Ask Sydney

January 10-16, 2007

Dear Sydney, I got divorced after 16 years of marriage, sold a business that was my second family, had my mother pass away after a long struggle with cancer, met and then lost the love of my life–all within a six-month period. Five years have passed since those events, and I am now out of work due to a serious disability. I am spiritually, physically and financially drained. There is a shadow on my heart and soul that will not seem to lift no matter how much I talk to myself. Where to turn to now?–Searcher

Dear Searcher: Life is full of rotten turns of fate, some worse then others, and there is no sure way of predicting or explaining what brings these unpleasant shifts and turns about. But there comes a time when you have to move on, find the positive in what you have and focus on it. You have to consciously put your energy where it will make good for you, and if you can’t do that, then you have to find someone or something that can help you along.

Look at your finances. Do some research. See if there is a way to get low-cost counseling. If you like to write, and if counseling sounds too heinous, then think about joining a memoir group (the junior colleges are an oasis in this regard). If you need to stretch, check out a yoga studio. Whatever it is, do something! Don’t just sit there and be miserable.

The people we love die. The relationships we once worshipped corrode. Our bodies get hurt. This is the human condition. Don’t expect to be able to talk yourself out of misery; the inner voice is not something that can be counted on for unwavering support, or even for very good advice. Consider looking outside of your own mind for other ways of healing.

Dear Sydney, what motivates you to spend the time to both listen to the problems of others and to offer solutions? I believe most people, especially men, are reluctant to ask for help because our culture sees asking for help as a weakness. Do you ever suspect that the people who write in are not sincere or that they use aliases to protect their identities? If so, does that matter to you? Would you answer their questions even if you were 100 percent sure they were not using their real names?–Zorro

Dear Zorro: People often confide in me and my fascination with human relationships has long driven me to look for answers to some of life’s more mundane but nonetheless painful challenges. A question is an intellectual puzzle that I must answer with nothing but a set number of words at my disposal, and I derive great enjoyment in doing so.

As for men being reluctant to ask for help, there may be some veracity to this statement. However, it doesn’t apply to me, because I don’t offer help, I just offer advice. You don’t ask for advice out of weakness, you ask for advice out of curiosity. What do you think I should do? Because you haven’t actually asked me for any help, you can always ignore or otherwise criticize my answer. You owe me nothing. If my advice turns out to be helpful, this is just a side bonus; it incurs no further obligation. For this reason, I think I receive an equal number of questions, from males and females, though I can’t be sure, as these questions are anonymous, and many leave out the personal pronoun when writing in. I always respect the anonymity of question writers. Even if a name is included with a submission, I remove it. It is not my concern “who” is writing in, only that the question be true of heart.

Hi Sydney, I’m a pretty regular stander at the Sebastopol intersection [where war protesters and supporters alike gather every Friday]. I appreciate most of what you said to Distraught on Red (Dec. 13), but I do have one disagreement. You say, “The only aspect of the Main Street dance that makes me uncomfortable is when the peace people have a henchman on the war corner.”

Sydney, “henchman” implies that someone is delegated to stand on “their” corner. Not so. All the corners belong to everyone. At the beginning of the Afghan war, when there were many more “war people,” they would often stand with the “peace people.” Now there’re very few of the “war people,” and they tend to stick together.

I’ve got to admit to you, I don’t respect the opinions of those on the Southeast corner, because I’ve never really been able to figure out what those opinions are. Usually, I have no quarrel with their signs, which tell us to support the fire and police departments and voice truly incomprehensible things like “The Land of the Free Because of the Brave.” It’s like when people drive by and flip me the bird or give me a thumbs down. My sign says “Peace Now,” and I always wish I could ask what part of that phrase there is not to agree with. Oh, well. I’ve been standing places with various signs for going on a half century, and people are still yelling at me to “Get a job!” Thanks for your great column.–Stander

Dear Stander: You took umbrage to my remark for good reason. Sometimes I reel off a word without truly considering its meaning, and often I discover later that I have misconstrued the meaning based on my own loose and often fluid interpretations. The word “henchman” has a much darker connotation then I had intended. What I meant to refer to was an undercurrent of aggression that I sometimes perceive between the two demonstrating parties. True, the very nature of the situation lends to discordance.

I have driven past while two women yelled at each other, one red in the face and waving a peace sign, and the other purple with rage and waving the red, white and blue. But this is just human nature, isn’t it? If we had control over it then we wouldn’t be in this mess to begin with. I admire your commitment to continually putting yourself in a situation that often brings out the worst in others. The corners do belong to everyone, but it is also important to remember that sometimes standing too close to the opposition can make it difficult for observers to hear either voice with clarity.

No question too big, too small or too off-the-wall.


Morsels

Care for a dash of cucumber in your olive martini? The California cucumber martini by Murphy’s Irish Pub was the people’s choice winner in last year’s Martini Madness contest in the Sonoma Valley. Mix 1 ounce Roth vodka, 3/4 ounce pear juice, add a dash of simple syrup and some cucumber chunks. Shake with ice–using a martini shaker, of course–so that the seeds and pulp of the cucumber separate. Strain and pour. Garnish with both a cucumber slice and an olive, because the annual Martini Madness competition is part of the three-month-long spice-up-the-winter-doldrums known as the Sonoma Valley Olive Festival.

The martini contest started five years ago with an audience of about 50. In 2006, more than 600 adventurous martini lovers jammed into a tent at the Lodge at Sonoma, sipping innovative entries from two-ounce plastic martini glasses.

“Everyone gets to vote on their favorite martinis, but last year for the first time we had a panel of judges as well,” explains Wendy Peterson, executive director of the Sonoma Valley Visitors Bureau, which coordinates all the olive festival activities.

This year’s Martini Madness theme is “Olive the World.” The judging criteria includes the creativity and flavor of the martini, table decorations related to the martini and theme, and–most importantly–the integration of the olive in the martini.

From 5:30 to 7:30pm on Jan. 12, bartenders from leading Sonoma Valley restaurants will vie to create the world’s most fabulous olive martini. Each year they get even more creative with their entries, but the exact ingredients remain top secret until they’re unveiled at the competition.

Lodge at Sonoma, 1325 Broadway, Sonoma. $25. 707.996.1090. www.sonomavalley.com/olivefestival./i>



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Zen Clay

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the arts | visual arts |

At Pond Farm: Master potter Marguerite Wildenhain.

By Gretchen Giles

Like a meteorite, a soul sometimes comes into the world so bright and glowing that its presence cannot be ignored. Like a meteorite, a soul sometimes comes into the world so compelling that students of all ages and abilities fall before it. Like a meteorite, a soul sometimes comes into the world so magnetic, so forceful, so self-assured that the ordinary tragedies of war, divorce and failure are reduced in its presence.

Potter, teacher and artist Marguerite Wildenhain was like such a meteorite. A French woman raised in Germany, she was profoundly affected by the tenets of the Bauhaus school. Wildenhain’s own teachings were so influential that even though her last school session was held on the Russian River in 1980, the effects of her instruction from 1949 forward are still being hugely–and daily–given grace today.

In fact, Santa Rosa potters Wayne Reynolds and Caryn Fried have modeled both their careers and their personal lives on the wisdom that they received from Wildenhain. The artist, who died in 1985 at the age of 89, is the feature of two concurrent exhibitions at the Sonoma County Museum and the Sebastopol Center for the Arts opening this month.

“My time with Marguerite was my total art training,” Reynolds says emphatically, seated at the comfortable dining table of the airy art-filled home he shares with Fried. “She transformed my life as she did with so many students. She was teaching a way to live, but pottery was the vehicle.”

Born in 1896 in Lyon, France, Wildenhain and her parents emigrated to Germany when she was a child. As a teenager, she chanced to meet Bauhaus founder Walter Gropius and entered his innovative design school. There, not only was she one of just seven ceramicists, she was also the only woman. Gropius founded Bauhaus in part as a reaction against the deification of fine artists. In his manifesto for the school, he declared that “there is no such thing as ‘professional art.’ There is no essential difference between the artist and the craftsman. The artist is an exalted craftsman.” Bauhaus training grounded the artist in drawing and in the use of basic materials. In the 1981 film, Marguerite Wildenhain: Master Potter, she explains quietly to the camera that “Bauhaus was a cathedral of crafts.”

Fleeing the Nazis on her French passport, Wildenhain brought the essentials of this cathedral with her to the United States. (Her husband was detained and joined her years later, the two eventually divorcing.) Invited in 1942 by San Francisco architect Gordon Herr and his wife Jane to share their land and establish an artists colony, Wildenhain made her way to the North Bay, settling at Pond Farm, the Herrs’ small swathe of open-sky pasture in what is now the Armstrong Redwoods State Park in Guerneville.

The colony only lasted a few years but, with a home and studio self-built, Wildenhain stayed on until her death, teaching elite summer sessions for eager potters of all ages and abilities who came from around the world to absorb her unique Socratic mentorship. Shortly before her death, she was named one of the 12 best studio potters in the United States.

Among those students was Wayne Reynolds, who in 1962 was a 22-year-old English major from San Francisco City College intrigued by pottery and smart enough to bring his mother along when he first met Wildenhain. “If I hadn’t taken my mother,” he remembers with a smile, [Wildenhain] would never have taken me.”

Summer sessions at Pond Farm ran five days a week for nine weeks, with students beginning their days exactly at 8am and typically falling down for a nap when the day ended at 3pm. Up to 20 students a session were individually coached by Wildenhain and her assistant David Stewart, set upon a determined course that began with creating such as a saucer and ended with what Wildenhain scholar Billie Sessions describes as the penultimate object, the teapot.

Like a pianist running the scales, students would each day retrace all of the previous steps that they had mastered, redoing them again until perfection had been achieved and then moving on up the scale. No work was saved, fired or glazed. There were safety and logistical reasons for this, but the main consideration was ideological. “She didn’t want us to be sentimental or precious,” Reynolds explains. “We were there for the process, not the product. You didn’t want to be afraid to ruin it.”

Each day, Wildenhain, who was fluent in three languages, would gather the students around at break and read aloud to them from the works of T. S. Eliot and Plato, and would recite from Alice in Wonderland. Most of all, she would impart her philosophy, urging the students to consider the structure of a leaf, to seek out the geometry of a stone, to stay alive to the symmetry of a petal; all of those, she urged, were fodder for the potter.

“We were walking and conscious and alert and seeing the beauty of the world and how we could translate that,” Reynolds says. “It was really profound. It changed how I saw the world. She gave me to life.”

Wildenhain counseled her students to integrate their craft and their lives seamlessly. Reynolds and Fried took her advice to heart, not only marrying at Pond Farm but purchasing roadfront property where they maintain their own gallery as well as teach in their own studios. “She told us that we needed a place to live and work, and not be at the mercy of others all of your life,” Fried explains.

Reynolds spent seven or eight summers at Pond Farm–he’s not sure. On one of those trips, he brought Fried, who was a graduate of the California College of Arts and Crafts and had been teaching pottery for five years. Wildenhain ignored her. Undeterred, Fried worked each day in the Guerneville cabin she and Reynolds rented for the summer, sculpting free-form pieces. Each afternoon, Wildenhain’s assistant, David Stewart, would stop by and comment on her process. He eventually convinced the master potter to take Fried on.

“She had the ability to see,” Fried says. “She knew what you were trying to do. I’ve worked in the field for 30 years, and I’m beginning to understand that now.”

Reynolds adds, “She really brought you into a state of consciousness about what you were doing. She was a great artist and had that something that made her a great teacher, too. To not only have studied with her but to have been her friend–we feel so fortunate.”

‘Marguerite Wildenhain: Bauhaus to Pond Farm’ exhibits at the Sonoma County Museum Jan. 20-April 15, with a reception on Saturday, Jan. 20, 4-6pm. Panel discussion on Wildenhain is Thursday, Feb. 1. 425 Seventh St., Santa Rosa. 707.579.1500. ‘Beyond Pond Farm–Legacy of Marguerite Wildenhain’ exhibits at the Sebastopol Center for the Arts Jan. 11-Feb. 11, with an opening reception on Thursday, Jan. 11, 6-7:30pm. A panel discussion with former Pond Farm students is slated for Thursday, Jan. 18, at 7pm. 6780 Depot St., Sebastopol. 707.829.4797.



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Hog Wild

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January 10-16, 2007

On the green hills of California, under the virgin oaks and over the rolling countryside, the first explorers from the Old World observed large, brown, muscle-backed grizzly bears–sometimes small sleuths of them–grazing over the land. The big bruins thrived on acorns and dug up bulbs, roots and mushrooms, and the frontiersmen, in turn, hunted them for sport, meat and cooking oil.

Fast forward 165 years, and many hikers in Sonoma and Napa valleys, the South Bay, and many counties in the Coast Range are observing scenes similar to those reported by the pioneers and missionaries: herds of hairy omnivores with dull eyes and keen noses browsing the hillsides for food.

But the grizzly bear vanished from California in the 1920s, and the animal that snorts and roots about in the chaparral and oak ecosystem today is the wild pig, Sus scrofa. While many hikers cherish encounters with this species, others are not at all pleased with its prosperity in the New World. This swine is not native to the Americas, and as its numbers and range continue to grow, the pigs put increasing pressure on California’s native flora and fauna. Many stewards of the land want them out.

“They’re just out of control in some parts,” says Brendan O’Neil, a state ecologist working with several Northern California conservation-based organizations. “They eat everything and they dig up the ground to get it. You come out to one of these parks in the wintertime when it’s raining, and it looks like someone’s rototilled the place. The pigs have just hammered the oak tree recruitment, and there are almost none left in some places.”

The Pig Problem

Sus scrofa‘s history in California dates back to the arrival of the Spanish, who tended not to go conquistadoring without a sturdy supply of live pigs in the hold. Successive waves of European immigrants introduced more and more farm pigs, many of which escaped into the hills and established viable populations.

In 1925, the real trouble began when George Gordon Moore, an affluent landowner, introduced Eurasian wild boars to his ranch near Carmel. Not content to reside on their host’s spacious property, where Moore and his hunting buddies frequently took shots at them, the pigs spread out to explore and settle the attractive frontier. They interbred with the feral domestic pigs, as the two groups reside in the same genus and species, and from an evolutionary perspective, the resulting creature has done very well. Wild pigs occupied only 10 of California’s 58 counties in the 1960s. Today, they dwell in 56, with only San Francisco’s environment being too metropolitan for piggy tastes and Alpine County’s too high, dry and desolate.

“The pigs just haven’t moved into Alpine yet,” says Doug Updike, a wildlife biologist with the Department of Fish and Game’s Sacramento office. “There are some pretty nasty, rugged regions in Europe, and they live there just fine.”

Updike, a recreational pig hunter himself, concedes that pigs significantly impact Californian ecosystems, yet he takes a relatively neutral stance on the pig issue.

“As a hunter, you naturally want more of them. I’m also an ecologist, though, and I’m interested in native species. So when I shoot a pig, I’m gratified both as a hunter and as an ecologist.”

Updike says that the pig “problem” is not entirely a problem. While many non-native plants pounce on the slightest opportunity to colonize freshly turned earth, there are numerous natives that benefit from the aeration of the soil. In fact, it has been hypothesized by some pig watchers that the wild hogs actually fill the shoes of the vanished California grizzly, thus occupying a crucial niche in California’s biodiversity left vacant since the bears were exterminated.

Bill Walton, park ranger at Salt Point State Park, lives and works among Sonoma County pigs, and has observed them and their relationship with the land for decades. Walton has often surveyed pig-impacted areas several days after the rooting, and has observed that flowers and grasses seem to benefit from the disturbance, native species included. Moreover, the activity may actually diminish erosion by creating miniature check dams that catch runoff and contain it in small reservoirs.

“They get blamed for a lot of stuff,” he says, “but I’m not sure it’s always that valid. A lot of hunters like to blame them so they can hunt them, but the pigs aren’t only bad; they definitely aerate the soil. You can see where the grass is growing in the areas where they’ve rooted, and if they don’t come back to that area, then there’s not always real harm.”

Hoofing for Pork

No pig story in contemporary journalism would be complete without the personal account of a hunting trip in which the soft-skinned, wide-eyed writer takes his notebook and bumbles through the woods behind a pair of hill-toughened gunslingers who use delightfully rustic language and offer traditional wisdom. So this fall, I arranged a hunt. Bill Walton, the park ranger at Salt Point State Park, also happens to be the father of Orion Walton, an old college friend, and I connected with the family in their remote country home in the Sonoma County hills in early November.

I pulled up in their driveway at 11am, and Bill and I sat down to chat on the back porch, which overlooks a small creek 20 yards below. His sons, Orion and Luke, were out surfing, so Bill and I talked pigs one-on-one. Walton’s job as a ranger is to keep an eye on the goings-on of human visitors at Salt Point State Park. All the while, as a resident of the remote countryside and the owner of 80 acres, he keeps an eye on the local pigs, which regularly trample his terrain. Walton has no qualms about shooting them on occasion.

“But we’re not hunters,” he says of himself and his sons. “We just go out walking–and we take our guns.”

The boys arrived home just past noon. Their mother, Nancy, scrambled us some eggs and patted out some turkey sausages for the griddle, and we had a late breakfast.

“Ideally, you want to get a pig early in the morning,” Bill said at the table. “That way you’ve got all day to deal with it. If we get one today, we’ll be butchering it in the dark, and it’s a lot of work.”

After dispatching a pig, most hunters disembowel the animal and leave the innards at the scene of the kill, which the dead pig’s mates often return to devour. For the hunter, it may be a mile-long walk with the carcass over rough country to reach the car, ATV or log cabin. Upon arriving back at the homestead, the hunter-turned-butcher generally swills some black coffee, tosses the grounds to the earth, rolls up his sleeves, sharpens his Bowie knife and hefts the pig onto a meat hook, where it hangs by its chin.

The skin, which may be infested with hundreds of ticks, is sliced around the neck, down the throat to meet the long belly incision, then outward and down along the inside of each limb, and finally around the wrists and ankles. The hide can now be peeled off the carcass with a pair of vice-grips or farm-tough fingers. The skin may come off easily, or it may not. The Waltons told me of the time their neighbor brought home a pig whose hide was so intractable he had to use a rope and his ATV to pull the skin off. After the skinning, out come the hacksaws, butcher knives and fillet knives, and three hours later, the pig has been reduced to pieces, with approximately one-third of its original body weight going to the meat grinder, freezer and smoker.

Wild-pig sausage is a popular dish among hunters, and some inspired individuals use the animal’s own intestine as casing. Others enjoy the liver and the heart. Orion told me he has often wondered what pig lung tastes like. His favorite means of preparation is to cut the backstrap (loin) into “butterflies” and sautÈ the meat in butter and garlic.

After breakfast, we prepared to leave. At the front door, Orion swiped a pair of 30-30 rifles from the pantry, and we went outside and piled into the cab of the pickup, as our walk would begin with a one-mile drive to the end of the family’s private dirt road. Bill took the wheel as Orion and I squeezed into the passenger seat. We bounced along for several minutes through forest and clearing and finally pulled up to the head of the Waltons’ well-worn walking trail. The sky was a hazy blue, with a thickening layer of clouds coming in from the west. There would soon be rain, which usually brings out the pigs, Orion told me. (He did not specify where they hang out when it’s dry.) The region had had an inch and a half of precipitation the week before, but neither father nor son was particularly confident in our prospects of bagging a pig, for they hadn’t seen much activity in the area recently.

We climbed out of the truck, grabbed our guns and notebooks and slowly ambled up the trail. The terrain here was open, and it afforded a mile-wide view of the surrounding hillsides.

“Sometimes, you’ll see them way across the valleys on slopes a half-mile away,” said Bill as I took notes. “Then you have to decide if it’s worth going and sneaking up on them. I guess it depends on how badly you need to kill a pig. Mainly, I just like to be out here because it’s so nice out. Killing a pig is just an occasional bonus.”

Pig signs were abundant. Their tracks, which a trained eye can distinguish from deer prints, crisscrossed the trail and were especially visible in dried patches of mud. Some had been left by huge pigs, while others may not have been pigs at all. Bill and Orion frequently stopped to study old imprints in the soil, and sometimes they debated whether a cryptic track in the dirt had been put there by a mountain lion, a neighbor’s dog named Sam or a plain old pig. Still other porcine tracks proved to be “beef” prints (hill-talk for “cow”). We found pig scat, too, which looks a bit like a human’s. The small piles appeared in clusters, and Bill said that it’s common practice among pigs to defecate in a single spot.

“They seem to have a sort of understanding of using a common area. They’re really clean that way,” he explained. “They aren’t dirty animals, and they don’t shit where they sleep.”

We walked slowly and talked softly. Subject matter flowed from pigs to sudden oak death to airplanes to spear guns to scuba diving.

“You know the pig hunting is slow when you’ve started to talk about scuba diving,” I observed mid-afternoon while sitting idle by the side of a dry creek.

“Oh, we’re not hunting,” said Bill without missing a beat. “We’re just walking around in the woods with our guns.”

But really, the pig hunting was slow. The tensest moment of the day came with the flushing of a heavy-footed squirrel. There was also a moment of suspense as we neared the Walton’s small hillside reservoir. We trudged up a steep bank, the pond just over the top, when we heard a loud snort, then another. The noise continued in a series of grunts.

“A pig!” whispered Orion. Subtle yet instant changes in his demeanor, posture and countenance transformed him into a focused predator. He tightened his grip on his rifle, and I ducked out of the line of fire. But his dad, 10 feet ahead and placidly chewing on a sprig of wild grass, came over the crest and waved away our excitement. There was no hog wallowing in the mud. The grunting, it turned out, was nothing more than the drain pipe slurping down the thick summer sludge which traveled via gravity through a long hose to the Waltons’ property, where it ran into the powerhouse to generate electricity.

With my pen and paper in hand I trailed Bill and Orion around the pond to the upstream end where a trickling creek entered.

“You know,” said Bill as we each leaned against a tree at the base of the steep stream gully. “I have a theory that these pigs have a magical door. It’s hidden in these woods somewhere and they go in it whenever they like, and they hang out in this place until they feel like coming out again. That’s the only thing I can think of, because where the hell do they all go?”

Some days, he said, they will see several dozen pigs; other days, zero. The swine are very alert and cautious, Orion said, and perhaps they were just keeping out of sight. But then Bill told a story that illustrated how amazingly oblivious the naturally myopic pigs can be of their surroundings. He was driving home from work on the dirt road one evening when he saw a group of wild hogs snorting and rooting in a roadside meadow. The pigs did not seem to notice the truck, and Bill decided to get out and see how close he could get. Plain as day and six feet tall, the park ranger moved ever closer to the herd. Of the dozen, not a single pig noticed him. In a few minutes, he was standing among them like a shepherd with his flock and the animals kept rooting, completely unaware while Bill stood in awe.

But the pigs would be wise to remain a bit more vigilant when rooting on the Waltons’ property. Orion told me of the time years ago when he, Luke and Bill stumbled upon a herd that panicked together and made a break for it. There were several piglets, or “hot dogs,” in the group. One tried to run straight uphill but the little thing floundered on its spindly piglet legs. Orion chased it down and swept it up in his arms. They decided to take it home. There, among their fruit trees, garden and grapevine, the Waltons made it a comfortable pen. They fed it well and raised it right and even bred it with a neighbor’s hog. They gave their pet all it could ask for in life until Thanksgiving Day, when they ate it.

Orion tells another hunting story. Upon spotting a group of pigs rooting through the soil upslope from him one day, Orion took aim at a big one, fired and hit it squarely in the torso. While its companions fled in alarm, the wounded pig lost its footing and tumbled down the slope right to Orion’s feet. The pig, nearly 200 pounds, regained its footing and tried to escape, but it couldn’t keep its balance. Afraid of wounding it further if he took a hasty shot, Orion fell on the pig and slit its throat with his knife. He reports that it died very quickly.

In fact, that pig probably lived a mighty good life in the quiet hills of Sonoma County, eating acorns, mushrooms and carrion. It just had one really bad day, like any pig that gets sacked by a hunter. All elements considered, the oak-tree country seems like a good place for a pig to live. It beats life on the farm, certainly, and death in the slaughterhouse.

Pig-Making Machines

The overwhelming argument against unabated growth of wild pigs is their habit of digging up and destroying the landscape. In their search for edible bulbs, roots, mushrooms, tubers and grubs, pigs rip and root with their toes and tusks, turning over the soil and disrupting plant populations. The extent to which this actually harms the order of things is a subject of debate. Yet the physical effects of rooting can be visibly striking.

It is also fashionable among pigs to bathe in mud. They seek out natural springs and blend the cool mineral waters with mountain soil to produce thick and soothing lathers. It’s fine treatment for their tick-infested hides, but naturalists don’t like it one bit.

“Most animals just drink from springs, not wallow in them,” ecologist Brendan O’Neil says. “There are tons of springs in the Bay Area that are just trashed because of pigs. And in the plant community, there’s been a loss of bulb truffles and geophytes because of them. Native Americans gathered some of the same plants, but they didn’t root out the whole thing. They left the bulb there for future generations. I don’t think pigs have that sort of ethic of preserving resources.”

The state regulations on hunting pigs, while not as lax as they were just a few years ago, are still relatively loose. A hunting tag giving permission to shoot runs $16.80 on top of a $35 hunting license, and there is no limit to the number of tags a hunter may purchase in a year. (An elk tag, by contrast, costs upwards of $300 and is issued through a lottery system.) Most pigs get shot in the winter and spring, but if averaged out smoothly over 12 months, the rate cruises along steadily at about 100 pigs bagged every day in California and over 30,000 annually. State trappers shoot several thousand more, with most of the meat going to charity.

But none of this is enough to balance the pigs’ wild birth rate, and with no reliable wild predators, the population is growing. State wildlife experts estimate that between 200,000 and 1.5 million wild pigs live in California, and in some parts of the state are as densely packed as 250 to 300 individuals per 6,000 acres. Mountain lions occasionally attack them, but the cats prefer such daintier prey as deer. Meanwhile, private property and many parklands serve as accidental refuges where the animals live and breed in peace, continually moving outward to replenish hunter-impacted regions.

“We’re never going to eliminate pigs from state parks, no doubt,” says O’Neil. “They’re like a weed. Mountain lions and coyotes will take piglets now and then, but once they reach 350 or 400 pounds–which just takes a few years–they are just pig-making machines. All we can really do is try to reduce them to manageable levels.”

A sow may annually produce two litters of up to 12 youngsters in each batch, and although most piglets will not survive, the pigs have expanded their geographic range for over five decades. Moreover, pig density is still increasing in regions that offer quality living conditions and respite from sport hunting. The pigs even populate four of the Channel Islands, although extermination efforts there have resulted in some success.

Xeno Piggies

But do they belong out there? Sus scrofa certainly isn’t native to our country. Then again, neither are we. Other examples of alien invaders come to mind. Down at the equator, iguanas rafted seaward from the South and Central American coasts to colonize the Galápagos Islands. They settled in for the long run, competed for food with the natives, evolved a bit and have since become respected citizens. Locally, striped bass were brought to San Francisco Bay in 1879 from the East Coast and today are a coveted game fish. Grapevines, which slither over half the state and which everyone just adores, came from Eastern Europe.

So maybe it’s about time the United States gave our wild porcine neighbors their metaphoric green cards. This is not, after all, a border-control issue; the animals are already here, and in droves. And if it is really the goal of the government to eliminate pigs and other non-native creatures, why not prove true to the mission statement and work to reinstate animals that have been evicted, such as that biggest ‘shroom-hunting, earth-rooting beast of all, the grizzly bear?

The answer is that there isn’t room anymore for their kind in California, because this place has changed in the last century. It is occupied by 35 million people, with 900,000 acres of prime bear habitat overgrown with grapevines alone–and the people and the grapes sure aren’t going anywhere. Why should the pigs have to leave?

“That’s a question of what society wants,” says Hall Cushman, professor of biology at Sonoma State University. “There are two main viewpoints. Hunters see them as a good thing, a game animal, and ecologists see them as an exotic species and a problem.”

But O’Neil remains skeptical of theories favoring the swine as part of a viable ecosystem.

“The way I see things, there’s a lot of floristic diversity that can result from the pigs, but that’s not necessarily native flora. Do they replicate what the bears once did? Well, the state of California had maybe 10,000 grizzlies. We’re talking about a lot more pigs than that. Their impact is out of hand.”

Cushman takes the side of the naturalists and feels that pigs should be controlled and eliminated if possible, yet he recognizes that we live in “the age of biological invasions” or the “homogenization” of the earth, and he concedes that pigs are probably here to stay.

“Society is becoming more and more globalized,” he says. “An unavoidable consequence of our globalization is that other species become globalized, too. Pigs have been added to this ecosystem, and they’re doing just fine here.”

That seems like as good a way as any to end this discussion. But it won’t end–not as long as pigs dig in the earth and bathe in the mud. In California, their population continues to grow, and a quick glance around the earth shows us that Sus scrofa is thriving on a global scale, too, as the species now inhabits in a wild state every continent except for Antarctica, plus thousands of small islands. Everywhere, naturalists, landowners, farmers and golf-course managers will cry out against them, hunters will step up to the plate with their rifles and bows, and for better or worse, the bounty of wild pork will go on and on.

Smart & Wily

Pigs to be proud of

Reading about the “pig problem” almost inevitably projects to readers the image of a pest animal with the unappealing charisma of a rat or a pigeon. However, seeing a wild pig in the flesh is entirely different: there before you is among the wiliest and toughest of all mammals on earth. Strong, smart, muscular, fast, wild and a potential danger, it is less reminiscent of a cow than it is of a bear, and the sight of a herd of pigs in the forest can take your breath away and stop you in your tracks. To see some up close, go hiking. Good bets are Austin Creek State Recreation Area and Armstrong Redwoods State Reserve (in Guerneville: 707.869.2015), Henry Coe State Park (in Santa Clara County: 408.779.2728), Pinnacles National Monument (in Monterey County: 831.389.4485), Lake Sonoma (in northern Sonoma County, bow and cross-bow hunting only; 916.445.3406) and Salt Point State Park (in northern Sonoma County: 707.847.3221). –A.B.


Pagan Triumph

January 10-16, 2007

Hell switches places with Earth in the Pyrenees in 1944. The outer story of Guillermo del Toro’s overwhelming Pan’s Labyrinth is that Franco’s fascist army is clearing out a band of guerrillas, with all of the usual brutality of an armed force fighting an insurgency. The inner story inverts the myth of Proserpine in the form of a daydreaming 10-year-old named Ofelia (Ivana Baquero), who may be the reincarnation of the princess of the underworld, but who is currently helpless in the realm of her wicked stepfather.

The stepfather, the citified Capt. Vidal (Sergi López), arrives to meet his troops deep in the forest with his ailing, pregnant wife, Carmen (Ariadna Gil). Vidal is an emblem of the fascism that an audience loves to hate, from his spotless pearl-gray uniform to the malevolent shine of his leather gloves and boots and del Toro sets him against expressionist shadows. His private quarters are in the top room of an old mill. Here is a fantasy of mechanical fascism, broken down in the woods. If it weren’t for the ancient stone labyrinth just outside the camp that beckons Ofelia, the title could be a poetic reference to the thick groves of trees on all sides of Vidal’s barracks.

Outside, Ofelia receives a visit from the demigod Pan himself (Doug Jones). He is a shambling faun, whose moonstone eyes glitter under a massive brow, carved with spirals. The creature gives Ofelia three tasks to perform before the moon is full to prove that this lost princess has not been contaminated by her life in the world of the mortals. If she succeeds, she can return to her kingdom and wander “the seven circular gardens of your palace.”

First, Ofelia must slay a voracious toad whose exhalations are poisoning the roots of a tree. Second, she must retrieve a dagger from an ogre’s larder. The third task may require a larger sacrifice of her humanity than Ofelia can make.

Del Toro can be electrifyingly violent, yet in Pan’s Labyrinth, we sense a gentle artist who, like Goya, steels himself to look at horror. More bewitching than the marvelous bestiary del Toro releases is his color palette. Instead of the milk-blue hues of the ordinary CGI fantasy, here the woods hover in a constant lowering twilight, and here is some of the most attractive use of day-for-night photography in years.

Pan’s Labyrinth is the most satisfying kind of fairy tale, featuring a conflict between the brutality of the male order and a moon-world of enchantment in which women are the warriors. Ofelia protects her ailing mother and, in turn, the brave housekeeper Mercedes (Maribel Verdú) rescues Ofelia. And there are the archetypes: maiden, mother and wise woman.

Speaking of the law of threes, the artistic successes of Alfonso Cuarón (Children of Men), Alejandro Iñárritu (Babel) and del Toro have been the source of much comment about the rise of Mexican cinema. The list goes on, though; there are more Mexican filmmakers proving the rule every day. Can we say instead, that the power of Mexican art was there all along, and now the U.S. is at last becoming wise enough to recognize it and love it?

‘Pan’s Labyrinth’ opens Friday, Jan. 12, at select North Bay theaters.


New and upcoming film releases.

Browse all movie reviews.

First Bite

January 3-9, 2007

My waitress at the new Lily Kai’s in Petaluma arrives to take my order while I’m studying the elaborate Chinese characters carved into the wall next to my table.

“They mean good luck,” she says, as I run my fingers lightly over the elegant, coral-colored etchings in the golden-tan tiles. “Happiness.” Then, quickly, she adds, “Do you know what you want?” The little restaurant is packed on this late weekend afternoon, and the service is polite but efficient. I do. The bistro-chic spot is a fancier offshoot of the Lily Kai’s in Mill Valley, with bit of a Thai bent (mild curry lamb or spicy basil prawns, $7.95), a smattering of dim sum (fluffy barbecue pork buns, $3.25) and a few dressier plates (roast duck with steamed lotus buns, $11.95, or free-range chicken with fresh mango in ginger-garlic sauce, $9.25).

It’s all very tasty-sounding fare. But I want egg rolls, my acid test for any Chinese restaurant. An egg roll is a basic thing, perhaps, but if a place gets that whisper-thin wrapper perfectly crisp, and those shredded veggie innards properly crunchy-juicy, it bodes of a kitchen paying attention to details.

I want hot and sour soup, too. The fiery white pepper and sharp vinegar base must balance, and not turn musty or metallic. It takes a careful chef to get it right. In fact, I’ve been known to sample just egg rolls and soup at a Chinese restaurant, and if they’re not up to my expectations, leave without ordering entrées.

At Lily Kai, opened three months ago in a strip mall on the eastern edge of the city, I end up sticking around not only for the entrées, but for an extra appetizer, two side dishes and a mental note to come back again soon.

OK, so the egg rolls I get ($4.95) are actually quite ordinary. Yet I’ve already fallen in love with the deliciously tart soup ($5.35, small) that grows more alluring with each chicken/tofu/mushroom-stocked spoonful. A dim sum of siu mai ($5.25) absolves any egg-roll disappointments, too, the savory dumplings plump with pork and whole bay shrimp and served in a bamboo steamer basket.

A generous platter of lovely tender-meaty citrus duck ($7.95) would be just as good with half the amount of sauce, because the thick, spicy stuff packs a wallop capped by curls of bitter orange skin. I adore it, but wish for more of the crispy-skinned bird to sop it up. Instead, I fold sauce into my sides of nicely greaseless vegetarian (no egg) fried rice ($6.25) and steamed organic brown rice ($1.50).

Chow mein ($6.25) shows more sauce skill, with an intense, rich brown broth (no MSG, and not too salty, thank you) atop a crunchy-tender garden of mushrooms, zucchini, carrots, asparagus, baby bok choy, water chestnuts and broccoli. I leave Lily Kai’s thinking that I need to give the egg rolls another chance. Everything else left me with a smile etched on my face. And that means “happy” in any language.

Lily Kai, 3100 Lakeville Highway, Petaluma. Open for lunch and dinner, Monday-Saturday; dinner only, Sunday. 707.782.1132.


Quick-and-dirty dashes through North Bay restaurants. These aren’t your standard “bring five friends and order everything on the menu” dining reviews.

Bare Minimum

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Courtesy Library of Congress
Production value: In 1914, Henry Ford stunned the economic world by more than doubling the salary of most of his workers to $5 a day. The move was a great success; workers earned enough to buy the cars they assembled, thus fueling the production of more cars.

Text and photos by Michael Shapiro

     Minimum wage won’t pay for a roof, won’t pay for a drink
     If you gotta have proof just try it yourself, Mr. CEO
     See how far $5.15 an hour will go
     Take a part-time job at one of your stores
     Bet you can’t make it here anymore
          –James McMurtry, “We Can’t Make It Here”

From the glittering $5 million homes of Sausalito and Belvedere to the Napa Valley’s vineyards, to teenagers driving SUVs along Sonoma County byways, the North Bay is dripping with money. Yet much of the region’s population doesn’t share in that wealth. Whether you realize it or not, you meet people every day who are struggling to get by on $10 an hour or less.

They’re brewing up your cappuccinos at cafes, recommending movies at local video shops and putting in time at such big-box stores as Wal-Mart. Whether young or old, single or married with children, they rarely consider even simple luxuries like a restaurant meal. Some can’t even afford essentials like school lunches for their kids. And many forgo a car, which is almost a necessity in a region so poorly served by public transit.

The minimum wage has become a hot topic since the Democrats’ electoral victories have given them control of Congress. Nationally, the minimum wage, earned by an estimated 7 million people, is an appallingly low $5.15. Because it isn’t linked to cost-of-living increases, it hasn’t risen since 1997. But the news for low-wage workers is brightening. In the recent elections, six states voted to raise their minimum wages, making 29 states that now require a base pay higher than the national minimum. Even President Bush is appearing to capitulate, stating at the end of December that he would agree to a $2.10 minimum wage increase as long as small businesses receive tax relief–relief, however, at which Democrats are expected to balk.

Nancy Pelosi, who is Speaker of the House as Congress reconvenes this month, has pledged a graduated minimum wage increase to $7.25 an hour. This will help workers in some parts of the country, but it’s irrelevant here. California’s minimum was $6.75 an hour; that went up to $7.50 on Jan. 1 and will rise to $8 on Jan. 1, 2008, making California’s base slightly above the national minimum.

That’s still too low, says Larry Robinson, a Green Party member of the Sebastopol City Council. An hourly wage of $7.50 is enough to live, “if you work 80 hours a week,” he says. “Seriously, the minimum wage is not a living wage.” Sebastopol pays its employees well above the minimum wage; its living wage ordinance mandates a minimum wage of $13.20 for city workers or $11.70 if benefits are included. But this covers only Sebastopol’s employees and those of firms signing major contracts to perform work for the city. Petaluma and Sonoma have also passed limited living-wage ordinances for their employees.

According to Steve Pizzo, a journalist who opines at NewsForReal.com, the “salary for a rank-and-file member of the House and Senate is $165,200. That comes to roughly $690 a day, or $86 an hour,” he says. That’s more than 16 times the minimum wage, without factoring in all the days off that Congress members take to raise campaign funds. “Remember,” Pizzo adds, “this is the same Congress that maintained without a hint of irony or guilt that raising the current federal minimum wage of $5.15 an hour would ‘ruin the economy.'”

Yet some still argue against a minimum wage. William Niskanen, chair of the Cato Institute, a Washington think tank, calls raising the minimum wage “the dumbest idea of the year” and says the minimum wage should be abolished. In an online discussion on Craigslist, someone posting as “spudmuck” writes, “Try asking [low-wage workers] how they would feel if their job went away. Then discuss how evil it is to pay them what they are paid.”

Following are comments from six North Bay workers earning around $10 or less an hour. The faces you see in this story are those of people who don’t work at big-box stores. I interviewed several people at Wal-Mart and other chains, but all say they could lose their jobs if they commented publicly. They’re not paid enough to afford anything but the basics, but they don’t seem to hold that against their employers. Intriguingly, several say they’d rather have more free time than more money. “I don’t miss money or things, but if I could work less, I would,” says an SRJC student who works full-time at a large retail store in Santa Rosa. “I almost never have a day off. I’d like more time to get homework done or take a trip to the beach now and then, to read the New York Times all day on a Sunday.”

Angelica Schimara barters and makes her own clothes.

Angelica Schimara, 21, clerk, Box Office Video, Sebastopol
Salary: $7.50 an hour
On how she lives: I rent a room in a condo for $500 a month. To survive, I have to find places where there’s cheaper food. I make sure it’s good food, though. I live on a meal and a half a day. My boyfriend works at Whole Foods. That’s nice because he gets a discount.
On living without a car: I don’t have the money for a car, so any job I get has to be close by. I live about a mile from work–that’s hard on days like today when it rains–I have to find a ride. I don’t take the bus at night; there are too many weirdos. I’d rather walk; it’s OK to walk at night here.
On her budget: I work 35 hours a week; that’s about $900 take-home a month. After paying the rent, the extra $400 goes for food, just food. So many kids my age live in people’s barns–it’s so expensive to live here.
On working in a video store: It’s nice working at Box Office. I can rent movies free. The hours are flexible, and it’s loads of fun. We do a lot of art here. I love movies. I associate them with home–when I was younger we sat as a family and watched movies.
On future plans: I want to be a teacher. I was a teacher’s aide at Oak Grove in Graton. I earned $10 but was riding my bike to Graton. That’s too dangerous when it starts to rain. I do a little nannying on the side. I’d like to have a place of my own. If I had more money, I’d move to Santa Rosa and go back to school so I could teach. Then I’ll make more money–well, maybe a little more money.
On living simply: I buy in bulk and make a lot of my own stuff. I haven’t gone clothes shopping in 10 years, except in thrift stores. I’ve lived on my own since I was 18. You get really good at sewing, crocheting, making stuff–I make shampoo from eggs, face scrub from sugar and lemon juice. You can make a little bar of soap last a long time.
On barter: Sometimes people bring in apples from their garden. I meet lots of people here and barter. I make hats and draw pictures and bake pies. A guy brought in a bunch of apples so I’m baking him an apple pie.
On respect: My mom drives a 1995 Kia with dents from when we kids were learning to drive. A lot of people cut her off because it’s not a Mercedes or BMW. I love this town, but some people are kind of snooty. They’re rich and don’t treat you with respect, but there are lots of really loving people, too.
On living independently: The hardest thing for any young person is to be out on your own. When our parents were our age, they could buy car, get a place to live and save money. A lot of parents don’t understand why we can’t do this. I heard we’d need to earn $13 an hour to be where our parents were.
On a just living wage: A fair minimum wage would be $10. It’s not just wages but how expensive things are, especially rent. It’s hundreds of dollars to rent a little room to live under somebody else’s rules–and you still don’t feel like you’re on your own.

Rogelio Alavez sends about $300, half of his monthly earnings, to Mexico each month.

Rogelio Alavez, 50, fence-builder and odd jobs, Graton (from Oaxaca, Mexico)
Salary: around $10 an hour; varies by job
On what he does: I build fences for wild animals for a wildlife rescue group. I usually work 18 to 24 hours a week, it depends. If there’s not enough work, I don’t get hired.
On his family: I have a wife and five kids, ages 12 to 27. Es poquito. [It’s just a few kids, he jokes.] I send them money every 15 days, usually $250 to $300 [more than half of his earnings] each time.
On getting by: If I had 40 hours a week, it would be enough [to support himself and his family]. But sometimes it’s less, much less. That’s when it gets hard. Part-time is not enough. I average two or three days of work per week. The work is not regular.
On housing: I live here in Graton in a house with two people in each room. I pay $150 per month. It’s just a place to rest. All I have is a radio to listen to music and some books to study English.
On other jobs: Sometimes I find another patron–I work in a carneceria butchering meat or I help with construction. This time of year I may get a job sweeping leaves. I work in gardens in the spring.
On going out: I’m not accustomed to going to a restaurant or a bar. We cook at home.
On self-improvement: I advise people to learn English and educate themselves so we can protect ourselves and ask for better wages. When employers arrive here, sometimes they ask if workers speak English. Some patrons prefer if people speak some English.
On migratory life: I spend 10 months here, a couple months at home. I hope to return [permanently] next year to Oaxaca to be with my family: I’d prefer to die there than die here. (laughs)

     Now I’m stocking shirts in the Wal-Mart store
     Just like the ones we made before
     ‘Cept this one came from Singapore
     I guess we can’t make it here anymore

Jane Doe, 30s, Wal-Mart, Napa
Salary: under $10 an hour
     I visited Wal-Mart in Napa clad in obvious reporter attire: a camera slung over my shoulder and notebook and pen in hand. When approaching people, I told them I was interviewing workers, but most said they feared losing their job if they spoke with me. A supervisor materialized and told me that he couldn’t kick me out of the store, but that if I “harassed the associates” he’d have to “ask me to leave.”
     I asked an older employee how she affords life in Napa while working at Wal-Mart. “No one can afford it,” she said. “I live with my daughter.” She doesn’t blame Wal-Mart, telling me, “The government controls us too much.” Outside the store, I spoke with another employee, a young mother of two, who said I could use her comments if I didn’t identify her or state her salary. I cut the interview short when I noticed a supervisor eyeing us.
On surviving on low wages: I’m living with a roommate here in Napa. I can’t afford a place of my own. The rent is $1,250, which we share. I have two children. I have to pay for food, cable, phone, the Internet. I struggle–there’s nothing left at the end of the month. I work full-time, but get my benefits through Medi-Cal, and it’s free. It’s hard: sometimes I don’t have enough to give the kids lunch money; that costs more than $2 per day [per child]. I’m trying to get in a program that would reduce it to 40 cents [per child].
On a fair living wage: It should be $9 or $10.
On working at Wal-Mart: I’ve been here two and a half years and I like the job. I like the people, but just living in Napa is expensive. It’s a good store. I enjoy the community.
On what she’d tell President Bush and Congress: Raise the minimum wage! Raise it, raise it, raise it!

Rob van Ee and his wife just added a second job to their family, so things are looking up.

Rob van Ee, 32, sandwich maker, Quiznos, Santa Rosa
Salary: $8 an hour
On getting by: I live at the far end of Santa Rosa on Sebastopol Road. I’ve worked here full-time and [earlier] at Quiznos in Sonoma for almost a year.
On how he lives: Welfare helps. We use food stamps. I share a house that rents for $1,900 a month. There are 11 of us in three bedrooms. We have the master bedroom and pay $800 a month. My wife just got a job. Until then, I was our sole source of support.
On how he gets around: I have no car. It kind of sucks. I rollerblade all the way home from here. Hopefully, it won’t rain tonight so I don’t have to walk.
On worrying about the baby: It’s hard, always hoping you have enough to pay the bills. I fear running out of food. Our worry is making sure the baby gets fed. We have an eight-month-old baby. I can have lunch here, but that doesn’t feed the family.
On his past: I’ve lived in Sonoma County most of my life. I graduated high school and had a couple of semesters at the JC, but nothing much.
On credit: I don’t have any credit cards, just a bank card.
On a living wage: At least $8 per hour. It’s so hard to live in California.
On his work: The work’s not bad. Sometimes I look forward to it to get away from the craziness at the house.

Johanna Shipley commutes from San Francisco to Fairfax for her shifts.

Johanna Shipley, 18, barista, Fairfax Coffee Roasters, Fairfax
Salary: $9 an hour
On money: [Earning just enough] helps you learn how to manage your money better. If I didn’t have to manage it, I’d be blowing it on stuff I don’t really need. It’s not like I’m starving. My goal is to make enough money here to pay the rent. I try to use tip money for food. Mornings can bring $40 in tips, afternoons around $15. I work mostly afternoons and have worked here since February. I try to save 10 to 15 percent of every check. I balance it out so I have enough left to have some fun, but sometimes I have to say, “I can’t do anything right now.'”
On working in a cafe: I like working here. You don’t have to wear a uniform. It’s pretty laid-back, and there are lots of friendly people in Fairfax.
On commuting: I live in San Francisco’s Sunset district. I work part-time and live with roommates. I take buses–I’m still a student so I get student bus fare–it costs $6 a day to commute, but sometimes they charge me the $9 regular fare. I use Golden Gate Transit and have to take three separate buses, four on weekends. It takes an hour and a half to two hours each way. Weekends are the worst because there’s only one bus per hour. I get off at 8pm, home at 9:30 or 10pm. I try to do homework on the bus, but a lot of times I just fall asleep.
On housing: I lived in San Anselmo with my mom until recently and helped her out with rent. We couldn’t really afford it, so my mom moved in with a friend and I moved to the city. I just wanted to get out on my own.
On school: I’m still in high school, but it’s independent study, so I go to class only once a week [at Tamiscal High School in Larkspur]. I plan to leave in January and go to college in Australia where my dad lives. Till then, I’m just trying to get by. My mom can’t pay for my college, but my dad said if I move over there, he’d pay.
On a fair wage: The minimum wage should depend on where you live and what you do. Nine dollars here seems fair; if you’re a supervisor, maybe $11.

     Will work for food, will die for oil
     Will kill for power and to us the spoils
     The billionaires get to pay less tax
     The working poor get to fall through the cracks

Newlywed Angela Currie and her husband manage to save $300 a month.

Angela Currie, 19, Kinko’s, Napa
Salary: just over $10 an hour
On paying the bills: It’s not easy, especially if you have a car. I have a 2005 Dodge Neon. The payments are so high.
On housing: We–my boyfriend, I mean husband; we just got married–just got lucky and found a one-bedroom apartment here in Napa for $650.
On saving: I work 40 hours a week, and my husband works at the Cinedome. We try to save $300 a month. We’re usually able to do it if we don’t spend money on stuff we don’t need. We really need to stick to our budget–we can’t just go out and eat.
On living among the vineyards: The whole wine scene is just for the upper class, like if you’re a doctor or something.
On why she moved out: Most college students live with their parents, but mine moved to Washington after I graduated, so I was forced to get my own place.
On the future: I’m going to school to become a nursing assistant.
On what she’d do with more money: We’d move to a better apartment and I’d get my husband a car.

Michael Shapiro is the author of ‘A Sense of Place’ (Travelers’ Tales),’ a collection of interviews with the world’s leading travel writers. Look him up at www.michaelshapiro.net.


Art Is a Better Mess

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January 3-9, 2007

My love of Sonic Youth is unconditional, but the series of small canvasses on the gallery wall were pushing it. They were by Sonic Youth’s perennially hip and glamorous bassist Kim Gordon, whose longtime associations with cutting-edge artists are nothing to scoff at; she has an art degree, has written for Artforum and has participated in projects in and out of Sonic Youth that blur the lines between performance art, music, design and fine art. But her Rocked Up paintings–sloppy explosions of black acrylic paint strewn with heaps of silver glitter–looked like she threw them together in half an hour after cleaning out an art-supply cabinet. If that was the point, it was a very boring one.

Still, there they were, part of the “Music Is a Better Noise” exhibit at MOMA’s P.S. 1 in New York. The show, whose name comes from the title of a 1979 song by the band Essential Logic, brought together work by arty musicians and musical artists. It’s a great idea; the scenes that artists and musicians run in often overlap to the point of merging inextricably. The connection is underexplored, perhaps because the visual element is such an important part of popular music that it seems silly to separate the two.

Many bands have created their own album-cover art, while artists like Raymond Pettibon started out drawing Black Flag flyers and wound up with works in the permanent collections of world-class museums. In fact, if you want to luxuriate in a local hotbed of musician-designer-photographer-artists, seek out most any band in the North Bay indie-punk underground.

Not surprisingly, “Music Is a Better Noise” is New York-centric. Its first gallery focuses on three artists–Alan Vega, Barbara Ess and Rammellzee–whose activity in pre-post-punk New York of the mid-1970s to the early ’80s influenced musicians in various genres for years to come. Those familiar with the cold mechanical nihilism of Vega’s band Suicide could easily trace that aesthetic to his buzzing electric crucifixes constructed of busted neon, New York street detritus and broken dreams.

Rammellzee’s bizarre robotic assemblages form a renegade army of mutant Transformers who, in a fully realized fantasy world Rammellzee calls Gothic Futurism, engage in an epic battle between concrete symbols and abstract meanings. It helps to know that Rammellzee gained fame as a graffiti artist, and his bombing buddy Jean-Michel Basquiat produced Rammellzee’s 1982 single with K-Rob, “Beat Box,” now a hip-hop classic.

But those wishing to know more about what Rammellzee or Suicide sound like are out of luck, because “Noise” provides next to no context of the artists’ musical activities; the stiff little blurbs on the wall reveal little information, and the galleries are eerily silent. If music is the pretext for bringing the whole thing together, then what’s the point?

Entering the gallery, one reads that the exhibit aims to “epitomize the role of artist as a participant in diverse fields of cultural activity.” Fields like, uh, music and art? If these folks were not musicians, would anyone care about this art? Would it be hanging in a museum or represented by a gallery? In both the music and art world, quality and originality can sadly have very little to do with what gets large-scale attention.

Not many visual artists have famously made the leap to popular music (the doomed early Beatle Stuart Sutcliffe, perhaps? Yoko Ono?). Musicians have a vast upper hand when it comes to jumping fences of artistic disciplines. How many rap stars, for instance, have met acclaim and commercial success when transitioning to a film career?

Meanwhile, when actors-cum-musicians like Billy Bob Thornton or Minnie Driver go out on tour, I can’t help but wonder if the people in the audience are there to enjoy the music or to stare at their favorite actors in the flesh? Courtney Love once said that all actors want to be rock stars, but rock stars are indifferent about acting. And no wonder. When you’re a rock star, you’re already a rock star. Why bother?

Artistic folks are often multi-artsy: chefs who play guitar, dancers who take photographs, rockers who glue shit together and see it hanging in P.S. 1 because they are in Sonic Youth. Does creativity occupy a person, spreading like poison ivy, infecting and awakening untapped disciplines? For now, the answer is not coming to a museum near you. I suggest you try the local practice space instead, where gifted artists may doodle with both notes and images, and continue to be nonchalant about it.


All and Nothing

Letters to the Editor

January 3-9, 2007

James Brown for President

Notice how a two-year stand-in president who accomplished very little got priority news coverage that dominated all mainstream media.

Whereas James Brown–who was labeled the hardest working performer for his entire life, who did so much for culture, entertainment in America and for bridging cultures around the world–was usurped in the news by this white man who did so little.

I’m sure that if Ford hadn’t passed away and there was no other significant death happening, the big news to usurp Brown might be something like Britney Spears and her trifling antics.

Such is the story of blacks and minorities in America. Our contributions will always be downplayed as much as possible. However, we must always know our truth and legacy. We are a great people living in a racist, arrogant, broken country!

In protest, I am turning off all TV news stations for the remainder of the week, so these propaganda stations will not get credit ratings from me.

Marion Young, California City

Yes, eight decades, sheesh

I have fond memories of the Rev. James Coffee going back to the years when his Community Baptist Church and yours truly were neighbors in the South Park of a bygone era. Imagine my delight, then, at seeing his jovial image beaming broadly last week from the page containing (Dec. 27).

However, I need you to help me out here. If the justly venerated Jim Coffee is indeed 73 years of age, would that not, then, place him in his eighth decade rather than his seventh, as indicated in your lead? Or should I return to school this semester and take Bonehead Math?

Michael Zebulon, Cotati

Send in the Clones!

The U.S. government has declared that food from cloned animals is safe to eat. After only five years of study, scientists and the FDA have concluded there is no difference between clones and other animals of the same species.

If you recall your history lessons, what was the cause of the Irish Potato Famine that began in 1845? The potatoes that were brought to Europe from Central and South America were clones. They all were divided from a few samples, and all had the same physical characteristics and susceptibility to the disease, phytophthora infestans, that wiped out the potato crop that was the primary subsistence of Irish peasants. The famine continued until 1871.

Also, the use of clones reduces the viability of the species that is cloned, and eliminates the natural selection process and inherent strength of a species to survive because some of its population are resistant to a particular disease. Agri-business would love to have a patent on our food sources and eliminate the freedom of choice for our farmers and consumers.

Final approval is still months away; the FDA will accept comments from the public for the next three months. Please make your concerns heard. Contact the FDA on the web: http://vm.cfsan.fda.gov.

Lee E. Tolbert, Cloverdale

Sticker shock

Personally, I don’t think that simply writing letters to the editor is going to stop the debacle in Iraq and Afghanistan, as they solely play to the choir.

What it’s going to take are bumper stickers, banners and other “in your face,” eye-catching, tactics.

I suggest making bumper stickers with a full color photo of a single flag-draped coffin on a bare tarmac with this wording: “An Army of One.” I also suggest this bumper sticker: “Support the Troops; Deport the Commander in Chief.”

Many families seem to think that just because their sons and daughters died or were crippled for life bringing “freedom” to the Middle East that other people’s sons and daughters should march-step into pain and suffering, so that their children didn’t sacrifice themselves in vain.

To that selfish mindset, I offer this bumper sticker: “I Didn’t Raise My Child to Be Cannon Fodder.”

Our sons and daughters should never have been sent off to fight a useless Bush-league war.

Jeff Coykendall, Los Gatos


Ask Sydney

January 10-16, 2007 Dear Sydney, I got divorced after 16 years of marriage, sold a business that was my second family, had my mother pass away after a long struggle with cancer, met and then lost the love of my life--all within a six-month period. Five years have passed since those events, and I am now out of work...

Morsels

Zen Clay

the arts | visual arts | At Pond Farm:...

Hog Wild

January 10-16, 2007On the green hills of California, under the virgin oaks and over the rolling countryside, the first explorers from the Old World observed large, brown, muscle-backed grizzly bears--sometimes small sleuths of them--grazing over the land. The big bruins thrived on acorns and dug up bulbs, roots and mushrooms, and the frontiersmen, in turn, hunted them for sport,...

Pagan Triumph

January 10-16, 2007 Hell switches places with Earth in the Pyrenees in 1944. The outer story of Guillermo del Toro's overwhelming Pan's Labyrinth is that Franco's fascist army is clearing out a band of guerrillas, with all of the usual brutality of an armed force fighting an insurgency. The inner story inverts the myth of Proserpine in the form of...

First Bite

January 3-9, 2007My waitress at the new Lily Kai's in Petaluma arrives to take my order while I'm studying the elaborate Chinese characters carved into the wall next to my table. "They mean good luck," she says, as I run my fingers lightly over the elegant, coral-colored etchings in the golden-tan tiles. "Happiness." Then, quickly, she adds, "Do you...

Bare Minimum

Courtesy Library of Congress Production value: In 1914, Henry Ford...

Art Is a Better Mess

January 3-9, 2007My love of Sonic Youth is unconditional, but the series of small canvasses on the gallery wall were pushing it. They were by Sonic Youth's perennially hip and glamorous bassist Kim Gordon, whose longtime associations with cutting-edge artists are nothing to scoff at; she has an art degree, has written for Artforum and has participated in projects...

Letters to the Editor

January 3-9, 2007James Brown for PresidentNotice how a two-year stand-in president who accomplished very little got priority news coverage that dominated all mainstream media.Whereas James Brown--who was labeled the hardest working performer for his entire life, who did so much for culture, entertainment in America and for bridging cultures around the world--was usurped in the news by this white...
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