Gov. Gavin Newsom Announces New Guidelines for Schools

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As educators across the state finalize back-to-school plans, Gov. Gavin Newsom today announced new criteria on how schools should operate amid the Covid-19 pandemic.

“Learning in the state of California [is] simply non-negotiable,” the governor said during a virtual press conference. “Schools must provide meaningful instruction during the pandemic whether they are physically open or not. We all prefer in classroom instructions for all the obvious reasons … but only if it can be done safely.”

Criteria 1: In-person school is based on local health data

In order for schools to have in-person classes this fall, Newsom said that the county in which the school is located must be off the state’s monitoring list for 14 consecutive days.

“Schools that don’t meet this requirement, they must begin the school year this fall through distance learning,” Newsom said.

The state Department of Public Health maintains a list of counties seeing an increase in transmission and hospitalization and have limited ICU and ventilator capacity.

Criteria 2: Mask requirements

All staff and students in the third grade and up must wear a mask at all times. Students in the second grade and below are encouraged to wear either a mask or a face shield.

Criteria 3: Physical distancing

All staff must maintain a six-foot distance between each other and students at all times. Schools will be required to have daily temperature checks and hand-washing stations.

Newsom said deep sanitation and disinfection must also be a priority and that schools are required to create quarantine protocols if students or staff contract COVID-19.

Criteria 4: Testing and contact tracing

School staff will be required to get tested for COVID-19 on a regular basis and the state contact tracing workforce will be directed to prioritize schools.

Criteria 5: Rigorous distance learning

For schools that can’t return to in-person classes, teachers will be required to have live daily interactions with their students. Teachers must assign work equivalent to that done during in-person classes. English language learners and special education students should have adapted lessons.

Access to internet and devices has also been marked a high priority, with the state investing $5.3 billion in additional funding to make learning more equitable.

According to the state Board of Education, 20 percent of California students—1.2 million—can’t access the internet at home. The digital divide is even worse in rural areas, according to a 2019 analysis by EdSource which found only a third of California households in rural areas have internet compared to 78 percent in urban areas.

Newsom also announced guidelines for what schools should do in the event of an outbreak. The governor said that if 5 percent of a school tests positive for COVID-19, then the school must close. If 25 percent of schools in a district have positive cases that reach that 5 percent threshold, then the district must be closed within a 14-day period.

“None of us want to see education virtualized—at least I don’t,” Newsom said. “The one thing we have the power to do to get our kids back into school is look at this list again: wear a mask, physical distance, wash your hands, minimize the mixing. The more we do on this list and we do it at scale, the quicker … we’re going to mitigate the spread of this virus and kids are back in school.”

In a statement released on Friday afternoon, Dr. Steve Herrington, the Sonoma County Superintendent of Schools, addressed Newsom’s announcement.

“(The Sonoma County Office of Education) SCOE will now work closely with local school leaders and our public health department to interpret these state directives and how they impact the plans that schools have been diligently creating throughout the summer. Additionally, SCOE will work with our public health partners to ensure that Sonoma County has adequate testing and contact tracing capacity to ensure a safe return to school once Sonoma County is off the watch list,” Herrington said.

“I will meet with Sonoma County’s 38 superintendents, as well as charter school and private school leaders, early next week to discuss this new guidance in detail. SCOE has been and will continue to provide professional development and other supports to assist districts in building robust distance learning options for all students. Sonoma County schools are committed to serving families with high-quality instruction and supports, regardless of the current conditions under COVID-19,” Herrington continued.

‘Living Room Live’ Concludes Online Run This Weekend

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Over the course of a decade, Petaluma’s Rivertown Revival­—dubbed the Greatest Slough on Earth—has become one of the North Bay’s most beloved annual summer events.

The planned 11th annual Rivertown Revival was originally scheduled to happen this summer on Saturday, July 18, on the Petaluma River to benefit the conservation and education organization Friends of the Petaluma River. But Covid-19 and the North Bay’s shelter-in-place orders forced the one-day festival to cancel the show in the name of public health and safety.

In place of the one-day event, organizers instead took to the internet to present a free online venture, Living Room Live, which has showcased all of the best parts of the festival over the course of four streaming weekly concerts since late May.

This weekend, on July 18—the date Rivertown Revival was scheduled to take place—Living Room Live concludes it’s online run with its biggest and best show of the summer, a 3-hour virtual variety show headlined by popular North Bay singer-songwriter David Luning.

“The concert series has been a lot of fun and a way to create community when both things are needed so badly right now,” Friends of the Petaluma River executive director Stephanie Bastianon says, in a statement. “With the original date for the Rivertown Revival festival coming up on July 18th, we wanted to mark this day of celebration for Petaluma with one last show.”

“The Rivertown Revival festival has always been about more than one sunny day in July,” says Rivertown Revival music director Josh Windmiller. “It is an ongoing effort from within the community to celebrate life, support the arts and raise awareness and funds for environmental protection and education.”

To that effect, the Living Room Live series embraces Rivertown Revival’s fundraising mindset, and has raised almost $10,000 for Friends of the Petaluma River to support their conservation and education work in the Petaluma Watershed.

For this final showcase, Windmiller will once again play Johnny Carson by hosting and interviewing musicians, artists and others from the comfort of his living-room couch.

This weekend’s show boasts a stellar lineup, headlined by North Bay singer-songwriter David Luning, who has climbed the ranks from open mics to headlining gigs and major festival appearances over the past decade. The Forestville native performs with a passionate streak, offering up Americana music that both kicks out the lights and tugs at the heartstrings.

Other performers appearing online as part of the upcoming variety show include Maya Leon, a Santa Rosa singer-songwriter who was a contestant on the Spanish-language television talent show Tengo Talento, Mucho Talento. Eclectic blues-rock ensemble Lee Vandeveer Band, energetic folk-punk trio Snaps for Sinners, North Bay hip-hop artist Kayatta and blues singer-songwriter Layla Musselwhite—daughter of blues legend Charlie Musselwhite—are all scheduled to appear as well.

In addition to the music, Living Room Live’s final showcase encapsulates the whimsical and fun-loving spirit of the Rivertown Revival festival with non-musical interludes such as “Our Town is Magical” with Gio Bennedetti, a show-within-a-show journey through the weird and magical happenings in the Bay Area. The variety show also invites Bonnie Cromwell of the educational outreach program ‘Classroom Safari’ to share her lemurs, sloths and bobcats, and will feature additional visual arts and family-friendly fun.

Windmiller hopes folks will continue to hit the donate button on the live stream this weekend to support the Friends of the Petaluma River.

“Stuff like Rivertown, it’s these crossroads, these meeting points, where you get to encounter your own community, and we still want to be that,” Windmiller says. “I’m really happy, and Rivertown is really happy, to provide another place where people and the artists can meet and build something stronger. That’s what the event has always been, so this is the same thing. A different time, different conditions, but the same thing.”

Living Room Live streams online this Saturday, July 18, at 6pm. Facebook.com/rivertownrevival.

Art Heads Outdoors in Sonoma

Soon after shelter-in-place orders went into effect in March due to Covid-19, several arts groups in the Sonoma region joined forces to form the Sonoma Valley Arts Task Force, a Justice League for the arts that aims to support artists and connect the community while large group gatherings remain impossible.

In May, the task force initially set about creating at-home art projects the community could easily participate in. Soon after, the group installed its first public art offering, 22 large-scale artist-designed hearts in front of Sonoma City Hall.

Now, the task force is unveiling its largest project yet; a community-wide self-guided art tour, the Summer Arts Stroll, beginning on July 25.

Sponsored by the City of Sonoma and Sonoma Plein Air Foundation, the Summer Arts Stroll will feature art on display in storefront windows, in public areas or outdoor areas, and at residences and studios, where the art will be visible from the sidewalk.

“We took inspiration from the Sonoma Art Walk’s First Thursday series where artists are paired with businesses, and with the help of our community partners, adapted the concept to meet Covid-19 health and safety requirements,” Kala Stein, director of ceramics & arts at Sonoma Community Center, says in a statement. “This self-guided experience will bring art to the public eye throughout the Valley while connecting businesses with local artists and creative youth. We truly believe that art and art making are essential to the quality of life, especially now.”

Beyond the role that art plays in maintaining the community’s quality of life, it is also the source of income for many of the North Bay’s working artists. The pandemic and resulting shelter-in-place orders have had a notable impact on artists. With many venues closed or operating with limited capacity and the cancellation of summer art fairs and events, it is estimated that 95 percent of artists have lost income.

“It’s no secret that artists, like businesses, have faced unprecedented challenges and loss of revenue due to the pandemic and shelter-in-place orders,” Mark Bodenhamer, executive director of the Sonoma Valley Chamber of Commerce, says in a statement. “The Summer Arts Stroll is a win-win for artists and businesses; artists get new venues to show and potentially sell their work, and businesses get increased visibility and foot traffic.”

When the self-guided Summer Arts Stroll opens on July 25, patrons will find an interactive virtual map on the City of Sonoma’s website, complete with emblems identifying exhibits of interest. All are invited to take part in the Summer Arts Stroll, though patrons are advised to maintain the required six feet of physical distance from others and wear a facial covering when physical distance cannot be maintained.

The Summer Arts Stroll, as well as the hearts installation and the at-home art prompts are all part of the task force’s Sonoma Valley–wide “Heart of Sonoma” community art project, which the task force launched to help connect those sheltering-at-home during the pandemic and to provide opportunities for meaningful creative expression for the Sonoma Valley community.

The City of Sonoma and the Sonoma Community Center, Sonoma Valley Museum of Art, Art Escape and the Chamber of Commerce developed the Sonoma Valley Arts Task Force, which quickly grew to over 24 nonprofits throughout Sonoma Valley. While it was primarily formed to support the community during shelter-in-place orders, the Task Force continues to evolve and respond to the needs of the Sonoma Valley community during the pandemic.

Co-chairs of the task force, Connie Schlelein and Kala Stein, write in a statement that they, “are hopeful that everyone in the community will be inspired to get involved in heartfelt displays of creativity. Whether it is an expression of appreciation for the work of first responders or essential workers, or just an expression of joy or change, positive messages will provide strength for our community as we continue to navigate these trying times.”

The Summer Arts Stroll begins Saturday, July 25 and will be on display throughout Sonoma until August 31. Maps and details will be available soon at Sonomacity.org.

[UPDATED] CAL FIRE: PG&E Equipment Started Kincade Fire

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The California Department of Forestry and Fire Protection (CAL FIRE) announced Thursday that it has determined that electrical transmission lines owned by Pacific Gas and Electric (PG&E) started the Kincade Fire.

The fire, which started on Oct. 23, 2019, was paired with widespread evacuation orders in the North Bay and Public Safety Power Shutoffs (PSPS) throughout PG&E’s service area.

The Kincade Fire burned a total of 77,758 acres, destroyed 374 buildings and caused four non-life threatening injuries, according to a CAL FIRE press release.

“After a very meticulous and thorough investigation, CAL FIRE has determined that the Kincade Fire was caused by electrical transmission lines owned and operated by Pacific Gas and Electric (PG&E) located northeast of Geyserville,” the release states, noting that dry and windy weather conditions helped the fire spread.

CAL FIRE has sent its investigative report to the Sonoma County District Attorney Jill Ravitch’s office, according to the press release.

PG&E did not immediately return a request for comment.

UPDATE – 5:10pm, July 16:

A spokesperson for Ravitch confirmed that they have received the CAL FIRE reports and will begin reviewing them.

UPDATE – 11:40am, July 17:

PG&E released the following statement in response to CAL FIRE’s report last night:

We
appreciate all the heroic efforts of the first responders who fought
the 2019 Kincade Fire, helped local citizens evacuate and made sure no
one perished in the fire.


We
are aware of CAL FIRE’s news release stating that PG&E facilities
caused the fire. At this time, we do not have access to CAL FIRE’s
investigative report or the evidence
it has collected. We look forward to reviewing both at the appropriate
time.

We
want our customers and communities to know that safety is our most
important responsibility and that we are working hard every day to
reduce wildfire risk throughout
our service area.

BottleRock Napa Valley Shelves Festival Until 2021

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At the onset of the Covid-19 pandemic in March, BottleRock Napa Valley was one of the first summer festivals to reschedule in 2020 as shelter-in-place orders shut down most of the North Bay.

Originally, the three-day festival of music, food, wine in Napa was postponed from this past May 22–24 to October 2–4, 2020. Now, in a move that seemed all but inevitable as Covid-19 cases continued to rise in the North Bay this summer, BottleRock Napa Valley has announced that the festival is now rescheduled to next Memorial Day weekend, May 28–30, 2021.

The 2020 festival’s headliners Red Hot Chili Peppers, Dave Matthews Band and Stevie Nicks are all confirmed to perform in 2021, and festival passes for the sold-out event will be honored when BottleRock Napa Valley returns next year.

“While we had hoped to share our festival’s great music, wine, food and incredible Napa Valley hospitality this year, we know this is the best decision for everyone involved,“ said Dave Graham of BottleRock Napa Valley in a statement. “We are happy that our headliners are confirmed for the 2021 festival. We are also confident that not only will we be able to present much of the same lineup, but we’ll be announcing some additional surprise acts for this coming May. We are looking forward to Memorial Day Weekend 2021.”

Festival organizers add that they coordinated with local and state authorities in making this difficult decision. Although Napa County’s Covid-19 case counts continue to remain low compared to other regions in the Bay Area, Napa County Public Health Officer Dr. Karen Reluci has determined the county is not ready for large-scale gathering.

“Events like BottleRock fall under Governor Newsom’s Stage 4 plan for re-opening, which we will not achieve prior to October,” Dr. Reluci says in a statement. “These decisions are not taken lightly with the knowledge that many people will be impacted. Our first priority is the health of the community.”

On its website, BottleRock Napa Valley organizers also acknowledge that rescheduling the festival to 2021 is to prioritize the health and safety of patrons, artists, vendors, staff and the surrounding communities that annually support an influx of tens of thousands of attendees.

When it returns in 2021, BottleRock Napa Valley will once again feature the world’s top musicians on five stages, as well as its infamous BottleRock Culinary Stage showcasing culinary and celebrity mashups. Those who purchased tickets to this year’s festival will be able to roll over their tickets to next Memorial Day weekend or request a refund. The full 2021 lineup will be announced soon on the festival’s website.

One Night, Many Voices: Festival Napa Valley Presents Virtual Concert

Founded in 2006, Festival Napa Valley celebrates the region’s beauty and bounty and makes performing arts accessible to all through world-class concerts and events each summer and year-round educational programs for North Bay students.

This summer was meant to be Festival Napa Valley’s 15th summer of shows, which annually features dozens of classical and chamber concerts, wine and food spectaculars and more featuring internationally-renowned performers.
Yet, the Covid-19 pandemic has forced the festival to press pause on its planned 10-day schedule.

In place of in-person events, Festival Napa Valley will bring the stars to you with a free virtual concert event, “One Night, Many Voices,” on Saturday, July 25, at 7pm.

The online showcase will include performances by festival favorites such as violinist Joshua Bell and pianist Jean-Yves Thibaudet, as well as the Young People’s Chorus of New York City and Cuban pianist Aldo López-Gavilán and his band among others.

“We are thrilled to bring together some Festival favorites for a special night to celebrate the healing power of music,” Richard Walker, President and CEO of Festival Napa Valley says in statement. “We hope this concert will provide connection, hope, and inspiration to music lovers everywhere.”

Recorded especially for this occasion, “One Night, Many Voices” will pack the festival’s wide array of musical offerings into a singular experience with familiar faces offering never-before-seen performances.

Violinist Joshua Bell is one of those familiar faces. He’s a frequent performer with Festival Napa Valley, and for good reason; his career spans more than thirty years as a soloist, chamber musician, recording artist, and conductor and he is one of the most celebrated violinists of the modern era.

This summer, Bell has become one of the busiest performers on the web in the wake of Covid-related concert cancellations. For this concert, Bell is performing with soprano singer Larisa Martínez, who he recently collaborated with on the Emmy-nominated PBS special, Live from Lincoln Center: Seasons of Cuba. For the last two years, Martínez has also toured with Italian singer Andrea Bocelli throughout North America, South America and Europe.

Internationally-recognized pianist Jean-Yves Thibaudet is also performing as part of “One Night, Many Voices” on July 25. Like Bell, Thibaudet has spent three decades performing as a soloist and in chamber and orchestral groups. Born in Lyon, France, Thibaudet is a noted interpreter of French music, and his creative collaborations span music, film, fashion and visual art.

Other voices appearing as part of Festival Napa Valley’s virtual concert include soprano Nadine Sierra, who recently portrayed Juliet in San Francisco Opera’s production of Romeo & Juliet, and tenor Michael Fabiano, who was scheduled to portray Rodolfo in San Francisco Opera’s now-canceled production of La Bohème this fall.

The Young People’s Chorus of New York City is also slated to appear on July 25. The chorus mirrors Festival Napa Valley’s educational commitment to make arts accessible by offering programs at Napa County public schools year-round, hosting a tuition-free summer music academy and donating concert tickets to families in Napa Valley.

“One Night, Many Voices” will crescendo with a performance by brilliant Cuban classical pianist Aldo López-Gavilán, who performs both traditional Afro-Cuban jazz and offers improvisational interpretations of classical music repertoire. López-Gavilán will appear with his band from their home in Havana, Cuba, capping off the global-inspired virtual concert.

To add to the festive evening, Festival Napa Valley invites Napa restaurants to produce curated to-go menus, and the festival’s many partner wineries will provide special offers on select bottles to enjoy with show. Participating restaurants include Heritage Eats, Mustards Grill, Solbar, Tre Posti and V Sattui.

As the Covid-19 pandemic continues to impact the North Bay through the summer, Festival Napa Valley is planning to expand its fall and spring concert schedules. The festival is also looking ahead to providing distance learning arts curriculum should Napa Valley public schools remain closed, creating original digital content with its roster of artists and community partners while social distancing remains in effect.

‘One Night, Many Voices’ streams virtually on Saturday, July 25, at 7pm. Register for free at FestivalNapaValley.org.

North Bay Black-owned restaurant list

Indoor dining is on hold in the North Bay for the foreseeable future, dealing a major setback for restaurants and bars that were hoping to salvage summer during the Covid-19 pandemic. Still, there are ways to support the local food industry, and last month, a Santa Rosa teacher launched an endeavor to highlight North Bay businesses and restaurants owned and operated by people of color, giving residents a guide to where they can support Black lives in the community while eating well.

Kelly Cramer, who works as a teacher at Roseland University Prep in Santa Rosa, made the ever-expanding online spreadsheet of Black, Immigrant and People of Color Owned Restaurants and Businesses in Sonoma County after looking for one like it on internet search engines.

“I just thought that it deserved to exist,” Cramer said at the time. “After much thought, I decided to also include all people of color and immigrant-run businesses because, although Black businesses need to be amplified now and always, I simply just wanted to keep this resource all in one place so people can continue to utilize it for the future, long after it’s trendy.”

Black-owned North Bay restaurants on the list include more than 250 restaurants and businesses. For North Bay food lovers in need of some real comfort, four spots stand out in Sonoma, Marin and Napa counties.

Buster’s Southern Barbecue has been serving up authentic Louisiana-inspired cooking in Calistoga since 1965 and has become a staple of the community. The restaurant serves up top quality tri-tip, pork and beef ribs and more with choices of mild or spicy BBQ sauce and their sandwiches, served on garlic toast, are a popular lunch for locals. Outside dining and take-out is available. busterssouthernbbq.com.

Bariadelli Caribbean Gourmet Pizza is located in northwest Santa Rosa, and specializes in authentic Caribbean cuisine, catering, take-and-bake gourmet pizzas and food-truck services. Now open for online orders, Bariadelli brings bold flavors to its menu, with items like Jerk Chicken Pizza and a Caribbean Supreme that features rice and beans, creole chicken, jumbo shrimp and fried plantains. bariadelli.com.

Marin County residents can also find Black-owned restaurants and chefs in their backyard, with locations such as Caribbean Spices Restaurant in San Rafael. Since 2009, Caribbean Spices makes Haitian and Creole cuisine, and the restaurant has been offering outdoor dining in addition to catering options with specialty dishes like oxtail and creole snapper. carribeanspicesdba.net.

Also based in San Rafael, Forrest Fire BBQ is the culinary soul of owner and pitmaster Forrest Murray Jr. Murray learned to cook from his family, and he puts that familial love into his food. Forrest Fire BBQ is a mobile operation, and Murray caters throughout the Bay Area with a menu that includes St Louis–style pork ribs, sirloin beef ball tip steaks and pulled meat sandwiches with all the sides and sauces. Forrest Fire BBQ also pops up at Marinwood Market on certain weekends, with ribs, hot dogs, corn on a stick and more on hand. forrestfirebbq.com.

“A disproportionate percentage of Black and POC-owned businesses have closed during the Covid-19 pandemic,” Cramer says. “Supporting these places is just ultimately good for everyone. Plus, so much good food and wine is on this list! A ton of places I can’t wait to try.”

Find the full list at bit.ly/SOCOPOC.

Not Lost Anymore: Napa Valley History, Told Through Food

Alexandria Brown isn’t a foodie, but she wrote this year’s most compelling North Bay book on food. In fact, Lost Restaurants of Napa Valley and Their Recipes, released in April by The History Press, was written while its author lived in a kitchenless apartment. In it, Brown—a historian—uses restaurants-past as a lens through which to tell stories of the immigrant and people-of-color communities that shaped the esteemed culinary region. 

At first, Brown—who has master’s degrees in library science and U.S. history—wasn’t eager about her press’s proposal to write about restaurants. But she did a bit of research and soon got excited about the project. 

“I found all of these people of color, immigrants and women who were doing really interesting things with food but whose stories had never been told or had been white-washed,” says Brown, who is a Black woman raised in Napa.

While focused on Napa, Lost Restaurants is also a book that traces how “exotic” and “foreign” foods become “American” classics. 

Several of the book’s chapters focus on a specific cuisine. “Chili Queens and Tamale Men” tells the stories of Mexican-American cuisine in the 19th and early 20th centuries. 

The chapter “Chow Chop Suey” explores three 20th-century Chinese restaurants that specialized in the wildly popular dish of the time. Brown’s book couldn’t tell the stories of Chinese food and local restaurants without also telling the story of Chinese immigration to Napa, xenophobia, racism and pervasive “model minority” myths. 

Brown likens her book to Padma Lakshmi’s new Hulu series, Taste the Nation.

“I feel like we’re doing similar things and our audiences are similar,” she says. “We’re both looking at history, food, race and immigration. We’re mixing these topics together in one big pot and doing it in a way that’s approachable but educational at the same time.” 

It’s worth noting that Lakshmi’s show began as a research project on immigration. According to The Atlantic, food was later chosen as a way to become more acquainted with the communities Lakshmi was investigating. Similarly, the intimacy and universality of eating are often what make Brown’s book—including its tough truths about racial inequity—palatable.

Brown says older locals will delight in the book and may remember going out as children to some of the mid-century restaurants spotlighted, such as the drive-in Taylor’s Refresher. The cover of Lost Restaurants, with its signature ’50s diner-esque font and vintage photographs, evokes this nostalgia. 

One photo on the back cover is meant to bait some readers who may expect a different book. 

“Reagan announced his gubernatorial campaign at the posh Aetna Springs in Pope Valley,” Brown says. “I really like the idea of grumpy conservatives looking and thinking, ‘Ooh, Reagan! Yes!’ Then they’ll open the book and find out that it’s all about immigrants and Black and Indigenous people of color.” 

What Constitutes a Restaurant?

Restaurants, as we think of them today (or as we thought of them throughout our lifetimes until a global pandemic exploded this March), are a fairly recent concept. 

As readers will learn, the French word restaurant initially described a rich meat broth that would restore one’s health. Later, it came to refer to the places that sold such broth.

In 19th-century Napa and other Western towns, restaurants weren’t places you went out to eat at for a fun time. 

“You ate where you could get food because you weren’t cooking because you were a transient man with no house and no wife or a woman who was working in a hotel,” Brown says.

With this in mind, Brown’s definition of “restaurant” was broad—covering any place that prepared and sold food to the public. That allowed her to talk about bars, resorts, hotels and wholesale vendors.

“We had a lot of home tamale makers,” Brown says. “Latinx women who were Californiana descendants who would make tamales and sell them to bars and markets.” 

Most of Brown’s research began with old newspapers and their advertisements, sometimes as spare as a note saying, “So-and-so is now selling tamales at this local grocer!” Many local newspapers are digitized through the Napa County Library, but Brown’s research also included a trip to the Huntington Library to look at some original Napa newspapers from the 1850s. 

From these leads, she could often learn more about restaurateurs by digging into census data and genealogy research to piece together fuller stories of her subjects’ lives. 

However, she sometimes met dead-ends.

“Old newspapers tend to be fast and loose with facts,” Brown notes.

She was fascinated to learn that two men of Japanese ancestry briefly owned a restaurant on East First Street—near where Oxbow Market is today—in the early 1900s. Their names, listed in two old ads, were spelled differently each time. Brown even looked in the Japanese internment database, but could find no record of them. Since their story is unknown, it doesn’t appear in Lost Restaurants

Brown wishes she knew more about these men.

“We don’t talk about Black people in Napa, but we really don’t talk about Japanese people pre-internment here,” she says. 

Though records of most early Napa restaurants aren’t difficult to find, little has been written about them. Unless someone was really famous, people didn’t write in-depth stories about restaurants of the time.

The Recipes

Brown’s book contains 18 recipes, though not all are user-friendly. Readers should keep in mind that, in many cases, people cooked over fire and their recipes didn’t offer cook times or temperatures.

“There’s a wedding cake recipe that has absolutely no cooking instructions in it and I wouldn’t probably recommend attempting it,” Brown says. 

There are two chop suey recipes presented—one from 1902 and another from 1931.

“Every recipe would be like, ‘This is the official recipe for chop suey—this is exactly how they make it in China,’” Brown says, “and it would be completely different than the next recipe that made the same claim.”

Like many recipes of the time, readers are told what ingredients to combine (mostly animal offal), but not how much of them. 

That said, Brown tasted the parmesan polenta recipe from Caterina Nichelini, the late founder of the still-existent Nichelini Family Winery (established 1895), and it stands the test of time. 

Brown still hasn’t prepared any of the recipes herself, but would love to hear from adventurous readers who do. She can be reached through her website at bookjockeyalex.com

Watch the author read from Lost Recipes of Napa Valley and talk more with Chelsea Kurnick about her book here on YouTube at https://bit.ly/3fvwptP.

When should movie theaters reopen?

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Netflix fatigue. It’s practically a pandemic itself. The remedy? A shot of real-life cinema—square in the eye—coming soon to a theater near you. Someday. Maybe. Not.

Back in April, the Los Angeles Times reported, “Theater owners have increasingly begun to float the possibility of reopening sometime in July, in the middle of what would normally be Hollywood’s key summer blockbuster movie season.” On Monday, Gov. Newsom made it clear that theaters would not be opening any time soon—and so go the best-laid plans of Mickey Mouse and men. 

Were it not for the recent surge (wear your masks, people!), cinemas could have seen their re-opening “under strict physical distancing protocols,” according to a proposed “Phase One” plan. Frankly, even when that was a possibility, at present writing the prospect of sharing a room full of recirculated air with hundreds of strangers seems so passé. And, you know, suicidal.

I shouldn’t quibble about theater air quality—in the ’80s, I used to work at a theater that still had a smoking section. But even if one takes precautions (like forgoing popcorn to wear an N95 mask), it’s difficult to imagine losing oneself in a film when every cleared throat could be a cornucopia of contagion.

And I love movie theaters; they’ve been good to me and I want them to survive. Besides some kind of quantum reset to get us back on a pre-pandemic timeline (and eliminate Trump and systemic racism in the process), I suppose all we can do is get healthy, which is a group sport (and not everyone is playing). 

Until then, I’ll stay home and experiment. Browser extensions like Netflix Party or Amazon Prime’s new “Watch Party” button are possible pathways to a shared cinematic experience. We successfully ported Happy Hour to Zoom, so why not movies? Last night I laid out $12 to stream Beyond The Visible: Hilma Af Klint, about the under-appreciated inventor of abstract expressionism. At least part of the ticket fee went to the Berkeley Art Museum/Pacific Film Archives (BAMPFA) via a digital daisy chain that included Roku, KinoNow on my mobile phone, and the microchip in my head. It was worth the hassle—and the dough—because cinema is still important. Movies are still big, it’s just, to borrow a line from Gloria Swanson, “the pictures that got small.”

Black journalists are needed now more than ever

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Last month, The Associated Press announced it would capitalize the “b” in “Black” when referring to people in a racial or ethnic context. In a June 19 blog post, John Daniszewski, vice president for standards, wrote, “These changes align with long-standing capitalization of other racial and ethnic identifiers such as Latino, Asian American and Native American. Our discussions on style and language consider many points, including the need to be inclusive and respectful in our storytelling and the evolution of language. We believe this change serves those ends.”

The Associated Press is the standard language for all journalists, and anyone who has studied in the field must be familiar with The AP Style Guide before graduating. As goes AP, so goes the mainstream press. Though seemingly innocuous at first, the style change is reflective of what is going on in journalism as the result of covering the deaths of George Floyd, Brianna Taylor, Elijah McClain, Ahmaud Arbery, Tony McDade, David McAtee, Nina Pop and countless others—and the resulting Black Lives Matter protests taking place all over the country right now. The heightened “need to be inclusive and respectful” when it comes to not only how Black people are covered in the news, but also an examination into who does the reporting, has inspired a long-overdue “day of reckoning” in mainstream journalism.

In a June 23 New York Times opinion piece, “A Reckoning Over Objectivity, Led by Black Journalists,”” two-time Pulitzer Prize–winner Wesly Lowry wrote, “The view and inclinations of whiteness are accepted as the objective neutral. When Black and Brown reporters and editors challenge those conventions, it’s not uncommon for them to be pushed out, reprimanded or robbed of new opportunities.”

This observation came following a June 6 Washington Post article, “Pittsburgh paper accused of barring Black reporters from covering protests, censoring stories,” which reported that a Black journalist and photographer had been pulled from covering Black Lives Matter protests there. In the article, photojournalist Michael Santiago says, “the paper has barred him and at least one other reporter from covering anti-racism protests in Pittsburgh because they are seen as biased for being Black. Journalists are also accusing the newspaper of removing and censoring at least two articles published online Friday that reported on protests over George Floyd’s death and police abuses, as well as of penalizing reporters who came out in support of their black colleagues,” while pointing out the possible remedy by saying, “With the country gripped by an anti-racism uprising, what’s been unfolding inside the local Pittsburgh newspaper has underscored one of the fundamental challenges American media faces with its coverage: a lack of diverse voices, including of black journalists, in newsrooms. It’s also laid bare the challenges of trying to change that.”

There are challenges ahead in changing the status quo and how we, as reporters and editors, mean to meet them. Former KRON on-air reporter, East Bay Bureau chief and CNN anchor, Soledad O’Brien, cited in her July 4 New York Times Op-ed that, “According to the News Leaders Association in 2019, 21 percent of newspaper employees and 31 percent of online-only news employees belonged to so-called minority groups—that includes African-Americans, Latinos, Asian-Americans and Native Americans.”

In a time when Black journalists are needed most, media outlets, old and new, have failed to meet the rising call for representation, while reinforcing white supremacy in hiring, reporting and access to opportunities. What this “day of reckoning” shows is that this was not done by happenstance, but by design.

As a Black editor in the Weeklys family of newspapers and the first Black, Culture Editor of East Bay Express (the new sibling paper of the Bohemian and Pacific Sun), I am committed to elevating all voices of our diverse community. If you or someone you know is a Black or Brown journalist who has been locked out of the industry, our door is always open.

Email D. Scot Miller at ds******@*****ys.com.

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Last month, The Associated Press announced it would capitalize the “b” in “Black” when referring to people in a racial or ethnic context. In a June 19 blog post, John Daniszewski, vice president for standards, wrote, “These changes align with long-standing capitalization of other racial and ethnic identifiers such as Latino, Asian American and Native...
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