Fidel’s Long Arm

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August 23-29, 2006

When Fidel Castro recently underwent intestinal surgery, there was suddenly a whirl of news stories in the U.S. media of the type usually reserved for rock stars and champion athletes. What is this love-hate fascination with the ruler of a small island nation? Is it the tempestuous Cold War history, Cuba’s close proximity to Florida, memories of the boy Elian or the beautiful beaches and palm trees?

Certainly all of those are part of the mystique. But when it comes to our political leaders’ obsession, the answer is more fundamental. Simply put, Fidel Castro is hugely responsible for who gets elected president of the United States. That may sound strange, but it’s true. And it illustrates the worst aspects of our peculiar system of electing the president.

The presidency is the only elected office where a candidate can win a majority of the popular vote but lose the election. Instead, a candidate wins by capturing a majority of Electoral College votes won state by state in winner-take-all contests.

Most states are strongholds of either the Democratic or Republican parties, creating a presidential battlefield of “safe” states and “undecided” states. As a campaign strategist, the winning calculus is simple: you ignore the safe states and focus on the handful of battleground states that decide the winner.

Yet as we saw in the last two presidential elections, two battleground states were most important: Ohio and Florida.

Florida, our fourth largest state with 27 electoral votes–one-tenth of the number needed for victory–is the biggest of prizes in the presidential sweepstakes. Voters in Florida are much more important to who wins the presidential election than voters in any other state except Ohio.

The extremely close presidential race in Florida is heavily influenced by a particular group of voters: Cuban Americans. They are a well-financed and vocal minority with a leadership of Cuban exiles that for decades has loved to hate Fidel. Both Democrats and Republicans fall all over themselves to court the Cuban vote, which comprises only one half of 1 percent of the U.S. population. This special interest group has much greater influence than its size should warrant for no other reason than the crucial role that Florida plays in our presidential election.

Recall the fiasco around the Cuban boy Elian, the six-year-old who survived a nightmarish ordeal at sea, only to get caught in the nets of presidential campaign politics. Vice President Al Gore, who was running for president at the time, disregarded his own administration’s policy by making a pilgrimage to Florida to support the Cuban leaders’ bid to hold the boy in the United States. The Clinton administration had to order law enforcement to forcibly remove Elian. It was a high-stakes drama, yet if Elian had been Haitian instead of Cuban, or if his plight had unfolded in Wyoming, a solid GOP state with only three electoral votes, no one would have noticed–or cared.

But events in Florida are dramatically amplified, especially when Cuba is involved. Anything related to Cuba degenerates into political pandering to the anti-Fidel vote, because small shifts in the Florida vote can have huge impacts.

This is one of the many reasons to change how we elect the president to a national popular vote. There are ample incentives for both Republicans and Democrats to support such a move. If a mere 60,000 voters in Ohio had changed their minds and voted for John Kerry, he would have won the presidency even while losing the national popular vote to President Bush by 3 million votes. And the Electoral College method denied Al Gore the presidency in 2000, even though he won the most votes nationwide.

GOP Sens. Orrin Hatch, John McCain and the late Strom Thurmond have supported reforming or abolishing the Electoral College. Democrats Sen. Dianne Feinstein and Rep. Jesse Jackson Jr. have introduced constitutional amendments to institute direct election of the president. The most innovative approach has been proposed by NationalPopularVote.com, which utilizes the ability of states to enter into compacts with each other to award each state’s electoral votes to the winner of the national popular vote.

Whenever you see national news related to Cuba or Fidel, reflect on how our system gives such influence to a small minority of voters. If you are in the right state, and the right group of voters, you can bring powerful politicians to their knees.

Steven Hill is author of ’10 Steps to Repair American Democracy’ and director of the Political Reform Program of the New America Foundation.The Byrne Report will return next week.


Falling into Fun

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August 23-29, 2006

2006 Fall Arts Issue:

September

Sausalito Art Festival Sept. 1-4. The No. 1 national outdoor fine-arts festival continues to pair great visuals with outstanding music. This year, it’s quite a mix of the old with the new as club darlings the Lovemakers (Sept. 2) take the same stage that will be pounded by Eddie Money (Sept. 4), surf guitarist Dick Dale (Sept. 2) and even Blood, Sweat and Tears (Sept. 3). Look for local acts galore, including our own Eugene, Shana Morrison, Ramblin’ Jack Elliott, Solid Air and many more. Bay Model, Sausalito. $5-$20. 415.331.3757. www.sausalitoartfestival.org.
Kathy Griffin Sept. 8. Her Life on the D List is a hilarious send-up of Hollywood and Griffin’s lowly position among the great. Napa Valley Opera House, 1030 Main St., Napa. $48. 707.226.7372. www.nvoh.org.
Sonoma County Book Festival Sept. 16. The seventh annual book fair proves that a good thing can get better. This year’s lineup includes a panel on food writing and a tribute to Sonoma County poets as well as readings by Michael Pollan (The Omnivore’s Dilemma), James Dalessandro (1906: A Novel) and award-winning poet Brian Turner (Here, Bullet) among others. Events located in downtown Santa Rosa at the Sonoma County Main Library, the Cultural Arts Council Gallery and Court House Square. Free. 707.527.5412. www.socobookfest.org
Cajun & Zydeco Fest Sept. 9. Shake what your mama gave you to the music of Mark St. Mary, Geno Delafose and the French Rockin’ Boogie, Rosie Ledet and Gator Beat. Even the youngest generation will enjoy themselves at this 11th annual fundraiser by the Rotary Club of Sebastopol. Sebastopol Community Center, 390 Morris St. $20. 707.824.2554. www.rotarycajun.com.
Napa Valley Harvest Festival Sept. 9. This 23rd annual exposition of wine, beer, music, food, more wine, more food and art benefits the Kiwanis Club of Napa. Charles Krug Winery, 2800 Main St., St. Helena. $50-$60. 800.550.6260.
The Prodigals Sept. 9. Say a firm farewell to Enya, as the Prodigals perform real Irish music with a New York kick. Lincoln Theater, 100 California Drive, Yountville. $30-$40. 707.944.1300. www.lincolntheater.com.
Russian River Jazz Festival Sept. 9-10. Now in its 30th year, the RRJF takes it from smooth to fusion to bebop to avant–and that’s how we like it. Highlights include Nina Sheldon and the Bobby Hutcherson Quartet on Saturday and Etta James headlining a bill featuring the Original Superstars of Jazz Fusion on Sunday. Book it. Johnson’s Beach, Guerneville. $47-$190. 925.866.9599. www.jazzontheriver.com.
Art for Life Auction Sept. 14-17. Proceeds from the sales of some 250 pieces of work benefit the Face to Face/Sonoma County AIDS Network, but this annual event, celebrating its 19th year, is about life (and getting great deals on art and having a good time). Friedman Center, 4676 Mayette Ave., Santa Rosa. Exhibit: Sept. 14-16, free; auction: Sept. 17, $50. 707.544.1581.
SF International Comedy Competition Worldly wits square off for a shot at $30,000 and a fairly high-profile catapult toward fame. Previous contestants include Dana Carvey and Robin Williams. Rounds run Sept. 12-Oct. 6. North Bay appearances include Sept. 14 at SSU; Sept. 15 and 22 at the Marin Center; Sept. 29 at the Wells Fargo Center; and the final round on Oct. 6 at the Napa Valley Opera House. www.sanfranciscocomedycompetition.com.
Glendi International Food Festival Sept. 16-17. Live Balkan music and food from around the world–including Eritrea, Kenya and Romania. The savvy Glendi-goer brings a cooler to haul food home. Protection of the Holy Virgin Orthodox Church, 90 Mountain View Ave., Santa Rosa. $8; under 12, free. 707.584.9491. www.glendi.net.
Mill Valley Fall Arts Festival Sept. 16-17. Some 150 artists converge at this storied fair in the tall redwoods of Old Mill Park. Performers include ‘Til Dawn, world-scene hipster Hyim and blues musician Michael “Hawkeye” Herman, who will be honored this year. Throckmorton Avenue at Cascade Drive, Mill Valley. $7; under 12, free. 415.381.8090. www.mvfaf.org.
Taste of Marin Sept. 17. Speaker Paul Hawken will highlight the event that has come to showcase some of the region’s most spectacular food. Area farmers, ranchers, vintners and chefs abound. St. Vincents, 1 St. Vincent Drive, San Rafael. $125-$150. 415.663.9667.
Petaluma Poetry Walk Sept. 17. Now in its 11th year, this progressive event offers six venues hosting readings of such artists as Pulitzer Prize nominees Diane Frank and Marvin R. Hiemstra, Jonah Raskin, event founder Geri DiGiorno, California Poet Laureate Al Young and many others. Noon to 6pm. Free. Walk begins at Deaf Dog Coffee, 134 Petaluma Blvd. http://petaluma.poetrywalk.org.
Sebastopol Celtic Music Festival Sept. 21-24. The greatest Celtic musicians this side of the Emerald Isle do more than just fiddle around. Confirmed performers include Richard Thompson (and yes, that’s the Richard Thompson) headlining in a night with Martin Hayes and Dennis Cahill. Others include Lunasa, the Cottars, La VolÈe D’Castors, Vasen, Pipeline and Wake the Dead. Sebastopol Community Center, 390 Morris St., Sebastopol. $10-$142; full fest passes already sold-out. 707.823.1511. http://cumuluspresents.com/celtic.
Birdhouse Factory Sept. 22-24. Cirque Works acrobatic troupe create a magical factory where human bodies do the darndest things. Wells Fargo Center. 50 Mark West Springs Road, Santa Rosa. $18-$58. 707.546.3600. www.wellsfargocenterarts.com.
Jarvis Puppet Workshop & Festival Sept. 22-23. Got the world on a string? Learn the ¸ber-classified backstage secrets of puppetry, make your own Sifl or Ollie, and see the pros work their magic. Not appropriate for children under five. Jarvis Conservatory, 1711 Main St., Napa. $20-$30. 707.255.5445. www.jarvisconservatory.com.
Redwood Arts Council Sept. 23 forward. The autumn portion of the 27th season commences with the 18th-century string and lutes of the Group Galanteria (Sept. 23). The season continues through June with performances by Ensemble Amarcord, the Nobilis and Peabody piano trios, the Euclid and the Talich string quartets and others. Concerts mostly held at the Occidental Community Church. $10-$20. 707.874.1124. www.redwoodarts.org.
Petaluma Progressive Festival Sept. 24. The Progressive Festival highlights the movement’s issues and causes through speakers, live music and information booths. Speakers are still being scheduled, but those confirmed include Global Exchange cofounder Kevin Danaher, Project Censored’s Peter Phillips and “Guns and Butter” KPFA host Bonnie Faulkner. Walnut Park, Sixth Street and Petaluma Boulevard South, Petaluma. Free. 707.763.8134. www.progressivefestival.org.
Russian River Food & Winefest Sept. 24. All hail Bacchus and Ceres! This all-day salute to the bounty of the county includes wine, baked goods, cheese and such chefs and authors as Gerald Hirigoyen, John Ash, Sondra Bernstein, Michael Pollan and the food-politics guru herself, Dr. Marion Nestle. Proceeds directly benefit river communities. Monte Rio Riverfront Meadow at Rocky Beach, 16467 Hwy. 116, Monte Rio. $20-$60. 707.869.9474. www.russianriverfoodandwinefest.com.
Classical Savion Sept. 26. Tony-winning dancer Savion Glover brings his newest invocation of the great art of tap to the Wells Fargo Center. 50 Mark West Springs Road, Santa Rosa. $29-$55. 707.546.3600. www.wellsfargocenterarts.com.
Carlos Mencia Sept. 28. Popular comic brings his Punisher Tour to town, sure to let loose with the incisive, controversial social commentary he’s known for. Wells Fargo Center. 50 Mark West Springs Road, Santa Rosa. $39.50-$45.50. 707.546.3600. www.wellsfargocenterarts.com.
Mozart’s Private World Sept. 29-Oct. 1. First U.S. showing of artifacts, memorabilia and portraits believed to have belonged to Mozart and his family. In the Cafe Theater; free. In conjunction with Wolfie’s birthday, “classical kids” performance for ages 12 and under on Sept. 30, and 13-year-old piano prodigy Peng Peng performs for kids on Oct. 1. Napa Valley Opera House. 1030 Main St., Napa. 707.226.7372. www.nvoh.org
SRJC Chamber Concert Series Sept. 29-April 20. Subscription-based slate of excellence features violinist Axel Strauss with pianist Jeffrey Sykes (Sept. 29); violinist David McCarroll with pianist Jordi Bitlloch (Oct. 20-21); and the Alexander String Quartet (Dec. 1), finishing in the spring with pianist Jonathan Biss; the Fry Street Quartet and the Amelia Piano Trio. Individual concert tickets ($20-$30) are hard to come by, but the $120 series price for six performances (a steal) is still available. SRJC, 1501 Mendocino Ave., Santa Rosa. 707.527.4372. www.santarosa.edu.
Sausalito Floating Homes Tour Sept. 30. Self-guided tour of 15 of the world’s most unique homes. Whatever floats your boat. Kappas Marina, Sausalito. $30 (advance reservations recommended). 415.332.1916. www.floatinghomes.org.

October

Calabash Oct. 1. Go out of your gourd at the Calabash celebration of Gourds, Art and the Garden, where Bay Area artists exhibit their gourd art and instruments to benefit AIDS food bank. Local chefs provide everything yummy to eat. Food for Thought, 6550 Railroad Ave., Forestville. $30-$35. 707.887.1647. www.calabashartfest.org.
Annual Mill Valley Film Festival Oct. 5-15. Now in its 29th year, this prestigious festival showcases over 150 independent films and bigger features destined for the multiplex. Settle in for the fun with some popcorn at various venues in Marin. 415.383.5256. www.mvff.com.
19th Annual B.R. Cohn Fall Music Festival & Celebrity Golf Classic Oct. 6-8. Queen frontman Paul Rodgers unleashes “Bohemian Rhapsody” along with the Doobie Brothers and Willie Nelson in annual charity concert. Party on, Wayne! Chardonnay Golf Club, Napa; B.R. Cohn Winery, 15000 Sonoma Hwy., Glen Ellen. $25-$300. 800.330.4064. www.brcohn.com.
Sonoma County Harvest Fair Oct. 6-8. For hayrides, the World Championship Grape Stomp Competition, an amazing assortment of outstanding comestibles and more gold medals than can put the “bl” in “bling”–visit the Harvest Fair. Sonoma County Fairgrounds, 1375 Bennett Valley Road, Santa Rosa. $2-$6. 707.545.4203. www.harvestfair.org.
Napa Valley Blues Festival in Calistoga Oct. 7-8. Local blues bands perform throughout the day for free in this relaxed spa town, while the Radiators, based in New Orleans, add to the mix by making a stop at the Charles Krug Winery (Oct. 7; 2800 Main St., St. Helena. $35-$50. 707.944.0799). The next day, Norton Buffalo and the Knockouts, Christopher Ford and the Zydeco Flames provide rhythms for the soul, while beer booths provide sustenance for the body. $10. Pioneer Park, Calistoga. www.calistogajazz.com.
Pete Escovedo & the Pete Escovedo Orchestra Oct. 11. Pete Escovedo shares his wild Latin jazz with audiences at this one-night-only engagement. Spreckels Performing Arts Center, 4509 Snyder Lane, Rohnert Park. 8pm. $23-$26. 707.588.3434.
Linton Kwesi Johnson Oct. 12. “World’s first reggae poet,” described by Time Out magazine as “the alternative poet laureate” makes rare North Bay appearance. 142 Throckmorton Theatre, 142 Throckmorton Ave., Mill Valley. $20-$30. 415.383.9600. www.142throckmortontheatre.com.
Tao Lin Oct 13. In one of his nearly 100 annual expositions, decorated classical pianist Tao Lin will perform selections from the maestros, including Haydn, Chopin, Schubert and Mily Balakirev. Spreckels Performing Arts Center, 4509 Snyder Lane, Rohnert Park. 8pm. $18-$21. 707.588.3434.
El Teatro Calamari Oct. 14. Found-object puppetry and comedic tomfoolery abound in this family performance. Glaser Center, 547 Mendocino Ave., Santa Rosa. $8-$12. www.glasercenter.com.
ARTrails Oct. 14-15 and 21-22. Self-guided opportunity to buy directly from an artist, learn about the work from an artist, support an artist . . . or two or three. Throughout Sonoma County. Free. 707.579.2787. www.artrails.org.
Seymour Hersh Oct. 18. Pulitzer Prize-winning investigative journalist talks about the abuse of power in the name of national security. COPIA, 500 First St., Napa. $36-$40. 707.259.1600. www.copia.org.
El Día de los Muertos Oct. 15-Nov. 3. Entire town of Petaluma participates in celebration of Hispanic holiday honoring dead, including altars, art shows and opening gala Oct. 15. www.petalumaartscouncil.org.
Bioneers Conference Oct. 20-22. Hear about groundbreaking ideas and discuss building a blueprint for sustainable systems at the 16th annual Bioneers Conference, a meeting of environmentally focused minds. Featured speakers include Mothering magazine’s Peggy O’Mara; MoveOn.org founder Joan Blades; Gary Ruskin, executive director and co-founder of Commercial Alert; Seaflow’s Michael Stocker; and many others. Marin Center, 10 Avenue of the Flags, San Rafael. $208-$405. 877.246.6337. www.bioneers.org.
Wynnona Oct. 21. The legendary Wynonna Judd, who has sold over 20 million albums in her career as a country music diva, started off shopping around a demo she and her mother, Naomi, had made on a Kmart tape recorder. Oh, how far the Judd family has come. Lincoln Theater, 100 California Drive, Yountville. $35-$110. 707.226.8742. www.lincolntheater.com.
Jason Robert Brown Oct. 21. Tony Award-winning composer and lyricist (Parade) performs benefit concert for Roustabout Theater. Glaser Center, 547 Mendocino Ave, Santa Rosa. $30-$35. 707.527.0983.www.glasercenter.com.
Acoustic Africa Oct. 21. Musicians Habib Koité, Vusi Mahlasela and Dobet Gnahoré give voice to Africa. Lincoln Theater, 100 California Drive, Yountville. $35-$40. 707.226.8742.
Russian River Chamber Music Festival Oct. 21 forward. Famed series, now in its second year of being absolutely free, kicks off with the Miami String Quartet performing music by Haydn, Ginastera and Tchaikovsky. Healdsburg Community Church, 1100 University Ave. 707.524.8700. www.russianrivermusic.org.Napa Valley Open Studios Oct. 28-29 and Nov. 4-5. Artists throughout the valley open their doors to the public. Sponsored by the Napa Valley Arts Council. Various locations. Opening reception Oct. 7 at St. Supéry. 707.257.2117. www.artscouncilnapavalley.org.
Juan Gabriel Oct. 25-26. Two-night stand with Latin belovéd and Grammy nominee, who has sold more than 60 million records, promises to be as much a journey through Gabriel’s life as through his hits. Wells Fargo Center, 50 Mark West Springs Road, Santa Rosa. $50-$150. 707.546.3600. www.wellsfargocenterarts.com.
Momix Oct. 28. The internationally renowned company that PBS featured in its Dance in America series returns to the Bay Area to premiere their surrealist performance, Lunar Sea. This is modern dance as Dali would approve of. Marin Center, 10 Avenue of the Flags, San Rafael. 8pm. $18-$50. 415.499.6800.
Yaelisa Oct. 28. Luminary among Flamenco dancers, the Emmy Award-winning dancer brings her troupe to the Lincoln Theater for a night of traditional flamenco. 100 California Drive, Yountville. $30-$50. 707.944.1300. www.lincolntheater.com.

November

Wine & Food Affair Nov. 4-5. Russian River Wine Road gathers 64 local wineries for another delicious extravaganza. Various locations in Alexander, Dry Creek and Russian River valleys. $15-$45. 800.723.6336. www.wineroad.com.
Banana Slug String Band Nov. 4. We like them, they’re beautiful! Sing along to the lovelies who proclaim that dirt made their lunch. Glaser Center, 547 Mendocino Ave., Santa Rosa. $10-$15. www.glasercenter.com.
Savage Jazz Dance Company Nov. 4-5. The world premiere of The i-Dance Suite, Part 1, which features music selected randomly from an iPod. Spreckels Performing Arts Center, 4509 Snyder Lane, Rohnert Park. $21-$24. 707.588.3434.
Bill Cosby Nov. 5. America’s favorite dad keeps making people mad, because America’s favorite dad keeps saying what he thinks. And we love him for it. Wells Fargo Center. 50 Mark West Springs Road, Santa Rosa. $65-$99. 707.546.3600. www.wellsfargocenterarts.com.
‘Every Man Jack’ Nov. 11-19. Sonoma City Opera premieres this new original work, with libretto by Philip Littell, that explores the human side of Jack London’s mythic personality. Green Music Festival, SSU, 1801 E. Cotati Ave., Rohnert Park. 707.939.8288. www.sonomacityopera.org.
Pink Floyd Laser Spectacular Nov. 11. Dude, this is serious. Ten thousand watts of “concert quality sound” will blare the Floyd while cool lights do their thing. Dude! Lincoln Theater, 100 California Drive, Yountville. $20-$30. 707.944.1300. www.lincolntheater.com.
Festival of Harps Nov. 11. Experimental technique and musical innovation abound at the 17th annual Festival of Harps, featuring Grammy-nominated Mamadou Dibate. Spreckels Performing Arts Center, 5409 Snyder Lane, Rohnert Park. 2:30pm and 8pm. $21-$24. 707.588.3434.
Ballet Folklorico de Mexico de Amalia Hernandez Nov. 12. With their scarlet skirts spinning like platters, this famous Latin American company whirl into town with bright choreography inspired by Mayan and Aztec ritual. Marin Center, 10 Avenue of the Flags, San Rafael. 3pm. $20-$60. 415.499.6800.
The Drummers of Burundi & Mombasa Party Nov. 18. Whereas in America, landing one’s first drum kit is almost like a religious initiation, in Burundi, drums really are sacred. This is evident by the quality of the beats produced by this royal band, who have recorded with such luminaries as Joni Mitchell. Marin Center, 10 Avenue of the Flags, San Rafael. 8pm. $18-$40. 415.499.6800.


Berry Berry Good

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August 23-29, 2006

I’ll stain your fingers and your face,
And then I’ll laugh at your disgrace
But when the bramble-jelly’s made,
You’ll find your trouble well repaid
–“The Song of the Blackberry Queen” by Cicely Mary Barker

When the words “Sonoma” or “Napa” and “blackberries” appear together, they almost undoubtedly refer to the taste of a fruit-forward red wine. That’s all well and good, but there are berries growing in our fine area–and particularly brambling Marin–that have nothing whatsoever to do with Pinot Noir, Cabernet or Zinfandel. Whether they grow cultivated on a small farm or thrive ruthlessly along the banks of a creek, there are hundreds of wild blackberry havens waiting for opportunistic berry fanatics. While the invasive Himalayan brambles overrun hillsides and choke out native species, that does not mean the tasty fruit of those suckers cannot be harvested and eaten with aplomb.

Late summer is the time for blackberries. Farmed crops start coming into season in the middle of June, but the best wild berries don’t start appearing until July, with holdouts ripening into September. An old English folktale warns against picking blackberries after the fall, when the devil makes a mark on their leaves and claims them as his own, although in reality it’s more likely mold or hungry birds would have claimed the berries themselves by then.

Both blackberries and raspberries belong to the genus Rubus, and it can be difficult to tell the difference between the two, especially since there are also black raspberries and red blackberries. When picked, raspberries leave a hard white core, called a receptacle, on the plant; when a blackberry is picked, the receptacle stays with the fruit. Thus, raspberries have a hollow structure, while blackberries have more crunch.

Native to Asia, Europe and the Americas, blackberries can be found growing on all continents except Antarctica. In Europe and in North America, blackberries have been used for medicinal purposes for hundreds of years; various preparations of blackberry juice, leaves and bark were said to soothe eye and mouth ailments, aid digestion, relieve toothaches and remedy dysentery. Today, the focus is more on the blackberry’s nutritional value; it is rich in antioxidants and dietary fiber.

Those blackberries encased in clear plastic clamshells that appear in supermarkets year-round are bred for their heartiness, not their flavor, and they are sometimes subject to irradiation and ridiculously high prices. When local blackberries are not in season, it is best to stick with frozen berries, which perform remarkably well in baked goods.

Though it is tempting to pounce upon those octopus-like thorny tentacles and immediately zero in on gemlike berries glinting in the sun, approach wild blackberry vines with caution. First of all, blackberries have an affinity for poison oak; the two grow together as happily as tomatoes and basil. Likewise, be wary of blackberry hedges that grow along busy roadsides, where they can be exposed to toxins from passing traffic and pesticides from county sprayings.

Ripe blackberries are deep, dark purple-black–not purple, and certainly not red or green. Blackberries ripen only on the branch and will not become sweeter during storage. When picked, a ripe blackberry should come free of the plant with nothing more than a gentle nudge.

Bring appropriate containers with you when you plan to harvest. To keep from bruising the berries, don’t pile them any more than four to five inches deep. Broad, shallow containers are best for this task–plastic colanders or metal pie plates, for instance. Once picked, blackberries don’t hold up very long. Blackberries kept at room temperature may mold quickly, so store them in the refrigerator for three to four days, tops; as the blackberries age, they lose their sheen and plumpness, taking on a slightly withered, matte look. As with most other berries, wash them directly prior to eating and no earlier.

A premature rinse will lead to mushy berries.

Blackberries are more versatile in the kitchen than most people suspect; a little creativity and research yields many possibilities besides granola garnish or cobbler filling. Stir blackberries into pancake batter, roll them in dessert crêpes with crème fraîche, or fold them into sour cream, turn into a shallow dish, top with brown sugar and broil for a few minutes until the sugar is melted and bubbling.

Blackberries can even turn up in savory ketchups or chutneys, where their robust flavor stands up well to strong spices like clove, cinnamon and nutmeg. For fresher, more summery flavors, add blackberries to a spicy fruit salsa or a salad of baby greens and goat cheese.

Gathering fresh blackberries is not without its perils–insects, blazing sun, scratchy weeds, voracious family members–but the rewards are many. Few activities tap so directly into the spirit of summer.

Easy Berry Meringue Dessert
Those who embrace berries but shun baking can still make tasty fruit desserts. This is a cross between a pavlova and a trifle, and it requires only four ingredients. To best impress your guests, serve it in an attractive clear glass bowl so they can enjoy the colorful layering. You could fancy it up by adding the finely grated zest of one lime or orange to the berries, if you like.4 c. mixed berries
several tablespoons granulated sugar
1 6-ounce tub plain (vanilla) meringue kisses
1 c. heavy cream, whipped to soft peaks
Rinse the berries and toss with sugar. Set aside until the berries release some liquid, about half an hour.
Pick out 9 to 12 of the prettiest meringues and set them aside. Break half of the remaining meringues into large pieces and place in the bottom of a large glass bowl. Top with half of the berries and half of the whipped cream. Repeat crumbled meringue-berry-whipped cream layering one more time and top with reserved meringue kisses.
Cover bowl with plastic wrap and refrigerate until chilled. Serve within several hours. Makes 8 to 10 servings.

Blackberry Pie
I like to top this pie with a lattice crust, but a full top crust has its merits, too, because it gives the pie more structure and is not as fussy to assemble. An open pie with no top crust is equally nice; the garnet depths of the filling are visually striking, and it eliminates a big chunk of calories–although eating pie is rarely about eliminating calories.Your favorite pie crust recipe, either for a single or double crust
2/3 c. granulated sugar (more or less, depending on the tartness of the berries)
1/4 c. all-purpose flour
1/2 tsp. ground cinnamon
1/4 tsp. freshly ground nutmeg
pinch salt
5 c. blackberries, thawed if using frozen
zest of 1 lemon, finely grated
Heat oven to 425 degree. Grease a 9-inch pie plate and line with the bottom crust. Set aside. In a large bowl, stir together sugar, flour, cinnamon, nutmeg and salt. Stir in the blackberries and lemon zest. Pour into prepared crust; cover with lattice or top crust, if using. Place on a foil-lined baking sheet and bake 50 to 70 minutes, until the filling bubbles and juice oozes out of the pie. Tent the pie with foil midway through baking if the top crust becomes too brown. Cool on a rack for several hours before serving.

Quick dining snapshots by Bohemian staffers.

Winery news and reviews.

Food-related comings and goings, openings and closings, and other essays for those who love the kitchen and what it produces.

Recipes for food that you can actually make.

Soldiering On

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August 23-29, 2006

‘It’s sort of like a trial by fire.”

Brian Hofeldt is talking about hitting the road with the reconstituted version of his longtime band, the Derailers. Promoted as “the Beatles by way of Bakersfield,” this honky-tonk group from Austin, Texas, went through a serious shake-up when cofounder and vocalist Tony Villaneuva departed to pastor a church in Oregon, but Hofeldt says that decision was not a surprise.

“Oh no, I knew for two years before he left. It was somethin’ I was well-prepared for,” he elaborates, adding that it also prompted him to reevaluate his own path.

“I wasn’t really quite 100 percent sure what I wanted to do either at that point,” he reflects in a laconic drawl. “We were both sort of equivalently disappointed with some of the experiences we’d had with our record label at the time and the rigors of bein’ out on the road and just feelin’ like you’re banging your head on the door and it only feels good when you stop. But after a little bit of introspection and a little time for thinkin’, I realized this is what I do, and I do like to do it and we had a lot of people expecting us to continue, so we just jumped back up on the horse, ya know?”

Rather than trying to replace Villaneuva, guitarist Hofeldt has taken on the lead singing role while expanding the group to include a broader sonic palette with steel guitarist Chris Schlotzhauer and the colorfully named Sweet Basil McJagger on keyboards. Bassist Ed Adkins and drummer Scott Matthews continue to anchor the impressively versatile rhythm section.

“Yeah, it’s a little bit more work,” Hofeldt acknowledges,” but we’ve adjusted to these changes in the band and come out of it stronger.”

That newfound resilience is on full display on their new CD, Soldiers of Love, recorded in Nashville with local legend Buzz Cason, a producer and songwriter whose tunes have been recorded by acts from Jan and Dean to Mel Tillis to U2. (His “Soldier of Love,” covered here, was a minor hit for Arthur Alexander in 1962, and appears on the Beatles’ Live at the BBC.)

“Buzz was a super motivator, just a real purely excited cheerleader for what we were doing,” Hofeldt say appreciatively. “It gave all of us a big confidence boost. Certainly, when you have a wrench in the works, to have somebody come along and boost you makes a big difference.”

The rock and roll energy behind their honky-tonk sensibility makes the band hard to categorize but easy to enjoy.

“Certainly, we’re a honky-tonk band, but you’ll hear some pop and R&B and rockabilly things come out of us, too,” Hofeldt affirms. “We don’t see a whole lot of difference; to us it’s just another facet of the type of music that we like. We sort of sit in the chair of ’60s music in general. When we go about doing what we do, it can cross genres.”

Having just wrapped up recording Soldiers of Love last December, one might think it’s a bit soon to be thinking about renewing that studio partnership. Wrong.

“We’ve already started cuttin’ the next record,” Hofeldt laughs, a little self-consciously. “He doesn’t get that name Buzz for nothin’, that guy; he doesn’t let sleepin’ dogs lie or the sun go down too quickly. We were through Nashville to do some promotion for this record, and Buzz says, ‘Hey boys, while you’re here, let’s get in an’ cut a couple.'”

The Derailers hit the Raven Theater on Friday, Aug. 25. Local trucker supergroup St. Peterbilt, featuring members of the Feud and Quarter Mile Combo, open. 8pm. $20-$45. Raven Theater, 115 North St., Healdsburg. 707.433.6335.


A Series of Tubes

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August 23-29, 2006


It’s been a long, hard summer for Sen. Ted Stevens. Shortly after the chairman of the Senate Committee on Commerce, Science and Transportation passed a major telecommunications bill without a Net neutrality provision (it lost by an 11-11 tie), the Alaska Republican found himself the laughing stock of the Internet–and The Daily Show with Jon Stewart.

It all started with a long-winded rant against Net neutrality during committee hearings on an amendment offered by Sens. Olympia Snowe and Byron Dorgan.

As reported in these pages on June 28 (), Net neutrality is a core concept upon which the Internet was founded: that all of the data traveling the Internet–every website, MP3 file, vlog, etc.–should be treated equally. It’s a concept at risk because the FCC recently removed “common carrier” restrictions on telephone companies and cable companies, which means–in the absence of legislation to the contrary–they would be able build a superfast network and charge a premium for access to it. In other words, the Net would be a high-speed toll road for paying customers only.

Stevens sees it differently.

“The Internet is not something you just dump something on. It’s not a truck,” he explained to his colleagues in the Senate, seemingly channeling George W. Bush’s grasp of both logic and elocution. “It’s a series of tubes. And if you don’t understand, those tubes can be filled and if they are filled, when you put your message in, it gets in line and it’s going to be delayed by anyone that puts into that tube enormous amounts of material, enormous amounts of material. . . . I just the other day got, an Internet was sent by my staff at 10 o’clock in the morning on Friday, and I just got it yesterday. Why?”

Why, indeed.

To Jon Stewart–the primary news source for the under-30 set–the reason Stevens didn’t get his “Internet” was obvious: “Maybe because you don’t seem to know jack shit about computers or the Internet,” he deadpanned that night. “But hey–you’re just the guy in charge of regulating it.”

Stevens’ status as laughing stock of the Internet probably didn’t help matters in the hall of the Senate. As the Congress broke for its August recess, Stevens was not having much luck in drumming up support for his bill without meaningful Net-neutrality provisions.

In an election year when voters are making clear their dissatisfaction with Republicans, majority senators are clearly nervous about Stevens’ bill.

Sen. Lincoln Chafee, R-R.I., a moderate Republican fighting to fend off a strong primary challenge, is opposed to considering the bill without debate on Internet protections. “I’m starting to hear about Net neutrality back home, and I’m not on the [Senate Commerce, Science and Transportation] committee, so I’m still learning about the issue,” he said Roll Call, the Capitol Hill newspaper.

Sens. Rick Santorum, R-Penn., and Mike DeWine, R-Ohio, are both looking at tight races and are concerned about supporting the bill that passed the committee, according to Roll Call.

Meanwhile, events that look suspiciously like corporate censorship continue to crop up. Ordinary citizen Andrew Raff wrote a little acoustic-guitar ditty set to Stevens’ infamous words and posted it on his MySpace.com page. It mysteriously disappeared. MySpace said the page was removed because of copyright and trademark violations. But the song was Raff’s own composition; the words were Stevens’ and thus public information. There were no copyright violations.

According to MySpace, it was just an administrative error, a little overzealous deletion. Surely the fact that MySpace is owned by Rupert Murdoch’s News Corp., a key beneficiary of the Senate action against Net neutrality, would have nothing to do with it. Neither would the fact that Murdoch is a leading contributor to Stevens’ campaign war chest.

Art Brodsky of the D.C.-based information advocacy group Public Knowledge doesn’t buy it. “Of all the God-knows-how-many separate postings on MySpace, this one was singled out,” Brodsky wrote online. “You can’t fill out an online form to get something deleted; somebody had to make a specific call on that specific song. Given all that has been happening with Stevens, I just have a very skeptical view of [this as a] coincidence.” After articles on the MySpace evaporation were printed in Wired News, the New York Times and the Washington Post, the site and song were just as mysteriously reinstated.

Earlier, Google vice president Vint Cerf, one of the founding fathers of the Net, warned that the company would not hesitate to file an antitrust lawsuit if they suspect the telcos are disregarding neutrality. Speaking at a conference earlier this month, Cerf said, “If the legislators . . . insist on neutrality, we will be happy. If they do not put it in, we will be less happy, but then we will have to wait and see whether or not there actually is any abuse. We will simply have to wait until something bad happens, and then we will make known our case to the Department of Justice’s antitrust division.”

And so the Senate adjourned until after Labor Day with no action on the Stevens bill and weak prospects for any action before the election in November. “I don’t think anybody wants to see this before the elections,” said Maura Corbett, spokeswoman for It’s Our Net, a coalition backing Net neutrality.

“Even those lobbyists pushing for the bill concede that it is unlikely it will get floor time until after the elections,” Roll Call notes. “At that point, they said, Stevens likely would turn to a lame-duck strategy, possibly breaking off pieces of his broader bill and trying to attach them to spending measures.”

While this Congress will be in session for two more months before the election, the odds are looking very long for passage of Stevens’ bill without Net neutrality. That result is a testament in the end to the power of sustained, massive, politically astute activism. It was not the lobbying of Google and eBay that made a difference, but the fact that, in the long run, representatives and senators were hearing about the issue on the home front. With Republicans running scared of the midterm elections, key politicians were unwilling to go against popular sentiment on this one.

But to some degree, it’s also a reminder that everything happens in real-time online. In the pre-Net era, Stevens shooting himself in the foot with his rambling about Internets and tubes would have gotten about one inch on page 27 of the Washington Post, if that. Instead, it hit the Internet instantly and was mocked relentlessly in various mashups of song, video and PowerPoint. It went around the Net so many times that even TV took note.

If this bill does in fact die this year, it will be at least in part a death of a thousand online humiliations.


Gig Alert

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August 23-29, 2006

2006 Fall Arts Issue:

It’s 11pm, and I’ve just returned home from Studio E in Sebastopol, where Chip Taylor and Carrie Rodriguez took the entire audience’s breath away. “I wrote this last one,” Taylor remarked at the end after three standing ovations, “because the flower shop was closed and I’d done something dumb.” Back in my latecomer’s corner, standing next to a pile of firewood, it felt as if they were singing “We Come Up Shining” just for me, and for the millionth time my faith in live music was reaffirmed.

Those who missed the show can catch Taylor and Rodriguez on Oct. 9 at the KRSH studio, where the backyard barbecues make for the best free concert series around. Make sure to get there early, because after tonight’s Studio E show, word is going to flood all around town about the intense magic these two create. Check www.krsh.com for details.

Studio E’s calendar is strong in the next few months. My pick of the bunch is Sam Baker (Oct. 20), whose stark honesty recalls Delta Momma Blues-era Townes Van Zandt crossed with Diamonds in the Rough-era John Prine. Seriously injured within an inch of his life in a 1986 terrorist train bombing in Peru, Baker doesn’t have time for bullshit; on his latest album, Mercy, his songs are as incisive as the eighteen surgeries he underwent to repair his body. Check www.northbaylive.com for details.

This Saturday, Aug. 25, Bay Area rap legend Too $hort comes to the Phoenix Theater. Always a party, the highlight of a Too $hort concert is his diverse crowd, spanning those who blasted Born to Mack on the Mendocino Avenue cruise in 1988 to those who just picked up his latest single, “Blow the Whistle.” By the end, everyone in the place has his hands up, shouting along to two decades of Bay Area anthems. Check www.rapbay.com for details. Also coming to the Phoenix on Nov. 1 is the return of Nomeansno.

Once the best unknown hit of the 1980s, When in Rome‘s “The Promise” was let out of the bag in the closing credits to Napoleon Dynamite; the band open for A Flock of Seagulls at the Last Day Saloon on Sept. 28. With the recent acquisition of an outside booking agent, the venue brings in the double bill of Alejandro Escovedo and Chuck Prophet on Oct. 4. Also on the calendar: the Trachtenburg Family Slideshow Players (Sept. 6), whose fun-loving schtick–buying discarded slide collections at garage sales and writing goofy, speculative songs about them–should make even the most grizzled music fan smile.

Though hardcore North Bay jazz fans have a gas-guzzling, toll-taking drive ahead of them for San Francisco appearances in October by Sonny Rollins and Andrew Hill, Ken Burns fans can take solace in a Napa Valley Opera House appearance by Wynton Marsalis on Oct. 24. The upside: he’s with a small quintet, so the likelihood of his re-creating the fiery thrust of last year’s Live at the House of Tribes is high; the downside: all tickets are $95. According to Marsalis, jazz is “a painless way of understanding ourselves.” According to my wallet: Ouch.

Also at the Napa Valley Opera House next Wednesday, Aug. 30, is Roseanne Cash, who long ago proved her mettle by stepping from out of the shadows as the daughter of you-know-who. Cash has been tracing back through her family lineage of late with a brave, poignant album, Black Cadillac, and the results are overwhelming. She appears more confident and poetic than ever. Check www.napavalleyoperahouse.org for details.

Strolling around downtown Santa Rosa at night with no particular plan? Head on over to 505 Mendocino, downtown Santa Rosa’s best new venue, where there’re 50 beers on tap and free live music most nights of the week. The music room is cozy and detached from the main bar, the acoustics are surprisingly good, and the steaks, my friend–sweet Lord–the steaks are absolutely to die for.

On Tuesday, Aug. 29, Australia’s favorite trio the Waifs return to the Mystic Theatre in Petaluma. Last year’s appearance by the group kept people talking for months, so this time around should attract a full house. Also, on Oct. 7, the Mystic welcomes the beautiful Iris DeMent, who may be finally used to

Greg Brown‘s wedding ring scraping against her guitar as she plays. With Lifeline, a new gospel-based album, DeMent knows all about reaffirmation of faith. Check www.mcnears.com for details.


Serious Fun

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August 23-29, 2006

I spent my summer vacation on the boardwalk in Seaside Heights, N.J. Life on the boardwalk has a specific rhythm: lie around the hotel, swim at the beach, drink, eat wonderful greasy food and let the neon carnival atmosphere suck gallons of money out of you all night. It’s home to Philly cheese steaks, the Tilt-a-Whirl, $3 ATM service charges and fried Oreos.

This is a sacred place for me. My in-laws live nearby, and we’ve brought our daughter here for many fun family times during her childhood. She’s 18 now and headed for UC Davis in the fall, but I still associate the N.J. boardwalk with youthful innocence, pure summer release and, more importantly, the possibility of not taking myself seriously.

When my wife told me that Soul Asylum were playing locally (she’d caught an ad in some “What to Do” at the Jersey Shore tourist rag), I assumed she meant somewhere notable, like the Count Basie Theatre in Red Bank or a casino in Atlantic City. Turns out the once-famous, now-fading alt-rockers from Minneapolis were going to be a simple 10-minute walk to the last bar at the end of the boardwalk. No two-hour drive, no $65 ticket, no service charge, no planning, no logistics.

I bought two cheap tickets immediately, feeling a sudden thrill imagining that Soul Asylum could still sound as great as their glorious run through ’80s indie labels and ’90s majors did. But the truth is, I also didn’t give a damn how they sounded. I just wanted to dig them again, enjoying the expectationless fun I’ve come to expect from the N.J. shore.

Soul Asylum gave me my fried Oreos and let me eat ’em, too. Their show, like their place in current rock, was wholly un-newsworthy. I was free to ditch hip critical analysis, slam a few beach-friendly plastic bottles of beer and get some easy kicks on their nice merry-go-round of alt-rock reminiscence. Their punky overdriven pre-Nirvana material was fun, as were their mainstream post-Nirvana mall hits. Their big home run, “Runaway Train,” sounded like an afterthought, as if the band themselves viewed their history with no expectations.

They were more energized by tracks from their new album, The Silver Lining. Soul Asylum have always done a good job of being light-hearted inside of seriousness, and that dynamic continues on The Silver Lining. The disc is informed by images from war-ridden headlines (really stoopid lyrics like “She’s got weapons of mass destruction”), but it isn’t obsessed with them; rather, there’s an undercurrent of enjoyment. The swinging “Lately” is one of the best bring-the-boys-home songs of the year, not simply because it states its position clearly or because it’s a cute portrait of a soldier and his new family back home, but because it identifies the loss of something simple (“‘Cause it seemed like neither one of them was having any fun”).

Soul Asylum released a live album last year that also reveals playful seriousness. After the Flood: Live from the Grand Forks Prom is full of terrific covers. We get Marvin Gaye’s “Sexual Healing” for levity, Smokey Robinson’s “Tracks of My Tears” for angst and Alice Cooper’s “School’s Out” to have it both ways. But closing the set with Lulu’s “To Sir with Love” and Glen Campbell’s “Rhinestone Cowboy”? A band has to have a huge Cheshire Cat grin going to be so earnest about such almost-serious material.

“So take your shattered faith / And make it just like new with crazy glue and tape” sings Winona Ryder’s ex-boyfriend Dave Pirner on the new song “Crazy Mixed Up World.” He knows those things won’t last. Soul Asylum and their live music may not matter much, but they don’t have to. It’s good enough for me that they’re my guilty pleasure, right there in my sacred space, along with warm sand, tuition payments, neon and fried Oreos.

Soul Asylum play the very notable Great American Music Hall on Aug. 23. $20. www.gamh.com.


Back Inside

August 23-29, 2006

2006 Fall Arts Issue:

Looking over the film lineup for this fall, one can only say, “Fuck”–and that’s because that long-awaited title is finally almost before us on a big screen. Opening in November, Steve Anderson’s documentary on the most useful word in the English language offers opinions on the mot’s merit by everyone from Ron Jeremy to Pat Boone. What a pity so many theaters today are built without marquees.

But the fall schedule’s assortment of movies involves that most deletable of expletives even without Anderson. Kirby Dick’s documentary ‘This Film Has Not Yet Been Rated’ (Sept. 1) explains why that more-than-one little f-word can get your film shoved into NC-17 limbo. If ‘Fuck’ has buzz, ‘Buzz’ (due in November) has buzz, too. A. I. “Buzz” Bezzerides, was the Fresno-born author of trucker-lore films They Drive by Night and Thieves Highway. Still alive at 98, Bezzerides recalls his days in the more industrial parts of the film industry.

Speaking of film noir, ‘The Black Dahlia’ (Sept. 15) is Brian De Palma’s adaptation of James Elroy’s mystery novel, with Mia Kirshner as the title cadaver and Aaron Eckhart and Josh Hartnett as the two all-too-culpable cops on the case. ‘Hollywoodland’ (Sept. 8), like the Black Dahlia case, is based on a real-life mystery: the suicide, if a suicide it was, of George Reeves, TV’s Superman of the 1950s. Ben Affleck tries very hard to be Reeves, the unhappy boy-toy of a married woman (Diane Lane), and Bob Hoskins is excellent as a growling and very menacing MGM exec, the lady’s husband.

The new ‘Casino Royale’ (Nov. 17) makes it clear that Bond’s enemy is not the terrorist financier Le Chiffre (Mads Mikklesen), but a rogue agent named Jason Bourne, who has found favor with audiences by being a reluctant op without gadgets. After the sci-fi excess of Die Another Day, the new Bond is a “blunt instrument,” as M (Judi Dench) calls our hero. That means: expect as much pain as pleasure.

The double-standard-ridden world of espionage turns up in ‘The Good German’ (Dec. 8), Steven Soderbergh’s black-and-white thriller of morally murky postwar Berlin. ‘The Good Shepherd’ (Dec. 22) is the Robert De Niro-directed, Matt Damon-starring spooktacular detailing 20 years of CIA history.

And espionage within the Boston PD is the subject of ‘The Departed’ (Oct. 6), Martin Scorsese’s remake of the thriller Infernal Affairs. By contrast, Clint Eastwood celebrates the cleaner moral lines of WW II in two separate movies about the combatants in the Pacific War: ‘Flags of Our Fathers’ (Oct. 20) and ‘Letters from Iwo Jima’ (the same story told from the Japanese side) coming out later this season.

Arty science fiction like ‘Children of Men’ (Sept. 29) is both promising and forbidding; the director is the inspired Alfonso Cuarón (Y Tu Mamá También), who is trying to bring a new slant to the old sci-fi plot about the last pregnant woman alive and how society wants her dead. ‘The Fountain’ (Nov. 13) is the speculative-fiction movie to look forward to, a tri-part story set in the age of the Conquistadors, in our time and in the 26th century–three eras united by a search for the fountain of youth. Hugh Jackman stars in three roles; Rachel Weisz is the woman he loves for an eon, and the visionary Darren Aronofsky (Pi) is the director.

‘The Science of Sleep’ (Sept. 22) is the new Michel Gondry (Eternal Sunshine of the Spotless Mind) film about the dormant life of a Parisian (Gael Garcia Bernal) haunted by the sultry charms of his next-door neighbor (Charlotte Gainsbourg). If The Science of Sleep turns out to have Oscar-worthiness, the behind-the-scenes campaign should be worthy of the new Christopher Guest film, ‘For Your Consideration’ (Nov. 17). Makers of an anemic indie picture are bewitched by the lure of Oscar, which contributes to friction, star fits and hurt feelings. The cast includes regular Guest stars Harry Shearer, Fred Willard, Eugene Levy and Catherine O’Hara.

‘The Last King of Scotland’ (Sept. 27) isn’t the sequel to Braveheart; Kevin Macdonald (of the superb doc Touching the Void) made his first fictional film about the court of the madman Ugandan dictator Idi Amin (Forest Whittaker), as seen through the view of his fictional Scottish personal physician, Garrigan (James McAvoy).

On the subject of charming fascists, ‘All the King’s Men (Sept. 22) features the overactor’s overactor Sean Penn as Willie Stark, Robert Penn Warren’s version of Louisiana governor Huey Long. Wonder if Penn will try to point this thing at a certain Southern populist called W.?

‘Fast Food Nation’ (Oct. 20) is already quite pointed. Greg Kinnear is an exec at the home of the “Big One,” but director Richard Linklater works his way down the fast-food chain to Mickey-jobbing teens and Central American illegals caught in the literal meat grinder. It’s based on Eric Schlosser’s nonfiction bestseller.

‘The U.S. vs. John Lennon’ (Sept. 19) is David Leaf and John Scheinfeld account of the government’s campaign to monitor Lennon during his years as an antiwar activist; we can presume that’s supposed to reflect today’s turbulence. And Alejandro Inarritu’s international drama ‘Babel’ (Oct. 27), starring Brad Pitt and Cate Blanchett, may prove that violence is one of the only ways we can all understand one another.

The Iraq debacle is the background of ‘My Country, My Country’ (Sept. 8), Laura Poitras’s documentary profile on Sunni politician and physician Dr. Riyadh al-Adhadh, who is fighting his own battle to save the nation as well as his patients. ‘The Ground Truth’ (Sept. 15) by Patricia Foulkrod is a documentary about American soldiers returned from Iraq who face their own pain and public misunderstanding. Somehow, the film has lost its provocative suffix–After the Killing Stops–subsequent to this year’s Sundance Festival.

Expect the dailies and the magazines to focus more on computer animation, every studio’s dream of a quick payoff. This fall: ‘Everyone’s Hero’ (Sept. 15), about a little boy in search of Babe Ruth’s stolen bat. ‘Open Season’ (Sept. 29) concerns a grizzly bear (Martin Lawrence) who odd-couples it with a mule deer (Ashton Kutcher). ‘Happy Feet’ (Nov. 17) is for people who’d rather have penguin than turkey for Thanksgiving; George Miller (who foaled the Babe series) directed this charmer about an emperor penguin chick who learns to tap-dance.

The most promising is the DreamWorks/Aardman collaboration ‘Flushed Away’ (Nov. 3), a grotty London variation on the story of the country mouse and the city rat. A posh pet (Hugh Jackman again!) tries to flush a rough-trade interloper named Sid and ends up down in the sewers himself. Lastly, Rocky VI arrives concealed under the title ‘Rocky Balboa’ (Dec. 22). The pug may still have some fight left in him, but the rest of us are a little beat.


New and upcoming film releases.

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Strange Coincidences

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August 23-29, 2006

2006 Fall Arts Issue:

It never fails. Whenever fall comes around and the North Bay theater companies send out press releases and glossy mailers announcing their “bold” and “exciting” new schedules, there is always at least one strange coincidence. Sometimes, it’s two or three companies all electing to produce The Fantasticks or The Underpants within weeks or months of each other. Maybe it turns out to be two companies deciding to produce different plays by the same author, opening their shows on the same night in different towns.

Something like that always turns up. Always.

Another thing that can be depended on is that however many strange coincidences occur, either the Sonoma County Repertory Theatre in Sebastopol or the Pacific Alliance Stage Company in Rohnert Park–and sometimes both–will be players. Two years ago, it was the Rep and PASCO simultaneously opening Night of the Iguana and A Streetcar Named Desire, both by Tennessee Williams. Last year it was the same two companies opening, also on the same night, two plays by A. R. Gurney: Sylvia and The Fourth Wall.

This year, as fall approaches and the press releases pile up, there appears to be a shocking abundance of these little twists of happenstance. And as always, the Rep is a player in every single one; PASCO, in just one. Just for fun, and to test your powers of observation, examine this list of autumn theatrical events happening around the North Bay, and count the number of times you notice a quirky fluke of chance.

The Sonoma County Rep (104 N. Main St., Sebastopol; 707.823.0177), takes on one of Broadway’s most challenging recent hits, the Tony-winning one-man drama ‘I Am My Own Wife’ (Sept. 29) by playwright Doug Wright. Directed by Rep executive director Jennifer King, the tour de force play re-creates the life of Charlotte von Mahlsdorf, a resourceful German transsexual who miraculously survived the rise of the Nazis and the ensuing communist takeover of East Germany. Elastic actor Steven Abbot takes on the role(s) of a lifetime, playing all 30 character parts with costume alterations and chameleon-like shifts of character made in plain view of the audience.

Abbot is an old hand at such theatrical shape-shifting, having played half of the roles in Stones in His Pockets for Actors Theatre a few years back. In Wife, he’ll take on more than twice as many parts, and do it solo. If it sounds like a must-see to you, you’re not the only one; word is that tickets are already selling like mad, a full six weeks before opening. The rest of the Rep’s season includes a youth production of ‘A Charlie Brown Christmas’ and the perennial staging of Charles Dickens’ ‘Christmas Carol.’

Kicking things off with a Bay Area premiere about Orson Welles, Mill Valley’s Marin Theatre Company (397 Miller Ave.; 415.388.5200) launches an exciting season with an as-yet-unnamed new artistic director who will be replacing founding AD Lee Sankowich. ‘Orson’s Shadow’ (Sept. 7), by actor-author Austin Pendleton, is an off-Broadway hit that re-creates the incendiary true moment when Welles, Laurence Olivier, and Olivier’s present and future wives, Vivien Leigh and Joan Plowright, all teamed up for a stage production of Ionesco’s absurdist Rhinoceros. Also sure to spark attention are a commedia dell’arte version of Molière’s ‘Tartuffe’ (Nov. 9) and a weekend of new one-acts directed by Oscar-nominated actress Olympia Dukakis.

Actors Theatre and the Santa Rosa Players continue their back-and-forth occupation of the increasingly popular Sixth Street Playhouse (52 W. Sixth St., Santa Rosa; 707.523.4185) with SRP’s large-cast production of the ’60s-era musical ‘Bye Bye Birdie’ (through Sept. 16). Close on its sock-hopping heels is AT’s production of Kenneth Lonergan’s offbeat drama-comedy ‘Lobby Hero’ (Sept. 29), about a sad-sack security guard pulled into a complicated murder investigation. Then it’s back to SRP for a certain “sensational” musical (that’s how it’s described in the season guide) that can’t, for obscure technical reasons, be legally mentioned yet, but is almost certainly ‘A Chorus Line’ (Nov. 3).

In Rohnert Park, at the sprawling Spreckels Performing Arts Center (5409 Snyder Lane; 707.588.3400), the semiprofessional, Equity-allied PASCO present a season of plays directed by artistic director Hector Correa. The featured fall production is Harold Pinter’s marital drama ‘Betrayal’ (Sept. 24), which was given a vigorous going-over last May by the Rep. In October, Correa directs Neil Simon’s funniest play, ‘The Sunshine Boys’ (Nov. 24). PASCO’s one musical, opening in May, is ‘You’re a Good Man, Charlie Brown.’

Petaluma’s Cinnabar Theater (3333 N. Petaluma Blvd.; 707.763.8920) kicks off its fall season with Oscar Wilde’s ‘An Ideal Husband’ (Sept. 17) and will follow it up with Puccini’s rarely performed ‘Girl of the Golden West’ (Oct. 21), a frontier Western opera melodrama.

Napa’s Dreamweavers Theatre (1637 Imola Ave.; 707.255.LIVE), innocuously tucked away inside the River Park Shopping Center, gives us October’s second Neil Simon play (OK, we gave you that one!), the sentimental ‘Broadway Bound’ (Oct. 20). And for Halloween, the rock ’em-sock ’em Hoochie-Doo Productions, now pretty much ensconced in the Community Center in Sonoma (276 E. Napa St.; 707.546.2957), take a leap with the off-Broadway chiller-diller ‘Unwrap Your Candy’ (Oct. 13), a sneaky assortment of creepy, not-suitable-for-children one-acts by Doug Wright. The newest player on the scene, the Roustabout Theater (www.roustabout-theater.org), launch with plenty of holiday spirit premiering their “apprentice program” production of ‘A Christmas Carol’ (Dec. 1).

Finally–and don’t look for a strange coincidence in this last one, it’s just a really promising show–the Ross Valley Players (Marin Art & Garden Center, Sir Francis Drake Boulevard, Ross; 415.456.9555) present David Auburn’s astonishing ‘Proof’ (through Oct. 22), the tricky Tony- and Pulitzer Prize-winning drama about a family of mathematicians with a tendency toward genius–and madness.


Museums and gallery notes.

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Reviews and previews of new plays, operas and symphony performances.

Reviews and previews of new dance performances and events.

News Briefs

August 16-22, 2006

Across the River

Geyserville residents are losing their detour blues. The town is spread out along both banks of the Russian River, and ever since the New Year’s floods damaged the 1930s-era bridge on Highway 128, the only way to get from one side of Geyserville to the other was a 17-mile, 30-minute alternative route. All that will soon be only a memory.

A $25 million project to demolish the old structure and construct a new one has finished four months ahead of schedule. Caltrans is holding a public ribbon-cutting ceremony at 11am on Thursday, Aug. 17. The first motorists will be allowed to drive across the new span the morning of Friday, Aug. 18.

Hardly a Trickle

FEMA disaster funds aren’t flowing into the North Bay with quite the same force as the torrential floodwaters did. The Napa County board of supervisors recently agreed to spend $1.64 million to repair some of the most damaged roads, even though they’re not sure when or if the county will be reimbursed for its claims totaling $6.5 million. “We’re getting verbal news from FEMA representatives that they’re questioning the eligibility of some of our claims,” says Don Ridenhour, Napa’s assistant director of public works. FEMA officials are apparently concerned that Napa didn’t send every contract out to bid, even emergency repairs. Ridenhour says the county hired local contractors who could respond immediately and paid state-adopted prevailing wages. “We feel like we’re being penalized for acting quickly,” he asserts. Another holdup is that federal disaster money is earmarked for repairing damage but can’t be used for improvements. However, if a hillside slid away taking a road with it, the county won’t just dump dirt back on the hillside. It needs to install a retaining wall, which FEMA views as an improvement. “My understanding is that [other counties] are having some of the same problems,” Ridenhour adds. “We’re going to contact some of the other agencies to see if working together we can maybe resolve this.” Jeff Rawels of Marin County Public Works says FEMA officials have verbally questioned the county’s lack of multiple bids on some contracts. “Decisions were made in the middle of the night, in the middle of the storm,” he says. Marin County has applied for approximately $7 million in FEMA funds to fix roads and other infrastructure, but federal representatives haven’t agreed on which projects qualify. “We’re still working through the bureaucratic maze, so to speak,” Rawels says. “We anticipate that there’s several million dollars in damage that we know of, but we haven’t got any money yet.” In the last fiscal year, Sonoma County spent about $4 million on 99 disaster repair projects; FEMA has approved reimbursement for about half that cost, says David Robertson of the Sonoma County Road Department.


Fidel’s Long Arm

August 23-29, 2006 When Fidel Castro recently underwent intestinal surgery, there was suddenly a whirl of news stories in the U.S. media of the type usually reserved for rock stars and champion athletes. What is this love-hate fascination with the ruler of a small island nation? Is it the tempestuous Cold War history, Cuba's close proximity to Florida, memories of...

Falling into Fun

August 23-29, 20062006 Fall Arts Issue: SeptemberSausalito Art Festival Sept. 1-4. The No. 1 national outdoor fine-arts festival continues to pair great visuals with outstanding music. This year, it's quite a mix of the old with the new as club darlings the Lovemakers (Sept. 2) take the same stage that will be pounded by Eddie Money (Sept. 4),...

Berry Berry Good

August 23-29, 2006I'll stain your fingers and your face,And then I'll laugh at your disgraceBut when the bramble-jelly's made,You'll find your trouble well repaid--"The Song of the Blackberry Queen" by Cicely Mary BarkerWhen the words "Sonoma" or "Napa" and "blackberries" appear together, they almost undoubtedly refer to the taste of a fruit-forward red wine. That's all well and good,...

Soldiering On

August 23-29, 2006'It's sort of like a trial by fire." Brian Hofeldt is talking about hitting the road with the reconstituted version of his longtime band, the Derailers. Promoted as "the Beatles by way of Bakersfield," this honky-tonk group from Austin, Texas, went through a serious shake-up when cofounder and vocalist Tony Villaneuva departed to pastor a church in...

A Series of Tubes

August 23-29, 2006It's been a long, hard summer for Sen. Ted Stevens. Shortly after the chairman of the Senate Committee on Commerce, Science and Transportation passed a major telecommunications bill without a Net neutrality provision (it lost by an 11-11 tie), the Alaska Republican found himself the laughing stock of the Internet--and The Daily Show with Jon Stewart.It all...

Gig Alert

August 23-29, 20062006 Fall Arts Issue: It's 11pm, and I've just returned home from Studio E in Sebastopol, where Chip Taylor and Carrie Rodriguez took the entire audience's breath away. "I wrote this last one," Taylor remarked at the end after three standing ovations, "because the flower shop was closed and I'd done something dumb." Back in my...

Serious Fun

August 23-29, 2006I spent my summer vacation on the boardwalk in Seaside Heights, N.J. Life on the boardwalk has a specific rhythm: lie around the hotel, swim at the beach, drink, eat wonderful greasy food and let the neon carnival atmosphere suck gallons of money out of you all night. It's home to Philly cheese steaks, the Tilt-a-Whirl, $3...

Back Inside

August 23-29, 20062006 Fall Arts Issue: Looking over the film lineup for this fall, one can only say, "Fuck"--and that's because that long-awaited title is finally almost before us on a big screen. Opening in November, Steve Anderson's documentary on the most useful word in the English language offers opinions on the mot's merit by everyone from Ron...

Strange Coincidences

August 23-29, 20062006 Fall Arts Issue: It never fails. Whenever fall comes around and the North Bay theater companies send out press releases and glossy mailers announcing their "bold" and "exciting" new schedules, there is always at least one strange coincidence. Sometimes, it's two or three companies all electing to produce The Fantasticks or The Underpants within weeks...

News Briefs

August 16-22, 2006 Across the River Geyserville residents are losing their detour blues. The town is spread out along both banks of the Russian River, and ever since the New Year's floods damaged the 1930s-era bridge on Highway 128, the only way to get from one side of Geyserville to the other was a 17-mile, 30-minute alternative route. All that...
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