Sonoma County Winemakers Plan Redo of 1976 ‘Judgement of Paris’ Wine Tasting

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Napa Valley winemaking legend Warren Winiarski died a week ago at age 95. He was one of two local winemakers who famously shocked France’s snootiest wine critics and forced our region onto the world map of prestige at the 1976 “Judgement of Paris” wine tasting, when their Cab Sauv and Chardonnay, respectively, emerged victorious in a blind taste test. “Not bad for kids from the sticks,” his fellow Napa winner, Jim Barrett from Chateau Montelena, famously told Time Magazine. It’s now the stuff of wine-country lore — a “shocking David-over-Goliath triumph that gave the fledgling California wine business a swift dose of international credibility,” in the words of the New York Times. That fateful moment has inspired books, documentaries, historical exhibits, countless PR campaigns and a lingering smugness in our subtle ego war against the French. And now, on the advent of Winiarksi’s passing, here we are all talking about it some more. Many are also talking about the man he became in the decades following his accidental slip into celebrity. “Winiarski, who founded Stag’s Leap Cellars with his late wife Barbara in 1973, poured some of his focus in later years into philanthropy, conservation, preparing vintners for climate change, and into preserving food and wine history,” KRCB news radio reports. Which brings us to a serendipitously timed announcement last month from Sonoma County winemaker Patrick Cappiello of Monte Rio Cellars, who has amassed an Instagram following of nearly 40,000 for his outspoken rants on the difficulties facing modern U.S. winemakers. Cappiello announced that he and a winemaker friend of his from Pax Cellars in Sebastopol will be attempting to stage a second coming this summer of the “Judgement of Paris” tasting. They’re calling it “The 1976 Redo.” And instead of just comparing Sonoma and Napa county wines to the best stuff from France, they’ll be blind-tasting wines from all across California and the rest of America — perhaps exposing some unexpected new underdogs from different U.S. winemaking regions, just like happened back in 1976. The Press Democrat explains: “Judging for The Redo will take place in stages, with a West Coast panel assessing the American wines and an East Coast panel judging the French wines. West Coast judges include winemaker Rajat Parr of Phelan Farms, winemaker Megan Glaab of Ryme Cellars in Forestville, Master Sommelier Carlton McCoy, winemaker Steve Matthiasson, sommelier Cara Patricia, wine writer Randy Caparoso, sommelier Alexandria Sarovich and sommelier Mike Zima of SommPicks. (The East Coast panel is still being finalized.) Tasted blind in each round, the American wines will be whittled down to 30 semifinalists, with five selected to go head-to-head with the best French wines. The five finalists from each country will be blindly assessed by a new panel of judges, with no knowledge of the wines’ country of origin.” Kind of exciting, right? Event organizers say on their website: “Forty-eight years after the pivotal Judgment of Paris wine tasting put American wines (and Napa in particular) on the map, we’re gearing up for a renewed showdown with our legendary French rivals to showcase the new generation of American winemaking.” Wineries have about one week left to enter the contest. There will be four categories — Cabernet Sauvignons, Syrahs, Chardonnays and Chenin Blancs — and only vintages from the years 2020-23 will be accepted. Let the ego wars begin… (Source: KRCB & New York Times & Press Democrat & Patrick Cappiello via Instagram & The 1976 Redo)

Climactic Climate

As temperatures rise, hope floats

Last year was the planet’s warmest 12-month span in at least two millennia, beating out the prior record year of 2016 by a wide margin. And 2024 is turning into another broiler.

Global temperatures continue to rise. With the wealthy of the Earth rapidly spewing carbon pollution despite international agreements to cut emissions, experts now say the planet is approaching a climate change tipping point. Once we cross it, change could become self-perpetuating and transform the Earth’s ecosystems.

The ship may not be sinking, but it’s almost certainly capsizing.

If the United Nations can’t even mobilize change, don’t hold your breath for the United States. California? Maybe.

What about your neighborhood? And what about you? Absolutely. Taking climate action at the hyper-local level is an easy and empowering starting point for reducing greenhouse gas emissions.

The question is: Does it make a meaningful difference?

Many activists have argued no—that top-down, regulatory changes to reduce emissions are the only way to make a significant dent in emissions and that they eclipse the relevance of individual action. Some even argue that focusing on individual change is counterproductive because it allows the industries that sell fossil fuel consumption, and which have attempted to hide climate science from the public, to sneak out the back door.

The counterarguments are many. For starters, action taken one person at a time is not entirely insignificant, for it makes at least one person’s worth of difference.

Moreover, in some cases doing something individually can spark a revolution. You just need to be seen doing it.

“Individual actions done privately aren’t really going to move the needle, but individual actions done collectively and publicly create culture change,” says Natasha Juliana, the cofounder and campaign director of Cool Petaluma, a collective of residents striving to remake their community through lifestyle adjustments that ease pressures on natural resources and the climate, one person, one household and one block at a time.

“You don’t have to get 100% of people doing something,” Juliana adds. “You only need a small part of the population acting publicly in a different way for it to suddenly become normal.”

Cool Petaluma’s list of “action plans” includes planting one’s own food garden, capturing and using rainwater, riding a bicycle instead of pushing a gas pedal and eating less meat. The organization suggests other lifestyle amendments: Fly less and vacation locally. Avoid plastic packaging and food wraps—oil in disguise—and quit wasting food, which translates into buying less in the first place. Wear natural-fiber clothing, and—since it will cost more than plastic clothing—wear it out before buying more.

Born in 2021, Cool Petaluma encourages neighborhood gatherings, even offering training sessions for individuals to become “cool team” leaders. These block meetings foster conversations about climate change, resilience and how to make a difference. Eventually, the idea goes, these household gatherings can change the community, and maybe the world.

“Our dream goal would be for every block to be a ‘cool block,’ where the neighbors know each other, share resources and take care of each other, and then so many things can build from that,” Juliana says.

Marin County’s Resilient Neighborhoods runs a similar program. The organization, oriented toward empowering people to take household-scale action against climate change, hosts online training and networking workshops. Its next five-session program kicks off this week, on the evening of Thursday, June 13. It will coach Marin-based participants in reducing household carbon footprints, waste generation and water use while preparing for climate emergencies, including wildfires and power outages.

Europe provides a sort of cultural yardstick by which to measure our carbon emission reduction goals. After all, Europeans live by standards comparable to those of Americans, but, per capita, emit one half the carbon pollution. The average French person, for instance, produces between four and five tons of CO2 each year, while Americans emit more than 14.

It makes sense then, that some of Cool Petaluma’s community solutions are modeled after life in Europe. The suggestion to “start a neighborhood Passeggiata” refers to the Italian tradition of strolling the square each evening. The group’s endorsement of using trains and bicycles also salutes landscapes of the Old World, where tracks and trails crisscrossed the land ages before the birth of motor vehicles. What emerged then remains today—a glorious network of railways, walkways and bikeways.

In contrast, California and cars have been best friends almost since their birth, giving rise to such asphalt grids of sprawl as the highway network connecting Sebastopol, Rohnert Park and Santa Rosa. Parts of these communities are about as friendly to cyclists and pedestrians as an active war zone, both infrastructurally and socially.

When feeble painted lines meant to make cycling a tad safer appeared along a mile of the Gravenstein Highway in 2018 and 2019, many residents of Sebastopol—the greenest town in the land, so long as motorists get two lanes in every direction—expressed their outrage on the community networking site NextDoor. Some claimed the bike lanes were part of a dark United Nations plot to force sustainable living upon the world.

No one was forced to do anything. However, they were given better options for emissions-free personal transportation. The Sebastopol saga showed how top-down change plus bottom-up individual courage can equal an overall community improvement.

That’s the combination that Deb Niemeier, a professor in the department of civil and environmental engineering at the University of Maryland—and until recently of UC Davis—says can lead to meaningful change. She says individuals, to collectively create a net improvement, must be guided with rules and regulations that encourage a desired behavior.

“You need a policy structure that incentivizes individual action toward societally beneficial outcomes,” notes Niemeier.

Those incentives may come in the form of rewards or punishments—that is, carrots and sticks.

“Think about speed limits as sticks,” Niemeier explains. “You can choose to drive as fast as you want, but the stick is that you will receive a hefty fine if you are caught. Or think about carrots. You can get a solar rooftop and receive a rebate.”

The power of people to make choices as individuals makes the fight to slow climate change feel a little more manageable. At its core is the age-old self-deprivation of monks and, among other messengers, the desert philosopher Edward Abbey, who wrote, “Sentiment without action is the ruin of the soul.”

It’s bad marketing, too. Fewer people would have taken Swedish activist Greta Thunberg seriously if, in 2019, she had touched down at JFK Airport in New York when she visited the United States. So, she sailed.

Another thing that individual efforts have going for them is their resilience against political influence. That is, a shift in leadership can lead to a quick reversal of policy-level gains made during a prior administration. One’s own personal convictions to live more sustainably, however, will not change with the political tide. Moreover, there are many things that government cannot, will not and maybe even should not regulate from the top down, making one’s lifestyle decisions the key to sparking wide scale change.

Consider meat and dairy, the production of which has undisputable impacts on water quality, biodiversity and climate. The beleaguered Colorado River might still reach the ocean, and support a thriving delta ecosystem, if Arizona and California farmers weren’t using so much of it to irrigate alfalfa.

And by some calculations, the great majority of deforested land in the Amazon basin is now occupied by cattle pasture and feed crops. While we’re unlikely to see regulations aimed at removing meat and dairy from our tables, individuals can reduce their own consumption of animal products overnight.

We have to do something. The world as we know it is rapidly changing, and not for the better. Low-lying coastal areas will soon be underwater. Millions of acres of conifers across California alone are burnt out and gone. Northern California’s kelp forests have nearly vanished. All of the state’s salmon populations have collapsed.

Micro- and nanoplastics—fallout of the fossil fuel age—are now found almost everywhere, including the deepest cracks and crannies of the seafloor and our own bodies. There is increasing belief, plus some evidence, that this pollution crisis is impacting our health.

But it’s not the end of the world. While many climate forecasts arbitrarily sunset at the year 2100, life for billions of people will continue into the 22nd century and beyond. This makes it imperative for people to act.

Juliana says her daughter is a personal source of inspiration.

“I want to be able to look her in the eye and say I did everything I could,” she explains.

Household lifestyle amendments almost seem laughable as mitigations against global warming, which has trapped an estimated 25 billion atomic bombs’ worth of energy in the planet’s atmosphere and oceans in the past 50 years.  Likewise, my own garden beds brimming with tomatoes and squashes look like a pitiful gesture at chemical-free food sovereignty against the backdrop of the neighbors’ pinot noir vineyards, which they keep presentable with herbicides.

But just as those chemicals drift across property lines into the homes of others, the little things individuals do to remain on the right side of history can also cross boundaries, whether political divisions, property fences or lines painted on the asphalt.

Street Art Legend: The Velvet Bandit

What I say will have the churchmen of the ossified old guard clutching their pearls, but today the most prominent North Bay artist on the national scene is the notorious Velvet Bandit.

That she also has the greatest impact on the street and the public sphere cannot be questioned, for her medium is wheat-paste graffiti.

The bandit is super prolific. But perhaps her most famous piece, dated just after the overturn of Roe v. Wade, is of a candy-colored taco reading, “I’ve seen tacos more supreme.”

As you read, reader, scroll and stroll her street art gallery on Instagram @thevelvetbandit.

CH: Velveeta, it is a matter of public record that you are a single mother of two in early middle age. The received stereotype of a tagger is that of an angsty teen with malt liquor. Is that image a myth?

VB: That stereotype is definitely a myth. I have met a lot of street artists, and many of them are around my age, parents working day jobs, just like me!

CH: Graffiti is illegal. How do you justify or defend the act?

VB: Since we all pay taxes, we all own part of public property. Therefore, I have the right to put my art up. To me, it is the same as putting a sign up for a garage sale.

CH: Strangely, given your fame, your pieces might increase the value of property.

VB: I like to think so!

CH: How do you site your pieces?

VB: As I drive around, I am always looking for new targets and surfaces and asking myself what part of town needs some art.

CH: Velvet, you said that the “commentary” between place and piece is important—what do you mean?

VB: Yes! My favorite part of street art is the visual conversations you have! You will put a piece up, and someone will come later and put something next to it or go over it, and it forms a conversation. It’s sooo much fun.

Yesterday, I was driving with a piece of a woman praying with the caption, “Thank God for abortions,” and I put it up right next to a piece that read, “ I love D.I.L.F.s.”

CH: Velvet Bandit. Folk hero or villain? You be the judge.

Learn more. This Q&A is part of a longer recorded conversation with The Bandit. In it, she solicits recruits for her local mom-graffiti-gang and gives the recipe for wheat paste. Search ‘Sonoma County: A Community Portrait’ on most podcast players.

Linktr.ee/cincinnatushibbard.

The Farce Awakens

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‘Lend Me a Tenor’ in Sonoma

Ken Ludwig’s Lend Me a Tenor, directed by Larry Williams and now playing at Sonoma Arts Live through June 16, is a classic farce where the comedy relies heavily on people opening, closing and passing through doors with laser-like precision while still portraying bumbling silliness.

This production of Tenor (featuring the revised 2019 script that cuts the problematic references to blackface) has eight actors and six doors. On top of all the literal moving parts, this is a Ken Ludwig play. Like all his work, the dialogue is funny, snappy and ruthless in its need for breakneck pacing. Even the premise is wackily over the top.

Renowned tenor Tito Morelli (Michael Coury Murdock) is making his American debut at the Cleveland Opera. Waiting for him at the hotel is Max (Robert Nelson), the wannabe singer and hapless right-hand-man of opera producer Saunders (John Browning). To complicate matters, Max is in love with his boss’ daughter, Maggie (Katie Kelley), who wants to experience a fling (hopefully with Tito). Unknown to Max and Saunders, Tito brings his wife, Maria (Tika Moon).

Maria is rightfully jealous of Tito’s female admirers and threatens to leave if one more upset occurs. Having her leave would be disastrous for Tito, who cannot live without her singing him to sleep every night. Adding to this already volatile mix is an opera-loving wisecracking bellhop (Kevin Allen), stubborn opera executive Julia (Kim Williams), hyper-sexed star soprano Diana (Tara Roberts), phenobarbital and (fortuitously) two identical Pagliaccio costumes.

If you haven’t guessed where the plot goes from there, I won’t ruin it for you. To be fair, the plot is so convoluted that I couldn’t explain it in this space. Happily, Williams has assembled a seasoned cast of actors who work well as an ensemble and handle the demanding physicality, operatic singing and witty lines with relative ease.

The real stars, however, are the costumes. Allison Sutherland has costumed a diverse cast of body types in period clothing from the 1930s, allowing the actors to perform broad physical comedy while still managing to make everyone look amazing.

While there are some pacing issues, an awkward first couple of scenes and a completely unnecessary panto at the end of the production (which confused an audience that was ready to applaud and head home), overall, this is a solid production that’s well worth the drive to Sonoma.

Sonoma Arts Live presents ‘Lend Me a Tenor’ through June 16 on the Rotary Stage at Andrews Hall in the Sonoma Community Center, 276 E. Napa St., Sonoma. Thurs-Sat, 7:30pm; Sun, 2pm. $25 -$42. 707-484-4874. sonomaartslive.org.

Todd Rundgren (Art) Rocks the Uptown

In the annals of popular music, one would be hard-pressed to find an artist as eclectic and prolific as Todd Rundgren. To call him creatively restless is like calling The Beatles a quaint pop band.

As a solo artist, Rundgren has notched 27 releases (with the most recent being 2022’s Space Force). And that doesn’t include projects he’s recorded as a member of The Nazz, Utopia and the New Cars.

If that’s not enough, the Pennsylvania native has an equally impressive résumé as a producer, having worked on albums for a number of seminal artists ranging from Badfinger (Straight Up), the New York Dolls (self-titled, Cause I Sez So) and Meat Loaf (Bat Out of Hell) to Grand Funk Railroad (We’re An American Band, Shinin’ On), XTC (Skylarking) and the Psychedelic Furs (Forever Now).

But for the man who once released an album called The Ever Popular Tortured Artist Effect, performing live does just as much as studio work to satiate his creative urges, with the most recent road jaunt being the Me/We Tour. And while recent live outings have found him going from performing 25 virtual shows from Chicago in the immediate aftermath of the pandemic to opening for fellow Keystone stater Daryl Hall, this current string of dates finds Rundgren wanting to do something specifically for his devotees.

“I figured when it was time for me to get to doing my tour, I want to give the fans something special and figure out some sort of sustainable production that can travel, but it’s still a show that’s worth coming out for,” he said.

“One of the things that I may not have done recently is a real deep dive of a lot of the stuff that rarely gets played or has never been played. A lot of it is fan favorites, but sometimes I can’t figure out how it will fit into what I’m doing. I think it’s going to be a very enjoyable evening for the fans despite the fact that for at least some segment of them, a lot of the material might be unfamiliar,” Rundgren continued.

While a quick peek at his set list from some recent overseas gigs reveals that he’s been trotting out well-known gems like “Hello It’s Me,” “I Saw the Light” and “Can We Still Be Friends,” the former “Hermit of Mink Hollow” promises to dust off a number of more obscure nuggets.

“I had never played the song ‘Afterlife’ before. It’s from the album called Liars, but it didn’t work in the context of the show, so we never performed it during the ‘Liars’ show,” he explained. “I just did a brief [swing through] Australia, and we worked it up for that tour, and it really sounded great. It sounded really good, and the audience liked it. ‘Liars’ was a pretty popular album among my fans. To find a song that hadn’t been played off of that was a little special.”

So where does Rundgren’s insatiable need to embrace the various aspects of the recording studio and any sort of emerging technology as a means of helping realize his artistic visions come from? Part of it starts with a childhood growing up in Upper Darby Township, PA, where early on, the budding creative genius started out being enraptured by his parents’ singles collection.

“The earliest musical memories I have are of a little RCA 45 player that my parents got. I remember it to this day,” he recalled. “It was a brown Bakelite with a little round grill on the front and a spindle with the red top on it. And you would stack singles on the spindle, and they would automatically play one after another.

“My parents had collected a lot of Boston Pops light classical performances like ‘Chicken Reel’ and ‘Skaters Waltz’ and that sort of thing. They were pressed on colored vinyl—red, green, blue and yellow. For me, listening to the music on that little player and staring through the red, blue and green record or putting one on top of the other—it was [my first] multimedia experience,” Rundgren explained.

While the young Rundgren spent time dabbling with various instruments, including flute, clarinet and his grandmother’s stand-up piano (…“it’s where I learned how to pick out melodies, which I actually turned out to be pretty good at…”), it was a specific instrumental that led to his parents purchasing their budding musician son an instrument when he was seven years old.

“Once I heard ‘Walk, Don’t Run’ by The Ventures, it was all about the guitar,” Rundgren remembered. “That was the future, and I knew I had to learn how to play. My parents realized that I wanted to do it badly enough and that I was serious that they bought a guitar, but they had to buy lessons along with it, which I hated.”

Within a year of graduating high school, he went from his first band, Money, to playing with the Paul Butterfield Blues Band-influenced Woody’s Truck Stop and eventually landing with rock band Nazz. Looking to record material more along the lines of The Who and The Beatles, Rundgren and his crew were signed by Atlantic Records subsidiary Screen Gems Columbia (SGC).

Assigned jazz musician Bill Traut as a producer for the 1968 self-titled debut album (“…he [Traut] essentially spent most of his time reading the trades in the [recording] booth”), Rundgren soon took it upon himself to remix the album himself because “…we didn’t get what we wanted out of this guy, even though we paid for him.”

Rundgren’s first turn at a console was the beginning of a storied production career that while he was technically proficient at, wasn’t level with his interactions with some of the artists whose projects he oversaw, most notably XTC.

“I knew how to make records and how to make them sound a certain way, but as time went on, there were a lot of painful moments between me and whoever I was working with because I was either incognizant or didn’t care about the personality part,” he admitted.

With so much life experience under his belt, the 75-year-old Rundgren shows no signs of slowing down. And much of it has to do with his willingness to follow his own muse.

“I think what I’ve learned is, and it seems especially applicable these days, is that you don’t measure your success by others’ estimation, and you have to be patient,” he said. “Sometimes what you do doesn’t fit with the zeitgeist of what’s going on.

“They say art is brief and history is long. The point is that you don’t do your art for this time. Do it in a way that it doesn’t matter when somebody discovers it. That way, maybe you’ll have a longer life as an artist,” Rundgren noted. “A lot of artists feel like if they don’t make it now, they’re never going to make it. It’s still an interesting experience for me. I don’t feel like I would run out of musical ideas. At least not in a reasonable human lifetime.”

Todd Rundgren performs at 8pm, Friday, June 28 at the Uptown Theatre, 1350 3rd St., Napa. For more information and tickets, visit uptowntheatrenapa.com.

The Heat Is On

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State needs climate bond measure on November’s ballot

In a stirring display of unity, a formidable coalition of 170 groups converged on Sacramento last May to urge lawmakers to place a climate bond measure on California’s November ballot.

This bond measure, if approved, would permit the state to borrow $10 billion for initiatives designed to mitigate the impacts of climate change.

Consider this: California has endured 46 extreme weather events since 1980, each causing at least $1 billion in damages. The proposed bond is seen as a vital step toward addressing these increasingly frequent and costly disasters.

Opponents of the measure point to concerns about adding to the state’s debt, particularly during a period marked by budget deficits. However, supporters argue that the bond measure is essential for securing dedicated funding for climate initiatives, especially during lean budget years. They emphasize that without this bond, critical climate projects could be sidelined due to financial constraints.

The state legislature is currently considering two bills that would place the bond measure on the ballot. Should it pass, the bond would represent the largest voter-approved climate investment in U.S. history, with at least 40% of the funds directed toward the most vulnerable communities. This commitment ensures that those who are most affected by climate change receive the support they need to adapt and thrive.

The bond would finance a wide range of projects, including improving access to safe drinking water, promoting renewable energy and electric vehicles, restoring wetlands, aiding farmers in water conservation, enhancing flood protection, boosting wildfire and coastal resilience, and improving air quality.

These initiatives are not just about protecting the environment; they are about safeguarding the health, safety and economic well-being of Californians.

With a deadline of June 27 for the Legislature to pass a bill to qualify the bond measure for the ballot, time is of the essence.

This climate bond represents a critical opportunity for California to take decisive action against climate change, ensuring a safer, more sustainable future for all its residents.

Lawmakers must heed the call of the coalition and the broader public, placing this crucial measure on the ballot and allowing voters to decide the state’s climate future. Give us the choice.

Your Letters, June 12

Trumpian Twist

That so many congressional Republicans showed up at the New York courthouse to show their unified support for the convicted felon and head of their party makes clear that Republicans are still the party of law and order—albeit with a Trumpian twist: Break the law 34 times and sow disorder.

Martin Blinder, MD

San Anselmo

Get Your House in Order

On June 4, the House voted to sanction International Criminal Court officials—House Republicans’ response to the news that the court is seeking an arrest warrant for Israeli Prime Minister Benjamin Netanyahu.

HOW is this U.S. business? This is between Israel and the ICC. If the U.S. wants to file an amicus curiae (friendly) brief, go ahead, but stop meddling in business in which the U.S. is NOT a signatory. Congress should tend to its business.

Gary Sciford

Santa Rosa

Power Pig

In response to Gary Sciford’s excellent and informative letter published May 15, 2024:

Piggy (PG&E) rises to the highest form of Orwellian doublespeak: The private utility company that has destroyed town, forests, people and animals in California through neglect, while paying bonuses to their criminal officers,

claims that adding a standard extra fixed charge will reduce our bills!!!

Barry Barnett

Santa Rosa

Keep in touch—email your letters to the editor to le*****@********un.com and le*****@******an.com.

‘Clue’ in the Cue

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Fulton

Taste of Sonoma

The Taste of Sonoma—a day that promises a deep dive into the region’s vinous treasures, hosted at the Kendall-Jackson Wine Estate & Gardens—features over 100 wineries, complimentary food trucks and themed lounges (spanning everything from a Cadillac Luxury Automotive Lounge to GlassTats—temporary tattoos for a wine glass… Gotta love wine country). Among the highlights is the Bohemian’s fave sommelier, Christopher Sawyer, who will lead one of several add-on “Insider Wine Tours,” guiding attendees through a 30-minute tasting journey, “From Wind to Wine in Petaluma Gap.” The Taste of Sonoma, organized by Sonoma County Vintners, provides a comprehensive experience of the county’s diverse wine offerings. With access to over 60 varietals and 19 unique growing areas, the event showcases the craftsmanship of local winemakers. The event commences on Saturday, June 22, at Kendall-Jackson Wine Estate & Gardens, 5007 Fulton Rd., Fulton. For information and tickets, visit tasteofsonoma.com.

Santa Rosa

Music Manse

Santa Rosa-based summer concert series, Fridays in the Hood, continues (you guessed it!) this Friday, June 14, with Onye & The Messengers, a seven-piece Afrobeat and Global Groove dance band led by Nigerian percussionist and songwriter Onye Onyemaechi. Advance tickets are $15, and $20 the day of the show. The following Friday, June 21, the latest (and longest-running) iteration of ’60s rock stalwarts Big Brother & The Holding Company, will break another little bit of your heart, now. Advance tickets fare $20, and $25 the day of the show. Doors for both shows open at 6pm, and the bands play from 7 to 9pm at Hood Mansion, 389 Casa Manana Way, Santa Rosa. Food trucks, beer, wine, sodas and more are available.

For a complete list of performers and tickets, visit fridaysatthehood.com.

Mill Valley

Get a ‘Clue’

Complementing its Adult Summer Reading program, themed “The Game is Afoot,” the Mill Valley Public Library adds a little more mystery for seasoned sleuths and the casually curious alike with a series of “fully interactive” movie screenings, starting with the 1985 hit, Clue, inspired by the original Parker Brothers board game. “Don your best Mrs. Peacock or Colonel Mustard costume, grab a bag of goodies from our ‘concession stand’ and enjoy an evening of madness and murder,” entices the library. ‘Clue’ plays at 6pm, Tuesday, June 25, at the Mill Valley Public Library, 375 Throckmorton Ave. Reserve a seat at millvalleylibrary.org/293/Attend.

Novato

Radio Days

The Marin Amateur Radio Society (MARS) will demonstrate how radio operators become a lifeline, connecting communities and relaying vital information, during the nationwide Field Day competition beginning at 11am, both Saturday and Sunday, June 22 and 23, at Stafford Lake Park, 3549 Novato Blvd., Novato. “Ham radio functions completely independently of the internet and landline phone systems, and a station can be set up almost anywhere in minutes,” says Steve Toquinto of MARS. Founded in 1933, MARS operates in coordination with the Marin County Sheriff’s Office of Emergency Services (OES) to provide independent radio communications during emergencies. Experienced operators will demonstrate how this network springs to life during Bay Area disasters. The event is sponsored by the National Association for Amateur Radio. For more information, visit w6sg.net/site/contact.

Getaway: The Lodge at Bodega Bay

Family lore has it that I was conceived on a Bodega Bay beach. Thus, any visit to our particular part of the Sonoma Coast is a look at where it all began—at least for me.

That was slightly over half a century ago. And the experience of Bodega Bay is still as romantic and relaxing as ever. Case in point, The Lodge at Bodega Bay.

Initially launched as a quaint seaside motor lodge in 1972—my birth year, incidentally—it has since blossomed into an 83-room Xanadu poised atop a tranquil bluff along the iconic Highway 1.

The serene eight-acre escape is a creative retreat and a place to recharge physically and spiritually. In short, plug in a car (yes, they’re EV-friendly), and unplug from life.

Rooms are tastefully appointed—sort of a contemporary nod to Arts & Crafts with understated-nautical notes, and contain all the accouterments one would expect from a lodge, like a hearty stone fireplace. But as comfy and aesthetically-pleasing as the rooms are, the oceanside views prove a formidable rival for one’s attention.

The Lodge at Bodega Bay has the benefit of being a gateway to numerous outdoor activities. Mere steps from Doran Beach, one of Sonoma Coast’s most popular destinations, the coastal enclave is just a quick stroll or quicker drive away (Pro tip: Borrow a complimentary beach parking pass from the front desk and save $7). Hiking and biking trails are everywhere—I even spied some equestrians moseying along, though I suspect this was a BYOH (bring your own horse) situation.

For bird enthusiasts, Bodega Bay’s diverse bird habitat, recognized by the Audubon Society as a premier birding destination, offers a unique opportunity to spot various species. And lest we forget, director Alfred Hitchcock filmed The Birds around these parts.

A walk around a marsh near the Lodge’s verdant grounds is inherently therapeutic; however, those interested in a more directed exercise can join in on a mindful movement class such as Pilates, yoga and guided meditation. There is also an infinity-edge hot tub as well as a heated swimming pool (I always find pools near the ocean deliciously decadent if not ironic), and outdoor fire pits to lounge around.

The Lodge also serves as a basecamp for numerous area adventures from the beach to Bodega’s picturesque fishing village and nearby towns like tourist-friendly Petaluma and world-class wine country adventures. Speaking of wine, the Lodge itself hosts informal wine receptions with visiting wine pros.

Additional delights await at Drakes Sonoma Coast—the on premises restaurant— where new executive chef, Christopher Lemerand, creates sumptuous locally sourced coastal cuisine.

Start with the handsome charcuterie board or chilled local oysters on the halfshell and graduate to the Whole Roasted Rainbow Trout with potatoes, fennel, saffron, sauce gribiche and smoked trout roe. If one is feeling more turf than surf, consider the Berkshire-Duroc Pork Chop (so named for a heritage pig breed) with stone fruit and bird’s eye chili glaze, king oyster mushroom bread pudding, green beans and bacon. One simply cannot go wrong with Lemerand’s menu and culinary artistry.

The Lodge at Bodega Bay is the very definition of a quick summer weekend getaway. It’s a place where relaxation meets inspiration—who knows, guests could start something big…like my parents did.

Learn more at lodgeatbodegabay.com.

Free Will Astrology: Week of June 12

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ARIES (March 21-April 19): The term “maze” has various meanings. Most commonly, it signifies a puzzling cluster of choices that lead nowhere and bode frustration. But there are more positive meanings of the word. In ancient myths, a maze was where heroes underwent ritual tests. There they might summon ingenuity to win access to a hidden treasure. In modern psychology labs, the maze is a structure used to stimulate learning in rats. According to my analysis of the astrological omens, the maze you are now in is metaphorically akin to the second two meanings, not the first.

TAURUS (April 20-May 20): There is an abundance of good news, Taurus. In the coming weeks, your conversations could awaken realizations that will augment your wealth—both the financial and emotional kind. So be eager to commune with vigorous souls who inspire your power to attract resources and goodies. Furthermore, you could generate enriching benefits for yourself by engaging with unfamiliar influences that are outside your web of expectations. Don’t be too sure you already know everything you need. Helpful surprises could arrive if you’re extra open-minded.

GEMINI (May 21-June 20): Though 2024 isn’t even half over, you have already earned the title “Least Boring Zodiac Sign of the Year.” Or maybe a more positive way to frame it would be to award you the title “Most Scintillating, Interesting, and Stimulating Zodiac Sign of the Year.” Please keep doing what you have been doing, Gemini. Entertain us with your unruly escapades and gossip-worthy breakthroughs. Encourage us to question our dull certainties and dare us to be more fun. If we seem nervous to be in your stirring presence, disarm our worries with your humor.

CANCER (June 21-July 22): Your subconscious mind is full of marvelous capacities and magic potencies. But it also contains old habits of feeling and thinking that influence you to respond to life in ways that are out of sync with what’s actually happening. These habits may sabotage or undermine your conscious intentions. Now here’s the good news: In the next nine months, there’s a lot you can do to dissolve the outmoded imprints. You will have more power than ever before to perform this wizardry. So get started! How? Ask your subconscious mind to send you intuitions about how to proceed.

LEO (July 23-Aug. 22): The fairy tale Jack and the Beanstalk will serve as a prime metaphor for you in the coming weeks. Ruminate on its themes as being applicable to your life. I’ll refresh you with the main points of the story. Young Jack and his mother need money, so she decides to take drastic measures. She bids him to sell the family cow at the marketplace a few miles away. But on the way into town, Jack meets a man who coaxes him to sell the cow in exchange for magic beans—not money. When Jack returns home, his mother is angry at his foolishness. In disgust, she flings the beans out the window into the dirt. Later, though, the beans live up to their promise. They grow into a giant beanstalk that Jack climbs to reach the lair of a giant who lives in the clouds. There Jack retrieves three of his family’s lost treasures, which had been stolen by the giant long ago.

VIRGO (Aug. 23-Sept. 22): Before the reign of Emperor Qin Shi Huang in the third century B.C.E., Chinese people had built many local walls designed to keep out invaders. Qin Shi Huang initiated a great public works project to connect all of these fragments into what’s now known as the Great Wall of China. He also erected a vast system of roads and a city-sized mausoleum filled with the Terracotta Army: sculptures of 8,000 soldiers with their chariots and horses. Qin Shi Huang was a big thinker who was also highly organized! In accordance with astrological omens, I invite you to glide into your very own Qin Shi Huang phase. What long-lasting structures do you want to build in the next 11 months?

LIBRA (Sept. 23-Oct. 22): Psychologist Carl Jung believed we could accomplish profound self-transformation by working hard on our psyches’ unripe and wounded aspects. That might entail honest self-examination, objective observation of how we affect others, and a willingness to recognize and forgive our mistakes. Jung also recommended another way to heal our neuroses: through the power of numinous experiences. By “numinous,” he meant mystical, sublime or awe-inspiring. Jung said that such visitations could radically diminish our painful habits of mind and feeling. They might arrive through grace, thanks to life’s surprising interventions. They may also be coaxed to appear through meditation, dreamwork, communing with myth and fairy tales, and spiritual practices. I foresee a wealth of numinous events in your life during the coming months, Libra. May they bring you a steady stream of healing.

SCORPIO (Oct. 23-Nov. 21): In a moment, I will list events I foresee as being possible for you during the next 11 months. They are cosmic tendencies but not cosmic mandates. Whether or not they actually occur will depend on how you wield your willpower—which, by the way, could be freer and more muscular than it has been in a long time. Now here are the potential developments. 1. An offer to create one of the most symbiotic unions or robust collaborations ever. 2. Great chances for you to capitalize on the success of others. 3. Alterations in the family configuration. 4. Major shifts in loyalty and affinity. 5. A raise in rank. 6. Revelations of secrets you can use to your advantage.

SAGITTARIUS (Nov. 22-Dec. 21): Have you been metaphysically itchy and psychologically ticklish? Are you unsure whether those tingling sensations you’re feeling are worrisome symptoms or signs of healing and awakening? I believe they are signs of healing and awakening. They suggest you are doing the metaphorical equivalent of what a snake does when it sheds its skin. Expect imminent redemption, Sagittarius! Reframe the discomfort as a herald of relief and release.

CAPRICORN (Dec. 22-Jan. 19): It’s time for Super Mom to make an appearance. Some circumstances in your life could benefit from healing tweaks best initiated by her. And when I say “Super Mom,” I’m not necessarily referring to your actual mother. I’m envisioning a wise older woman who sees you as you really are and who can assist you in living your destiny according to your own inner necessity, no one else’s. If you have no Super Mom in your world, see if you can locate one, even hire one. I also recommend creating an inner Super Mom in your imagination. You need and deserve sympathetic input from the archetype of the sage crone.

AQUARIUS (Jan. 20-Feb. 18): I suspect that later in 2024, I will authorize you to commune with boisterous adventures and tricky risks. But right now, I advise you to flirt with modest adventures and sensible risks. Can you contain your burning, churning yearnings for a while? Are you willing to coax your crazy wild heart into enjoying some mild pleasures? By early autumn, I’m guessing you will have done the necessary preparations to successfully roam through the experimental frontiers. Until then, you are most likely to corral X-factors on your behalf if you pace yourself and bide your time.

PISCES (Feb. 19-March 20): “Oh God, if there is a God, save my soul, if I have a soul.” That prayer was the handiwork of Piscean philosopher Joseph Ernest Renan. If his ironic minimalism is the only spiritual aspiration you can manage right now, so be it. But I hope you will strive for a more intimate, expansive and personal connection with the Divine Intelligence. The coming weeks will be an extra favorable time for you to speak and listen to mysterious powers beyond your rational comprehension. Please take advantage! Go in quest of the sweet, deep lowdown directly from the Sublime Source!

Homework: Try letting go of a burden that’s not necessary to bear any longer. Newsletter.FreeWillAstrology.com

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Free Will Astrology: Week of June 12

Free Will Astrology: Week of June 12-18
ARIES (March 21-April 19): The term “maze” has various meanings. Most commonly, it signifies a puzzling cluster of choices that lead nowhere and bode frustration. But there are more positive meanings of the word. In ancient myths, a maze was where heroes underwent ritual tests. There they might summon ingenuity to win access to a hidden treasure. In modern...
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