Shopping Centered

In the Bag: Detail from the ‘Joy Luck Club’ purse made by JiJi Lu.

Shopping Centered

Our highly selective guide to buying the good stuff at home

By Gretchen Giles

Rain sheets down darkly, slivering with uncanny accuracy into even the snuggest of turtlenecks. The burgeoning calla lilies are broken and folded from freeze. Ordinary conifers bear three-digit price tags and those who made the fiscally disastrous decision to bear children suddenly sport calculators and tight-lipped grimaces. Indeed, it’s beginning to look a lot like Christmas. Or Hanukkah. Or Kwanzaa or Solstice, or however the coming of the light is celebrated at your house.

While we are the first to suggest that lovely photo frames fashioned from garden twigs and twine or sheets of overbaked cookies make thoughtful holiday gifts, there is that soul or two on everyone’s list who has somehow come to expect a real gift this time of year. Furthermore, such slavishly spoiled someones prefer a unique present not readily found in mass distribution. To aid in your Grail-like quest, we herewith offer this strange assortment of goodness made right here in the North Bay.

Everyone loves a nudist, particularly when said stripee does so for charity and offers a full 365 days of exposure. This season brings two groups of naked folks from Marin available for purchase, all doffing their duds 12 different ways for a good reason. The 2005 Pink Ribbon Men of Marin, including beloved KFOG 104.5-FM morning DJ Dave Morey, strike strategically considered poses to honor the women in their lives who have been affected by breast cancer. Photographer Acey Harper donates a professional eye, and the resulting calendar is handsome, informative and poignant. Some of the Pink Ribbon men appear at a calendar signing on Wednesday, Dec. 15, at Book Passage in Corte Madera (51 Tamal Vista Blvd. 7pm. Free). Calendars are $19.99 and are also available online at www.pinkribbonmen.com.

Meanwhile, the 12 women over 40 who bravely grace the Cowgirls of Novato calendar also do so for breast-cancer awareness, as well as the Novato Unified School District and the Marin Abused Women’s Services program. Horsewomen all, this dozen are anything but dirty. The calendar, rather, features a collection of attractive, intelligent women interacting with their horses or performing chores in their stables–merely somewhat less dressed than they might usually be. Photographed by Kim Vogee (the current Mrs. December), the Cowgirls of Napa calendar is $20, comes with an art nouveau gold hoof pick (while supplies last!) and is available throughout downtown Novato as well as at Marin General Hospital and the California Grill Restaurant.

Not nude but still pretty is the Sausalito-based Antenna Theater’s ECOlogical Calendar. Wondering why the heck we continue to use a calendar that has absolutely everything to do with ancient Roman hierarchies and absolutely nothing to do with our daily revolution around the sun, the ECOlogical Calendar’s makers divided theirs into quarters, much like life itself.

This cal notes astronomical seasons, solstices, meteorological aspects and the slippery relationship between day and night. It’s a gorgeously illustrated attitude toward the world that comes in quarterly 12-by-36-inch panels, and is highly recommended for prompting daydreams and curiosity in children. Beginning for 2005 with the solstice happening on Tuesday, Dec. 21 (2004), the time is now to get into the real rhythm of the year. The ECOlogical Calendar is $14.99 and available at www.ecocalendar.info. . . .

Founded by former Section M publishers and editors Michael Houghton and Kevin Jamieson, Designed by Monkeys purveys T-shirts with decided attitude. Originally conceived as a fundraising project for MoveOn.org in advance of the recent Nov. 2 disaster, Designed by Monkeys continues to donate a portion of each sale to MoveOn as that organization decides which good fight to tackle next.

But the right livelihood part is only some of the fun: the real benefit to the ordinary consumer is getting to wear a Che Moore T-shirt, which reenvisions filmmaker Michael Moore as Che Guevara, albeit slightly tubbier; donning an image of Dubya depicted as a puppet with the elegant word “Lies” protruding from his mouth; or simply flipping the design birdie to war–all of which are featured on Designed by Monkey’s website, www.designedbymonkeys.com. T-shirts and belly tanks are $14.99 and each purchase makes an automatic donation to move us on. . . .

Cigar boxes are among the most mutable of hard-to-find everyday objects. Painter Richard Diebenkorn, for example, did some of his most beautiful small works on the wooden panels that compose ordinary cigar boxes. And now the Santa Rosa family of Catherine Alexander, sister Terry Ulitalo and daughter Evin Alexander have formed themselves into the team of JiJi Lou to design a delicious line of purses from the things.

Using drawer handles as purse handles, these one-of-a-kind sacs are decidedly more art than the typical rough-and-tumble wasteland that usually comprises the interiors of shoulder bags. Typically thematic, from Betty Boop to The Joy Luck Club to pin-up girls to the rich enjoyment of different fabrics, each purse is covered in cloth, is hand-beaded and features a small mirror fixed into the inside cover, as well as surprises like miniature Hawaiian shirts or small wrapped gift boxes adhered to the interior.

According to Catherine Alexander, JiJi Lou has so far made some 500 purses, each taking up to three days to complete, and the three women are earning a full living from their one-of-a-kind line. The purses sell for between $36 and $80 depending on the complexity of the design, and JiJi Lou happily takes customized orders. Purses can be ordered by calling 707.544.3110 or through JiJi Lou’s website at www.jijilou.com, and are featured each week once Santa Rosa’s Wednesday Night Market resumes in 2005.

Also anticipated with the resumption of the market are Susan Levinson‘s beautiful beaded necklaces, combining semiprecious stones and crystals with more ordinary beads, thus keeping the cost reasonable while the look remains high (www.slevinsondesign.com); and Karen Smith‘s very clever fiber jewelry, in which she achieves a sort of fairy tale aerie as her threads are literally woven like gold (707.579.3002). . . .

And finally, shopping for items made specifically in the North Bay is a self-confined task at the Sonoma County Museum’s newly revamped Museum Shop because every item for sale is made only by area artists. The compulsively collectible ceramics thrown by nationally acclaimed potter Aletha Soule are given large notice here and are very reasonably priced considering what one would pay at Gumps for the same thing.

But the same thing isn’t possible, as Soule has conceived a line of “black tea” glazes for the work she contributes to the Museum Shop, unavailable elsewhere. The soft, organic forms of Soule’s vases and pitchers are nearly archetypal in their draw; one feels that the form is known in a deep way. But then again, it’s just a pot. Soule’s pieces retail from $56 for a deeply desired green pitcher to $108 for a set of three ardently wanted vases.

Stefan Jonson contributes the world’s smallest pair of hand-painted shoes, replete with copper doodads ($156), and local designers Shih & Co. hang an elegant swathe of scarves, most notably a silk one poetically colored in “lichen” and adorned with semiprecious garnets (on sale for just $95). Contributing artists also include iron sculptor John Hains, wood worker Alex Wright, Zen painter Mario Uribe and others. Sonoma County Museum, 425 Seventh St., Santa Rosa. Hours: Wednesday-Saturday, 11am to 4pm. 707.579.1500. . . .

Send a letter to the editor about this story to le*****@*******ws.com.

From the December 8-14, 2004 issue of Metro, Silicon Valley’s Weekly Newspaper.

© Metro Publishing Inc. Metroactive is affiliated with the Boulevards Network.

For more information about the San Jose/Silicon Valley area, visit sanjose.com.

Hail to the Food

Hail to the Food

Bite-Size Elegance

By Jill Koenigsdorf

Right on Magnolia Avenue in the heart of Larkspur stands Emporio Rulli, a bakery that offers a mini-vacation to Italy without the fuss of leaving Marin. The marble counters, the espresso machines, the DeSimone pottery in the windows, the back room filled with edible Italian treasures, the gelato and candies and pastries in the middle room, the panini stacked tidily in the case waiting to be warmed for you in the first room where you enter, the mirrored walls so you can watch someone surreptitiously–it’s all so dolce vita.

Owner Gary Rulli apprenticed in Milan 20 years ago and even carried some of the mother yeast, the pastry starter, back to California where it is still doing its job today, leavening Rulli’s most popular pastry, the pannetoni. And while there are a few more Emporia Rullis now–at the airport, in San Francisco–the headquarters is still this 15-year-old storefront in Larkspur, where all the baking is done.

While many of its tasty cookies and pastries are worthy of rhapsodizing over, Rulli is unique in its ingenious shrinking of a traditional and beloved pastry, thereby enhancing its appeal. In France they are called palmiers (“palm trees”), in Italy, ventaglies (“fans”), but what they share is a lot of butter, a sticky sweet glaze and a feather-weight flakiness that showers your front with delectable crumbs at each bite. But who wants to waste, let alone wear, these morsels? So Rulli has reduced the typically hand-sized ventaglie to the size of a doubloon, thus making it shed less while infinitely increasing its addictiveness. He sells over 600 a week, and after you pop one in your mouth and lick the sticky traces off your fingertips, you’ll know why.

Emporio Rulli, 464 Magnolia Ave., Larkspur. Open daily until 5:30pm. 1.888.88.RULLI.

From the December 8-14, 2004 issue of the North Bay Bohemian.

© Metro Publishing Inc.

RKA

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It’s the Ride!: Kathy Storin and Richard Battles of RKA.

Ride On

Healdsburg’s RKA gives motorcyclists the tools to go the distance

By R. V. Scheide

North Bay motorcyclists frequently have to undergo a self-administered reality check. Marin, Napa and Sonoma counties are blessed with some of the best motorcycling roads on the planet–Highway 128, Stewart’s Point Road and Highway 1, to name just three–and many have fallen under the spell of these marvelous twisting ribbons of fairly well-groomed asphalt. Serious aficionados have been known to stay in the saddle for days, just to prolong the buzz.

Staying in the saddle for days is what the folks at RKA are all about. The Healdsburg-based company, which takes its first two initials from founders, owners and avid motorcyclists Richard Battles and Kathy Storin (the A stands for “accessories”), manufactures soft luggage that transforms virtually any mount–even a scooter!–into a serious long-distance touring machine.

For those of you who ride around in cars, or “cages” as they are known by motorcyclists, an explanation is in order. Most motorcycles don’t have trunks or even glove boxes. This presents somewhat of a problem for the long-distance motorcycle traveler. Where, for instance, are you supposed to stash your camera, your lunch, your spare change of underwear?

RKA’s soft luggage is the answer. Manufactured onsite in Healdsburg from tough, water-resistant Cordura or heavy-duty polyester, the luggage comes in a variety of shapes and sizes. Enormous saddlebags that drape over the seat easily hold enough clothes for a week’s worth of camping. Still have more things to pack? Stuff them in a handy tail bag that attaches to the rear of the bike. If you still need more room, there are eight flavors of tank bags to choose from.

Prices range from $49.50 for the smallest tank bag to $211.20 for the largest set of saddlebags. There’s a rainbow of color options, and bags can be designed to match any particular bike’s paint scheme. Richard and Kathy have come along way since 1985, when in a short four-month span, they met, got married, moved from Southern California to Northern California and started RKA in the garage of Richard’s mom’s house in Rincon Valley. Richard supplemented their income by working at Radio Shack, but after five years, sales were strong enough to allow him to quit and focus on the company full-time. The pair, who will celebrate both their own and RKA’s 20th anniversary next year, have developed a close working relationship.

“I’m not a real creative person, I’m a craftsperson,” explains Kathy, who formerly made silks and accessories for the horse-racing industry. (She met Richard, a former thoroughbred trainer, when he came in for a set of blinders.) “Richard is the creative mind. I’m just the technician.”

In the beginning, Richard and Kathy loaded up the RKA trailer and traveled coast to coast, hitting all the motorcycle shows and races they could find, including many visits to America’s premier motorcycling race, the Daytona 200, and its accompanying madness known as Bike Week. With Internet sales from their website burgeoning, the pair decided to cut down on their traveling. But they still occasionally pine for the road.

“We miss the traveling,” Kathy says. “We met so many people. We can go to almost any state and there’s always somebody we can go riding with.” Not that going to Daytona every year didn’t have its drawbacks. “You can only see so many fat people in thongs–men or women!” she laughs.

For the past several years, the couple toyed with the idea of expanding RKA into a first-class motorcycle boutique, with a full line of accessories and even a big-screen TV to host motorcycle-related events at the shop. Unfortunately, Healdsburg turned out to be slightly too far to travel for the hordes of finicky motorcyclists in San Francisco they expected to draw, and Richard tired of trying to keep merchandise they didn’t make themselves in stock.

“Basically, we’re back to doing what we do best,” he says. Because the company is small–in addition to the two of them, they employ an industrial seamstress–it’s able to respond to custom orders more quickly. Winter is the slow period, and Richard uses the spare time to conduct research and development on new luggage items.

He’s currently designing luggage for bicycles after getting bit by the cycling bug last year. But don’t think Richard and Kathy are giving up motorcycles. On any Sunday, you’re likely to find them at the head of a pack of snarling sport bikes winding their way out to Stewart’s Point. As the RKA motto states, “It’s the ride!”

RKA is located at 1423 A Grove St., Healdsburg. Winter hours: Monday-Friday, 8am-4pm. 707.433.3727. www.rka-luggage.com.

From the December 8-14, 2004 issue of the North Bay Bohemian.

© Metro Publishing Inc.

‘Connections 2’

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‘Buzz’ Buzz: Waits’ contribution is an unreleased classic.

Sonic ‘Scape

‘Connections 2’ finds bond in our shared community

By Karl Byrn

Charlie Musselwhite, David Grisman, Tom Waits, Camper Van Beethoven, Alex de Grassi–this list sounds like a set of artists found in a random search for “adult alternative” favorites, right?

Actually, these stellar acts all have very cool tracks on Connections 2, a new compilation of 22 Northern California musicians that’s not only a benefit for local public radio station KRCB 90.9-FM, but is also a rich and compelling slice of our best local music.

“It became my mix tape, like the dude in High Fidelity,” says producer and KRCB program host Doug Jayne, who co-owns Santa Rosa’s Last Record Store, plays in two local bands and runs the Route 44 recording studio where much of the disc was recorded and mastered. “The CD sounds more like my radio program [Connections on Wednesdays at 8pm] than a CD. The songs on this album all breathe. I think the CD sounds like Northern California in 2004, and is a good document of a year we won’t soon forget.”

Like Jayne’s 1996 Connections KRCB benefit disc, Connections 2 represents the authentic character of Sonoma County and North Bay music. Rather than being a hotbed of cutting edge rock, jazz or hip-hop, our region has a distinct strength as a blender of American and international folk, rhythm and roots traditions. The disc is sequenced to highlight this hybrid diversity, alternating styles but repeating the connections. From the opening wail of Musselwhite’s blues harmonica solo “Durant Street” to Jayne’s own final reflective folk cut “Not Dead Yet,” Connections 2 finds bonds in the depth of our shared musical community.

Waits’ previously unreleased “Buzz Fledderjohn” shares an eerie delta blues landscape with the Mali-meets-Leadbelly moan of Markus James’ “Midnight.” Grisman’s semiclassical mandolin and violin duet “Desert Dawg” is linked with the European cafe music of the Hot Frittatas. The nu-Celtic romp of Greenhouse complements the pure bluegrass swing of Modern Hicks. Solid Air has a could-be country radio hit with “Local Color,” a contemporary female-led sound echoed in Audrey Auld’s more rock-leaning “Losing Faith.” The acoustic guitar reading of the blues standard “St. James Infirmary” by de Grassi is glistening, as is the pedal-steel instrumental “The Courtship” by local master Bobby Lee.

Connecting the dots wasn’t too difficult for the producer. With his track record and KRCB’s growth in the last decade, Jayne had plenty of volunteers. “When I produced Connections in 1996, I was new to the station. I wanted to show that I was committed to the cause. The CD was like a promise ring: ‘I will be true to you, old 90.9-FM.’ This time, instead of groveling for songs, or having to explain my motivations or what KRCB is about, people were lining up wanting to contribute. I was able to personally pick the songs by the artists. It makes the producer’s job so much easier knowing the pieces will fit in the frame of a compilation.”

Jayne gives the credit to community spirit. “Folks around here know how important public radio is,” he notes, because “KRCB is a great station. Even though it is an NPR affiliate, it is very independent.” KRCB members who had pledged during the station’s fall membership drive were invited to a Nov. 12 concert at New College of California that featured almost half of the disc’s 22 acts. The response? “Sardine city!” says Jayne of the standing-room-only crowd.

With such a terrific turnout by both top-name national acts and local musicians who are ready to be top name, Connections 2 is full of reference points that will strike local music fans for any number of personal reasons. My favorites are songwriter Greg Abel’s “Last Call Dance Hall,” a waltz-time honky-tonk ballad written from the point of view of the bar itself; Holly Near’s anti-Republican gospel romp “Fired Up!”; and Camper Van Beethoven’s live-in-the-studio acoustic take on their alt-rock classic “Take the Skinheads Bowling.”

Jayne’s closing cut “Not Dead Yet” is personal as well, part of his link to this greater community. “I wrote it as a response to the deaths of Warren Zevon and Johnny Cash. I thought it was OK when I wrote it, but after listening to it, I felt depressed. I laughed, I got depressed again. Then I was hopeful. Four feelings in four minutes; I knew I had to share it.”

With Connections 2, Jayne helps the local music scene share its best.

‘Connections 2’ can be purchased through Jackalope Records, 707.696.1100 or www.jackaloperecords.com.

From the December 8-14, 2004 issue of the North Bay Bohemian.

© Metro Publishing Inc.

Elixir Cafe

Natural Nostrum: Carrie Moore, right, at a recent Healdsburg Farmers Market.

Magic in a Bottle

The numinous mists of the Elixir Cafe

By David Templeton

On the colorfully trippy, steadily evolving website for the Elixir Cafe, a quote by Dr. Richard Gerber is prominently displayed: “The Einsteinian paradigm as applied to vibrational medicine sees human beings as networks of complex energy fields that interface with physical/cellular systems.” Gerber goes on to describe vibrational medicine as a way to encourage “specialized forms of energy” to positively affect “energetic systems” that may be out of whack due to various “disease states.”

Frankly, I have no idea what any of that means. But Carrie Moore does.

A self-described modern-day shaman and energy worker, Moore had already conjured a unique, and uniquely satisfying, career as a leader of spiritual and personal-empowerment workshops all across the globe.

It was during one such workshop in England that Moore, a Sebastopol resident, had the seed of an idea, a notion that would eventually become the Elixir Cafe.

“I started getting this grocery list in my head,” she laughs. “And it wouldn’t go away. This list of ingredients kept repeating in my head for all three days of the workshop. Once that was done, I finally said ‘OK! OK!’ and I wrote it all down.” Not being one to indiscriminately ignore the inspirations of her inner wisdom, Moore took this mystical cook-book experience seriously and began to research the various healing properties of the materials she’d envisioned.

Her first attempt at whipping up a batch of something resulted in something she now affectionately calls “metaphysical jam,” a concoction of beets, pineapples, ginger, rosemary, sweet violet, juniper berry and a number of other herbs and essences. It began as a gift she’d give to friends and family. But as more folks began asking for her metaphysical jam–claiming it activated energy centers that helped them aspire to higher levels of knowledge–the alchemical chef developed the idea of distilling the same ingredients into an elixir that could be consumed a drop at a time, instilling the same health properties, only more directly and instantly.

Moore’s magic jam eventually came to be called Star Fire, a sublingual (you put it under your tongue) elixir designed to heighten energy, stamina and awareness. She quickly developed other elixirs, with similarly evocative names: Miriam’s Heart Elixir, Ancient Amazon and Lavender Fields Forever, which contains lavender grown in Petaluma and was created to restore the imbiber’s sense of inner peace and relaxation. Moore now sells six elixirs ($18 per one-ounce bottle), with Wisdom of Venus and the Bridge–a “transformational support” for men–rounding out the line.

Every batch takes Moore 45 days to make, a specific, ritualized processes that includes the saying of prayers and blessings over the concoction as it percolates, or whatever it is that elixirs do.

Along the way, she’s added a second line of products called Mantra Mists. Described by Moore as body and space elixirs that are designed for external use (unlike the oral elixirs, you don’t eat these), the Mantra Mists ($24 dollars per four-ounce bottle) are spray-on mists with names like Buddha Blast, Mystic Beet, LavendEssence, Speak Easy and Sanctuary.

“You can use them on your body or on your face to revitalize or calm you, and to protect against negative energies,” Moore says.

Once again, I’m not sure what that means.

“Some people sage their spaces,” Moore patiently explains, “burning sage to cleanse an environment and make it holy. This is something like that. While the Mantra Mists can certainly be used ceremonially, there have been a lot of massage therapists, psychologists, doctors and school teachers who use the mists in their work spaces. Sanctuary is an especially popular mist among schoolteachers. One teacher told me that when the kids are bouncing off the walls, she mists the classroom with Sanctuary, and within a few minutes, the whole classroom is calm and peaceful again.”

For the holidays, Moore has created a number of gift packages and sets and has taken special care to consider the psychic and spiritual needs of both the recipients and the givers of all Elixir-oriented gifts.

“When selecting a gift for a loved one,” Moore suggests, “let yourself be guided by your feelings rather than what you think. Hold that person in your mind, and let your intuition guide you.”

Even I know what that means.

The Elixir Cafe is at www.theinnershaman.com. Carrie Moore can be found every Thursday and Sunday morning at the Marin Farmers Market at the Civic Center, Avenue of the Flags, San Rafael.

From the December 8-14, 2004 issue of the North Bay Bohemian.

© Metro Publishing Inc.

Briefs

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Briefs

Day Without Nurses

Like the recent film that depicts what a day without a Mexican might be like, 7,000 health care workers at 13 Northern California Sutter hospitals, including Sutter Solano in Vallejo, Sutter Lakeside in Lakeport, Sutter Warrack in Santa Rosa and Sutter Santa Rosa, will stage a one-day strike on Dec. 1. The decision to strike came after six months of failed contract negotiations between the Health Care Worker’s Union (Service Employees International Union 250) and Sutter Health, the largest nonprofit hospital chain in northern California. At issue are staffing levels at Sutter hospitals that, according to healthcare workers, endanger patients and overwork staff, as well unfair labor practices such as the alleged surveillance and intimidation of employees interested in union representation. Sutter officials deny that staffing levels are too low, insisting that the union wants a broad contract that covers all the Sutter hospitals, instead of individually negotiating contracts at each site. “This is not about a single contract,” says Darnita Goodman, a nurse assistant at the Sutter-owned Alta Bates Summit Medical Center in Oakland. “This is about standing up for our patients. Sutter keeps cutting down the number of caregivers and we don’t have time to really take care of people.”

Black Box Van

Was the presidential vote in Ohio rigged? That answer may be revealed sometime after Dec. 6, when a recount demanded by Green and Libertarian presidential candidates is scheduled to begin. In order to shuttle concerned North Bay residents a little closer to the action, Healdsburg attorney Gail Jonas has christened the Black Box Van, or BBV for short, to transport voters who question the election results to events and rallies. The van seats 11, Jonas included. “We’ve labeled it the BBV because we are organizing a ‘Caravan for the Real Count’ to take people to Ohio for the recount,” says Jonas, who adds that she is still looking for a qualified driver.

Unequal Partnership?

From Love Savers, the Marin County chapter of Marriage Equality California, comes news that California’s domestic partners law, due to go into effect Jan. 1, ain’t out of the woods yet. It seems anti-gay marriage group Campaign for Children and Families (CCF), rebuffed in its attempt to declare the domestic partners law unconstitutional in September by Sacramento Superior Court Judge Loren E. McMaster, hasn’t taken the defeat lightly. The group plans to appeal its case, which argued that Proposition 22, a state constitutional amendment passed in 2000, dictates that marriage–and therefore, domestic partnership–can only be between a man and a woman. Moreover, CCF has initiated a recall campaign against Judge McMaster. Meanwhile, as CCF’s website notes, “San Francisco’s homosexual assemblyman, Mark Leno” will introduce a full-blown “homosexual marriage license” bill to the Legislature on Dec. 6.

From the December 1-7, 2004 issue of the North Bay Bohemian.

© Metro Publishing Inc.

Swirl ‘n’ Spit

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Swirl ‘n’ Spit
Tasting Room of the Week

Michel-Schlumberger

By Heather Irwin

Lowdown: Wineries, I’ve found, are a lot like people. The vast majority blur in the memory without much distinction. There are, maybe a few dozen that you know you should like, but don’t. There are a handful that you absolutely hate, and maybe double that you find yourself pretty darn fond of. And then, there are the close few that you really, really love–sometimes despite themselves, often for good reason.

Michel-Schlumberger is the kind of winery that just feels wonderfully right and is among my top 10 favorites. Though the winery’s usually only open by appointment, taking the time to book a tour is something I highly recommend for the winery itself and doubly for the wine.

The simple, Spanish-style, stucco-and-tile building has a large, open-air courtyard and rectangular wading pond at its center, with French doors all around leading into a cozy tasting room. On a recent, cold, drizzly day, we found a crackling fire inside, incredibly friendly staff and wines that, while not perfect, had an endearing mix of French subtlety and California moxie.

Mouth value: Schlumberger specializes in Bordeaux- style wines, which is not surprising considering the family has been making French wines for some 400 years in the Old World. The 2003 Pinot Blanc ($21), aged in steel tanks, has a crisp, tart quality that’s refreshing and less fruity than most Sauvignon Blancs. But Schlumberger is better known for its Chardonnays. The 2002 Chardonnay ($24) has a cleaner, more fruit-forward quality with light oak. Frankly, I liked it a bit better than the oft-lauded 2002 Chardonnay La Brume ($35), which seemed heavy-handed in comparison.

I’ve discovered that’s the one thing that’s hard about doing multiple tastings at Schlumberger: the wines are often subtle and a bit delicate, so I found the 2001 Pinot Noir ($38) a bit weak in the knees in comparison to the tart, tannin-heavy, but delightfully complex 2000 Syrah ($20). The best bet, however, if you can stomach the price tag, is the 1999 Reserve Cabernet ($75), which nearly brought me to my knees with its velvety richness. Hallelujah.

Five-second snob: Jacques Schlumberger, who took a controlling interest in the winery in the 1990s, is an art and music supporter who helped fund the construction of the Green Music Center at Sonoma State, where both he and his wife went to school.

Spot: Michel-Schlumberger Wine Estate, 4155 Wine Creek Road, Healdsburg. By appointment only. 707.433.7427.

From the December 1-7, 2004 issue of the North Bay Bohemian.

© Metro Publishing Inc.

Latino Gangs

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Unlucky 13: The Sureños gang identify themselves with ‘m,’ also the 13th letter of the alphabet.

Gangsters Anonymous

Local Latino teens talk about jumping in and the gangster lifestyle

By Joy Lanzendorfer

Gang activity is on the rise in Sonoma County. This year, Santa Rosa saw 32 drive-by shootings, up from 25 in 2003. Nine people have been injured, including a seven-month-old girl. Only two arrests have been made in connection with the shootings.

Many of the drive-bys are the result of an intense rivalry between Sonoma County’s two biggest gangs, the Norteños and Sureños. Gangs also participate in other crimes, including graffiti, petty theft and drug trafficking. Despite the formation of the special Gang Task Force in Santa Rosa several years ago, the violence appears to be getting worse.

“Gangs are slowly increasing how dangerous they are willing to get,” says Sean Roney, a coordinator at Teen Court, which works with the juvenile justice system. “The murder rate is increasing, but most of [the gang] activity is in the drug trade.”

According to Rafael Vazquez, a gang research advocate who works with troubled youth in Sonoma County, estimates figure that approximately 2 percent of Santa Rosa’s population alone–some 3,000 people–are thought to be involved in gang activity. That activity includes “generals” from the outside organization, or “mafia,” that controls each gang; the corporate gang captains responsible for funneling money from various criminal rackets back to the mafia; and the kids in the streets who actually sell the drugs and commit the petty crimes that fuel it all.

These gang members exist in a secretive world colored by mysterious signs, rituals and bloodshed. Disloyalty to the gang is not an option, and members who talk about the inner workings of gang life do so at their own risk. Nevertheless, the Bohemian recently located two members, each from a rival gang, willing to speak about their experiences on condition of anonymity.

“Carlos,” 18, is a member of the Norteños. Polite and soft-spoken, Carlos tried to stay neutral to the gangs when he first entered high school. Yet every day he felt pressured to pick sides. If he hung out with people in one gang, he was hassled by the other. Even the color of his clothes was an issue.

“Basically, if you are Hispanic, you couldn’t wear red because one day the Sureños be talking shit to you, and the next day, you couldn’t wear blue because the Norteños be talking shit to you,” he says.

Eventually, Carlos picked sides by default. He became friends with some Norteños, hung out with them and was soon known as one of them.

When Carlos was 16, the rival Sureños did a drive-by on his house, shooting through his bedroom window. No one was hurt, but Carlos was enraged. “I was scared, but at the same time, I had so much anger,” he says. “I just turned it into looking for whoever did it. It made me get more involved in the gang to the point that I wouldn’t care who you were–if you were a Sureños, I was going to get you.”

Not long after the drive-by, Carlos jumped in with the Norteños. (“Jumping in” refers to an initiation rite that consists of established gang members beating up the new guy.)

“There’s no chance of winning; it’s basically hand-to-hand combat,” Carlos explains. “It was a lot of pain, but everyone will tell you if that ever happens, just cover your face.”

Not all gangs perform the rite, but in all cases an older member, or “G,” makes the decision about when someone is ready to join the gang. It usually happens after the wannabe has proven his loyalty.

For Carlos, gang membership meant hanging out, getting drunk and stealing car stereos. After being arrested for stealing, he has curtailed his criminal activity, but he’s still a Norteños and he still dislikes the Sureños.

“I don’t have no respect towards them,” he says. “I don’t understand them; I don’t want to know them; I don’t want to see them.”

The hatred between the two gangs motivates the members of each group. “Pedro,” 16, grew up in a gang neighborhood in Santa Rosa. He says he won’t officially join the Sureños, because “if you jump in, you have to follow the rules. Not jumping in means I can do whatever I want.” Still, Pedro hangs with the Sureños almost as if he were an official member. Practically everyone he knows is in a gang.

“That’s like my family, you know,” he says. “I grew up with them, so I stick with them. A lot of people I know join because they need a family–their mom and dad don’t give them the good love they have, and their friends will.”

Pedro hates the Norteños. A close childhood friend was killed by a Norteños member. Not long ago, Pedro was arrested for hitting a Norteños in the head with a baseball bat.

The names Norteños (north) and Sureños (south) originally designated whether the gang was from the north or south region of Bakersfield. These days, the geographic lines are blurred. In Sonoma County, most gang activity is in north and southeast Santa Rosa. The gangs break into smaller units called “sets,” each with its own name and turf, such as SouthPark, whose members hang out near the fairgrounds, and Varrio Sureño Loco, which operates in Roseland.

Not all gangs in Sonoma County are Latino. There are Asian gangs, most notably the Asian Boyz. There are white racist groups like the Nazi Low Riders and the Peckerwoods. Lately, even Southern California’s Bloods and Crips are appearing in Sonoma County.

While Pedro despises the Norteños and Carlos hates Sureños, neither has a problem with the Asian Boyz. The issue of race and gangs is complicated. While some gangs operate for racist reasons, especially in the case of white pride gangs, most exist for commercial reasons. Still, many members confuse being in a gang with race.

“Sometimes, when I ask Norteños and Sureños why are you in the gang, they say, ‘Oh la raza,'” says Vazquez. “But when I say, ‘OK, but when did la raza change from the Mexican flag to a blue rag?’ they run out of things to say. At the core of it is a sense of self-hatred. When you look at the statistics in L.A., nine out of 10 gang-related murders are Latinos killing Latinos, blacks killing blacks, whites killing whites.”

In addition to wearing the color blue, the Sureños identify themselves with the number 13. Members draw or tattoo three dots on their arms, hands or by their eyes. They use the symbols “13,” “XIII,” “X3,” “Sur” and “Puro Sur” to mark their turf. They call the Norteños “chaps,” “chapetes” and “busters.”

The Norteños wear the color red and identify with the number 14. They draw four dots on their bodies and use the symbols “14,” “XIV,” “X4,” “Norte” and “BPN” (Brown Pride Norteños). They call Sureños “scraps,” “scrapas” and “sewer rats” or “SURats.”

The numbers indicate which Mafia the gang is affiliated with. Th e number “13” indicates m, the 13th letter in the alphabet, for the Mexican Mafia, which controls the Sureños from prison. Likewise, “14” stands for n, the 14th letter, indicating the Nuestra Familia, which controls the Norteños. The rivalry between the two gangs plays itself out in street violence and arcane symbols spray-painted on Sonoma County’s walls.

Prison, rather than serving a rehabilitative function, often serves as a recruiting station for gangs.

“A week or two before a gang member is released from prison, he will be called to this or that cell,” says Vazquez. “He is given a list of people and told when he moves to, let’s say, Windsor, he should contact these people. He’s given a job, to sell drugs or steal stereos. But the kids we see out here on the street, they’re just kids. A lot of them don’t even know how everything works.”

But once inside a gang, a member instantly becomes aware that he has to follow the rules and do what he’s told–or pay the price.

“Right away, you can notice the person who’s a higher rank than you,” says Carlos. “He has the word, because if anything happens, he would be the one to tell us go do this, go to this neighborhood and do this.”

Generally, girls can’t join gangs.

“If something happens, like the girls get cut up, they go snitch and tell people what happened,” says Pedro. “So it’s only guys.”

Some teens are driven to gangs for economic reasons or a sense that their options in life are limited. The word “disrespect” comes up repeatedly, since kids attracted to gangs usually have poor relationships with authority figures. Because of this, convincing kids to leave gangs is a formidable task.

“Regardless of all the pain that these youth cause to our society, they are a symptom of a society that has an illness,” says Vazquez. “Our failure to provide for these youth is coming back to haunt us. We must do something positive and proactive to deal with their pain.”

Santa Rosa’s Teen Court has taken positive steps to salvage kids who’ve fallen prey to gangs. Among other things, it takes teens to San Quentin to show them where gang life inevitably leads.

But even if the court reaches some kids, leaving a gang is dangerous. It is considered a betrayal, making those who want to leave into instant enemies.

Carlos seems to want out of the Norteños, but he doesn’t have a clear idea how he will do it.

“I do think I’ll mature and I’ll get out of it,” he says, before hesitating. “Maybe. Eventually.”

Send a letter to the editor about this story to le*****@*******ws.com.

From the December 1-7, 2004 issue of Metro, Silicon Valley’s Weekly Newspaper.

© Metro Publishing Inc. Metroactive is affiliated with the Boulevards Network.

For more information about the San Jose/Silicon Valley area, visit sanjose.com.

Open Mic

0

City Saps Seniors

By Tony White

IN SANTA ROSA, the “City Designed for Living,” one does not have to look very far to see the “two Americas”; that is, a country divided between a few affluent Americans and many hardworking members of society who are struggling to make ends meet, even after reaching retirement age.

What is even more disturbing is that among the latter are employees of the city of Santa Rosa. They are the 28 men and women who operate the toll booths in the five city-owned parking lots. Their ages range from 65 to 89. They work four-hour shifts, sitting in small booths breathing automobile exhaust fumes, and they earn much less than a living wage in Sonoma County.

Besides making change and operating the ticket machines, they are also responsible for security, calling the police or emergency services, arranging for a tow truck in the case of breakdowns and helping when the ticket machines malfunction. Occasionally, they also have to cope with unruly patrons or disturbances in the lots. While the city plans to automate the facilities, an onsite employee will still be needed for these other functions.

For these services, they earn between $8.15 to $9 per hour without benefits. Because they are classified as temporary part-time employees, even though a number have worked 10 to 20 years for the city, they are denied any benefits. If they were reclassified as permanent part-time, they would be entitled to benefits like other city employees, including paid vacations, sick leave and medical insurance.

Why does the city discriminate against this group of city employees? Contrary to public perception, they are not whiling away their “golden years,” but are working to supplement their pensions, life savings or social security. Having worked all their lives, they continue to work in order to pay their bills, especially the increasing costs of medical insurance and prescription drugs. They include professionals, teachers and tradesmen with a wide range of formal education, training and work experiences, and most of the men are veterans.

After the parking lot attendants voted to join SEIU Local 707 in 2003, they negotiated a contract with the city. This year the city offered all its employees a 2 percent pay increase, but given the low wages of the attendants, that amounts to an increase of only 16 cents to 18 cents per hour, or between $2 and $3 per week, the cost of a loaf of bread or a cafe mocha.

Given the high cost of living in Sonoma County, this offer was an insult to these honest, hardworking and loyal city employees. The city also refused to discuss paid holidays, sick leave or healthcare benefits for the parking lot attendants.

When a state negotiator was brought in to mediate, the city refused to reconsider, even though parking lot attendants in several comparable cities in California not only receive higher pay, but also health coverage, including dental care, sick leave, paid vacations and contributions to retirement plans.

As taxpayers, we are the effective employers of all city employees, from the city council to the city manager to the parking lot attendants. Do we want to be on record as supporting this blatant form of exploitation and age discrimination against members of our own community? Shouldn’t we ask why these city employees are treated differently than other classifications? If this practice is illegal, might it subject the city to costly legal action, not to mention embarrassment? If we are in a similar situation in our later years, would we want to be treated in this manner?

According to AARP figures, 4.5 million Americans over 65 continue to work, constituting 3.1 percent of the American labor force. After social security, pensions and savings, employment is the fourth greatest source of income for seniors. About 3.6 million elderly Americans, or 10.4 percent, live below the poverty line and seniors spend disproportionately more on healthcare than other consumers. The plight of the Santa Rosa parking lot attendants, therefore, is not just a local issue, but a national one, which will become worse as our population ages.

As citizens of Santa Rosa who are concerned about human decency, we should insist that the mayor and the city council treat the parking lot attendants with dignity and respect and offer them a living wage with benefits.

Tony White is a professor of history at Sonoma State University and a member of the Living Wage Coalition of Sonoma County. The Byrne Report will return next week.

From the December 1-7, 2004 issue of the North Bay Bohemian.

© Metro Publishing Inc.

‘Nuncrackers’

Habit-Forming: Mother Superior (Rhonda Guaraglia) goes for a ride in ‘Nuncrackers.’

Fun with Nuns

‘Nuncrackers’ makes merry

While sequels may be the bread and butter of Hollywood, they seldom ever work in the theatrical world. One would have to think long and hard before recalling more than a couple of theatrical sequel successes, though there have been numerous notable failures. The dreadful Annie sequel, Miss Hannigan’s Revenge, springs readily to mind, for example.

It should then seem a miracle of Moses-like proportions that playwright Dan Goggin, having struck gold with the 1985 musical comedy Nunsense–the second-longest running show in Broadway history–has followed it up with no less than four frequently performed nuns-and-naughtiness sequels: Nunsense II: The Second Coming; Sister Amnesia’s Country Western Nunsense Jamboree; Meshuggah-Nuns; and Nuncrackers.

Yes, the whole Nunsense canon has become to semiprofessional and community theater what The Nutcracker is to every ballet school in the country: a cash cow of mind-boggling proportions. Unlike The Nutcracker, however, the Nunsense shows have not yet been done to death. With their signature mix of sweet silliness and amiably off-color tomfoolery, Nunsense and its sequels still bubble along with a sense of freshness and fun that is only heightened when performed by the right cast and company.

Last spring, the Bay Area’s nomadic Hoochie-Doo Productions staged Nunsense in Sonoma, with a spot-on cast featuring Rhonda Guaraglia as the Reverend Mother, Daniela Innocenti-Beem as Sister Robert Anne, Cindy Brillhart-True as Sister Mary Amnesia, Francesca Weiner as Sister Hubert and Marjorie Taylor as Sister Mary Leo–and the show was so spectacularly well received that most performances sold out far in advance.

Now, Hoochie-Doo is back in Sonoma with Goggins’ Christmas portion of the Nunsense franchise, Nuncrackers. Co-directors Vicki Martinez and J. Anthony Martin have thankfully brought the same cast back as the unpredictable Little Sisters of Hoboken. (Well, almost all of the original cast is back; poor sister Mary Leo–the nun who dreams of being a dancer–has been written out, with the character sustaining a backstage injury early in the show and never actually appearing.) A new addition is the visiting priest Father Virgil Manly Trott, played by Scott Maraj.

You need not have seen Nunsense to appreciate Nuncrackers. The pertinent information–that the Little Sisters have lost 52 of their order to botulism, can’t afford to bury all 52, but become rich when Sister Mary Amnesia remembers who she is and is finally able to claim the Publisher’s Clearing House prize she’d forgotten to pick up–is gracefully interwoven into the new show’s text. With the proceeds from the sweepstakes, the nuns have constructed a television studio in their basement and are launching their very first Christmas TV special.

Things go wrong from the beginning. Following a rousing opening number (“Christmastime Is Nunsense Time”), Sister Leo’s injury occurs, threatening to scuttle an attempt at The Nutcracker ballet (mistakenly introduced by Sister Amnesia as The Ballbreaker ballet), complete with a strong cast of children who reappear to good effect throughout the show. A burglary has apparently also taken place upstairs in the living quarters, and all the nuns’ Christmas presents have been taken.

But the sisters soldier on.

As in the original, there is an appearance by the Nun Puppet and even the traditional Nunsense Secret Santa ceremony, in which audience members are given presents as Sister Amnesia runs a side-splitting commentary. For example, after ascertaining that the man seated beside a lucky gift recipient was her husband, the beaming nun handed over a two-inch ruler, saying, “It’s really handy for measuring short little things.” As another patron opens a scratch-n-sniff nativity ornament, Sister Mary Paul helpfully warns, “I have been in a barn. You probably don’t want to scratch that.”

That warning aside, you probably do want to see Nuncrackers, an uplifting, funny Christmas pageant that is the perfect infusion of holiday spirit. By the end, all the crises have been resolved, and the nuns (and the priest) have reconnected with the generosity of the season. With luck, the warm glow you leave the theater with will last till Christmas.

‘Nuncrackers’ plays Friday-Sunday through Dec. 12. Friday-Saturday at 8pm; Sunday at 3pm. Andrews Hall, Sonoma Community Center, 276 E. Napa St., Sonoma. $17-$20. 707.546.2957.

From the December 1-7, 2004 issue of the North Bay Bohemian.

© Metro Publishing Inc.

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Open Mic

City Saps SeniorsBy Tony WhiteIN SANTA ROSA, the "City Designed for Living," one does not have to look very far to see the "two Americas"; that is, a country divided between a few affluent Americans and many hardworking members of society who are struggling to make ends meet, even after reaching retirement age.What is even more disturbing is that...

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