June 28: Preservation Hall Jazz Band at Robert Mondavi Winery

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Returning for its 45th year, the Summer Concert Series at the Robert Mondavi Winery kicks off an eclectic season with the Preservation Hall Jazz Band. The New Orleans institution is playing selections from their 2013 album That’s It!—the band’s first album of all-original material in their 50 years of existence. The storied ensemble has collaborated with artists from unexpected genres, and their sound continues to flourish in the New Orleans scene and beyond. The Preservation Hall Jazz Band performs and is followed by fireworks this Saturday, June 28, at the Robert Mondavi Winery, 7801 St. Helena Hwy., Oakville. 7pm. $55—$85. 707.968.2203.

June 27: Charged Particles at Belvedere-Tiburon Library

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Educator and musician Jon Krosnick moved from the Midwest to California after landing a job on the faculty at Stanford. Professionally, the social psychologist couldn’t be more satisfied, yet the move meant the drummer had to reform his acclaimed jazz trio, Charged Particles. Now with an updated ensemble and an exciting brand of jazz, Charged Particles are celebrating summer vacation with a series of library concerts throughout the North Bay, beginning this Friday, June 27, at the Belvedere-Tiburon Library (1501 Tiburon Blvd., Tiburon; 11am) and Saturday, June 28, at the Healdsburg Library (139 Piper St., Healdsburg; 2pm).

June 27: OneManGreenBand at Forestville Club

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Multi-instrumentalist Jacob Green has made a name for himself in the North Bay with his foot-stomping, homegrown blues under the moniker OneManGreenBand. This week, the Milwaukee-born musician, now living in rural Villa Grande on the Russian River, emerges from the woods to debut the second offering in his trilogy when he brings his guitar, banjo, mandolin, mouth harp and copies of his new album, Roots Revival Volume 2: In Time to the Forestville Club on Friday, June 27. 6250 Front St., Forestville. 9pm. $5—$10. 707.887.2594.

June 26: Spanish Gold at Sweetwater Music Hall

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Heady and groovy, Spanish Gold are the real deal. The band comprises My Morning Jacket drummer Patrick Hallahan and guitarists Adrian Quesada (Grupo Fantasma) and Dante Schwebel (Hacienda), and the new venture draws together the three musicians’ muscular rock chops and pop sensibilities. Their debut album, South of Nowhere, is a genre-bender in the best sense. Spanish Gold make their way to the North Bay when they play Thursday, June 26, at Sweetwater Music Hall. 19 Corte Madera Ave., Mill Valley. 9pm. $12—$15. 415.388.1100.

Suite Stuff at Soda Rock

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I’ll bet that more than a few winery visitors have wistfully slurred, after a few (or many) splashes of strong and heady Zinfandel, “Oh, I wish I could live here!” Well, click your heels three times. Plunk down a fat card, and Soda Rock Winery can be home to you, for a night or two.

Soda Rock is one of eight Wilson Artisan Wineries, the wine empire helmed by Ken and Diane Wilson. The Wilsons bought the historic site in 2000, but did not open the hospitality complex (winemaking happens at sister wineries Mazzocco and deLorimier) until 2011. The place required a lot of renovation. Although the stone facade looks very much like a historic winery, it was actually built in 1869 as the post office for the town of Soda Rock. When the P.O. moved to nearby Jimtown, the “town” was no more. This rentable town has been restored in old-timey fashion, with the happy amenity that, unlike in actual old times, folks aren’t turned away on account of ethnicity or marital status. In fact, the place is geared to weddings, which often take place in a photogenic, rickety old horse barn. Guests may stay in four furnished king suites complete with kitchenettes, the most popular of which is the water tower. Rates start at $185 for club members.

“This is adorable,” a visiting tourist recently exclaimed upon strolling in the tasting room. It’s spacious and rustic enough, and features the big, heavy wood bar rescued from the old Geyserville Smokehouse. Six wines are offered for a modest $5. I like the 2012 Mendocino Sauvignon Blanc ($16)—zippy grapefruit and bitter melon balance. Fermented in stainless steel but with partial malolactic, the 2012 Alexander Valley Chardonnay ($24) seems awkward—what is the point of a “no oak” Chard if it’s got a cheesy, oaky aroma nevertheless? But the 2012 Dry Creek Valley Gewürztraminer ($24) redeems the white slate with classic, spicy aromas and an eminently quaffable, dry palate of lychee fruit. But that’s the last dry wine, it’s not much of an exaggeration to say, as we move from Gewürztraminer to the reds. It’s a Wilson thing.

From the 2010 Meeks Merlot ($28), with blackberry liqueur leaping from the glass, to the chocolate liqueur notes of the sweet, tongue-coating 2010 General Alexander Valley Cabernet Sauvignon ($50) and the vanilla-and-graham-cracker-with-blueberry-jam of the 2011 Marshall Alexander Valley Zinfandel ($32), which might almost be poured over a pancake, these wines might not win points with the restraint and balance crowd. But, hey, while you’re on vacation—if just for the afternoon—indulge a little.

Soda Rock Winery, 8015 Hwy. 128, Healdsburg. Daily, 11am–5pm. Tasting fee, $5. 707.433.3303.

The Hippie Underground

The Grateful Dead once lived there, apparently taken with the acoustics of the living room. Its bucolic grounds were featured on the back cover of the Dead’s 1969 album Aoxomoxoa.

And the crush of musical luminaries who passed through it include Grace Slick, Janis Joplin, Nina Simone and a five-year-old girl named Courtney Love.

But the country estate known as Rancho Olompali in Marin County was best known as the site of a social experiment that lasted all of 600 days, a commune called the Chosen Family, where at one point nearly 90 people sought refuge from the tumult of San Francisco street life in the late 1960s.

And if their musical tastes were any indication, archaeologists say, its members were surprisingly diverse.

Turtle Power

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Drummer Johny Barbata’s discography reads like a music connoisseur’s vinyl collection: the Turtles, Crosby, Stills, Nash & Young, Jefferson Airplane, Jefferson Starship, Linda Ronstadt.

There are dozens more bands, over a hundred albums and 20 hit singles in all. Barbata tells the stories of his time in the music business in his 2005 memoir,
The Legendary Life of a Rock Star Drummer.

Speaking by phone from Oklahoma, Barbata says he took lessons from and become friends with the greatest drummer in history, Buddy Rich. “I opened for him at a gig and did a drum solo in a song. He said, ‘You’ve got a lot of balls to do a drum solo.'”

That three-minute solo pales in comparison to this one: Fourth of July, 1969, playing with Johnny Lewis at the Atlanta Pop Festival, in front of 150,000 people, the power goes out during the first song. “I started to do a drum solo, the promoter comes up to me and says, ‘Whatever you do, don’t stop playing or there’ll be a riot.’ Forty-five minutes later, I’m still playing. I couldn’t believe it.” Just when he could wail no more, the power came back on and Barbata received a five-minute standing ovation. “It was literally the night the lights went out in Georgia,” he says with a laugh.

Barbata will be speaking, playing and signing copies of his book on Saturday,
June 28, at Stanroy Music Center.
640 Fourth St., Santa Rosa. Noon to 5:30pm. Free. 707.545.4827.

Bust to Boom

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North Bay county leaders are encouraged, cautiously optimistic and reasonably excited about Gov. Jerry Brown’s $155 billion budget for 2014–15.

And make no mistake, nobody’s complaining about $100 million in partial payback to counties for unfunded state mandates included in the budget, approved earlier this month.

But though Napa County is happy with its share of transportation dollars, Sonoma County still can’t fix its roads under an unyielding state gas-tax formula; Medi-Cal reimbursement rates in Marin County have disappointed local leaders; and everyone’s missing redevelopment agency funds, which Brown ended in 2011.

The governor’s $1.6 billion rainy-day fund was met with praise from Marin County supervisor Kathrin Sears. “Overall, it’s refreshing to be talking about potential investments and paying down debt, as opposed to the large state deficits we all experienced with the economic downturn,” she said in a statement. Sears was appointed by Brown to the 3rd District seat in 2011; she won it the following year.

The Marin County board president echoes others in support of “a down-payment on nearly $900 million owed to local governments for unfunded mandates” which would send up to $750,000 to Marin County.

“With 30 percent of county revenues coming from the state to implement programs on its behalf, avoiding the ‘boom and bust’ budget cycles of the past should bring more certainty to local budgets,” Sears wrote.

Sears highlighted the budget’s 5 percent increase to CalWORKs welfare grants; $7 million for the Golden Gate Bridge suicide barrier; and “new funding of
$264 million that expands preschool for children from poor families.”

Sears said she had hoped the budget would increase Medi-Cal rates to doctors. As is, it’s difficult for doctors to agree to care for Medi-Cal patients in expensive areas, she said.

Napa County Supervisor Michael Luce is “generally encouraged” with Brown’s “back-to-basics budget that takes care of the physical needs of the people in our communities.”

Along with the state’s partial payback to counties, “there’s more money being repaid than we had expected,” Luce say. “There’s lots of emphasis on infrastructure, jails and water-system improvements, more money for roads, and a good use of cap and trade.”

Still, the state is continuously missing out on “glaring opportunities” to develop affordable housing, he says.

There’s no more money from the state for a worker-proximity housing program that helped low- and moderate-income residents with loans for purchases made 10 to 15 miles from where they worked.

“Affordable housing funding disappeared with redevelopment,” Luce says.

Sonoma County supervisor David Rabbitt emphasizes schools, roads—and Facebook—in his assessment of the Brown budget.

The plan offers “school-specific items that don’t reflect the county budget per se, but we’re all in the same boat in terms of making sure that education is moving in the right direction,” Rabbitt says.

Sonoma County just passed a $1.5 billion budget, put $8 million in a reserve fund and earmarked another $8 million for roads.

The county can’t fix its roads fast enough because of high asphalt prices and a 19-year-old state gas-tax formula, says Rabbitt.

Sonoma gets slighted on the tax because of its population-to-road-miles ratio, about a half-million people to 1,382 miles of road. Santa Clara County, by comparison, “has half the roads, with more than double the population,” says Rabbitt.

Rabbitt notes that $250 million in cap-and-trade revenue earmarked for transportation is “going right to the high-speed rail project. That’s in the budget. It means less money available for local roads.”

Rabbitt is keen on the county’s share of an $11.9 billion water bond, and highlights a $10 million wildfire-prevention grant, which will prove useful “once the fire season kicks into high gear—this is about really being prepared.”

Rabbitt is pushing the state to provide more assistance to those low-paying supportive healthcare jobs, the “thousands of workers who take care of invalid folks [and] who don’t make a lot of money,” Rabbitt says.

The supervisor notes that Facebook helped put the state in the black thanks to its capital-gains payments to California. The social-media giant paid $1 billion in taxes in 2013, and capital gains taxes to the state are estimated at over $2.5 billion over the next five years.

State legislative auditor Mac Taylor recently described the state’s response to stock-market volatility and the boom-and-bust effect on capital gains taxes: “You have to have very strong reserve, and it’s important to not over-commit to spending programs.”

Kenwood Restaurant

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Emerging from the congested streets of Santa Rosa onto Highway 12 east is always a revelation. As the highway opens up into an expanse of vineyard covered hills and estate wineries in Kenwood, I remember anew: Oh, yeah. I live in wine country.

“Wine country” is a marketing conceit, a state of mind and a real place. All three come together beautifully at the Kenwood Restaurant. The restaurant, which changed ownership six months ago, serves a menu of eclectic, upscale comfort food in a drop-dead gorgeous setting. While the execution of some dishes is clumsy, the restaurant is a real road-side attraction.

The deeply, caramelized, batter-free fried chicken ($13) is a standout. Spaghetti Western ($10, a mix of bucatini, bits of pork belly, fava beans and baby artichoke) is a winner, as is the plump, house-made hot dog ($15). In spite of its casual persona, the restaurant takes its commitment to local and sustainably sourced ingredients seriously. The list of local purveyors is long.

Given the restaurant’s wine-centric location, I’d expect a deeper and more diverse wine list. There is a nice list of draft beers, however.

The best seats are out on the patio with a view of the bubbling pond, wildflower-choked meadows and vineyards and hills beyond. Sitting outside on a warm summer eve with a glass of wine and nibbling on something raised a few miles away, it’s easy to drift into your own wine county idyll.

The Kenwood Restaurant, 9900 Sonoma Hwy., Kenwood. 707.833.6326.

‘Grease’ Still Sings

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Grease, the musical, written by Jim Jacobs and Warren Casey, is a modern miracle of the stage—a show that retains its popularity after over 30 years, despite the fact that, aside from a few good tunes, it’s a fairly terrible play. Let’s just get that fact out of the way.

When Grease first appeared in 1971, it was a raunchy, edgy, dangerously subversive attempt to show that our nostalgic view of 1950s teenage innocence was all smoke and mirrors. As such, it was something special. Since that initial version, beginning in 1972 with the play’s move to Broadway and on through to the hit 1978 movie and a series of subsequent revivals, the edgy material has been tamed down. What remains is a series of broad vignettes about cartoonish teenage stereotypes, interspersed with ballads and song-and-dance numbers.

Which brings me to the current production at 6th Street Playhouse. Using one of the latest script dilutions, the sprightly, effervescent cast, under the direction of choreographer-director Staci Arriaga, puts on a first-rate dance show, supported by some outstandingly good singing voices.

The musical numbers, easily the best I’ve seen in a community or college-level production, are so good that I found myself longing for the next one to begin during the play’s many “talking sequences.” The story of tough guy Danny Zuko (Anthony Guzman, consistently entertaining) and his on-again, off-again courtship of good girl Sandy (Amanda Pedersen, miscast, but with a great voice that somewhat makes up for it), Grease may once have had something to say about the joys and troubles of being young, but most of what was once truly insightful has been weeded out.

Though amusing, the characters are now so over-the-top they make the kids from Scooby Doo look like something from an Arthur Miller play. Fortunately, supporting players, including an outrageously good April Krautner as sex-kitten Marty, acrobatic Trevor Hoffman as the car-loving, gang-fighting delinquent Kenickie and Sidney McNulty as the endearing drop-out Frenchy, at least make these sequences watchable.

The reason to recommend Grease, though, is those musical numbers. With strong musical direction by Nathan Riebli and a sensational band, the show soars every time it sings, which, thankfully, is often.

Rating (out of 5): ★★★½

June 28: Preservation Hall Jazz Band at Robert Mondavi Winery

Returning for its 45th year, the Summer Concert Series at the Robert Mondavi Winery kicks off an eclectic season with the Preservation Hall Jazz Band. The New Orleans institution is playing selections from their 2013 album That’s It!—the band’s first album of all-original material in their 50 years of existence. The storied ensemble has collaborated with artists from unexpected...

June 27: Charged Particles at Belvedere-Tiburon Library

Educator and musician Jon Krosnick moved from the Midwest to California after landing a job on the faculty at Stanford. Professionally, the social psychologist couldn’t be more satisfied, yet the move meant the drummer had to reform his acclaimed jazz trio, Charged Particles. Now with an updated ensemble and an exciting brand of jazz, Charged Particles are...

June 27: OneManGreenBand at Forestville Club

Multi-instrumentalist Jacob Green has made a name for himself in the North Bay with his foot-stomping, homegrown blues under the moniker OneManGreenBand. This week, the Milwaukee-born musician, now living in rural Villa Grande on the Russian River, emerges from the woods to debut the second offering in his trilogy when he brings his guitar, banjo, mandolin, mouth harp and...

June 26: Spanish Gold at Sweetwater Music Hall

Heady and groovy, Spanish Gold are the real deal. The band comprises My Morning Jacket drummer Patrick Hallahan and guitarists Adrian Quesada (Grupo Fantasma) and Dante Schwebel (Hacienda), and the new venture draws together the three musicians’ muscular rock chops and pop sensibilities. Their debut album, South of Nowhere, is a genre-bender in the best sense. Spanish Gold make...

Suite Stuff at Soda Rock

I'll bet that more than a few winery visitors have wistfully slurred, after a few (or many) splashes of strong and heady Zinfandel, "Oh, I wish I could live here!" Well, click your heels three times. Plunk down a fat card, and Soda Rock Winery can be home to you, for a night or two. Soda Rock is one of...

The Hippie Underground

The Grateful Dead once lived there, apparently taken with the acoustics of the living room. Its bucolic grounds were featured on the back cover of the Dead's 1969 album Aoxomoxoa. And the crush of musical luminaries who passed through it include Grace Slick, Janis Joplin, Nina Simone and a five-year-old girl named Courtney Love. But the country estate known as Rancho...

Turtle Power

Drummer Johny Barbata's discography reads like a music connoisseur's vinyl collection: the Turtles, Crosby, Stills, Nash & Young, Jefferson Airplane, Jefferson Starship, Linda Ronstadt. There are dozens more bands, over a hundred albums and 20 hit singles in all. Barbata tells the stories of his time in the music business in his 2005 memoir, The Legendary Life of a Rock...

Bust to Boom

North Bay county leaders are encouraged, cautiously optimistic and reasonably excited about Gov. Jerry Brown's $155 billion budget for 2014–15. And make no mistake, nobody's complaining about $100 million in partial payback to counties for unfunded state mandates included in the budget, approved earlier this month. But though Napa County is happy with its share of transportation dollars, Sonoma County still...

Kenwood Restaurant

Emerging from the congested streets of Santa Rosa onto Highway 12 east is always a revelation. As the highway opens up into an expanse of vineyard covered hills and estate wineries in Kenwood, I remember anew: Oh, yeah. I live in wine country. "Wine country" is a marketing conceit, a state of mind and a real place. All three come...

‘Grease’ Still Sings

Grease, the musical, written by Jim Jacobs and Warren Casey, is a modern miracle of the stage—a show that retains its popularity after over 30 years, despite the fact that, aside from a few good tunes, it's a fairly terrible play. Let's just get that fact out of the way. When Grease first appeared in 1971, it was a raunchy,...
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