Magic Flute

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Napoleon’s light cavalry, in the early 1800s, were constantly on the move and had no time to sit around in wine lounges and gently twist the cork off a bottle of Champagne, eliciting the proper “sigh.” Whether celebrating victory or commiserating in defeat, they employed a fast, effective, if dicey-looking method of opening those very necessary bottles of Champagne: sabering.

Two hundred years after the French emperor’s armies were defeated by a plucky coalition of oligarchs, Sigh Sonoma owner Jayme Powers steps into a winetasting-room-choked alley off the Plaza with bottle and saber in hand. Key points in sabering, she says, are a dull saber, a cold bottle and a strike on the seam. Slice, crack, pow! Neat trick.

No reason to fear shards of glass in a pour of crisp and toasty Veuve Fourny and Fils Blanc de Blancs ($62; glass, $16; taste, $6), says Powers—the physics of bottle pressure took care of that.

A job at Schramsberg Vineyards spurred the Sonoma native’s interest in sparkling wine and Champagne. “A lot of people don’t know that Champagne is a region,” says Powers, who offers a bit of education with flights. By popular demand, she started a small wine club. Instead of carrying the big names, she looks for Champagnes from smaller labels and growers that cannot be found in other stores. The spot’s popular with winemakers; large-bowled stemware is kept in reserve for serious aroma sniffers.

Indeed, while the Iron Horse Wedding Cuvée ($38) is as elegant and austere as usual, with ghostly traces of grapefruit and strawberry under a veil of scoury mousse, the star sippers are Champagnes. A whiff of the Michel Forget Ludes Brut Rosé ($64) conjures a vision of strawberry shortcake, which vanishes just as fast on the firm, dry finish. Nine years on the lees has aged the 2002 LeLarge Pugeot ($72) like pungent cheese rind, while the palate is still fresh with fermenting white grapes and rich with toasted almond flavor.

Tuesday evenings during the Valley of the Moon Certified Farmers’ Market on the Plaza, two bottles of cold bubbly “to go” cost just $29—darn near charity. During the week, locals have discovered this is a quiet place to have a business meeting; weekends bring in bachelorettes, honeymooning couples and wine country daytrippers. For the odd guy out who simply can’t abide sipping fizzy wine from a flute, an hour spent lounging on cushioned benches and gold-tasseled pillows needn’t be his Waterloo. Sigh Sonoma’s “42” license allows them to serve Miller High Life, the “Champagne of Beers.”

Sigh Sonoma, 29 East Napa St., Sonoma. Summer hours: noon–7pm; noon–8pm, Friday–Saturday, noon–8pm; Sunday, noon–6pm. 707.996.2444.

Quote of the Year

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Sonoma County Superior Court Judge Gary Medvigy heard police tapes from Sonoma County Supervisor Efren Carrillo’s July 13 early-morning arrest in court last week. As reported by the Press Democrat, Carrillo told officers, “In retrospect, I should have had my pants on.”

Ya think?

Carrillo is lucky that the only charge being brought against him is the misdemeanor “peeking,” which carries a six-month maximum jail sentence. As he recalled the event to officers, Carrillo knew the woman, a neighbor, and thought she’d be interested in a little conversation and bubbly refreshment—”a couple of Plinys”—at 2:30am. After all, he’d run into her at the downtown Santa Rosa nightclub Space XXV (a dress-code kind of club), and she had her kitchen light on when Carrillo’s girlfriend dropped him off at the end of the evening. And what better way to converse in the middle of the night than wearing only underwear and socks, because that’s how real pals hang.

When he knocked on the door and identified himself as “Efren, your neighbor,” Carrillo told police he heard a man’s voice inside. Carrillo then left, he says, and doesn’t remember if he went to a bedroom window. (Police reported seeing a torn screen and the woman’s second 911 call came when she heard rustling blinds outside her bedroom window).

After his arrest, Carrillo checked himself into a rehab facility for a month, saying he has a problem with alcohol. He returned to the board of supervisors in August.

He told officers that night, “It was a bad read. A misperception on my part.” The trial kicked off Tuesday morning after jury selection was completed.

Building ‘Fences’

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It’s a basic truth about theater: the best plays are those that are both specific and universal, revealing vivid details about individuals or cultures or historical moments, while giving a glimpse of the common thread that connects us to the characters whose lives are unfolding onstage.

The late August Wilson was among the best practitioners of this art. His “Century Cycle,” 10 plays spanning a hundred years, one for each decade, is rooted in the larger African-American experience. The plays are filled with fury and frustration, humor and hope, and recount the heartbreak and resilient spirit of a segment of American society. At the same time, the plays are about fathers and daughters, sisters and brothers, husbands and wives, friends and foes. They explore getting ahead in the world, finding something to believe in, making and losing money, finding and losing love, discovering and losing a sense of one’s value and purpose.

As such, August Wilson’s plays are about everyone.

His Pulitzer-winning Fences, set in the 1950s, captures that sense of universality in a vibrant, emotionally driven production at the Marin Theatre Company. Directed with graceful attention to the connective tissue that binds a family together, Fences tells the story of Troy Maxson. A proud, deeply angry former Negro Leagues baseball player, Troy is at odds with his teenage son, Cory (Eddie Ray Jackson), who’s been offered a shot at a college football scholarship.

Troy is one of the great characters of the modern American stage: petty, mean-spirited and unapologetically unlikable one moment, then gentle, generous and loving the next. Played with combustible complexity by Carl Lumbly, Troy is an achingly believable character, whose strengths and flaws are all frustratingly raw and real.

As his wife, Rose, Margo Hall gives one of the great performances of the year. As aware of Troy’s flaws as anyone, Rose also sees what’s good and beautiful about him, perhaps even more so than he does. Her gradual evolution from help-mate to standalone powerhouse, a progression that unfolds right alongside Troy’s staunch, bitter obstinacy, is absolutely amazing to watch.

Some fences, we are told, are built to keep people out, while others are built to keep people in. In Wilson’s shimmering masterpiece, he creates a fence that somehow contains all of us at once.

Rating (out of 5): ★★★★½

Ghost River Trickster

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Let us honor the life of Mike Ruppert.

His last radio show’s theme was “If we can feel what we are doing to the earth, we wouldn’t do it.” After that show on April 13, Mike took his life in Calistoga, diving into the lunar eclipse, symbolically apt, as he was a deep-delving detective of all that is corrupt.

I hosted Mike on The Visionary Activist Show on KPFA, and afterward we were colleagues at the Harmony Festival, where he was dismayed and delighted to find himself teetering on the brink of happiness. Mike had been a strident dingbat, but he had just released the movie Collapse, which won acclaim from unlikely admirers. His playful, cannabis-smoking self was fleetingly available to be teased forth. One could see the faux-macho, self-mythologizing, L.A. cop and unhappy child, part of him melting, revealing glimpses of the “innocent dignity of his child heart.”

Just a flicker, but it was still pulsing.

“Better a trickster than a martyr” is a theme I proffered to him backstage and onstage: how do we not drown in the poison into which we delve to illumine the obscene? The martyr takes on the corruption of an unconscious family or culture, succumbing to the lonely futility of it all. The trickster takes on the unconscious, but then invites in what can metabolize the poison.

Absence of collaborative magic is evidence of the still-colonized mind. He was up for this conversation, but distracted.

Lest we strengthen what we oppose, embody what we decry, be possessed by the myriad sneaky guises of the colonized heart, let us honor Mike by withdrawing our complicity with the hyper-yang death frenzy destroying so much life, so that our manners and our language are in accord with our dedication.

Let us release our addiction to having an enemy. Let us dedicate to being in collaborative cahoots with nature’s against-all-odds ingenuity. Let us treat all beings with respect.

We welcome Mike’s scouting reports from the Underworld Ghost River, and can almost see him wink back at us, relieved of roiling, with a dark compassionate trickster gleam in his eye.

Caroline W. Casey hosts-weaves context for ‘The Visionary Activist Show’ on KPFA Thursdays at 2pm, and is the creator of Coyote Network News.

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Live Review: Good Friday Stabat Mater at St. Vincent’s Church

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The rear windows at St. Vincent's Church in Petaluma were designed by Tiffany.
Sitting, eyes closed, in St. Vincent’s church in Petaluma, the usual first world annoyances do not penetrate my skin, neither physically nor mentally. The uncomfortable wooden pew, the cell phone ring—they hold no power now, not while countertenor Chris Fritzche and soprano Carol Menke sing Pergolesi’s Stabat Mater with Marilyn Thompson transcribing the full score, on sight, to church organ.
Giovanni Pergolesi composed his Stabat Mater in 1736, just a couple weeks before his death. The piece shares life timing with Mozart’s Reqiuem—his was composed on his deathbed, supposedly finished by another’s hand. Both are each composer’s most moving efforts. The pieces even share similar setting—the death and rebirth of Jesus—but Pergolesi’s is about half as long as Mozart’s, but still packs the same emotional wallop.
The music descended from the rear balcony as Good Friday churchgoers filed in the the noon mass. We saw no musicians but heard ethereal voices telling the story of a mother’s pain of watching her son die at the hands of another, holding him in her arms after his final breath had been taken. The English translation of the Latin text was read from the pulpit between movements, but otherwise not a word was spoken.
Religious or not, it was a very moving afternoon.
The 45-minute piece is divided into twelve movements. It’s quite varied, but the somber duets are the most transcendent moments, especially with the low bass of St. Vincent’s organ resonating the ribs while the notes resonate the heart. Gosh, that a cheesy take on such a magnificent piece, but sacred music is meant to be evocative.
Mozart’s Reqiuem is one of the most celebrated pieces of music ever composed. The D minor Mass is the most moving piece of religious music in the Western world, but it has a predecessor that moves me even more: Pergolesi’s Stabat Mater. Fritzche and a few other very talented singers in the North Bay perform this piece semi-regularly, and any chance to see it should not be passed up. It is traditionally performed with a small Baroque orchestra, but the arrangement is inconsequential to the music. It’s one of those pieces that’s just plain beautiful.

World’s Fair Presented in Awesome Digital Format 50 Years Later

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This is journalism porn, right here. The New York Times had really hit it out of the park with this digital layout of memories of the 1964 World’s Fair. It combines personal memories in short, meaningful, snippets with photos of the attractions. It’s tied together with enlarged, high resolution scans of the map, broken into sections, that appear and fold up into the top of the screen like a roll-up shade when the page is scrolled down. The names and ages of the writers are includes on their memories, giving the piece weight rather than reducing it to a trending Twitter feed.

A lot of work went into this, both in planning and execution. Major kudos to the team of Alicia DeSantis, Jon Huang, Matthew McCann, Jacky Myint, Dagny Salas, R. Smith, Daniel Victor and Amy Zerba. As with many digital efforts from the Times, it’s nearly flawless. In fact, I’m having a hard time finding something I don’t like about it. But despite its fascinating and thought provoking content and presentation, it brings a twinge of sadness.

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This could never be executed today, and it pains me that I will never experience the wonder, hope and fascination the World’s Fair brought. People today wouldn’t be as impressed with the technology, no matter how advanced it was, because almost everyone carries a computer in their pocket. There would be more geopolitical implications and reactions to the highlighted countries (as in, why isn’t country X represented? Or, why is country Z given so much prestige?). It would never get built on such a grand scale because of the payola to government officials and insurance requirements. And for some reason, religious groups would protest. I don’t know why, but they’d find a way. The lines would be hours long for everything, and considering a single ticket to Disneyland is now $92, admission would certainly cost too much for lower and middle class families to attend. It would simply become a playground for the rich, and cater to that audience. There wouldn’t be any surprising future ideas on display because it’s all patented and nobody would want their potential gold mines being stolen.

But enough with the Debbie Downer nonsense, here’s a video of Disneyland’s Splash Mountain ride, complete with characters from the incredibly racist yet heartwarming creepy Disney film, Song of the South.

April 17: Paris Combo at the Napa Valley Opera House

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If you want the best French pop music today, you need to go to the source. Straight from the city of love, Paris Combo effortlessly craft that distinct Parisian mix of bright jazz horns, smooth bass riffs and demure vocals, and their bubbly fun is never more apparent than on their latest release, 5. The band’s first album in as many years, 5 is also their most lauded effort, an eclectic and energized collection filled with all the romanticism and joie de vivre that has been their staple sound since they formed in the mid-1990s. Paris Combo appear April 17, at the Napa Valley Opera House, 1030 Main St., Napa. 8pm. $25-$35. 707.226.7372.

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April 18: Opening Reception for “Landscapes” at the IceHouse Gallery

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Digital Grange in Petaluma is a fine-arts service that specializes in (surprise!) digital imaging and graphic design. Their clients include the de Young in San Francisco and the Art Institute of Chicago, and now the collective opens its own gallery in the ivy-covered Burdell Building next door to their offices. IceHouse Gallery will feature Digital Grange’s impressive roster of artists, such as Chester Arnold (whose art is pictured below) and modern surrealist Don MacDonald. The gallery’s inaugural exhibit, “Landscapes,” opens with a reception April 18 at IceHouse Gallery, 405 East D St., Petaluma. 6pm. Free. 707.778.2238.

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April 19: Sebastiani Theatre 80th Anniversary Kickoff

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The historic Sebastiani Theatre screened its first movie on April 7, 1934. Fugitive Lovers, starring Robert Montgomery and the Three Stooges, brought out a crowd of a thousand people who lined the streets around the Sonoma Plaza and welcomed the impressive structure. Admission was 30 cents. Times have changed, but the theater remains a cultural and community landmark, and this year its 80th anniversary kicks off with a deservedly festive variety show and celebration. The party highlights performances from local musicians, dancing, magic and more. The first of a yearlong series of events, the 80th Anniversary Celebration happens on April 19 at Sebastiani Theatre, 476 First St. E., Sonoma. 7:30pm. $25. 707.996.9756.

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April 22: Barbara Ehrenreich at Book Passage

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Writer and political activist Barbara Ehrenreich has written more than 20 books since 1969. She is best known for her eye-opening 2001 account of trying to survive on minimum wage, Nickel and Dimed: On (Not) Getting By in America, and the author never shies from controversy to explore and expose social strife. Her new book, Living with a Wild God: A Nonbeliever’s Search for the Truth About Everything, is her most ambitious, personal and controversial work to date, as she endeavors to tackle nothing less than the meaning of life. Ehrenreich reads from her book and talks in conversation with KQED Forum radio host Michael Krasny on April 22 at Book Passage, 51 Tamal Vista Blvd., Corte Madera. 7pm. $10. 415.927.0960.

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Magic Flute

Napoleon's light cavalry, in the early 1800s, were constantly on the move and had no time to sit around in wine lounges and gently twist the cork off a bottle of Champagne, eliciting the proper "sigh." Whether celebrating victory or commiserating in defeat, they employed a fast, effective, if dicey-looking method of opening those very necessary bottles of Champagne:...

Quote of the Year

Sonoma County Superior Court Judge Gary Medvigy heard police tapes from Sonoma County Supervisor Efren Carrillo's July 13 early-morning arrest in court last week. As reported by the Press Democrat, Carrillo told officers, "In retrospect, I should have had my pants on." Ya think? Carrillo is lucky that the only charge being brought against him is the misdemeanor "peeking," which carries...

Building ‘Fences’

It's a basic truth about theater: the best plays are those that are both specific and universal, revealing vivid details about individuals or cultures or historical moments, while giving a glimpse of the common thread that connects us to the characters whose lives are unfolding onstage. The late August Wilson was among the best practitioners of this art. His "Century...

Ghost River Trickster

Let us honor the life of Mike Ruppert. His last radio show's theme was "If we can feel what we are doing to the earth, we wouldn't do it." After that show on April 13, Mike took his life in Calistoga, diving into the lunar eclipse, symbolically apt, as he was a deep-delving detective of all that is corrupt. I hosted...

Live Review: Good Friday Stabat Mater at St. Vincent’s Church

Sitting, eyes closed, in St. Vincent’s church in Petaluma, the usual first world annoyances do not penetrate my skin, neither physically nor mentally. The uncomfortable wooden pew, the cell phone ring—they hold no power now, not while countertenor Chris Fritzche and soprano Carol Menke sing Pergolesi’s Stabat Mater with Marilyn Thompson transcribing the full score, on sight, to church...

World’s Fair Presented in Awesome Digital Format 50 Years Later

A must-read for a disenchanted generation

April 17: Paris Combo at the Napa Valley Opera House

If you want the best French pop music today, you need to go to the source. Straight from the city of love, Paris Combo effortlessly craft that distinct Parisian mix of bright jazz horns, smooth bass riffs and demure vocals, and their bubbly fun is never more apparent than on their latest release, 5. The band’s first album in...

April 18: Opening Reception for “Landscapes” at the IceHouse Gallery

Digital Grange in Petaluma is a fine-arts service that specializes in (surprise!) digital imaging and graphic design. Their clients include the de Young in San Francisco and the Art Institute of Chicago, and now the collective opens its own gallery in the ivy-covered Burdell Building next door to their offices. IceHouse Gallery will feature Digital Grange’s impressive roster of...

April 19: Sebastiani Theatre 80th Anniversary Kickoff

The historic Sebastiani Theatre screened its first movie on April 7, 1934. Fugitive Lovers, starring Robert Montgomery and the Three Stooges, brought out a crowd of a thousand people who lined the streets around the Sonoma Plaza and welcomed the impressive structure. Admission was 30 cents. Times have changed, but the theater remains a cultural and community landmark, and...

April 22: Barbara Ehrenreich at Book Passage

Writer and political activist Barbara Ehrenreich has written more than 20 books since 1969. She is best known for her eye-opening 2001 account of trying to survive on minimum wage, Nickel and Dimed: On (Not) Getting By in America, and the author never shies from controversy to explore and expose social strife. Her new book, Living with a Wild...
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