The Fishing Industry

Fate of the Fishes


Michael Amsler

The tale of the fish: The Cordell Banks west of Bodega Bay are a rich resource, locals say, but stringent state and federal regulations–along with claims that the stock is being overfished–are making life harder for commercial fishermen like John Salerno (above), for whom the regulations are “a big fuck job.”

Regulations may be killing the local fishing industry; but is the industry itself killing the resource?

By Stephanie Hiller

EARL CARPENTER is not going salmon fishing these days. Warm ocean currents have taken a toll on the salmon population on the central coast. The fish have moved north, to colder waters; but up north, the fishing season hasn’t opened yet. “If we didn’t have the fishing regulations, most of the boats would be up in Northern California where the feed is,” says Carpenter, a longtime Bodega Bay resident. “But they’ve got us pretty locked in now.”

Carpenter, 69, is standing on his weathered boat, the Annabelle, twisting a piece of twine in his scarred fingers while he talks. He’s doing a little work on his boat today before going out to pull in a few crab pots. He’s been a fisherman since he graduated from grade school in ’41, when his father moved the family down here from the Pacific Northwest.

“Up in Oregon,” he recalls, “the wind blew

“Up in Oregon,” he recalls, “the wind blew so bad you had to pull the boats up out of the water every night.”

The safe harbor of Bodega Bay was just opening up for crab fishing at the time. When the crab season ended, there were salmon all summer long. New salmon trollers were outfitted with stainless steel lines, thanks to wartime technology, and lots of newcomers were joining the fleet. “All the veterans came back pretty disgusted at the world,” Carpenter says, “so they thought fishing would be perfect for them.” There were plenty of fish processing plants all up the coast, most of them family operations.

In those good ‘ol days, fish were plentiful and restrictions few. “In my time, the season used to be from May 1 to the end of September,” Carpenter says.

Sacramento River King salmon (Chinook) were the industry’s main staple, along with some silver salmon (coho) from the Russian River.

Carpenter raised his two sons to be fishermen. They did well enough, he says, supporting their own families. But their children will not be going fishing. “They’re in college where they belong,” says Carpenter, noting that very few young people are joining the fleet. “Used to be, you could start out with a little boat, and if you were tough enough, and worked hard enough, well, you could get a bigger boat. You could make it.”

Today, permits alone are often prohibitively expensive. You just can’t get started unless you have the money.

“There’s no future in it,” he says.

SPORTS FISHERMAN Mike Malone also is worried. From where he sits, he’s become convinced that the last great California fishery is about to meet its demise. “In the mid-’80s, we were catching four or five hundred pounds of rockfish out of Bodega Head with a hook and line,” he says, taking a bite out of his stack of pancakes at the Pine Grove Restaurant in Sebastopol. “Then the longliners came on, and the fish were gone!”

A geologist by profession and an avid sports fisherman, Malone spends most of his spare time as a volunteer activist working with United Anglers to preserve the fishery. For him, fishing is a sport, but commercial fishermen have been part of his life since boyhood. “They were my heroes!” he says, with a good-humored smile and a James Stewart chuckle about a situation he takes very seriously. He tried his hand at commercial fishing himself, but gave it up when he saw the stocks go down.”When there aren’t very many fish, what do the fishermen do?” he asks. “They fish harder! And I understand that. They’ve got to pay the bills. But I’m not sure it’s good for the resource.”

Malone does not want to get embroiled in the argument between the sports anglers and the commercial fishermen that has long plagued the debate about fisheries management, with each side accusing the other of taking more than its fair share.

“I look at this as a resources issue,” he says.

Without the fish, after all, there’s no fishing for anyone.

FISH, the Seafood Council is happy to remind us, is a healthy food, low in cholesterol, high in nutritious omega-3 oils. Fish used to be inexpensive as well as salubrious. Now the cost of ordinary fish fillets rival that of steak, and year after year the price goes up.

A relatively new fishery, rockfish, or ground fish, comprises the majority of the fish fillets we commonly find at the supermarket, including the staple red snapper, which is actually a market term for a number of rockfish with red coloration.

Unlike salmon, which range hundreds of miles from the ocean to the inland freshwater streams to spawn, ground fish are fairly sedentary characters who, like old sages, prefer to remain at home in their caves in the ocean deep. They do not pursue their prey but simply wait for it to pass their doors. In their supreme patience, they seem to get by when food is scarce. They are unusually long-lived, with some species known to exceed 100 years.

Until fishermen found ways to penetrate the ocean’s depths, predators at the bottom of the sea were rare. Now, relatively new techniques have shattered the agreeable silence once enjoyed by the bocaccios, the yellowtails, and their neighbors, the ling cod. Drag boats comb the ocean floor with huge nets, picking up everything they encounter along the way, landing as many as 100,000 pounds of fish in one trip. But the method is so indiscriminate–sweeping in sea mammals along with the occasional boulder and old rubber tire–that it has been outlawed within three miles of the coast.

“It’s just like plowing a field,” says former drag fisherman Charlie Ford. “It turns everything upside down and throws it in the net–pieces of coral, a lot of fish you can’t use. It’s a real destructive method.”

Fish and Game biologist John Mello points out that the dragnets may be destroying valuable habitat for other species that live at the bottom of the sea. When the draggers were pushed far offshore in the 1980s, the long line was developed as an alternative by some clever Vietnamese fishermen. Literally a long fishing line with a thousand baited hooks, it is pulled along the ocean bottom, luring the fish from the safety of their nooks and crannies in the rocky reef. Long lines are cleaner than the nets and highly efficient. Using smaller boats than the draggers do, longliners can land 10,000 pounds of fish in a day.

All this activity has its effect on the fish. Up and down the coast, some species of rockfish are starting to bottom out. The Cordell Bank off Bodega Bay, where longliners and recreational party boats compete for fish, “is quite a lush fishing ground,” says Mello, who works out at the bay. “It receives an awful lot of fishing pressure.”

Says Malone, “The fish are just not there.”

According to Larry Six, executive director of the coastwide Portland-based Pacific Fishery Management Council, “The declining populations of some ground fish strain our capability to provide a year-round fishery. We are not seeing a strong recruitment of young fish.”

As a result, five fish were placed under significant restrictions last year: ling cod, bocaccio, sable fish, yellowtails, and thornyheads. According to some reports, bocaccio, which appears at the market as red snapper, has dropped 80 percent in the last decade. Fishing bocaccio up and down the coast has been strictly limited this year.

But Pete Leibzig, head of the Eureka Fishermen’s Marketing Association for ground fish, says the assessments are wrong. “These fish had not been fished until the 1970s,” he says. “If you tell me the population has dropped in the past 20 years, I will tell you I am not surprised. Fishermen will tell you they don’t see any change. They’ve been out on the sea for years; they see the fish. It’s anecdotal information, but it’s very important, and I think its value is underestimated.

“When the computer printout is very inconsistent with what the fishermen see, I think you should take a look at your computer model.”

Fishermen have a great interest in protecting the resource, and “we hope they’re in [fishing] for the long term,” says Deb Wilson, a Monterey biologist who keeps tabs on the recreational fishery. “But with overcapitalization, that may not be the case.”

THESE DAYS, fishing has gone high-tech, and the equipment is expensive. It’s also devastatingly effective. “The fish have nowhere to hide,” says Tom Moore, head of the Bodega Bay Fish and Game research facility. Sonar sensors placed on the dragnets send images to a computer screen on board the boat.

“It’s like a video game,” says Moore. “Fishermen can see exactly where the fish are and scoop up the entire school. It becomes a kind of a Catch-22. Now the fishermen have to fish that much harder to pay for the sonar. Rising expenses of licenses as well as gear make it harder and harder for them to own their own boats.

“A lot of skippers don’t own their boats,” adds Moore. “The boat may be owned by the fishing processor. He’s telling the skipper, I want so many pounds of this fish and so many pounds of that. If the skipper doesn’t bring that much in, the owner will get a new skipper.

“It’s tough!”

And the processor is the one making the lion’s share of the profits. The fishermen earn 50 to 80 cents a pound for fish that may cost $6 at the store.

“Every year fewer boats can catch the same amount of fish,” Moore continues. “Do you manage the fishery biologically or for economics? The federal Magnuson Act says manage for both. Tough!”

And the supply, adds Moore, is going down–no question. “1989 was the peak year of world fishery. Production will be declining from that point from now on. Nothing you can do about it.”

Assessing the health of particular fish stocks is complicated by the number of agencies assigned to regulate them. The National Marine Fisheries Service recently took over the management of the ground fish in the offshore area, three miles off the coast. Commercial fishing within three miles is managed by the California’s Department of Fish and Game. But the recreational, or sports, fishery is overseen by an entirely different agency, the state Fish and Game Commission.

All agree that monitoring the health of the fish populations is a tough call. “I think we’re seeing a decline in fish,” says Wilson, “and that means we’re going to have to make some tough decisions. But it’s very difficult to assess what the resources are.”

Says Pete Glock of the Pacific Fishery Management Council, “We don’t have the information. It’s a real problem. Some of these fish are a mile deep.”

Fish and Game biologist L. B. Boydstun echoes their lament, speaking of the “administrative difficulty of managing these fisheries, assuming we could understand the situation. What’s missing here is definitive biological information.” And, says Wilson, that information, in the form of unbiased studies that do not rely on the fishermen, is very expensive.

With state budget cutbacks of 60 percent over the past decade, the department finds itself too understaffed and underfunded to produce the necessary scientific studies. Meanwhile, the fishing continues. “We see this problem over and over again,” says Mello. “A stock will be fished and we don’t have the records on which to base management policy.”

While biologists try to gather hard data, he adds, the fishery gets wiped out. “We’re trying to turn that around,” Mello explains.

In Alaska, when a new fishery is developed, regulators limit the catch at the outset and observe the results before heavy fishing is allowed. A bill before the California Legislature includes recommendations for that type of precautionary management.

But it may be too late for rockfish, which are threatened not only offshore but in the kelp beds that fringe the Sonoma County coastline. These inshore rockfish species constitute the live fishery, which meets the growing demand of the Asian market for fish 1 to 3 feet long, for which it pays handsomely. Instead of getting 80 cents or a dollar a pound for the bigger offshore varieties, fishers can earn as much as $5 a pound for the live fish. Fishermen use small boats and a simple line made of PVC pipe with about a dozen hooks attached to it.

“I only need 100 to 150 pounds a day,” says Charlie Ford, who, at 42, calls himself semi-retired. Ford says most of the fish he takes are 12 inches long and “don’t get any bigger”–in other words, they’re mature.

But Fish and Game biologist Tom Moore says that “12 inches isn’t a magic number. We like cabezone to be bigger. At the same time, we’re trying not to double dip; taking pre-spawners and the fish that are the big spawners will do serious damage.”

If Ford is careful to let the little ones return to the ocean in good shape, other fishermen keep whatever they get, Moore says. “Some bring in 3- and 4-inch fish. If the market doesn’t want them, they’ll take them home and fry them in the wok.”

MEANWHILE, fishing in the near shore has been limited. Where once boats went in with 5,000 or 6,00

0 hooks, they are now limited to 150 and prohibited from weekend fishing. Those regulations will sunset in 1999, leaving the resource unprotected unless AB 1336, a bill proposed by state Sen. Mike Thompson, D-Sonoma County, is passed to renew them. “My fear is that we fished too long here before the regulations went in, and passed the threshold for the survival of some of these fish,” says Moore.

To the fishermen, regulations are onerous, creating tons of paperwork, adding costs, and putting their livelihoods at the disposal of political vicissitudes.

Says John Obertelli, a former welder turned commercial fisherman, “I thought fishing was the perfect getaway, out there on the sea by yourself. But I’ve never seen a business more regulated than fishing.”

John Salerno, manager of Eureka Fisheries in Bodega Bay (which sells the fish to markets) agrees: “It’s a big fuck job. The drag boats are on quotas–so many pounds of this, so many pounds of that. Say they’re out fishing black cod. They have 1,500 pounds of those they can get. If, in the meantime, they get short spine and they’ve already filled their quota on that, they have to throw them over.

“If I buy too many fish, I get a fine and the fisherman gets a fine, too. But they don’t care if the fishermen throw away a million pounds at sea, because that’s not landed. The state says you can’t throw it away inside the three-mile limit, but the fed says you can throw it way outside the three-mile limit!”

That means a lot of wasted–and very dead–fish, since those fish packed together in huge dragnets do not survive. Many types of rockfish also have air bladders that explode when the fish are brought up. All the fish that exceed the quota are wasted. Fishermen, both commercial and sports, decry this waste, an outcome of a quota system they say is a major factor in the decline of the fisheries.

Obertelli suggests that the wasted bycatch be given instead to charity and the fishermen allowed a tax credit. “Fish and Game would have a better record of them, too,” he says.

As it is now, nobody knows how many fish are thrown away. Moore says the National Marine Fisheries Service has been mandated to do something about the bycatch, and is making moves to do so.

It would certainly help to get all the fishermen, commercial and recreational, on the same side of the resource. Currently, commercial regulation must be approved by the Legislature, a cumbersome process. By contrast, the Fish and Game Commission, composed of fishermen, is able to act quickly to regulate sports fishing. A new law (AB 1241) proposed by state Sen. Keeley, D-Santa Cruz, would establish a single management body for both commercial and sports fishing. For Mike Malone, this is the necessary first step to saving the fish.

“We’ve seen that the fishing industry is pretty much in crisis and are trying to rethink how we manage it,” says Assemblywoman Virginia Strom-Martin, who will be chairing the Joint Committee on Fisheries and Aquaculture next year. “The Keeley bill takes a holistic view of fisheries management.”

BUT IF YOU ASK the salmon fishermen, regulations are not the answer. Season closures and other restrictions have done little to address the problem for salmon, according to Chuck Wise, head of the Fisherman’s Marketing Association for Bodega Bay and one of the directors of the Pacific Coast Federation of Fishermen’s Associa-tions.

“Some people would argue closure of the North Coast in California has not resulted in any fish populations coming back,” says Wise. “But it has ruined an industry. Fort Bragg, Eureka, Crescent City have no fishery at all anymore.”

Because salmon is an ocean fish that goes up the rivers to spawn, protecting this resource is very complex. “With the salmon, you have to talk about one river system at a time,” says Wise. Despite an increased population of Sacramento Chinook, the season has been reduced to protect the Klamath River salmon.

That’s frustrating for fishermen, says Wise, because it’s not fishing that has ruined the Klamath run: it’s the dams. The fish can’t get back up the river to the hatcheries to spawn. “You no longer have rivers. You have a series of lakes. There are 1,000 dams in that habitat drainage system on the Columbia River,” Wise says.

One human need has threatened another. Not the need for drinking water, but the need for hydroelectric power. “The Klamath run is never going to come back to where it was,” Wise contends.

Half the Klamath fish are given to the Native American tribes in Oregon. Some of the local fishermen object that the tribes are using gill nets in the rivers, further threatening habitat. Wise says the tribes “tend to catch less than what they’re credited with. They seem to be working on some sort of solution in this river.”

For Bodega Bay fisherman Earl Carpenter, who has been fishing these waters for 50 years, it’s federal management that has botched the job. “They have very few data and there’s no way of arguing ’em out of it.”

Carpenter believes that state Fish and Game has done a better job of fisheries management. But the impacts on salmon habitat may never be repaired. “You’ll never see any salmon in the mainstream of the San Joaquin River, but the tributaries are doing better.”

Some of the runs have recovered, fishermen report, with a record 500 spawners going back to the Sacramento River last year. Wise credits the rebounding fish populations to the contributions of the salmon fishermen themselves. “We tax ourselves to support the hatcheries,” he says. Carpenter cites the fishermen’s stamp program, a self-tax that goes to hatcheries and habitat restoration.

“And then we have a say about how it’s spent,” he says. “It gives us some clout.”

The return of the Chinook salmon is an encouraging sign that seems to indicate that when fishermen get involved, protection of the resource is more effective. Says Obertelli, “Once upon a time, fishermen were environmentally unconscious. But now they’re more educated about how interconnected everything is. It’s not rape and plunder.”

In his opinion, it’s not too late for recovery. “Resources can swing back.”

CARPENTER isn’t worrying about the rockfish. “They’re hard to catch. It’s hard to keep them alive.” He says people are in an uproar because the fishing is done close to shore where folks can see it. “And because most of the fishermen are Asian.”

He looks off in the distance as he talks, still holding onto the lighter he’s had in his palm for the past hour. He measures his words carefully, not wanting to offend anyone–the biologists he has worked with all these years, the sports fishers, or the other commercial fishermen. But the long pauses between his sentences reveal his sadness at the passing of a way of life that was good.

“I’ve been a fisherman all my life. That’s who I am. I’ve never regretted going fishing.” But for him, it’s over. He’s thinking about retirement.

“I just hate to leave the industry worse off than how I found it.”

From the July 16-22, 1998 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Greg Sarris

Hidden History

Janet Orsi


Greg Sarris’ ‘Watermelon Nights’ delivers epic story

By Patrick Sullivan

DON’T BE DECEIVED: The smooth skin of modern life hides something dark and potent underneath. Below the shiny, plastic surface, there is a hidden history waiting to be revealed. But no mere archaeologist, anthropologist, or historian can crack that Plexiglas shell and begin the necessary excavation. It takes a novelist of the caliber of Greg Sarris to uncover the truth, comfortable or (more often) not. In his new book, Sarris digs up enough skeletons to make us squirm and enough marvels to elicit repeated gasps of wonder.

Watermelon Nights (Hyperion; $24.95) is a sweepingly epic story that also manages to maintain an intimate focus on the lives of an American Indian family living in Sonoma County. Grandmother, mother, son: Three generations of the Waterplace Pomo tribe take a bumpy (and often tragic) ride through the 20th century. This tough-minded tale of poverty, prejudice, and violence plays out, like Sarris’ 1994 book, Grand Avenue, in the streets and fields of Santa Rosa and Sebastopol.

If the setting is familiar, some of the characters are initially quite inscrutable. The mysterious figure of Grandma casts a long shadow over this book. We are as confused by her subtle motivations as her puzzled 20-something grandson, Johnny, who lives in her house and sells used clothing while he plans his next move in life. He tries to pry truths from the old woman about tribal history and the emotional geography of his family, but often finds that she reveals the facts only after he has already figured things out for himself: “The problem is you can never know if she forgot or just never thought to tell you, or if she set the puzzle out on purpose,” Johnny tells us after stumbling across the fact that his best friend’s mother had been murdered.

But, as in real life, time blows much of the mist off the mysteries. The book works its way back through history at a measured pace, and Grandma soon emerges as a superbly drawn character, a woman who has been on the most intimate terms with horrific tragedy and lived to become a person gifted with strange (perhaps magical) ways of seeing.

Johnny’s mother, Iris, may be the most tragic character in this novel, even though she seems on the surface to suffer the least. Well educated and financially comfortable, Iris grows up struggling hard with her Indian identity. As a grown woman, she fights to understand her mother and her son. But both seem to slip like water through her fingers.

Sarris’ supple prose keeps this history lesson firmly on its feet. He often allows hair-raising events to sneak up on the reader–the full significance of a tragic event takes some time to sink in. Then, it hits us like a hammer. But these grim circumstances go hand in hand with sudden bursts of poetic beauty that appear like a rainbow after the storm.

Sarris–who is chairman of the Federated Coast Miwok Tribe–is also a master of the subtle nuances of racial politics. White racism stalks his characters like a hungry ghost, but tension over skin color and “Indianness” also flares up frequently within the novel’s Indian community. The author does a powerful and convincing job of portraying the complexities of this tragic situation.

In the end, Watermelon Nights has no easy answers to offer. But Sarris gives us something better–a powerful novel about deeply complicated human beings. It’s easy to say that we live on Indian land. Sarris tells us what that means.

From the July 16-22, 1998 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Tinder Records

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Light My Fire


Merrick Morton

Cameroon crooner: African superstar Henri Dikongue is signed to a local label.

Rohnert Park-based Tinder Records ignites the world of world music

By Charles McDermid

A STONE’S THROW from the Sonoma County Crushers Stadium, where one can watch a unique rendition of America’s favorite pastime, is the main office of World Music Distribution. That an ultra-modern, globe- spanning company with offices in New York City, Los Angeles, and Madrid maintains its nondescript headquarters amidst the industrial warehousing of westside Rohnert Park just adds to the immense irony.

Nestled between a frozen-calzone distributor and endless movers of car audio equipment, the nerve center of WMD could not be more innocuous. The passerby would undoubtedly do just that–pass by, hardly aware that within the confines of Unit No. 1 exists some of the most exotic music imaginable.

Salsa from Japan, Chinese Cha Cha Cha, flamenco, mambo, even a fusion album with the Bulgarian Women’s Choir: a tour through the catalog of Tinder Records (the recording label of World Music Distribution) is both a dizzying assault on the sensibilities for anyone weaned on mainstream American music of the last half-century and a candy store for the musically curious.

In all, Tinder promotes 2,000 different titles spanning 12 countries.

Of course, “world music” is a blanket term. One is reminded of comedian Steven Wright’s comment, “You can’t have everything in the world, because where would you put it?”

“There are really two definitions of world music,” says Didier Pilon, co-owner and co-founder of WMD. “In the United States it is everything outside the United States, but in Europe it mostly means African music. We don’t mix that with Latin.”

WORLD MUSIC is actually a marketing concept that began in London in 1987. Only an international style that proves commercially viable enough to warrant its own heading at the record stores is allowed to slip from the world music banner. Reggae and ska seemed the first to shed this onus and swam on to more profitable waters.

Pilon and partner Sandrine Direnzo began WMD from a garage in New York City shortly after arriving in the United States from Paris in 1992 and noticing the “big gap” in world music selections at American record stores.

“I was on vacation and stayed,” laughs the young Sebastopol resident, who admits to being too broke at times even to “buy a hotdog” in the early days.

After fleeing New York to Mill Valley in 1993, soaring costs in Marin forced the rapidly growing company north to its current Rohnert Park location. Since arriving in Sonoma County in 1994, WMD has grown 500 percent.

“We do our own manufacturing now,” says Pilon. “We have talent scouts around the world that buy master recordings of artists. We handle the manufacturing and marketing end. We then distribute this international music to retailers entirely within the United States.”

Despite such furious growth, Pilon is still somewhat frustrated with the American consumer audience. “The United States has been such a melting pot for music in the past, but it isn’t anymore. Find me a radio station that plays world music.”

LOCALLY, The Last Record Store in Santa Rosa reports that World Music comprises 10 percent of its sales–a majority of this behind the strength of recent releases from Cuba, which thanks to major label interest have dominated the world music market.

“We are looking for a better marketing tool and to raise awareness,” admits Pilon. “On the local market this basically means concerts. A Sonoma County World Music Festival is something we’re working on for the future.”

Already the county has benefited from Pilan’s commitment. Cameroonian singer/songwriter Henri Dikongue played at the Powerhouse Brewing Co. in Sebastopol last month in support of an album that received considerable critical and commercial recognition. With more events planned locally through October, this seems an opportunity to tap a newly found community resource.

It is easy to tell that WMD and its most visible subsidiary, Tinder Records, are experiencing an exciting period of growth. On the inside, the otherwise nondescript offices are being hastily remodeled in a style that suggests the parvenu. One can only assume that the enormous warehouse space is used for activity of some volume and that all that impressive technology is being used to link up the world even tighter.

The bottom line, of course, is the music. Tinder is committed to a self-described “post-modern” stance epitomized by “cultural interactions and expressions never before imagined,” as well as “concoctions of traditional and the contemporary.”

With these parameters spread around the music of a dozen cultures, one cannot help but be intrigued.

From the July 16-22, 1998 issue of the Sonoma County Independent.

© Metro Publishing Inc.

The Headwaters Deal

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Forest’s Fate


Christopher Gardner

Fallen timber: Thousands of redwood trees lie stacked near the Pacific Lumber Co. mill in Scotia. State legislators say too many trees will be harvested under a PL plan that was supposed to save the ancient Headwaters grove.

$380 million Headwaters deal comes to head

By Eric Johnson

ASSEMBLYWOMAN Virginia Strom-Martin says she knew what the call was about when she heard that Sen. Dianne Feinstein, D-Calif., was on the phone a couple of weeks ago. Reports had gotten back to D.C. that the assemblywoman from the west county hamlet of Duncans Mills had joined a posse of renegade Sacramento lawmakers to scuttle the Headwaters deal.

News stories quoted California’s senior senator as warning Strom-Martin and her colleagues that they were jeopardizing her plan to save Pacific Lumber’s ancient grove, the largest stand of virgin redwoods under private ownership. Still, when the call came, Strom-Martin was unfazed. She says the conversation was amicable: “Dianne said she feels like this is it– that this deal is as good as it gets, and I said, ‘I’m not so sure about that.’

“I explained that I have to represent the folks in Humboldt County, people who’ve lived there for generations, and that they feel like they’re getting left out in the cold. I think she understood what I was saying.”

Last year, Feinstein had helped broker the controversial deal in which the state and federal governments would buy a big piece of the Headwaters Forest from Charles Hurwitz’s Maxxam Corp., which acquired the Pacific Lumber Co. through a corporate takeover in 1985.

The Headwaters deal would give Maxxam $380 million– including $130 million from the state–for 7,500 acres of old-growth land. California lawmakers are OK with that part of the agreement; but the deal also allows Maxxam to cut trees on 210,000 acres surrounding the old-growth groves.

To protect that land from being decimated by Maxxam’s notoriously shoddy logging practices (the company has been fined for violating hundreds of state logging regulations on its land), California lawmakers are holding up the state’s share of the money.

Strom-Martin signed on as a co-sponsor to a bill authored by state Sen. Byron Sher, D-Palo Alto, which would attach some stipulations to the Headwaters purchase agreement. To protect endangered coho salmon, Senate Bill 533 would keep chain saws and log-skidders up to 300 feet away from certain creeks. It also would set up some regulatory hoops to check Maxxam’s well-documented sloppiness.

Maxxam has dismissed the proposal, saying the state can either take the deal on the table or leave it.

Monday afternoon, in a move heralded as a “breakthrough” in the Press Democrat and elsewhere, company officials, along with representatives from state and federal agencies, released a document that could move the process in either direction.

In order to qualify for the multimillion-dollar windfall and to get access to the rest of its trees, Maxxam had been required to come up with a plan disclosing its intentions on the 210,000 acres surrounding the groves and that it retains in the deal. The company’s just- released Habitat Conservation Plan would allow logging to within 30 feet of streams in the area.

Until Monday, the plan was technically a missing piece of the puzzle. But it’s likely that Feinstein knew what was in the document when she called Strom-Martin–it had been available on the Maxxam website for weeks.

AFTER VISITING with families who live near Maxxam property, Strom-Martin called a June 18 hearing to allow them to voice their concerns to a joint legislative task force set up to deal with the Headwaters issue. At that hearing, 14 Humboldt County residents told lawmakers why they felt Maxxam could not be trusted.

When presenting critics of the current Headwaters deal, the media have focused on tree-sitting Earth First!ers, but not on people who live in the area. At Strom-Martin’s request, these long-ignored locals focused on economic issues.

Mike Evenson, whose family runs a ranch on the Mattole River downstream from a big Maxxam logging operation, showed the task force photos of a five-acre section of his land that was buried in silt following floods this winter. That silt, he said, came from hillsides that had been clear-cut in the previous season.

“What’s at stake here is something more than redwood groves,” Evenson said. “We’re talking about my family’s land, and a lot of families’ land. We were told this deal would offer us some protection. Well, I’m taking it in the neck.”

Christy Wrigley, a 50-year resident of the area whose family has raised apples there for 95 years, said the Elk River, from which her family draws its water, has been destroyed by Maxxam’s slovenly logging practices.

Wrigley said the once crystal-clear swimming holes she’s visited since she was a kid are now buried in eight feet of silt. I visited that river the following week and witnessed water the color of weak coffee running through thick-muddied banks.

“Water is a basic necessity,” Wrigley said at the hearing. “We need it to live and I need it to farm. What kind of people are we that we can’t stand up for what’s right for everybody?”

Most of the task force’s legislative members were busy down the hall wrangling over the budget surplus during the hearing. But as far as Maxxam’s opponents were concerned, the most important man in Sacramento was there: Sen. Mike Thompson, D-St. Helena, who hails from Humboldt himself, sat through most of the four and a half hours of emotional testimony.

Thompson, a congressional candidate who until recently had declined to take a strong position on the Headwaters deal, was apparently moved. Three days later, he signed on to SB 533 as a co-sponsor. This is crucial because Thompson heads the powerful Senate Budget Committee.

As the final days of the Legislature’s budget negotiations wind down, almost a month past the constitutionally mandated deadline, SB 533’s supporters are hoping that Gov. Pete Wilson does not force the Headwaters money to be included in the overall budget–minus the forest protection clauses.

While pundits point to the announcement Monday and predict victory for the Wilson-Feinstein giveaway, other sources close to the negotiation insist that the momentum has in fact shifted toward the stricter proposal.

Wilson’s interest in the mostly Democratic deal has mystified some Capitol-watchers, who speculate that it’s a bargaining tool. Sacramento is so far from the Lost Coast that many Democrats aren’t too worked up about the Headwaters deal and may be willing to abandon Sher and Strom-Martin. But the Democrats may start to care, now that pursestring-puller Thompson has joined the Green Team. If they do, Maxxam may have to bargain for its money.

From the July 16-22, 1998 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Dog Pound

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Dino Dung

Hey, what’s your specialty?

By Mad Dog

IF IT’S EVER CROSSED your mind for even a moment that we’re in the age of specialization, you can put your mind at ease. We are. Doctors specialize in arcane branches of medicine like post-pediatric neuro-gastro-oncology, there are lawyers who make their living by handling only lawsuits against presidents (a lucrative field these days), and God help you if you take your aging Yugo to a mechanic who works only on new Chryslers. Face it, nowadays generalists are about as common as a guy who hasn’t put in for his Viagra prescription.

Take, for example, the recent news that scientists discovered a 150-pound chunk of petrified Tyrannosaurus rex manure. I’m not sure how they knew that’s what it was, since something makes me think it would look an awful lot like, say, a 150-pound hunk of dried mud. But somehow they knew. Probably because they called in Karen Chin of the U.S. Geological Survey, whom a newspaper article described as “the world’s foremost expert on the fecal remains of dinosaurs.”

Now there’s something to put on your business card: Karen Chin, Dino-dungologist.

There are a couple of ways Karen could have earned this title. The first is that she’s the only person who ever thought to chip off pieces of dinosaur dung and analyze them, making for pleasant dinnertime conversation with her husband. The second is that she just happened to have examined more pterodactyl pies than anyone else, which I don’t think would be difficult since most of us think that’s a dessert made by Entenmann’s.

Though we still prefer the Pecan Ring.

The third, and most likely, way is that she earned a liberal arts degree, then woke up the day after graduation thinking, “I don’t want to teach. I don’t want to be a teller in a bank. What else can I do with this degree?” and thanks to a quirky score on an aptitude test decided to go into the lucrative field of testing triceratops ka-ka.

The truth be known, she was probably the only one who responded to the offer on the back of the matchbook cover.

Contrary to what you may think, a degree isn’t necessary to become a specialist. Louis Johnson of Oakland, Calif., has turned himself into a cinema specialist by seeing Titanic 100 times–at the same theater, no less–and has the ticket stubs to prove it. This points out one of the chief hazards of specialization: you can become a very boring person.

Specialization knows no international boundaries. In Hoevelaken, a city in the Netherlands that translates as “Hoboken,” there’s a veterinarian named Mario Blom who opened a hospital that takes care of only sick fish. If you go online you can find the Airsickness Bag Museum, which shows and describes those little bags you always hope the person next to you on the 10-hour trans-Atlantic flight won’t have to use.

And believe it or not, there’s even a special holiday for those who think pie is something to celebrate rather than to eat.

THAT’S RIGHT. Every March 14 at 1:59 p.m. people all around the world who have no life celebrate the irrational number pi, more commonly known as 3.1415926535 and so on, carrying it out to more decimal places than Fox has disaster shows. They hold it on that day because March is the third month, it’s the 14th day … yes, you get the idea. Some of these people are so into it that they even celebrate 2 pi day on June 28.

Did I mention any of the hazards of specialization?

And finally, it turns out that specialization isn’t just a human thing. The National Highway Traffic Safety Administration (motto: “Cars don’t kill people. Guns fired out of car windows kill people”) has decided that those famous crash-test dummies are too generalized, so they’re going to make a whole family of them.

That’s why they’re in the process of designing a 6-year-old child dummy, a small woman dummy, a 3-year-old child dummy, an infant dummy, and a Dan Quayle dummy, which may be redundant but this is, you remember, a part of the federal government.

So keep all this in mind if you’re talking to your guidance counselor, looking for a new job, going through a midlife crisis, or watching Titanic for the 101st time. Generally speaking, a specialty is a good thing.

From the July 16-22, 1998 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Harvey

Hardly Harvey

Rob Dillion


SRT can’t pull a rabbit out of its hat

By Daedalus Howell

THERE IS A PHYSICS experiment being conducted during Summer Repertory Theatre’s production of playwright Mary Coyle Chase’s Harvey. Looming above the exit sign of the Santa Rosa High School Auditorium’s stage is a clock. Unfortunately, it seems to be there so audiences can witness, firsthand, time gradually slowing to a standstill under the influence of lackluster theater.

A whimsical (almost syrupy) comedy, Harvey follows the exploits of affable man-about-town Elwood P. Dowd, an avid social drinker with a genius for making friends. His quaint alcoholism aside, what really confounds his sister Veta and niece Myrtle is Dowd’s drinking buddy–the play’s title character–a 6-foot- tall rabbit visible only to the big-hearted loon.

Veta and Myrtle are understandably concerned about Dowd’s mental well-being and (perhaps less understandably) conspire to lock him up in a nuthouse. Meanwhile, perfunctory subplots develop between various minor characters (a bevy of one-dimensional psych-industry professionals) to fill out what is chiefly a philosophical treatise on healthy living with one foot firmly planted in the illusory.

Unfortunately, director Dan Kern chose this production to reveal an unusual faculty for taking a taut (and Pulitzer Prize-proven) script and insinuating his own brand of slack into it. Consequently, SRT’s Harvey develops into a protracted, listless experience with more missed beats than a one-legged tap dancer imperiled by spilled ball bearings.

William McNeil turns in an earnest and dutiful performance as Dowd, with nary a nod to James Stewart’s immortalization of the role in the 1950 film. McNeil should be applauded for forgoing an impersonation of the Golden Age actor (a common pitfall), but ultimately his performance comes across as uninspired and tepid–“understated” would be an understatement. Conversely, Terri Park invests herself so zealously into the role of the nattering, rein-tugging sister Veta that her performance practically demands a chorus of the proverbial phrase “less is more.”

As the social-climbing Myrtle, Hollie Martin effectively portrays the turn from the demure debutante beleaguered by her uncle’s preoccupation with his phantom rodent to the plotting, avaricious niece intent on using Dowd’s property for a real estate venture while he is bouncing off the psych ward’s rubber walls.

Mercifully stealing the show is Tim Sabourin as Dowd’s senior psychiatrist, Dr. William Chumley. Sabourin very nearly saves the ho-hum production with his superb expressions, antics, and comic timing and is a solid argument for human cloning. A whole cast of Sabourins would be marvelous.

Scene designer Eric E. Sinkkonen’s sets are decidedly subtle and successful re-creations of an upper- middle-class 1940s home (replete with wood paneling, fireplace, and vintage furniture) and an antiseptic mental hospital administrative office. However, the set seems possessed by a poltergeist: Opening night saw candlesticks leaping inexplicably from their holders and a telephone ringing after it was answered.

In the final analysis, SRT’s Harvey is like wading slowly into an episode of major depression. But, like Dowd’s bunny, the effects of the play can perhaps be expunged with a fistful of psychotropic medication.

Summer Repertory Theatre’s production of Harvey plays through Aug. 1 at the Santa Rosa Junior High School Auditorium, 1235 Mendocino Ave., Santa Rosa. Fridays and Saturdays at 8 p.m.; Sundays at 2 and 7:30 p.m. Tickets are $5-$11. 527-4343.

From the July 9-15, 1998 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Spins

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Woody Lives!

James Michin III


Agit-rocker Billy Bragg salvages lost Woody Guthrie masterpieces

Billy Bragg & Wilco
Mermaid Avenue (Elektra)

YOU CAN BET Bruce Springsteen would give his impeccably capped eyeteeth for this project. When folk legend Woody Guthrie’s daughter Nora–who runs the Woody Guthrie archive–went looking for someone to pen music to some of her famous dad’s unpublished lyrics, she made a wise choice by selecting British working-class hero Billy Bragg. On 15 tracks, agit-rocker Bragg breathes life into remarkably contemporary-sounding songs, teaming up with members of the alt-country unit Wilco. Natalie Merchant and bluesman Corey Harris also contribute to this stunning collection of raw, visceral folk rock, ranging from the intensely personal to the incisively satiric. But make no doubt about it, the star is Woody Guthrie, who died in 1967 after a long bout with a debilitating nerve disease. While Guthrie’s recording career was over, for the most part, by 1947, he penned hundreds of lyrics that never saw the light of day– until now. The plaintive “One by One,” a litany of sorrows (“One by one, my hair is turning gray/ One by one, my dreams are fading away”) is worth the price of admission alone. Prepare to be blown away.
Greg Cahill

Tom Waits
Beautiful Maladies: The Island Years (Island)

WHEN TOM WAITS signed with Chris Blackwell’s Island Records in 1983, his music took a dramatic turn from the folk/jazz-style he had established throughout the ’70s during his tenure with Asylum Records. His lyrics still dealt with the other side of midnight, but instead of beat raps and neo-Tin-Pan Alley-style musical accompaniment, he was now banging his tunes to the rhythm of a very different drummer– more aligned with Captain Beefheart’s avant-garde stew than closing time at the hep-cat lounge. This compilation pulls 23 barbed-wire tracks from the seven albums he recorded through 1993, from the personal apocalypse of “Earth Died Screaming” to the aching sentiment on “Downtown Train” to weary resignation on his enduring “Time.” As Waits readies his first album in five years for a new label, there are signs that it will signal a more rural direction, leaving Beautiful Maladies as closure for the second phase of his unique musical career.
TERRY HANSEN

Girls Against Boys
Freakonica (Geffen)

ELECTRONICA has already gone from the next big thing to no big deal, but the trend has made a lasting link with rock. Indie hardcore stalwarts Girls Against Boys willingly embrace rock’s electronic future on this major-label debut, but they do so with the middle finger of their own harsh and heavy guitar terms. There’s nothing fluid, ambient, or loopy in their keyboard parts and samples. Instead, synth pulses add thickness and conflict to what these guys do best, which is to stomp out ultra-tight riffs that are more about big metal than slacker punk.
KARL BYRN

Van Morrison
The Philosopher’s Stone (Polydor)

THIS TREASURE CHEST of rarities from 1971 through 1988 at once begs the question, “Why weren’t these released before now?” Many of the 30 songs on this two-CD set stand with Morrison’s finest work and in some cases surpass the previously released versions. For example, the newly revealed take of “Wonderful Remark,” originally found on the King of Comedy soundtrack, is an absolute masterpiece in this new context. Among the other chestnuts are “Laughing in the Wind,” featuring Jackie De Shannon on vocals, and “High Spirits,” recorded with the Chieftains. The traditional folktale “John Henry” gets a sweaty soul workout from Morrison, who refuses to let it go until he’s ready to drop at the end. The collection’s subtitle–“Unreleased Tapes, Vol. 1”–bodes well that more of these gems will see the light of day. By embracing his past, Van Morrison’s future recordings may again channel the inspiration of his transcendental early work found here.
TH

From the July 9-15, 1998 issue of the Sonoma County Independent.

© Metro Publishing Inc.

The Scoop

Solar Sense

Sun-powered energy is hot stuff

By Bob Harris

I LIKE TO THINK of myself as an environmentally friendly guy, but I’m really a massive hypocrite. Just to write these things, I use an enormous amount of electricity.

Between my computer and my Internet hookup and the radio on all day and the cable TV and the little vibrating thing I like to wear on my, uh, shoulders, I probably use almost as much electricity as the Florida justice system.

So I worry about where the energy comes from. Nuclear power? Too bad about those 100,000 years of toxic leftovers. Oil? Maybe, if they’d stop forging tanker hulls out of the captains’ leftover beer cans. And don’t even talk to me about coal. One of my grandfathers was a coal miner. He had lungs like a Brillo pad. When his hair went gray, he didn’t buy Grecian Formula, he just coughed on his comb.

Which is why I continue to advocate the development of more sustainable sources of power: wind turbines, biomass and geothermal generators, hydroelectric plants, and a national initiative to recapture the petroleum content of Cher.

Most of all, I’m rooting for solar power. Properly developed, solar power will be clean, cheap, and inexhaustible. In other words, pretty much what Clinton expected from his intern program.

(Sorry. Sometimes the punch lines just write themselves. That’s the only Lewinsky joke I’ll ever do, I promise.)

Unfortunately, so far you see solar power used only in really desolate, hopeless locations almost no one visits, like a remote pay phone, a billboard in the desert, or Magic Johnson’s late-night talk show.

(Speaking of which, have you seen the opening monologue? What is this, the Discovery Channel? I don’t think there’s enough oxygen in the room. Stop the experiment. The man could die. Fun’s fun, but please, get the guy some 02 and a mask, stat.)

Anyway, through little fault of the major energy companies, solar power is finally becoming viable as a large-scale source of power. And as a demonstration to the people of Los Angeles, the big ferris wheel down at the Santa Monica pier is getting hooked up.

Finally, the future we read about as kids is about to arrive.

Solar ferris wheels! Solar public buses and trains! And in Florida, the Sunshine State, the ultimate liberal conundrum: solar electric chairs!

Talk about good news and bad news …

DOES THE FIRST Amendment protect calculated lies? Apparently so. The state of Oregon is an extremely pleasant place. You don’t hear much about it, largely because lots of people who go there simply never leave. The scenery is gorgeous, the cities are clean, and most of the really scary people have already moved to Idaho.

There’s another reason why some Oregon visitors, many from as far away as Florida or New England, never leave: legalized doctor-assisted suicide.

This figures: The only place you can legally kill yourself is the last place you’d ever want to.

Anyway, the neighboring state of Washington also recently considered a referendum legalizing assisted suicide. In a state with thousands of Microsoft employees, when it comes to pressing the cosmic Escape key, they probably can’t help but go after market share.

However, some Washingtonians think physician- assisted suicide is a bad idea–apparently, such things are best left to amateurs–so they published a scary handbill claiming that if the measure passed, “your eye doctor could kill you.”

Well, heck, your eye doctor can kill you right now. So can a proctologist, for that matter. Me, I’m taking the eye doctor.

What they meant was: Your eye doctor could kill you legally.

Still, that’s not what the bill was really about, so the pro-legal-suicide folks filed a complaint under a Washington law that says lying in political campaigns is a crime.

Of course, if anyone paid much attention to a law against political lying, they’d probably have to just put locks on the legislature door and be done with it.

Anyhow, the law about lying went all the way to the state Supreme Court, which threw it out–ruling that the First Amendment even applies to a calculated lie.

Which means: Next year, when Spokane Republicans accuse Clinton of sleeping with a lemur, and Seattle Democrats respond that Newt Gingrich and Trent Lott are alien space robots controlled by the tobacco lobby, it’ll all be part of the big fun stew we call democracy. Which would be really depressing. But still nothing to move to Oregon over.

From the July 9-15, 1998 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Roy Rogers

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Trailhappy


Merrick Morton

The singing cowboy: Roy Rogers–gone but not forgotten.

Searching for the spirit of Roy Rogers

By David Templeton

IT WAS EARLY in the morning–listening for the weather report on the radio–that I first heard the news: Roy Rogers was dead. At the age of 86, the Singing Cowboy had died of congestive heart failure at his home in Apple Valley, Calif. A big lump began to gather in my throat.

“Wow,” I muttered, barely able to say the word. I went looking for my Roy Rogers T-shirt or my Roy Rogers trick pocket knife, something to act as a kind of instant memorial to the quirky, soft-spoken guy who once stood as an international symbol of American decency.

As I set out on my search for Roy Rogers paraphernalia, I recalled another quest–exactly five years ago–for the King of the Cowboys. It began as a hunt through local video stores, inspired by a phone chat with my dad. My father had related his own boyish memory of playing cowboy in his front yard, of going to the movies and paying a quarter to see Roy Rogers onscreen with his “wonder horse” Trigger, of seeing Roy in person riding Trigger in a Fourth of July parade down the center of Dad’s hometown of Ontario, Calif.

The picture of my father playing cowboy was an enigma. He’d always seemed so old to me: It was hard to imagine him even playing, harder still to imagine him–a stationery salesman turned purchasing agent–as a cowboy.

Aware of Roy mainly through my father’s stories, I was curious to see what the films were like.

Unable to locate any of the movies–“Who’s Roy Rogers?” I was frequently asked, though Roy made almost 90 movies and once was the top box-office movie star for 11 years running, from 1943 to 1954–I finally finagled an interview with the man himself.

“What do you got to say?” Rogers asked, talking to me by phone from the office of the Roy Rogers-Dale Evans Museum, in Victorville.

“Where can I find some of your movies?” I asked.

“We got ’em all right here in the gift shop,” he said. “Why don’t you come on down and see the museum. We got Trigger here, stuffed. You need to see this.”

I drove down to Victorville, with Susan, my wife. My father met me at the museum door. For the next few hours, we wandered together through rows and rows of old costumes and castoffs and knickknacks that most people–those without their own museums–tend to throw away.

It was a strange form of bonding, viewing all the bits and pieces of a man’s life, a man who was once an inspiration to millions of little boys and girls, and who now was barely remembered by anyone under the age of 40.

“Everything fades,” Dad explained, as we stood gazing at the stuffed remains of good old Trigger. “Everything fades.” In the gift shop, I bought a few videos, a little cowboy hat, and the Roy Rogers T-shirt. My father and I grinned “Happy Trails,” at each other, and Susan and I drove off into the desert.

What occurred then was another kind of search for Roy Rogers.

TRAVELING UP through the middle of California–hard country, ranch country, cowboy country–I stopped often, questioning the shopkeepers, ranch hands, and waitresses along the way. “Tell me about Roy Rogers,” I’d say.

“He wore fancy outfits,” drawled one well-read cowboy, the ranch foreman at Deep Springs College, in Bishop, an innovative, academically rigorous school/ranch where students alternate their studies with daily chores: milking, roping, slaughtering. “I never knew a real cowboy who’d wear any of that Roy Rogers stuff,” he said. “But people saw that and they thought that’s what a cowboy was. I’m still trying to live Roy Rogers down, to tell you the truth.”

In the Alabama Hills above the nearby town of Lone Pine, we camped on the very same mountain where Roy Rogers had filmed many of his movies. Lone Pine had just seen the completion of filming on Mel Gibson’s movie Maverick, shot in those very same hills, and the town was preparing for the annual Lone Pine Film Festival, a celebration of great old-time Western movies.

“Roy is the king,” enthused Blackie, proprietor of a video store with a shrinelike section devoted to Roy Rogers’ movies. Like me, however, Blackie admitted that his love of the Singing Cowboy was a hand-me- down from his own father. “He saw Roy and Trigger in person once,” Blackie proudly said.

“He even had an autographed Roy Rogers comic book.”

I finished my journey home, watched my movies, wore my T-shirt, but felt no closer to Roy Rogers, the enigma from a time I never knew. On the other hand, I did feel closer to my father than ever before. Weeks later, I met Thys Ockersen, a Dutch documentary maker who’d made a film–The King of the Cowboys–about his own search for Roy Rogers.

“Roy Rogers will live forever,” he explained, in slightly tweaked English, “because our fathers once went to his movies and told us about it. It goes in a circle. By loving the things our fathers have loved, we can hold our fathers even closer.”

Makes sense to me.

Long live Roy Rogers.

From the July 9-15, 1998 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Della Santina’s

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That’s Italian!


Michael Amsler

Secret garden: The atmosphere is cozy and mellow in the courtyard at Della Santina’s just off the Sonoma Plaza.

Delightful outdoor dining at Della Santina’s

By Paula Harris

AFTER a monotonous succession of cool gray days, the sun suddenly cracked through the clouds late one recent Sunday afternoon. The sure-fire tonic to El Niño blahs was to hit the road and follow the streaming golden light as it beckoned between the long shadows slanting across the vineyards all along Highway 12 between Santa Rosa and Sonoma. The clouds clung to the tip of the Mayacamas mountains in a single charcoal band, and the air smelled of lavender and honeysuckle. Finally summer!

Our destination: Della Santina’s, a combination trattoria/rostic-ceria/pasticceria, an informal, family-run Italian eatery, which also features roasted meats and house-made pastries. Once housed in a cramped space on one corner of the plaza, the restaurant has now expanded into the choice location that was previously Les Arcades, and more recently, East Side Oyster Bar and Grill.

The restaurant has a pleasant indoor dining room with artwork on the pale walls and starched white linen tablecloths, but we needed to prolong the sensation of fresh air and sunlight. Tucked out of view from the street is Della Santina’s hidden gem: a small rustic patio garden, which is reached by strolling through a wrought-iron gate, along a narrow uneven brick walkway and past oversize terra-cotta urns that sport cascading greenery.

The garden is naturally sheltered by a canopy of spindly shade trees, hanging overhead grapevines, and an ivy-covered trellis. There is also a retractable canvas awning shielding one section. Several tables with comfortable wrought-iron chairs are placed beneath decorative heat lamps. During our visit each table was set with a spray of miniature crimson carnations in a bud vase beside a bottle of golden-green olive oil. A fountain gurgled and splashed, cheerfully accompanying singer Andrea Bocelli, whose sweeping voice surged from the outdoor sound system.

We whetted our appetites with a small spinach and radicchio salad ($4.25) that arrived fresh, crisp, and lightly dressed with a subtle roasted- garlic vinaigrette.

The minestrone del contadino ($5.25) was a hearty country-style vegetable soup brimming with generous chunks of cabbage, tomatoes, carrots, and celery. Even without the beans or pasta, found in many Italian vegetable soups, this broth tasted lush and full-flavored.

There was a good broad spectrum of Italian and California wines. To elevate the Sonoma-Italia experience, we chose one of the five California-grown Italian varietals: a 1994 Atlas Peak Sangiovese ($28). A medium-bodied, well-balanced red, it tasted of plummy fruits and a hint of licorice.

Our server was friendly but unobtrusive, and he recommended the day’s special pasta dish: house-made penne with mushrooms ($12.25). This was a pleasing blend of expertly cooked, ribbed penne pasta cloaked in a rich savory sauce containing pieces of porcini and portobello mushrooms.

Next we tried the prawn dish, gamberoni dorati ($15.50), which was a disappointment. Listed on the menu as “prawns dore in a wine, lemon, and butter sauce,” the prawns arrived coated in a limp egg batter that we found gave an unpleasant texture and flavor. We asked about this, and the server told us this was the correct preparation for a “dorati” dish. The prawns came with roasted potatoes and steamed broccoli.

The gnocchi of the day ($10.95) was a better choice. The plump mouthful-sized pillows of potato pasta came with a rosy glaze of tomato and basil, a lovely sauce that was delicate and light but slightly creamy.

DELLA SANTINA’S rosticceria boasts a mouth-watering selection of roasted meats. There’s spit-roasted chicken redolent with fresh herbs ($12.95); herb-filled loin of pork in natural juices ($12.95); roast turkey ($11.95); Petaluma duck with wild rice ($14.75); and spit-roasted rabbit ($13.50). As the last item was not available on two recent visits, bunny-fanciers may want to call ahead.

A combination plate of any three roasted meats ($14.75) is a great choice for indecisive diners. We sampled the chicken, pork, and duck medley. Plainly roasted with herbs and basted with natural juices, each succulent item was a study in simplicity. The roasts were accompanied by crunchy, flavorful oven-browned potatoes and steamed asparagus spears.

As the sun eventually slipped down, a server brought out a tray of shimmering votive candles and set one on each table. The atmosphere outdoors was cozy and mellow, and it felt as though we were lingering in a friend’s garden after dark.

For dessert, we selected a couple of house-made goodies. A lemon tart ($5) had a smooth, slightly acidic citrus topping and a dense pastry base that was hard to break into with a fork. We preferred the spongy, creamy tiramisu ($5) edged with ladyfingers and layered with whipped cream, cocoa, and mascarpone cheese. Although it looked heavy, this was an airy puff of a dessert that dissolved in the mouth.

As we prepared to leave, we noticed KGO-TV’s Dr. Dean Edell seated at a neighboring table. Although we subtly craned our necks and squinted in the semi-darkness, we could not see whether he’d ordered low-fat fare. We mused that it was a pity his colleague meteorologist- celeb Pete Giddings wasn’t also at the table–we would have liked to ask him if the sudden balmy weather would last.

If it does, Della Santina’s is definitely a fine place to enjoy it.

Della Santina’s
Address: 133 E. Napa St., Sonoma; 935-0576
Hours: Open daily; lunch, 11:30 a.m. to 3:15 p.m.; dinner, 5 to 9:30 p.m.
Food: Italian, specialties of pastas and roast meats
Service: Friendly, and unobtrusive
Ambiance: Rustic garden patio and indoor dining
Price: Moderate
Wine list: Good selection of California and Italian offerings
Overall: *** (out of 4)

From the July 9-15, 1998 issue of the Sonoma County Independent.

© Metro Publishing Inc.

The Fishing Industry

Fate of the FishesMichael AmslerThe tale of the fish: The Cordell Banks west of Bodega Bay are a rich resource, locals say, but stringent state and federal regulations--along with claims that the stock is being overfished--are making life harder for commercial fishermen like John Salerno (above), for whom the regulations are "a big fuck job."Regulations may be killing the...

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Tinder Records

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The Headwaters Deal

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Dog Pound

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Harvey

Hardly HarveyRob DillionSRT can't pull a rabbit out of its hat By Daedalus HowellTHERE IS A PHYSICS experiment being conducted during Summer Repertory Theatre's production of playwright Mary Coyle Chase's Harvey. Looming above the exit sign of the Santa Rosa High School Auditorium's stage is a clock. Unfortunately, it seems to be there so audiences can witness, firsthand, time...

Spins

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Solar SenseSun-powered energy is hot stuffBy Bob Harris I LIKE TO THINK of myself as an environmentally friendly guy, but I'm really a massive hypocrite. Just to write these things, I use an enormous amount of electricity. Between my computer and my Internet hookup and the radio on all day and the cable TV and the little...

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TrailhappyMerrick MortonThe singing cowboy: Roy Rogers--gone but not forgotten.Searching for the spirit of Roy RogersBy David TempletonIT WAS EARLY in the morning--listening for the weather report on the radio--that I first heard the news: Roy Rogers was dead. At the age of 86, the Singing Cowboy had died of congestive heart failure at his home in Apple Valley, Calif....

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That's Italian!Michael AmslerSecret garden: The atmosphere is cozy and mellow in the courtyard at Della Santina's just off the Sonoma Plaza.Delightful outdoor dining at Della Santina'sBy Paula HarrisAFTER a monotonous succession of cool gray days, the sun suddenly cracked through the clouds late one recent Sunday afternoon. The sure-fire tonic to El Niño blahs was to hit the...
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