Grill Seekers

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Chef Nuge!: Rocker, cookbook author and hunting enthusiast Ted Nugent has but one motto for the kitchen: ‘Kill legal game. Add fire. Devour.’

Grill Seeker

How George Foreman, Bobby Flay and Ted Nugent taught me to be a real (suburban) man

By Joshua Green

One of the false promises of adulthood is that once you grow up, all the competitive torments of adolescence will magically disappear. As someone who has only recently done that (hitting the adult trifecta of a new job, new wife and new house), I have discovered that’s not the case; in fact, the assorted humiliations I remember so vividly from my teenage years have suddenly reemerged, only in slightly different form.

Let me give you an example. One evening not long ago I stood on my patio, flip-flopped and contentedly sipping a beer in the manner I imagine common to suburban men, pausing occasionally to wipe my brow as I tended earnestly to the bratwursts on my hulking Char-Broil gas grill. The newly initiated male homeowner in my neighborhood quickly comes to understand that despite whatever life has taught him, status really revolves around only three things: home improvement, lawn care and barbecuing.

As a longtime apartment dweller, I hadn’t initially understood that the queer looks I received shortly after moving into my house were due to the nearly waist-high grass that, it turns out, rapidly appears when there is no superintendent to care for it. But I’d quickly fallen in line, and after a single pass from my fearsome, all-terrain Craftsman mower, I was beaming at my freshly manicured expanse of lawn when he first caught my eye: there, in the corner of the yard, was an enormous raccoon. And he was digging furiously. In my lawn!

Confronted by an adversary, my fight-or-flight instincts took hold, and I simply reached for the nearest weapon at hand, a garden trowel, which I hurled at the invader like it was a ninja throwing star. The trowel sailed harmlessly past him, though it removed a sizable chunk from the fence. As I stood there, impotently shaking my fist and cursing the damage to my lawn, it dawned on me how quickly I was shuttling along life’s continuum from Dennis the Menace to Mr. Wilson.

And while, as a species, we project an image of being kings of our castle, eager to show off the recently landscaped yard or hold forth to visitors on the merits of various deck sealants, such knowledge and skill are acquired only under the constant threat of humiliation.

Take my initial foray into grilling. Owing only partly to the diplomatic exchange with the raccoon, my first attempt yielded brats that were somehow totally charred on the outside yet still raw on the inside, a sort of double whammy of unappetizing cooking. Chastened, I decided to sample a number of recently published books on the art of grilling. As in adolescence, adulthood requires that you declare your allegiance to a group, and deciding what kind of a grill cook you’d like to be is a lot like choosing which lunch table you’re going to sit at. My lunchroom choices included jocks, student-council geeks and stoners; the grilling books I picked up broke down along roughly these same lines.

George Foreman’s 1996 tome Knock-Out-the-Fat Barbecue and Grilling Cookbook seemed like a good bet since, having been written by a jock, it looked unthreateningly straightforward and brought back memories of the George Foreman grill that had been a mainstay of my old apartment kitchen. Alas, I didn’t notice that the book is co-authored by a nutritionist or that George explains in the preface that “my eating habits have changed significantly over the years”–a bad omen grimly justified by his making clear that he no longer cares for the delectable burgers his signature-brand grill is so good at preparing.

I’m sad to report that Foreman’s book has a wussified element to it that, while not incongruous with the life of the recent suburban transplant, significantly diminishes the appeal of these recipes. The recipe for Lyndon B. Johnson’s own Texas barbecue sauce, for example, turns out not to be the real thing but a thin “heart-healthy” knockoff. And burger recipes like George’s promising-sounding powerburger reveal themselves to be lightweights, the lean ground beef cut with such atrocities as bread crumbs, oat bran and even textured vegetable protein to shield us from calories.

None of these recipes sounded remotely appetizing enough to attempt, so I decided instead that my long-term enjoyment of grilling would be better served by ridding myself of the troublesome raccoon, who now appeared every evening at twilight to carry out his own vision of landscape gardening right across most of the flower beds. Before turning to my next cookbook, I headed to the hardware store and learned that areas like the one I live in–which bans such common-sense solutions as simply shooting the damn things–present only two choices for the besieged homeowner. I opted first for the most humane choice, a Havahart steel cage trap whose packaging proclaimed it suitable for “raccoons and small dogs.” This label puzzled me, but I went ahead and bought the trap figuring that after I’d captured the raccoon I could keep it in the garage in case the yard was suddenly overrun with Shih Tzus. Per instructions, I baited the trap with bacon and peanut butter, and spent the next several evenings in a seated vigil on the back porch, waiting to hear the sharp snap of the spring-loaded door as I passed the time flipping through cookbooks.

Next in my stack of books was Bobby Flay’s new Boy Gets Grill (Scribner; $30), which looked fussy and remarkably complicated for someone who struggles grilling brats; the author himself looked suspiciously like a grinning ex-student-council weenie. The recipes sounded as if they’d be too much of a chore to shop for, let alone to prepare. Take, for example, smoky-sweet rotisserie apricot-chipotle-glazed lamb tacos with goat cheese and salsa cruda–suitable for some wimpy vintner perhaps, but not for me.

Surprisingly, though, Boy Gets Grill is superb (and not just for grilling) when one adheres to the simple rule of ignoring any recipe with more than six words in the title. This led to my discovery of the delicious extra-spicy Bloody Marys, an excellent sour cream salsa dip for football season and the pressed, Cuban-style burger, among many other treats. While a good deal of the book is given over to recipes I’d never attempt–clams, quail, Cornish hens–special sections on fish tacos, burgers and skewers make this an invaluable resource for the pest-free grilling enthusiast.

Sadly, that did not describe me. Early one morning, groggy-eyed and longing for coffee, I was shuffling into the kitchen when a sudden movement caught my eye through the window. There, behind what remained of the flower beds, sat the steel trap–and this morning, unlike previous mornings, it contained something large and furry. I bolted out to the garage to don protective gloves and confront my nemesis at last. Only it turned out not to be a raccoon but a large, white possum who looked up expectantly, as if hoping I had brought some more bacon.

With a sigh, I bent down, pried open the door and jiggled the cage to free him. The impostor didn’t budge. I grabbed one end and turned the cage practically upside down. The possum simply grabbed hold of the steel wiring with his claws and stayed put. I gave up, figuring he’d soon wander off. But when I returned that afternoon he was still there, curled up and snoozing in his new home, probably dreaming of bacon.

Meanwhile, the quadrupedal lawn terrorist laying siege to my homestead ratcheted up his attacks. He began using our flower boxes as his personal litter box. By this point, I had spent long hours in fruitless pursuit of him, my humiliation capped by the realization that my life now mirrored that of Carl Spackler, the muttering groundskeeper of Caddyshack played by Bill Murray, who ultimately turns to plastic explosives in an apocalyptic struggle to save his fairways.

Returning to the hardware store, I ultimately resorted to an altogether different mode of warfare: powdered coyote urine, which the clerk assured me was the plastic explosive of raccoon removal. I returned home, checked to make sure I was standing upwind and began to powder the lawn, fence, bushes and anything else within shaking distance. The irony of this was painful because–let’s be honest here–until not all that long ago, I was much likelier to be found urinating on someone else’s lawn at 2 in the morning than spreading someone else’s urine on my own lawn at 2 on a Sunday afternoon.

The authors of my final cookbook, Ted and Shemane Nugent, would have no trouble dispatching a raccoon or figuring out what to do with it afterward. The ’70s rock star turned gun enthusiast and his wife wrote the 2002 hunt-and-flame book Kill It & Grill It: A Guide to Preparing and Cooking Wild Game and Fish. The book features recipes for deer, elk, wild boar, rabbit, bear and other wildlife. But it was Ted’s chapter-opening stories of hunting animals with a bow and arrow–or an AK-47–for which I suddenly developed the greatest appreciation.

With my grilling possibilities sharply curtailed due to the powdered lawn and a related fear of a sudden stiff breeze, I can’t attest to Nugent’s claim that “wild game meat has no equal.” (His assurance that it is high-protein, no-fat and low in cholesterol, however, led me to consider sending a note to George Foreman.) But I can say that “Chef Nuge” and his recipes are refreshingly simple and easy to follow, each just a slight variation on his motto: “Kill legal game. Add fire. Devour.”

How useful these recipes prove in practice depends a great deal on one’s degree of culinary adventurousness and the strength of one’s gag reflex. There is sweet ‘n’ sour antelope, squirrel casserole, barbecue black bear and Coca-Cola Stew (the Nuge reports that the acid in Coca-Cola softens and sweetens wild game meat), as well as milder fare like quail roast, pumpkin goulash and even Mom’s blintzes. It should be said on their behalf that aside from exotic game, most of the Nugents’ ingredients tend to be found in any kitchen. My lone foray into Nugent-style cooking was an aborted attempt at stuffed and rolled venison log, for which I proposed to swap ground beef for venison before my wife intervened.

Not long ago, with summer drawing to a close, I was in the garage when a shuffling noise drew my gaze outward to the small window box just outside, where the large, striped posterior of a raccoon was settling in to make itself comfortable. Racing through the back of the garage to the house, I grabbed a carving knife from the kitchen and bolted back out to the yard, aiming to cut off the raccoon’s usual path of escape through the flower bed.

As I burst through the door, I was so filled with rage that I emitted some vague, nonsensical shriek that must have alerted my foe to impending danger, for when I got out of the house, he had already climbed up along the fence where he now stood staring down at me. I charged, chasing him along the fence, through the flowers and crashed through the bushes as he waddled along only to disappear. I stood there burning with humiliation–especially my eyes, which, it occurred to me a moment later, were also burning with powdered coyote urine.

Eventually, the raccoon stopped showing up. My wife believes his assaults on the yard were not directed at me personally. My friends gleefully insist that it was personal and that the raccoon simply tired of tormenting me and sought out a worthier foe. My own hunch is that his appearance is a seasonal thing, and that he’ll be back again next spring. As it happens, I’ve finally mastered the art of grilling brats and decided that that’s really all I need to know about cooking (tip: boil them in beer first). But prompted by Chef Nuge, I have directed my energy to a new hobby, legal in my neighborhood and at which I aim to be proficient by next summer: bow-hunting.

From the December 1-7, 2004 issue of the North Bay Bohemian.

© Metro Publishing Inc.

Marin City

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Photographs by Rory McNamara

Public/Private: The garrison-like public housing that distinguishes Marin City is balanced by an influx of condo units owned by those anxious to share Sausalito’s zip code.

Rich Man’s Ghetto

Snapshots of a life briefly led in Marin City

By Matt Pamatmat

Superiority? Inferiority? Why not the quite simple attempt to touch the other, to feel the other, to explain the other to myself?
–Frantz Fanon, Black Skin, White Masks

There are some strange places on this earth, curious locales that have their own style and character, locations that seem the topographical equivalent of the platypus: thrown-together, mismatched, jarring, colorful, haunting. Between the covers of Camilo José Vergara’s beautiful 1995 photo essay book The New American Ghetto are slides in black-and-white and color of such places, mostly bombed-out ruins of housing projects, redevelopment areas, urban atrocities and economic war zones. Vergara’s book covers places that are indisputably ghetto: Newark; Cabrini Greens; South Central Los Angeles; Atlantic City; Gary, Indiana. The list goes on.

What many do not realize is that right in the well-educated, wealthy heart of Marin County–the per capita wealthiest, costliest county in the wealthiest, most powerful nation on earth–lies a place that may very well qualify as a bona fide ghetto.

Marin City, California. Isolated from its greater surroundings; predominantly poor and African American in a white, wealthy county; and plagued by drug abuse, poverty, broken homes and high incarceration rates, Marin City is also a small town proud of its history, tight-knit to the point of being suspicious of outsiders and one of three areas in Marin that counter stereotypes about the area as homogenous and well-off (the other two are the Latino-heavy Canal District of San Rafael and the merely middle-class reaches of south Novato).

“When I first came to Marin City,” resident Melvin Atkins says, “it was like another world, like Disneyland or something. People were smoking joints and waving to the police as they drove by.” Atkins is sometimes referred to, with both affection and sarcasm, as the “Mayor of Marin City.” He is prominent in community affairs and conducts himself with the slow, stately manner of a philosopher king.

However, Marin City is an unincorporated area without such basic things as its own supermarket, post office or mayor. Much of the isolation comes from its denizens largely lacking their own cars and having to rely on bus service. There is also a more metaphysical, deeper isolation that is both mental and emotional–an isolation which runs along cultural, racial and financial lines.

Sausalito and Marin City may share a zip code, but they are worlds apart, Highway 101 dividing the two places like the proverbial railroad tracks.

Tied to Each Other

Although personal and institutional racism still exists, the story of Marin City is not a simple case of victims and abusers; the schism between the two worlds is mutual. Marin City residents often feel uncomfortable outside of their 1,600-person community, and outsiders are often frustrated by the suspicion and dysfunction that can characterize the community’s workings. Many people simply don’t know about Marin City, let alone its history, assets or challenges.

In many ways, Marin County has written off Marin City, but Marin City has also done the same with Marin County. Sadly, like oil and water, the two have agreed to disagree, to remain separate. Marin City youth don’t see Sausalito as a place to work despite its physical proximity, using code words to describe the situation, calling it “too touristy.” Conversely, many employers are reluctant to hire Marin City residents based on the stigma of the place and perceptions of community members as being low-skilled and hard to keep.

Although some of these attributes ring true, Marin City is just one of many places in the country that struggles with being isolated, ethnic and low-income. While no Hunter’s Point (one person described Marin City as an “affluent ghetto”), it has characteristics of Newark, Detroit, Chicago, east Palo Alto and many places in the Deep South where communities face segregation, marginalization and gentrification.

A white man, I came to Marin City through a job posting on Craigslist.org, employed as a social worker for almost two years in what residents call “the Jungle.” Like many people, I had no idea that Marin City existed in the first place. I was raised in liberal-minded white majority towns that spoke of a multicultural mindset but often lacked diversity. My mom was a staunch Democrat who preached racial harmony while sometimes making unknowing comments to the opposite effect. My basketball coach warned us when we played against teams from grittier, more ethnically diverse towns. Friends of mine made blanket statements about the danger of going into Oakland. I occasionally heard the n-word in situations that were awkward and wince-inducing. I began to notice that there existed a generally tolerant idealism that, as T. S. Eliot wrote, contained a great shadow between it and reality.

This unincorporated stretch represents the interesting twists and turns a simple freeway exit can present. Heading one way leads to a wealthy, white, artsy bayside community famous for its view of San Francisco and its well-to-do tourists walking pleasant sidewalks–a cookie is named for the town. Heading the other way brings you to Marin City.

Three Men

Melvin Atkins drives around in a beat-up white Japanese car, attending community functions and working part-time at one of the community’s many battered social service agencies. He is partially balding, but his remaining hair, gray on the sides, is grown out in a triumphant afro. He speaks slowly and philosophically, expressing great care for the community and noting that many of the truths differ from perceptions about this unique town. “We have a lot of talented people here,” he says, “and despite our problems, there are a lot of hard-working families trying to get by and pursue life, liberty and happiness.”

Marin City is often identified with the ghost of its flourishing former local flea market, once conducted on weekends where a struggling, half-vacant shopping center erected in the mid-1990s now stands. Many people miss the flea market, but Marin City continues to hold events for residents and the greater community, with concerts, talent shows, job fairs and a Juneteenth festival celebrating black emancipation from slavery.

Desmond Jupiter, a fellow social worker, shows me around one day. Jupiter is a tall, thin, friendly man who looks much younger than his 50 years. He is originally from Louisiana and still has a Southern gentlemanly charm about him. He recently moved.

“Marin City is nice, man” he says, “you know, there ain’t no cars on fire or people shootin’ at each other. The public housing is nice. But I work in the community helping people, and it became a 24-hour-a-day thing, so I had to get out. It was hard both living and working here.”

Jupiter is in recovery from substance abuse and formerly lived in the tall public housing apartments at the base of the Marin headlands. He laughs at some of the things he’s experienced but knows firsthand the dangers of addiction and destitution that tempt many residents.

“I come out my house one day, right?” he explains, “and on my patio is a bunch of people drinkin’ wine. I look at my watch and it’s about 6:30am!” He smiles and shakes his head gently.

Derek “Dudley” Morgan is a former convict and drug dealer who has turned his life around and now works helping men in the community become more responsible fathers. Derek gets his nickname from acting like the Canadian Mountie cartoon character Dudley Do-Right, passionately working to help his clients realize the errors of their ways and to take ownership of their lives and families. He dresses in stylish hip-hop attire, has gold teeth and speaks honestly and passionately about the community.

I run into him one day as he is driving through the community. He is generous and forthright, knowing firsthand the difficulties many residents face, and is committed to helping improve the community. He leans out of his car, smiling wide, holding out a bag of beef sticks. “You want a beef stick? Come on now, I know you do! You in the ghetto now, baby!” he booms good-naturedly. I accept, chewing thoughtfully. Laughing like Public Enemy’s Flavor Flav, he drives away.

Police Enforced: Where else in the entire North Bay have you seen such a sign?

Paradise Lost

Marin City’s history is interesting if dark and enigmatic. The general area of Sausalito was a shipbuilding community in the 1940s that produced boats for the war effort. Black port workers left the hostile, segregated, opportunityless Jim Crow South and migrated to Marin City, cohabitating peacefully with white neighbors in a community of colleagues where everyone was provided housing. It was a community that generally got along, neighbors watching out for each other. However, after the war, as jobs disappeared, “white flight” followed, and the remaining folks were left jobless and unskilled outside of shipbuilding.

Robert Kennedy’s innovative passage of community development corporations, coupled with the social programs of the 1960s and Lyndon Johnson’s “war on poverty,” brought dollars and services into Marin City, but the place remained largely an anomaly, not able to match the prosperity that its surrounding environs experienced over the years. Through the years and amid increased Marin County diversity, Marin City itself has remained proudly and resoundingly African American.

With some notoriety, the community is infamous for its 200 block, where many public housing residents can be found loitering and chatting throughout the day. The area is known for drug transactions, gambling and open drinking, and any nonblack is regarded with suspicion, especially whites who are viewed as potential police officers. A segment of the 200 block known as the “Black Hole” is where youth, many of whom are high school dropouts headed for bleak futures, congregate. Graffiti abounds, and residents, though many are from hard-working, upstanding families, spend jobless days just hanging out or rolling the dice.

Herman (he goes only by this terse first name) lives in the heart of both the 200 block and the Black Hole, and is known for his barbecue skills and the sodas he sells. This practice dates back to times when the community had no supermarket (the closest thing currently is a Long’s Drugs; the Safeway is two miles away) and residents had to become entrepreneurial in order to make ends meet. Herman cooks chicken and ribs on a half-barrel grill whose smoke drifts upward over the austere scene of the block. For $7 you can get his combo plate, containing grilled meats plus two sides (spaghetti with hot dogs and salad, or whatever Herman has on hand) and two pieces of white bread in a plastic bag.

Deal of the Year

The Gateway Shopping Center, also known as the Marin City Shopping Center, is something of a ghost town. The Coffeesmith, an independent coffeehouse which was once very much the heart of the center, has left. Shortly after, the corner barbershop vacated. The remaining businesses provide questionable products to an at-risk community: Cigarettes Cheaper and Burger King. Long’s, although it is a pivotal store in the center, has rigged its liquor section with highly visible security devices.

Lacking substantial recreation programs to occupy them, Marin City youth, in baggy apparel, cornrows and with a dark look in their eyes, wander the desolate center as wealthy Marinites search for bargains at Best Buy. One day, I noticed an angry young black man shoving shopping carts around while an older white woman meticulously cleaned a spot off her Mercedes in the parking lot. The juxtaposition was, needless to say, striking.

Nonetheless, the shopping center was awarded the “Best Real Estate Deal” of 2003 by the San Francisco Business Times, due to a deal in which ownership of the strip mall was placed in the community’s hands, with future profits aimed at helping fund community improvement services.

Three Different Men

One day at work, a co-worker’s client came in with a bloody head, exasperated and semicoherent. This client visited my co-worker frequently, often without an appointment, clutching a handful of dirty job applications and expressing continued frustration in his search for a job, a place to live and some stability in his life. His mother ran a daycare center during the day and needed him gone. He worked with a local environmental group but was released for his aberrant behavior. He was known as an arsonist. Sometimes I saw him outside of my narrow window talking to a tree. I often wondered if he would be like this no matter where he was, or if this was what the ghetto did to you, how it warped your mind.

Through this same window, I have watched a local resident with mental problems and a flair for transgender makeup, local politics and gossip choreograph dance moves while watching himself in the reflection of a broken windowpane. A small boombox played instrumental dance music as he furiously worked out his steps. I thought of a blaxploitation version of the horror flick Silence of the Lambs. Once, I left my office, headed to the withered shopping center for a soda, and he incorporated my movement into his imagined production. “OK, Matt, six and seven and eight and nine and . . .” I smiled sheepishly and kept walking.

On another day, on my way to a meeting, I watched a black elementary-age youth beat up a playground with a golf club, the clanging metal echoing under a blue sky, rising sun and silent fog rolling over the Marin Headlands. The playground had been marked with black spray paint and a single, emphatic marking–“FUCK”–a word that seemed to convey many aspects of the place, an all-encompassing word expressing desperation, apathy, hostility, nihilism.

Sentinels of Commerce: The Gateway Shopping Center serves Marin County bargain hunters but has little practical use for Marin City residents. The closest grocery store is two miles away.

Social Ecologies

As a social worker, I was involved with trying to fix some of Marin City’s problems, and with providing the up-and-coming citizens with an expanded view of the world. Because of this, my viewpoint was undoubtedly skewed toward what’s wrong in Marin City, which is overall concentrated in the public housing area and the 200 block. The verdict is still out on where the town itself begins and ends–are the largely white condo owners on the hill part of Marin City? How will the community define itself in the inevitable future of increased diversity and mixed ethnicities? And, perhaps most importantly, will real change occur in Marin City and surrounding Marin County–will the poor, black and forgotten of the area gain equal footing in the game of life? Will they gain access to the rich resources and prosperity of the area?

One day, Dudley Morgan told me that he didn’t understand how foundations and philanthropists could fund programs and projects to save or restore wildlife in Marin County while programs for human beings in Marin City were not being approved or were being defunded.

It seems to be an interesting character trait of Marin County that it is fiercely environmental-minded, while Marin City (as well as the Canal and south Novato) languish in substandard existence. What is the unspoken message? Are a lack of billboards more important to its largely white, educated and wealthy voters than its pockets of diversity and struggling families? Or is the situation so complex that, although all could see the dilemmas, few had any answers?

Goodbye

After working about a year in Marin City, my initial enthusiasm, idealism and spirit had deflated. Although I didn’t realize it at the time, I was beginning to feel the effects of what is called in the human service industry “compassion fatigue.” Workers who deal with people and their problems on a constant basis sometimes become overwhelmed with the magnitude of the problems and the lack of lasting solutions.

Rent in Marin City’s public-housing units goes up the more an individual earns, for example, sometimes causing residents to remain low-income or make quick money in the drug trade in order to hang on to their homes. Agencies and key players sometimes became “poverty pimps”–more concerned with their own survival than the people they were helping. Racism, a welfare mentality, crime, substance abuse, cultural barriers, lack of power and undereducation all swirl together in a dangerous mixture that keeps communities down. I was feeling it; at least I could leave.

And so I did. I did not carry away any final analysis, conclusion or solution to Marin City. As a former co-worker said: “Marin City will always be in my heart.”

From the December 1-7, 2004 issue of the North Bay Bohemian.

© Metro Publishing Inc.

People Who Died

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RIP ODB: Ol’ Dirty Bastard is just one of the losses this year will mourn.

Spirits in the Sky

Rock ‘n’ roll will never die, but people will

By Sara Bir

Hearing of death first thing in the morning isn’t the sunniest of ways to stir from slumber, but it’s an ever-present threat to those of us who set the alarms on our clock radios to the news. So at the dawn of the day several weeks ago, I was quite dismayed to discover the untimely passing of the Wu-Tang Clan’s Ol’ Dirty Bastard. Ol’ Dirty Bastard’s madcap, drug-addled lifestyle and frequent run-ins with the legal system largely deemed his sudden fatal heart attack tragic yet not shocking. The dude was pretty much a certified loony, which is likewise what made him such an ass-kicking, unpredictable public figure.

As 2004 closes, staffers at Time and Newsweek are no doubt squirreling away the year’s entertainment obituary chronologies. While reductive and exploitative, these lists are a necessary evil that soothe and aggravate the public’s emotional wounds.

On the mortality front, 2003 and 2004 were bad years for music. We lost Elliot Smith, Wesley Willis, Celia Cruz, Ray Charles, Arthur Kane, Dee Dee Ramone and Johnny Ramone. When rock ‘n’ roll was young, the people we lost to it were also young, either victims of grisly plane crashes or of tortured artistic genius tempered with all-too-literal adherence to the Dionysian cult. But now the only thing older than rock ‘n’ roll is Dick Clark, and there’s a sad contradiction between the genre’s implicit youthfulness and its elder statesmen (and women) becoming spirits in the sky. When Johnny Cash died last year, it felt like the bottom fell out of everything; as long as Johnny Cash was alive, we could rest easy that music was alive and kicking, too.

John Peel’s death late in October was also tough going. This influential British DJ was responsible for unleashing so much good music into the world that it seemed good music might stop there with him. The collective residual underaged rebellion of numerous generations is at stake when we lose someone emblematic to us; it fucks with our own mortality. When Sam Phillips or Rick James dies, we all get a bit older.

The flip side of those Grim Reaper year-in-review lists are the people we don’t think about very often, the folks whose names have been blurred over the years because they were never very well-known in the first place. On the same day John Peel died, Bill Read did, too. He played bass for the Diamonds, and his deep voice was featured in the talking part of their 1957 hit “Little Darlin’.” I love that song. And I love the Skeeter Davis version of “The End of the World”; she died this year, too.

Most of us don’t go around thinking about Dave Blood (bassist for the Dead Milkmen), Paul Atkinson (the Zombies’ guitarist), Stuart Adamson (Big Country lead vocalist), Syreeta Wright (who sang a duet with Billy Preston on the 1980 No. 1 single “With You I’m Born Again”), Jan Berry (of Jan and Dean) or Greg Shaw (Bomp! Records founder) very often. They all died this year, and only in the news of their deaths do we have a reason to remember them. But there are moments in our days when we hear a fragment of a song on the radio or glimpse a moment from our past, and the music they helped to create is there, a cast member in the intricate and arcane drama of real life.

In the closing lines of Middlemarch, George Eliot wrote, “The growing good of the world is partly dependent on unhistoric acts; and that things are not so ill with you and me as they might have been, is half owing to the number who lived faithfully a hidden life, and rest in unvisited tombs.”

Though rock music is hardly a hidden life, the fickle nature of fame can make it so. Ultimately, all of the late, largely anonymous session musicians and producers and one-hit wonders have a diffused legacy in song, one that continues with every visit to the record store, jukebox or karaoke bar. Rather than being morbid curiosities, annual rock death rosters keep both Ol’ Dirty Bastard and Bill Read alive in our minds, if we remember their names or not.

From the December 1-7, 2004 issue of the North Bay Bohemian.

© Metro Publishing Inc.

Burrito Deluxe

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Eating It Up: The Brothers find their plates full.

Re-Flied

Burrito Brothers get Deluxe update

By Bruce Robinson

Thirty-five years later, pedal-steel-guitar ace “Sneaky” Pete Kleinow is still less than thrilled with the nickname he acquired as one of the founding members of the Flying Burrito Brothers. As the seminal country-rock band was forming, he recalls in a recent telephone interview from his San Francisco home, his band mates “thought it would be cool if everybody had a kind of a special cowboy name, and so that’s where it came from. I always tried to ignore it, because I didn’t want to be Sneaky Pete. I just didn’t like that name–it had a negative twang to it. But I never got rid of it, so I got to a point where I stopped worrying about it.”

With the moniker intact, Kleinow became a key component, along with Chris Hillman and Chris Ethridge, in the band now best remembered for bringing Gram Parsons to prominence. Kleinow’s tasteful playing subsequently decorated sessions for a host of other pre-Americana acts (the Eagles, Linda Ronstadt, Jackson Browne and Little Feat) as well as such eclectic artists as John Lennon, Stevie Wonder, Frank Zappa, the Bee Gees and Barbi Benton. These days, however, his focus is on a new group that unabashedly draw on the Flying Burrito Brothers’ legacy under the banner of Burrito Deluxe. Touring in support of their new disc, The Whole Enchilada (Luna Chica), they perform Dec. 5 at Santa Rosa’s Last Day Saloon.

Along with Kleinow, Burrito Deluxe features Garth Hudson, formerly of the Band, on keyboards, accordion and saxophone; Jeff “Stick” Davis from the Amazing Rhythm Aces on bass; drummer Rick Lonow (Johnny Cash, Tommy Tutone); and frontman Carlton Moody on guitar, mandolin and vocals.

The nucleus of the new band came together for the Gram Parsons tribute album, Georgia Peach, that introduced Burrito Deluxe in 2002. While emphasizing their own new songs and some well-chosen covers (John Prine’s “You Got Gold,” the Box Tops’ “The Letter”), Burrito Deluxe also embraces the best of the Flying Burrito Brothers’ repertoire, including such Gram Parsons signature tunes as “Wheels” and “Hickory Wind.”

“Gram Parsons’ memory is not ever going to go away,” Kleinow says, “whether we like it or we don’t like it. I’m glad that we had all those years with Gram and we have to dedicate a lot to him. It’s kind of a guiding light.”

It was Parsons’ deep love of traditional country music and embrace of the countercultural attitudes of the late ’60s that gave birth to what become known as country-rock, beginning with the Byrds’ Sweetheart of the Rodeo. About the same time, Kleinow set aside his flattop guitar and ventured to Nashville to see the Grand Ol’ Opry in action. Inspired by the legendary Jerry Byrd, whose lap steel work with Hank Williams, Chet Atkins, Marty Robbins and many others virtually defined the instrument in country music, Kleinow soon picked one up.

“That’s what really clinched it for me, that I wanted to play a real electric steel guitar, when I went to Nashville that time and saw for myself what went on,” Kleinow says. “I got my steel guitar really soon after I’d found out that there was such a thing.”

Back in Los Angeles, he hooked up with Parsons, Ethridge and Hillman and began playing the new stylistic hybrid that soon caught the ear of listeners as diverse as Johnny Cash and Keith Richards. But despite the influence that the Flying Burrito Brothers eventually wielded, Kleinow remembers the early days as a scramble. “In those days we were just whacking it out as fast as we could with all the musical jobs we could find,” he chuckles. “And we’re kinda doin’ that again today.”

While it’s not likely to make an appearance onstage, Kleinow’s black and gold suit with the soaring pterodactyl on the front, which the guitarist wore in the first Burrito band, is still in his possession. “I’ve had my wife fix it now and then,” he admits, “it starts to come apart at the seams here and there, just because it’s so old.”

But does the old suit still fit as well as the old songs?

“I’ll be darned,” he declares, “if it doesn’t.”

Burrito Deluxe perform on Sunday, Dec. 5, at the Last Day Saloon. 120 Davis St., Santa Rosa. 7pm. $15-$18. 707.545.234

From the December 1-7, 2004 issue of the North Bay Bohemian.

© Metro Publishing Inc.

‘Can’t Find My Way Home’

Ultimate Loss: ‘Drugs are a bet with the mind,’ Jim Morrison once said.

A Long Strange Trip

Truth is often the first casualty of war, and the much ballyhooed ‘war on drugs’ is no exception

By Martin A. Lee

When he was Los Angeles police chief, Daryl Gates declared that casual drug users were guilty of “treason” and should be “taken out and shot.” A Republican congressman from South Carolina pegged narcotics as “a threat worse than any nuclear warfare or any chemical warfare waged on any battlefield.” And First Lady Nancy Reagan (a prescription tranquillizer addict, according to Patti Davis, Ronald Reagan’s daughter) called marijuana inhalers and other illicit drug takers “accomplices to murder.”

What haven’t they been smoking?

In Can’t Find My Way Home: America in the Great Stoned Age, 1945-2000, (Simon & Schuster; $27.95), a sprawling, high-spirited and often outlandish cultural history of illegal drug use in post-WW II America, Martin Torgoff vows to tell the truth about the forbidden pharmacological fruit. His ambitious chronicle packs considerable punch as an antidote to official policies based on “myths, fears, exaggerations and lies.” But the author is also candid about his own struggles with substance abuse, and he doesn’t shy away from depicting the misery of excess and addiction as he traces how illicit drugs migrated from the criminal underground and the avant-garde fringe to permeate mainstream society.

With considerable aplomb, Can’t Find My Way Home recounts the travails of Charlie Parker and other heroin-jabbing jazz musicians, who were lionized by their Beat contemporaries. Raging against the ghostly reserve of the 1950s, these insurgent artists embraced mind-bending chemicals as catalysts for creative expression. Allen Ginsberg’s howl of poetic protest and Jack Kerouac’s exuberant bebop yarns linked reefer and hallucinogens to a tiny groundswell of nonconformity that would grow into a mass rebellion during the next decade.

Much of Torgoff’s book is a tour de force through the stoned ’60s–from Ken Kesey’s madcap, cross-country bus trip to the Summer of Love and Woodstock–when messianic delusions were nearly as plentiful as tabs of black market acid. LSD was so powerful and so far out that some devotees believed its molecular structure contained nothing less than the key to world peace.

But not everyone was enamored of the psychedelic experience. The so-called beautiful people who clustered at Andy Warhol’s Factory in downtown New York were partial to injections of opiates and amphetamine. “Paranoia was really our drug of choice. . . . Once I started to shoot up, I never wanted to come down,” a Warhol acolyte confessed. The consequences were predictably malignant.

“There wouldn’t have been the ’60s without the drugs, at least not the ’60s that we knew,” says novelist Tom Robbins. He is among a bevy of writers, musicians and drug-policy reformers who contribute snatches of oral history that drive the narrative. Can’t Find My Way Home relies heavily upon recollections from the likes of David Crosby, Michelle Phillips, Snoop Dog, Grace Slick, the venerable Wavy Gravy and other denizens of the drug counterculture.

Taboo plants and their derivatives may have fueled the quest for personal liberation and energized various social movements, but the potential for harm grew as self-indulgent partying eclipsed youthful idealism and big-time distributors began to cash in. Quaaludes provided a quick feel-good for the wannabe-sedated ’70s. And cocaine (“a bad breath drug,” as Oliver Stone put it) revved up Wall Street in the 1980s, while bringing life down to a dog-eat-dog level on the mean streets of America’s urban ghettos where cut-throat pushers owed their existence to the fact that drugs were illegal.

Torgoff argues that the failed policies of prohibition, not the drugs themselves, are largely responsible for the violence, crime and corruption that plague so many communities. Government policies actually foster substance abuse, according to the author, who confides: “When I look back, I know that being told in simplistic terms that smoking marijuana would lead to ruin and hard drugs had only set me up to take more and more license once my own experiential evidence proved otherwise.”

But does Can’t Find My Way Home really give us the straight dope? Not always. The book is much less critical of counterculture hype than “the simpleminded rhetoric” and “self-aggrandizing alarmism” of the drug-enforcement establishment. Dr. Carlton Turner, Reagan’s drug czar, is chided for telling Newsweek that smoking pot makes you gay. But there’s no mention of Timothy Leary’s missive about LSD being a “cure” for homosexuality, as the defrocked Harvard professor turned psychedelic evangelist once remarked in a Playboy interview. Tailoring his sales pitch to promote the chemical sacrament, Leary claimed in the same Q&A that a woman on acid could “have several hundred orgasms.”

Public relations would also figure prominently in the transformation of MDMA, once a promising therapeutic adjunct, into Ecstasy, the name christened by a drug dealer for marketing purposes before “E” became a staple of the neopsychedelic, techno-pagan rave scene.

Like it or not, says Torgoff, illicit drugs have become “as American as apple pie.” He and other proponents of drug-law reform maintain that it’s possible to take banned substances without abusing them. Indeed, most people who try marijuana never become regular smokers or hard drug cravers. But some do. “Drugs are a bet with the mind,” said Jim Morrison of the Doors. It’s sobering to think that at age 27 he wagered and lost. The idea that we can win the “drug war” is little more than a pipe dream, but the collateral damage is real.

From the December 1-7, 2004 issue of the North Bay Bohemian.

© Metro Publishing Inc.

Ozomatli

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Monkey Minds: Ozomatli named themselves after the Aztec monkey god of dance.

Jungle Fever

Ozomatli set the roof on fire

By Greg Cahill

At the time, it seemed like harmless fun. Last March, as they’ve done a thousand times before, the L.A.-based worldbeat funksters Ozomatli decided to lead partiers–in this case, clubgoers and music industry honchos visiting the South by Southwest music festival in Austin, Texas–into the streets for a moonlit samba-style dance line.

But Austin police felt that this activist band had violated the city’s noise ordinance, so they put a halt to the impromptu parade.

In the ensuing fracas, two band members were arrested. And when percussionist Jiro Yamaguchi hoisted his drum above the crowd in an attempt to discover what the commotion was all about, he inadvertently KO’d a cop, drawing a felony charge for assaulting an officer and facing 10 years in prison.

This summer, the three musicians pleaded no contest to reduced charges and agreed to commit no further offenses for six months in exchange for a clean record.

For a band known as much for their radical politics as for their danceable blend of Latin beats, hip-hop sensibilities and socially conscious lyrics, the arrests smack of irony.

“Well, we’re definitely more careful about where we play music,” says Yamaguchi by phone from the band’s L.A. studio. “The lesson learned is that [the melee] was a mistake and a misunderstanding. You know, you get thrown through the system, and, hopefully, on the other side, you end up OK.”

Now when Ozomatli sings about the man putting his boot on your neck, you can rest assured the band has street cred. Indeed, their roots are steeped in rebellion. The band started in the mid-’90s when founding members Wil-Dog Abers and Anton Morales (who has since left the band) tried to organize fellow California Conservation Corps youths into a labor union. The activists were fired, but in a legal settlement won the right to lease a Los Angeles community center that became a hub for politically informed musicians and community organizers.

“It was a very crazy, chaotic and creative scene,” Yamaguchi remembers. “But people took it upon themselves to make something better for their community. A lot of good things came out of that place, including a few bands. It was a very fertile spot.”

One of those bands was Somo Marcos, whose name paid tribute to the Zapatista rebels in Chiapas, Mexico. Not wanting to be too closely identified with any one political cause, the band later changed their name to Ozomatli, a reference to the Aztec monkey god of dance, fire and the jungle. “It seemed appropriate,” Yamaguchi says.

Ozomatli–whose third and most recent album, Street Signs (Concord), features legendary salsa pianist and singer Eddie Palmieri–honed their chops playing dozens of benefit concerts for local political and social organizations. And their music–a funked-up, feel-good house party soundtrack that is part political rally, part carnival–quickly attracted fans.

A 1996 trip to Cuba gave Ozomatli a chance to experience both Cuban music and the realities of a socialist society firsthand. “We went there knowing nothing about what to expect,” says Yamaguchi, “and ended up performing six shows at various places, from jazz clubs to a downtown Havana festival. It was pretty crazy how word of mouth travels.”

The experience helped to galvanize the group’s radical beliefs and solidified the young members as a cohesive band. “It really opened our eyes to another way of life,” he adds. “I learned a lot about music and resourcefulness. It was great to see how the Cubans live, the good and the bad of their society. It also helped to put things in perspective about what goes on in this country and those things that people here take for granted. You see the positive and the negative. “But we live in slightly different times now.”

What does Yamaguchi think of the right-wing dominated political landscape these days?

“You can get pissed off about the way things are–people tend to blame the external factors. But I think things are going to get worse before they get better,” he says. “There has to be some kind of release point at which things get really crazy and people come around to say, ‘Hey, we’ve got to check this.’ I guess that it’s not at that point yet and the powers that be are headed toward more clashes before people have finally had enough.

“The election might seem like a letdown, but it brought a lot of people together who are intent on making change. You can’t rely on the political system to change. The world I live in day by day requires me to check myself, and change has to come from within.”

Ozomatli perform Wednesday, Dec. 8, at the Mystic Theatre, 21 Petaluma Blvd. N., Petaluma. Samba Da open. 7pm. $23. 707.765.2121.

From the December 1-7, 2004 issue of the North Bay Bohemian.

© Metro Publishing Inc.

Briefs

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Last week, the North Bay Bohemian stood alone among local newspapers when it recommended that readers attend a pair of 2 Live Crew shows at the Rios nightclub in Rio Nido Friday and Saturday, Nov. 19 and 20. As it turns out, the perverted rap legends crept into town a day early for a Thursday night gig at Little Switzerland in Sonoma. That’s when all hell broke loose. Details remain scant at this time, but allegedly, a girl in a fishnet body stocking and a micromini-skirt, a banana and a bit more butt crack than current state Alcoholic Beverage Control regulations allow were involved. By the time hordes of eager 2 Live Crew fans flocked to Rios for Friday night’s appearance, Sonoma County code enforcement officials had jumped in, canceling both 2 Live Crew shows because the nightclub, which has been holding live music events since it reopened under new ownership six months ago, allegedly doesn’t have a cultural event permit. Results of a forensic test performed on a banana peel found at Little Switzerland are pending.

Senior Care Update

A Napa nursing home mentioned in a recent North Bay Bohemian news story on the poor quality of care offered in local convalescent centers (“Minding Your Elders,” Nov. 3) was taken over by federal regulators last week. After numerous allegations of improper care by state officials, Pleasant Care Napa was placed under temporary management of the federal Centers for Medicare and Medicaid Services. The federal oversight will continue until the nursing home has fully complied with state and federal regulations.

Peopleologist Park?

Petaluma loves its local heroes, and none more than Bill Soberanes, who died in 2002 at age 81 after writing his popular column for the Petaluma Argus-Courier for nearly 50 years. While plans to create a park at the McNear Peninsula are in a holding pattern, plans for naming of the park continue and one likely contender is Soberanes. One option calls for the expansion of the area where the current Bill Soberanes monument stands into a park with a full-scale statue of Bill sitting on a bench with his notepad. Soberanes, who claimed to have been photographed with approximately 50,000 of the world’s most famous, infamous and unusual people, called himself a “peopleologist” and was an endearing figure throughout the community for generations.

Send a letter to the editor about this story to le*****@*******ws.com.

From the November 24-30, 2004 issue of Metro, Silicon Valley’s Weekly Newspaper.

© Metro Publishing Inc. Metroactive is affiliated with the Boulevards Network.

For more information about the San Jose/Silicon Valley area, visit sanjose.com.

Redwood Landfill

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Toxic Soup: Aerial maps show the proximity of the landfill to delicate riverine and wetland environments.

Talking Trash

Environmentalists claim proposed landfill expansion threatens wetlands

By Jordan E. Rosenfeld

Anyone with a normal sense of smell who has driven down Highway 101 south of Petaluma has caught a whiff off the Redwood Landfill, the continually growing mounds of refuse east of the freeway and adjacent to the Petaluma Marsh, the largest remaining unaltered tract of tidal wetlands left in California. Now environmentalists are raising a stink over a proposal to expand the landfill by 50 percent, because they say it threatens both the marsh and public safety.

The Redwood Landfill, located just north of Gnoss Field near Novato, is the dump of choice for most of Marin County, Petaluma and many parts of Sonoma County, as well as some of San Francisco, Berkeley and Richmond. The reliance on the Redwood Landfill is steadily growing as these urban areas increase in population and, consequently, trash production.

To stave off the lengthy, unwelcome process of scouting for new sites, Waste Management Inc.—the national parent corporation of the landfill—recently applied to Marin County for a permit that would allow it to expand by 50 percent, a number that has local environmentalists up in arms.

If approved, the landfill would expand right to the marsh’s edge and threaten tidal wetlands, according to environmentalists. Wetlands naturally filter out many waterborne pollutants and are ranked second in fecund biological life only to a rainforest.

The Redwood Landfill was built in 1958 without a liner to separate toxic leachate from groundwater. In their draft environmental impact report for the proposed expansion, Waste Management stated that retrofitting a liner would be prohibitively expensive, assuring that the “bay mud acts as an impervious barrier.”

Environmentalists disagree. While mud, when correctly treated, can indeed form a barrier, according to the report, the landfill has not assured its imperviousness to the satisfaction either of David Yearsley, the Petaluma River Keeper— the volunteer steward and watchdog for the river—or the No Wetlands Landfill Expansion, a citizen group protesting the expansion. They fear that the proposed expansion could significantly impact local water quality and public safety if given the green light.

Aerial photos of the landfill, which is framed on three sides by the delicate ecology of the Petaluma Marsh, show how, in order to expand, the landfill must be built up higher and steeper, leaning ever more precariously toward the river.

“An earthquake, serious flood or failure of the landfill’s control systems would likely create an environmental disaster,” says Yearsley. “Toxic soup would spill right into the waters of San Antonio Creek and flood the Petaluma Marsh. Due to the tidal action, in and out twice a day, any pollution from there has the potential to go as far upstream as Petaluma and downstream to San Pablo Bay.”

Ramin Khany, district manager for Waste Management in California, argues that the environmental concerns are overblown.

“Landfills operate under a fill sequence plan, an engineered document that allows how much you can take in on a daily basis, how steep your slopes can be, etc.,” Khany explains. “They calculate these for the worst case scenarios, including earthquakes and other disasters. If that agency feels that we are not designing it properly, then they would not allow us to build it.”

Khany expects the California Integrated Waste Management Board and the Regional Water Quality Control Board to make a decision about the permit based on the environmental impact report’s feedback within the month. From there, he anticipates another six to eight months before a final decision is reached about the expansion.

Even without expansion, the practices of the landfill are a constant disruption to the abundant wildlife of the Petaluma Marsh, according to Yearsley.

“Seagulls used to flock to the dump, and rafts of ducks rested on the adjacent sloughs,” he says. “Now the use of bird-abatement cannons and whistles has driven them off. Even more problematic, they also drive native and migratory birds out of the wetlands. I’ve seen a dramatic decline of birds in the marsh since those practices started over 10 years ago.”

In order to keep production high, landfill employees also use bright halogen lights for work at night. Under the expansion proposal they would be allowed to work even later, increasing the disturbance and glare. As it is, the lights are often left on all night for security or other purposes, and the negative effects of light on wildlife have been well documented by groups such as the California Department of Fish and Game and Ducks Unlimited.

“I’ve been out in the middle of the marsh near dark and can hear their cannons perfectly well, and have been blinded by their lights while navigating the sloughs,” Yearsley says. Instead of expanding the existing landfill, he thinks Waste Management should explore other available options.

“There are more modern technologies the landfill could employ in the meantime that are less abusive, like digestive technologies, enzymes and chemistry that help the waste dissolve quicker,” he says.

“They could also be using the methane gas the landfill produces to generate energy, like the Sonoma Landfill,” he suggests.

Khany pointed out that the landfill recycles over 40 percent of the material it takes in.

With less and less land available for dump sites in the North Bay, the issue looms: what does a civilized society do with its trash? It has to go somewhere. Eventually, the Redwood Landfill will fill up, of this there is no doubt. How long it might take is a matter of whom you ask. It might in 20 years, according to environmental experts; or 40 years, according to Waste Management’s projections. Yet currently, the Redwood Landfill has no plans to scout for other sites.

“There are other sites around the county if they’d just do the work of looking,” says Yearsley. “It’s not a popular topic. No politician wants to be the one to increase fees or try to put a dump in someone else’s backyard. Nevertheless, someday the dump will have to close and it’s better to start looking for an alternative now rather than expanding in a bad location.”

Regardless of the outcome of the permit process for Redwood Landfill, an obvious temporary remedy that No Wetlands Landfill Expansion is promoting is for cities to create programs that encourage households to diminish the amount of waste they produce.

“Public education and incentive will clearly play an important part of this effort,” Yearsley says.

From the November 24-30, 2004 issue of the North Bay Bohemian.

© Metro Publishing Inc.

Bella Vineyards

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By Heather Irwin

Lowdown: Just down the road from “Where the heck are we?” and around a couple of windy turns, Bella Vineyards rises up gently from the land, a small sign quietly directing you to the big barn on the hill. Well off the beaten path, Bella is a wonderful find at the farthest end of West Dry Creek Road, just past its more well-known neighbor, Preston Winery.

Small and unassuming, Bella is a family-run operation dominated by a faux weathered barn that looks as if its been there for years. Inside, the tasting room is a simple affair, just a couple of tables and friendly, helpful staff who are eager to share the spicy, funky wines of Bella.

Mouth value: The winery specializes in old-vine Zinfandels and the occasional Syrah. Created in the late ’90s, the winery is still a mere babe compared to many of its longtime neighbors but is already creating some notable wines that are getting some big attention. The 2001 Dry Creek Zinfandel ($24) is the simplest of the selections, great for taking along on picnics and barbecues. More impressive is the 2001 Lily Hill Estate Zinfandel ($28) that has tons of dark fruit and herbiness. You’ll want to save this one for people you like . . . and I mean, really like–don’t waste it on the riff-raff.

The 2002 Lily Hill Estate Zinfandel ($30) is also powerful, with concentrated flavors from the 85-year-old vines, but lacks some of the aged character of its older sibling. Predictably, the winery’s biggest Zin, the 2001 Big River Estate Zinfandel ($32), got a glowing review by wine critic Robert Parker, who is famous for his lust for powerful reds. It’s big and throaty, with lots of complexity and earthiness. This is not a wine for girlie-men.

Don’t miss: Take a stroll through the caves, completed just this year. They’re large and impressive for such a smallish winery and are a soulful bit of Zen after a long afternoon of winetasting. Look up at the glowing lamps, which hang from the cave ceilings by metal “roots,” lighting your path. Then, stop at nearby Preston Winery for some freshly baked bread and a game of bocce ball.

Five-second snob: The winery offers semifrequent cooking classes in the caves. Watch for upcoming classes given through Relish Cooking School.

Spot: Bella Vineyards, 9711 West Dry Creek Road, Healdsburg, Open daily, 10am-5pm. 707.473.9420.

From the November 24-30, 2004 issue of the North Bay Bohemian.

© Metro Publishing Inc.

Wilco

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FRONT MAN: Jeff Tweedy comes into his own.

Sonic Ephemera

Wilco plugs in on ‘A Ghost Is Born’

By Jaime Everett

Attention guitar fans of the North Bay! Quit whining about pedal steel, mandolins and country shuffles: Wilco brought the guitars back. OK, so technically the guitars never left, but after spending two albums—1999’s Summerteeth and 2002’s Yankee Hotel Foxtrot—feeding the head with vintage keyboards, synthesizers, loops, found sounds and various and sundry other sonic googahs, the current A Ghost Is Born (Nonesuch) finds the Chicago band opening up the sound, peeling back some of the layers of production and escorting the lowly guitar back to the fore.

It’s a surprise move for a band that fired resident guitar-slinger and studio mad scientist Jay Bennett during the making of Yankee Hotel Foxtrot. Group leader Jeff Tweedy took over most of the guitar work on the current tour supporting that album, and as fine a musician as Tweedy is, he’s no Bennett. Not only was Tweedy limited by his lack of technical prowess, the slimmed down, post-Bennett lineup didn’t sound nearly as full. Since the band de-emphasized the guitar in favor of keyboards and computers, it didn’t seem like such a big deal. By the end of the tour, Tweedy had settled into the role a bit, and his solos sounded more at home the longer Bennett was away.

The Wilco faithful—and Wilco fans are nothing if not faithful, snapping up albums, tickets, DVDs of I Am Trying to Break Your Heart and copies of Greg Kot’s fawning bio Wilco: Learning How to Die—stuck around while the band shifted gears from the Bennett-era and Tweedy successfully battled migraines, depression and addiction. Even the fans hopelessly pining for a return to the twang-filled melancholia of the debut A.M. are drawn to Tweedy’s frequently inscrutable lyrics suggesting loss, alienation and confusion, lyrics that mirror the difficulty of communicating complex feelings with often mysterious origins.

A Ghost Is Born‘s arrangements aren’t as busy as they were on the last two albums—a habit born from including every instrument the band could get their paws on—giving way to a more minimalist approach. The sonic ephemera remains, but the sound leaves a lot more space and the guitars have more room to play. Check out the deliberate blocks of chords on “Spiders (Kidsmoke)” that break down and spray out stabbing, piercing notes—a primacy that’s a welcome return.

Tweedy is still no Jay Bennett, but he acquits himself admirably on the album as the main guitarist, along with assists from multi-instrumentalist Leroy Bach (no longer with the band), bassist John Stirrat (the only original member other than Tweedy) and producer/utility player Jim O’Rourke, whose arrival in the Wilco orbit preceded the more textural, airy qualities the band has explored since Yankee Hotel Foxtrot. According to Kot’s book, O’Rourke encouraged Tweedy to experiment; Tweedy now sounds like a player exploring the potential of the instrument as well as his own potential as a guitarist.

Few bands have undertaken such radical and purposeful change in their sound. In the process of abandoning the potential artistic ghetto of alt-country, Wilco also divested themselves of some of the energy that comes with being a loud rock band. A Ghost Is Born certainly doesn’t kick a lemur’s ass with the abandon found on parts of Being There, the band’s two-disc second album and the Wilco release most likely to elicit misguided comparisons to the Stones’ Exile on Main Street, but the sound is organic and lively.

To duplicate the new album in a live setting, Wilco enlisted inventive guitarist Nels Cline, whose playing runs the gamut from supple textural backgrounds to stinging leads to washes of pure sound. Their revolving-door lineup might lead some to worry about continuity, but continuity doesn’t seem to be a big item on Tweedy’s List of Important Things for a Successful Band. And, ultimately, the unifying thread in Wilco is Tweedy’s gift for melody, his increasingly evocative lyrics and his drive to remake the band’s sound as he sees fit. The country influence on A.M. tracks like “Pick Up the Change,” Summerteeth‘s staggeringly gorgeous and slightly scary baroque pop on “She’s a Jar” and Ghost’s piano-driven pop gem “Hummingbird” all share Tweedy’s inherent tunefulness, and little else. Change is the only consistent quality.

Their current live sound features drones and a ferocity in the playing, especially with the guitars, that belies Tweedy’s habit of writing achingly beautiful, fractured folk-rock and meat-and-potatoes rock and roll, a deceptively roots-based sound further linking Wilco’s past and present. The playing often builds to a noisy maelstrom that still manages to retain melodic prowess and an emotional directness in the music that’s often missing from the imagistic lyrics. Frankly, the band as currently constituted is a versatile beast capable of smashing faces and breaking hearts.

From the November 24-30, 2004 issue of the North Bay Bohemian.

© Metro Publishing Inc.

Grill Seekers

Chef Nuge!: Rocker, cookbook author and hunting enthusiast Ted Nugent has but one motto for the kitchen: 'Kill legal game. Add fire. Devour.'Grill SeekerHow George Foreman, Bobby Flay and Ted Nugent taught me to be a real (suburban) manBy Joshua GreenOne of the false promises of adulthood is that once you grow up, all the competitive torments of adolescence...

Marin City

Photographs by Rory McNamaraPublic/Private: The garrison-like public housing that distinguishes Marin City is balanced by an influx of condo units owned by those anxious to share Sausalito's zip code.Rich Man's GhettoSnapshots of a life briefly led in Marin CityBy Matt PamatmatSuperiority? Inferiority? Why not the quite simple attempt to touch the other, to feel the other, to explain the...

People Who Died

RIP ODB: Ol' Dirty Bastard is just one of the losses this year will mourn.Spirits in the SkyRock 'n' roll will never die, but people willBy Sara BirHearing of death first thing in the morning isn't the sunniest of ways to stir from slumber, but it's an ever-present threat to those of us who set the alarms on our...

Burrito Deluxe

Eating It Up: The Brothers find their plates full.Re-FliedBurrito Brothers get Deluxe updateBy Bruce RobinsonThirty-five years later, pedal-steel-guitar ace "Sneaky" Pete Kleinow is still less than thrilled with the nickname he acquired as one of the founding members of the Flying Burrito Brothers. As the seminal country-rock band was forming, he recalls in a recent telephone interview from his...

‘Can’t Find My Way Home’

Ultimate Loss: 'Drugs are a bet with the mind,' Jim Morrison once said.A Long Strange TripTruth is often the first casualty of war, and the much ballyhooed 'war on drugs' is no exceptionBy Martin A. LeeWhen he was Los Angeles police chief, Daryl Gates declared that casual drug users were guilty of "treason" and should be "taken out and...

Ozomatli

Monkey Minds: Ozomatli named themselves after the Aztec monkey god of dance.Jungle FeverOzomatli set the roof on fireBy Greg CahillAt the time, it seemed like harmless fun. Last March, as they've done a thousand times before, the L.A.-based worldbeat funksters Ozomatli decided to lead partiers--in this case, clubgoers and music industry honchos visiting the South by Southwest music festival...

Briefs

Last week, the North Bay Bohemian stood alone among local newspapers when it recommended that readers attend a pair of 2 Live Crew shows at the Rios nightclub in Rio Nido Friday and Saturday, Nov. 19 and 20. As it turns out, the perverted rap legends crept into town a day early for a Thursday night gig at...

Redwood Landfill

Toxic Soup: Aerial maps show the proximity of the landfill to delicate riverine and wetland environments.Talking TrashEnvironmentalists claim proposed landfill expansion threatens wetlandsBy Jordan E. RosenfeldAnyone with a normal sense of smell who has driven down Highway 101 south of Petaluma has caught a whiff off the Redwood Landfill, the continually growing mounds of refuse east of the freeway...

Bella Vineyards

By Heather IrwinLowdown: Just down the road from "Where the heck are we?" and around a couple of windy turns, Bella Vineyards rises up gently from the land, a small sign quietly directing you to the big barn on the hill. Well off the beaten path, Bella is a wonderful find at the farthest end of West Dry Creek...

Wilco

FRONT MAN: Jeff Tweedy comes into his own.Sonic EphemeraWilco plugs in on 'A Ghost Is Born'By Jaime EverettAttention guitar fans of the North Bay! Quit whining about pedal steel, mandolins and country shuffles: Wilco brought the guitars back. OK, so technically the guitars never left, but after spending two albums—1999's Summerteeth and 2002's Yankee Hotel Foxtrot—feeding the head with...
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