Goodbye, Farewell & Amen

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There’s no simple way to say this, so I’ll just spit it out: This is my last issue as the editor of the Bohemian.

The good thing is that I’m leaving the paper in a strong position. In my three years as editor, I’ve coordinated a redesign of both the print paper and the website, won four national AAN awards for my music writing, overseen two CNPA awards for the paper as editor, increased website traffic tenfold, launched and hosted the 24-Hour Band Contest, been a voice of the paper on KSRO and continued to write for all sections of the paper.

But most importantly, the Bohemian has remained a strong voice in the community during a time when print journalism is presumed to be dying. We’ve broken stories locally in my time as editor about Efren Carrillo knocking a guy unconscious outside a Too Short show, the inability of the Santa Rosa Police Department to accurately track gang crime statistics, the $10 million tab left to the city of Petaluma by developers of the Theatre District, and the Press Democrat‘s sale by the New York Times Co.—all stories that wound up later as front-page news in the local daily. Add to that our consistently top-notch local features, news, arts, food and music coverage from the past three years, and, well, I’m supremely proud of the impact we’ve had.

Being able to have that kind of impact on the community can be addictive. Especially if, like me, you really, really love your community. I found myself working late nights, trying to do the best possible job I could. I worked weekends and days off. I worked a lot. And I shouldn’t have. Because my wife works full-time too, raising our four-year-old daughter while trying to ensure the paper was as good as possible started to alternately resemble either a madcap farce or a Cassavetes tearjerker.

So basically, I’m slowing down. I’ll be able to spend much more time with family and friends this way. And in fact, Leilani Clark, who’s been by my side doing an excellent job for these three years as staff writer, is stepping down as well.

This is not an end. I’ll still be around, in print, in one way or another. More importantly, the Bohemian should be in good hands. There’s truly no paper in the world like it.

Gabe Meline is the outgoing editor of this paper.

Smarter Farming

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Ah, TED Talks, thy shadow is everywhere. This week, the sustainable agriculture scene rips a frame from the YouTube sensation’s playbook in a speaker series called INOV8 at the Santa Rosa Junior College. Modeled in the vein of TED, the second-annual INOV8 series aims to address the roots of innovation and new models for creativity in food and drink.

Certainly in our region there are bright minds chugging along on this very subject, and the evening includes Nick Papadopoulos, cofounder of Cropmobster, along with Jennifer Lynn Bice of Redwood Hill Farm, Kathleen Inman from Inman Family Wines (pictured) and Chris Benziger of the Benziger Family Winery. Together, that’s a lot of ideas and innovation on the stage.

The best part may be that the presentation is free. See bright minds
wax agriculturally on Thursday, Jan. 30,
at the SRJC’s Newman Auditorium.
1501 Mendocino Ave., Santa Rosa. 7pm. Free. 707.527.4011.

Letters to the Editor: January 28, 2014

Justice Achieved

I want to say thank you to Leilani Clark for so eloquently and presciently reporting on the issue of restorative justice (“A Better Discipline,” Jan. 22). Her empathy for the students, along with the teachers and administrators, is especially refreshing. Restorative justice is poised to change the way we as a nation discipline our students, and Santa Rosa is squarely at the forefront of implementing it as an alternative to decades of failed punishment. It is a vision for which we can be very proud, but it doesn’t often receive the kind of attention paid in last week’s well-researched cover story.

Thanks again to Leilani Clark and the Bohemian.

Via online

Remembering a Giant

A giant left us this week. Pete Seeger, American folk music lion and vanguard sociopolitical activist, passed away in his sleep at age 94.

Pete started America’s folk music revival of the 1940s, one that continues today. At his concerts, he taught us how to sing out and sing harmony. He made over a hundred albums. Songs he authored include “Where Have All the Flowers Gone,” “Oh Had I a Golden Thread,” “Kisses Sweeter Than Wine,” “The Water Is Wide,” “Waist Deep in the Big Muddy,” “Turn, Turn, Turn” and “If I Had a Hammer.”

He was a master of the five-string banjo and 12-string guitar, and wrote landmark instructional books for both. His playing was confident and driving, but he had a humble, aw-shucks way about his pickin’ that pervaded his persona as well.

Pete added music to the labor union and Civil Rights movements and popularized “We Shall Overcome.” With his wife, Toshi, he started Hudson River Sloop Clearwater, a nonprofit that cleaned up New York State’s polluted Hudson River.

He took it on the chin for his lefty politics. Pete was interrogated by the House Un-American Activities Committee, branded a “red,” blacklisted from TV and ostracized by mainstream media. But he was an outsize personality and he made his voice heard from outside, and in 1994 Pete was awarded the Kennedy Center Honor for lifetime contributions to American culture.

As a teen, Pete had questioned what he was going to do with his life. He figured it out. He changed America with his music activism.

Sebastopol

Jenifa, Oh Jeni

I think we are overthinking the fact that this one interview had Jennifer Lawrence and Debra Granik sitting together (“Down By J-Law,” Jan. 22). They were not afraid to have Lawrence sit by herself during the Winter’s Bone press junket, as she did many interviews by herself. It could have easily been that this was her first interview of the press junket and based on how nervous Lawrence gets when having to answer the artsy questions about her work, the team probably felt it be better to have Granik lead the way and give Lawrence an idea as to what she can say in the remaining interviews.

You will see this still takes place today—even though the world loves unfiltered Lawrence, she will allow her director or even one of her other cast members do the majority of the talking when talking about the craft or detailed aspects of the production process.

Via online

Wasted Taxes

There’s plenty of wasted tax money in this area that could easily cover the costs of keeping the library open more (“Long Overdue,” June 19). One example is marijuana arrests. It’s better to spend money on reinforcing positive habits that to suppress negative habits. That technique almost never works—look at the war on drugs. Look at a child who was never allowed to eat candy or sweets. Whenever she could, she binged on those foods, and ended up overweight with an eating disorder. I personally wanted to only eat candy when I was six years old—and my parents let me! I lasted a day. Since that instance, I rarely eat candy.

Spend money on the library and library programs, and our town will use it.

Via online

Write to us at le*****@******an.com.

Beaches ‘n’ Foes

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The beach is a sacred space to North Bay denizens. In Sonoma County, it’s one of the few county parks that doesn’t charge a use fee, providing access to an amazing, taken-for-granted piece of our world: the ocean. But now, the state wants to install self-pay stations, commonly known as “iron rangers,” at 14 beaches in the Sonoma Coast State Park system, charging $7 for each vehicle.

“I know that many locals will be very disappointed because of all the effort they have put into fighting this for so many years,” says Michele Luna, executive director of Stewards of the Coast and Redwoods. Indeed, she says, the fight is similar to one waged in the 1990s, when a $5 fee was proposed and defeated after public outcry. The nonprofit has not taken an official stance on the issue, but “our efforts have gone toward working on alternatives to charging fees,” says Luna. “We need to find another way to provide the funding that State Parks needs to operate our parks.”

A Change.org petition posted a year ago protesting the fee proposal was started by Sonoma County supervisor Efren Carrillo; it gathered 445 supporters. “Being made to pay to walk at the beach is just plain wrong,” Carrillo writes in his petition. “For the state to now start closing the door on free access to the beach is unthinkable and indefensible. Free public access to the beach is a core right of the public and must not be eroded. People should not be forced to pay the state to use what is rightfully theirs.”

The board of supervisors soundly rejected the idea when it was proposed in June, but the state parks system appealed the ruling to the California Coastal Commission. If it passes, surfers, kite flyers, whale watchers, artists and everyone else who enjoys Sonoma County’s beaches will have to carry cash on hand to visit the natural spectacle, and money collected at these sites wouldn’t necessarily go into directly funding them.

Even under new legislation aimed at localizing park funds, only half of the revenues from a park district go back into that district, and that’s only if the state parks system meets its overall revenue goals. The Russian River district, which includes the proposed fee installation sites, is reportedly on track to make its revenue goals, as is the state parks system.

Three years ago, 70 state parks were closed or threatened with closure due to the state’s budget crisis. Locally, big parks like Jack London and Sugarloaf Ridge were spared when nonprofit groups stepped in to fund and maintain them. Some beaches at state parks in Southern California recently had pay stations installed, charging up to $15 for a day-use fee. Locally, the potentially affected beaches include Goat Rock, Shell Beach, Portuguese Beach, Schoolhouse Beach, North and South Salmon Creek, Campbell Cove, Stump Beach, Russian Gulch and Bodega Head.

The appeal to the California Coastal Commission may be heard at its meeting in May, when the monthly meeting is held in the Bay Area. “We try to target items of significant public interest to hearings that are local to the issue,” says the commission’s media coordinator Sarah Christie, but she couldn’t confirm that the meeting’s agenda would include it. The deadline for the appeal process is 120 days, and “the clock doesn’t start running until the file is complete and all the information is in,” she says. The clock has not yet begun to tick, she clarified.

The commission was formed in 1976 to ensure public access to the state’s beaches. Wealthy developers had bought coastal land for subdivisions, which had no chance of being approved. Peter Douglas, the California Coastal Commission’s leader for 35 years, has said they turned to then-governor Ronald Reagan to help sell the land. That’s when a considerable amount of coastal land was purchased by the state—145,000 acres, to be exact—from Malibu to Point Arena, and added to the parks system.

After Sea Ranch, a second-home community with beautiful views—for those who could afford it—was constructed, a fear of private ownership of what belonged to the public ensued. A 1971 bill to ensure public access was defeated in the Legislature, so it was put to public vote.

Douglas, who died in 2012, was quoted in a Los Angeles Times obituary as having said, “This coast is still a place people identify as being theirs, it’s a precious treasure, and our job is to protect it for them.”

Dance of Divinity

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It is probable that without the onstage presence of ballet legend Mikhail Baryshnikov, Berkeley Repertory Theatre’s new show, Man in a Case, would draw a fraction of the audience this limited-run production is almost guaranteed to have. That would be a small tragedy. Presented by New York’s award-winning Big Dance Theater, Man in a Case—based on two lyrical short stories by Anton Chekhov—is a first-rate example of Big Dance’s idiosyncratic blend of theater, dance, music and multimedia visuals.

The lovely but oddly baffling show, both visually stark and emotionally rich, is a showcase of tiny moments, observations, glimpses of human heartache and visions that linger long after the short 75-minute work has ended.

On a mostly bare stage, the cast and crew chat at a table, on which sit microphones, props and two laptops, used to run the multiple sound effects and projections that co-directors Annie-B Parsons and Paul Lazar have layered over the body of the show. Chris Giarmo (the play’s music director) and co-director Lazar (sharp eyes will recognize him as the creepy entomologist from Silence of the Lambs) become a pair of hunters, Ivan and Burkin, casually swapping stories about turkey calling.

Baryshnikov—who turns out to have been sitting there all along—rises to tell his own amusing turkey-hunting story. The subject quickly changes from turkeys to missed opportunities in life, as the hunters take turns narrating two wafer-thin Chekhov tales of love almost gained but eventually lost.

In the first, performed amid a dreamlike blanket of projected images and choreographed movement, a repressed, overly cautious schoolteacher (Baryshnikov, at 70 still the definition of grace) finds himself falling for the sister (dancer Tymberly Canale) of the new history teacher (Aaron Mattocks). “We thought,” admits Burkin, “that a man who wears galoshes in all weather could never fall in love.” The trajectory of this almost-romance—which includes some beautiful courtship dancing and a spectacular slow-motion tumble down a flight of steps—is both sweet and sad.

The second, even slighter tale follows a decent, friendly farmer (Baryshnikov again) who secretly falls in love with the wife of his best friend. Little happens, but the concluding dance between the two never-to-be lovers, choreographed as a Busby Berkeley–like kaleidoscopic duet, is as tender and powerful a moment as anything that could be spoken with a thousand heartbroken words.

Rating (out of 5): ★★★★½

Louis M. Martini Winery

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If the Cabernet Sauvignon from Louis M. Martini’s famed Monte Rosso vineyard needs no introduction, none is offered, either.

Seen one way, the lack of background information offered by the otherwise friendly and attentive staff at this tasting room, located on St. Helena Highway where the 80-year-old winery was founded in 1933, could be taken for what we moderns call “a positive.” If, as advocates of blind tasting would have it, knowing absolute nix about a wine is crucial to an honest organoleptic appraisal of it, then this is a very savvy strategy indeed, stroking the wine taster’s sense of dignity with a touch as light as a morning breeze. If, on the other hand, the goal is to sell the uninitiated on an $85 wine from a mountain site with an incomparable view and a rich history—I don’t know, maybe the air’s getting a little thin up there.

One thing’s for sure: the ladies who just sidled up to the bar on my right will not start their session with a nice white. The bottles of 1950 Mountain Dry Semillon and 1959 Mountain Sylvaner behind the bar are just for decoration; these days, besides a Moscato dessert wine, you can have any color of wine you want, as long as it’s red.

Dubbed the “King of Cabernet” by none other than Robert Mondavi, the enterprising Louis M. Martini first set up shop during Prohibition, making totally legit sacramental wine and grape concentrate. Around 1938, he purchased and renamed the Mt. Pisgah vineyard “Monte Rosso” for the color of its volcanic soil, and planted Cabernet Sauvignon. The winery sold to the Gallo empire in 2002, the deal “sweetened” with a microwinery where third-generation winemaker Mike Martini makes limited release wines like the 2010 Cellar No. 254 Meritage ($65), a big, chewy blend of Cabernet Sauvignon et al. that sticks to the palate like a chocolate mint cookie.

Visitors may also enjoy the 2011 Cellar No. 254 Petite Sirah ($55) while seated at shaded tables just a few yards from the Thomann Station vineyard from which it’s sourced. The 2008 Monte Rosso Cabernet Sauvignon ($85) is the main event here, with aromas of medium-plus toasty oak, cocoa truffle dusting, saddle leather and sweet raspberry, with flavors of Cabernet fruit leather. Would that there was such a snack. This brand’s grand old flagship vineyard, just by the by, is located in Sonoma Valley—as you’ll learn by looking very closely at the bottle.

Louis M. Martini Winery, 254 St. Helena Hwy., St. Helena. Daily, 10am–6pm. Tasting fee, $15–$20. Seek more context with the available 45-minute tour, $30. 707.968.3362.

It’s Yellow Journalism

‘Mustard!?” exclaims the Mad Hatter, after adding butter, jam, salt and sugar to the White Rabbit’s comically oversized pocket watch in Disney’s Alice in Wonderland. “Let’s don’t be silly!” But with mustard’s endless styles and desirable flavor, fixing a pocket watch may be the only thing this superior condiment cannot do—and its connection to the North Bay runs deep.

“Prepared mustard goes back to the 15th century,” says Michele Anna Jordan, a Sonoma County author with over 20 cookbooks to her credit. And the foundation of the spreadable gold itself dates back even further. “The mustard seed goes back to pre-biblical times, and that seed contains so much flavor.” It’s a heritage that once spawned an entire local festival celebrating the immense value of just one tiny seed (alas, the Napa Valley Mustard Festival has been on hiatus since 2012).

Some say the bright fields of yellow first came to Sonoma County thanks to a Franciscan missionary who spread the seeds as part of his landscaping duties at the early churches in the area. That’s cute, but the more likely story is that mustard arrived here with other foods, like grains, on a shipment long ago, making it an invasive species. Both black and field (yellow) mustard are classified as weeds, despite their beauty and nutritious qualities. According to the California Invasive Plant Council, the turnip relative cannot be eradicated by a simple lawnmower job, and inhibits the germination of native plants.

But the bright flowers contrast beautifully with the green grass, creating a visual bridge to the region’s vineyards, which are just starting to green when the mustard blooms. They’re an inspiration for countless oil and watercolor paintings, and it’s not uncommon to see cars pulled over on Highway 12 or Petaluma Hill Road to admire the rolling hills of yellow and green. Another good thing this invasive weed has going for it is that it keeps away harmful nematodes and other unwanted soil dwellers, giving added protection to vineyards.

HOW IT’S MADE

Mustard is made from mustard seeds, mustard powder, vinegar, water and salt. Of course, there are different varieties; sometimes it’s hard to believe sweet Zinfandel mustard and Chinese mustard are based on the same condiment, and modern times have spawned wild innovations like wasabi horseradish and hickory bacon mustard. “There are a hundred different ways to make it,” says Dennis Dunn, who makes his own stoneground beer mustard and sells it at the Santa Rosa farmers market. (No surprise that it goes perfectly with the sausages he also sells for his brother’s company, Diavola.)

Grinding is the key, says Jordan, whose out-of-print 1994 book The Good Cook’s Book of Mustard will be updated and rereleased next year. It’s the difference between true Dijon and paltry imitators. “True Dijon style from France—taste it next to American versions, and you’ll notice a difference in texture,” she says. “They’re very secret in how they do things, but from what I could ascertain, the mustard is ground between two steel plates.” The secret seems to be contained in the ratio of pressure per square inch, but Jordan still isn’t 100 percent certain. She tried to find out how Grey Poupon does it, but, she says, “They won’t let anyone watch the process. I tried really hard.”

“People can make mustard at home pretty easily,” says Duskie Estes, award-winning chef at Sebastopol’s Zazu. Her husband, John Stewart, makes mustard at the restaurant by soaking the seeds in Guinness. The final creation gets slathered on their pig’s heart pastrami sandwich with homemade sauerkraut. “I would love for him to make one with Tilted Shed hard cider,” adds Estes.

Estes is a fan of mustard, especially on burgers and corn dogs. Her daughter loves it on hot pretzels. “It’s got great acid, and sometimes heat,” she says. When the plant is in bloom, Estes likes to use mustard flowers as garnish. “It’s one of my favorite things, just driving around Sonoma County and seeing the mustard everywhere,” she says.

NO NEED TO GET FANCY

Not everyone needs a fancy mustard to get by. “I like brown mustard,” says Ralph Morgenbesser, whose Courthouse Square hot dog cart has been a fixture of downtown Santa Rosa for over 25 years. “Most people like brown. But you’d be surprised how many people still like yellow mustard.” Morgenbesser, who hails from Brooklyn, has strong opinions about hot dog toppings. Chicago dogs with pickle spears and tomatoes? “I don’t want a salad on my hot dog,” he says. But the Big Apple and the Second City can agree on one thing: no ketchup or mayo allowed (he does offer them, but never partakes). He tried offering new condiments, like mustard-and-onion sauce (sautéed onions in mustard with some crushed tomatoes), but says nothing has approached regular mustard in terms of popularity.

Not everyone even needs mustard. John Vrattos, owner of Yanni’s Sausage Grill in Penngrove, says he doesn’t allow condiments on their house-made meat torpedoes. “You wouldn’t put mustard on a pork sausage with spinach and feta, would you?” he asks. But after four years, he’s relented to the demands of his customers—somewhat. “We’ll give it to them,” he says, “but we say, ‘Take two bites without it, and if you need it, we’ll give it to you.’ Nine times out of 10, they don’t need it.” He concedes the one sausage that does have mustard is the “naughty brat,” but it’s a seasonal special.

With so many different flavors and styles, why is yellow mustard the default in America? Manufacturers realized that Americans like flavors to be on the plainer side, and French’s released a very basic version of the classic condiment to great success. Other companies followed suit, and a uniquely American take on an Old World condiment was born.

Jordan has several recipes that use mustard as a key ingredient, as well as her own recipes for the condiment itself. “I love mustard as a base of flavor,” she says, listing ingredients for her cream of mustard soup, which is still served at Santa Rosa’s Cafe Europe after her Good Cook’s Book of Mustard launch party there 20 years ago. She speaks with such appreciation for something that is taken as granted in everyone’s refrigerator door, the question came up: Is mustard the queen of condiments? “Most people would say that is ketchup,” she says, quickly adding, “but I wouldn’t.”

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SIERRA NEVADA

Yes, the pioneering brewery makes mustard. Just like its original strategy for beer, the company makes only a few styles: pale ale with honey, porter spicy brown and stout stoneground. The hops in the beer lend a fresh, sweet and aromatic experience to the mustard. The porter makes a good accoutrement, the popular pale ale can turn a normal ham sandwich into a gourmet deli lunch, and the stout stoneground transforms the lowly corned beef into an explosion of complex flavors. Something about brined beef fat mixes well with stoneground mustards, and this is certainly no exception.

KOZLOWSKI FARMS

Sonoma County’s Kozlowski Farms is well known for its jams and jellies, but they also make a fine mustard. Two fine mustards, actually: Ol’ Uncle Cal’s sweet and hot mustard and a Dijon honey mustard. These are best enjoyed with pretzels, either warm and soft or small and hard. They’re great in marinades and sauces, or brushed right onto glistening, dripping, flame-licked chicken thighs on the grill. The Dijon honey is made with Chardonnay and honey, while the sweet and hot is made with brown sugar and eggs for a creamy consistency.

MENDOCINO MUSTARD

Made in Fort Bragg, Mendocino Mustard produces two styles: hot and sweet, and seeds and suds. The former is a dangerously delectable treat with a vicious kick at the end (horseradish fanatics rejoice). Those preferring the savory side of life will be attracted to the seeds-and-suds style. The crunch of brown and yellow seeds mixed with the deep flavor of North Coast Brewing’s Red Seal Ale make it a gold medal winner, and it pairs well with red ale and fresh pretzels.

NAPA VALLEY

For almost 80 years, Beaverton Foods has been producing delectable condiments, but it’s most known in the North Bay for its Beaver brand mustard. Popular styles like Dijon, stoneground, traditional yellow and the sinus-clearing sweet hot are staples at local restaurants, and sausages just don’t taste the same without them. In fact, four types of Beaver mustards are brought to the table upon each order of bratwurst at Santa Rosa’s Third Street Aleworks. Lesser known flavors like hickory bacon, extra hot jalapeño and wasabi horseradish deserve love, too, and Beaver’s Chinese mustard is so hot, just thinking about it produces the specter of a full-mouthed sneeze. It’s embarrassing to think about, so just dive in head first to this mustard (don’t worry—it’s Kosher). The Oregon-based company also makes Inglehoffer, a German-style spicy Dijon with white wine. It’s an eye-opening kick to even the richest German schnitzel. As for local products, Beaverton also produces Napa Valley Mustard Company’s products, which include more refined selections like honey mustard with orange ginger and Dijon with herbs and garlic.

Local Goodness

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The National Association for the Specialty Food Trade (NASFT) Fancy Food Show, presented Jan. 19–21 at the Moscone Center in San Francisco, is considered the annual harbinger of things to come: prominent flavors, trends in lifestyle and nutritional choices as well as new products and innovations. This year, 1,350 exhibitors from 35 countries and regions were sprawled across the massive convention center, and the aisles teemed with attendees looking for the next great thing.

Vying for the position were approximately 80,000 different products, including a plethora of cheeses, candies, coffees, teas, cured meats and condiments of every stripe. Naturally, the North Bay was well represented with all types of original food and drink products.

Healthful snack foods encompassed a large category at this year’s show. Wild California, from Petaluma, introduced its crisps, a cross between a cracker and a chip; made with dried fruit, toasted seeds and spices, they’re low in fat and full of fiber, and are made with ingredients from the Golden State. Popcorn from over 30 vendors was a huge force, and appeared in an abundance of flavors—some zany, some sweet and some downright questionable (dill pickle, sriracha, garlic and harissa, caramel macadamia, Vietnamese cinnamon, toasted sesame and seaweed.)

An unusual snack from the Good Bean in Berkeley introduced seven types of crispy, roasted chickpeas to the market. Savory flavors like sea salt and chili lime were delicious, sweet ones like chocolate not so much. Nuts were another expansive group under the snack heading. Perfectly toasted, candied, spiced or salted varieties were on display with cardamom cashews from Sante,
a taste highlight.

Spices, salts, herbs and rubs made up a big part of the condiment section. Organic, fair trade and whole spices singly sourced are a continuing trend. Napa’s own Whole Spice showcased its rice and grain seasoning blends with flavors like almond, cranberry and herbs, Moroccan harissa and Mexican mole. Widely regarded as a purveyor of the freshest spices in the North Bay, the company’s new blends are meal inspirations in an envelope.

The Spice Lab’s test tubes of colorful salts, sugars and herbs were also attractive, while the ground Madagascar vanilla powder from Lafaza offered a flavorful and alcohol-free way to use this important ingredient.

Hot drinks were a huge category at the show, with teas leading the way in fun and flavorful blends. Novato’s Republic of Tea rolled out its Downton Abbey label with the Grantham Breakfast and English Rose varieties, which received lots of attention. They also featured two biodynamic teas: Darjeeling from India and chamomile from Italy. Other interesting flavors in tea were chocolate Earl Grey, salted caramel and chai with a hint of coffee, making for indulgent afternoon sipping. Coffee in all types, both hot and cold, continues to be very popular. One of the most unusual was the Caffe Borsa hand drip, which comes in an envelope similar to a tea bag. It unfolds into a mini drip bag with arms that attach to your cup. Pour boiling water through and—voilà!—a perfectly brewed cup of Joe.

Two companies from the North Bay have created flours and oils using grape skins and seeds, the waste products of the wine industry. WholeVine of Santa Rosa offered tastes of its gluten-free cookies and crackers, made with flour of dried grape skins and seeds. Salute Sante from Napa sampled its grapeseed oils and introduced two new varietals in their flours, which are ground from the seeds. These products are surprisingly nutritious, contributing a boost of flavor, fiber and antioxidants.

Novato’s Navitas Naturals showcased its line of organic superfoods, including maca, goji, cacao and chia seeds for snacking and for use as ingredients in recipes guaranteed to increase health. Napacakes’ Panaforte garnered raves from tasters of this satisfying treat, considered the “original power bar.”

Among the thousands of products, cheese was a standout, and the North Bay sent many talented cheese makers from the flock. Point Reyes Farmstead had samples of its new Bay Blue, a tangy mouthful reminiscent of Stilton. The venerable Marin French Cheese Company showed off a few of its classic soft rind varieties to grateful samplers. These were just two of the many talented cheese makers from the tri-county North Bay at the show.

The San Francisco Fancy Food Show presents the classic and the novel in the specialty food industry, reflecting trends for the coming year.

For more info, see fancyfoodshows.com

Beer, Jay’s Way

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Like so many great adventures before, Jay Brooks’ own twist of fate began in a smoky, East Village jazz club. That’s where the Pennsylvania-bred Army band member first sipped an imported Bass pale ale—a beer so different from the Genesee cream ale of his youth that he couldn’t help but dive into the still relatively dormant world of craft beer with gusto, guided by the books of famed beer writer Michael Jackson.

“We found a pub in Manhattan that served 50 to a hundred different beers and just started sampling them,” Brooks tells me over a Hop 2 It pale ale at Russian River Brewing Company. “It was rare to find a bar that served anything more than the standard beers, so that seemed like an amazing selection.”

Two decades later, Brooks, who lives in Cotati with his wife and two children, has been the general manager of Celebrator Beer News, a syndicated newspaper columnist for the Bay Area News Group for which he writes the “Brooks on Beer” column, and a prolific freelancer, writing for nearly every known beer publication. He studied brewing at UC Davis and has judged at the Great American Beer Festival and the World Beer Cup.

The culmination of Brooks’ beer obsession is a new guidebook, California Breweries North. A painstakingly researched guide to the ever-growing brewery and brewpub scene in Northern California, the project reflects 18 months of research and writing—twice as long as Brooks originally anticipated, he says, because of the scope and explosive growth of breweries. In Sonoma County alone, there are over 20 functioning breweries (a number that seems to grow each week), more than most states have total. Like a game of whack-a-mole, as soon as Brooks traveled to one brewery, another would open.

“You want it to be as complete and comprehensive as possible,” he says. “So there was a lot of legwork involved.” Covering San Francisco, the North Bay, the South Bay, the East Bay, the North Coast, the Northern Cascade and Shasta Mountains and the Central Valley North, the book carries the air of an insider’s guide. Brooks has been on the beer scene for more than 20 years, so he’s able to get into the backroom workings of breweries in a way that novices simply can’t. Just look at the foreword, written by Vinnie and Natalie Cilurzo of the Russian River Brewing Company, who describe Brooks as a “guy who really knows his beer.”

Hanging with Brooks for an hour is like spending time with a beer encyclopedia, one not afraid to challenge conventional opinions, namely, that beer has always been and should remain a cheap commodity.

“Industrial, mass-production breweries have created an artificial price point,” Brooks explains. More to the point, the low cost of Budweiser tends to make people balk at paying $20 for a 750ml bottle of a bourbon-barrel-aged artisan product from a microbrewery. “My view on this is pretty unpopular, but I actually think beer should be more expensive than it is now,” he adds.

When I ask Brooks about hyperlocal beer efforts, like that of Hill Farmstead, the small Vermont brewery recently profiled in the New York Times, he says, “Everything old becomes new again.” A fountain of obscure beer facts (did you know that Jane Austen home-brewed?), Brooks says that in the pre-industrial United States, there were over 4,000 breweries. Beer had to be local because it didn’t travel well. Once refrigeration and rail travel became streamlined, the number dropped below 2,000. He lauds the efforts to localize beer again, but doesn’t have a problem with the expansion efforts of breweries like Lagunitas, either. In the end, what matters most to Brooks is taste.

For this true beer geek (in the best sense of the word), Brooks’ list of favorite Bay Area breweries is considerable. In the North, he’s got his eye on Henhouse, Baeltane (he notes that brewer Alan Atha has been able to carry the experimental edge of home-brewing into his commercial efforts) and, surprisingly, Anderson Valley, which he says lost its edge about 10 years ago but has regained ground with the return of original brewmaster Fal Allen.

In the East Bay, he admires Faction and Rare Barrel, a renegade that sticks to sours only. In the South Bay, there’s Sante Adairius Rustic Ales, and in the shadow of Anheuser-Busch in Fairfield, there’s Heretic. Brooks is not one to discount the older, more established breweries in favor of new upstarts. He mentions North Coast for consistent quality, and the same goes for Mad River up in Blue Lake, which sold its first beer way back in 1990. And of course he can’t forget Moonlight Brewery, the iconoclastic, artisan operation owned by Santa Rosa’s Brian Hunt.

Brooks is already onto his next project, a compendium of beer quotes, including this great one from Abraham Lincoln: “I am a firm believer in the people. If given the truth, they can be depended on to meet any national crisis. The great point is to bring them the real facts, and beer.”

An opinion that Jay Brooks would most definitely agree with.

‘California Breweries North’ is
in stores now. For more, see
www.brookstonbeerbulletin.com.

Birthday Wish

0

Memphis Roetter is turning nine years old, and for his birthday on Feb. 26, he wants what any boy his age would want—to donate at least 9,999 meals to the Redwood Empire Food Bank.

This isn’t Memphis’ first rodeo, so to speak. The Sonoma County philanthropist has asked for donations to a charity as his birthday gift each of the past four years. He asks neighbors, friends, family and even shoppers in front of supermarkets for help in his goal. When he turned six, he raised enough for 5,585 meals; at age seven, that number grew to over 8,000, and last year, with a goal of 8,888 meals, Memphis raised enough money for the food bank to provide over 10,000 meals. This year he hopes at least to reach that mark.

“He’s definitely been putting in the effort,” says his father, Chuck Roetter. Since two meals can be provided by the food bank for about $1, that means he’ll have to collect at least $5,000. As of Monday, he already had $1,550 raised through various sources, including a crowdfunding site.

Last week, Memphis was outside Oliver’s Market in Santa Rosa asking shoppers if they’d like to contribute to his goal. More than the usual handful stopped for the energetic, fair-haired do-gooder and pledged funds. More inside were shopping for items to donate directly (although cash is far more effective, given the food bank’s heavily discounted rate for bulk purchasing). Though this wasn’t originally his idea (his mom, Juli, suggested it to him on a smaller scale when he was turning four), it’s been Memphis’ decision ever since. “It’s more work each year,” says Chuck Roetter, “but he doesn’t seem to shy away from it.”

For more information or to donate, visit www.crowdrise.com
/2014annualfooddrive.

Goodbye, Farewell & Amen

There's no simple way to say this, so I'll just spit it out: This is my last issue as the editor of the Bohemian. The good thing is that I'm leaving the paper in a strong position. In my three years as editor, I've coordinated a redesign of both the print paper and the website, won four national AAN awards...

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Letters to the Editor: January 28, 2014

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Birthday Wish

Memphis Roetter is turning nine years old, and for his birthday on Feb. 26, he wants what any boy his age would want—to donate at least 9,999 meals to the Redwood Empire Food Bank. This isn't Memphis' first rodeo, so to speak. The Sonoma County philanthropist has asked for donations to a charity as his birthday gift each of the...
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