Doo Whopper

Third act troubles mar one of Clint Eastwood’s best movies, an adaptation of the hit showbiz musical about Frankie Valli and the Four Seasons, Jersey Boys. Events are rejiggered so that the triumph (the 1967 smash “Can’t Take My Eyes Off of You”) can come after a sketchily and half-heartedly directed tragedy.

Yet the movie succeeds. Eastwood brings it home with a nearly no-star cast; its one star, Christopher Walken, playing Gyp DeCarlo, a well-mannered mafia don, is Oscar-bound. Watching Walken’s jaw tremble while he listens to Valli sing about mother love, we view not only one of the best actors alive, but also see Eastwood sparing us overpraise for the Four Seasons’ music.

The Four Seasons’ white doo-wop, inescapable in the 1960s, had an eerie jet-age glaze on it—in these mixes, with the archaic keyboards, you think less about Johnny Ace and all the other black doo-woppers excluded from this picture, and think more about Joe Meek over in the U.K. The debut of “Sherry” on American Bandstand is greatly evocative: Valli’s rich chilling wail, the cramped studio blocked by a clunky TV camera, a waxy Dick Clark paralyzed behind his podium.

Valli is played by John Lloyd Young as a man so uncomplicated that he’s slightly mysterious, a workaholic who sacrifices himself for his shady partner (Vincent Piazza of Boardwalk Empire). He’s instantly likable. The down side: we don’t see enough of the debuting Renée Marino as Valli’s tough wife.

Snipers have been describing this as an overlong Behind the Music episode, but it’s more like an engrossing oral history of a band’s rise and fall, with conflicted perspectives and old hurts. The direct address to the camera works well, sometimes brilliantly. Beyond the Jersey metaphysics, there’s something deep and tangy and downbeat here, countering the hysterical ebullience of the tunes. At heart, it’s a musical about overwork and debt.

‘Jersey Boys’ opens Friday across the North Bay.

Cabaret Buffet

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The audience had a beef with Oakland vaudevillian Jamie DeWolf last time he was in town.

To be specific, it was beef liver, and it came from a game DeWolf calls “What’s Down My Pants?” at the C Media party at Santa Rosa’s Arlene Francis Center in April. It ended with cow’s liver being thrown into the audience, then thrown back in disgust. “I got a couple of calls after that,” says Jake Ward, who produced that event. Still, Ward is bringing the magnetic, controversial and talented poet and emcee DeWolf back to headline the first North Bay Cabaret at Santa Rosa’s Whiskey Tip Thursday night.

“‘Tourette’s Without Regrets’ was the inspiration,” says Ward, referring to DeWolf’s racy monthly Oakland variety show. “We’re kind of seeing if our scene is ready for something like that.”

This event probably won’t be as controversial or profane as the Oakland show, but it will feature burlesque by Eva D’Luscious, music by Josh Windmiller (of the Crux) and others, standup comedy by deadpan goth Oliver Graves, dance, spoken word, DJs and emcees. In short, it’s all over the place—and that’s just how it’s supposed to be.

“It’s such a buffet of a cabaret,” says Windmiller, who also books events in the North Bay. The style morphed out of the Arlene Francis Center, which has been hosting unclassifiable events like this for years. “To see this as a spreading out of that patchwork cabaret is really cool,” Windmiller adds.

The event is really two shows packed into one night, says Shey Roth, who is responsible for the hip-hop and dancing portion of the event. “There’s the frenetic, unpredictable thing outside, and inside is the shelter, the structured format.”

Three emcee duos (headlined by Spends Quality and Elle Araminta) will be spitting rhymes while DJs spin vinyl during and between sets all night long. Dance performances by Reprezent Break Dance crew and others get the party moving, while spoken word by Brianna Sage and others inspires a poetic verse or two.

“It’s like a yin and a yang all in one,” says Roth.

Like Ward and Windmiller, Roth, the producer of Good Hip-Hop Monthly, also started his booking career at the Arlene Francis Center and is glad to see the vibe spreading throughout the city. “Connecting the two sides of Santa Rosa is a really important part of this,” he says.

“We want to show other venues, other audiences what kind of talent we have showcased here,” says Ward, referring to his work at the Arlene Francis Center.

The diversity is “something really special that people are catching on to,” says Windmiller. It’s important for the overall strength of an arts community to showcase under-the-radar acts, he says. “You can’t really build a community of music and a scene based just on headliners.”

Under the Radar

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Nestled among nondescript industrial blocks on Santa Rosa’s Piner Road is one of the most extensive and all–encompassing musical centers in the North Bay.

Music scholar and educator Nathan Prowse started the Live Musicians Co-op nearly eight years ago as a small rehearsal and recording space. The locally raised musician, who studied at Santa Rosa Junior College and Sonoma State before earning a degree at the Musicians Institute in Los Angeles, returned to the North Bay and saw the slim pickings that local musicians had in terms of space for making music.

“There’s a ton of talented musicians around,” says Prowse, “but the area doesn’t support live music. I don’t know why.”

Prowse saw an opportunity to put together a successful business model for the underground scene with his co-op. Bands pay a monthly fee and are guaranteed rehearsal time in one of the space’s soundproof studios, complete with equipment and gear. There are also state-of-the-art recording studios, with reasonable rates and a professional mindset.

“It’s more of a networking hub for musicians, a cesspool of ideas,” says Prowse.

For him, it’s all about the community, and the co-op has long worked with nonprofits like the InterFaith Shelter Network to offer free music and dance lessons to disadvantaged youth.

In the last two years, the co-op has doubled in size. The largest rehearsal space has been outfitted with a top-notch sound system and dance floor. “We’re not a bar, we’re not somewhere you eat. This is where you hear live music,” says Prowse.

This summer, the co-op is bringing underground music back to Santa Rosa with an exciting concert series. Out of all the eclectic offerings, the most intriguing show is expat Chinese punk band Stegosaurus? The group was formed in 2009 in Shanghai by four Americans, two of whom hail from Sonoma County, and mashes up a fun and addictive brand of outlandish punk mixed with Chinese pop and throwback rock riffs.

Stegosaurus? play for the first time on American soil, kicking off a DIY tour at the Live Musicians Co-op. The show also features local alternative rockers Green Light Silhouette and indie-rock pop endeavor Survival Guide, which features Petaluma vocalist and musician Emily Whitehurst, best known as the voice of seminal punk outfit Tsunami Bomb. The co-op will also host contestants in the Bohemian’s 24-Hour Band contest later this summer.

Stegosaurus? play Wednesday,
July 2, at the Live Musicians Co-op, 925 Piner Road, Santa Rosa. 7pm. $6. 707.527.8845

Bottlerock’s Back, Baby

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Weezer at Bottlerock 2014. Photo by Katie Stohlmann.
Like the Terminator, Bottlerock proclaimed it would be back. The official announcement today made good on that promise.
The Napa music festival will return in 2015 again as a three-day festival, May 29–31. It will again take place at the Napa Valley Expo, according to an official statement made today by Latitude 38 Entertainment, the festival’s producers. Bands have not yet been announced.
“We’re thrilled to be back at the Napa Valley Expo with the support of our community of music, wine and food lovers for 2015,” says L38 CEO Dave Graham in a press release.
The festival mostly cleared its name this year after a fun-filled first year took a nasty turn after the founders failed to pay nearly $10 million in debts after the five-day event. They sold the brand to the new owners, who hosted the event with just three months of planning and addressed nearly every complaint of the previous festival. Many vendors returned after cajoling by the new owners, and the only major issues seemed to be the exit line on the festival’s second day, owing to about 35,000 fans trying to exit to shuttle buses at the same time.

High Times Medical Cannabis Cup Comes to Sonoma County

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News that the High Times Medical Cannabis Cup was returning to the Sonoma County Fairgrounds June 28-29 hadn’t yet reached David Rabbitt by Thursday morning, even as the event rolls into the playground, err, fairground, next weekend.

“It seemed to be successful, so it doesn’t surprise me,” says Rabbitt, the 2nd District Sonoma County Supervisor and its board president.

But…what of the quasi-legality of this whole California marijuana dance with dispensaries and lurching law enforcement, on the county fairgrounds, no less?

“The state, obviously and beyond the state, the U.S. has not come to grips with what it wants to do with marijuana,” Rabbitt says.

Rabbitt strongly supports medical marijuana and applauds self-regulation efforts at dispensaries. On legalization for recreational use, he says, “I think we’re heading in that direction.”

His view?

“I’m torn.”

Rabbitt describes a libertarian, pro-individual-rights tendency to support legalization, and “doesn’t want to be a hypocrite on alcohol.”

Some of his main concerns are with law enforcement, and protecting kids and the environment.

“It’s a tough one,” he says as he warns of a persistent economy of “illegal growers on public and private lands.”

Locally, he is concerned about pop-up dispensaries and places where “it’s legal with some question marks going out the back door.”

Dispensary supervision could be tighter he says, but the supervisor says the bigger issue than recreational or medical use is, “What’s the cost to society when it’s grown on denuded mountain?”

“Until we legalize and regulate it, we really can’t deal with that. Go ahead and legalize and tax the hell out of it to pay for the programs to monitor the issues. … There will always be growers or operators flying under the radar.

“Like most counties, we try to do the right thing,” Rabbitt continued. “Certainly with medical marijuana—far be it for us to deny anyone their medicine.”

The Cannibus Medical Cup features many buds getting together, including jam band Moe, and offers products and services, devices and totemic relics you might associate with certain persons of the varying degrees of the whole sort of pot-smoking persuasion, but never at dusk.

“It is incumbent upon the operators and whoever is putting on the show to adhere to the laws,” Rabbitt says.

“Law enforcement, if called, will enforce the laws on the book. That’s what they are sworn to do.”

He recalled 2013’s Cannabis Cup event as a peaceful, “no negative feedback” affair.

“Last year, I don’t remember it being a problem,” says the supervisor.

SRJC Named in $15 Million Lawsuit

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As reported in the Bohemian June 4, former Santa Rosa Junior College nursing instructor Daniel Doolan is filing a second lawsuit against the school after winning over $300,000 in a case last year. It was reported today by the Press Democrat that he is seeking $15 million.

Doolan’s lawyer, Dustin Collier, told the Bohemian he would be filing suit for the dismissal and denial of tenure status by the school in this second lawsuit, but had estimated the amount at $1.6 million. “There’s a whole year’s worth of allegations that weren’t adjudicated yet,” he says of the first lawsuit. “For whatever reason, [a supervisor] started making allegations that he was a physical threat,” says Collier. “He is a big guy, about 6’3”, 6’4”, a little over 200 pounds, but he is a giant teddy bear.”

SRJC’s vice president of human resources Karen Furukawa-Schlereth says the first case brought four charges: Gender discrimination; sexual harrassment; failure to prevent harassment; and defamation of character. A jury found in favor of Doolan on the defamation charge, awarding him over ten times the $25,000 he was seeking. “My recent info does look like we will be appealing the decision,” she says.

Meanwhile, Doolan’s new case centers around his termination and what his lawyer refers to as “manipulation” of his tenure review process. All in all, Collier says his client has been set back about 10 years in terms of professional advancement.

Union Vote at Graton Casino Wrapping Up

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By Tom Gogola

Nothing was official yet, but the vote was “going great” Wednesday afternoon at Graton Casino, where Unite Here’s Sara Norr was counting union sign-up cards from workers here that would set in motion a collective bargaining agreement for 650 casino employees.

Norr said the results would be out by week’s end.

If enough waiters and janitors, hospitality workers and cooks vote in favor of unionization, they’d enter collective bargaining talks with casino operator and their employer, Station Casinos. The casino opened in 2013 and is owned by Federated Indians of Graton Rancheria.

Norr said that tribal input in any talks would be a matter of negotiations between the Las Vegas-based casino operator and the owners.

“It is between Station and the tribe how they want to divide up input or responsibility, so the tribe could send a rep to bargaining if they wanted to and Station agreed,” Norr says via email.

Workers signed the cards Tuesday and Wednesday in a casino events room rented to Unite Here’s 2850.

“As a single parent, job security is number one,” says porter and signee Christina Vega, who lives with three of her children in Santa Rosa.

Sarah Brightman Cancels Show at Green Music Center

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One of the most powerful voices on Broadway and beyond, soprano singer Sarah Brightman has unfortunately been forced cancel her August U.S. tour, which included an appearance at the Green Music Center’s Weill Hall. From her website:
“I have suffered a hairline fracture to my ankle and have been advised by my doctors to rest it until September by which time it will have fully recovered. I have, regrettably, taken the decision to cancel my forthcoming US dates in August. I truly apologise for any disappointment caused.” -Sarah Brightman
No word on rescheduling yet, as the performer focuses on recovery.

June 20: Black Mountain Asphalt Boys at Dance Palace

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Before he was in the Grateful Dead, Jerry Garcia spent time in two bands with teenage buddies. The Black Mountain Boys (Jerry, David Nelson and Eric Thompson) got together 51 years ago, and the Asphalt Jungle Mountain Boys (Jerry, Eric Thompson and Jody Stecher) started jamming together 50 years ago. Now the remaining boys are uniting forces for a reunion of sorts, and throwing fiddle master Paul Shelasky into the mix when they play together as the Black Mountain Asphalt Boys. Their bluegrass sound and keen musicianship is on display Friday, June 20, at the Dance Palace, 503 B St., Point Reyes Station. 8pm. $22. 415.663.1075.

June 20: World Party at City Winery

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Welsh songwriter and producer Karl Wellington formed World Party nearly 30 years ago, and has been turning out pop hits just as long. Even a brain aneurysm couldn’t stop the party. Wellington returns with World Party for a U.S. tour that stops in the North Bay this week. Wellington and company have just released a massive box set of World Party material, Arkeology, and most of it is previously unreleased stuff. Expect to hear World Party’s longstanding hits and a slew of new tunes when the band plays on Friday, June 20, at City Winery, 1030 Main St., Napa. 8pm. $25—$35. 707.226.7372.

Doo Whopper

Third act troubles mar one of Clint Eastwood's best movies, an adaptation of the hit showbiz musical about Frankie Valli and the Four Seasons, Jersey Boys. Events are rejiggered so that the triumph (the 1967 smash "Can't Take My Eyes Off of You") can come after a sketchily and half-heartedly directed tragedy. Yet the movie succeeds. Eastwood brings it home...

Cabaret Buffet

The audience had a beef with Oakland vaudevillian Jamie DeWolf last time he was in town. To be specific, it was beef liver, and it came from a game DeWolf calls "What's Down My Pants?" at the C Media party at Santa Rosa's Arlene Francis Center in April. It ended with cow's liver being thrown into the audience, then thrown...

Under the Radar

Nestled among nondescript industrial blocks on Santa Rosa's Piner Road is one of the most extensive and all–encompassing musical centers in the North Bay. Music scholar and educator Nathan Prowse started the Live Musicians Co-op nearly eight years ago as a small rehearsal and recording space. The locally raised musician, who studied at Santa Rosa Junior College and Sonoma State...

Bottlerock’s Back, Baby

Like the Terminator, Bottlerock proclaimed it would be back. The official announcement today made good on that promise. The Napa music festival will return in 2015 again as a three-day festival, May 29–31. It will again take place at the Napa Valley Expo, according to an official statement made today by Latitude 38 Entertainment, the festival's producers. Bands have not...

High Times Medical Cannabis Cup Comes to Sonoma County

News that the High Times Medical Cannabis Cup was returning to the Sonoma County Fairgrounds June 28-29 hadn’t yet reached David Rabbitt by Thursday morning, even as the event rolls into the playground, err, fairground, next weekend. “It seemed to be successful, so it doesn’t surprise me,” says Rabbitt, the 2nd District Sonoma County Supervisor and its board president. But…what...

SRJC Named in $15 Million Lawsuit

Former nursing instructor files second lawsuit against school

Union Vote at Graton Casino Wrapping Up

By Tom Gogola Nothing was official yet, but the vote was “going great” Wednesday afternoon at Graton Casino, where Unite Here’s Sara Norr was counting union sign-up cards from workers here that would set in motion a collective bargaining agreement for 650 casino employees. Norr said the results would be out by week’s end. If enough waiters...

Sarah Brightman Cancels Show at Green Music Center

One of the most powerful voices on Broadway and beyond, soprano singer Sarah Brightman has unfortunately been forced cancel her August U.S. tour, which included an appearance at the Green Music Center's Weill Hall. From her website: "I have suffered a hairline fracture to my ankle and have been advised by my doctors to rest it until September by...

June 20: Black Mountain Asphalt Boys at Dance Palace

Before he was in the Grateful Dead, Jerry Garcia spent time in two bands with teenage buddies. The Black Mountain Boys (Jerry, David Nelson and Eric Thompson) got together 51 years ago, and the Asphalt Jungle Mountain Boys (Jerry, Eric Thompson and Jody Stecher) started jamming together 50 years ago. Now the remaining boys are uniting forces for a...

June 20: World Party at City Winery

Welsh songwriter and producer Karl Wellington formed World Party nearly 30 years ago, and has been turning out pop hits just as long. Even a brain aneurysm couldn’t stop the party. Wellington returns with World Party for a U.S. tour that stops in the North Bay this week. Wellington and company have just released a massive box set of...
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