Pete Kronowitt Rallies on Record and Online

San Francisco–based musician Pete Kronowitt combines playful folk melodies with serious political messages in his new album, Do Something Now.

The music is inspired by the folk songs of the late ’60s and ’70s, and the messages touch on timely topics, though Kronowitt doesn’t simply talk the talk; he is taking action as the founder of Face the Music Collective, which mixes music and fundraising for progressive political candidates throughout the country.

Before Kronowitt—a longtime professional in the tech industry—moved to San Francisco from the East Coast in 2012, his music was largely a personal endeavor.

“I was just playing guitar and writing songs, I didn’t have a sense that I could sound like those folks on the radio,” he says.

Once Kronowitt decided to record his first album some 25 years ago, he was introduced to producer John Alagia (Paul Simon, Dave Matthews, John Mayer) and suddenly Kronowitt’s hobby became more than that.

“I continued to write and record while I was working in tech,” he says. “It’s something that became part of me. I interpret life through writing songs, whether it’s something eternal or something personal. I wasn’t writing for other people, I wasn’t writing to sell music.”

Fast forward to 2016. Kronowitt had recently left his job in tech to focus on songwriting, recording an album in Nashville and touring a bit. Then, Donald Trump got elected.

“I had been writing political songs because of the environment we were in,” Kronowitt says. “When Trump got elected, my wife and I decided we were going to dedicate more of our lives to grassroots activism.”

In learning how grassroots activists organized and accomplished their goals, Kronowitt wondered how to combine his music and his newfound activist spirit. Earlier this year, Kronowitt formed Face The Music Collective to help foster civic engagement through music and art.

Before the Covid-19 pandemic ended social gatherings, Kronowitt was taking Face The Music on the road and touring places including Virginia to fundraise for progressive political candidates.

“It was heartening and fun and all the things you would want in a music tour,” Kronowitt says. “We were playing for people who cared about the cause that we were dedicating ourselves toward, and we got new people to get engaged.”

When the pandemic hit, Kronowitt and Face The Music Collective began organizing and performing online shows for progressive candidates that still featured local guest performers and artists in those markets. Recently, popular Wisconsin-based singer-songwriter Willy Porter headlined “Songs for Robyn Vining” to raise $7,000 for the re-election campaign for the Wisconsin State Assembly District 14 representative.

Other artists who have joined the collective include Nashville-based singer-songwriter Will Kimbrough, who says the collective, “is providing the tools and resources to inspire action, one event at a time.” Bay Area artists participating in the endeavor include Vicki Randle of Oakland alt-rock band Skip The Needle, indie-pop songwriter Dawn Oberg, Americana artist Jesse Brewster, and longtime songwriter and producer Scott Mickelson, among others.

“In each of these shows, there is definitively hope,” Kronowitt says. “The enthusiasm to make a difference right now is visceral.”

For his own new record, Do Something Now, Kronowitt worked with engineer Spencer Hartling at Tiny Telephone Studios in San Francisco and employed several of his closest musician friends—including bassist John David Coppola, drummer Darian Gray, guitarist Justin Kohlberg, steel-guitarist Tim Marcus and vocalist Veronica Maund—to fill out his studio band.

“I was really moved by the musicians who played on the album,” Kronowitt says. “It was a small group of people who were phenomenal, it was a joy to record the album.”

Many songs on the album take shots at the current political moment, with titles like “Are We Great Yet?” and “Truth Will Set Us Free.” Other tracks, such as “Roly Poly” and “Stay Safe,” touch on issues like climate change and the pandemic, though the album is not all gloom-and-doom. In fact, many songs take a light-hearted approach to the melody, and Kronowitt admits he gets lyrically “sarcastic and obnoxious in some songs on purpose.”

While Kronowitt is not planning any large album-release party, he and Face The Music Collective are staying busy on the performance front. This weekend, Kronowitt and award-winning bilingual singer-songwriter Nancy Sanchez will lend their support to Kathy Knecht’s campaign for the Arizona state House in Legislative District 21 with a virtual concert on Saturday, Oct. 3, at 7pm; Kronowitt will also perform alongside banjo-master Joe Newberry in a online fundraising concert for Jeanne Supin’s campaign for North Carolina State Senate, District 45 and Jenna Wadsworth’s campaign for Commissioner of Agriculture on Sunday, Oct. 4, at 4pm.

“We have maybe 10 more shows in the queue before the election,” Kronowitt says. “I wanted to encourage people at this moment. It’s the action that is meaningful.”

Listen to “Do Something Now” at petekronowitt.bandcamp.com, and get details on Face the Music Collective virtual concerts at facebook.com/FacetheMusicCollective.

Novel Puts Pot Farmer in Dystopia

Alison Stine’s new thriller takes place in a world racked by climate chaos. The main character, a woman named Wylodine (Wil to family and friends), cultivates cannabis and vegetables. She’s a valuable human being in an apocalyptic near-future in which she must fight to survive.

Road Out of Winter ought to be of special interest to pot farmers and dystopians, though one doesn’t have to be either to enjoy the narrative that takes Wil through a series of adventures and misadventures in Appalachia, a region the author knows well.

Stine grew up in a family of farmers. She lives now in Denver, Colorado, but she spent much of her adult life in Athens County in rural Southern Ohio, where there was poverty aplenty and music, food and community.

“The idea for my novel was a world in which spring never comes,” Stine explained during a phone conversation. “Road Out of Winter has been classified science fiction, but it doesn’t feel like that to me. We’re barrelling toward the world I’ve written about.”

Until recently, growing cannabis in Ohio was illegal and underground, with aspects of criminality.

“I have used cannabis,” Stine says. “For me it’s like drinking champagne. I think all plants are magic. The Earth can give us so much if we take care of it.”

Road Out of Winter is dark, but not depressing. Readers will probably identify with Wil and enjoy the other main characters, including an environmentalist named Dance, who seems as if he might have stepped out of the forests of Northern California.

“Everything’s fucking falling apart,” he says soon after he shows up in the pages of the novel.

Dance has some of the best lines, but so does Wil, who tells her  friend, Lisbeth, that cannabis “can do good things. It’s medicine and I believe it should be legal.” Dance is New Agey, but some of the other male characters are menacing and a threat to Wil.

Stine tells me: “I’m a single mom raising a 10-year-old son, which can be a challenging thing in a world in which many men often don’t show their feelings and vulnerabilities and express compassion.”

She’s completed another novel, titled Trashlands, in which plastic has taken over the Appalachians. It features a young mother who must choose between “love and survival.” Publication is fall 2021. “If the world is still here,” Stine says.

Her dream, she says, “is to live on a farm and grow things.” That’s ironic. “Having grown up on a farm, farming was the last thing I wanted to do.”

Jonah Raskin is the author of “Marijuanaland: Dispatches From an American War.”

Covid-19 vs. Live Music

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Never, in my wildest dreams, did I think there would come a time when a dedicated professional musician would not be able to find a stage to perform on.

Granted, opportunities for paid live performances have shrunk exponentially for the entirety of this century, but I’ve made it my mission to find the bars, nightclubs and eateries that pay enough for me to hire quality players. There’s a standard gallows-humor joke among musicians that every gig just might be their last, largely because the music “industry” is about as whacky as Ted Nugent’s gun-ownership philosophy—and always has been. 

My last gig took place on Feb. 23, Fat Tuesday, at a place called Taps, in Petaluma. There I presented a 4-piece blues band. It went well—the audience was appreciative and I got paid. I guess the question is, “Was that my last gig?”—the one that will be etched, along with my name, on my gravestone?  

Covid-19 has created daily life-and-death situations all over the world, with tens of millions of people losing their ability to put a roof over their family’s head and to buy groceries. I’m the first to admit it is only logical for live music to have subsequently taken a place at the bottom of humanitys’ priority list. On March 18 the “Shelter-in-place” order was issued and Petaluma immediately transformed into a Rod Serling-esque, post–World War III movie set. It was as if someone pulled the pin on the sidewalk hum and energy we’ve always taken comfort in. The town appeared to be in dire need of instant ventricular fibrillation. So … what to do?

I took stock of the situation: First, there was going to be absolutely no budget for any local venues to hire bands. Second, as a front man (a singing horn-player) I have never considered performing by myself. Third, I have never played on the street, largely because I consider it to be the opposite of anything remotely professional. Fourth, I used to be so strict about the concept of professionalism that I never considered having a tip jar until two years ago.

So, at the end of that following week, I devised a plan: I took my small horn (the flugelhorn) down to the base of C Street, stood between the Riverfront Cafe and Ayawaska, and began to play. The restaurants were all still on lockdown; so I only played to the overtly non-responsive cement, bricks and glass. Once in a while a stray, wandering couple would wave and applaud from 40 yards away. The slow, plaintive single-line blues I played seemed to match the city’s mood. Plus, the hour-and-a-half I performed allowed me to believe there was a tiny ray of hope for the return and continuation of live music in my lifetime and in my adopted town.

At last, after six weeks, when businesses partially reopened, I had a small Sunday breakfast audience to the left and to the right. I swallowed my pride and placed a tip bucket on the sidewalk. People responded generously. What was happening? Had I unwittingly become the street musician I never wanted to be? 

And so it goes. Every Sunday morning I set up on the sidewalk, promptly at 10:30am, and proceed to pretend there are lights, curtains, microphones and all the rest of the former trappings of my trade—hoping that the future is kind enough to allow the real thing again one day.

Letters: On the Grange

In a recent article titled “Cannabis Growers Revive the Hessel Grange” (Rolling Papers; Sept. 23), it was erroneously mentioned that Community Alliance with Family Farmers (CAFF) “steers clear of anything that smells or smacks of cannabis and hemp.” Not true. While our organization does strive for a strong local food system, we promote any crop grown by family farms using practices rooted in healthy soils, ecological stewardship and equity. 

Diversity is what makes an agricultural community resilient. For the North Bay, that means working to ensure our farmland can sustain a myriad of food crops alongside more lucrative medicinal or recreational crops such as cannabis and wine grapes. Even better is when farmers can integrate holistically, rotating crops year-to-year, grazing sheep through vineyards, even subsidizing lower-profit carrots with higher-margin cannabis. Whether it’s dairy, hemp or wine, the question really ought to be how we grow, not just what we grow. 

Evan Wiig

Director of Membership & Communications

Community Alliance with Family Farmers

Tale of Two Centers

Read your article (“RH’s New Rooftop Restaurant,” Sept. 23), starting with “After months of construction at the North end of the Town Center of Corte Madera’s parking lot…” Only problem is you got the wrong shopping center! 

I drove twice around the Town Center of Corte Madera today, couldn’t find RH. Decided to check the internet and found RH is located in the Village at Corte Madera. The Town Center is on the west side of 101; the Village on the east side.

Have you been? Check them out. Two shopping centers with a somewhat different flavor. The Village caters to more upscale tastes, the Town Center more to practical needs.

Margaret Schlachter

Mill Valley

Toilet Paper: A Poem

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By Sandra Rae Davies

 Only white please

 Kleenex for a sneeze

 Two ply for me

 Recycled green

 Doesn’t matter now

 No choices

 Shelves are bare

 We don’t care

 Paper towels will suffice

 Not nice on pipes

 Have to wipe

 Bring home to wife

 Sends me back

 Another store

 Another roll

 Last one just sold

 Home empty handed

 I’m branded

 A fool no less

 Without paper to clean a mess

 Take a shower

 Ask neighbor to borrow

 One ply will do

 Pay extra for two

 World’s a mess

 Crazy no less

 Fresh air in demand

 Closed all the cans

 Paper hoarder

 Get a life

 Leave some for others

 Share with your brothers

 Sandra Rae Davies lives in San Anselmo.

Nietzsche Is Peachy

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If you’re reading this, I will presume that you’re still alive. Congratulations. This is a difficult feat to accomplish these days. Maybe even more difficult than reading this while dead, not to get us into any sticky religious implications. 

Just know that the universe has a habit of conspiring against you, Dear Reader—what with the ongoing infernos, plague, heat waves and all, not to mention the political strife and looming second civil war. Despite all this, you persist, you survive and you’re spending this hard-won moment of life reading these words, for which their author is both humbled and grateful. And a little alarmed. Shouldn’t you be evacuating or something? Oh, you have and your phone is dead, hence, you’re reading the free paper. Desperate times.

In Apocaluma, here on the ass-end of Sonoma County, the air was so bad that my love interest and I decided to flee to Marin County … only to drive straight into another fire zone. So far as we could tell, some Novato wetlands on the northbound side of the 101 spontaneously combusted. Theories have been advanced as to why this happened: A) Physics and B) Marin thinks Sonoma gets too much play in these pages and demanded a fire of its own. I say, “pshaw” to both and lean, as I always do, on my favorite legalese: “Where the law casts a duty on a party, the performance shall be excused, if it be rendered impossible by the act of God.”

This only holds up in the kangaroo court of my mind, however, when I ignore German philosopher Friedrich Nietzsche’s famous observation: “God is dead.” Naturally, God later replied, “Nietzsche is dead.” Only to have the dead themselves retort “Nietzsche is God.”

And despite all this, we endure. As Nietzsche also opined, “Was mich nicht umbringt, macht mich stärker,” which, to my untrained eye, looks like it translates as “Why take umbrage when you can be stark naked?” But it’s actually a version of his famous aphorism “What does not kill me makes me stronger.” This truism probably accounts for your ability to read this column in more ways than one. We in the newspaper trade also have a version of Nietzsche’s bromide: “What doesn’t kill a story makes it longer.” And, on that note, it seems prudent for us both, Dear Reader, to put these frothy pages back in the birdcage and dream tomorrow anew.

Editor Daedalus Howell avoids death and gets stronger at DaedalusHowell.com.

Local History Goes Back on Display in Napa

Six months after suspending in-person operations due to the Covid-19 pandemic, the Napa County Historical Society is re-opening to the public at its location within the Goodman Library in downtown Napa on Saturday, October 3. When it opens, the NCHS will launch a new technologically-inclined era of offerings and events with the revealing historical exhibition, “Who Tells Our Story.”

The new exhibit is curated by NCHS Board Vice President and anthropologist Dr. Sheli Smith and guest curator Dr. Monica Hunter. The two have collected several books about Napa County, published by Arcadia Publishing and written by local historians and authors.

These books highlight many different aspects of Napa Valley; covering the locals, locations, livelihoods, leisure and leadership that have shaped the region. The exhibit not only looks into the stories told within these books, it also examines those who wrote them and how the accounts have been shared through the decades.

Specifically, “Who Tells Our Story” covers the history of Napa Valley from 1830 to 1930 with the aid of 20 books, over 100 historic photographs and over 70 other items donated by Napa Valley families and business. The memorabilia includes DT Davis pocket watches, the glove die from the Napa Glove Company, and a signed baseball from the Coast League of 1909.

The richly-detailed exhibit opens to NCHS members and special guests in an online preview and virtual guided tour on Friday, Oct. 2, before opening to the public the next day. When the show becomes available on Oct. 3, the NCHS will employ virtual tours, online presentations, and other socially-distant educational modules in addition to offering the in-person exhibit, with limited capacity, at the Goodman Library.

These online presentations include a virtual lecture series occurring on the first Friday of the month from October to January 2021. The series will features four authors from the exhibit’s selection of Arcadia Publishing books. Todd Schulman, author of Lawmen & Outlaws, opens the lecture series on Oct. 9. Donna Mendleson, who wrote Jews of Napa Valley, speaks on Nov. 6. Alexandra Brown discusses her book Hidden Histories on Dec. 4, and Ray Guadagni, writer of The Long Road to Justice, wraps up the series on Jan. 8.

“Who Tells Our Story” is also accompanied by programs that include small group tours by appointment, virtual tours for at-risk and sheltered-in-place residents, and digital educational programs created to enhance the experience through social-distance learning. The historical society’s educational partners include the Napa County Regional Parks & Open Spaces District, the Chinese Historical Society, Napa Valley Farm Bureau, Yountville Chamber of Commerce and the Suscol Intertribal Council in Napa.

The Napa County Historical Society is located at the Goodman Library, 1219 First St., Napa. More information on the NCHS and how to become a member is available at napahistory.org.

MALT Board of Directors’ Conflicts of Interest Exposed as Legal Battle Unfolds

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In January 2017, the Marin Agricultural Land Trust (MALT) paid $1.66 million to the family business of a member of its board of directors, Sam Dolcini.

The money bought a conservation easement on hundreds of acres of cattle-grazing land owned by Sam and his father, Earl Dolcini. Half of the purchase price came from a sales tax supporting Marin County Parks. The balance came from tax-deductible corporate and private donations made to MALT, a non-profit charity which the Internal Revenue Service terms a 501(c)3.

The county’s contribution to the Dolcini deal was approved without debate by the Marin County Board of Supervisors, which is closely connected to MALT. Supervisor Dennis Rodoni sat on the MALT board when the Dolcini deal was sealed, and Marin Board of Supervisors President Steve Kinsey was a MALT director from 1997 to 2016.

Years later, in May 2020, Parks suddenly ordered MALT to refund the county funds used to purchase the $1,666,500 Dolcini easement. The reason? When applying for the funding, MALT had failed to disclose the existence of an appraisal it had commissioned that valued the easement at half a million dollars less than the price paid by MALT and the county.

MALT immediately refunded $833,250 to the county using private donations. The Dolcinis did not return any of the money, said MALT spokesperson Isabel French. In June, executive director, Jamison Watts, resigned to “recalibrate my life-work balance.” As facts about the board’s historic conflicts of interest spill into view, MALT has lawyered up.

It turns out Sam Dolcini is not the first board member to sell an easement to the land trust. MALT has spent tens of millions of dollars in public and private funds buying easements from its own board members.

In early September, a law firm representing a resident of Ross named Kenneth Slayen demanded that District Attorney Inspector Jon Madarang and state authorities investigate MALT board members for multiple conflicts of interest. Burke, Williams & Sorensen LLP alleges that public records obtained from Marin county government reveal that MALT board members have improperly influenced the awarding of easement contracts to themselves.

In late August, MALT sued Marin County in Superior Court, trying to keep the county from releasing public records relevant to MALT’s activities. The land trust claims MALT’s business is a state secret even when it spends county funds. MALT is asking the court to order the return of hundreds of pages of public records already released to Slayen’s lawyers.

It’s too late; the Bohemian/Pacific Sun has the records. After initially supplying some factual data about easement purchases, French said MALT would not respond to further queries. “It appears that you are looking for information to confirm an ill-informed narrative that underpins your approach to this story,” she emailed. The records, however, speak for themselves.

How it all began

In the 1960s, a coterie of Marin leaders favored developing wild coastal beaches into Malibu and grassy, rolling hills into Beverly Hills. Their plan was to ram a freeway from Highway 101 to Point Reyes, despoiling thousands of acres of farmland, forests, streams, ponds and grasslands. Shopping centers, high-rises and beach-comber mansions would follow the bulldozers. The populace reacted definitively. The real-estate-investor-powered move toward rampant urbanization was stopped dead in its tracks by a canny coalition of environmentalists and politicians with massive public support.

The coalition created the Point Reyes National Seashore Park, with the federal government paying millions of dollars to dairy ranchers who agreed to leave after 25 years, but as of yet are still there (we report on that story in an upcoming issue of the Bohemian/Pacific Sun). Inland, the coalition passed stringent zoning laws that limited  West Marin lot size to 60 acres. And, in 1980, the coalition created the Marin Agricultural Land Trust to conserve thousands of acres of open spaces by paying ranchers to agree to easements prohibiting non-agricultural development forever. The price typically paid for an easement was one third to half the fair market value of the property to be protected from development.

In the beginning, the properties held lots of potential market value if they could be sold to commercial developers. MALT purchased easements strategically, creating a buffer of protected lands around the west county. Combined with strict zoning laws, the easements made residential subdivisions and commercial development effectively impossible. The speculative value of West Marin farmland plummeted. But the prices MALT paid for easements kept increasing, rising from a few hundred dollars an acre in the 1980s to as much as $10,000 an acre in 2014 for conserving board member Peter Martinelli’s Paradise Ranch in Bolinas.

Arguably, there was no need to keep buying easements after the first decade or so of locking the doorways to development. In his 1991 history of MALT, Farming on the Edge, Saving Family Farms in Marin County, California, John Hart observed, “In Marin, nearly all the urban-rural boundary has now been sealed with government-owned land … [using] easements to strip the development potential from lands in the buffer zone.”

But MALT continues to project the scary nightmare of Malibu North, claiming it must buy easements on every square inch of West Marin or Developer Armageddon will ensue. Who is benefiting?

An independent investigation by the Bohemian/Pacific Sun found that since 1980 more than 30 MALT board members have benefited from 38 easement sales totaling more than $49 million. Fifty-five percent of $90 million in easements bought over 40 years has benefited board members. A handful of families with multi-generational board members, including the Dolcinis, have received $37 million. Cash proceeds are used to capitalize commercial dairy operations, to buy land and to pay off bank loans.

Easement payouts are often accompanied by enormous property-tax reductions. For example, the county assessor recorded the aforementioned Dolcini property’s value at $3,411,089. Concurrent with approving the easement purchase, the board of supervisors granted the Dolcinis a Farmland Security Zone contract. The “FSZ” contracts drastically reduce property taxes in return for a promise to ranch commercially for 20 years. This FSZ reduced the taxable value of the 326-acre Dolcini ranch by nearly $3.2 million, or 93 percent. As of 2019, the Dolcini’s “grass-fed” cattle raising ranch was assessed at $249,903. The property tax was $2,499, a drop in tax from the previous year of $30,000. Nearly half of the Malted ranches are benefitting from similar property-tax reductions, adding up to millions of dollars lost to the general fund.

Anatomy of a conflict of interest

Sam Dolcini has been a member of the MALT board continuously since 1998, with the exception of two years around 2010. His father, Earl Dolcini, was a founding member in 1980. Members of the extended Dolcini family own thousands of acres of Malted dairy and beef land in West Marin. Family members have banked more than $7 million selling five easements to MALT while a family member was on the board. MALT money has financed the expansion of the family’s commercial enterprises and its bank loans, public records reveal.

In 2016 Sam Dolcini personally negotiated the sale to MALT of the $1.66 million easement benefiting himself and his father. Staffers and the board were informed that he was a part-owner of the ranch land and would benefit from the easement sale. Over a period of half a year, Dolcini ironed out the details of his easement deal with MALT staffers who were working under his governance with predictable results.

On Dec. 12, 2016, staffer Stephanie Tavares-Butler emailed a Parks colleague, “The Dolcinis are really pushing us to close their project before the end of the year for tax reasons. I’m wondering if we can get the check-writing process started while you do the final approvals of the [easement].”

Asked for comment, Sam Dolcini emailed the Bohemian/Pacific Sun, “I recused myself from all Board discussion and voting with regard to the acquisition of this easement, as was called for in MALT’s conflict of interest policy. Any allegations of a conflict of interest affecting this transaction are misguided. I have no further comment.” He did not return a further query for comment on the facts presented in this story.

Under MALT’s bylaws, as last amended in July 2018, a board member is allowed to accept millions of dollars in MALT’s “charity” as long as it’s “authorized by this corporation in good faith and without unjustified favoritism.” The bylaws say a board member may vote to approve another board member’s declared conflict of interest, and they, in turn, can vote to approve his conflicts, but neither can vote to approve their own conflicts. MALT declined to give the Bohemian/Pacific Sun the version of the bylaws that were in effect when the Dolcini deal was approved. Bylaws, by the way, are not necessarily legal, nor ethical. (See “History Repeats Itself, Again” below).

The flow of MALT’s charity toward the Dolcinis did not stop in 2016. In July 2018, MALT paid members of the Dolcini family $350,400 to amend an existing easement. MALT staff reported to the board that the Dolcinis “would like to amend their easement [to require the land only to be used for agriculture] so they can invest in ranch infrastructure to diversify their operation and pay down debts.” MALT could have bought these lands and preserved them for public use, instead, it chose another path, a trail fraught with conflicts of interest.

Inside MALT’s easement factory

As of 1996, Robert Becker’s play Defending the Caveman was the longest-running one-man show in the history of Broadway. After touring the world, he retired to Kentfield with his family. In 2005, Becker and his wife, Erin, paid $3 million for the Beltrametti ranch, across from the Marin French Cheese factory on the Petaluma–Point Reyes road. The cattle ranch had fallen into disuse. Intending to use the 326-acre property as a second home, the Beckers made a few improvements, but they are not farmers. They approached MALT about the possibility of selling it as an easement to support another organization’s organic farming project, but the land trust declined. In 2015, the Beckers put the ranch on the market for $4.5 million.

Intrigued by the prospect of living in a private estate with a multi-million dollar view, Ross-resident Kenneth Slayen conferred with MALT’s conservation director, Jeff Stump. He proposed that MALT agree to buy an easement from him if he bought the Becker property. He planned to use the cash from the easement to partially finance his acquisition of the ranch. Should the deal go through, he told Stump, he would donate the bulk of the conserved land surrounding the house to MALT, which declined the offer. Slayen was very disappointed.

On May 3, 2016, the Beckers sold the ranch to a Dolcini family partnership for $3.2 million. That same week, MALT initiated the process of purchasing an easement from the Dolcinis.

In a memo dated May 10, 2016, MALT board member, Peter Martinelli, reported that the Dolcini family had approached MALT in November 2015, six months before they bought the Becker property, inquiring about selling an easement in order to “facilitate an expansion of the family’s adjacent dairy operation …”  Martinelli, who had himself sold an easement to MALT in 2014 for $2.5 million, while sitting on the board of directors, moved to authorize an independent appraisal of the Dolcini easement. The motion passed, and MALT hired the first of two appraisers.

On June 9, MALT addressed a “Letter of Intent and Confirmation of Willing Seller” to Sam Dolcini. Earl Dolcini signed the letter that day, agreeing to sell an easement to MALT if and when the Dolcinis approved of the appraised value.

On June 10, 2016, Stump wrote to Parks requesting matching funds for the Dolcini easement. He wrote, “The Dolcini Family Partners purchased this land on May 6, 2016, with the intention of incorporating it into their larger agricultural operations. However, the Partners took out significant loans to purchase the Property and, the funding from the sale of an easement to MALT would improve the financial viability of the Property and provide capital to improve and expand the organic dairy operation.” MALT’s application declared the “appraised fair market value” of the easement at $1,666,500.

And here is where the timeline goes haywire.

The appraisal amount that was quoted in the May application was not submitted to MALT until Aug. 31, 2016. And that was the second appraisal of the easement.

The first appraisal, which was $1,135,000, appears to have been issued in July, but MALT has not disclosed that document, even to Parks.

MALT generally only requires one appraisal for valuing easements. Making an exception for the Dolcini deal, MALT staff decided that the first appraisal was not high enough, rejected it and hired another appraiser, John Bouyea & Associates. After touring the Dolcini property in August with Sam Dolcini, Bouyea valued the easement at $1,666,500, exactly the same amount MALT had declared as the appraised value in its application more than two months before it received the appraisal.

MALT later told the county, “Both appraisals were conducted by experienced and reputable independent third party appraisers.” Why such a huge discrepancy?

In a May 8, 2020 letter to Park’s General Manager Max Korten, MALT executive director Jamison Watts said the land trust was “surprised when the first draft appraisal we commissioned for the easement came in at $1,135,000 or 35% of the property value.” Note that MALT calls the first appraisal a “draft,” but, normally, independent appraisals are submitted to clients in final, not “draft,” form. And the “property value” is determined by the appraisal itself, not by the client’s conjecture. Clients are not allowed to negotiate a value with an appraiser before she submits it, said Amy Timmerman of the Appraisal Foundation, which sets the national standards for the profession. Was MALT appraisal shopping?

Korten said he does not know why the $1,666,500 was listed as the appraised value in MALT’s application before the property was appraised in that amount. MALT declined to comment.

As the Dolcini deal coasted towards completion, Stump caught a case of cold feet. On Nov. 7, 2016, he emailed MALT staffers and Sam Dolcini. He was concerned about the propriety of MALT negotiating a lease for the fire department to access water on the to-be-eased Dolcini property. Stump wrote, “To be frank, it makes me more than a bit uncomfortable to consider this for a property owned by a MALT Board Member when we have refused the same for others.” Stump left MALT last February.

In December, MALT’s closing instructions to the title company indicated that the easement cash was to be used to pay off loans that the Dolcinis had incurred to buy the property in May. After the deal closed, a MALT staffer emailed colleagues, “It has come to my attention that SAM and Brian Dolcini would not like to be mentioned by name in the press release [announcing the sale]. I have modified and attached a new document for circulation [that removes their names].”

The conflicts continue

The Measure A sales tax doubled MALT’s buying power. Since the regressive tax was approved by voters in 2012, MALT has purchased 15 easements for $32 million. More than half of those purchases are from board members, past and present. In 2017, MALT purchased a $3,285,000 easement from sitting board member Julie Evans Rossotti and her family. In 2018, MALT purchased a $3,594,000 easement from sitting board member John Taylor and his family.

Slayen’s attorneys singled out the Dolcini, Rossotti and Taylor conflicts of interest. They asked the district attorney to bring a civil lawsuit to recover misused public funds. Arguing that MALT is a publicly funded extension of county government, the firm’s leading expert in municipal law, Thomas B. Brown, pulled no punches.

“Our investigation has revealed that MALT has in the past failed, and continues to fail to comply with the Political Reform Act’s financial disclosure and conflict of interest requirements. As a result of these violations, certain of MALT’s Board members have been able to leverage MALT’s influence in directing County funds to enrich themselves and their family members at the public’s expense.” The firm has filed similar demands for investigations with the California Fair Political Practices Commission and the Marin County Counsel. MALT is funding a counter-attack by Shute, Mihaly & Weinberger LLP. The legal battle is on and every dollar that goes to the lawyers does not go toward environmental conservation and healing the heating planet.

History repeats itself, again

In May 2003, The Washington Post published an investigation of a multi-billion dollar land trust called The Nature Conservancy (TNC). The US-based nonprofit has protected more than 100 million acres around the world. The newspaper reported that the TNC was buying land and easements from its board members and their affiliates. Two years later, the US Senate Committee on Finance published an exhaustive investigation, finding that in a 10-year period, TNC had improperly conducted business with scores of its board members.

The Senate noted that a conflict does not disappear just because a board member does not vote on her own deal (as MALT claims). The Senate noted that transacting with a person who later joins a land trust board is disallowed (which has happened repeatedly at MALT).

The Senate report noted that finding patterns of insider transactions are cause for the IRS to revoke non-profit status. In response, the TNC changed its bylaws to forbid transactions with board members and their families. What will MALT do?

EDITOR’S NOTE: We clarified language in paragraphs 16 and 17 to make clear that members of the extended Dolcini family have received easements, not only Sam and Earl Dolcini.

From Border Town to Healthcare Frontiers

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Dr. Toni Ramirez entered medical school as an act of rebellion. That, and she wanted to help people. In high school in El Paso, Texas, her guidance counselor mocked her ambition to become a doctor, despite the fact that she was at the top of her class. A Latinx child in a border town, Ramirez thought, “If you’re telling me I can’t do this, what are you telling my peers who aren’t at the top of the class?”

At 18, she was accepted into an eight-year program at Brown University which included an undergraduate degree followed by medical school, permitting that she met certain requirements (which, of course, she did).

Today, Ramirez is a Family Physician at the Lombardi campus of Santa Rosa Community Health (SRCH) in Roseland, California. Thankfully, she says, she enjoys the work of being a healthcare provider. At SRCH, Ramirez runs the Gender Clinic, providing care to transgender patients.

“As a member of the LGBTQ community and somebody whose mission in medicine is to work with the most impacted and disproportionately affected by health inequity, it was an easy decision to do gender-affirming care,” says Ramirez. “There aren’t enough providers doing it. And the health disparities in the trans and nonbinary community are so vast.”

Competent trans healthcare can be hard to find and difficult to access, so SRCH being able to serve anyone—insured and uninsured—is remarkable. Clients travel from as far as Willits and Marin.

Health Beyond Medicine

Despite the powerful work she does, Ramirez quickly learned that there were limits to how much she could help people as a physician. She sought to create space for activism beyond her day job. When Trump was elected president in 2016, she and about 40 other providers around Santa Rosa came together to form Health Professionals for Equality and Community Empowerment (H-PEACE).

H-PEACE is composed of family physicians, psychologists, nurses and nurse midwives. Most founding members came to the table with at least one area of focus in mind for advocacy. Topics included health access for all, immigrant rights, reproductive health, LGBTQ+ rights and environmental protections.

Ramirez had long imagined creating an organization through which healthcare professionals would make public statements, offer commentary about important community issues, make endorsements and consult with local government officials. She believes that Trump’s election resulted in a bigger group of providers feeling called to activism.

“We met out of fear of not being able to provide the care needed for vulnerable communities,” says Ramirez.

Ramirez says that, because people are vulnerable at the doctor’s office, providers often have a unique window into their patients’ lives. But, she says, limited time with patients limits a provider’s impact. She offers an example of treating someone who has diabetes.

“I get 15 minutes for a visit, so I may learn about a lot of factors that impact a person’s health—their immigration status, their low wage job, maybe they don’t have insurance so they don’t get their meds covered. They have chronic stress, so they’re depressed and it’s affecting their sugar levels,” Ramirez says.

There’s so much happening outside the four walls of the doctor’s office that Ramirez says prescriptions alone cannot treat.

She explains, “Providers see how many intersections of people’s lives affect their health, but we’re so overwhelmed in this for-profit medical industrial complex that most doctors don’t look up and say, ‘Hey, do you know how horribly high rent is impacting the health of our patients?’”

Perhaps H-PEACE’s greatest accomplishment has been finding and forging spaces where providers can use their voices powerfully to advocate for patients beyond one-on-one interactions.

“Being a doctor, it carries weight when I say that what my patient needs is a livable wage or an equitable rent in order to treat their diabetes,” Ramirez says.

H-PEACE supported North Bay Jobs for Justice’s campaign to raise the minimum wage, which has passed in Santa Rosa, Petaluma and Sonoma.

There aren’t many groups like H-PEACE in the U.S., so the group didn’t have a specific model in mind when they started. They took some inspiration from unions.

Mara Ventura, executive director of North Bay Jobs with Justice, met Ramirez when she attended the first H-PEACE meeting that Ramirez led. Familiar with healthcare unions, Ventura provided mentorship to H-PEACE on how to organize.

“It was really eye-opening to see how actively nursing unions were engaged in the fight for Medicare for all,” Ramirez says.

Almost immediately, H-PEACE became an inspiration to providers elsewhere. A doctor in Salinas looked to them when advocating for the healthcare of farmworkers in his area.

Then, during midterm elections, members of H-PEACE spoke on national panels about how to get healthcare providers engaged in community activism. Pro-tip: Offer food and invite their kids.

Ramirez says it’s often that simple. “Leaving work, we’re tired and want to see our families. If you want to get doctors to show up, feed them and allow them to bring their children.”

The value of H-PEACE, according to Ramirez, is adding a healthcare perspective to social justice issues and, in turn, learning from community organizations doing health equity work. H-PEACE has forged relationships with leaders in the community, including Ana Salgado of immigrant rights organization Comité Vida, Richard Coshnear of Vital Immigrant Defense Advocacy and Services (VIDAS) and Sonoma County Supervisors.

Ramirez says that she learns the most by showing up in the community as part of the community, not just as a doctor. It’s a balancing act between leveraging the weight it carries to speak as a provider and simply being present as a fellow queer person or Latinx person listening to community leaders.

“I came from a place where I wasn’t supposed to be a doctor—this isn’t the trajectory people thought I should take,” says Ramirez. “So I work really hard to reduce the power dynamic between doctor and patient or doctor and community.”

Ramirez says that elitism in medicine hinders providers’ ability to do true healthcare.

“Especially during this pandemic, I hope medical institutions will acknowledge the importance of raising up our humility and taking the lead from community members who may know more about how to address health inequities than providers,” says Ramirez.

Members of H-PEACE helped to set up care at emergency shelters during Sonoma County’s fires in 2017 and 2019 and coordinated for volunteer providers to come up from the Bay.

That said, “It’s hard for H-PEACE to be H-PEACE during a fire or our Covid19 pandemic,” says Ramirez, because providers are integrally involved in these crises through their daily work.

The Next Chapter

After several years in Santa Rosa, Ramirez is heading home to El Paso before 2020 is over. Mara Ventura will be moving with her—the activists are engaged in more ways than one.

“I proposed to her via flip chart,” Ramirez says, laughing. “She taught me the power of flip-charting and organizing, so that’s how I asked her to marry me.”

“We’re excited for new challenges,” says Ramirez, noting that they will focus on the border, immigrant- and asylum rights.

Though it was always her plan to eventually move home, it was important to Ramirez to stay in Santa Rosa long enough to ensure that H-PEACE would take root and SRCH would have a provider to continue gender-affirming care.

The Gender Clinic hired Dr. Arunima Kohli to take over for Ramirez, who is thrilled that they have found a physician who is a woman of color, part of LGBTQ+ community and who has a background in providing trans healthcare in Sacramento and at UC Davis.

H-PEACE thrives in the hands of several founding core members and has recently welcomed two newer members to its core team.

Ramirez is eager to bring home the experience she’s gained as a doctor and community organizer in Santa Rosa. She also can’t wait to eat her mom’s cooking.

Napa Valley Museum Virtually Opens Timely ‘Tested by Fire’ Exhibit

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It is happening again. The Glass Fire began ripping through the Napa Valley in the early hours of Sunday, Sept. 27; as of press time, the blaze is destroying buildings and displacing tens of thousands of North Bay residents in both Sonoma and Napa counties.

It’s not the first time; locals know all too well the significant fire activity Northern California has endured for the last four years. Napa Valley photographer and journalist Tim Carl has captured these Napa Valley and Sonoma County wildfires on camera since 2017, creating vivid portraits of the devastation these fires left in their wakes. His images and videos also tell stories of the North Bay’s will to survive and determination to rebuild.

Several of Carl’s images and videos are on display as part of a new online exhibition, “Tested by Fire,” that opens virtually this week via Yountville’s Napa Valley Museum, which is still closed to in-person visits. The exhibition covering the fires, first responders and the aftermath that has shaped the North Bay is the first in Napa Valley Museum’s new series of virtual exhibits that the museum is calling “Real/Time: Art of the Moment.”

“The Museum is excited to launch a series of exhibitions that are focused on our community and curated in real-time, many showcasing the work of exceptional local artists,” Napa Valley Museum Executive Director Laura Rafaty says in a statement. “An exhibition on the wildfires—one of the topics on everyone’s mind at the moment—as captured in Tim Carl’s exceptionally vivid images and videos, seemed the perfect way to launch the series.”

In addition to working as a journalist and photographer, Carl is best known in Napa Valley as co-founder and former CEO of Knights Bridge Winery, and his resume includes stints as a chef, fitness instructor and even as a FAA-licensed drone operator. Carl uses his skills in photography to tell human-interest stories within the local wine and food industries.

“Each photo I take attempts to tell a story,” Carl says in his artist statement. “Often those stories are about our relationship with nature, and nowhere do they resonate more than through the near-annual fires that occur in and around California’s Wine Country. The enormous toll on lives and livelihoods of these ferocious infernos are often overshadowed by the courage, self-sacrifice, unity and resolute resiliency of the communities affected.”

The museum’s “Real/Time: Art of the Moment” series of virtual exhibits will continue to portray the community as events are happening. The next planned installment of “Real/Time” will directly examine the Covid-19 pandemic’s effects on the Napa Valley in a community-curated collection of local artwork and images submitted by Napa Valley residents and visitors.

“These virtual exhibits are not intended to replace the in-person experience of visiting our Museum,” Rafaty says. “[Yet] they do allow us to reach a much broader audience of visitors all over the world. We hope that this look at wildfires from 2017 to present will remind us of the resiliency of the valley, and of the transitory beauty of all that surrounds us.”

“Tested by Fire” opens online Thursday, Sept. 24, at Napavalleymuseum.org.

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Napa Valley Museum Virtually Opens Timely ‘Tested by Fire’ Exhibit

The online show is the museum's first of a new series of community-focused virtual events.
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