Santa Rosa Panhandling Law

0

Beggars’ Banquet


Michael Amsler

Spare change: Begging on the streets is leading Santa Rosa business owners to demand tougher laws, but activists say such laws violate civil rights.

Santa Rosa may clamp down on panhandling

By Janet Wells

JO BARRINGTON, a legal secretary who has been working in downtown Santa Rosa for 10 years, expects to get hit up for change every time she goes out for a sandwich. “It’s gotten more intense. Sometimes in a half-block walk I get asked four times for money,” says Barrington, petite, no-nonsense, and clearly fed up. “You’re not going to catch my grandmother or my sister walking downtown.

“It’s not friendly.”

Echoing the sentiments of many downtown merchants and shoppers, Barrington thinks panhandling is getting increasingly intimidating. “I’m getting sick of it,” she says. “Before, you saw people who seemed to be mentally disturbed. That’s a tragedy, and if it was my family I’d want someone to give them a dollar. I don’t know if it’s a fad, but it’s more and more kids and homeless.

“I give sometimes, but not to able-bodied young people,” she adds. “I object to providing recreation money.”

Santa Rosa is not Berkeley or San Francisco, where “Spare change?” is a litany that is part of the cultural landscape. But these days begging is a burgeoning issue even in the heart of serene Sonoma County. City officials, aiming to nip the problem in the bud, have put together a committee charged with deciding whether the city needs more stringent laws to regulate panhandling.

“We’ve had a lot of complaints from retailers and businesses in the downtown area about the issue. We’ve had complaints from citizens,” says Mayor Janet Condron. “I walk into a business downtown and the owner says, ‘What are you doing about this?’ ”

The problem Condron refers to is not hard to detect. One rainy February afternoon, a few blocks from city hall, three street people are hanging out around a trash can in front of the main library. After asking for a quarter and getting nothing, a middle-aged woman named Barbara starts discussing the finer points of panhandling.

“I know who to ask or not ask,” she explains. “Never ask a person with a newer car or clothes. The more they’re well dressed, the more you expect not to get a penny,” she says, her green fingernail polish chipped, and long blond hair covered with a powder-blue stocking cap.

Michael Amsler



A scruffy guy in a canvas fishing hat, who declines to give his name, cuts in. “I ask anybody and everybody,” he says. “When someone desires to give, they’re blessed. I’m blessed because I’m getting my needs met and they’re blessed because they’re charitable.”

Still, he says, he never panhandles in Santa Rosa. He washes windows. “But I learned to panhandle in Berkeley, right along with the best,” he says, his lack of front teeth clearly showing as he laughs hoarsely. “Panhandling is an honest dollar. If I ask, they can say ‘Yes,’ ‘No,’ ‘Get a job, bum.’ I’m not waiting for little old ladies at ATM machines.”

These two street denizens have never followed people down the street, they say, or blocked someone’s path, or crept up on people at their bank machines. But Fourth Street Market Deli owner Pete Mogannam says such behavior does exist in Santa Rosa, along with cursing, name calling, and giving the finger. “When you’re prevented from crossing the street, you’re going to think twice about coming downtown to do shopping,” he observes.

Panhandling, says ACLU attorney Alan Schlosser, is a topic in nearly every city in Northern California these days. “It comes up often because there’s a frustration that there are people who are really poor and on the streets, and there is pressure to do something about it,” he says. “Local communities have limited means to do something, and these [panhandling] ordinances are an outlet for the political pressure.”

Santa Rosa, like most cities, already has a panhandling ordinance. But, says Police Sgt. Anthony Wynne, it requires that a victim be accosted and then make a citizens’ arrest before the police can step in. “That’s not much of a tool for us to deal with a situation where panhandling becomes a nuisance,” he says.

Bay Area cities like Berkeley, San Francisco, Palo Alto, and Mountain View all have passed recent laws in an attempt to curb the kind of panhandling that some call a nuisance and others feel is downright intimidating.

The Berkeley City Council proposed an ordinance that would prohibit begging after nightfall, approaching people near bank machines, and coercing or following people who have said no to a request for money, as well as soliciting money from anyone sitting on a public bench, putting money in a parking meter, using a pay phone, purchasing a newspaper, standing in a theater or restaurant line, or waiting for a bus.

The ACLU filed suit, and eventually Berkeley’s ordinance was watered down to regulate only begging near ATM machines.

“It was too broad,” Schlosser says. “The courts have clearly said that panhandling is protected speech. It is considered the same kind of speech as soliciting donations for political activities or charities. It can’t be prohibited. It can be regulated, but [laws] have to be narrowly tailored to deal with real problems.”

“We regard these ordinances with suspicion,” he adds. “Often the motivation seems not to be criminal activities or behavior, because then you could pass laws dealing with the behavior. Often the goal is to get people considered bad for business off the street. That is not permissible. You can’t pick and choose who’s going to be on city streets.”

Santa Rosa’s eight-member committee panhandling, made up of homeless advocates, business owners, and city officials, is looking for solutions, not draconian measures, say members. The group met for the first time Feb. 16, and plans several more sessions before sending its findings to the City Council.

Says committee member Daniel Cortez, director of public relations at Redwood Gospel Mission, “The bottom line is how we can come up with something that will work for the community and benefit the panhandlers in a positive way.”

From the February 25-March 3, 1999 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Talking Pictures

0

Rhapsody in Blue

A colorful conversation with psychologist Peter Kramer on the big-screen love story ‘Message in a Bottle’

By David Templeton

Writer David Templeton takes interesting people to interesting movies in his ongoing quest for the ultimate post-film conversation. This column is not a film review; rather, it’s a freewheeling tangential exploration of life, alternative ideas, and popular culture.

I’M ABOUT TO SPOIL the movie for you,” whispers Dr. Peter Kramer, leaning over to reveal that this realization is making him grin bemusedly in the dark.

“Uh, OK,” I whisper back, eyes on the screen as Kevin Costner, perched on the deck of a very pretty, dock-side schooner, makes complicated eye contact with Robin Wright Penn, who stands wrapped in jackets and scarves while returning his meaningful gaze. As my guest warns me of the impending ruination of the film, I assume he is going to divulge some guessed-at plot point. Maybe he’s figured out how the whole thing is going to end.

“Blue,” he says. “There’s not a frigging scene in this movie that isn’t dominated by the color blue. Haven’t you noticed? I bet you won’t be able to count to five without seeing blue.”

I turn back to the screen. Hmmmmn. Blue jeans, blue shirt, blue eyes. Blue jacket, blue scarf, blue backpack. Blue sky. Blue ocean. Wait! A new scene. Costner’s rustic front porch. I begin to count: one, two, three … They step inside. The walls are blue. The table is blue. The ocean glimpsed through the window is still blue. Damn, he’s right.

It’s ruined. I go through the rest of the movie trying to count to five.

Kramer–who lives in Providence, R.I.– is a noted psychologist and the author of Listening to Prozac, the controversial 1993 bestseller that examines the role of antidepressants on a patient’s sense of self. His latest work is the delightful, entirely unexpected Should You Leave?, newly released in paperback. It’s a series of short stories disguised as a self-help book, an examination of several couples wrestling with the decision of whether or not they belong together. The author, grappling with psychotherapy’s mandate against giving advice, wonders what kind of advice, if any, would be appropriate or helpful with each set of fictional lovers. It’s a gripping, entertaining, and truly enlightening work.

The color blue is seldom mentioned.

As for the movie that Kramer has just gleefully derailed, it’s Message in a Bottle, based on a book by Nicholas Sparks. A harried working woman from Chicago (Wright Penn) yearns to find her one true love. She discovers a tide-tossed bottle–it’s pale blue–containing a gloriously passionate love letter, full of pain, longing, regret. She falls in love with the writer, based only on the intensity of his passion. She tracks him to the Outer Banks of North Carolina. He (Costner) turns out to be a shipbuilder. His wife died. He’s very sad. He writes letters to his dead wife. He puts them in bottles. He thinks he will never love again. In walks the woman from Chicago.

It’s all very emotional.

“Well,” says Kramer when the film has ended, “I have to confess I got misty-eyed every 15 minutes–right on schedule. There’s a lot to be said for formula. This movie may be obvious, formulaic, and manipulative–but it’s obvious, formulaic, and manipulative in a very technical and competent manner.

“That said, you can’t really get away from this film being essentially nauseating.”

“Nauseating,” I agree, leading the way to a table inside the theater’s lobby-side cafe. “And formulaic. And blue.”

THOUGH the movie’s been over for 10 minutes now, half of my brain is still busy counting, “One, two, three, four …” “The blue thing!” Kramer laughs, shaking his head. “This movie is like a tone poem to the color blue–maybe it’s supposed to be ‘sea-bottle blue’–and it’s also a tone poem to water. We see the rain outside the window when they’re making love; we see the light playing over their bodies, so their bodies are made to look exactly like water. Maybe we’re supposed to feel that we’re trapped in the bottle, too.

“Despite how easy it is to make fun of, though,” he observes, “it does work. There’s a lesson to writers in this, and that is: ‘Formula works.’ Formulas become formulas because they touch something in us.”

“So what did this formula touch in you?” I wonder.

“Oh, you know,” Kramer smiles. “The part that responds to things like, ‘Life is short, attachments really matter, we all want to loved–that kind of thing. It says that if we want to be loved, we have to be willing to go for it at any moment, at any stage of life. You can go on about practicality and hedge funds and every other damn thing, but there’s nothing like grand opera. There isn’t enough grand opera in our lives. It gives us something we desire.

“I think urban life–our commodified, capitalist life–is too much for us,” Kramer adds. “We know it, we all know it, and we want some way out of it. We want relationships that are not practical, that are not based on bank accounts, that are not based on some absolute pecking order of worth. We want attachments that are not contingent, that won’t be threatened when we get wrinkles or lose our job–but are somehow immortal. And I think this movie plays off of that notion.”

“So why would we settle for grand opera,” I ask, “or movies like Message in a Bottle, instead of embracing love in the full-bodied, no-limits way these fictional characters do?”

“Some people do,” Kramer replies. “But it’s not easy in a culture that honors flexibility and autonomy over having strong connections.

“Even so, ” he repeats, “some people do it.”

From the February 25-March 3, 1999 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Jewish Ghetto Songs

0

Ghetto Blasters

Show spotlights little-known Jewish songs of the Nazi-era ghettos

By Greg Cahill

AND” MAY BE a simple word, but it shot straight to the heart of “Music and the Holocaust,” a 1997 symposium at Stanford University. “How can you put together with a little conjunction like that two things that seem to nullify each other?” asked English professor John Felstiner, an organizer of the event, during an interview with writer Leslie Katz.

Yet, as a number of scholars discussed at the landmark event, music was far from absent from the Holocaust. Ghetto dwellers sang traditional Yiddish and other songs. Partisans had their own defiant tunes. Concentration camp prisoners hummed and sang prayers and other melodies, sometimes on their way to death.

“In the camps, there was quite a lot of musical activity,” said Stephen Hinton, a Stanford professor of music who participated in the symposium. “There are reports of people having drawn considerable feelings of hope and solidarity from musical performances.

“Music,” he added, “has a wonderful way of saying ‘we,’ as well as saying ‘I.’ “

Indeed, the quest for hope and creative expression, even under the most horrific circumstances, reflects a fundamental human drive, said Felstiner. “This is human nature: People can’t stay away from the need for beauty.”

That lesson will be illustrated March 7 at “Ghetto Tango, Music in Extremis,” a rare performance of songs from the World War II-era Jewish cabarets and theaters of Poland and Lithuania during the forced incarceration by the Nazis in such cities as Warsaw, Lodz, Kovno, and Vilna.

The show, performed in Yiddish and English, is the brainchild of New York singer Adrienne Cooper and pianist/arranger Zalmen Mlotek. “The songs, for the most part, were made for entertainment,” explains Cooper, who first began researching the songs of the Holocaust as a history student at the University of Chicago. “That sounds odd, but the songs exhibit a very complex range of subject material and expression. Some are sad. Some are upbeat. Some are ironic, funny, and sharp. There’s a lot of class conflict.

“They reflect their experience.”

AS THE NAZIS rounded up Jews from the countryside and forced them into walled ghettos, the performing artists of those cities reflected on the tremendous social changes, sometimes in satirical spoofs that hinted at their hatred for the Nazis, sometimes in wry ditties that poked fun at their less sophisticated country cousins, and often in defiant anthems aimed at their oppressors.

“There is a continuity with the culture that existed before the war,” says Cooper, during a phone interview from her home. “You know, people were relocated to these ghettos and moved around from their own communities, but there had been theater and political cabarets and a tradition of musical performance preceding the war. What’s really interesting about this music, and very compelling, is that you see what was created anew and what was adapted from traditions that already existed.”

Most of the songs come from 1941-43, before most of the Jews were relocated to nearby concentration camps, the ghettos razed. Cooper unearthed many of the songs while serving as assistant director of the Yivo Institute for Jewish Research. “As a musician,” she notes, “I was able to draw on the archives there and on researchers who were gathering songs from the Holocaust survivors.”

Because there were so few ghetto survivors, the songs provide a window into the past and teach a valuable lesson about survival. “The songs do affirm that even under circumstances that suppressed creativity under the normal course of life, people were determined to continue to perform and use art as a way to communicate and comfort and fantasize and express rage.

“My hope is that the audience will come away with a sense of what it meant to be creative at that time, and gain an understanding of the full range of existence, so we don’t see them only as the subject of a memorial, but realize that their lives were incredibly nuanced and filled with expression.”

Ghetto Tango, Music in Extremis, with Adrienne Cooper and Zalmen Mlotek, will be presented on Sunday, March 7, at 1 p.m. Friedman Center, 4676 Mayette Ave., Santa Rosa. Tickets are $15/advance; $18/at the door. 528-4222.

From the February 25-March 3, 1999 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Abortion

0

Aborted Mission

Text by Janet Wells
Illustration by Lee Ballard



When Teresa Rodriguez* found out in her fifth month of pregnancy that her fetus had no kidneys and would die within hours of birth, she decided to have an abortion. It was not a choice Teresa wanted to make. She was devastated at the news about her baby. But the idea of carrying for four more months a child who could not survive outside of her womb was just too much to endure, so she chose to terminate the pregnancy.

Still, there was a catch.

Even at 20 weeks, abortion is a perfectly legal procedure. Starting with the Roe vs. Wade case more than 25 years ago, the U.S. Supreme Court has made several rulings affirming the right to make choices about birth control and abortion.

But Teresa, along with a growing number of women nationwide, has discovered that freedom of choice is a minefield when it comes to abortion. Too far along in her term to go to the only clinic in Petaluma to offer the procedure and in need of hospitalization, Teresa could not go a few blocks away to Petaluma Valley Hospital. The hospital used to perform abortions, but now the facility is in partnership with the Catholic Church-owned Sisters of St. Joseph of Orange, and the church prohibits abortion even in cases of rape or when the mother’s health may be compromised.

A low-income Sonoma County resident, Teresa was forced to travel back and forth to San Francisco twice over two days to have seaweed extract inserted to soften her cervix. After 48 hours, she went back yet a third time to have her pregnancy terminated.

If Teresa’s situation seems extreme or far from home, think again. The Catholic Church, which sees abortion and birth control as virtual crimes against church doctrine, took over management of publicly-owned Petaluma Valley Hospital in 1997; purchased Santa Rosa-based Primary Care Associates, one of the county’s busiest medical groups, in 1998; leases office space to several independent doctors and small medical groups throughout the county; and owns Santa Rosa Memorial Hospital.

Whether the Catholic Church owns the hospital or is merely the landlord to a consortium of independent doctors, the contract is the same: All doctors must agree not to perform abortions on church property. And doctors who work for a Catholic-owned facility–regardless of their own faith or social beliefs–are prohibited from performing abortions even on their own time at other sites.

“What we’re seeing right now is opponents of abortion trying to limit women’s access by different means. The Catholic Church is doing it by stealth, buying hospitals left and right and taking away rights of non-Catholics,” says Linda McCabe, spokeswoman for Sonoma County National Organization for Women.

“Individual Catholic physicians and patients can follow their religious beliefs, but they should not push that off on other people,” McCabe adds. “No one would accept it if Jehovah’s Witnesses started buying up hospitals and started denying people blood transfusions because that’s their belief.”

CATHOLIC HOSPITALS are the largest non-profit health-care provider in the country. The Catholic Church owns eight of the 14 largest health-care systems in America, controlling 600 hospitals with 140,000 beds. Compare that to Kaiser Permanente, the nation’s fourth largest non-profit provider, with just 28 hospitals and slightly more than 6,000 beds.

In the era of managed care, with more and more hospitals merging to cut costs, the numbers in the Catholic column will only increase. According to a study by Catholics for Free Choice, in the past eight years nearly 100 mergers have occurred nationwide with a non-Catholic hospital teaming up with a Catholic facility. In half of those deals, reproductive services have been either cut back or dropped completely.

Abortion services are unavailable in 84 percent of the counties in the United States, according to the American Civil Liberties Union. One third of all American women live in these counties. There are 76 communities across 26 states in which the sole hospital is Catholic. “Emergency contraception for rape victims, distribution of condoms for HIV, abortion, tubal ligation, fertility services–all these are in danger of getting wiped out,” says Lourdes Rivera, staff attorney with the National Health Law Program. “These are services that are important to women and need to be an integral part of health care.”

Doctors are increasingly hesitant to counter the Catholic strictures by performing a procedure that has swirled in controversy and violence for decades in America. If they criticize their boss or landlord–in this case, the Catholic Church–they could lose their job and livelihood. If the doctor is a vocal supporter of abortion rights, he or she could be killed, like Dr. Barnett Slepian, an upstate New York physician murdered by a sniper in October.

In Sonoma County, with a population of nearly a half million people, there are fewer than two dozen doctors who perform abortions. Planned Parenthood in Rohnert Park does the procedure only twice a month, because one of its two doctors quit and the clinic has been unable to find a replacement. The other four clinics in the county that offer abortion services are swamped, sometimes doing as many as 30 procedures in one night.

“People don’t know what’s going on in their own backyard,” says Dr. Susan Lewis, a family-practice doctor in Petaluma.

A fiercely pro-choice physician who performs abortions as a small part of her practice, Lewis is frustrated and appalled by the “horror stories” she hears from her patients.

One evening last fall at a Santa Rosa clinic, Lewis did an abortion for a Sonoma resident in her mid-20s. The woman, about nine weeks pregnant, had first asked her regular doctor to do the procedure.

“First the doctor said, ‘Let’s pray for your unborn baby.’ Then the doctor told her she had to have an ultrasound, and wrote on the ultrasound slip, ‘Show the heartbeat,’ ” Lewis says, shaking her head. “You don’t do that if someone wants an abortion. It’s not just weird, it’s mean. They showed the woman the heartbeat, and she cried.”

The woman then called the clinic to set up the procedure, Lewis says.

Lewis, like all physicians interviewed for this story, is wary of being labeled an “abortion doctor” in the community or being targeted by anti-abortion activists. She continues to do abortions, she says, “because it’s the right thing to do. It’s not my choice to make for people. I don’t know what’s happening in these women’s lives.

“When I was living in England in the 1980s, I thought I was pregnant,” she says. “I saw a billboard that said, “Unwanted pregnancy? Call this number.” I called and a woman answered, asked how I was, knew I was American. She was nice. Then she said my baby was alive, it had a heartbeat. I remember standing in this phone booth in the freezing rain, pumping money in the coin slot, crying. I was all alone, no family, 100 percent broke. It took me a long time to hang up on her.

“Women,” Lewis says simply, “should have the choice.”

If, however, your doctor is affiliated with the Catholic Church, that choice may not be so easy to make.

From snail mail to the internet, hate finds its way.

Violence and controversy spark an abortion-provider shortage.

THE RULE BOOK for Catholic hospitals also should serve as a heads-up to any non-religious institution flirting with a merger deal or even leasing space. Part of any partnership agreement is adherence to the “Ethical and Religious Directives for Catholic Care Services,” 70 commandments drafted by the National Conference of Catholic Bishops, prohibiting abortion, most forms of birth control, tubal ligation, removal of ectopic pregnancies, even the morning-after pill for rape victims.

Catholic hospitals can even refuse to refer patients to facilities that do offer such services.

Legislative tolerance of such restrictions is growing, according to a January article in The Nation. The 1997 Balanced Budget Act applies the “conscience clause”–which originally meant that individuals would be able to opt out of doing procedures like abortion on moral grounds–to managed-care institutions. As a result, health plans for federal employees may use religious or ethical grounds to curtail reproductive care.

According to The Nation, pharmacists in South Dakota are legally allowed to deny a woman a prescription if they have reason to believe it will be used to terminate a pregnancy.

Catholic health-care providers aren’t cagey about the church’s philosophy. Larry Maniscalco, director of Mission Services for Memorial Hospital in Santa Rosa, offers to provide articles and pamphlets, even underlining sections of the directives that apply to reproductive care. Maniscalco readily concedes that an affiliation between Catholic and non-Catholic institutions “usually does result in the loss of reproductive services.”

As for whether a truncated menu of services equals full health care for women, he says, “You have to look at whether it is available elsewhere in the community, and I think it is available in the community.”

One Santa Rosa primary-care physician says that the Catholic Church isn’t the enemy as much as doctors eager to cash in on the partnership gold mine. “The most destructive thing happening in women’s reproductive-health care is that doctors are caving in,” says Dr. Renee Walker. “Catholic hospitals are doing what they’ve done for 2,000 years. The medical world is caving in for financial expediency.

“They sold women down the river because it made financial sense.”

Walker is particularly critical of Primary Care Associates, which merged with Memorial Hospital last year. With more than 50 physicians, the group cares for about 100,000 patients in Sonoma County.

Before the merger, nine of the PCA doctors would perform abortions, Walker says. The merger contract now prohibits the group’s doctors from offering abortions at their offices–as well as on their own time somewhere else.

“Patients had no idea,” Walker says. “And the doctors signed this agreement.”

Along with the new title of president and chief executive officer of the St. Joseph Health Foundation of Northern California, PCA head Gary Greensweig also netted a tidy profit from the deal, Walker says.

Greensweig demurs when asked if the merger deal was personally lucrative, but concedes that he profited from the deal. “There was an acquisition of certain assets,” he says.

Why were PCA doctors willing to give up their right to provide reproductive services? “The medical group believes that the type of care for the underserved and community partnership programs that have historically been present with Memorial are very compatible with the medical group’s own identities and values,” Greensweig says. “Basically, the bottom line is from our standpoint; our patients get the reproductive services they need. But in most cases they don’t get them from us.”

PCA doctors have “a variety of referral services,” Greensweig says, an attitude that infuriates Walker, who, as a doctor with a private group in Sonoma County, bears the brunt of PCA’s agreement to not provide abortions.

“They don’t counsel these women, they just give out a number,” Walker says. “These women would come over to our office frantic. Often we didn’t get paid a dime because it wasn’t a formal referral.”

In October, Walker says her group refused to take any more PCA patients. “They never fixed it. They didn’t care.”

THE NUMBER OF WOMEN going to clinics like Commonwoman’s Health Project and Women’s Health Specialists in Santa Rosa has mushroomed in the last several years, clinic workers say, and the profile of a woman seeking an abortion has changed dramatically as well.

“When I first started working in 1992, the majority of patients were the underserved, with no insurance, Spanish-speaking,” Walker says. “Now they have private insurance, are employed, even have college degrees. They have their own doctor and there they are, a huge group of insured that don’t have anywhere to get an abortion.”

When Walker and her colleagues wanted to lease space from the Sisters of St. Joseph of Orange, an order that runs Memorial Hospital as well as owning numerous buildings in the area, they were asked to sign the usual agreement: no abortions anywhere anytime, no talking about birth control to unmarried couples, no invasive fertility treatments or sterilization.

But there is some wiggle room with the church directives. The church wanted Walker’s busy practice as a tenant enough to make some concessions. Walker and her colleagues can violate just about all of the reproductive directives, except abortion–and that they can do elsewhere.

When publicly owned Petaluma Valley Hospital proposed a merger with Memorial Hospital in 1995, community members went ballistic at the notion that reproductive services would no longer be available. Because of a financially creative compromise that gave the hospital the resources of the Catholic Church while keeping it separate through a lease agreement, tubal ligations still are performed at the hospital.

But abortions are one of the bottom-line no-nos for Catholics. Instead of finding a pro-choice partner for the hospital, women’s health services–including abortion–were shunted off to a separate clinic, the Petaluma Health Center.

While the “separate, but equal” solution does give women access to abortions, patients and doctors feel segregated and isolated from the main hospital. (If there were complications with an abortion requiring transfer of a patient to the hospital, clinic doctors say they don’t know whether Petaluma Valley Hospital would refuse the patient, resulting in a potentially life-threatening 15-mile drive to Sutter Medical Center in Santa Rosa.)

Such concessions aren’t perfect, and they are far from consistently applied when it comes to mergers. Concessions that affect reproductive care are made case by case, based on, it seems, how hard people fight. Greensweig and his PCA doctors decided to swallow the directives whole.

“We did not want to be in a position to negotiate away those core beliefs that our partner health system had,” he says.

And because PCA, unlike Petaluma Valley Hospital, is a private doctors’ group, patients don’t find out what they have lost until after the ink is dry on the merger deal.

“These decisions are made behind closed doors and boardrooms,” says attorney Rivera. “There is no requirement that there be any kind of notice.”

Sonoma Valley Hospital administrators announced recently that they are searching for a partner to bail the hospital out of financial straits, but there is no law requiring that the public must be in on the details of a merger.

PRO-CHOICE physicians are not happy about the merger trend and resulting loss of reproductive services. “But to stand up to the system can cost them their careers,” says Sepi Djavaheri, community organizer for the California Women’s Law Center. “There are few doctors who are willing to do that.”

And patients are ambivalent. “There’s so much shame with an abortion, and patients have internalized it. They aren’t going to go back to their doctor and say, ‘How dare you?’ They’d rather forget about the issue,” Dr. Walker says. “We want [abortion] to be available, we want it to be safe, but we don’t want to do it. It’s like garbage collectors. You want to put it out there and have it gone.”

*Names of patients and doctors changed at their request for privacy and security.

This is the first of a two-part series on abortion issues. Next week, how the religious right fills the post-abortion void.

From the February 25-March 3, 1999 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Director Paul Schrader

0

Angst for the Memories

Man on the edge: Oscar-nominated actor Nick Nolte, left, and writer/director Paul Scrader share a moment of levity on the set of Affliction. The underrated Schrader’s other projects include Taxi Driver, Blue Collar, and Mishima.

Writer/director Paul Schrader has made wallowing in the mire of the human condition a cinematic art form

By Nicole McEwan

LONELINESS has been following me my whole life,” Says Travis Bickle in Paul Schrader’s screenplay for Taxi Driver. It’s an elegiac line, and one that effectively describes its writers, as well as the cavalcade of existentialist antiheroes who populate his scripts and movies.

Almost all of Schrader’s stark, morally ambiguous films contemplate the downward spiral of a man or men caught in a spiritual and emotional prison of their own construction.

And the new Affliction is no different. Starring a gaunt-faced Nick Nolte, the film is adapted from Russell Banks’ resonant novel. Anyone familiar with the Canadian writer’s other screen-adapted work, The Sweet Hereafter, would agree that Schrader and Banks share a similarly bleak sensibility and fascination for flawed characters straddling the brink between despair and disaster.

Nolte’s Wade Whitehouse is the deputy of Lawford, N.H., a sparsely populated town well beyond its glory days. Life passed Lawford and Wade by a long time ago and, as the film opens, things have settled into a perpetually sour but bearable stasis. Then Wade’s ex-wife threatens to cut off his visitation rights to their young daughter, a vengeful act that sets the depressive on a paranoic path. Soon he is questioning the accidental death of a wealthy local union boss, ostensibly trying to inject some meaning and purpose into his painfully rootless existence. Wade’s indefatigable quest for the truth moves from obsession to madness as the story unfolds.

In New York to promote the film, the filmmaker acknowledges that Wade, a quintessential loner, fits the Schrader mold.

“It’s a spiritual loneliness,” Schrader stresses. “Wade certainly doesn’t lack for people to talk to, and he likes and is liked by the people around him. But there’s something essentially solitary about him.”

At the base of Wade’s sadness is the abuse he suffered at the hands of “Pop” Whitehouse (James Coburn)–a situation illustrated through judiciously brief, powerful flashbacks. The reign of terror of the perhaps ironically named abusive familial despot might snidely be summarized as “white house, no picket fence.” Thanks to Pop, Wade has arrived at adulthood as damaged goods, unable to conquer the affliction that haunts him.

As Pop, Coburn makes an auspicious return to the screen, infusing the surly alcoholic with a vivid sadism. Interestingly, Paul Newman, not Coburn, was the director’s first choice. “I wanted somebody who was large physically and who represented another generation of Hollywood manhood,” Schrader says. “That pool of actors is now quite small.”

Alas, Newman “didn’t want to play a bad guy.” Another decisive factor was the fact that the 74-year-old legend has grown a bit “frail” over the years and the role was “too physically demanding.”

SCHRADER’S STRICT Calvinist upbringing forbade moviegoing because of its “decadence,” so the Michigan native never even saw a film until he was an 18-year-old college student. The moral chasm between his childhood and his chosen profession inspired the simultaneous attraction and repulsion to the seedier recesses of human behavior that define Schrader’s most successful projects, among them Taxi Driver and Raging Bull, two of several collaborations with Martin Scorsese. Oddly, both films garnered a slew of nominations and awards for everyone involved except Schrader, though both have achieved classic status.

How does it feel to have been so egregiously overlooked?

“I don’t think much about it,” Schrader says matter-of-factly. “It’s better to have written them than not. Oddly, I was once asked about the ‘difficulty’ of overcoming Taxi Driver‘s success. To me, that film was like a burden lifted off my shoulders. It was an indication very early on that I had the ability to succeed in this business. And that moment of validation is something many friends of mine are still seeking–even after 25 years of writing.”

Next month, the tragedy-inclined director will start shooting Forever Mine, a romance starring Joseph Fiennes and Gretchen Mol. Due this fall is Bring out the Dead, a drama about a New York ambulance driver on the verge of a nervous breakdown. The project marks the reunion of Schrader and Scorsese after a decade-long hiatus. Fans concerned that Forever Mine might be a sign that the stony individualist is going soft–or, even worse, going Hollywood–should know that although it’s a love story, it’s one about “an obsessive, undying love.” And that’s territory the director knows quite well.

From the February 25-March 3, 1999 issue of the Sonoma County Independent.

© Metro Publishing Inc.

The Scoop

Feeling Limp?

By Bob Harris

REMEMBER that big study that was in all the papers, saying that 40 percent of men have trouble in the bedroom? Like maybe we could all do with a little Viagra now and again? Well, guess who wrote it? Two weeks ago, the Journal of the American Medical Association released a highly publicized report providing conclusive, scientific proof that Americans are, in precise medical terms, a bunch of linguine weenies. Practically every media outlet in the country ran with the story, since everybody loves this kind of news: If you do have trouble getting, er, perpendicular, it makes you feel like we’re all in the same tiny little boat, while if you stand at attention–at ease, shall we say–it makes you feel like captain of the ship.

There was just one minor detail about the study that JAMA neglected to mention to its readers: The labcoats who wrote it were also paid consultants to Pfizer, the people who make Viagra.

Oh, gee, there’s a shock.

One thing that keeps a lot of people from buying Viagra is feeling ashamed to admit there’s a problem … and all of a sudden out comes a study saying lots of people have the problem, so there’s no reason to feel ashamed.

Coincidence?

Yeah, maybe. That doesn’t mean the study isn’t accurate. The authors were paid by Pfizer to review clinical trial data on Viagra before the drug was submitted for government approval. There’s no direct connection to the study published in JAMA, and it’s entirely possible that the scientists’ financial interests in no way affected their methodology and conclusions. Let’s hope and assume so.

But even so, JAMA, which was informed of the connection, should have disclosed the information about the researchers’ previous work for the sex drug manufacturer.

If it had, the only medicine a lot of people would be taking as a result might be a big grain of salt.

FINALLY, a personal annoyance I just want to vent about: One notch above fast-food joints are those nicer, franchised sit-down restaurants, invariably bedubbed with skin-crawlingly cutesy names that would make an Osmond choke: T.J. McCookieCutter’s, Cap’n Happy’s Chuckle Bucket, Ol’ Mama Stifleluvin’s Biskitz’n’Ribz, B.M. Misspeller’s Crapulous Disgorge-O-Mat, and so on.

You know the drill: wood and brass fixtures, baseball pennants, and license plates on the walls, and a menu with little hearts next to the four entrées out of 110 that won’t cause you to leave a ventricle as a tip.

A while back, the folks at a college I performed at took me to one of these places. The food was actually pretty good, but even the washroom was fixed to the gills with cloying, saccharine photos of kids with catcher’s mitts, dogs licking kittens, and absurdly fat people scratching themselves.

This was all a little more visual input than I needed right that minute.

So two nights later and two states over, another college took me to another unit of the same chain. Sure enough: wood and brass, baseball pennants, little hearts …

If you’ve seen the old TV series The Prisoner, somewhere in the distance you could almost hear a bald guy with goggles murmuring, “Begin program.”

And then I used the washroom. To my horror, it was completely identical to the one 200 miles away. Dogs. Kids. Fat scratch fever. Right down to the molecule.

Which means some high-paid consultant has actually focus-grouped, market-researched, and maximized the profit margin on my relieving experience.

It’s more than just a bathroom–it’s a highly tested waste facility of fun!

AIEEE!!!

Please, corporate America. For the love of God. Stop trying to please me. Stop trying to optimize me. Not everyone is comfortable on the other side of your one-way glass.

Allow us just the tiniest respite, just one brief moment of contemplation, just a single room in the world where we can escape your never-ending influence.

In short: Let my people go.

From the February 25-March 3, 1999 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Talking Pictures

0

Rocky Road

Still Crazy.

Radio host Dr. Demento tunes in to the rock-and-roll film ‘Still Crazy’

By David Templeton

Writer David Templeton takes interesting people to interesting movies in his ongoing quest for the ultimate post-film conversation. His column is not a review, but a freewheeling discusson about life and popular culture.

AS A CHILD of the ’70s, I’ve long felt a weird love-hate nostalgia for anything representative of that decade–especially the music. Though genuinely embarrassed that I still know all the words to songs like “Hurry on, My Wayward Son” and “Come Fly Away,” I need only hear a few bombastic chords of such tunes to launch me headfirst into a helpless fit of loud karaoke and some not-so-youthful spasms of high-energy air-guitar.

This being my attitude, I shouldn’t have been too surprised at my roller-coaster response to the beguiling British comedy-drama Still Crazy.

A funny, surprisingly emotional coming-of-middle-age story, it’s about a pretentious ’70s rock band called Strange Fruit (think Journey, only more so) and the attempts of its scruffy, declining members to launch a reunion tour after 23 years of musical obscurity. The film stars Stephen Rea as the band’s guitarist–forced into stocking restroom condom machines for a living–who still longs for the glory days of his youth, and Billy Conolly as the roguish roadie who rejoins Strange Fruit, mainly out of curiosity about whether the mismatched bandmates can keep from self-destructing this time around. The film features songs written by Mick Jones of the now defunct Foreigner and Jeff Lynne of the equally absent Electric Light Orchestra.

I leave the theater humming, but within an hour, I feel the sharp pinch of melancholia nipping at my mind. Still Crazy, with its bittersweet, youth-cannot-be-reclaimed, let’s-all-mourn-the-days-gone-by overtones, is beginning to bum me out. I need a touchstone, someone to ground me to the present while helping me put my feelings into some historical context.

So I call up Dr. Demento.

“Oh my,” sympathizes the good doctor, alias Barry Hansen, internationally renowned for his groundbreaking ’70s radio show and still playing his surprising mix of musical oddities and rare recordings on over 100 stations around the world. (Currently, there are no Sonoma County stations running the Dr. Demento Show, though an energetic letter-writing campaign is under way to coerce KFOG in San Francisco and KFOX in Santa Rosa to return the show to their airwaves.)

“I kind of felt what you did when I saw Still Crazy,” Demento admits, “only in reverse. I felt bad for these poor guys at first, but later on, I really started rooting for them. ‘You can do it! Get your act together.’ I found that it all rather tugged at my heartstrings. Not that it made me miss the ’70s or anything.”

When not spinning his offbeat tunes, Demento maintains his reputation as a respected musicologist, with a scholarly knowledge of rhythm and blues. Before making a name for himself in the ’70s, the young Barry Hansen worked the fringes of the Los Angeles rock-and-roll culture, playing keyboards in a short-lived band called King David and the Parables, and working as a roadie for the colorful electric hippie-blues band Canned Heat.

“As a former roadie,” Demento remarks, “I somewhat identified with the Billy Conolly character. It made me somewhat wistful for my roadie days.”

“You know, in the movie it was the roadie got all the groupies,” I point out. “From your personal experience, can you corroborate the accuracy of that?”

“I don’t have anything to report there,” Demento says, chuckling. “Canned Heat didn’t attract that many groupies while I was with the band. What can I say?”

RETURNING to my nostalgia for the ’70s, Demento offers this musical synopsis.

“To me, what the ’70s did for mainstream rock and roll was that it took the ideas of the ’60s and refined them, made them bigger and more impressive-sounding. Because, among other things, studio technology improved incredibly during the ’70s. Instead of four tracks, you had 24. You had better noise reduction. There were just so many more things you could do.

“The songs themselves,” he notes, “didn’t evolve very much, if at all, from what was being written in the ’60s. But they could make them sound so fine that people were fooled. The other big invention of the ’70s, of course, was the ‘Power Ballad.’ “

“The Power ballad. Like ‘Come Fly Away,’ ” I suggest.

“Exactly,” he affirms, replying so quickly that I don’t have time to confess knowing the lyrics. “The kind of song that could inspire 20,000 concert-goers to all wave their lighters in the air at the same time. It formed a strange kind of community, all those people with their thumbs on their lighters. Whether the song was a piece of dreck or not, it sounded damn impressive.”

“At the end of Still Crazy,” I mention, “the Fruits sing their own bombastic power ballad, ‘The Fire Still Burns.’ “

“Which was either just good enough or just bad enough to be a believable ’70s rock anthem,” he says.

“Still,” I counter, “It’s a bittersweet moment.”

“Oh, I agree,” Demento says. “It’s the classic rock-and-roll desire to never fade away. Even so, it’s normal for bands to rise up and then fade away. It’s been the case through the 20th century that most generations of kids despise the music that their parents listened to. That’s the normal evolution of pop music. Fortunately for bands like Strange Fruit–and even for real bands like Styx–some kids defy the age-old trend and end up getting into the music of previous generations.

“To these open-minded individuals,” the good doctor says with one last chuckle, “belongs the history of rock and roll.”

From the February 18-24, 1999 issue of the Sonoma County Independent.

© Metro Publishing Inc.

White Studies

0

Like Whites on Race

The race struggle shifts to white studies. Now what?

By Jeff Howe

WHEN IT COMES to the humanities, academic disciplines have more in common with sitcom legal beagle Ally McBeal than might be immediately apparent. This is not to make light of higher education; great works of art, great scientific discoveries, and great tweedy fall looks have all emerged from our prestigious university system. But like the show that made bi-gendered bathrooms a topic of national conversation, disciplines emerge from our culture and are a vehicle for observations about that culture.

Both offer snapshots of contemporary American society.

From this perspective, critical white studies–which, if not a discipline in their own right, do constitute an academic Zeitgeist of sorts–begin to make more sense. The premise of white studies is fairly simple: White is a race like any other; the close examination of white culture will produce knowledge and understanding–a consciousness–that will contribute to the dismantling of those subtle, pervasive privileges that whites enjoy at the expense of other races.

“The question becomes, Can you talk about the contributions whites have made without discussing the terror that whites inflicted on other races?” says Charles Gallagher, a sociology professor at Georgia State University who has taught classes on race and ethnic relations both there and at Colorado College, in Colorado Springs.

The influences that shape this movement seem, at first, contradictory. White studies may be the first strategy of social inquiry to embody both the success and the failure of multiculturalism on college campuses. In this way, the discipline of critical white studies is very much of our confused world, a world in which Ally McBeal represents either feminism’s wholesale retreat or its final victory, depending on who’s providing the analysis. It’s a world in which Politically Incorrect draws millions of weekly viewers, while politicians scrutinize their speeches for language that might offend anyone.

The ideas underpinning the study of whiteness seem evident: After years of failed policies and dashed hopes, Americans are willing to have a go at just about anything that proposes to suture our gaping racial rifts. So it’s surprising that until the University of California-Berkeley hosted a conference addressing whiteness studies in the spring of 1997, the field hadn’t even appeared on the national radar screen. It’s true that the tradition of ethnicity scholars studying white culture dates back to such classic essays as W.E.B. DuBois’ “The Souls of White Folk,” from 1920. But it’s because the history of America’s race struggles involved consolidation (e.g., bloc voting) and strategic exclusion (e.g., black nationalism) that white people who studied ethnicity tended to ignore their own.

Until now, that is. As with any trend, the impetus behind critical white studies bubbled up simultaneously from several different quarters and has taken many different forms. Matt Wray, a professor at Berkeley and co-editor of White Trash (an anthology of essays exploring topics such as slasher movies and the cult of Elvis), studies chain-saw art. Noel Ignatiev, a fellow at Harvard and editor of the Race Traitor journal, proposes to study whiteness only as a method of abolishing whiteness altogether. Jeff Hitchcock is more of a pragmatist; he founded the Center for the Study of White American Culture and holds conferences intended to “improve people’s ability to function in multicultural society.”

WHITE STUDIES draw together a diverse group of people with a diverse set of objectives, and thus can’t be pegged to a traditional ideological spectrum. What most tend to agree on is that traditional liberalism has become bankrupt, and that the path to racial equality involves “racializing” whiteness.

But the emergence of white studies has raised the ire of critics from both the right and the left. Shelby Steele, a race scholar at Stanford University and winner of the 1991 National Book Critics Circle Award for The Content of Our Character, feels white studies reaffirm notions of “black despair” and “white privilege,” and claims whites will use it to absolve themselves of racism. Other race scholars have expressed concern that white-studies departments will compete with other race and ethnic studies departments for already-scarce funding and resources.

Even white-studies scholars themselves caution against interpreting the examination of white culture as the celebration of white culture. Most ominous of all concerns is that white supremacists could co-opt white studies for their own purposes. It sounds ridiculous, but white supremacists share many of the same interests, if none of the same ends, as white-studies scholars.

“I’ve been in high schools where kids say, ‘Hey, if they get a Latino club, we want a European club.’ And these are the kids who are going to be showing up at colleges offering courses in white studies,” says Chip Berlet, a senior research analyst at Political Research Associates, a Boston-based think tank that tracks far-right groups. Berlet has spent the past 17 years talking to white supremacists and advises white-studies scholars to begin taking these movements seriously. “Pat Buchanan is on TV every night in this country, talking about issues that are often white ethnocentric. Critical-white-studies people simply don’t have that exposure. There are people who are going to take the themes of a critical-white-studies course and twist them into supporting white supremacy.”

Gallagher has interviewed dozens of college students about perceptions of their own color. He readily acknowledges the threat posed by white-pride movements, but says the hope is that after taking a class examining their race, students leave with a heightened sensitivity to what it means not to be white. “A lot of white 18- to 20-year-olds are struggling with their history, with a narrative of whiteness that doesn’t evoke terror, slavery, or the Ku Klux Klan,” Gallagher says.

“But in constructing a positive identity, they also have to talk about how whites have always been privileged.”

Because each successive generation of white Americans moves further and further away from its country of origin, a vacuum has opened up, and many students, Gallagher says, are simply trying to find an ethnic identity. The goal is to expand that search to include an understanding of how other ethnicities have shaped American culture as well.

When Gallagher taught at Colorado College, one of his white students was so impressed by his class that she focused her senior thesis on how fellow students perceived their racial identity. “I thought of myself as a white person,” says Jennie Randall, who is now a first-year law student at the University of Pennsylvania. Gallagher’s class, Randall says, “made me realize there were a lot of assumptions I took for granted.” Randall, who grew up in predominantly upper-middle-class environments, says her exposure to non-white students had been negligible.

“For me, the issue of race had always been somewhat troubling, and I think a lot of white people have a lot more anxiety about race than they’re willing to admit,” she says. “Because there’s an assumption that race is only an issue for blacks, it’s surprising to discover that you’re as affected by it as anyone of color.”

Randall adds that of the white students she interviewed for her thesis, only those who had taken classes concerning racial identities had thought about their own whiteness.

For students like Randall, who would be unlikely to join the Klan even without a class in white identity, the process of examining herself as a “racialized other” has enriched, but probably not changed, her life.

For a student teetering on the edge of white pride and white consciousness, however, a curriculum in white studies could turn anger and confusion into understanding and empathy.

It’s a tall order to fill–to turn the tide of white resentment and prepare America for a harmonious, equitable coexistence in an increasingly multiracial society–a society in which the melting pot looks more like gumbo than New England clam chowder.

From the February 18-24, 1999 issue of the Sonoma County Independent.

© Metro Publishing Inc.

The Scoop

We Are Them

By Bob Harris

BENEATH downtown Chicago lies a city with no addresses, no jobs. Some residents barely have a name. Between the bright lights of the city above and their murky reflection on the river below lies Lower Wacker Drive–a dark underworld surrounded by side streets, parking spaces, and loading docks. That’s where many homeless go on cold nights to escape the bitter wind and sleep for a few hours on the warm ventilation grates. Some stay just for a night or two, some for an entire winter, a few even longer.

On a Chicago winter night, with the windchill far below zero, the cover of the city above and heat of the warm grates below can be literally the difference between life and death. On any given night here, there might be a few dozen homeless people–or 100 or more. I know it’s there.

I’ve slept down there myself.

Here’s a story I don’t often tell:

In the spring of 1984, I graduated from college with a flashy engineering degree, a plum job with a Fortune 500 company, enormous financial potential, and a mountain of student loans.

In summer I added to the debt load with credit card spending to cover relocation, rent on a cool condo, three-piece suits to wear in the office, and the assorted household crap you buy when you first have a house to hold.

By fall, I realized that, emotionally, I couldn’t function at all in a corporate environment. So I quit.

Getting another, similar job was out of the question. So I went home and lived with my parents for a while. This was worse. My father had worked a mind-numbing blue-collar job for more than 25 years. I’d had a chance at something better and blown it in less than 25 weeks. I was profoundly depressed. My weight ballooned.

The best job I could find was in … telemarketing. This had to be the bottom. I was wrong.

Surprisingly, I was excellent at sales. Since I could create the illusion of perkiness with customers while mentally debating the merits of public self-immolation vs. a simple, discreet 10-story fall, it wasn’t long before the company wanted me to enter management. I suddenly had a chance to go from 20 bucks a day to 20 grand a year.

So I arrived in Chicago, suitcases and hopes in hand. A high school friend agreed to let me sleep on his couch until I was on my feet. But while he was away on a visit, his roommate threw me out.With no fixed address and no place to keep myself presentable, it wasn’t long before the job went away as well. I couldn’t go home a failure again. And there was nowhere else left to go.

My long Chicago winter was about to begin.

I never considered myself “homeless” at the time. I just didn’t have anywhere to live. I thought of “homeless” people (when I gave them a thought) as, uh, bums. I didn’t realize how many homeless people are former mental patients in need of medication, Vietnam or Gulf War vets with severe emotional damage, or just ordinary folks way down on their luck.

Sometimes, when I could find a gig, I could afford a room at the YMCA, which was tolerable, if sticky. Or sometimes I ‘d sleep at the airport, moving around between terminals so security wouldn’t get wise.

Sometimes I sang in the subway for meal money. Sometimes I just stared into space. More than once I stood freezing in the wind on the Michigan Avenue Bridge and thought about throwing myself into the icy river below. But it’s less than a two-minute walk from where I stood on that bridge to the warm heating grates beneath Wacker Drive and, as for many in my situation, survival for another night.

You try getting a job without a fixed address. Try leasing an apartment without a job. Try just getting an interview while carrying a dirty suitcase with all your belongings in it. And even if you do get a job, try opening a bank account without being able to prove residence. Try not just giving up.

And y’know what? I had it easy. I wasn’t old or sick or injured. I had a college degree. I had blond hair and blue eyes. I wasn’t black or Hispanic or female, so I never had to deal with prejudice. I didn’t have a kid to take care of. I didn’t drink or have a drug addiction.

And my tendency to overeat was certainly no longer a problem.

Yet it took me almost six months to climb out of that hole and become a functional, if struggling, member of society again.

Recently the city of Chicago essentially closed off Lower Wacker Drive, installing steel fences and allowing shopkeepers aboveground to lock the gates all night. The only reason for the gates is to keep the warmth of the ventilation grates away from people who have nothing.

Where will the homeless go? How many will survive the next cold night? Presumably, they’ll just disappear.

I pray none of them disappears as I almost did.

From the February 18-24, 1999 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Chitra Banerjee Divakaruni

Bridge-Builder

In person: Divakaruni speaks Feb. 25 in Santa Rosa and Feb 26 in Sonoma.

Divakaruni’s fiction spans two worlds

By Patrick Sullivan

MOVING TO the United States really made me renegotiate my boundaries and, in some ways, even reinvent myself as a woman,” says Chitra Banerjee Divakaruni. “For many, many immigrant women, it’s the same.”

Speaking by phone from New York City, the best-selling Indian-American author is explaining in her warm, rich voice the important role personal experience plays in her fiction. Divakaruni is a published poet and the author of Arranged Marriage, a collection of short stories that captured the American Book Award in 1996. But she is best known for her breakthrough 1997 novel, Mistress of Spices, a story of passion and magic that became a surprise bestseller. Both books draw heavily on the author’s own experiences as an immigrant.

Now the newly released Sister of My Heart (Doubleday; $23.95) carries on the theme, capturing the dilemmas and opportunities confronting women with one foot in traditional Indian society and the other in the modern world.

The novel tells the story of Sudha and Anju, two young women raised as sisters in an old-money family in Calcutta. Born on the same day into a traditional household, both deprived of their fathers by tragedy, they’ve shared a powerful emotional bond since birth. But as they come of age, their relationship is tested by romance, arranged marriage, family secrets, and emigration to America.

At the center of the book lies the girls’ traditional Indian family, upper-caste and wealthy, determined to follow time-honored rules of decorum. That’s a subject about which Divakaruni, who was born in Calcutta, writes from personal experience.

“I come from a very traditional family, but we weren’t rich enough to own one of those mansions,” she says. “But many of our friends did live in places like that.”

When she was 19, Divakaruni and her brother were permitted to come to the United States by her father when he took a job here. After graduate school, she settled down in the Bay Area and began her writing career, also finding time to start a family and organize a telephone help line for immigrant Asian women.

Divakaruni, now 42, has clearly struck a chord with her work. Her fiction has won a bevy of awards, and The Mistress of Spices is being made into a movie that may hit the theaters as early as next year. She credits her success, in part, to a growing recognition by publishing companies of the value of diversity.

“Fiction should portray a multitudinous American world, because that’s the reality,” she says. “There’s been a real effort on the part of publishing companies to make a variety of ethnic voices available to readers, and I think that enriches American literature.”

Some have criticized Divakaruni for her portrayal of women, arguing that she perpetuates negative stereotypes about Indian society. But the author says she’s just telling it like it is.

“In my years of working with women who were in great distress, I’ve seen many of these problems, and I think they needed to be written about,” Divakaruni says. “Hopefully the intelligent reader will see that while this is in the Indian context, it’s really about women in a larger sense. The oppression of women is going on in all communities.”

Still, Divakaruni also recognizes the positive aspects of traditional culture and the value it places on family and community. Her life, like her fiction, walks a careful line between the two worlds. Six months ago, she moved with her husband and two young from the Bay Area to Texas, where she now teaches at the University of Houston. Like the characters in her book, she sometimes finds herself struggling to balance the demands of family and career, tradition and modernity. The key, she says, is to combine the best parts of both. Of course, that isn’t always easy.

“It’s really a juggling act. Some days, it’s clear what the best aspects are, and some days it’s not,” Divakaruni says with a warm chuckle. “And, of course, my children have their own ideas about that.”

Divakaruni will make two local appearances. First she speaks at 7 p.m. on Feb. 25 at Copperfield’s Books, 2316 Montgomery Drive, Santa Rosa (578-8938). Then she appears at 7:30 p.m. on Feb. 26 at Readers’ Books, 130 E. Napa St., Sonoma (939-1779).

From the February 18-24, 1999 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Santa Rosa Panhandling Law

Beggars' Banquet Michael Amsler Spare change: Begging on the streets is leading Santa Rosa business owners to demand tougher laws, but activists say such laws violate civil rights. Santa Rosa may clamp down on panhandling By Janet Wells JO BARRINGTON, a legal secretary who has been working in downtown Santa Rosa for...

Talking Pictures

Rhapsody in Blue A colorful conversation with psychologist Peter Kramer on the big-screen love story 'Message in a Bottle' By David Templeton Writer David Templeton takes interesting people to interesting movies in his ongoing quest for the ultimate post-film conversation. This column is not a film review; rather, it's a freewheeling tangential exploration of life,...

Jewish Ghetto Songs

Ghetto Blasters Show spotlights little-known Jewish songs of the Nazi-era ghettos By Greg Cahill AND" MAY BE a simple word, but it shot straight to the heart of "Music and the Holocaust," a 1997 symposium at Stanford University. "How can you put together with a little conjunction like that two things that seem to nullify each...

Abortion

Aborted Mission Text by Janet Wells Illustration by Lee Ballard When Teresa Rodriguez* found out in her fifth month of pregnancy that her fetus had no kidneys and would die within hours of birth, she decided to have an abortion. It was not a choice Teresa wanted to make. She was devastated at the news...

Director Paul Schrader

Angst for the Memories Man on the edge: Oscar-nominated actor Nick Nolte, left, and writer/director Paul Scrader share a moment of levity on the set of Affliction. The underrated Schrader's other projects include Taxi Driver, Blue Collar, and Mishima. Writer/director Paul Schrader has made wallowing in the mire of the human condition a cinematic art...

The Scoop

Feeling Limp? By Bob Harris REMEMBER that big study that was in all the papers, saying that 40 percent of men have trouble in the bedroom? Like maybe we could all do with a little Viagra now and again? Well, guess who wrote it? Two weeks ago, the Journal of the American Medical Association released...

Talking Pictures

Rocky Road Still Crazy. Radio host Dr. Demento tunes in to the rock-and-roll film 'Still Crazy' By David Templeton Writer David Templeton takes interesting people to interesting movies in his ongoing quest for the ultimate post-film conversation. His column is not a review, but a freewheeling discusson about life and popular culture. ...

White Studies

Like Whites on Race The race struggle shifts to white studies. Now what? By Jeff Howe WHEN IT COMES to the humanities, academic disciplines have more in common with sitcom legal beagle Ally McBeal than might be immediately apparent. This is not to make light of higher education; great works of art, great scientific discoveries,...

The Scoop

We Are Them By Bob Harris BENEATH downtown Chicago lies a city with no addresses, no jobs. Some residents barely have a name. Between the bright lights of the city above and their murky reflection on the river below lies Lower Wacker Drive--a dark underworld surrounded by side streets, parking spaces, and loading docks. That's where...

Chitra Banerjee Divakaruni

Bridge-Builder In person: Divakaruni speaks Feb. 25 in Santa Rosa and Feb 26 in Sonoma. Divakaruni's fiction spans two worlds By Patrick Sullivan MOVING TO the United States really made me renegotiate my boundaries and, in some ways, even reinvent myself as a woman," says Chitra Banerjee Divakaruni. "For many, many immigrant women, it's...
11,084FansLike
4,606FollowersFollow
6,928FollowersFollow