The Trimmer Trade

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“This is like the calm before the storm,” says Lisa wearily as she takes a few comforting puffs of her piña-colada-flavored e-cigarette.

It is an uncharacteristically quiet Saturday afternoon in the west Sonoma County restaurant where Lisa, 27, works as waitress. After her smoke break, she emerges from the kitchen and makes her way to the dining room, brushing off her apron and methodically running her fingers through her hair to effect a look of calculated casual. “When it’s totally slow like this, I’m thinking to myself, ‘Yay, I might make $20 today!’ That’s why I do the other thing.”

That “other thing” is working as a bud trimmer in the county’s thriving marijuana industry. As the harvest season for outdoor-grown pot ramps up, bud trimmers like Lisa are in demand. They groom buds for market, trimming off stray leaves and stems.

Because of the illegal nature of much of the pot business, it’s difficult to gauge the size of this labor-intensive sector of the marijuana economy, but the work represents a significant source of under-the-radar revenue for local and migrant workers alike. According to a widely cited report by ArcView, a marijuana trade group, the state’s industry is valued at $980 million. And as many people who live in Sonoma County know, there is a vast amount of weed grown here, and all that pot needs to be trimmed.

OFF TO WORK

Eva, 61, stocks her mini Igloo cooler with coconut water, organic Fuji apples, two peanut butter and jelly sandwiches and a yerba mate drink for energy. She knows it’s going to be another long day, at least 12 hours, and she comes prepared.

“The drive along the coast is gorgeous,” she says. At one point in her two-hour drive to her job as a trimmer, she stops for a mocha at her favorite spot, where they put homemade whipped cream on top. Upon arriving at work, she has to get out of her four-wheel vehicle to open two gates. After the second gate, she lets her dog, Rosebud, out to run the long stretch of road that leads to the main property.

The home itself looks as though it’s been carved out of wood by hand. Yellowing posters pinned to the wall promote concerts that have long come and gone. Curtis, the longtime proprietor of the enterprise, sits comfortably in the sunroom sucking rather fiercely on a large joint attached to a roach clip, itself attached to a long-stick; he looks a little like an aristocrat smoking from a cigarette holder.

Eva greets Curtis and assesses the work ahead of her. She places her Red Rooster scissors in a clay jar filled with rubbing alcohol, puts her reading glasses on and sifts through the lawn bag of marijuana buds that Curtis has laid before her. Eva needs to make at least $200 to replace two spent tires on her car. She looks at the clock behind her, which reads 9:10am. Curtis pays by the hour, not the pound.

A recent article in High Times listed “trimmer” as the No. 1 job in the booming pot industry. Considering that marijuana is now legal in Colorado and Washington state, and legal for medicinal use in 23 states in addition to Washington, D.C., it’s not surprising that there’s increasing need for nimble fingers to shape weeds into buds.

“Trimmer is a very popular job in the marijuana industry, and will become even more popular as more states legalize marijuana for medical and/or recreational use,” says Colby Ayres, marketing manager for Hemp American Media Group, which owns and operates one of the many employment agencies that list legal jobs in the pot business. “Most dispensaries and cultivation centers need multiple trimmers to properly trim the large quantities of marijuana being produced.”

Ayres says the qualifications are basic: trimmers must be 18 years or older, must pass a background check and must not have any felonies. Some dispensaries and cultivation centers hire experienced trimmers only. While the demand for trimmers in the legal and medicinal sectors is high, there’s also demand in the illegal sector.

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STARTING OUT

Casey worked as trimmer but got out of it 14 years ago.

“I think I was one of the only people in the business who did not smoke pot,” she says, as she opens a packet of Stevia and pours it into her latte. “It just wasn’t my thing.”

She works “full-time-ish” in the restaurant business, but at one time, she worked Monday through Friday as a trimmer for a major grower and dealer in Marin County.

“I actually got the job through my mother,” Casey says. “My parents were in the pot business as long as I can remember. My dad was a dealer back in the day, the ’70s–’80s. He got out of it in the early ’90s and gave it over to my mother. She knew ‘Alex’ from the business, and he told her that he needed trimmers. I needed a job at the time, so I started trimming.”

Lisa makes a quick exit through the restaurant doors en route to her car. “Oh, man, I’m so fucking glad that is over,” she yells. After what turned out to be a busy night, Lisa is ready to go home. She opens the car door and sinks into the driver seat with a deep exhale.

Lisa is young and pretty, in spite of her years as a methamphetamine user. She’s been clean from meth for more than four years, but still indulges in a little weed or “wax pen” or “dab,” a distillation of marijuana’s active ingredients. Tonight, she goes for the weed. She packs a small pipe with bud and lights up. Lisa is from California’s Central Valley and has been trimming pot since she was 16.

“It started when I lived in Laytonville (Mendocino County),” she says. Lisa and her friends “trimmed weed for lunch, free weed and pocket change.” Now 27, she is married and the mother of a six-year-old special-needs child. She trims to supplement her living.

Lisa insists she is not a tragic figure, stuck in the cog that perpetuates welfare and government assistance. She’s worked at the restaurant “for over two years,” she says, “but as you know, it doesn’t totally pay the bills. Quite a few people, almost everyone I know, is involved somehow [in the trimming business].”

Lisa remains tight-lipped about the people she works with. “Everyone is very secretive,” she says. “They don’t like anyone new coming into the circle. I just go in and do my job, then come home.”

Eva is a 20-year veteran of the trimming business and, like Lisa, began her stint in Laytonville.

“I started doing it sporadically about 1990 when my last child was in high school. I was working for a friend who taught me how. I would get $15 and hour, but then a couple of years later, I learned to trim faster and started making more money.”

The sunlight in Curtis’ trimming room begins to fade and the chill of evening sets in. Curtis turns on a light to illuminate Eva’s work area. Because Curtis’ makeshift surroundings lack central air and heating, Eva places a sweater over her shoulders. She has been working for seven hours.

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THE RISKS

Because these women don’t work for growers in the legal sector, there can be an element of paranoia attached to the work. Eva used to work in Covelo in Mendocino County, a Wild West marijuana town east of Willits.

“There were a lot of robberies and break-ins from the locals,” she says. “Also, the police, if you had a certain amount of money, they would take your money and you’d have to go to court and explain where you got the money and why you had it. I stopped going up there for that reason.”

“I never really got scared,” Casey says. “I mean, there were a couple of instances where I felt a little paranoid. One time, I was alone in Alex’s house trimming and there was a knock at the door. I looked through the peephole and didn’t recognize the guy standing there. Alex didn’t tell me there would be anyone stopping by, so I kind of hid in the corner until he went away. It was the first time I thought, ‘Wow, I am doing something illegal.’

“Also,” she continues, “[Alex] would have me deposit large sums of money in his bank account. I couldn’t just put this wad in the ATM; I had to go into the bank with all of this cash and a deposit slip with the name of his fake business and hand it off to the teller. One time the teller just flat-out asked me what my boss did, and I told her this story about him owning a heating and cooling business.”

Laughing, she says, “God that was brutal!”

A fire forced Casey out of the business. One night, she says, the news ran a story “about a warehouse in San Francisco that just went up in flames, and a ‘bumper-crop’ of pot was found. I didn’t really think anything of it until I got a call from my mom about 10 minutes later telling me not to go into work tomorrow. It was Alex’s warehouse that caught fire. So right then and there, I was out of a job.” Which may have been a blessing in disguise, she adds. “It was nice not having to lie to people when they asked me what I did for a living.”

Given the growing trend toward legalization, the legal consequences may be minimal to none.

“The legal trouble trimmers could face is a difficult one for which to provide a concrete, one-size-fits-all answer,” says Christine Cook, assistant district attorney for Sonoma County. “Each case depends on all the facts and circumstances. The prosecution of marijuana cases by this office which have no violence or other egregious factors is a low-level priority.”

Aside from the legal implications, trimmers also can face occupational hazards. The work is fatiguing and can aggravate sinus infections. And, of course, you end up smelling like weed.

“This one lady I trimmed with used to cut a few holes in a trash bag and wear that while she trimmed,” Eva says.

She drops her scissors in the alcohol solution and replaces them with another pair that have been soaking, thus dissolving the resin that develops through trimming the sometimes sticky buds. She changes scissors every 20 minutes.

“Curtis usually has really good weed.”

Eva laughs, takes a gulp of her yerba mate and continues trimming.

THE PAYOFF

While growing and selling marijuana is big business, trimming is not. Eva remembers her work in Covelo. “It was a great gig! I worked 8 to 3, Monday through Friday, was paid cash under the table every day, and I had all this free time and was making more than enough money to live off of. But that was several years ago, and I was a single woman with little to no expenses, except my rent and a few bills. I couldn’t do it today.”

Lisa does it for supplemental income. “I’ll work as many hours as I can, usually six to eight hours. I get paid about $200 a pound. I don’t really have any days off, but my husband and I make it work. My son is happy and healthy,” she says, her voice trailing off.

Eva considers trimming her sole occupation, but not a very financially rewarding one. “It takes a lot just to make a few hundred dollars, and it does get harder and harder, especially when I have to take care of people.” She assists her 90-year-old mother, who also helps occasionally with Eva’s at-home trimming jobs. “I am very low-income.”

Despite feeling exhaustion, Eva remains positive.

“There are a lot of people who would be on the street if they didn’t have these trimming jobs,” she says. “It’s nice that I don’t have to get dressed up to go to work, but I’ll only be doing it for as long as I have to.”

Blue Bear Benefit at Sweetwater with Vicki Randle & Members of Santana, and Doobie Decibel System, Performing For a Good Cause

On Thursday Sept. 11 Sweetwater Music Hall in Mill Valley hosted a Blue Bear School of Music Benefit featuring Vicki Randle (Tonight Show, Aretha Franklin) and Friends. The band included members of Santana. Every one of the musicians throughout the set was on top of their game with styles ranging from soul to funk, folk to rock.
The night started out with a beautifully done duet set by Roger McNamee (Moonalice) and Jason Crosby of Doobie Decibel System. They performed songs such as “Feerless” (Pink Floyd) and Moonalice original “Couple of Puffs.” Blade, a Blue Bear Youth Band of teens, performed second playing renditions of famous rock songs such as “Purple Haze”
Blue Bear School of Music is a private music school devoted to spreading the art of music through lessons to people of all ages.
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High Kaliber Good Times

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The year was 2008 and the New York Football Giants were in the Super Bowl. I was sober and single, living in New Haven, Connecticut, and I settled in for the game.

And what a game it was!

On the menu: A six-pack of Kaliber non-alcoholic beer, and a bag of peanuts in the shell. A pile of socks and other random stuff next to my chair, to throw at the television as the incredibly tense game wore on.

That was, perhaps, the greatest night of my life. Sad, but true. The New York Football Giants won the game, now considered one of the Greatest Super Bowls Ever. A true nail-biter. I must have thrown 50 socks at the TV that night.

That Super Bowl was memorable for “The Catch,” the most insane pass play in the history of the game: Eli Manning to David Tyree, deep in the fourth quarter. Tyree somehow trapped the ball on his helmet and kept a fourth quarter drive going that would end in Victory! Victory! Victory!

(Oh, you say: “The Catch” in these parts refers to the Joe Montana to Dwight Clark end-zone game capper in the 1982 NFC championship. Nice catch, Clark, and thanks for beating the hated Cowboys—but that was no Tyree grab. I’ll fight anyone for bragging rights to “The Catch.”The loser’s on the hook for some tasty fake beers.)

I drank that whole dang six-pack of Kaliber that night and felt like a drunken reveler when those last seconds ticked off and the Giants had, very improbably and with the miracle of The Catch, won the game. I toasted the Boys in Blue with that final Kaliber, collected the socks, and went to bed. In the morning: No hangover!

Hangovers suck, I try to avoid them whenever possible, and, as such, I’ve tried just about every available non-alcoholic beer there is on the market. My taste for the stuff is split across two poles: I love the extremely bland Busch non-alcoholic beer, mostly because you can drink ninety cans and feel you’ve done a fine job of hydrating yourself. It’s healthy!

On the other end, the delicious, nutritious Kaliber, which is made by the Guinness folks, has that same rich, creamy and slightly bitter backbite that characterizes the stout. It’s the upper-class non-alcoholic beer, and for my money, anyway, it blows all the other high-endish non-alcoholic offerings out of the water.

The popular St. Pauli Girl non-alcoholic version is one that comes to mind, and I’ve tried it. I’m a pretty bitter person at times, but even that stuff is too much for me.

Sept. 17-22: Wine Country Film Festival

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The highly acclaimed Wine Country Film Festival returns for its 28th year with an electric lineup of world cinema and local gems. The festival opens with the highly anticipated comedy drama This Is Where I leave You, starring Jason Bateman and Tina Fey in a family of estranged siblings. On the local scale, Bobby Jo, which follows popular North Bay singer-songwriter Bobby Jo Valentine, premieres on Sept. 22 with a live performance from Valentine and a Q&A session. The Wine Country Film Festival runs Wednesday, Sept. 17, to Tuesday, Sept. 22, throughout Kenwood, including Deerfield Ranch Winery, 10200 Sonoma Hwy., Kenwood. $25 and up. Glen Ellen

Sept. 19-22: Fall Music Festival

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Highlighted by two days of music from the biggest names of the last 40 years, the Fall Music Festival is the premier music event of the season in Sonoma County, and features alternative crooners the Wallflowers and headliner Melissa Etheridge in a special solo performance. Sunday sees North Bay favorites Huey Lewis & the News and guitar master Peter Frampton headlining. The weekend is bookended with a charity auction dinner and a celebrity golf classic at Sonoma Golf Club, and the whole shebang benefits local charities. The Fall Music Fest starts Friday, Sept. 19, and continues Monday, Sept. 22, at B.R. Cohn Winery, 15000 Sonoma Hwy., Glen Ellen. $85 and up. 707.938.4064. Healdsburg

Sept. 20-21: Art in the Plaza

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Visual arts in the North Bay are as varied as they are inventive. This weekend, the biggest art event of the year in Healdsburg brings together diverse talents for a celebration of visual wonders at the Healdsburg Arts Festival. The free event features groundbreaking artists working in experimental media and with signature styles, and more than 70 artists and vendors will be there to sell and talk about their craft. Wine and food from local artisans, a special kids’ art zone and live music will all be on hand. The Healdsburg Arts Festival occurs Saturday and Sunday, Sept. 20-21, in downtown Healdsburg, Plaza Street between Center and East. 10am to 5pm. Free. 707.431.1970 Santa Rosa

Sept. 21: Pythons in the Streets

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It’s time to show off those silly walks and enjoy the sunny side of life, as the Mostly Python event returns to downtown Santa Rosa in front of Toad in the Hole Pub. Dress as your favorite character from the beloved British sketch show Monty Python’s Flying Circus, and revel in the nonsensical troupe’s best moments. Actors from Sixth Street Playhouse will recreate classic sketches live. This family-friendly event also features a crop of live music from North Bay Hootenanny staples the Crux, the Kyle Martin Band and others. It all happens Sunday, Sept. 21, at the Toad in the Hole Pub, 116 Fifth St., Santa Rosa. Free. Noon to 6pm. 707.544.8623.

Drakes Bay Oyster Farm: RIP

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On the hottest day of summer and just days after Judge Judy Gonzales slammed Drakes Bay Oyster Farm in court, I visited Drakes Estero for perhaps the last time. Maybe not forever. I might go back when it’s Wilderness with a capital W and no longer a working farm.

I was surprised to find Jorge Mata and a skeleton crew still harvesting and processing oysters. Ginny Cummings, a mainstay at the company, explained that the oyster farm is allowed to harvest and sell oysters wholesale, but not retail.

On the way to the coast, I read signs that said, “Drakes Bay Oysters for Sale.” They won’t be on sale much longer. Time has finally run out for the Lunny clan, unless they can work a miracle. They’ve done it before, much to the consternation of their foes and the delight of their friends in a community that has been divided right down the middle with citizens on all sides refusing to speak civilly to one another.

The issue attracted national attention from wilderness and oyster lovers and from lovers of both oysters and wilderness. I’ve been to Drakes Estero again and again over the past few years. I’ve ventured into the waters with the crew and marveled at the stillness and the beauty of the Estero. I’ve enjoyed conversations and oysters on the half shell with Mata and the Lunnys. I’ve also sat down with environmentalists and farmers who vowed to shut down Drakes Bay Oyster Farm come hell or high water.

Years after the oyster wars began, it’s hard to say what, if anything, the community has learned, except how to stand one’s ground and not budge an inch. If predictions are accurate and California coastlines face rising ocean levels and rising ocean temperatures, all sides will be in the same leaky boat. To survive global climate change, veterans of the oyster wars will have to figure out how to lick wounds and talk civilly. Or we’ll all go down together.

Jonah Raskin (that’s him, holding oysters) lives in Santa Rosa and writes about environmental issues.

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Lagunitas Live

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Lagunitas Brewery has distinguished itself through more than great beer. The Petaluma beer maker has become an acclaimed live music venue.

Lagunitas has always exuded a feeling that they’re doing what they love. That’s on display with their free outdoor concert series featuring well-known and up-and-coming bands that have graced the stage at such music festivals as Coachella, Sasquatch and SXSW. The bands are showcased during Live at Lagunitas, a summer concert series that runs from May to September. Musicians have included Shakey Graves (pictured), Foxygen, Emmylou Harris and Allen Stone.

According to marketing manager Laura Muckenhoupt, who has been with the project since its start, the story behind Live at Lagunitas began with owner Tony Magee’s love of live music. Magee’s desire to combine two of his passions, music and beer, came together in the summer of 2012. His vision was to showcase high-caliber bands in a laidback, accessible way reminiscent of a friend’s backyard party, with Magee even opening for a few of the headliners.

“It was Tony’s idea to keep these shows free,” says Muckenhoupt. “It’s a combination of giving back to the community, but then also supporting artists.”

The concerts are popular enough that ticketing is done by waitlist, to ensure that shows don’t get overcrowded and compromise safety. A select few can also get tickets by signing up through band or musician’s websites.

The concerts take place in the outdoor “Laguminiamphitheaterette.” Guests are welcome to sit on the lawn and recline on a blanket, or get up close to the stage and dance. The Lagunitas taproom is fully functioning during these events, which take place after all tours have ended for the day. The pub is also open with more limited offerings than usual, but with a faster and more convenient to-go-style ordering process, so attendees won’t have to choose between eating and not missing too much of the set.

While there are still a few shows left for 2014, such as James McMurtry and Karl Denson’s Tiny Universe, Muckenhoupt is already working on the 2015 lineup. Lagunitas’ website includes details on how to obtain a converted pair of tickets to one of their larger shows and, similarly, their traveling music-and-beer-themed parties known as Couchtrippin’, named after the bright orange couches from the brewery’s own Loft.

Though the outdoor concert series is coming to an end, the brewery features smaller-name bands year-round almost every night of the week with no cover charge or special ticketing process so that everyone can get a chance to visit and experience the fun.

Lagunitas Brewery, 1280 N. McDowell Blvd., Petaluma. 707.769.4495.

Head Games

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‘The future becomes the present, the present the past, and the past turns into everlasting regret if you don’t plan for it.”

This warning, declared in Tennessee Williams’ Glass Menagerie, has been interpreted many ways since the 1944 premiere of this gorgeous, fiercely loved play. Now 6th Street Playhouse is putting its own interpretation on that famous line, caustically uttered by the resentful, aging Southern belle Amanda (Jacquelyn Wells) to her would-be-poet son, Tom (Dallas Munger).

Director Craig Miller, inspired by the quote’s examination of past and future, has elevated the play from a memory into a vivid full-on alcoholic hallucination. What normally plays out on a living room set, now plays in the homeless Tom’s demented head, as he mutters and barks beneath a fire escape in a New Orleans alley. Trapped in an inescapable loop of regret—predicted by his mother—Tom rages to the air. The characters of his past materialize in the alley as he replays the memories, using trashcans and wooden pallets in place of the usual faded furniture.

In particular, Tom replays the night he finally abandoned his mother and mentally frail sister, Laura (Katie Kelley Stowe), following a “dinner party” in which a gentleman caller (an excellent Ben Stowe, alternating with Rusty Thompson) almost pulls Laura from the dreamy fantasy world she hides in. Fueled by sorrow, Tom is now trapped in a world of his own.

It’s a bold idea, born out of Miller’s obvious love of the play, and whether it works or not will depend on how theatergoers feel about this kind of reinvention. I’ve always believed that theater is elastic. Plays can be twisted, pulled, bent and stretched, and then the script snaps back into place after the run is over, returning to its original form, ready for others to tackle it again.

In the case of 6th Street’s version, the concept works surprisingly well, bolstered by clever sound design that gives us noisy street traffic in the background, disappearing when Tom enters his memories and returning with a jarring rush whenever he’s pulled back to the present.

The cast is deeply committed but wildly uneven, keeping some scenes from achieving the depth they deserve, while others leap up raw, fully alive and unforgettable. Still, the show’s built-in power is unstoppable, and Miller’s gutsy vision makes for an evening of challenging and thought-provoking theater.

Rating (out of 5):★★★½

The Trimmer Trade

"This is like the calm before the storm," says Lisa wearily as she takes a few comforting puffs of her piña-colada-flavored e-cigarette. It is an uncharacteristically quiet Saturday afternoon in the west Sonoma County restaurant where Lisa, 27, works as waitress. After her smoke break, she emerges from the kitchen and makes her way to the dining room, brushing off...

Blue Bear Benefit at Sweetwater with Vicki Randle & Members of Santana, and Doobie Decibel System, Performing For a Good Cause

On Thursday Sept. 11 Sweetwater Music Hall in Mill Valley hosted a Blue Bear School of Music Benefit featuring Vicki Randle (Tonight Show, Aretha Franklin) and Friends. The band included members of Santana. Every one of the musicians throughout the set was on top of their game with styles ranging from soul to funk, folk to rock. The night started...

High Kaliber Good Times

The year was 2008 and the New York Football Giants were in the Super Bowl. I was sober and single, living in New Haven, Connecticut, and I settled in for the game. And what a game it was! On the menu: A six-pack of Kaliber non-alcoholic beer, and a bag of peanuts in the shell. A pile of socks and other...

Sept. 17-22: Wine Country Film Festival

The highly acclaimed Wine Country Film Festival returns for its 28th year with an electric lineup of world cinema and local gems. The festival opens with the highly anticipated comedy drama This Is Where I leave You, starring Jason Bateman and Tina Fey in a family of estranged siblings. On the local scale, Bobby Jo, which follows popular North...

Sept. 19-22: Fall Music Festival

Highlighted by two days of music from the biggest names of the last 40 years, the Fall Music Festival is the premier music event of the season in Sonoma County, and features alternative crooners the Wallflowers and headliner Melissa Etheridge in a special solo performance. Sunday sees North Bay favorites Huey Lewis & the News and guitar master Peter...

Sept. 20-21: Art in the Plaza

Visual arts in the North Bay are as varied as they are inventive. This weekend, the biggest art event of the year in Healdsburg brings together diverse talents for a celebration of visual wonders at the Healdsburg Arts Festival. The free event features groundbreaking artists working in experimental media and with signature styles, and more than 70 artists and...

Sept. 21: Pythons in the Streets

It's time to show off those silly walks and enjoy the sunny side of life, as the Mostly Python event returns to downtown Santa Rosa in front of Toad in the Hole Pub. Dress as your favorite character from the beloved British sketch show Monty Python's Flying Circus, and revel in the nonsensical troupe's best moments. Actors from Sixth...

Drakes Bay Oyster Farm: RIP

On the hottest day of summer and just days after Judge Judy Gonzales slammed Drakes Bay Oyster Farm in court, I visited Drakes Estero for perhaps the last time. Maybe not forever. I might go back when it's Wilderness with a capital W and no longer a working farm. I was surprised to find Jorge Mata and a skeleton crew...

Lagunitas Live

Lagunitas Brewery has distinguished itself through more than great beer. The Petaluma beer maker has become an acclaimed live music venue. Lagunitas has always exuded a feeling that they're doing what they love. That's on display with their free outdoor concert series featuring well-known and up-and-coming bands that have graced the stage at such music festivals as Coachella, Sasquatch and...

Head Games

'The future becomes the present, the present the past, and the past turns into everlasting regret if you don't plan for it." This warning, declared in Tennessee Williams' Glass Menagerie, has been interpreted many ways since the 1944 premiere of this gorgeous, fiercely loved play. Now 6th Street Playhouse is putting its own interpretation on that famous line, caustically uttered...
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