozens of craft brewers and food vendors and benefits ongoing fire relief and recovery efforts. The beer flows on Saturday, April 7, at Sonoma County Fairgrounds, 1350 Bennett Valley Road, Santa Rosa. VIP hours, noon to 3pm; main event, 3pm to 7pm. $50 and up. firereliefbeerevent.com.

April 7: Literary Leap in Santa Rosa

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Written works come alive when Off the Page Readers Theater troupe performs. Dedicated to supporting local writers and featuring local actors, the group takes selections of prose and poetry and transforms them into staged shows that often revolve around a theme. This month, Off the Page offers a special new show in which they adapt a poem, “500 Days,” by Sonoma County poet laureate Iris Jamahl Dunkle, from her latest collection, Interrupted Geographies, that explores the interchanging relationship between the land and community. Dunkle’s poetry leaps off the page on Saturday, April 7, at Copperfield’s Books, 775 Village Court, Santa Rosa. 8pm. $5. copperfieldsbooks.com.

April 11: Head in the Clouds in Santa Rosa

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Do you find yourself still gazing at clouds in the sky like a kid on lazy summer afternoons? Do you still get creative in deciding what shapes those clouds look like, or wonder how they form? You may be a cloudspotter, and you’re not alone. This month, Sonoma Land Trust hosts ‘Look to the Skies,’ a presentation from Gavin Pretor-Pinney, founder of the Cloud Appreciation Society. Learn the value of engaging with the sky and why cloudspotting is the perfect antidote to the stresses of the digital world on Wednesday, April 11, at Finley Community Center, 2060 W. College Ave., Santa Rosa. 7pm. $10–$15. sonomalandtrust.org.

Spotlight on Santa Rosa

Santa Rosa comic artist Brian Fies tells his fire story

Brian Fies and his wife, Karen, fled from the Tubbs
fire early in the morning of Monday, Oct. 9. They carried only what they could grab in a hurry. The next day, Fies, 57, came back to Mark West Estates to see if his house was still there. He found nothing but smoke and ash.

In that regard, Fies is no different from thousands of other North Bay residents who lost their homes in the worst wildfires in California’s history. The only thing that sets him apart is that, after seeing the burnt remains of his house, Fies, a professional cartoonist, almost immediately sat down to write a comic about it.

“Frankly, it was the first thing that occured to me,” he says.

In the months since, Fies’ short online comic, “A Fire Story,” has gone worldwide. Major publications, such as NPR and KQED, have featured the story, and it has gotten praise as a poignant and accurate account of what thousands of people in and around the North Bay are going through.

“That’s the reaction that touches me the most,” Fies says, “when somebody says, ‘I didn’t understand what this was like until I read your comic.'”

Fies’ contemporaries in the Bay Area agree. “I think he went a long way toward explaining how all of Santa Rosa felt about those fires in a really effective, graphic way,” says Stephan Pastis, Fies’ friend and creator of the daily comic Pearls Before Swine. He “distilled it all really simply.”

This is not the first time Fies has written a comic about something deeply personal and meaningful to him. His first graphic novel, the Eisner Award–winning Mom’s Cancer, was a biography about his mother’s battle with lung cancer. Fies says he writes such stories from a desire to report events, which he attributes to his background as a journalist, and as a way to cope with the loss.

“I experienced this extraordinary event,” he says, “and I have an obligation to tell the people
about it.”

Fies plans to expand “A Fire Story” into a full graphic novel, and detail the first couple of months after the fire; the original version spans a few days, plus another short entry three weeks later. The redrawn comic will also go into more detail on the day of the fire, such as the frustration he and his wife felt when they initially couldn’t get back to their property. He’ll also include the fire’s greater impact on the region, and other people’s stories of the event.

Fies’ wife, Karen, director of Sonoma County Human Services, says the comic “was a way for him to share his emotions and his experiences in a way that was best for him. I think that sharing it with everybody—starting with Sonoma County and then all over the world—has been very wonderful.” The comic is mostly about Fies’ initial reaction, but “A Fire Story” also depicts Karen’s efforts to aid survivors, even as she struggles with losing her home.

Some of Fies’ inspirations as a child were Charles Schulz’s Peanuts and Walt Kelly’s Pogo. He read a lot of Marvel and DC, and independent comics, as he got older. He’s also a big admirer of classic animation, such as Max Fleischer’s Superman cartoon from the 1940s. He’s even written a webcomic about a character from one of those cartoons, which have since become public domain.

After staying in Novato with their daughters, Laura and Robin, the Fies are back in the area and leasing a home in west Sonoma County. Fies says he and his wife plan to rebuild their home.

The graphic novel version of “A Fire Story” is still a work in progress, but Fies says to look for it next year.

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LOCAL KNOWLEDGE

Treehorn Books’ Thomas Ziemer has a read on Santa Rosa

Describe your perfect day in Santa Rosa.

My perfect day would be going on a hike in one of the surrounding parks. All of the parks and hiking trails in Santa Rosa are beautiful, but the Trione-Annadel State Park is my favorite because I used to live nearby and know those trails the best. The views are simply wonderful, the trails are fairly dense and you can see a lot of random wildlife.

Where is your favorite place to eat in Santa Rosa and why?

I am a huge fan of Indian food, and there’s a place not too far from my work, Kafal, that stands out as my favorite. I keep coming back to this restaurant simply because the food and service are amazing.

Where would you take first-time visitors in Santa Rosa?

I would take first-timers to Atlas Coffee, a hidden gem for relaxation. The shop’s quiet ambiance is perfect for settling down with your favorite book. I mostly go to Atlas to unwind, but my drink of choice to pair with a good read is their pour-over coffee.

What do you know about Santa Rosa that others don’t?

Even though a majority of Sonoma County and Santa Rosa residents know this, those less familiar with the area would not know that before the wineries were here, and before new ones sprouted throughout the city, there were several ground seed apple orchards, especially in the Sebastopol area.

If you could change one thing about Santa Rosa what would it be?

I was born and raised in Sonoma County, having lived in Santa Rosa for a while now, and the prices for rent and housing have always been on the higher side. If there was one thing I could change about the city it would be to offer more low-incoming housing and lower the rent prices. I am around the appropriate age to move out of my parents’ house, but I cannot branch out and find a place of my own because I cannot afford to. The devastating fires we experienced in October did make the prices increase astronomically, to a degree that it is impossible.—Sierra Sorrentino

Treehorn Books, 625 Fourth St., Santa Rosa. 707.596.3845.

Roll Over, Mozart

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In Peter Shaffer’s Amadeus, Count Franz Orsini-Rosenberg assesses Mozart’s Marriage of Figaro with the criticism that it has “too many notes.” Cinnabar Theater’s current production suffers from the opposite—it’s missing a few.

Amadeus is actually the story of Antonio Salieri (Richard Pallaziol), the most celebrated composer of his time. Salieri has dedicated his life to God and mankind in gratitude for God granting him the gift of musical talent. Enter Wolfgang Amadeus Mozart (Aaron Wilton), a crude, boorish reprobate, whom God has gifted with musical genius—for reasons Salieri can’t fathom. Salieri, feeling mocked by God and unhinged by what he sees as a betrayal, seeks revenge on Him by destroying His vessel. He will bring about Mozart’s ruin while seeming to be his friend, but he destroys himself in the process.

Shaffer’s historical fiction won Tony awards for Best Play and Best Actor in a Play (Ian McKellen), and the film adaptation matched that with Oscar wins for Best Picture and Best Actor (F. Murray Abraham). Both Pallaziol and Wilton have their moments as Salieri and Mozart, with Pallaziol at his best when Salieri is at his most duplicitous. While Wilton succeeds in bringing a high level of obnoxiousness to his Mozart, there’s little chemistry displayed in scenes he shares with Rose Roberts as Mozart’s wife, Constanza.

Chad Yarish leads an uneven supporting cast as the amusingly befuddled Austrian emperor Joseph II, with Tim Setzer also effective as the pompous Count Johann Kilian von Strack.

Director Jennifer King, usually reliable and inventive, really falters here, as does scenographer Peter Parish. Parish brings little more than a few platforms and some haphazardly hung drapes to a play whose settings include an 18th-century Viennese palace. A large center scrim used occasionally for shadow projections went curiously unused for most of the production.

Parish’s lighting design was also lacking, really only effective in a scene where Salieri collapses in frustration after he reads page after page of Mozart’s compositions and finally succumbs to his genius.

Skipper Skeoch’s period costume design had to do double-duty in providing a sense of time and place, with wigs and makeup by Jolie O’Dell also providing nice atmospheric support.

The show concludes with Salieri, speaking for all “mediocrities” in the world, absolving them. Sadly, that’s not in my power here.

Rating (out of 5): ★★½

Meet the Maestro

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Ever since late 2015, when Santa Rosa Symphony conductor and music director Bruno Ferrandis announced his plan to step down from the podium after the 2017–18 season, the symphony has searched the globe to find his successor.

Last week, they selected 30-year-old Francesco Lecce-Chong, who begins his tenure with the orchestra next season.

“I’m feeling fantastic,” Lecce-Chong says.

Born in San Francisco, Lecce-Chong is a rising star in the classical world. He is currently also conductor of the Eugene Symphony in Eugene, Ore., and this summer he wraps up his stint as associate conductor of the Pittsburgh Symphony Orchestra.

Last October, Lecce-Chong came to Santa Rosa to meet the community and conduct the orchestra for three concerts as an audition. That audition ended with heartbreak when the last concert was canceled after the fires broke out in October. “I came to care so much about the community and the people here,” says Lecce-Chong. The fire “was one of the most awful things I’ve ever experienced.”

Now that he is returning to the region as the Santa Rosa Symphony’s music director, Lecce-Chong says he is committed to helping the healing process after the fires. “That’s what a symphony does so well, what music does so well,” he says. “It gives us a chance to bring people together, and I’m grateful for that opportunity.”

Lecce-Chong is also excited about expanding the community’s access to music. “I’m passionate about making sure that people of all ages and all backgrounds have a chance to experience what we do,” he says.

That sentiment is a major component of the symphony’s mission, and Lecce-Chong praises its youth orchestra as well as its various school and after-school programs. “It’s important that we not only invite kids to the concert hall, but that we go to them and offer our services,” says Lecce-Chong. “I want to be with an orchestra that has those priorities.”

Santa Rosa Symphony president and CEO Alan Silow calls Lecce-Chong the total package. “He’s incredibly talented and exuberant on the podium, inspiring both the orchestra and the audience,” Silow says. “And he has a genuine passion for what we do in music education. He’s eager to support that and build on that mission.”

Silow also notes that Bruno Ferrandis is marking his farewell with the symphony’s last two shows of this season. “This will be a great last opportunity to be with Bruno.”

Avatars

The 1980s-filia of Ready Player One is unsettling to those who don’t consider the 1980s a paradise lost. From the numerous references to Back to the Future, released in 1985, it’s clear that director Steven Spielberg considers this a particularly evocative film.

Ready Player One is set in the OASIS in 2044, a VR Imagination-land. It’s a place where the Chucky doll bursts through windshields and where King Kong smashes roadways during a Speed Racer tournament in which, among the participants, are the light cycles from Tron.

Before game-master James Halliday (Mark Rylance) dies, he
deeds the OASIS to whoever can find three hidden keys—”invisible keys in a dark room.” This Willy Wonka–like challenge attracts Ohio’s Wade Watts (Tye Sheridan), an orphan in a trailer park stacked skyward. Wade named his avatar Parzival in honor of the seeker of the Holy Grail.

But the OASIS is in danger of being taken over by the much-loathed Innovative Online Industries, chaired by evil capitalist Nolan Sorrento (Ben Mendelsohn) and his crew. These evildoers operate a debtor’s prison/slave labor colony for those who’ve lost their money wagering on the games.

Spielberg wouldn’t be Spielberg if he didn’t know how to make this galaxy of pixels alluringly strange, a wow-machine jam-packed with cool stuff. One sub-realm is a recreation of the Overlook Hotel from The Shining. It’s highly funny when Aech (Lena Waithe), whose avatar is a jumbo robot, bears the brunt of the maze. Not knowing the plot of that scary movie, she presses the elevator button and is wiped out in torrent of blood.

The quest could be about love, but it’s more plausibly about getting out of that single-wide trailer. If viewers end up uninvolved as this box of recycled toys is emptied out and shaken, it’s due to the film’s synthetic quality, which can leave you cold: with all these avatars, it’s like there’s no skin in this game.

‘Ready Player One’ is playing in wide release in the North Bay.

Write Now

Established in 1975, the North Bay– based Redwood Writers is the largest chapter in the statewide California Writers Club, and serves the local literary community through events, workshops and contests, as well as an annual anthology.

For the past 10 years, members of Redwood Writers have gathered all their resources each spring to host the popular Pen to Published Conference on Saturday, April 21, in Santa Rosa.

This full-day conference is the place for North Bay writers to get insight from keynote speakers, including publisher and author Brooke Warner (pictured), who will talk about the importance of creativity in today’s climate of fame over merit, and television writer and producer Ellen Sandler, who will share her personal experiences in TV and give advice on how to open the doors to writing for television.

New this year, the conference features a lineup of in-depth workshops that focus on writing fiction, nonfiction and memoir. Also new this year, one-on-one coaching is available from experts in the publishing world. Healdsburg’s Raven Players even get in on the action with a lunchtime performance of Shakespeare’s most famous scenes.

The Pen to Published Conference happens on Saturday, April 21, at Finley Community Center, 2060 W. College Ave., Santa Rosa. 8am to 5pm. $135–$175. Pre-registration required. redwoodwriters.org.

As High-Profile Policing Stories Pile Up, Santa Rosa PD Still on Fence over “Cops” Contract

A spokesman at the Santa Rosa Police Department says the agency has not yet decided whether it will sign off on a contract with Langley Productions, the Santa Monica–based company that produces the controversial reality-show Cops. “We are still evaluating the proposed contract,” says Captain Rainer J. Navarro via email. “As soon as we have...

April 6-9: Cheap Reads in Santa Rosa

Nonprofit organization Friends of the Santa Rosa Libraries supports the city’s libraries by raising funds for materials and activities. This month, the Friends host one of their biggest fundraising weekends of the year with the Spring Book Faire. The four-day sale boasts affordable books, CDs, DVDs and other media, all of which get more affordable as the weekend wears...

April 7: Beer Relief in Santa Rosa

Like others in the North Bay, the organizers behind Santa Rosa’s long-running Battle of the Brews have turned their attention to helping those devastated by last October’s wildfires. And they’re doing it the only way they know how: with a lot of beer. This weekend’s Sonoma County Fire Relief Beer Event features dozens of craft brewers and...

April 7: Literary Leap in Santa Rosa

Written works come alive when Off the Page Readers Theater troupe performs. Dedicated to supporting local writers and featuring local actors, the group takes selections of prose and poetry and transforms them into staged shows that often revolve around a theme. This month, Off the Page offers a special new show in which they adapt a poem, “500 Days,”...

April 11: Head in the Clouds in Santa Rosa

Do you find yourself still gazing at clouds in the sky like a kid on lazy summer afternoons? Do you still get creative in deciding what shapes those clouds look like, or wonder how they form? You may be a cloudspotter, and you’re not alone. This month, Sonoma Land Trust hosts ‘Look to the Skies,’ a presentation from Gavin...

Spotlight on Santa Rosa

Santa Rosa comic artist Brian Fies tells his fire story Brian Fies and his wife, Karen, fled from the Tubbs fire early in the morning of Monday, Oct. 9. They carried only what they could grab in a hurry. The next day, Fies, 57, came back to Mark West Estates to see if his house was still there. He found...

Roll Over, Mozart

In Peter Shaffer's Amadeus, Count Franz Orsini-Rosenberg assesses Mozart's Marriage of Figaro with the criticism that it has "too many notes." Cinnabar Theater's current production suffers from the opposite—it's missing a few. Amadeus is actually the story of Antonio Salieri (Richard Pallaziol), the most celebrated composer of his time. Salieri has dedicated his life to God and mankind in gratitude...

Meet the Maestro

Ever since late 2015, when Santa Rosa Symphony conductor and music director Bruno Ferrandis announced his plan to step down from the podium after the 2017–18 season, the symphony has searched the globe to find his successor. Last week, they selected 30-year-old Francesco Lecce-Chong, who begins his tenure with the orchestra next season. "I'm feeling fantastic," Lecce-Chong says. Born in San Francisco,...

Avatars

The 1980s-filia of Ready Player One is unsettling to those who don't consider the 1980s a paradise lost. From the numerous references to Back to the Future, released in 1985, it's clear that director Steven Spielberg considers this a particularly evocative film. Ready Player One is set in the OASIS in 2044, a VR Imagination-land. It's a place where the...

Write Now

Established in 1975, the North Bay– based Redwood Writers is the largest chapter in the statewide California Writers Club, and serves the local literary community through events, workshops and contests, as well as an annual anthology. For the past 10 years, members of Redwood Writers have gathered all their resources each spring to host the popular Pen to Published Conference...
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