News Briefs

August 16-22, 2006

Across the River

Geyserville residents are losing their detour blues. The town is spread out along both banks of the Russian River, and ever since the New Year’s floods damaged the 1930s-era bridge on Highway 128, the only way to get from one side of Geyserville to the other was a 17-mile, 30-minute alternative route. All that will soon be only a memory.

A $25 million project to demolish the old structure and construct a new one has finished four months ahead of schedule. Caltrans is holding a public ribbon-cutting ceremony at 11am on Thursday, Aug. 17. The first motorists will be allowed to drive across the new span the morning of Friday, Aug. 18.

Hardly a Trickle

FEMA disaster funds aren’t flowing into the North Bay with quite the same force as the torrential floodwaters did. The Napa County board of supervisors recently agreed to spend $1.64 million to repair some of the most damaged roads, even though they’re not sure when or if the county will be reimbursed for its claims totaling $6.5 million. “We’re getting verbal news from FEMA representatives that they’re questioning the eligibility of some of our claims,” says Don Ridenhour, Napa’s assistant director of public works. FEMA officials are apparently concerned that Napa didn’t send every contract out to bid, even emergency repairs. Ridenhour says the county hired local contractors who could respond immediately and paid state-adopted prevailing wages. “We feel like we’re being penalized for acting quickly,” he asserts. Another holdup is that federal disaster money is earmarked for repairing damage but can’t be used for improvements. However, if a hillside slid away taking a road with it, the county won’t just dump dirt back on the hillside. It needs to install a retaining wall, which FEMA views as an improvement. “My understanding is that [other counties] are having some of the same problems,” Ridenhour adds. “We’re going to contact some of the other agencies to see if working together we can maybe resolve this.” Jeff Rawels of Marin County Public Works says FEMA officials have verbally questioned the county’s lack of multiple bids on some contracts. “Decisions were made in the middle of the night, in the middle of the storm,” he says. Marin County has applied for approximately $7 million in FEMA funds to fix roads and other infrastructure, but federal representatives haven’t agreed on which projects qualify. “We’re still working through the bureaucratic maze, so to speak,” Rawels says. “We anticipate that there’s several million dollars in damage that we know of, but we haven’t got any money yet.” In the last fiscal year, Sonoma County spent about $4 million on 99 disaster repair projects; FEMA has approved reimbursement for about half that cost, says David Robertson of the Sonoma County Road Department.


First Bite

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When I walked under Avatar’s inconspicuous blue banner, all I could smell was curry. This is fine. I like Indian food, and Avatar’s is technically an Indian restaurant, after all. But the interior décor immediately transcended the limits of the sensory point of reference, especially the diner-style, kitchen-side counter. This, along with the wall’s black-and-white National Geographic-type photographs of Indians, hinted at the sort of East-meets-West hybrid in which Avatar’s “Marindian” cuisine specializes–a potent, scrumptious fusion of Indian, Mexican, Italian and American dishes.

We were immediately greeted by the jovial owner, Ashok, who seated us at a table in the narrow back section. He promptly asked if we’d eaten there before, and when we told him we hadn’t, his warm, gigantic smile actually seemed to grow. Ashok explained his “ethnic confusion” philosophy (conceived by Avatar, his late brother-in-law), which starts with an Indian food base but adds whatever patrons desire.

As we browsed the menu, we enjoyed the delicious, butter-cooked paratha, whole wheat bread with olive oil made, like all other dishes, from scratch. Featuring too many interesting choices, with everything from lamb to pasta to tostadas to burgers, the menu made it difficult to order in a timely manner.

Sensing (and expecting) our indecision, Ashok returned armed with a smile and a helpful plan. “Why don’t you tell me what you guys like and we’ll make a dish accordingly,” he suggested. This opened another Pandora’s box, so we hastily decided to start with the jumbo prawns ($9.50). “Medium plus,” he told the kitchen staff after we discussed my tolerance for spices. Graced with a delicious light curry sauce, featuring just enough garlic, ginger and capers, these shrimp quickly found themselves swimming in our stomachs.

The culinary fusion shined brightest on our main courses, the Dungeness crab Punjabi enchilada ($15.95), with a light pumpkin and yogurt sauce, and curried tender chicken breast Punjabi tostada ($6.25), with white meat pieces topping whole wheat bread. With such a mixture of different tastes and spices, most astounding was how the two dishes complemented each other rather than competed.

With substance over novelty proven, we opted for Avatar’s Creation ($5.95) for dessert. “You can get ice cream anywhere,” Ashok said, agreeing with our choice. Comprising condensed-milk Indian ice cream and Italian gelato, the pistachio-topped slice exceeded my expectations. Ashok’s accounts of past customers calling it “the best thing they ever had” didn’t seem that ridiculous, as we nearly licked the plate clean of the unbelievable mango purée sauce. Although to cynics Ashok’s enthusiasm may recall a used-car dealer, his delight in his family operation is truly genuine. I thought my obvious note-taking was the reason for the wonderful, prompt service until I saw spied him at every other table, relishing the success of his generous recommendations.

After sipping a cup of minty homemade chai, with its exhilarating blend of clove, ginger and fennel, I left satisfied but still lively. I felt envious of the surrounding office building employees who get the chance to eat fresh, fast and truly original food for lunch each day. I also wondered how Avatar’s soups up a plain old hamburger. I’ll find out next time, I guess.

Avatar’s, 2656 Bridgeway, Sausalito. Open for lunch and dinner, Monday-Saturday. 415.332.8083.



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Quick-and-dirty dashes through North Bay restaurants. These aren’t your standard “bring five friends and order everything on the menu” dining reviews.

Smoke Signal

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Urchin begone: While Santa Rosa City Councilman Lee Pierce says he has no problem with golfers smoking cigars, he is extremely concerned about the pressing health issue of more plebian pleasures enjoyed on city streets.

While several places in the North Bay have banned smoking–Windsor and Healdsburg no longer allow it in their downtown plazas, and Marin County has banned it in parks and on beaches–nowhere is quite as strict as Santa Rosa will be.

In fact, Santa Rosa’s new nonsmoking law, which goes into effect Dec. 1, is one of the strictest in the nation. The ordinance, which passed the city council in a 5-1 vote, would make it illegal to smoke cigarettes on all city property, such as bus stops and parks, and around all privately owned businesses, including bars, restaurants and coffee shops. Violators could be subject to fines starting at $100.

Since an estimated 86 percent of Santa Rosans don’t smoke, this will just mean less annoyance, according to councilmember Lee Pierce. “Lots of times, when I have gone with constituents to Peet’s in downtown Santa Rosa, the inside was full and the tables outside were filled with smokers and smoke,” he says. “So we had to leave, coffee in hand and clothes filled with smoke, to find some place to sit in the park, and then the whole thing happened all over again.”

Pierce believes most people feel this way about cigarette smoke. He proposed the law to the city council after a bus driver spoke about secondhand smoke drifting into the buses at transit stops, annoying him and the passengers.

While some opponents call the new law draconian, it’s part of a trend. In March, the city council in the Southern California city of Calabasas voted in the strictest antismoking law in the nation, which is similar to Santa Rosa’s new law. In fact, over 700 cities in the United States, including Oakland, Berkeley and San Francisco, are now restricting smoking outside.

The major reason for the ban is public health. Secondhand smoke has long been linked with asthma, cancer and heart disease. In January, California’s Air Resources Board declared second-hand smoke to be a toxic air contaminant.

“The thing that convinced me to vote for the ordinance was when several health experts talked about the dangers of secondhand smoke,” says Santa Rosa mayor Jane Bender. “I know there’s an argument about whether there is as much danger when exposed to the smoke outside as inside, but the health issues are well-documented.”

While few people dispute that secondhand smoke is a health risk, the studies establishing that fact are based on prolonged indoor exposure. The effect of the smoke in well-ventilated outdoor areas is not as clear.

“This law is based on junk science,” says Aaron Smith, chairman of the Drug Policy Forum, which promotes individual responsibility in drug use. “There just isn’t any scientific data that says that casual exposure to smoke outside can cause ill health in the vast majority of people.”

Opponents are also concerned that the city council is overstepping its boundaries by telling private businesses what to do. When the state banned smoking in bars, some businesses redesigned their patios so customers could comfortably smoke while still obeying the law. With the new ordinance, businesses will no longer have that choice.

“We don’t think a smoker has an inherent right to light up on someone else’s property,” says Smith. “But we do think it should be up to the business owner. This ordinance means that if a man is smoking on the patio of an over-21 establishment at 1:30am, the police could come in and cite him and the business owner for allowing it.”

How the law will be enforced is unclear. Although the police will cite violators, the city won’t be sending police officers out to ticket people, according to Bender.

“We have too many other issues to comply with,” she says.

Pierce hopes that smokers will voluntarily respect the law, although he admits that some people are likely to ignore it. If so, people could always call the police and report the offense.

However, in some cases smoking outside may be acceptable if no one else is affected, Pierce says.

“It’s OK, say, for people on the golf course to smoke their cigar as long as there are no people on the cutting green objecting,” he says.

But while only 14 percent of Santa Rosans smoke, most of those are low-income.

“There is a little bit of a class issue going on here,” says Smith. “Pierce has been saying it’s OK for people on a golf course to smoke, because he can relate to that. He can’t relate to the guy who got off the nine-to-five job and wants to unwind with a beer and a cigarette.”

The law was originally set to go into effect Sept. 1, but Pierce moved it to Dec.1 to give committees a chance to review the bill.

His intentions, he says, are to provide a clean, nonsmoking environment for all Santa Rosa citizens.

“We’re not out to be punishing just to be that way,” he says. “We’re just taking the research from experts and trying to apply it in the most thoughtful way we can.”


Open Mic

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August 16-22, 2006

One day this summer, my mother followed me onto her front deck when I was leaving. She is an old hippie and it was a hot day, so she was only wearing a pair of oversized white underpants. Despite her fatal illness, my mother is still interested in advancing her unorthodox ideas about being alive, including stripping off her blouse in the living room whenever she feels overheated, or indulging in the use of mind-altering pot butter manufactured by her husband, Boyd, who is 24 years younger than she.

On this day, she is attached to the house by a long, clear plastic cord that runs all the way to her bedroom closet, where it connects to a tank that delivers oxygen to her through a hole in her neck called a tracheostomy. With Boyd’s help–he administers all medications daily via her feeding tube–my mother had accidentally overdosed on morphine several weeks before, and, after having spent two weeks in the hospital, decided to have a hole cut into her throat to suction out her secretions. This has prolonged her fight against Lou Gehrig’s disease, and made days like this one possible.

Mother doesn’t want me to leave, so she follows me out the door, the oxygen cord dragging behind her. When the cord runs out, she stops. She has gone as far as she can, and laughs because she knows this is true. I leave her there at the top of the stairs on a busy street in an upscale Northern California suburb, her 78-year-old breasts barely concealed from rush-hour traffic behind an assortment of faintly surviving chrysanthemums, one of which Boyd has tied up with a strand of excess plastic medical tubing.

I’m not sure how long she stood there in her stoned stupor before turning around and going back inside the house.

Later that week, I received a call from Tom, my mother’s social worker from hospice. Mother’s tongue is paralyzed and she hasn’t been able to speak for two years, so she had Tom call me to request that I attend a therapy session between the three of us at her home.

I went to her house the following Wednesday. Tom is a balding, middle-aged man who helps my mother navigate her complicated relationship with Boyd. It is challenging to take care of a person with ALS, and Boyd, who met my mother at the Renaissance Faire when she massaged his toes, has been at it far too long.

Ever since the overdose, they have employed in-home caregivers, but their relationship remains fraught with conflict; at various times, it has included the throwing of scrambled eggs and the involvement of adult protective services.

Although Boyd has been offered Tom’s support, he is vehemently antitherapy, and so all sessions involve only my mother and Tom. Today, however, she wants to talk to Tom and me together.

A large computer monitor has been placed on the dining room table, where my mother can keyboard her feelings. Mom, a trained family therapist herself, relishes being the center of attention. She begins the session by typing, “I am tired. I feel the spirit of death within me. I believe I will go soon.” She looks sadder and less stoic than I would expect, but the whole thing sounds somehow more official in front of the Buddha-friendly social worker.

Next, mother instructs Tom to talk with me about the problems Boyd is having with me. “What it boils down to,” Tom says diplomatically, “is that Boyd doesn’t want you calling the house quite so often when you arrange visits with your mother. It upsets his napping.”

I nod my head in compliance. “Is there anything else?” I inquire. Tom shakes his head. Having delivered his agenda, he asks if I might be having any feelings? “Well,” I say, wondering what I can hope to offer about a man who spends his spare time creating digital 3-D compositions of his cats. “I’m having a hard time getting Boyd to share any information with me about my mother’s condition.”

Tom smiles and suggests that it might be a good idea for Boyd to join the session. Boyd is in the backyard watering plants and listening to That ’70s Show on a large pair of brown headphones. He is also wired up to a doorbell that my mother wears attached to her gown. She rings this doorbell whenever she is choking on her phlegm and needs to be suctioned out by a tube attached to a large, noisy machine.

Tom comes back in the room and informs us that Boyd has declined his offer to join our conversation. He shrugs his shoulders.

A few minutes later, Boyd enters the house, walks over to my mother, his sandy, curly hair flopping madly above his head, and loudly says, “Ring your bell! Ring your bell!”

My mother reaches down, her mouth gaping open from paralysis, and presses the doorbell that is hanging from her robe. A loud shrill bell chime screams throughout the house and presumably is heard even louder inside Boyd’s headset.

“Mmm-hmm,” he says, nodding, and then he carefully reaches down to adjust the treble clef on one of several remote controls. “I just wanted to make sure the bell was working.”

Although my mother can still type words, expressing a lifetime of meaning, her husband can only listen to the bell.

The Byrne Report will return next week.


Formal Passage

August 16-22, 2006

One of a film director’s duties is to harmonize the acting styles of the cast. Overlook filmmakers Richard Glatzer and Wash Westmorland’s inability to mesh veteran character actors with the tentativeness of artless nonprofessionals, and Quinceañera is highly recommended. It has a lot of appeal, and a lot of optimism. And it unveils a rite many Anglos don’t know about: the 15th birthday-cum-debutante party.

After a session of commemorative photos at the rose garden in L.A.’s Exposition Park, an all-female quinceañera court is ferried to a nightclub in a stretch Hummer limo. The honored girl’s cousin Magdalena (Emily Rios) is an outsider, the daughter of a Protestant storefront preacher. Her own quinceañera is coming up, and she’s jealous because it won’t be celebrated with such royal style. Magdalena is also distracted by her perhaps cheating boyfriend, Herman (J. R. Cruz). She’s not quite convinced by the text messages he’s sending her: “urstillinmyheart.”

The evening is disrupted by the black sheep of the family, who wasn’t invited. Carlos (Jesse Garcia) a kid with an y que attitude, a coffin-shaped stash box in his pocket, and the numerals “213” tattooed on his neck. Later, when family trouble strikes Magdalena, both she and Carlos end up moving in with their 83-year-old tio Tomas (Chalo Gonzalez). Carlos turns out to have a good reason for being an outsider: he’s drawn to men, and he sets off the gaydar of the householders living in the front of his uncle’s apartment. That’s Gary (David W. Ross) and James (Jason L. Wood), a pair of gentrifiers with industry money in their pockets.

This love letter to L.A.’s Echo Park neighborhood makes its rough-and-ready streets look as scenic as Oaxaca. The palm fronds gleam from their monsoonal baths. A few clouds are still scudding in the heavy sky, the hillsides are richly green and the park benches are scribbled with stylish-looking graffiti. You never get these picturesque L.A. locals in a movie without gangsters and guns, ever. Here, the only explosions are the Cinco de Mayo fireworks.

Glatzer and Westmorland are fine writers, skilled in creating dialogue and in knowing when to subtract it. Unlike many indie filmmakers, they’ve also honed their skill in creating visuals and camera movement. In the beginning, they engineer a relatively complex shot of a plate of food snaking its way through the party, so we can get a look at the guests.

Quinceañera is a minor revelation, and if it weren’t for the uneasiness of some of the acting, it’d be one of the best films of the year.

‘Quinceañera’ opens Friday, Aug. 18, at the Rialto Lakeside Cinemas. 551 Summerfield Road, Santa Rosa. 707.525.4840.


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Starbuck’d

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August 16-22, 2006

I go to Starbucks, and I’m not ashamed. I’m not proud of it, either. I know I should take my latte-bound money elsewhere, to some independent neighborhood joint staffed with tattooed and pierced types who play in bands and make art when not engaged in steaming up my soy milk. Usually, such places play inspired musical selections, from obscure ’60s soul records to weird European ambient electronica. They serve better cappuccinos, and they have better reading material–old magazines or new issues of the local alt-weekly paper.

Despite this, Starbucks keeps me coming back. It has that certain something that no other coffee shop has: nothing.

Most any one Starbucks in America (and possibly the world, though I’ve only visited domestic outposts) feels just like any other Starbucks. They share the same vaguely coffee-laced smell, are decorated in the same muted palate of warm oranges and burgundies, hawk the same clunky ceramic mugs for home use and pipe the same music over the same cluster of boxy armchairs and little round tables. It’s a vitality-obliterating vacuum that liberates the creative mind the same way airport terminals are perfect for pondering the great mysteries of life–it prods us to fill the void, make it our own. But unlike airports, there’s always a Starbucks right around the corner.

The deliberately inoffensive coffee chain has established itself as our national jukebox of Norah Jones, Sheryl Crow and Ray Charles. From the get-go, the company has recognized the importance of background music to the overall Starbucks experience, but the past six years have seen Starbucks grow from a player of music to a purveyor of music. In 1999, it acquired the record label and retailer Hear Music. After a ballyhooed launch last year, Starbucks’ “media bar” concept, in which visitors could burn customized mix CDs for a fee, flopped. (And no wonder–why burn a CD at Starbucks when you can do it at home more cheaply?) However, the chain’s sales of traditional releases are sailing along. Right next to the register, CD displays tempt caffeine-shaky students, professionals and retirees to drop $16 on a live Carole King disc. Of course, these CDs are full of the same songs you’ll hear if you linger at Starbucks after ordering your Frappuccino.

It must work. Starbucks sales can account for up to 30 percent of an album’s total sales, particularly for lesser-known artists. What’s really amazing is that while big-box retailers like Best Buy strong-arm prices by selling CDs under cost, Starbucks actually bumps up the price a few dollars, and people still buy them.

But I gotta say, even certifiably great songs sound hollow in a Starbucks. Senses Working Overtime, a new wave compilation it’s pushing now, is full of my generation’s mix-tape classics: the Cure’s “All Cats Are Grey,” Echo and the Bunnymen’s “The Killing Moon.” But instead of conjuring up happy memories of long-ago teenage shenanigans, the songs simply evaporate into the Starbucks setting. Its sweet, soporific air is so powerfully mollifying that it could drain the piss from the new Slayer album. Much like the dementors of Harry Potter’s world suck the soul out of living things and leave them doomed to eternal emptiness, Starbucks preys on the very meaning and passion of a song, draining away its life force and leaving behind a hollow shell.

It’s a chilling prospect. Part of me wants to protect the music I love, but Starbucks has already planted its icy, mocha-tinted kiss on my lips, and it’s too late.

Around Cotati these days, “Starbucks” is a charged word. The Cotati City Council recently gave the chain the green-light to open an outlet in a town that already has a great coffee shop: North Light Books and Cafe, which offers real food, live music and an eclectic selection of books. If I lived closer to Cotati, I’d be faced with quite a dilemma–support North Light, or give in to my weakness for the vapidity of Starbucks?

Our world is far too full of stimulation when a bland coffee franchise offers respite and comfort. Starbucks may be my second home office, but in my home, I play the music I want–and, ultimately, I decide what it means.


A New York Second

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August 16-22, 2006

In its ongoing quest for the ultimate postfilm conversation, Talking Pictures takes interesting people to interesting movies.

World Trade Center, the new film by director Oliver Stone, would seem to be the perfect cinematic subject for an emotionally powerful postfilm conversation. The film, set during and just after the events of Sept. 11, 2001, tells the gripping real-life tale of Port Authority officers Will Jimeno (Michael Peña) and John McLoughlin (Nicolas Cage), two of only 20 survivors to be pulled alive from the rubble of the Twin Towers. It’s the story of regular folks forced by extraordinary circumstances to reach beyond their fears and frailties in order to help total strangers. It also re-creates a defining moment in American history the event that led to the spectacularly unsuccessful war currently slaughtering civilians in Iraq.

What could be richer fodder for conversation than that?

It doesn’t matter, ultimately, because after weeks of making inquiries, I haven’t found one person who will agree to see World Trade Center with me. A long string of writers and experts have turned me down, from Dennis Smith, author of the book Report from Ground Zero: The Story of the Rescue Efforts at the World Trade Center to Lee Templeton, my sister-in-law, whose popular online radio show, McSorley’s Pub Radio (www.onenightatmcsorleys.com), was directly inspired by the events of 9-11. The disinclined all have good reasons, summed up in Lee’s concise reply, “It’s just too soon.”

But perhaps the most moving refusal came from author-playwright-musician Larry Kirwan, the lead singer and guitarist for the gritty New York-based Irish rock band Black 47, whose downtown Manhattan pub appearances have always been heavily attended by members of the New York City Fire Department, a huge fan base that was cut in half when the World Trade Center came down.

“I have no interest in the world in seeing that movie,” says the Irish-born Kirwan, speaking by phone from New York. “It’s been five years, and I think the initial shock and hurt of 9-11 has worn off a bit, but there’s still a deep scar underneath the surface, especially if you knew people who died in the World Trade Center, or if you saw it fall with your own eyes. It’s a very personal subject to a lot of people.”

Kirwan’s moving 2005 memoir, Green Suede Shoes: An Irish-American Odyssey, ends just after Sept. 11, a day that has affected the music of Black 47 ever since. Known for the raw intelligence and wry wit of their songs, Black 47–who will hit San Francisco’s Red Devil Lounge on Sept. 8–have always celebrated the actions of unextraordinary people, working-class folks whose primary act of heroism is getting out of bed each day and going on with their lives.

Their 2004 album, New York Town, is a stirring collection of tracks that tell the story of pre- and post-9-11 New Yorkers. Presented in a gorgeous series of loosely unconnected songs, the album reflects how New York was transformed that day, and how that change continues to touch the people who live there.

“Moments like 9-11,” Kirwin says, “those are both our worst and our finest moments. They show what we human beings can be capable of, those moments when we rise up and do unthinkably heroic things for one another. At those times, we glimpse a view of what we can be like all the rest of the time, instead of just rising to the occasion when there’s a big, terrible tragedy. But tragedies do show us what we are really made of.”

Kirwan lives about a quarter of a mile away from the World Trade Center, and he was at home, reading about the New York Mets, when the attacks began.

“The plane came so close over my building I actually ducked my head under the table,” he says. “I thought it was coming into my building. It was like, ‘Holy shit!’ I remember going up to the roof right afterward, instantly, and I watched the whole thing from there.

“There’s no question that New York changed, in a matter of seconds, on Sept. 11,” Kirwan continues, “and the change isn’t just that two important buildings went down and that 3,000 people died. A certain spirit left the city at that point. Those 3,000 people were young, they were go-getters, they were out there living the dream of New York. That particular zest that they had, the feeling of adventure and that belief that nothing could curtail them, that spirit had been felt all over New York City until those planes hit those buildings.

“When their collective spirit was snuffed out, there was a huge void left behind. I still feel it.”

Immediately following the collapse of the towers, as armies of rescue workers replaced the throngs of day workers who once filled the streets, Black 47–who had a standing Saturday night gig at Connolly’s Pub in midtown Manhattan every winter–began to play there every single Saturday night.

At night, while the rest of the area was deserted and all the shops and cafes were dark, word spread that there was one show still bringing some life to the devastated downtown. Crowds made up of surviving firefighters, police officers and rescue workers packed Connolly’s each week for Black 47’s shows.

“It was really strange,” says Kirwan, “because crossing Times Square was like walking across one of those Old West towns where the tumbleweed rolls through it. There was nobody there. So those shows on Saturday nights, they were intense, because people really needed to let their hair down, they needed to try and breathe a little.

“At the same time,” he continues, “those first few weeks, we didn’t know who was dead and who was alive. We had so many fans who were in the police department and the fire department. It was just incredibly, incredibly hard, but it was like a mission for us, it was something we felt we had to do. We didn’t know all of our fans’ names, but we knew a lot of the faces of the regulars who had always come to our shows before 9-11. So the band, we sort of put it together, face by face, and that’s how we eventually figured out which of the regulars were dead. We started paying attention to those people who didn’t show up, and we eventually figured out who was gone.

“And then,” Kirwin says, “as more and more bodies began to be identified and the Times started printing 30 or 40 pictures a day of people who’d been killed, we’d suddenly play these gigs where people would come up to us with pictures from the paper and ask us to play ‘James Connolly’ or ‘Banks of the Hudson,’ saying, ‘This was my friend’s favorite song. Would you play it?'”

Kirwin pauses. “You know what the worst part was?” he asks. “The worst part was when we didn’t recognize the face. These were people who had had a really visceral connection with our band, and now they were dead–and we didn’t know who they were. It didn’t feel right. I suppose that’s part of why I won’t see the movie. It’s not that I’m avoiding reliving those days. I don’t need to relive them. They’re still right here.”

There’s one other reason Kirwan says he will not bring himself to see World Trade Center–and why so many other people seem similarly disinclined to see the film: the war in Iraq.

“One of the awful things about 9-11,” explains Kirwan, “is that the opportunity we were given at that moment, the opportunity to change the world for the better, that opportunity was lost–all because we have a venal, unimaginative person as president. Think about that. Right after 9-11, the United States would have done anything to change itself. We would have given up driving one or two days a week. We would have willingly rid ourselves of our complete dependence on foreign oil. We would have changed the way we view and communicate with the rest of the world. A Winston Churchill-type person, had he been in charge of that moment, could have changed the world.

“Those kinds of opportunities come along every 30 or 40 years, and we lost it,” Kirwan says. “That is the true tragedy of 9-11. Our opportunity to turn the world upside down for the better was squandered, because we let this evil person lead us into a war in Iraq, and he used the memory of the victims and heroes of 9-11 to take us there.”


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Notes from the Underground

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Photographs by Brett Ascarelli
Best tacos: Anastacio Guerra, owner of La Esperanza.

By Brett Ascarelli

Gleaming silver and blue, taco trucks are relatively easy to define. Essentially just kitchens on wheels, they prepare and serve all manner of Mexican food, not just the tacos that give them their nickname. But finding one is another matter.

If you’re lucky, when you ask someone about the location of a favorite taco truck, you’ll get an intersection, the name of a gas station, a nondescript landmark. The vague set of directions suggests, rather than promises, a taco truck’s existence. Ignoring street numbers altogether, directions to taco trucks are like dares or treasure hunts where “X” marks the spot, except that “X” moves around and was last sighted 82 days ago according to some online food-discussion board. Assuming that one might actually find “X,” when should one arrive hungry and expect to leave full? That’s anybody’s guess. Like street numbers, that information doesn’t usually come up. It’s quantitative.

A recent New York Times article, “Chasing the Perfect Taco up the California Coast,” reveals that the critical appetite for Mexican food is growing. But the article would have been nigh impossible to write if, instead of a mere taco, the author had been in search of the perfect taco truck. Taco trucks are transient and almost secretive. To really follow them–if such a thing is possible–is a privileged and hard-won position. You have to be in the know.

In Napa and Sonoma, taco trucks provide a taste of home for laborers who do backbreaking work in the cellars and vineyards of wine country. It’s not the heaps of venture money but, rather, the carnitas that fuels the wine industry–and not only its blue-collar base. The appeal of the taco truck wafts into marketing departments, too.

The online presence of taco enthusiasts on blogs and food websites also represents the hipster crowd’s burgeoning taste for jalapeños, sometimes as an after-party pick-me-up, more often as just a meal. Keith Gendel, 34, is a graduate student at Southern California Institute of Architecture who researched taco trucks for his thesis on makeshift urbanism. Gendel says that catering trucks are on the verge of becoming more trendy, citing a gourmet, organic Japanese-food lunch truck making the rounds–and the news–in Culver City.

Speaking by phone from his Los Angeles home, Gendel emphasizes the ability of the taco truck to bring creativity and life to stale neighborhoods. “The thing about taco trucks is their speed,” he says. “The failure of urban planning is that it’s slow. But taco trucks–as a system, as a network–are a way to instantaneously deploy street life.”

Given all the mystery, it came as no surprise when early this spring a taco truck called El Guadelajara disappeared from Soscol Road, the main strip for mobile-Mex in Napa. There was no closing-up-shop ritual; no newspaper covering the little takeout windows. One week it was there, the next week it wasn’t. Up until that point, it had been my favorite taco truck. After a couple nights in a row without seeing it, an unsettled feeling swept through my belly. The solace of a late-night quesadilla was gone.

Then, out of the blue, a new taco truck appeared in the same spot. It was kismet.

On a chilly evening in April, Anastacio Guerra, 49, is wearing a long white apron over a denim shirt. Standing before his new taco truck, La Esperanza–a vision of quilted stainless steel–he looks slightly suspicious. I have just introduced myself and he seems to doubt my project; am I really an inspector? But he is clearly excited about his new business and it doesn’t take long for him to open up.

Guerra looks at the truck almost giddily. “You need sunglasses when you go in,” he boasts, “it’s so shiny.” I take this opportunity to finagle an invitation.

Like a Transformer toy, the truck is compact but full of surprises. La Esperanza’s 17-year-old truck chassis is outfitted with a kitchen that has been boiled down to its bare essentials. After climbing up a couple of stairs and passing the steering wheel and driver’s seat, I find myself standing in the narrow walkway of a small galley lined almost entirely with sheet metal. A refrigerator and freezer, a number of sinks, steam trays and a grill-top stove are all within a few steps. So are Guerra and his nephew. From here, the small staff (usually no more than three, including Guerra) prepare food to order, turning out tortas, quesadillas, burritos and, of course, tacos. Looking down through a window, the sidewalk is bare. There are no customers.

Back outside, metal awnings, which will collapse to protect a gleaming trough of sodas when driving, make the truck look like a storefront. A mural on the side shows the business’ namesake, a church at the ranch in Mexico where Guerra was born.

This is La Esperanza’s second home in the two weeks since it hit Napa. Its first spot near the recycling center didn’t exactly inspire greatness. Guerra says, “People were tight there,” referring to those who collect cans and bottles for redemption. Grossing a painful $150 per day (to break even, he needs to make at least double that) and having borrowed thousands of dollars from his sister to pay his employees, Guerra moved to El Guadelajara’s old haunt, hearing that the nearby car wash cleans up to 100,000 vehicles during summer.

The stubble peppering Guerra’s chin is the only indication of his often 16-hour workdays. La Esperanza is usually open for 12 hours at a stretch. After closing, Guerra drives it over to a local restaurant that supplies him with the business’ necessary water and food-storage space, and spends two or three hours washing the vehicle down, refilling water tanks and throwing out leftovers. He leaves the truck in Napa overnight and drives the half-hour home to St. Helena where he often only gets two-and-a-half hours of sleep.

When asked if he’s always been a cook, Guerra simply replies, “I cook better than my wife.” Even so, he only recently took the plunge as a mobile restaurateur. In 1974, he took a bus from Jalisco, Mexico, to Fresno (he still has the ticket stub) to work for three months in order to save up enough money to buy a motorcycle when he returned home. Instead, he ended up staying in California, working at a turkey farm and several wineries.

In 1991, Guerra started work as a forklift operator at Beringer, but three years ago hurt his neck seriously and was eventually forced to quit his job. With some time on his hands, he accompanied a friend to buy a taco truck in Los Angeles, and was soon inspired to buy his own. He cashed out his entire 401k to make the down payment, bought the truck and then proceeded to hit a lamppost. New trucks cost between $70,000 and $100,000, depending on the loan. Guerra points out the dent with heroically understated chagrin.

The surprise of the evening is finding out what happened to El Guadelajara. Although Guerra doesn’t know her last name, he reports that the owner, Carmen, moved to Washington state, where she hoped to find less competition. I congratulate myself: penetrating the world of the taco truck turns out to be easier than I anticipated.

And then, La Esperanza disappears.

Hit the Road, Jacinto

Am I worried? No. I have Guerra’s phone number, but calling it would be cheating. I eventually find La Esperanza again on my own. This time, it’s in a new spot, off the main street. In the summer, I visit for the second time. Guerra knits his brows when he sees me.

“I was thinking about you in bed last night,” he says, peering out of the truck’s window. The two women helping him take orders and prepare food raise their eyebrows. He heads outside and explains, “I thought you was an inspector until now.”

Guerra doesn’t look quite as optimistic as he did in April. He had to move La Esperanza to comply with a battery of municipal, county and state regulations. A manager from a chain restaurant had complained that his truck was parked too close to her business. According to Napa city law, taco trucks and other mobile food-preparation units (MFPUs) cannot park within 1,000 feet of a “like business,” meaning a restaurant or another MFPU. The manager called the police who, Guerra says, whipped out the measuring tape. Even though La Esperanza passed the distance test, it had to move anyway. Guerra had violated another rule by parking for longer than 15 minutes on a public street. Actually, he’d been conducting his entire business there for weeks.

But even being stationed in a commercial parking lot doesn’t guarantee immunity. In Napa, MFPUs are technically supposed to high-tail it to a new location, and not return for 24 hours, if no customer has been there for over 15 minutes. Also in Napa, if MFPUs park on commercial property, that property must have a special food-service permit. Furthermore, California law mandates that taco trucks parked in one location for an hour or more must be within 200 feet of a bathroom accessible to employees (“not 200 feet, six inches,” Guerra says he was told).

Yountville and St. Helena, along with all of San Bernardino County, have banned catering trucks altogether. Hazarding a guess about all the antagonism, Guerra shrugs.

“A lot of people love the food, but maybe if I got millions of dollars, I don’t want to see the taco truck.”

Besides the panoply of moving regulations, other matters peeve Guerra. From under his straw hat, he’s looking wistfully at a taco truck anchored in the distance. This is La Playita, and it truly is a little beach–of success. Situated in a prime spot near the Napa Valley Wine Train station, it is not on the public street, but highly visible from it. It stands enviably close to a bathroom, and it offers almost unlimited parking for customers. Guerra covets La Playita’s parking capacity and its following.

La Playita has been a fixture in Napafor 15 years. After selling the original truck and replacing it with a new one, owners Angelica and Isaias Ayala opened La Playita restaurant a couple of miles away on Old Sonoma Road. It’s been there for three years. Both the truck and the restaurant are quite popular among Napa residents and have snagged the approval of the online taco-phile community.

Frustrated by new-kid-on-the-block syndrome, Guerra estimates that the La Playita truck alone pulls in about $2,000 a day. He complains that Hispanics don’t help each other the way that some other ethnic groups do, and echoes something I’ve heard before: that taco trucks are territorial.

Yet Guerra has an alliance with Isaias Ayala’s brother, Carlos Aguilar, who owns La Herradura, a taco truck parked a couple miles away. Guerra and Aguilar even briefly considered buying a restaurant to run as a joint venture.

Guerra is not the only one lusting for La Playita’s spot across the street from the station. The Ayalas once had to take their truck down to Los Angeles for repair, and another truck owner offered the Wine Train money to take over La Playita’s spot.

It didn’t work.

Pugilist at rest: A former delivery van is slowly turned into a taco truck, a process that takes roughly six weeks.

The first taco truck to service Sonoma County arrived during the early 1990s. The ad-hoc industry has boomed in the North Bay ever since. While there are currently about a hundred taco trucks in Sonoma, Marin and Napa counties combined, the number in Los Angeles reaches mythic proportions. Some bloggers estimate that there are between 6,000 and 20,000 trucks, at least half of them registered, roaming the congested web of interstates. (Actually, a total of 2,400 MFPUs, not all of them taco trucks, are registered in Los Angeles county, but at least that many illegal MFPUs are seized each year during near daily sweeps.) Enthusiasts even follow them avidly on the Great Taco Hunt blog (www.tacohunt.blogspot.com).

Los Angeles is the hub of this culture, and as the tender nursery to the taco-truck world, it is responsible for its gradual expansion into the rest of the country.

Practically all taco trucks begin their existences to serve some other purpose–be it industrial or delivery. Once retired, catering truck factories buy the old vehicles and completely remodel them for their new occupation.

In South Central Los Angeles, east of the 110 and a couple of lots away from a recycling plant, some of these tired trucks await rebirth. A handful of staff mill about the office of L.A. Catering Truck Mfg. Inc., which has the comfortable atmosphere of a family business that’s been around long enough that it doesn’t have to hurry. This is where Guerra’s truck, La Esperanza, was born in December 2005.

The factory’s owner, Jorge Gomez, is in his early 40s. Embroidered on his shirt is the company’s logo, a taco truck with its iconic four-paned, blue sunroof pointed toward the sky like parallel fins.

Walking into the plant itself, there’s a faint smell of paint. For its sprawling 25,000 square feet, the factory is almost desolate–only about 18 employees work there. In one room, a lone welder works, nearly crowded out by a sunroof sprawled out on the floor.

Gomez points out a truck that they’ve just begun refitting. The identifying words have been blacked out but are still slightly legible under the spray paint, whispering of its former gig at an industrial parts cleaning company. Save for its skeletal underpinnings, the roof, the back and one entire side of the truck have been cut out in anticipation of a kitchen and a generator. Further on lies a host of metal cutting, welding, bending, notching and patterning machines. Sheet metal is everywhere.

After being lengthened to 16 feet and lowered or raised if necessary, the trucks progress to a painting booth, where one wall is completely covered by air filters resembling a giant loofah. A 35-year-old Chevrolet, masked off and spray-painted dull gray, rests here like a tired boxer mustering up his strength for the last round. An artist has painted the beginnings of a menu in loud orange and blue, the only hint of the street din to come.

Refurbishing some 25 vehicles a year, the factory also doubles as a graveyard and halfway house for MFPUs. Gomez, who started in this business as a taco truck driver himself, explains how a burnt-out truck in the back of the factory met its fate when it suffered an electrical short in Bakersfield. (Sprinkler systems come standard on the newer models.) Although Gomez sells most of the trucks his company makes, they are also available for rent at about $340 per week–a smart choice for some, especially upon viewing a truck that Gomez repossessed after the buyer skipped payments for three months.

Real Deal Appeal

During the recent, brutal July heat wave, Isaias Ayala, the 16-year-old son of La Playita’s owners, considers the spreading taco phenomenon. He’s sitting at a table in his parents’ restaurant where he works when not in school. Mopping his forehead with a napkin, he talks about a Mexican-American who recently started his own business in Germany by bringing a tortilla machine there. “You can’t have Mexican food without tortillas,” he says.

Ayala thinks that taco businesses are multiplying and staking out new territory simply because “people want Mexican food,” especially Mexican immigrants. And even though a lot of the menu items are the same at both the La Playita truck and restaurant, he likes the food better at the truck. Unlike restaurants, taco trucks are equipped with steam trays to keep the food warm, and Ayala says that these hold the flavor in better than restaurant heat counters.

Like other transplanted ethnic foods, Mexican cuisine is vulnerable to “fusion” with the host country’s cooking. For example, one of Paris’ few Mexican restaurants douses burritos with bÈchamel sauce, rather than crema fresca. Closer to home, a popular Mexican restaurant in Napa drowns its burritos with what tastes like spaghetti sauce. The result is like drinking a strawberry milkshake only to discover upon tasting it that the pink color actually comes from Pepto-Bismol.

“Some restaurants sell Mexican food, but it’s more American-style. Here, no,” Guerra says. Taco trucks are fairly utilitarian. They make food to satisfy, rather than to wow.

What La Esperanza and the other taco trucks serve is real Mexican food, as real as you can get this side of the border. It’s made by Mexicans for Mexicans and for anyone else who’s hungry and adventurous. But the point is that the food is not tailored specifically to American taste buds, though Guerra appreciates his American customers and their spending power.

In the end, the effort of taco truck reconnaisance is worth it. For just $5, truck-goers can get a heaping portion of all four food groups. It’s the ultimate comfort food: bigger and more exotic than macaroni and cheese, but still approachable and chewy. The squirt of lime, zing of salsa and the refreshing crunch of radishes sweeten the success of the hunt.

I visit Guerra for the third time on a Friday during summer. It’s twilight, and a respectable line has formed outside La Esperanza. The truck is still in the same place as last time. Guerra seems to be in better spirits today. We stand in the parking lot, discussing how business is going.

He is moving from St. Helena to Napa so that running the truck will be easier, and he says his wife, Sagrario, will soon begin helping him with the business. Orders have picked up now that people can count on him being in the one location. He even has some regulars. On a good day, he is grossing $1,000–still not a luxurious sum, considering expenses and the number of hours of prep and clean-up work involved–but enough to actually profita little bit.

At some point, a waitress peeks her head out of a window on the truck marked “Order Here” and calls something out to him. He excuses himself for a moment and strides across the nondescript parking lot to a white SUV. Peeking his head into the open window, he notifies a young couple that their order is ready. He walks away, muttering, “Maybe that was not the best time.” Apparently, he’d caught them making out.

As evening falls, there’s still a line: Two teenagers on bicycles. A man who works for a cork supplier. Another kissing couple. In the darkening air, La Esperanza glows with the steadfastness of a beacon.

Clean Bean

Sometimes pejoratively known as “maggot wagons” or “roach coaches,” taco trucks are actually quite respectable and are regulated by the state and enforced by the local police and county health departments. California law mandates health and food-safety requirements for refrigeration, water capacity and cleaning procedures. If a taco truck falls dangerously short in one of these or other categories, health officials can shut it down temporarily.

Ruben Oropeza, the environmental management coordinator for Napa County, sees the question of the taco truck as a “complicated, controversial issue.”

“We probably close down on percentage a lot more taco trucks than restaurants,” estimates Oropeza. He says it’s harder for taco trucks to ace health tests because they have smaller refrigerators. When the mercury reaches 90 or 95 degrees, the fridges don’t work very well, especially in the older trucks. Oropeza says taco trucks are also controversial because they can cause traffic congestion and because they can drive fixed restaurants out of business.

On the other hand, both Jerry Meshulam, the Environmental Health Program manager for Sonoma County, and Phil Smith, deputy director of Environmental Health Services for Marin County, report that taco trucks are generally just as safe to eat at as an ordinary restaurant.

“I largely see very positive reports on the condition of the trucks that operate in Marin,” says Smith. “I see a few minor issues, but I’d say I’d be quite happy to purchase food from them, based on the reports.”

In all three counties, at least one of the taco truck’s personnel must pass a food-safety test. Retail food facility permits are stickers usually posted on the back of the taco truck, indicating that they are legal.

–B.A.

Movable Feasts

Sonoma

For the mere pleasure of hunting, the main drag for taco trucks is the Roseland area.

Tacos El Primo The breakfast burrito comes with bacon or ham or chorizo and deliciously savory caramelized onions. Make sure to order this bomb with all the works, as it can otherwise be dry. Located in front of Kenwood Fast Gas, 8850 Hwy. 12, Kenwood. Open daily, 10am-10pm. 707.328.2414.
Tacos El Gitano Another stop for killer breakfast burritos. It starts out at 10am on Broadway in Sonoma, then moves over to Body Best on Eighth Street East at 11am, before moving at noon further down Eighth Street East, just north of Napa Street. 707.579.8814.
Taqueria Santa Cruz Located most nights at the Shell Gas Station on the corner of Payran and Washington streets in Petaluma, this MFPU occupies near-mythic status in the mind of a certain Bohemian music writer. It’s all about the tortilla. Open well into the night.
Tacos Los Magos If you’re lucky, they’ll be serving mariscos (seafood), and there’s always plenty of room to dine at a picnic table in the parking lot. Located on Highway 12 at Boyes Boulevard. Open 5pm-2am. 707.235.9492.
Mariscos Alex Serves a good assortment of meats, breakfast foods and seafood, as well as typical taco truck fare. Last sighted in February 2005, operating 3pm-10pm, at Maria Drive and Park Lane in Petaluma.

Marin

Marin County purportedly has six taco trucks. Of this sparse group, however, only one could be confirmed. Share your fave Marin MFPU with us at ed****@******an.com.

La Pablanita Usually parked at the Belvedere and Bellam intersection, downtown San Rafael. 415.250.6484.

Napa

The main drag for taco trucks is Soscol Road.

Tacos La Esperanza Offering such basics as pastor (barbecued pork), carnitas, pollo and lengua (tongue), this truck’s food has gotten better and better in the few months since its arrival. Try the juicy quesadilla or the perfectly piquant super burrito, which, once you bite into it, is like eating from a soup bowl without the spoon; make sure to ask for extra napkins. Open 11am-11pm daily, on Soscol at Riverside Terrace and Vallejo Street, except Sundays when it parks at the Vallejo Flea Market. 707.695.5513.
Tacos Michoacan This truck recently got mention in the Wall Street Journal for its sumptuous carne enchilada. A staple on the Soscol scene, Michoacan offers a wide range of meats, but it’s not for the faint of heart. The spice here is tongue-singeing. Parked on Soscol, just south of Third Street. Usually open until late at night. Closed Fridays after 2pm. 707.255.5707.
Tacos La Playita A little beach of success. Parked across from the Napa Valley Wine Train station on McKinstry, just off of Soscol. Open 10am-6pm daily. 707.257.8780.
Taqueria La Herradura Usually located at Jefferson and Lincoln, by Kragen Auto Parts. Open 10am-10pm, daily. 707.704.2728.

–B.A.



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Quick dining snapshots by Bohemian staffers.


Winery news and reviews.


Food-related comings and goings, openings and closings, and other essays for those who love the kitchen and what it produces.


Recipes for food that you can actually make.

News of the Food

0

August 16-22, 2006

On Tuesday, Aug. 8, the Zinfandel Advocates and Producers (ZAP) and several members of the state assembly threw a fabulous party in the dining room of the State Capitol. Forty winemakers poured samples of more than a hundred wines for throngs of partygoers as part of a promotional effort to sway members of the assembly into approving House Bill 1253, which calls for the designation of Zinfandel as the “historic wine of California.”

Senator Carole Migden, D-San Francisco, wrote the bill and kicked the night off with some inspiring thoughts. “This measure will boost that established greatness, reach, credibility and interest in our vintage wine, and will boost California’s home-based pride by honoring Zinfandel, our quintessential historic wine!” she declared lustily.

The dining hall filled up with celebrities, and the room quickly grew hot. Several senators came, along with a half-dozen assembly members and scores of illustrious folks from the state’s vineyards. Senator Dick Ackerman, R-Fullerton, arrived early in the night and began drinking enthusiastically at the Sierra Foothills tasting table. I asked if he was driving home. He didn’t laugh, just vibed me with a hard stare. I left him to his booze.

Mike Dunne, wine writer for the Sacramento Bee, attended. We drank together and traded gossip. He told me he believed there would be opposition to the wine bill in the Assembly. “There are some Cabernet people,” he nearly whispered, “and they’re kind of uptight about it.”

I found Joel Peterson of Ravenswood Winery posing for a photo by the Southern California table and demanded to know, since he’s so smart, if he could identify the wine I was presently drinking. He stuck his nose deep inside the glass.

“It’s definitely Sonoma,” he said. “It’s got mild acidity, good structure. It’s aged in French oak. Very well-made, but I can’t say beyond that.”

He got the answers all right, and he came just short of identifying his own wine, for I was drinking Ravenswood.

Rocky Rushing, chief of staff for Assemblywoman Cindy Montanez, D-San Fernando, also sweltered in the dining hall. Rushing told me that Migden’s proposal for a state wine is long overdue, but he conceded that honoring Zinfandel is not as important as providing for the poor and educating our children.

The night matured ripely. I spoke with Tony Spinetta of Charles Spinetta Winery. He offered secret gardening advice: Water your plants with wine. “It will make your roses kick ass,” he confided.

Before going home, I took a quick survey of the half-drained bottles, seeking the most potent wine, for Zins are getting bigger all the time. Donn Reisen of Ridge Winery, bravely clad in a pink-orange silk shirt, admonished me. “I certainly hope you are not planning to focus on the rather tired and old subject of alcohol when you could be looking at the fact that you’re consuming wine made from the same vines that provided pleasure for the ’49ers.”

Partygoers that night downed enough booze to kill a grapevine, if not a rosebush. If any lawmakers went home intoxicated, they must have gone home convinced, too, as on Aug. 10 the bill passed the Assembly on a bipartisan 46-20 vote. This monumental legislation now goes to the desk of Gov. Schwarzenegger, who is next to squeeze this great old grape.

Quick dining snapshots by Bohemian staffers.

Winery news and reviews.

Food-related comings and goings, openings and closings, and other essays for those who love the kitchen and what it produces.

Recipes for food that you can actually make.

Wine Tasting Room of the Week

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Roche. It’s not French, it’s Irish, so don’t pronounce it like “Rochambeau,” but like “roach,” as in Kafka. The Roche family is one of dozens of wine dynasties of Irish descent thriving essentially everywhere except, well, Ireland. Mara Roche, elder sibling of the latest generation of Roches, explains the phenomenon so: When James II was defeated trying to regain the Irish throne in the late 1600s, the Irish soldiers who had been loyal to him followed him to France, where he spent the rest of his days.

This initial flight and subsequent return trips back and forth led earned them the nickname “wild geese.” After setting in the Bordeaux region and acclimating to prevailing agricultural trends, they were upgraded to “wine geese.” A later diaspora led some wine geese to the States, and it’s from this line that the Roche family hails.

At least, that’s how I think it goes. A tasting-room patron who, having announced to the room at large that she was a speech pathologist, rudely asked Mara, “Do you always talk like that?” and interrupted my note-taking. Mara’s vocal prowess could have the decibel power of a Valkyrie if she so chose, but on this occasion it had a bit of fine-grit sandpaper in it, due to allergens not pathogens, she assured the woman. The speech pathologist recommended not eating dairy. Then she explained that she had been eating oysters, and as a result her fingers were “a bit fragrant.”

Mara kindly produced a small bottle of antibacterial hand soap from her purse (“It gets rid of all the nasties”) and suggested that she also rub her hands in the aromatic rosemary bush outside. This last suggestion proved a clever and diplomatic means of removing the lady from the tasting room.

Unfettered by fish-fingered busybodies, Mara poured an alluring 2005 Sauvignon Blanc ($14.95), which is, in a word, Bubblicious. The fruity wine, done up in hues of summer pear, has a distinctly Bazooka Joe note that recalls one’s first junior high kiss and awakens the palate as wonderful late-summer refreshment. Another favorite is the award-winning 2003 estate Chardonnay ($24.95)–the San Francisco Chronicle gave it the gold–a lean, crisp wine that swaggers from yellow apple to a creamy finish, with vanilla patting its ass the whole way.

The 2003 Carneros Pinot Noir ($25.95) is an earthy mouthful of prime Sonoma real estate topped with a sinewy smokiness courtesy of brettanomyces, a residual yeast better known as “brett,” as in The Sun Also Rises. Brett is either a blessing or bane to winemakers, but here it adds a welcomed layer of complexity and a pinch of cinnamon, which is a fine reason to get goosed.

Roche Carneros Estate Winery, 28700 Arnold Drive, Sonoma. Open daily, 10am to 5pm. Tastings are free. 707.935.7115.



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