Multi-Media Creator Space Walker

In this season of butterflies, Space Walker has chosen “emergence” as the theme of our brief encounter. For four years—antedating the quarantine by just two weeks—Walker lived at the Isis Oasis temple of the divine fem in Geyserville.

There, she was cocooned in self-healing and creative transformation, drawing on the energy of the land and the inspiration of the temple. Space Walker emerges into the North Bay with two new albums of music, a ready show of paintings, a new oracle deck and an array of “high vibe” crafts. She’s ready to fly.

CH: Space, the art that you have created completes a high-vibe lifestyle set or, alternately, a space world. I would call that vibe joy. You are one of the most joyous people I know. Tell us about joy.

SW: Joy keeps me alive! It’s a choice. It’s our true nature. I do my best to share this gift.

CH: Tell us about your music.

SW: I’m a genre-fluid musician. The style of each song reflects the feeling it’s supposed to invite. My main influences are nature, neo soul, hip-hop, house, funk, punk and jazz. What started as a diary became an open love letter to my ideal world.

CH: What are your next gigs?

SW: June 20 at Golden Bear in Sacramento. June 22 at Elephant in the Room in Healdsburg. June 23 at Cliff’s Variety San Francisco. June 29 with Black Yacht Club at The Jacquelyn in Sacramento. Aug. 4 at Barrell Proof Lounge in Santa Rosa. I’m available for bookings too! I play a variety of styles and love to host and vend.

CH: Tell us about the oracle deck you have divined. I believe it’s called BDE?

SW: Beneficial Divine Evolution appeared to me via meditation, writing without judgment and divine bravery. The accuracy and relatability amazes me. Cosmic poetry and affirmations. Seventy-eight cards inspired by our chakras and the many paths in life. You can find BDE on Etsy (BlackStarBotanica) or find me at Strange Constellation’s Juneteenth Celebration in Santa Rosa.

CH: In addition to oracle readings and reiki healings, are you hosting a rock star charisma camp?

SW: StarPower 101 helps tap into each individual’s unique talents and presence. I also teach live looping. Private lessons and workshop bookings are welcome!

Learn more: Space Walker can be reached for bookings at cr***************@***il.com or through her Instagram, @spacewalker92, where one can reach portals to her dance and music and joyous vision.

Thanks for Your Service

The decision made by the former president’s defense team members to relieve him of the burden of testifying in his own defense is a real surprise.

If there is one thing that has defined his life in private business and public life, it is his devotion to truth, justice and the relentless pursuit of American democratic ideals.

When he was offered the opportunity to serve his country during the Vietnam War, for example, he tearfully admitted to lifelong suffering from painful and debilitating bone spurs in his feet. He accepted an appointment to the Nixon cabinet as a bartender to serve the country on those spongy mats.

And when he was invited to take part in Desert Storm, the campaign carried out by ground forces from the U.S. and allies in Kuwait and Iraq, he begged off, but offered free golf lessons to senior officers stationed in Qsar.

In March of 2003, in the initial invasion of Iraq, his crack hospitality team took over the Baghdad Ritz Carlton. It served fresh-baked oatmeal raisin and chocolate chip cookies, as well as 2% milk to troops returning from maneuvers in the evening.

That incredible gesture by itself reduced incidents of PTSD by more than 27% due to the homey, comfort food experiences our men and women enjoyed after a hard day of brutal combat in an inhospitable foreign land.

Perhaps the former president is not widely identified as a true American hero by some. Still, given the dangers and logistical nightmares involved, he has served his country in ways none of us can even imagine.

It’s just too bad he didn’t personally and publicly add to the historical record of his achievements in court, which would bring clarity to an unfortunate entanglement with an unpatriotic and unsympathetic adult film star before the election in 2016.

Craig J. Corsini sends satirical missives from a bunker in San Rafael.

Your Letters, June 19

American Graffiti

In response to “Street Art Legend: The Velvet Bandit” glorification of graffiti (June 12 Bohemian), graffiti is vandalism when it is done without permission on public or private property. Graffiti is a form of defacement or destruction of public or someone else’s property, which shows a lack of respect for the community and the rights of property owners.

There are huge public costs associated with graffiti: An estimated $12 billion a year is spent cleaning up graffiti in the United States. Graffiti removal generates pollutants that are harmful to human health and the environment.

Please stop, for the sake of the environment and the taxpayer’s cost for removing graffiti from public property, The Velvet Bandit and all other graffiti vandals. Thank you.

John Brogan

Sonoma

Serial Box

Nikki Silververstein’s delightful cover story regarding the lasting impact of author Cyra McFadden and “The Serial” (May 22 Pacific Sun) left out one notable instance of that impact, which appeared to reach presidential levels in 2002 when ex-President George H. W. Bush described a former Mill Valley resident who joined the Taliban as a “misguided Marin County hot-tubber.” (Bush later apologized wryly after Marin residents objected.)

James Holmes

Larkspur

Block Parties and Art Galas

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Expression Ball

Join art, fashion, food and wine lovers for an evening under the stars at the Expression Ball, a fundraising gala to benefit the di Rosa Center for Contemporary Art in Napa. Hosted by honorary co-chairs Christian Cowan and Jock McDonald, the event takes place on Saturday, June 22. At the fusion of imagination, art and nature amidst di Rosa’s galleries and sculpture gardens, revelers are encouraged to dress to impress, from flamboyant to funky. The evening begins at 5:30pm with a red-carpet arrival, followed by a culinary palette from top Sonoma-Napa chefs and wineries. A live auction will also feature unique works by artists like Francis Collins and Gordon Heuther, plus exclusive experiences like a VIP New York Fashion Week and a harvest dinner at Opus One Winery. Details and tickets at dirosaart.org/expression-ball.

Santa Rosa

Block Party

Santa Rosa Urban Arts Partnership is establishing a new summer tradition with the opening of its West End Block Party and Summer Market beginning Sunday, June 30, from 11am to 3pm, and running the last Sunday of each month through September. Food vendors for the inaugural occasion include the Tri Tip Trolley, Good Vibes Lemonade and the Brunch Boys. Crafters in attendance range from Kim Dow Made This to the Blackout Rage Room, Stafford Makes, Serpent & Bow, Creative Crayons and Crafts, Beachmix, Sonoma Sauces, White Warrior Studios, Studio Dejavoo and Savvycakes Studios. The Joy Riot Hoop Clowns keep the atmosphere light, and Bourbon Street Brass Band and Parson Jones share the tunes. Bikeable Santa Rosa will be on hand with great bicycle resources to get one out on two wheels in the most fun and safe way possible. West End Block Party and Summer Market, 11am to 3pm, the last Sunday of every month starting June 30, at 819 Donahue St., Santa Rosa. More information at srurbanarts.org.

Napa

Wine & Song

Summer weekdays at the Cuvaison 3rd Annual Summer Music Series feature live music every Thursday evening through Sept. 26. Music and wine fans are invited to partake in an idyllic sunset view from the Cuvaison winery patio and tasting salon, accompanied by celebrated local musicians (Nick Foxer, Chance McCauley, Courtney Kelly, Smorgy, Jason Morvich and Vincent Costanza among them) and a glass of wine handcrafted from the vineyards. Thursday evenings throughout the summer from 4 to 7pm at Cuvaison Estate Tasting Room, 1221 Duhig Rd., Napa. Tickets are $35 and include the aforementioned glass of wine. For more information, visit cuvaison.com/winery-events.

Mill Valley

Asher Belsky

Catch guitar prodigy, songwriter and vocalist Asher Belsky at Sweetwater Music Hall from 8 to 11pm, Friday, June 28. Endorsed by Gibson Guitars and an inaugural member of the Gibson Generation Group, Belsky will perform his original music, with roots in rock and R&B. The evening will kick off with singer-songwriter Rachel Barton opening the show. In addition to leading his own band, Belsky has performed alongside Michael Franti & Spearhead, Darryl “DMC” McDaniels (Run DMC), the Marcus King Band, Isaiah Sharkey, MC Hammer, ALO and Maurice “Mobetta” Brown, among other luminaries. Sweetwater Music Hall is located at 19 Corte Madera Ave., Mill Valley. Tickets range from $17 to $22. Get tickets at sweetwatermusichall.com.

Chinook Salmon in Hot Water

There may not be tumbleweed blowing through the salty streets of California’s coastal marinas, but the collapse of the state’s Chinook salmon runs has reduced many ports to ghost towns. 

At Bodega Bay, Sausalito and other seaside harbors, fishing boats that once targeted the coveted fish have been idled for almost two years after officials determined there are not enough salmon off the California coast to support harvest.  

Once abundant, Chinook have been devastated by habitat loss, water diversions from the rivers where they spawn and drought. They are trending toward extinction. And while recovery is a possibility, it will be an upstream push. The salmon need improved spawning grounds and more floodplain nursery habitat. 

They also need more cold water. And in 2023 and 2024, both exceptionally wet years, they got it—until, that is, they didn’t. Water temperatures in the middle Sacramento River soared to lethal levels this spring, exceeding basic environmental objectives and threatening salmon born last summer and fall. 

With no agency taking firm ownership of the problem, the mishap raises the question of who’s at the wheel in managing the state’s reservoirs and rivers for fish and who’s to be held accountable if salmon disappear.

The temperature troubles can be traced upstream to Shasta Dam, which creates California’s largest reservoir. The lake is almost full – typically a great boon for fish downstream. However, Lake Shasta is also unusually warm this year, according to local irrigation districts, which say this has produced similar temperature profiles downstream of the dam. 

Fishery advocates frame the story differently. They say the warm water spike in May was an avoidable outcome of water management decisions, and they’re blaming officials for prioritizing human water supply over basic environmental needs.  

“It’s a violation of state law, and they know they’re doing it,” said Tom Cannon, a retired fisheries ecologist and consultant. 

He says the U.S. Bureau of Reclamation, with the approval of state regulators, released so much of Lake Shasta’s water through the spring to Sacramento Valley farmers that keeping water cool enough to protect migrating salmon smolts, then ocean-bound, became impossible. 

Environmentalists also accuse the State Water Resources Control Board—the top water referee in the state—of setting weak temperature standards in the first place and failing to enforce them. If this continues, they say, the fish may never recover. 

“They are managing salmon to extinction,” said Tom Stokely, a water policy consultant for the group Save California Salmon.  

Through the spring, the Bureau of Reclamation released several heavy bursts of water from Lake Shasta to help salmon born last summer and fall migrate downstream. These so-called “pulse flows”—recommended by federal endangered species rules—first exit Shasta Dam, then run through a smaller facility called Keswick Dam, and finally course through miles of meandering river channel. 

But between pulse flows, the river has dropped dramatically. During such lulls, water temperatures predictably jump. In mid-May, a gauge at a site called Wilkins Slough registered 72 degrees Fahrenheit—surpassing a state limit of 68. Such warm water is dangerous for small salmon, making them sluggish and predator fish more active. 

Fishery advocates say the 68-degree objective, ordained by the state water board’s “Basin Plan,” could have been achieved without disruption if the Bureau of Reclamation had slightly reduced water allocations to valley farmers. 

But the Bureau of Reclamation—which operates Keswick—claims no responsibility.

“Reclamation does not manage Keswick Dam releases for water temperatures at Wilkins Slough,” a staff member explained in an email. He elaborated that water outflow from the dam is used to meet water supply demands and keep salty ocean water at bay, away from the major pumping stations in the southern Sacramento-San Joaquin Delta. 

These facilities, which send water to millions of people and vast farming regions, were the site of another recent controversy when the pumps exceeded “take” limits on protected winter-run Chinook and steelhead trout. In spite of complaints that thousands had been sucked to their deaths, the Bureau of Reclamation has not entirely mitigated the entrainment. 

This month, the agency reported an “increasing” trend of steelhead found at the pumps. These fish are usually rescued alive, but their presence is an indicator of other fish that were not so lucky.

To Jon Rosenfield, science director with the group San Francisco Baykeeper, such losses in a wet year bode poorly for the species’ futures.

“If they’re making decisions that cut against the fish in 2024, when reservoirs are full and many contractors are receiving full deliveries, is there a year when they won’t harm imperiled fish species?” he said.

Shasta is one of many California dams from which water releases harm fish. Coyote Valley Dam, on the Russian River, is another. 

A court ruling in early May found that the U.S. Army Corps of Engineers has violated the federal Endangered Species Act for years by releasing muddy water from the bottom of Lake Mendocino, through the dam and into the Russian River. These flood control releases, according to a lawsuit filed in 2022 by private citizen Sean White, cloud the river with silt and sediment and harm the watershed’s salmon and steelhead, all nearly extinct.   

There is, however, good news emerging on the horizon for California’s troubled salmon. The water board recently approved the Bureau of Reclamation’s 2024 Sacramento River temperature management plan. This planning document, which features projections of the reservoir’s stored water and its temperature by depth, shows that water releases will remain cold through the fall, leading to minimal losses of fertilized salmon eggs. This would be a promising turnaround from recent years when most eggs of spawning salmon were killed by temperatures in the mid-to-high 50s.

State and federal water officials are tasked with a tricky balancing act of providing water to people while protecting the environment. In many cases, contractual obligations to deliver water to farmers weigh heavily on the agencies. So do rules meant to protect fish. Both sides take hits when supplies run low.

But the treatment is not always equal, and the agencies often bypass environmental regulations to better supply farms and cities. 

In the wet winter of 2023, Gov. Gavin Newsom signed an order allowing the state water board to waive basic environmental flows in the Delta so agencies could store more water in reservoirs. Many similar waivers were made in prior years—often through a regulatory tool called a temporary urgency change petition—allegedly killing millions of fertilized eggs and smolts and possibly precipitating the Chinook’s collapse. 

While 2023 and 2024 are shaping into a decent time for the Central Valley’s salmon, it could have been a great one, owing to the abundant water and snowpack it produced.  

“Mother Nature gave us two good years in a row,” Rosenfield said. “We need to rebuild the population that was decimated during the last few drought years.”

Rosenfield wants to see a systematic increase in average river flows through the Delta, all the way to the ocean. While this would likely benefit struggling species, it’s a divisive idea since it would mean reducing Delta water exports. 

“There are a few groups that always point to the farmers whenever they believe there’s a water need for the fishery,” said Lewis Bair, the general manager of Reclamation District No. 108, which provides water to Sacramento Valley farmers. 

Bair says unusually warm water in Lake Shasta has made it difficult to meet the physiological needs of Chinook salmon, even though the reservoir is nearly full. 

“It’s unheard of to have a reservoir this full and to have this temperature challenge,” he said. 

Climate change and warming trends, Bair said, existentially threaten salmon and steelhead. Saving them, he noted, will require expanding upstream spawning habitat and providing access to cold tributaries currently blocked off by dams. 

Environmentalists tend to agree. But many argue that state policies are just as dangerous as changing climate. Of particular contention is a rule known as Water Right Order 90-5, which sets a 56-degree threshold for spawning salmon in the Sacramento and also the Trinity River, a major Klamath tributary connected to the Sacramento basin by an 11-mile tunnel bored through the Coast Range mountains. 

That 56-degree limit is widely considered to be scientifically outdated and a potential death sentence for salmon eggs. In June, a group of organizations requested that the water board initiate a process of amending the rule by reducing the threshold to 53.5 degrees—what would align with federal endangered species guidelines.

Water board staff told Weeklys in an email that they plan to “assess this issue further” later in the year.  

Stokely isn’t holding his breath. He said he has been encouraging the board to amend the order for years. He and his allies in conservation want them to write in lower temperature limits for both the Sacramento and the Trinity, where coho salmon have recently suffered almost complete spawning failures.

“If they don’t change Water Right Order 90-5, we’re certainly looking at the end of salmon fishing and salmon in general,” Stokely said. “They’re on the road to extinction. They can’t go on like this.”

Ladysmith Black Mambazo and Miko Marks at Mendocino Music Festival

Sponsored content by the Mendocino Music Festival

Celebrating 38 years of music on the gorgeous Mendocino Headlands, the 2024 Mendocino Music Festival (July 11-27) will present its signature broad range of genres: bluegrass, country, classical, jazz, big band, folk, pop, opera, and country. 

There will be singing! The lineup includes Ladysmith Black Mambazo (remember Paul Simon’s Graceland?); Miko Marks, a rising Black country music pioneer; Julian “J3PO” Pollack, and other players in Chris Botti’s rhythm section, plus singer Sy Smith; Stephanie Anne Johnson who can bring a dive bar to a hush and also get a standing ovation on “The Voice”; and the Festival Big Band with vocal powerhouse Maiya Sykes singing everything from Aretha to Stevie Wonder. The Big Band’s rhythm section loves playing together so much that they’re doing their own concert.

Festival Orchestra and Piano Series

People often ask “Where did you get that great orchestra?” The Festival Orchestra, conducted by Artistic Director Allan Pollack, comprises mostly Bay Area professionals on their summer breaks. The three orchestra concerts start with Ginastera’s Estancia and culminate in the Brahms Requiem, with the Festival Chorus. Other works include the Elgar Cello Concerto, Moussorgsky’s Pictures at an Exhibition, Stravinsky’s The Firebird, and the Rachmaninoff Piano Concert No. 2.

Orchestra rehearsal for the Mendocino Music Festival
Festival Orchestra rehearsal in the Tent Concert Hall.

Associate Artistic Director Susan Waterfall will present a series exploring the life and music of Gabriel Fauré (a film and three chamber music concerts), and she has chosen extraordinary artists for the always popular narrated Piano Series. The Calder Quartet’s program includes Schubert’s Quartettsatz in C minor and the Fauré quartet. Guest conductor Ryan Murray will lead a rollicking concert version of Mozart’s Così fan tutte.  

Foot-Stomping Bluegrass

There will be plenty of foot-stomping, inspired by legendary fiddler Darol Anger’s band Mr Sun; Irish group JigJam, as it takes bluegrass back to its origins; Rose’s Pawn Shop’s fusion of bluegrass and folk-rock; and the “guerilla roots” sound of Damn Tall Buildings, with the energy of a ragtag crew of music students playing bluegrass on the streets. 

This Festival is in one of the most beautiful places on earth. The town is small, the people friendly, and during the day the sound of music is everywhere. This festive atmosphere fosters a community of music lovers and musicians; with chance encounters with musicians at the grocery store, in the shops, and on the hiking trails. Orchestra rehearsals are open to the public, providing a way to introduce children to the wonder and drama of classical music. Visiting bands and their audiences are encouraged to spend some time together after the concerts.  

Beer and Wine, Cookies and Music

Concert Hall of the Mendocino Music Festival
Tent Concert Hall on the Mendocino Headlands.

Most afternoon concerts are in lovely Preston Hall, a small venue, well suited to chamber music, a cappella, the Piano Series, and jazz singers. Evening concerts are in the heated, 800-seat Tent Concert Hall on the bluffs across from Main Street Mendocino, with its many excellent restaurants and interesting shops. Before the concerts and at intermission guests can enjoy a glass of wine, featuring a different Mendocino County winery each night, or have a beer from North Coast Brewing Company. There is coffee too, and the Mendocino Cookie Company cookies are legendary. 

View the full 2024 season and buy tickets at MendocinoMusic.org. Ticket prices range from $25 to $65, with youth tickets at $15.

Howell at the Moon: ‘Werewolf Serenade’ at The Rafael

With four months until camp lovers can go to their local showing of Rocky Horror, the Smith Rafael Film Center in San Rafael will be filling that hole with an 85-minute, campy, indie film on June 21. 

After the film screening, members of the cast and crew will hold a panel for Q&A. The film, Werewolf Serenade, serves as entertainment for the locavores of the Bay Area and wine valleys.

Like its title, the film doesn’t take itself too seriously, and the audience isn’t expected to either. Director, actor and writer Daedalus Howell—editor of this very paper—wrote the script as a course project he was assigned while finishing his degree at San Francisco State in the late half of the pandemic. 

Deciding to take it further, his wife, Kary Hess, joined him to make a husband-wife team making a film about a husband-and-wife team who elude evil and vastly improve their sex life.

Howell hopes that the film will fill the theater with laughter and excitement, as it had at the cast and crew screening in Petaluma. Hess and Howell (both artists, writers, filmmakers and journalists) chose their own town for the film’s setting. It’s an homage to the horror classics and to Petaluma, itself a movie town—think American Graffiti, Peggy Sue Got Married, Inventing the Abbotts and more. 

When the main character (played by Howell) runs through the town, growling and snarling, it’s the restaurant patrons at The Shuckery who turn with raised eyebrows. Easter eggs like that made the 280 attendees at the screening enjoy the film. 

The Kafkaesque narrative of the natural changes life brings is represented by the main character’s animal transformation. It’s this metaphor of lycanthropy that made the story so easy to write. “When you get to my age, at 51,” said Howell, “at this point, change is not just inevitable. You literally wake up with hair growing out of places you thought would’ve been impossible the night before.” 

Is that how the sideburns happened, Howell?

Peter MacTire, an on-the-nose tribute to the story Peter and the Wolf, is a college professor who notably hasn’t read Steppenwolf by Hermann Hesse—which, of course, has everything to do with the plot. His faculty peer, Stu, is a professor in the leading parapsychology department in the nation, according to the dean (Alia Beeton). Stu is running a secret research project for a wealthy donor and winds up dying under suspicious circumstances.

As every mad scientist is doomed to be, Stu ends up as his own guinea pig. Now desperate for a new researcher so she can keep the donor’s funding, the dean recruits someone who has absolutely no expertise on the subject, Peter.

With Howell’s natural sideburns to cut monster prosthetic costs, Hess’ wolf saint portrait that was needed to cover a mirror on the wall and a character whose t-shirt is a blaring statement on his current predicament, the film is entertaining and easy to watch. 

Sitting in a theater, out of the summer heat, knowing one doesn’t have to look very far for the jokes or the Easter eggs may just make one want to howl at the night’s full moon. And do it because it’s not only recommended, but there’s a prize for the best one—yes, there’s a pre-show howling competition.

‘Werewolf Serenade’ full moon screening, conversation and howling contest, 9pm Fri, June 19 at Smith Rafael Film Center; rafaelfilm.cafilm.org/werewolf-serenade.

Bathtubs on Stilts: Petaluma’s Most Divisive Public Art Piece Finally Going In This Summer

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Remember the controversial public-art proposal that emerged years ago in Petaluma, to install a riverfront sculpture of five clawfoot bathtubs towering 20 to 25 feet above ground? Its official title is “Fine Balance,” but most locals know it as “The Bathtubs on Stilts.” About one decade back, city arts planners bought the sculpture from San Francisco artist Brian Goggin for a cool $150,000, shelling out another $80,000-plus for environmental studies. And this July, against all odds, a slightly pared down and relocated version of the bathtub art that divided a community is going to be installed at last along the Petaluma River, according to the Press Democrat. Indeed: The artist has been posting Instagram progress pics from his studio as he puts the finishing touches on his tub art. The Press Democrat has a fascinating new story on the seven-member Public Art Committee that approved it for Petaluma, which a reporter calls “the least understood, and most harshly criticized, public service committee in town.” Committee members tell the PD that while they often see loads of criticisms after they approve stuff, they never hear a peep from anyone during the public-input period. That said: Given all the pushback on the bathtub art — including a GoFundMe campaign called “Citizens Against Tubs on Stilts” that raised nearly $10,000 on a rally cry that the art was locally irrelevant, potentially unsafe, “inappropriate for the location” and just plain ugly — the committee did agree to move it from its original proposed location on the Water Street promenade to a more out-of-the-way “pocket park on H Street,” still along the river. And there are now only two bathtubs on stilts, instead of five. Here’s some more fun history for you: Back in 2019, five years into the saga, the project landed in the Bohemian’s “Best of the North Bay” issue, taking the gold for “Best Public Art Dustup.” In the writeup, we called this “starkly steam-punkish” art piece “one of the most divisive happenings Petaluma has witnessed since Highway 101 split the town into west side and east side.” More from the issue: “The tubs — five old-fashioned, claw-foot bathtubs suspended on towering metal stilts — were paid for out of a mandated fund collected from private developers who build new stuff in town, and must either cough up 1 percent of their building costs or spend the same amount commissioning their own artwork on their site. The installation is expected to be erected this fall on Water Street, overlooking the Petaluma River’s turning basin. While there are plenty who actually look forward to the installation (proudly sporting ‘The Tubs Will Rise’ buttons), the howl of outrage from dissenters has become so vitriolic that discussion of the tubs has been banned on social media sights like the popular ‘I Love Petaluma!’ Facebook page. It’s not the first time Petalumans have seen an art display spark major controversy. Thirty-six years ago, in 1982, local artists Tim Read and the late Guy Scohy found themselves at the center of a massive maelstrom when they were invited to install a number of brightly colored metal sculptures outside the downtown history museum. The public outcry was immediate. Many called the sculptures ugly, too modern or too strange. Others (the project’s defenders) argued that ugliness was beside the point, that art is art and is intended to inflame public conversation. The city of Petaluma soon jumped in, citing the structures’ potential danger to the public (sharp edges, etc.) and ordered the sculptures to be removed. Disappointed in his fellow Petalumans’ lack of support for art and creativity, Scohy soon after left town. Read himself now lives in New Mexico. Will Petaluma once again cave to art critics and pull the plug on the tubs? It’s a real soap opera. We’ll just have to wait and see.” Now, I have the distinct honor of answering a fellow Bohemian writer from my perch in The Future: Bro. It’s really happening. (Source: North Bay Bohemian & Press Democrat & Press Democrat & GoFundMe & SF Gate & Petaluma Argus-Courier & Brian Goggin via Instagram)

Notorious Napa Valley Landfill Gets International Press

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As you probably know by now, the U.S. Department of Justice and the FBI have been sniffing around the Napa Valley for the better part of the last year, apparently looking into county government officials and their connections to wine-industry power players and ag interest groups. The feds’ hypothesis — what they think might be going on — has remained a mystery. But given the magnitude of the probe, they seem pretty sure of it, whatever it is. And now, one of the main subjects of their investigation — the beleaguered, decades-old Clover Flat Landfill near Calistoga — is getting some pretty major international press. The Guardian newspaper in the U.K. just published a piece called “Napa Valley has lush vineyards and wineries — and a pollution problem.” The reporting was funded by the Environmental Working Group organization, famous for publishing a regular list of chemicals to avoid in food called “The Dirty Dozen.” Here’s an excerpt from the new Guardian piece: “Two streams run adjacent to the landfill as tributaries to the Napa River. A growing body of evidence, including regulatory inspection reports and emails between regulators and [Clover Flat Landfill] owners, suggests the landfill and a related garbage-collection business have routinely polluted those local waterways that drain into the Napa River with an assortment of dangerous toxins. The river irrigates the valley’s beloved vineyards and is used recreationally for kayaking by more than 10,000 people annually. The prospect that the water and wine flowing from the region may be at risk of contamination with hazardous chemicals and heavy metals has driven a wedge between those speaking out about the concerns and others who want the issue kept out of the spotlight, according to [Geoff Ellsworth], a former employee of CFL. ‘The Napa valley is amongst the most high-value agricultural land in the country,’ he said. ‘If there’s a contamination issue, the economic ripples are significant.'” Ellsworth, the guy quoted in the story, used to be the mayor of St. Helena, and is now part of a core group of environmental and political activists in the Napa Valley who believe major corruption has been festering for years — embodied quite viscerally by the oozing chemicals at the Clover Flat dump. The group has created an impressively hi-fi documentary series called “Garbage & Greed: Trashed in Napa Valley,” which you can watch here. It’s cool to see their tireless crusade now paying off in the form of pressure from all the way across the pond. More from the Guardian story: “Both the landfill and Upper Valley Disposal Services (UVDS) were owned for decades by the wealthy and politically well-connected Pestoni family, whose vineyards were first planted in the Napa valley area in 1892. The Pestoni Family Estate Winery still sells bottles and an assortment of wines, including an etched cabernet sauvignon magnum for $400 a bottle. The family sold the landfill and disposal-services unit last year amid a barrage of complaints, handing the business off to Waste Connections, a large, national waste-management company headquartered in Texas. Before the sale, Christina Pestoni… served as chief operating officer for UVDS and CFL, said in a statement that the company’s operations met ‘the highest environmental standards’ and were in full legal and regulatory compliance. Pestoni is currently director of government affairs at Waste Connections. In her statement, she accused Ellsworth and ‘a few individuals’ of spreading ‘false information’ about CFL and UVDS. But workers at the facilities have said the concerns are valid. In December of last year, a group of 23 former and then-current employees of CFL and UVDS filed a formal complaint to federal and state agencies, including the US Department of Justice, alleging ‘clearly negligent practices in management of these toxic and hazardous materials at UVDS/CFL over decades.'” (Source: The Guardian & The New Lede & Garbage & Greed & Napa Valley Register & Environmental Working Group)

Sonoma Valley Real Estate Empire Crumbles

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A name you’ve probably been seeing in local headlines a lot lately: Ken Mattson. He’s a real-estate mogul who has built a small empire in the Sonoma Valley area southeast of Santa Rosa, buying up more than 100 properties worth a quarter billion — and now, this empire, propped up by a labyrinth of LLCs, is starting to crumble. Up to now, the main controversy following this guy around has been accusations from community activists that he’s letting many of his properties, including some pretty iconic local spots, fall into blight and disrepair, with no plans to rehab them. These activists even formed a group in 2022 called Wake Up Sonoma. “Shuttered businesses, chained-link fences and empty lots now litter the valley,” they said in an explainer video posted last summer. “The future health of our local small businesses and the fabric of our community are at risk.” So a bunch of local journalists starting sniffing around, too. But everything really imploded earlier this spring, when Mattson’s own business partner, Tim LeFever, reportedly tattled on him to federal regulators, claiming he was stashing their firm’s money in his personal bank accounts and otherwise being shady and screwing over investors. In statements to the press, Mattson has denied doing anything wrong and blamed LeFever for the mess. But for what it’s worth, it was Mattson’s home that the FBI raided a few weeks ago. More on the anatomy of the crumble, via the Press Democrat: “In March, the Sonoma Index-Tribune reported that a handful of Mattson’s 100-plus properties in Sonoma Valley faced at least $1.2 million in liens and back taxes. Mattson stepped down as CEO of the LeFever Mattson company in April. And [in May], Sonoma County sued KS Mattson Partners, a limited partnership Mattson controls, over a pair of perpetually under-construction homes at 70 and 74 Moon Mountain, registered as four separate parcels, that have served as the symbols of the neglect his sharpest critics say he has imposed on the valley.” Meanwhile, casualties have included 7-year-old local donut shop Dirty Girl Donuts — which was reportedly backed by Mattson, and lives in one of his properties along Broadway Avenue in Sonoma — and a nearly half-century-old classic car restoration business around 30 miles east in the town of Fairfield. “Specialty Sales Classics, which also had lots in Pleasanton and Benicia that were shut down, was owned by Ken Mattson, whose name first appeared on the company’s incorporation documents in 2011,” the PD reports. “The company now takes its place alongside other Mattson-controlled real estate holdings, investment funds and business ventures that are being shut down.” Amid this chaos, an intriguing new character has entered stage left: a young, redheaded Bay Area tech entrepreneur named Chris Fanini. As the San Francisco Chronicle reported yesterday: “Embattled Sonoma real estate developer Kenneth Mattson has sold off more than a dozen properties in Sonoma — including two buildings that house well-known businesses — to Chris Fanini, a San Francisco software developer and venture capitalist. Anidel Hospitality, a real estate company that Fanini owns, announced this month had purchased the Sonoma Cheese Factory and Sonoma’s Best Modern Mercantile, two beloved local Sonoma mainstays. A Fanini spokesperson also confirmed that Fanini had bought 11 other properties through ‘I Heart Sonoma LLC,’ another company he controls. ‘Sonoma holds a special place in my heart,’ Fanini said in a news release accompanying the announcement. ‘It’s a vibrant community that my family and I have long considered our home away from home.'” Time will tell if he’s the angel we need or just the devil we don’t know yet! (Source: Press Democrat & Press Democrat & Press Democrat & Press Democrat & Press Democrat & Wake Up Sonoma & Dirty Girl Donuts via Instagram & North Bay Business Journal & SF Chronicle & SF Chronicle & SF Chronicle)

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Sonoma Valley Real Estate Empire Crumbles

A name you've probably been seeing in local headlines a lot lately: Ken Mattson. He's a real-estate mogul who has built a small empire in the Sonoma Valley area southeast of Santa Rosa, buying up more than 100 properties worth a quarter billion — and now, this empire, propped up by a labyrinth of LLCs, is starting to crumble....
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