Open Mic: Remembering Carl Reiner

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“Dying is easy, comedy is hard.”

This quote is purported to have been spoken by an English actor, Edward Gwenn, on his deathbed, when questioned about his health.

Carl Reiner, a comedy giant, has left the stage at only 98 years of age. Most Americans will not recognize his name or his contribution to the world of humor, but the above quote applies to him.

We old-timers have fond memories of the man. He wore many hats: auteur/actor/movie director, 1950s TV comedy writer (during the first days of live television­); creator of the revered 1960s sitcom, The Dick Van Dyke Show; and the man behind comedy albums such as his 2,000 Year Old Man album with fellow comedian/writer, Mel Brooks.

Comedy is hard—just ask any comedian. It is a tightrope, working without a net, thinking on your feet, where pushing the envelope is oftentimes required. It takes years to hone the art and craft of what is funny; to not shy away from topical material; to gauge the audience’s temperament; and to consistently set up, time and deliver the lines that will seduce the audience and melt them into fits of laughter. It takes not only courage, but chutzpah!

For those of us who came of age in the 1950s and ’60s, there were countless comedians who left a mark and influenced future comedians with their distinct styles,  leaving us breathless, tearful and perspiring, our faces and bodies tired and weak from convulsive laughter. These funny people found the humor in their own personal life experiences that displayed the collective human foibles within us all, and encouraged us to take a break from life’s difficulties—to not take ourselves and the world so seriously (not always an easy task).

Or, as Wavy Gravy says, “Keep your sense of humor, my friend; if you don’t have a sense of humor, it just isn’t funny anymore …”

Thank you Carl, for all the years of laughter.

E.G. Singer lives in Santa Rosa.

Letters: Signs of the Times

Why did the city allow this against the sign ordinance? When it rains who will clean up the mess! BAD DECISION by Petaluma. Shame on you!!!

Not in the Park!

via Bohemian.com

Good move, Petaluma. The Kindness Committee will certainly take care of the installation—and it never rains in the summer in Sonoma County. #blacklivesmatter #kindnesscommittee

Olive Petaluma

via Bohemian.com

Automobile Investigation

The following were online comments in response to a July 9 online article, “Focus of SR Police’s Investigation Into Porsche-Protester Incident Remains Unclear.”

As a person who was quite literally shoved out of the way of this vehicle after it sped past the front cyclist, yeah. There is a lot more than frustration for how the police handled this, the biased and awful press release, and this faulty, super-flimsy claim of the driver, who had her window up when she nearly hit me and “was punched” AFTER driving through a crowd of more than 150 peaceful people.

AL 1

via Bohemian.com

Two similar incidents at the June 26 march in Healdsburg are currently being “investigated” by HPD. Nothing has been done and now investigating officer Craig Smith has gone silent, not responding to my request for an update. Chief Burke is finessing the city council member who asked for info. So Alex Z gets to just drive right at a group of 50 protesters with impunity. I am disgusted.

Karen Miller

Via Bohemian.com

Marijuana Act reverses Nixonian law

Cannabis groups come and go, but NORML, the granddaddy of cannabis organizations, has been around ever since 1970. The National Organization for the Reform of Marijuana Laws has never wavered from its goal of making weed legal in every state and at the federal level.

Keith Stroup, 76, who founded NORML 50 years ago, still gets pleasantly stoned and still advocates for the rights of marijuana users. I met him in San Francisco in the 1980s and have followed his career ever since.

Stroup tells me: “Right now, NORML is behind the Marijuana Opportunity, Reinvestment, and Expungement (MORE) Act, a federal bill that would remove marijuana from the Controlled Substances Act (CSA), which reefer maniac Nixon signed into law in 1970.” He adds, “We have big support from the recently founded Cannabis Caucus in Congress, though the MORE act won’t pass until we remove Trump from the White House.”

A self-defined “farm boy” from Illinois, Stroup was radicalized by the War in Vietnam and the threat of the draft. He became a public-interest lawyer after meeting Ralph Nader, the consummate consumer advocate.

Stroup remembers that the marijuana future looked bright when Jimmy Carter became president, in part because his sons smoked weed. He also remembers that there was a shift even before the Georgia peanut farmer moved into the White House. In 1973, Oregon decriminalized cannabis. Nebraska followed in 1978.

“Then along came Reagan and there was no progress until 1996, when California legalized medical marijuana,” Stroup says.

When I asked Stroup why the federal government still classifies cannabis as a “Schedule I” drug with no medical benefits, he tells me, “Once something gets into the federal bureaucracy it’s hard to get it out.”

Most Americans, he says, want full legalization of pot.

“The majority of U.S. citizens are anti-Prohibition,” he tells me. “They think that the anti-marijuana laws have created far more problems than marijuana itself, which is increasingly used for a variety of medical reasons.”

In many ways, the U.S. is still in the Dark Ages when it comes to weed. Whites and Blacks smoke it in equal proportions, but across the country, Blacks are arrested 3.6 times as often as whites for possession. In some Ohio and Pennsylvania counties, Blacks are 100 times more likely to be arrested than whites, according to an April 2020 study by the American Civil Liberties Union.

“It’s none of the government’s business who smokes weed,” Stroup tells me. “There’s nothing wrong with responsible marijuana use.” 

Jonah Raskin is the author of “Marijuanaland: Dispatches from an American War.”

Musicians Munch & Chat in New Video Series

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Four months in, and social distancing is not getting any easier for anyone in the North Bay, especially artists, musicians and others who rely on social gatherings for income.

Such is the case with musician, event producer and promoter Josh Windmiller, who runs the Railroad Square Music Festival in Santa Rosa, among other music-related endeavors.

That festival, like many in the North Bay this summer, was cancelled due to Covid-19. Yet, Windmiller is not taking the summer off. Instead, he’s figuring out new ways to entertain the masses and support his fellow artists virtually.

In May, Windmiller took on hosting duties for the “Living Room Live” online variety show, hosted by the organizers of Rivertown Revival. This month, he and the Railroad Square Music Festival crew launch a new online project, RSMFtv, which will feature several virtual series exploring musical exploits of North Bay artists.

“RSMFtv is about fulfilling the mission of the festival without being able to assemble in masses,” Windmiller says. “Railroad Square Music Festival is here to showcase what Santa Rosa is and foster what it can be through the eyes of its artists.”

The new digital initiative, sponsored in part by the City of Santa Rosa, is aimed at highlighting local artists with different projects including a series of lyric videos, video blogs featuring album reviews, and RSMFtv’s latest series, a socially distant virtual talk show Musicians at Home Eating Food, which debuted last week on Facebook and Instagram.

The series, much like Jerry Seinfeld’s online sensation Comedians in Cars Getting Coffee, pairs food and conversation.

“It seemed like a good idea, because the restaurants are hurting and musicians are hurting, and this is a way to give some attention to both,” Windmiller says. “That’s a key part of this, how music and the concert experience and such can be paired with other aspects of life in the community. It also lets people see artists in a different way, other than just on the stage.”

The premiere episode of Musicians at Home Eating Food begins as all good things do, with coffee. In this case, Windmiller opens the show by picking up some coffee and brunch at Big River Coffee in Santa Rosa and delivering it (contactless) to accomplished local drummer, solo artist and social activist Libby, before the two engage in a socially distant conversation over Zoom.

Big River Coffee is a family-owned-and-operated business that’s been brewing coffee since 1991. With indoor dining cut, the café is still offering outdoor service and takeout, with a full espresso and coffee bar, pastries, made-to-order breakfast sandwiches, breakfast burritos and a lunch menu.

In the video, Windmiller orders an Everything Bagel for Libby and the “Next Level” Avocado Toast for himself, with a 16-ounce black coffee and a 16-ounce Aztec Mocha with oat milk.

“The toast was fantastic,” Windmiller says. “It was the top-of-the-line avocado toast.”

Based in Santa Rosa, Libby performs in several bands around the North Bay in addition to writing and performing under their own name. Libby recently released the full-length digital album, i forgive myself, a sequel to their 2018 album, TERROR JAZZ!!!.

Libby’s latest album is a cathartic cacophony of drums, Casio keyboards and experimental noise-rock elements that emulate the tones of an 8-bit video game sent through a threshing machine. While the record is instrumental, the sonic journey evokes an emotional response and Libby describes the record as “a picture into my brain” on the album’s Bandcamp page.

In the Musicians at Home Eating Food premiere, Windmiller and Libby engage in a long, free-flowing conversation that touches on topics such as those video games that inspired Libby’s sound, art, history, the Black Lives Matter movement, Libby’s involvement in the recent protests in Sonoma County and much more. At times funny, at times frank, the discussion is engaging and the food looks delicious.

“Libby’s album is very moving and powerful,” Windmiller says. “And then Libby taking a big role in these protests in the area, it made it an amazing opportunity to talk to someone who’s so present at these demonstrations, who’s put a lot of time and thought into this and is a great communicator in the community. To point a camera at them and get them really caffeinated seemed like a great idea.”

RSMFtv can be found at facebook.com/RSMFest and instagram.com/rsmfest.

Report: Santa Rosa Police Violated Human Rights During Protests

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[NOTE: This article was updated at 6:30pm with information from Chief Ray Navarro’s statement and the city’s After Action Report Request For Proposals.]

A 40-page report published by a Sonoma County commission this week offers the most comprehensive account so far of how police handled local racial justice protests in May and June.

At a meeting Friday, July 10, the Sonoma County Commission on Human Rights voted to publish and distribute a report titled “Human Right Violations in Santa Rosa California – Policing the Black Lives Matter Protests.”

In addition to detailing numerous alleged human rights violations by law enforcement officials during the recent protests, the report—which is available at the bottom of this article—summarizes several high-profile police-involved deaths and other incidents dating back to the 2000 publication of a U.S. Commission on Civil Rights report titled “Community Concerns About Law Enforcement in Sonoma County.”

All together, the Human Rights report describes the protests as the latest chapter in a decades-long history of distrust between residents—particularly people of color—and local law enforcement agencies.

“We felt it was really important to place these Black Lives Matter protests within the context of the history of white supremacy and racism in the county as well as the strained relationship between law enforcement and BIPOC (Black, Indigenous, and people of color) communities,” D’mitra Smith, the chair of the commission, said in an interview.

“When there’s a narrative of not really wanting to dig into that, you’ll see things posed in a kind of ‘Wow…where did these protests come from in idyllic Wine Country?,’” Smith added. “We felt that it was an opportunity to really talk about this stuff in a comprehensive way, because ever since I’ve been on the Commission (since 2012), we’ve been receiving reports of racist actions and assaults by police.”

The Human Rights report was prepared after the Commission hosted a June 19 meeting in which protesters described their experiences—some of which are detailed in the report—to local officials, including Santa Rosa Mayor Tom Schwedhelm, Police Chief Ray Navarro and Sonoma County supervisors Susan Gorin and Lynda Hopkins.

The commission, which had a $12,000 budget this year, is tasked with “Creating awareness of human rights issues faced by members of our community”; “Advocating for policy changes necessary to better protect human rights”; and “bringing attention to human rights issues of concern to County residents,” according to the Commission’s mission statement.

In line with the Commission’s mission, the report amplifies protesters’ demands, including having the city hire an “individual of impeccable and publicly recognized independence and integrity” to complete an independent review of the police department’s use of force policies, use of military-grade weaponry on residents and the human rights abuses described in the report.

The protesters also demand that police stop using tear gas, rubber bullets, grenades and other projectiles on residents, especially during peaceful protests. They also demand that SRPD discipline officers for the behavior detailed in the report, “with a minimum standard of termination of employment.” Lastly, the protesters demand that SRPD stop using kettling, a crowd control technique which involves compressing marchers into smaller and smaller spaces, which can lead an otherwise-peaceful protest to turn confrontational.

In a statement about the report released Tuesday afternoon, Navarro, the police chief, highlighted the city’s actions so far, including beginning work on a “Community Empowerment Strategy,” establishing a city council subcommittee, and banning the use of the Carotid restraint, days after Gov. Gavin Newsom announced that he would remove the controversial neck restraint from the state law enforcement training manual.

“We take allegations of violence against protestors and/or misconduct very seriously and investigations related to filed complaints are underway,” Navarro stated, before adding that the city is in the “final selection process” of hiring a contractor to complete an After Action Report (AAR).

A review of the city’s Request For Proposals, a document used to hire an outside contractor, indicates that the scope of the AAR will be limited to the first week of protests—May 30 through June 5—and be subject to edits by Police Department and city staff prior to presentation to the City Council.

Additionally, the RFP states that although the SRPD “received mutual aid from several Sonoma County agencies and the CHP (during the timeframe covered by the report). This AAR should remain focused explicitly on the Santa Rosa Police Department’s planning and response to the events.”

Proposals for the RFP were due on June 30 and the city expects to select a contractor in July, according to an estimated timeline included in the RFP.

[UPDATE – July 15, 10:30am: The Sonoma County Commission on Human Rights has released a statement in response to Chief Navarro’s July 14 statement.]

Historical Matters

The timeline laid out in the Human Rights report begins in 2000 when the Citizens Advisory Committee to the U.S. The Commission on Civil Rights published a report outlining community concerns about local law enforcement agencies’ practice.

“At a September 24, 1997, meeting in Santa Rosa with Commission staff, community spokespersons detailed their frustration with officers who, they allege, view deadly force as the only alternative; questioned the methods of investigation of shootings; noted their lack of confidence in the system; alleged the district attorney allowed the department whose officer perpetrated the shooting to investigate; suggested that officers are not trained to deal with mentally impaired individuals; alleged the departments try to ‘criminalize’ their victims and marginalize their critics; generally noted that the police departments and county sheriff have poor communications with the communities they serve; and alleged the police are not accountable to anyone,” the 2000 Human Rights report states.

According to the Human Rights report—and the concerns local protesters have raised during recent protests—little has changed in the past two decades.

High profile cases over the past 20 years described in the Human Rights report include the 2007 killing of Jeremiah Chass, a 16-year-old Black youth, in Sebastopol; the 2013 killing of Andy Lopez; a 2015 lawsuit against the county over the Sheriff’s “yard counseling” policy; the 2017 killing of Branch Wroth in Rohnert Park; and, most recently, the killing of David Ward on the morning of Nov. 27, 2019. According to a count cited in the Human Rights report, Sonoma County law enforcement officers have been involved in the deaths of 91 people since 2000.

Despite the continuation of high-profile deaths involving local agencies, the law enforcement agencies named in the 2000 Civil Rights report—the Santa Rosa Police Department, the Rohnert Park Department of Public Safety and the Sonoma County Sheriff’s Office—have not fulfilled one of the report’s central recommendations: creating civilian review boards, the Human Rights report states.

Instead, in the years after the 2013 killing of Andy Lopez and associated protests, the county created the Independent Office of Law Enforcement Review and Outreach (IOLERO), an independent office with limited powers to review internal investigations by the Sonoma County Sheriff’s Office.

In 2016, Santa Rosa hired an attorney to review the Police Department’s policies and internal investigations but, in late 2018, after a public disagreement with the City Council, the city declined to renew the attorney’s contract. So far, the city has not hired a new auditor.

On top of the high-profile cases, the report cites decades-long community concerns about racist policing grounded in the region’s Confederate ties.

“This Commission has received numerous reports that law enforcement agencies regularly engage in arbitrary stops and questioning of BIPOC (Black, Indigenous, and People of Color) residents, and that racial profiling is understood to have been the standard procedure of all (Law Enforcement Agencies) in Sonoma County for generations,” the report states.

The report also describes similar community reports of white supremacist behavior by law enforcement, which “is believed by many to correlate to the deep historical relationship to the Confederacy that exists in Sonoma County,” as recorded in newspaper archives, oral histories and apparent today in the ongoing use of Confederate flags.

Protest Accounts

The report goes on to detail law enforcement agencies’ response to local protests over the past six weeks, including several protesters injured by law enforcement’s “less-lethal” weapons and the June 2 mass arrest of over 100 protesters during Santa Rosa’s short-lived curfew order.

In addition to the agencies’ actions during protests, the report also raises concerns about statements by local officials—including the District Attorney and Santa Rosa Police Department—which protesters believe suggest that local law enforcement officials hold a bias against protesters.

“The lack of adequate investigation of… incidents (involving protesters), combined with the violent policing tactics used by SRPD against peaceful protesters, has created an environment of extreme distrust among community members, who believe SRPD has displayed an institutional bias against peaceful protest of police violence, and in favor of those who would harm protesters,” the report states.

Some of the cases which have caused distrust between law enforcement and protesters involve motorists threatening protesters with their vehicles. The Human Rights report lists eight instances of possible vehicular assault reported by protesters, beginning on May 30 when a red truck drove through a protest in downtown Santa Rosa. So far, local law enforcement have only made an arrest in the May 30 incident, according to the report.

The most recent high-profile case happened during an evening march in Santa Rosa on June 20, when multiple protesters filmed a white Porsche SUV directly towards the crowd. The driver, ignoring protesters’ pleas to slow down and drive around the march, accelerated into the crowd instead.

In a press release the next day, the SRPD spread an account of the incident slanted in favor of the driver.

Nearly a month later, despite several videos of the incident and dozens of accounts by protesters, it remains unclear whether the police investigated the protesters or the driver. The Sonoma County District Attorney’s office began reviewing the case on July 7.

The Human Rights report includes more stories than we can fit in one article. The full report is available here.


Lucy Liu Talks to You in Virtual Art Tour

Award-winning actress, director, social justice advocate and artist Lucy Liu was in Yountville last February to celebrate her first U.S. solo art exhibition, “Lucy Liu: One of These Things Is Not Like The Others,” at the Napa Valley Museum.

Best known for roles in films like Charlie’s Angels and Kill Bill, Liu is now making waves in the art world with large-scale and deeply personal works such as erotic Japanese “shunga” woodblocks and paintings, embroidered art, found-object sculptures and silkscreens featuring bold designs and even bolder subject matter.

“We wanted to showcase women who were doing something extraordinary,” Napa Valley Museum Executive Director Laura Rafaty said in February when the exhibit opened. “Lucy’s work is very intimate, in some ways shockingly so. It’s emotional, it wants you to challenge cultural and gender stereotypes and I think people are going to find it thrilling to see.”

All of these impressive works of art were on display at the Napa Valley Museum until the Covid-19 pandemic shut the museum’s doors in mid-March.

While other venues in Napa County have begun opening back up, Napa Valley Museum is still shut to the public, due in part to the fact that the museum sits on the grounds of the Veterans Home of California. In the meantime, the museum has put together a virtual art tour of Liu’s exhibit, available now online.

The interactive 3D online tour of “Lucy Liu: One of These Things Is Not Like The Others” allows visitors to virtually walk through the museum’s gallery as if they were there in-person.

The tour includes a special message from Liu welcoming visitors to the exhibition and explaining the meaning behind her deeply personal works of art.

The virtual tour is a fundraiser to help the museum reopen its galleries. Reopening is tentatively scheduled for August 1, and the “Lucy Liu” exhibition will be extended through September.

“We are thrilled to give Lucy’s fans all around the world the opportunity to see her extraordinary artwork through this virtual exhibition at the Napa Valley Museum Yountville,” says Rafaty in a new statement. “Lucy has been wonderfully generous in allowing us to extend the exhibition through September and in granting permission for this tour, which preserves this first U.S. museum exhibition of Lucy’s work.”

In addition to Liu’s wood sculptures and oversized paintings, the virtual tour showcases works from her “Totem” series, in which intricate embroidered “spines” are fashioned from fabric, paper and thread. Also on display are examples of her silkscreens, and artworks from her “Lost & Found” series, in which found objects are incorporated into books, which become works of art themselves.

The virtual tour also features videos of Liu working in her studio and talking about her art to provide additional insight into her process and inspiration. Throughout the tour, visitors can see the large-scale works up close by clicking on the artworks.

The exhibition also features videos displaying the creation process behind her silkscreens and found object series, and it incorporates an example of a traditional Japanese Shunga hand scroll like those that inspired Liu’s woodblocks, provided by San Francisco’s Asian Art Museum.

“I’m so happy to collaborate with the Napa Valley Museum and to share my work with the community,” Lucy Liu says in a statement about the exhibition. “Art has been an important part of my life and development since I was a child; it helps cultivate imagination and also fosters critical thinking skills. Supporting lifelong arts education is imperative and I am thrilled to be a part of this important endeavor.“

To view the virtual tour, visitors are asked to make a suggested donation of $5 to help the museum make health and safety improvements to the galleries to combat Covid-19.

Due to the exhibit’s adult subject matter, Napa Valley Museum recommends that those under 18 get parental permissions to visit the exhibit virtually.

Napa Valley Museum is also offering a free virtual tour of it’s other current exhibition, “Not From Around Here,” its fourth annual youth art show presented in partnership with Napa’s Justin-Siena High School visual arts department.

Nearly 30 student artists are participating in this year’s online exhibit, representing Justin-Siena High School, Vintage High School, The Oxbow School, Saint Helena High School, Marin Catholic High School and Novato High/Marin School of the Arts.

NapaValleyMuseum.org

Meet a ‘Calistogan’ at Napa Valley Art Exhibit

Since moving to Calistoga in 2015, editorial photographer Clark James Mishler has taken hundreds of photo portraits as part of an ongoing “Portrait a Day” project that appears in the Calistoga Tribune’s weekly column “Who We Are.” Some of the photos are funny, some are poignant and all are uniquely “Calistogan.”

In March of this year, Mishler collected several of these photo portraits in a major exhibition at Calistoga’s Sofie Contemporary Arts. That show opened on March 8, and featured hundreds of portraits of locals grouped into categories such as At Work, At Home, Individuals, Family, Friends, Artists and Best Friends—which highlights Calistoga residents with their family dogs.

Like other venues in the region, Sofie Contemporary Arts was forced to close its doors as the Covid-19 pandemic forced the North Bay to shelter-in-place, and the exhibit was shuttered in mid-March. Nearly four months later, Napa County’s restrictions have eased, and Sofie Contemporary Arts is able to welcome back visitors for a new opportunity to see these portraits and to meet Mishler.

On Saturday and Sunday, July 18–19, Sofie Contemporary Arts hosts a “Meet the Artist” weekend, with the “Calistogans” exhibit on display and Mishler on-hand to answer questions and share stories about the scores of people who live or work in or near Calistoga.

Because of the very limited access to the exhibit, the gallery is offering a 40-percent discount this weekend to multiple purchases of the works. Increased sanitation measures are being implemented and all protocols for safety, including face coverings and social distancing, are required.

“The ‘Calistogans’ series is beautifully photographed and its technical and formal artistic elements are extremely satisfying, but Mishler also reveals the subjects and their surroundings in the most sensitive, authentic and appealing way,” Jan Sofie, gallery director and exhibit curator, says in a statement. “Some are quite funny and many extremely poignant, but the best part for me is that although the portraits depict simple moments and commonplace aspects of life we are all familiar with, they are also so intensely human, the viewer can’t help but be moved.”

The unframed works are installed clipped onto tiered wires, in their related groups. Sofie says this contemporary approach creates an accessible exhibition that both visitors and locals will appreciate.

“The idea here is that Calistoga is both exceptional and comfortable in itself,” Sofie says. “We wanted the exhibition structure and shape to communicate the sense of our strong, honest and beautifully diverse community that Mr. Mishler so deftly portrays.”

Before moving to Calistoga in 2015, Mishler spent several years in Alaska. In 1970, he first worked with a documentary film crew specializing in community development in the lower Yukon delta. In 1977, he took the job as layout editor at the National Geographic Magazine in Washington, D.C., though he soon returned to Alaska in 1979 and became a freelance editorial photographer, a profession he continues to practice and enjoy today.

Mishler’s “Portrait a Day” project also dates back to his time in Anchorage, Alaska, and he kept the project going on his first day in Calistoga in 2015. Mishler says that photographing those who live and work in Calistoga has made the transition smoother and greatly helped the couple assimilate into the community and meet many new friends.

“Beyond that, I think that these portraits in the Tribune have helped all of us better know our neighbors and, in some cases, made it easier for us to reach out across social, economic and cultural lines,” he says.

“I think the best reason for making a portrait every day is that it keeps me on my toes, gets me out the door and has taught me to be a better photographer,” Mishler says. “Most of all, I love meeting the people of Calistoga while documenting who we are at this time and in this place. I just hope to continue the project as long as I’m able to hold a camera in my hands.”

‘Calistogans’ displays with Mishler present on Saturday and Sunday, July 18–19, at Sofie Contemporary Arts, 1407 Lincoln Ave., Calistoga. 12:30–4:30pm each day. 707.942.4231.

Focus of SR Police’s Investigation Into Porsche-Protester Incident Remains Unclear

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Nearly three weeks after an unidentified motorist drove through a crowd of Black Lives Matter protesters marching in Santa Rosa, basic details about the Santa Rosa Police Department’s investigation into the matter remain unclear, angering protesters who say the driver’s actions threatened their lives.

On June 20, a motorist in a white Porsche Cayenne drove through a crowd of Black Lives Matter protesters marching along Santa Rosa’s Sonoma Avenue. Since then, dozens of protesters who witnessed the incident have reported it to the police, alleging that the motorist drove recklessly with intent to injure protesters.

At least three witnesses submitted video of the event along with their police reports. The driver, whose identity has not been revealed by police, reported the incident, too, alleging protesters attacked her.


SRPD’s Violent Crimes Investigation Team (VCI) conducted an investigation and turned their findings over to Sonoma County District Attorney Jill Ravitch’s office on Tuesday, July 7, according to Santa Rosa police lieutenant Jeneane Kucker, a department spokesperson.

“This case has been sent to the DA at this point for a decision on prosecution. Our VCI team thoroughly investigated the case and interviewed more than 25 (plus) [sic] people involved,” Kucker told the Bohemian in an email.

On July 8, Brandon Gilbert, an assistant to Ravitch, confirmed that the prosecutor’s office is reviewing the case.

“We just received the investigative report and it is under review,” Gilbert said. “We will be reviewing all digital media as well.”

Still, it’s not clear yet who the police actually investigated.

Lt. Kucker twice did not respond to questions asking whether the VCI investigated the driver, protesters or both as possible perpetrators.

That lack of clarity and publicity seems appropriate for the case given that the SRPD’s initial public statements about the incident seemed slanted in favor of the driver, in contrast to multiple videos of the event circulating online.

A press release issued by SRPD the day after the June 20 event created alarm among protesters that the driver was described as the victim. The SRPD press release described the motorist as a nurse who had gotten off work at a local hospital, and multiple news websites wrote articles that relied only on the SRPD release as a source.

According to the release, the motorist alleged that she was followed by someone on a bicycle who punched her in the face when she stopped her car. Protesters who witnessed the driver accelerate through the crowd doubt this claim.

The Bohemian asked Lt. Kucker, “How did SRPD determine that the driver was punched? What evidence supports that?” Lt. Kucker did not answer these questions either.

Alleging that police and media dangerously misrepresented protesters in their reporting, a group of about 20 witnesses gathered on two occasions to demand justice from SRPD and the DA’s office.

Sophia Grace Ferar, one of the organizers of these follow-up actions, said that the event’s media coverage frustrated her deeply. She noted that SRPD issued no subsequent press releases about the event, despite telling a witness that they had received 60–70 statements from protesters.

“We were almost run over and the only difference between us and Summer Taylor, who lost her life [during a protest in Seattle], is that we had security in front of us who gave us a heads-up,” said Ferar. (The King County Prosecutor charged the driver who killed Taylor with vehicular homicide, vehicular assault and reckless driving on Wednesday.)

On July 7, Ravitch and six deputy DAs came to Santa Rosa’s Old Courthouse to meet with a group of protesters. Though prompted by the investigation into the incident between the motorist and protesters, the meeting was broader in scope.

Delashay Carmona Benson, a local Afro-Latina activist and community organizer, spoke with Ravitch before and at the meeting. Carmona Benson says that she will be assembling a committee of Black and Indigenous community members who will meet with Ravitch every two weeks.

“Everything starts with dialogue,” Carmona Benson said.

When asked whether she feels optimistic about her interaction with Ravitch, Carmona Benson said, “I felt she was listening and that she was responsive.”

Carmona Benson told Ravitch she wants to meet with judges, parole officers, probation officers and people from the family law division. She says Ravitch has already begun to put her in touch with those people, as promised.

Regarding the meeting, Gilbert said, “[Ravitch] plans to continue to engage with all members in the community she was elected by and lives in. She believes strongly that all voices should be heard and that dissent should be respectful and not dismissive. She believes this is an important time for all of us, and we need to focus on working together for positive change. She has pledged to be part of that effort.”

Carmona Benson said, “It’s her job to work for the people. We elected her. I think she knows I’m not afraid to tell the world if she’s not doing it.”

Press Democrat Parent Company Resigns From Business Group Following ‘All Lives Matter’ Blog Post

In an interview Wednesday afternoon, North Bay Business Journal publisher Brad Bollinger told the Bohemian that the Journal and its parent company, Sonoma Media Investments (SMI), have left a local business group following a controversial blog post by the group’s former president.

Sonoma Media Investments, founded in 2011, now owns the Santa Rosa Press Democrat, North Bay Business Journal, Petaluma Argus-Courier, Sonoma Index-Tribune, La Prensa Sonoma, Sonoma County Gazette, Sonoma Magazine and Spirited Magazine.

The Sonoma County Alliance (SCA), a business networking group, was founded in 1978. Despite its politically-influential membership, the organization was likely not a household name until the group’s board president Doug Hilberman published his thoughts on the nationwide Black Lives Matter protests on June 26.

“Speaking for the Sonoma County Alliance and as a community member, I strongly believe that ALL lives matter,” Hillberman’s post, now available on the Internet Archive, begins.

Hillberman’s post, specifically the use of “all lives matter,” a statement which Black Lives Matter supporters say diminishes the greater oppression faced by people of color in America, went somewhat viral as local social media users responded in outrage. Hillberman resigned from the SCA one day after his blog post. Since then, a number of SCA members have left the group as community members continue to criticize the organization’s lack of diversity and past actions.

Brian Ling, the SCA’s executive director, did not respond to a request for comment on Wednesday.

A list of SCA members published by the North Bay Business Journal in Sept. 2019 shows that Bollinger, the Business Journal’s publisher, was an SCA board member and that Business Journal itself was a sustaining member of SCA, a distinction which costs $1,475 per year, according to the SCA’s website. Another employee of Sonoma Media Investments and the Press Democrat held a general membership, according to the 2019 membership list.

For the past two weeks, the Press Democrat has covered the SCA saga without mentioning that the paper’s parent company and the Business Journal were SCA members.

The Bohemian emailed Bollinger and other SMI employees at 1:02pm this afternoon. Since then, the Press Democrat and the Business Journal have updated recent articles with an announcement of SMI’s decision to leave the SCA. An editor’s note at the bottom of the articles states that “This article has been modified to include information about the departure of the Journal from the Sonoma County Alliance.”

In an interview Wednesday, Bollinger said that the company’s choice to leave had “been developing for the past few days.” Bollinger acknowledged that the company’s previous articles should have disclosed the company’s SCA membership.

“In retrospect, in the first stories that we did… it would have been best if we had said ‘North Bay Business Journal is a member’ and ‘SMI is a member’… but the fact is that we’ve resigned from the organization so that we can focus on this important community discussion around inclusion, equity and diversity,” Bollinger said.

“We feel that as news organizations… it’s our responsibility to cover this important conversation around these issues: Inclusion, diversity, equity. And we will do what we do all the time is that we [act as] an uninterested party. We want to cover all sides. We feel that we could not do that and be [SCA] members at the same time,” Bollinger continued.

“We have taken the step of resigning our membership so that, as we move into a robust discussion and real actions to increase diversity, equity and inclusion in our communities, the Business Journal can, as always, fulfill its fundamental role as impartial observer,” Bollinger said in a separate prepared statement.

Longtime readers of the Bohemian will know that we’ve long been critical of the SMI publications’ coverage of the company’s lead investor, Darius Anderson. Anderson, who owns Platinum Advisors, a lobbying firm with offices in Sacramento, San Francisco, and Washington DC, assembled the group of investors behind SMI in 2011.

Despite Anderson’s prominence in state and local politics, SMI publications rarely disclose who Anderson is working for in coverage of Platinum Advisors’ clients.

Last year, for instance, the Bohemian reported on the Rebuild North Bay Foundation, a nonprofit Anderson founded shortly after the Oct. 2017 wildfires. Although the SMI publications frequently ran articles about Rebuild—and the fact that Anderson founded the organization—they never mentioned that PG&E hired Anderson’s Platinum Advisors lobbying firm between March 2018 and Nov. 1, 2019, or that Rebuild was mostly funded by a $2 million contribution from PG&E in December 2017.

Asked whether SMI publications should disclose Anderson’s lobbying clients and business ventures similar to how they are now mentioning the company’s former SCA membership, Bollinger defended SMI’s track record.

“Journalists face this all the time: what to disclose and when. I think we’re a very open organization. [Anderson’s] relationships are widely known, so I can’t speak specifically to which story and when and what, but I can tell you this: Darius is committed to community journalism 110 percent,” Bollinger said, noting that many local newspapers around the country are shutting down. 

Do you know who Platinum Advisors’ current clients are? Click here to find out.

Apres Nous

0

Je dis ça, je dis rien is a French idiom that translates literally as, “I say that, I say nothing.” Its nearest English counterpart is the comparatively flip “just sayin,’” which is as close to a raison d’etre as I can presently muster for this column.

You see, the problem with being a humorist during unfunny times is that the joke is inevitably on me. Fortunately, self-satire is a forté of mine. Perhaps it’s a defense mechanism developed from bearing a weird name or a career spent pissing in the wind from the bloodshot eye of a storm of mixed metaphors. Or, I’m just regardant mon nombril

This much we know—I made a pledge to avoid writing about Bay Area Bastille Day celebrations because A) encouraging people to gather during a pandemic is irresponsible and B) Francophiles. 

To avoid both, and the possibility of accidentally writing about them, I decided to flee the area and hide outside the jurisdiction of my beat. San Francisco seemed safe. Traffic at the Robin Williams Tunnel was at a standstill. Why the Marin side of the tunnel’s triumphant arches aren’t festooned with Mork-inspired rainbow suspenders and half-moon button is an opportunity missed. I didn’t, however, miss the opportunity to exit, which is why I was soon strolling Sausalito’s Caledonia Street. 

I took a socially-distanced seat outside the nearest café, which turned out to be called Fast Food Français. The name sounds like an oxymoron. Does gourmand France even have fast food? I suppose if Tarantino is to be believed, there is such a thing as a “Royale with Cheese,” ergo there must be a Gallic McDonald’s. 

I ordered a glass of Mourvedre. And yes, it’s difficult to sip wine through an N95 mask but, to misquote Jeff Goldblum, “wine finds a way.” I ordered French fries. They came wrapped in a fake French newspaper. I began to write for this real newspaper in English: How to Celebrate Bastille Day. Pro-tip—sing. 

There’s probably a Bastille anthem but neither of us knows it, so just crank the U2 but sing “Bastille Haven’t Found What I’m Looking For.” Or, whenever you encounter a gaggle of un-masked Trump supporters, re-enact the scene in Casablanca when the French refugees sing “La Marseillaise” over their German occupants croaking “Die Wacht am Rhein.” Then switch to the Beatles’ “All You Need Is Love” if they figure out the political subtext. Or, don’t. 

Daedalus Howell is revolutionary at DaedalusHowell.com.

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