Sept. 8: Sierra Leone Refugee All Stars at City Winery

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sierra.jpg

The story of the Sierra Leone Refugee All Stars could have turned out very differently. The horrifying violence that engulfed the West African region in the ’90s forced millions to flee their homes. It was literally in refugee camps that the musicians who would form the All Stars met and began playing songs to entertain their fellow refugees. After an American film crew found them performing in the camps, the Sierra Leone Refugee All Stars found themselves on a global stage. Transcending their dire origins, the group now brings an uplifting message of hope and perseverance to international audiences. This week, the inspirational songs of the All Stars can be heard when the group plays on Monday, Sept. 8, at City Winery, 1030 Main St., Napa. 8pm. $18—$25. 707.226.7372.

Tale of Two Cities

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The city of Napa continued to dig out from under the late-summer earthquake, now reported to be the biggest one in a century, but not quite yet the Big One. Numerous fault lines emerged as the cleanup and aftermath moved into a second week.

One big fault-line in this ongoing saga has jumped out.

As the national press took note of the 6.0 quake and its pricey aftermath, we noted a disconnect between a broadly construed class issue and its intersection with editorial judgment at big-city magazines.

Those magazines and newspapers hear the distant and disturbing words “earthquake” and “Napa Valley,” and get sideways with grief at the thought of all that ruined wine. For example, The New Yorker magazine saw fit to dispatch a reporter to the post-earthquake scene almost immediately after the facades crashed to the sidewalks there.

The New Yorker writer dutifully reported on the damage to the city of Napa and also made large amounts of hay over a privately owned and operated drone that’s been making the Napa rounds as it scoots in and around the damaged buildings, shooting video for your voyeuristic pleasure.

The Labor Day weekend did remind the Debriefer that the comparatively scruffy city of Vallejo also got hit by that same earthquake.

The big difference? They don’t make wine in Vallejo. There’s lots of brown people in Vallejo. There are no private drones zipping around to shoot crumpled facades there. In other words, Vallejo is not
The New Yorker demographic.

Leave it to the working men and women at the humble Associated Press, which did send a reporter to Vallejo last week. The news agency’s report highlighted the city’s struggles with bankruptcy, and was shot-through with a theme of newfound resilience in the face of the quake.

The upshot from the AP is that that Vallejo took a pretty big hit, too, just like the city of Napa: millions of dollars in damage, dozens sent to the hospital.

But there’s no iconic visual grab in Vallejo—no toppled oak casks or broken wine bottles to stir the emotional heartstrings of concerned New Yorkers.

Back in the city of Napa, life was getting back to normal after the Labor Day holiday weekend, by all appearances. Celebs and other volunteers made the scene all through the week, distributing goods and volunteering services to the locals—and the local paper of record continued to tally the damage, which is expected to eclipse $1 billion before it’s all over.

One key indicator of normalcy: the Napa Valley Register reported that Velo Pizzeria reopened on Main Street.

We’ll know things are really back to normal when there’s a meth-house bust reported in the Napa paper. But we won’t hold our breath waiting for The New Yorker follow-up.

Get a Buzz On

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Gordon Hull doesn’t look like the mead maker I was expecting to meet. With his button-down shirt, close-cropped gray hair and quiet, professional demeanor, I wouldn’t necessarily peg him for a mead-mad entrepreneur from Humboldt County; if he has a sort of Tim Robbins look, it’s definitely not as Erik the Viking.

But it’s Hull’s mead—a fringe beverage often associated with Renaissance fairs and D&D enthusiasts and shunted to the end of the shelf next to the Manischewitz blackberry wine—that really defies stereotypes. Heidrun mead is dry, sparkles like Champagne and has terroir.

Hull discovered “varietal,” flower-themed mead by chance. Restless as a geologist, he took a leave of absence and enrolled in a brewing apprenticeship. “I thought I was going to be a brewer,” Hull recalls, but during the first craft-beer boom in the 1990s, “everybody and his uncle was brewing.” On a whim, he tried making mead. When his supplier switched honey sources, he noticed that the mead had different characteristics. Today, he makes a changing lineup of meads, each from a different type of honey that he buys in 55-gallon drums directly from beekeepers.

After commuting from Arcata to his major market in the Bay Area for 12 years, Hull moved the meadery to a former dairy in Point Reyes Station, where horticulturalist Jordan Thompson is establishing a bee forage for the estate mead. During a tour, Heidrun beekeeper Brad Albert showed off an abandoned honeycomb. Laden with honey, it’s as heavy as a brick. Albert explains that if the colony doesn’t feel their queen is pulling her weight, they may revolt.

In the sunny, greenhouse tasting room, bee-friendly plants are offered for sale, and the bar is made from bee boxes and riddling racks. Unlike sweet, Ren fair mead, Heidrun meads are dry and made méthode champenoise style. “Our palate has come a long way since Medieval times,” says Hull.

Served in a flute, Oregon Radish Blossom Mead ($25) has a sweet, honey aroma all right, but it’s light and sparkling. Oregon Meadowfoam Blossom Mead ($25) has a strawberry, cotton candy aroma and a roiling mousse, while the crisp, nutty Hawaiian Macadamia Nut Blossom Mead ($25) evokes apricot nectar. On familiar territory, California Orange Blossom Mead ($20) has a rich, blanc de noirs–style finish; Madras Carrot Blossom Mead ($20) reminds me of Jura white wine aged on flor, while Hull suggests patchouli. So there is something hippie about this place, after all.

Heidrun Meadery, 11925 Hwy. 1, Point Reyes Station. By appointment only, Monday–Friday. Tasting fee, $10; with tour, $15. 415.663.9122.

Letters to the Editor: September 3, 2014

Ramen Wandering

Yee-haw! It’s great to hear of another ramen place in the Redwood Empire (“Soup Ninjas,”
Aug. 27), even if it’s a bimonthly pop-up (yet I who am I to bad-mouth a good slurping opportunity!). But the “ramen injustice” you cited may be more about a lack of wandering than a lack of ramen. So here’s hoping to start a list: 1. Shige, Cotati, absolutely outstanding ramen, and bright, cut-right sushi too.
2. Yao-Kiku in Santa Rosa has good ramen at good prices, and a broad menu of other Japanese food.

Now you go. Give two more, or I wont give you another.

P.S.: Don’t feel bad about missing the other places. The Press Democrat’s Bite Club actually complained that there weren’t enough pho places in Sonoma County, and we have more noodle houses than noncorporate burger joints.

Via online

Standing in Solidarity

The Santa Rosa–Sonoma County NAACP, the Peace & Justice Center of Sonoma County, the Police Accountability Clinic and Helpline, the Justice Coalition for Andy Lopez and the North Coast Coalition for Palestine thank the national board of the NAACP for their efforts in seeking transparency and justice for those killed at the hands of local police, particularly Michael Brown. Our hearts are saddened and our minds filled with outrage as the war machines and militaristic tactics moved on citizens in peaceful protest.

We stand in solidarity with you in your continuing efforts to seek justice for Michael Brown and so many others. Here, in Sonoma County, we have worked since 1999 to expose the documented 64 citizens who have lost their lives or been wounded in similar circumstances. That number includes a broad range of ages and ethnicities. One of the most recent involved Andy Lopez, a 13-year-old Latino child. At the very least, you have gained the attention of the U.S. Justice Department. We have not.

We send this message in solidarity to encourage everyone to continue the struggle, for we believe the death of Michael Brown and the events of Ferguson—like those here—will strengthen our united fight for justice and fair and equal treatment. In peace, unity and solidarity!

Peace and Justice Center of
Sonoma County

Arm the Boy Scouts, Save America

I was in the Boy Scouts when I was 14 years old. We would have loved to have weapons to protect our world (“Spoils of War,” Aug. 27). The difference is that we were trained to use weapons for hunting or self-defense. Something has gone wrong.

Via online

Wrongfully Diagnosed

In the 1970s, Alexander Solzhenitsyn warned the world about totalitarian government’s miscategorization of those who outspokenly oppose a government’s “oppressive evils” in his book The Gulag Archipelago. Although written about the Soviet Union’s use of the mental health system as a means of falsely diagnosing and removing from society individuals brave enough to vocalize their opposition, I feel quite definitely that numerous parallels can be drawn to tactics currently used in the U.S.

Wrongfull diagnosed persons have been “medicated” and all too often sent to mental institutions (or confined in the “mental parts” of local jails) throughout the country. Such misuse of mental-health resources has become far more prevalent in post-9-11 America.

I am 50 years old and am adamantly opposed to all wars (including the war on drugs), all imperialism, all bigotry, all sexism, all racism, all religious intolerance, all nukes (warheads and reactors) and any misuse of the mental health system, whether as a means to discredit politically unpopular opinions or persons, or as a means of perpetuating the profits of pharmaceutical interests.

I know: it takes a tremendous amount of spiritual, mental, and physical strength to stay true to one’s principles in the face of adversity. I urge others, whoever you may be, to remain strong and keep the faith.

P.S.: To the Bohemian: Please never insist that letters to the editor arrive as emails only, as is the case with some other papers in the North Bay. Allowing handwritten letters ensures that a more inclusive body of contributors (including the incarcerated).

Santa Rosa

Write to us at le*****@******an.com.

No Mechanism Left

‘There is no mechanism left but civil disobedience.” The chalk message remains on the curb at the site of Santa Rosa’s most raucous protest in the Andy Lopez saga. The quote by author and activist Chris Hedges may be all too true.

Last week, the NAACP of Sonoma County sent a letter to the association’s national president, Esther Haywood, to thank her for her efforts surrounding the Ferguson situation. Ann Gray Byrd, president of the Sonoma County chapter, mentions the similar situation in Santa Rosa with Andy Lopez: “At the very least, you have gained the attention of the U.S. Justice Department—we have not.”

The situation in Ferguson become national news when police aggressively tried to quell a protest—a peaceful demonstration, at the time—taking place in the streets of the town, whose population is about 70 percent African American.

The similarities of the situations are hard to ignore: unarmed minority teenager shot multiple times from far range by a veteran officer who was just doing his job. The outcomes are vastly different. In Santa Rosa, children walked out of school to participate in demonstrations; one protest closed part of the freeway for an hour; and a few protesters were arrested over the course of a month.

The shooting of Andy Lopez made national news, but did not spark a federal investigation. Yes, the Ferguson situation has gained the attention of the Justice Department, but considering how it happened, is that really what we want in Santa Rosa?

The deputy behind the gun that killed Lopez, Erick Gelhaus, has been exonerated of criminal charges and returned to patrol last month, 10 months after killing a toy-gun-wielding 13-year-old. Instead of listening and acting upon the screams for justice, our guardians just telling us to shut up, slapping us on the back of the head with a reminder that “there’s plenty more where that came from.”

Perhaps all we have left is civil disobedience, but the word to emphasize is “civil.” Only beating hearts with loud voices can achieve the results that reckless action desires.

Nicolas Grizzle is staff writer for the ‘Bohemian.’

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Bottleshocks

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John Trinidad, a wine industry attorney who lives on Main Street in Napa, was cleaning up from a party when his home started shaking.

“At first, I thought it was a little roller,” he explained. “But then, it got pretty violent, with full-on shaking. I had already braced myself, so just kind of rode it out, but heard a lot of things crashing around me. After the shaking stopped, I looked around and, yep, a lot had come out of the cupboard—broken glass, broken plates, lots of things on the ground.”

The 6.0 magnitude earthquake that struck southern Napa County on Aug. 24 was the strongest California had experienced in 25 years.

The media quickly turned its attention to wine—and the economic impact of the quake. Although Napa Valley accounts for less than 4 percent of America’s total wine production, it’s the country’s best-known wine region. And it’s a big moneymaker. The region’s wine industry has an economic impact of $50 billion annually.

At its heart, though, Napa Valley is a working-class, farming community. And in the wake of the earthquake, brand Napa Valley—$300 “cult” Cabernets, Michelin-starred restaurants and the like—was overshadowed by kinship and kindness.

Alexandra Evans moved to the region from Washington, D.C., just nine months ago. She was floored by the generosity she witnessed.

“People up north—Calistoga,
St. Helena—really weren’t affected. But they were offering to help in any way they could,” she said. “Coming from a big city, you don’t necessarily expect to know your neighbors. Here, people loaded up their cars with food and water to help neighbors they’d never even met. The presence of community was impressive.”

On Facebook, Back Room Wines, a wine shop in downtown Napa, urged locals to bring by “stained and slightly damaged bottles” to share. “Talk about your week if you want, or just listen,” the invite urged.

Cadet Wine & Beer Bar, a popular hangout that lost more than $15,000 in wine, took to Facebook and Instagram to invite locals by for beer. “We lost some wine but the beer taps are untouched,” the owners urged. “Come by today for beer on us.”

As vintners posted heartbreaking photos, locals responded with an all-hands-on-deck mentality. “Wineries offered tank space, barrels, forklifts—even just elbow grease—to the wineries that were hit,” Evans said.

Esteemed winemaker Steve Matthiasson tweeted devastating photos. The earthquake sent all his 2013 barrels tumbling to the ground and forced his family to move out of their 1905 farmhouse. Yet when the Matthiassons turned to their customers for support, it was to raise money for the Napa Valley Community Disaster Relief Fund through a limited-release wine.

As wine writer John Brooks noted in an email to friends, “This strikes me as extraordinary. At a time when they’ve suffered significant damage to their home and their business, the Matthiassons have chosen to prioritize others ahead of themselves.”

After touring Napa’s wreckage for much of the morning on Aug. 24, John Trinidad rested on his front porch with friends. As stories were shared, Matt Naumann, assistant winemaker at Failla, walked by with his young daughter.

“How’d you guys do?” Trinidad asked.

“Last night, we wiggled!” replied Naumann’s daughter, dancing to animate the answer.

“To see a kid with that reaction was perfect,” he explained. “We’re all healthy. No one is hurt. Napa is an amazingly strong, resilient community. We’ll be OK.”

David White is the founder and editor of Terroirist.com, which was named ‘Best Overall Wine Blog’ at the 2013 Wine Blog Awards. His columns are housed at Grape Collective.

Hoodwinked

Ronald Glatzer and Wash Westmoreland’s
The Last of Robin Hood is an enjoyable specimen of the low-budget Hollywood biopic. It begins with the death of Errol Flynn (Kevin Kline), who went out before his last scandal began. He had been carrying on with a minor, Beverly Aadland (Dakota Fanning), a 15-year-old posing as a 20-year-old.

Beverly had been a chorus girl on an unnamed studio lot, here set up for a supposed audition, which turned into a night of pink Champagne and a quick, harsh loss of virginity on the proverbial casting couch. The twenty-ish Dakota Fanning looks pearl-pink, wearing what you could call a blonde Bettie Page cut, and her cool, lazy half-smile softens the movie’s rough patches. As Beverly, she assumes she’s been used and dropped by the fading star, but he returns to declare his love and to make amends.

The open question in The Last of Robin Hood is how much Beverly’s mother connived in the affair. Florence Aadland was a stage mother, a dancer whose career ended after a drunken auto accident. Played by Susan Sarandon, her big eyes magnified by cat’s-eye specs, Florence comes across as a shrewd if only half-bright person who wanted her daughter to hit the big-time but hadn’t thought through the possible consequences.

Those old enough to be entertained by Errol Flynn in a swashbuckler may feel Kline, showing a glimmer of the real Flynn, honors the memory. He arranges himself like an old-time star, favoring his profile, sitting with the sunlight behind him, restraining his wattles with an ascot.

The film, however, is straightjacketed by copyrights and a low budget. Turns out that Flynn’s work can’t be discussed except in terms of the public-domain hero of Sherwood Forrest, so in the end this Robin Hood feels as though it’s stitched together with tabloid front pages and overnarration.

‘The Last of Robin Hood’ opens at Summerfield Cinemas Sept. 5.
551 Summerfield Road, Santa Rosa. 707.522.0719.

Better Bitters

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A proper cocktail extends beyond the quality of the liquor that’s in it. The flavoring agents are equally if not more important, especially those added in the smallest amounts: bitters.

What is perhaps the first published definition of a cocktail, from The Balance and Columbian Repository in 1806, reads: “Cocktail is a stimulating liquor, composed of spirits of any kind, sugar, water and bitters . . . and is supposed to be an excellent electioneering potion, inasmuch as it renders the heart stout and bold, at the same time that it fuddles the head.”

“How cute is that?” proclaims Napa Distillery mixology specialist Britn Jones after reading the definition from a note saved on her phone. The twenty-something enjoys whiskey drinks and knows a thing or two about bitters, an essential ingredient in any proper cocktail featuring the aged brown liquor. She even makes her own. “Bitters are basically comprised of a bittering agent, a flavoring agent, a slew of different herbs and botanicals, and a very, very high-proof alcohol,” she says.

Making bitters is not a simple DIY task. It involves infusing bittering agents like burdock root and other botanicals in a base alcohol (usually grain alcohol), then boiling the mixture down and straining it. Repeat that process a few times over a couple months, and the $20 price tag for a 100 ml bottle of Bob’s bitters doesn’t seem too steep. Plus, Bob’s, from the U.K., makes the recipe from Abbott’s, the original bitters company from the turn of the century which ceased production in the 1950s.

“That’s the original bitters called for in a Manhattan,” says Arthur Hartunian, owner of Napa Distillery.

“Before Prohibition, there was a section of the bar dedicated to bitters,” he says. A reputable bar had a selection of at least 15 different flavors, but Prohibition killed off all but a handful of companies. The familiar Angostura Bitters survived because it was headquartered outside the United States, but changed its recipe three years ago to reduce production costs, says Hartunian, much to the dismay of cocktail aficionados.

Only in recent years have artisanal bitters companies begun to rise again. Hartunian’s retail shop in Napa’s Oxbow Market carries over 300 varieties from around the world.

“Resurgence of American craft spirits, I think, is driving the new cocktail scene,” he says. “That’s raising awareness of what cocktails can be. It’s not about drinking them—it’s about the experience of the drink.”

The walls of eyedropper bottles at Hartunian’s Napa shop can be intimidating, but the tasting bar can help. A couple drops is all it takes to get the sense of what a particular bitter can do to a drink, and they are wildly different. Citrus bitters add a fruity essence; habañero bitters add an eye-popping zing. There are even frankincense bitters for a holiday flavor.

But Hartunian is old-school with his favorite, choosing the ancient Abbott’s recipe as a staple. He’s even cooked with it. “I use bitters in pancake batter,” says Hartunian. “It adds a bit of an herbal flavor to it.”

The fact that it’s an additive that can be used in cooking kept bitters legal during Prohibition. “Add zest and flavor to fruits, fruit salads, jellies, sherbets, etc.,” says Hartunian, reading from a bottle of Abbott’s from the era.

An Ideal ‘Husband’

The vast majority of theatergoers, if they have ever seen a play by Oscar Wilde, have probably seen The Importance of Being Earnest, one of the funniest plays ever written. One might be excused for assuming that all of his plays are like that. But one would be wrong.

Take, for example, An Ideal Husband, now playing at Marin Shakespeare Co. in San Rafael. Crisply directed by Robert Currier, Wilde’s cleverly plotted social critique is riveting, packed with philosophical questions and imbued with an escalating sense of tension that is balanced beautifully by the frequently funny remarks of its characters. A fusion of drawing-room comedy and political thriller, the play was thought by many to be superior to Earnest, and yet it’s rarely performed.

Thankfully, Marin Shakespeare— celebrating its 25th anniversary this season—has a reputation for resurrecting forgotten gems. Though An Ideal Husband will likely be eclipsed in audience attendance by the far-better-known Romeo and Juliet (a lovely staging of which runs in repertory through the end of September), Wilde’s lesser-known play is so brilliantly acted it deserves full houses.

Sir Robert Chiltern (Nick Sholley) is a well-regarded politician, known far and wide for his unflinchingly decency, traits that first attracted his devoted wife, the equally unwavering Lady Chiltern (Marcia Pizzo).

During a party at the Chilterns’, attended by Sir Robert’s hedonistic bachelor friend Lord Goring (Darren Bridgett), Sir Robert is stunned when a beautiful visitor to London, the mysterious Mrs. Cheverley (Cat Thompson), tells him she has a letter proving he once sold secret government information for money. If he does not agree to make a speech in the House of Commons supporting a fraudulent scheme to build a canal in Argentina (a scheme that will add to Mrs. Cherverley’s fortune), she will publish the letter, destroying Sir Robert’s reputation.

Unfolding over the next 24 hours, the play is crammed with twists and turns, surprises, revelations, misunderstandings and thwarted plans. But unlike Earnest, in which all the plotting adds up to little more than a good time, An Ideal Husband has plenty to say about how we judge our leaders, our neighbors and ourselves.

The cast is sensational, dropping delicious one-liners while moving the taught tale through to its deeply satisfying conclusion.

Rating (out of 5): ★★★★½

Keep the Beat

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Calvin Johnson isn’t exactly a household name, though his impact on underground indie rock is undeniable.

Johnson is a singer, songwriter, producer and label owner whose do-it-yourself ethic has become the standard for musicians and labels alike. His 30-plus years making and sharing music has influenced countless more well-known artists, though Johnson remains modest in his work and inspired by the music.

This week, Johnson’s band the Hive Dwellers make their Santa Rosa debut when they play the Arlene Francis Center. Johnson is known for his distinct droning vocals and playful lo-fi indie pop in bands like Beat Happening and the Halo Benders. He’s also the founder and head of K Records and Dub Narcotic recording studio, making him a one-man enterprise of independent music.

“One of the things I try to live by is ‘Where’s the passion?’ It needs to be there,” says Johnson, speaking by phone from K Records headquarters in Olympia, Wash.

Johnson first discovered his own passion for music as a young man living in Olympia. He was exposed to an array of independent and progressive music while volunteering at the local community radio station in 1977, and soon he was writing for fanzines and booking local shows.

Olympia is a small town, smaller than Novato, yet it’s musical culture is on par with other northwest hubs like Seattle and Portland. “People just stay home and work on their stuff,” says Johnson. “Just about every night there’s a show somewhere. It’s a little bit overwhelming.”

In 1982, Johnson founded his first band, Beat Happening, as well as his label, K Records. While other pioneering labels like Sub Pop Records grew to near major-label status, Johnson has kept K Records small by design, keeping his passion focused on that shared experience of discovering and celebrating great music. “I’m still very excited about music—seeing people expressing themselves and inspiring others with what’s in their heart,” explains Johnson.

Since 1993, Johnson has also worked as a recording producer at his Dub Narcotic Studios, and though the majority of acts he works with are local musicians, breakout indie bands like Built to Spill and Modest Mouse have spent time in the studio. In one form or another, Johnson has contributed to a few hundred albums throughout his career.

The Hive Dwellers formed in 2009, after Johnson spent a decade playing and recording largely as a solo artist. At first, the project was a conglomeration between him and an assortment of friends playing around, and the band’s debut album reflects that cacophony. But for the last few years, the band has evolved a set lineup, and this year the group released its sophomore LP, Moanin’.

Johnson describes the follow-up as both “a lot more immediate and more spontaneous,” and he’s more than ready to finally bring the band’s new material to the North Bay.

Sept. 8: Sierra Leone Refugee All Stars at City Winery

The story of the Sierra Leone Refugee All Stars could have turned out very differently. The horrifying violence that engulfed the West African region in the ’90s forced millions to flee their homes. It was literally in refugee camps that the musicians who would form the All Stars met and began playing songs to entertain their fellow refugees. After...

Tale of Two Cities

The city of Napa continued to dig out from under the late-summer earthquake, now reported to be the biggest one in a century, but not quite yet the Big One. Numerous fault lines emerged as the cleanup and aftermath moved into a second week. One big fault-line in this ongoing saga has jumped out. As the national press took note of...

Get a Buzz On

Gordon Hull doesn't look like the mead maker I was expecting to meet. With his button-down shirt, close-cropped gray hair and quiet, professional demeanor, I wouldn't necessarily peg him for a mead-mad entrepreneur from Humboldt County; if he has a sort of Tim Robbins look, it's definitely not as Erik the Viking. But it's Hull's mead—a fringe beverage often associated...

Letters to the Editor: September 3, 2014

Ramen Wandering Yee-haw! It's great to hear of another ramen place in the Redwood Empire ("Soup Ninjas," Aug. 27), even if it's a bimonthly pop-up (yet I who am I to bad-mouth a good slurping opportunity!). But the "ramen injustice" you cited may be more about a lack of wandering than a lack of ramen. So here's hoping to start...

No Mechanism Left

'There is no mechanism left but civil disobedience." The chalk message remains on the curb at the site of Santa Rosa's most raucous protest in the Andy Lopez saga. The quote by author and activist Chris Hedges may be all too true. Last week, the NAACP of Sonoma County sent a letter to the association's national president, Esther Haywood, to...

Bottleshocks

John Trinidad, a wine industry attorney who lives on Main Street in Napa, was cleaning up from a party when his home started shaking. "At first, I thought it was a little roller," he explained. "But then, it got pretty violent, with full-on shaking. I had already braced myself, so just kind of rode it out, but heard a lot...

Hoodwinked

Ronald Glatzer and Wash Westmoreland's The Last of Robin Hood is an enjoyable specimen of the low-budget Hollywood biopic. It begins with the death of Errol Flynn (Kevin Kline), who went out before his last scandal began. He had been carrying on with a minor, Beverly Aadland (Dakota Fanning), a 15-year-old posing as a 20-year-old. Beverly had been a chorus...

Better Bitters

A proper cocktail extends beyond the quality of the liquor that's in it. The flavoring agents are equally if not more important, especially those added in the smallest amounts: bitters. What is perhaps the first published definition of a cocktail, from The Balance and Columbian Repository in 1806, reads: "Cocktail is a stimulating liquor, composed of spirits of any kind,...

An Ideal ‘Husband’

The vast majority of theatergoers, if they have ever seen a play by Oscar Wilde, have probably seen The Importance of Being Earnest, one of the funniest plays ever written. One might be excused for assuming that all of his plays are like that. But one would be wrong. Take, for example, An Ideal Husband, now playing at Marin Shakespeare...

Keep the Beat

Calvin Johnson isn't exactly a household name, though his impact on underground indie rock is undeniable. Johnson is a singer, songwriter, producer and label owner whose do-it-yourself ethic has become the standard for musicians and labels alike. His 30-plus years making and sharing music has influenced countless more well-known artists, though Johnson remains modest in his work and inspired by...
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