Reading the Signs

Houses and roads are falling into the Pacific Ocean up and down the coast, from the Muir Beach slide on Highway 1 earlier this year, to the stunning collapse of numerous Gleason Beach properties on the Sonoma County coast over the past decade. This whole “oceans rising” thing has a real cost—who’s gonna pay?

The problem was on raw display during a standing-room-only meeting at the Bolinas fire station this past Saturday to talk about the fate of the so-called Surfer’s Overlook on Terrace Avenue.

The meeting featured a telling bit of hilarity during an exchange between Marin County Supervisor Steve Kinsey and Robert Plotkin, an East Coast native who is also the former—and highly controversial—publisher of the Point Reyes Light.

Here’s the story. Engineers have determined that Surfer’s Overlook, a popular spot from which to view the wave action, is going to fall into those waves within a year or two. The town needs to come up with $500,000 for an immediate fix to the road—and there’s another $6 million needed in an as-yet-unscheduled Phase II fix that would shore up the bluffs along Terrace.

As of Saturday, Bolinas organizers had raised about $200,000 for Phase I. Marin County pledged to kick in $50,000 as part of its commitment to pay 10 percent of the total Phase I cost, Kinsey told the group. The county is also picking up the tab for whatever permits are needed to expedite the job, which will be done by county public works employees.

Otherwise, Kinsey said, Bolinas is on its own to raise the money to fix its road. He cited a previous earth-slide at the top of Terrace that had taken a big piece of the road with it. That event closed the street in 2012. It was fixed with $1.2 million in county money.

That’s not happening again. Kinsey explained that the county’s legal obligation insofar as Surfer’s Overlook isn’t the same as it was after the 2012 event. The legal question turns on whether residents can access their homes using the county-maintained road. If the answer is yes, then the county doesn’t have to pay for the repairs.

A question-and-answer period ensued, at which point Plotkin said he completely disagreed with Kinsey on the question of the broader value of the Surfer’s Overlook and who should pay for its repair. He urged the county, the state—everyone—to pick up a piece of the tab, given that Surfer’s Overlook is a coastal jewel to be enjoyed by any and all residents of the state or nation at large, including New York transplants.

Kinsey shot back that if Bolinas wanted to go that route, it should register Surfer’s Overlook as a place of historical interest— and tell the world to come on down!

The knowing crowd of locals let out a collective chuckle at Kinsey’s brushback to Plotkin, since Bolinas doesn’t even tolerate state signs that would tell you how to find the town.

Tearing It Up

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At 27, events promoter and booker Jake Ward has steadily built an impressive résumé of music and art events that defy the ordinary and bring in the crowds.

“It started very, very, very small,” says Ward. With a stack of fliers in hand, Ward chronicles his passion and offers a vision for making Sonoma County a destination for a new generation of rock bands, artists and everyone in between.

Ward grew up on a farm in western Sonoma County, where he was home-schooled and—ironically—remained largely unaware of local music until well into his teens.

“Of course, then I leaned way into what I wasn’t allowed to do,” says Ward. By the time he was 18, he was playing music in bands like Conspiracy A-Go-Go and finding himself the one who was booking all the shows.

While those bands were all well and good, Ward started branching out. He competed in poetry slams and eventually discovered the underground variety troupe Tourettes Without Regrets from Oakland. The troupe “brings so many different disciplines together,” Ward says, “you see so much in one night. I knew I would love to do something like that.”

Last Year, Ward created the North Bay Cabaret, an ever-changing monthly variety show that calls the Whiskey Tip in Santa Rosa home. Ward originally conceived of it as a one-off show, but the turnout and positive response kept him rolling. “It just seemed to take on a life of it’s own,” says Ward.

This weekend, the North Bay Cabaret presents Sin Peaks, a David Lynch–themed show that features the return of show-stopping performer Jamie DeWolf, as well as acrobatics, burlesque and performances all inspired by the cult director’s works.

Ward is also a co-producer of the Circus Maximus traveling troupe and is deeply involved in booking at venues and clubs all around Sonoma County. He often teams up with other young promoters, such as Josh Windmiller, of the North Bay Hootenanny, and the Pizza Punx, who share a passion for curating one-of-a-kind experiences. Most recently, the Sonoma Mountain Event Center in Rohnert Park invited Ward and Windmiller to bring the big names to town with the financial backing of the center.

Ward knows the challenges in overcoming the “status quo–ness” of Sonoma County entertainment bookings. “I like creating a more vibrant scene in general,” he says. “Wherever I can be a catalyst for that is great.”

Crazy for Poppins

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Transforming one of the best-loved stories of all time into a stage musical takes guts, creativity and a bit of daring-do. In adapting Walt Disney’s indelible Mary Poppins, writer Julian Fellowes (Downton Abbey) pulls it off, rewriting the plot to make it more faithful to the books by P. L. Travers, while retaining most of the movie’s songs and several of its best moments.

In the splendid new production by Spreckels Theater Co., Mary still flies (spectacularly), and she shows more edge and power than in the film. Under the direction of Gene Abravaya, the entire show is packed with wonder and emotion.

The unruly siblings Jane and Michael Banks are causing friction between their parents, the skittish but blustery Mr. Banks (Garet Waterhouse) and the strong-willed Mrs. Banks (Sandy Riccardi, wonderful). Right on cue, the mysterious Mary Poppins (Heather Buck, spot-on) arrives with a bag full of tricks and a plan to put things right, with the amiable assistance of best friend Bert (Dominic Williams). In a dark-humored subplot, the terrifying Miss Andrews (a stellar Mary Gannon Graham) appears to battle Mary Poppins for the household’s future, and perhaps a bit of its soul.

The effects are cleverly done, the dancing and music are eye-popping and ear-pleasing, and the bittersweet ending is effectively lovely. True to form, Mary Poppins brings out the best in everyone involved.

Rating (out of 5): ★★★★½

Meanwhile, at 6th Street Playhouse, the Lemons-into-Lemonade Award of the month goes to director Craig Miller, who has cleverly surmounted a number of imposing challenges in creating a highly entertaining new production of the 1992 musical Crazy for You. The Tony-winning show by Ken Ludwig is built from Gershwin standards, with a plot involving a dusty Western town invaded by show people from New York.

Miller’s original opening scene sets things up and solves an array of issues, including a cast with far more women than men. His solution is not just clever; it makes the show funnier. With spectacular choreography by lead actor Joseph Favalora and a winning performance by Abbey Lee as a love-struck cowgirl, Crazy for You is not exactly deep, but it’s funny, sweet and driven by an infectious love of the theater.

Rating: ★★★½

That’s Amore

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Pizza, pasta and salads are a winning combination. Why mess with it?

Santa Rosa’s Rosso Pizzeria could have gone with that formula at its North Dutton Avenue location and done just fine. They serve great pizza at their other Santa Rosa and Petaluma locations. But they dug a little deeper and have come up with something better.

Fourteen-month-old Rosso Rosticceria & Eventi offers pizza, yes, but it’s the rest of the menu that interests me. There’s a bit of everything. The spacious restaurant is surrounded by office parks and caters to desk jockeys with breakfast and an especially good lineup of lunch offerings. You’ll never guess what “eventi” means: events, as in the space is available for private events.

I haven’t yet tried breakfast, but I plan to next time I miss the meal at home. Rosso’s got good-looking stuff like a spinach, bacon and pimento-cheese omelet served on a housemade croissant ($7.50), frittatas ($7.50) and “rotisserie hash” ($11.75)—eggs served with roast chicken or porcetta and peppers, onions, mushrooms, potatoes and bacon.

Lunch is the main event. I love a good sandwich, and Rosso has them in spades. Your first stop should be the flagship porcetta sandwich ($9) served with salsa verde and arugula dressed with anchovies, parsley, capers and lemon. Rosso’s porcetta, stuffed and roasted boneless pork, was crisp and aromatic, juicy and delicious. Stacked between ciabatta from the Cousteau Bakery, it’s a high-caliber sando.

Just as good was the sirloin tip sandwich ($9), sliced slabs of juicy beef with chimichuri, caramelized onions and housemade aioli and a bowl of delicious beef broth for dunking. All the sandwiches come with a choice of one of two changing side salads. My favorite was the dino kale/quinoa salad.

For something more substantial than a sandwich, the rotisserie chicken is great, a quarter bird crisp and juicy from the broiler anointed with dollops of a Sriracha-like sauce.

Though I didn’t have a pizza, I did have a “Roman pizza” ($3.50), which is really a crusty, well-toasted plank of focaccia with the toppings of the day. On my day, it was bacon, asparagus and blue cheese. Darn good.

One menu highlight is the shoestring fries tossed with strips of Black Pig bacon ($8). Bacon makes most things better, and it definitely elevates these featherweight fried potatoes. I loved the housemade catsup and aioli, but given the small size of the fries and the tiny ramekin the condiments are served in, more went on my fingers than on the fries. The lamb rosticcini ($8), four skewers of tender, oven-roasted lamb seasoned with lemon and harissa, a North African spicy pepper, is another good finger-food snack.

Service is fast and friendly. You order at the counter and grab a number and a seat. I didn’t save room for the good-looking desserts, but I did enjoy the housemade chai and “Hong Kong” black tea made with sweet cream (both $3). There’s also a small, well-chosen lineup of beer and wine.

Rosso Rosticceria succeeds because of the quality and variety of its food. It’s quite reasonably priced, too. I could eat here several times a week and still look forward to going back.

Rosso Rosticceria & Eventi,
1229 N. Dutton Ave., Santa Rosa. 707.526.1229.

In the Kitchen with Michele Anna Jordan

‘You want to learn how to make a salad? I’ll teach you how to make a salad,” says Michele Anna Jordan, moving quickly through the modest kitchen in her Sebastopol home. Placing a wooden bowl already filled with mixed greens in front of her, she reaches with her other hand for a two-gallon jar to her left.

“The first thing you do when you make a salad is you put salt on it. ‘Insalata’ means that which is salted,” she says.

Her hand reaches into the giant salt jar and she waves it over the bowl in concise circles, raining down tiny white crystals of flavor.

“Then you put on some really good olive oil,” she continues. “You’re kind of generous with this.” More circling; Jordan is indeed generous. “Then you add a little bit of acid, and for this you can squeeze a lemon on. And that’s it, that’s your daily salad.” Jordan smiles, red curls spilling over the frames of her glasses. “If you want to get really fancy, you can add some peppercorns.”

For Michele Anna Jordan, this isn’t just a salad; it’s a story told through shared experience. And it’s a story she’s been telling since she was seven. This year, the former chef and author of more than 20 books is looking back and telling some of her favorite stories once again, rereleasing four currently out-of-print books from her Good Cook’s Book series. Each title is infused with new recipes, new narratives and full-color celebrations of tomatoes, mustard, oil and vinegar, and salt and pepper.

On May 15, Jordan appears at the Occidental Center for the Arts for a reading and discussion that highlights her most recent rereleases, The Good Cook’s Book of Tomatoes and The Good Cook’s Book of Mustard, as well as her other recent works, More Than Meatballs and Vinaigrettes and Other Dressings.

BORN TO EAT

Jordan was born and raised in Vallejo. “I was born a good eater; my mother was not a good cook,” she says. From an early age, Jordan exhibited a sophisticated palate, one that allowed her to identify watermelons’ peak ripeness at age four and propelled her to order her steak rare before she was in high school. By seven years old, Jordan was throwing dinner parties and recreating dishes by taste alone.

“The hardest thing was getting my mother to get the ingredients I wanted,” she laughs.

Self-taught in the kitchen, Jordan moved to Sonoma County full-time in 1972, where she attended Sonoma State University for liberal studies, as well as French, Russian and English literature. “I just cooked. I had dinner parties for everybody in college,” she says.

Forty years ago, Sonoma County was a very different place. “There was no food scene, but there was a farm scene,” she says. “I used to go out to buy salmon in Bodega Bay. There was Miller’s drive-in dairy in Petaluma. It was an actual drive-in and they had raw milk in glass bottles. There was Sonoma Cheese Factory.”

Jordan was soon working in restaurants, learning tricks of the trade on the job and refining her palate. A decade later, she was running professional kitchens, even earning “Outstanding Sonoma County Chef” from the Sonoma County Art Awards in 1989.

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WILL WRITE FOR FOOD

As with cooking, Jordan began writing at a young age, always with an eye to journalism. Yet it wasn’t until she was running Brass Ass Pizza in Cotati in the 1980s that she found an opportunity to write. Bruce Robinson, then an editor at two local papers and now the news director at KRCB where Jordan has long hosted Mouthful, her James Beard–nominated talk show covering food, wine and farming, approached her with an offer.

“He said, ‘I’m looking for a food columnist, why don’t you write for us?’ And he didn’t know me,” explains Jordan. “So I had this three-month anxiety attack, and he called back and said, ‘Are you ever going to write that column?’ So I did, and I never stopped.”

Robinson remembers that Jordan was willing to work for free, which was what he could afford to pay her. “What she turned in was great,” he says. “She’s a very effective and enthusiastic advocate for the local food scene. I think she has, in her own substantial way, contributed to the perception of Sonoma County as an attraction.”

In 1988, Jordan met an editor at Aris Books and sold him a proposal for A Cook’s Tour of Sonoma, released in 1990. The book was praised for its community focus on Sonoma County at a time when the North Bay was just beginning to flirt with culinary renown. Jordan is perhaps best known for her writing in the Press Democrat, where she has maintained up to four food columns and blogs continuously since 1997. She says she really blossomed as a writer in the early 1990s while freelancing at the Sonoma County Independent, an earlier incarnation of the Bohemian, and the books started coming very quickly.

The Good Cook’s Book of Oil & Vinegar kicked-off Jordan’s long-running series in 1992. The Good Cook’s Book of Mustard followed in 1994, with The Good Cook’s Book of Tomatoes following right after it, in 1995. From there, Jordan covered foodie topics ranging from the seemingly mundane to the sensational. Her works all possess strong narratives to accompany the recipes and topics, and with each dish, Jordan invites readers to share her experience.

“I think she’s highy underappreciated,” says Lucas Martin, chef and co-owner of Sebastopol’s K&L Bistro. “She’s definitely one of the leading voices for farm-to-table. She has a good sensibility about how she reviews and critiques, with an open mind and equal temperment. She knows there is no wrong or right way about food.”

Chef John Ash agrees.

“I’ve been a friend and most of all an avid reader of Michele’s work for more than 25 years,” says Ash, himself a venerable figure in Sonoma County cuisine. “She has the unique ability to take even simple subjects like salt or mustard and help us all understand their history and importance in our culinary lives.”

Empowering readers through her narratives, Jordan offer tools in identifying and exploring each individual’s taste.

“Julia Child used to say we learn to cook so we don’t have to rely on recipes,” says Jordan. “A recipe is a way to tell a story to another person; cooking is something else. Cooking is intuition, knowing your ingredients and what to do with them. For me, recipes are translations of that knowledge into a story. They’re like a map, a way to get to your destination, but there’s more than one way to get there.”

We’ve become very precise in the last several decades, she says, and home cooks don’t feel that they make food as good as in restaurants. Nonsense, she says.

“I tell people, to get used to tasting their food, learn the principles of what makes it taste good.”

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A MATTER OF TASTE

For Jordan, personal taste compels her writing. She isn’t one to follow trends; in fact, being ahead of the curve is par for the course. In 1999, she released Salt & Pepper, a decade before Mark Bitterman’s Salted supposedly changed the landscape of American cooking. She also explored everyone’s favorite pork product, bacon, back in 2003 with The BLT Cookbook, right around the time folks were discovering the endless enjoyment bacon provides on sweets and savories alike.

“I was 20 years ahead of the curve in thinking that Sonoma County was the bee’s knees,” she says. Luckily, the county was quick to catch up. “A year after my mustard book came out, they launched the Napa Valley Mustard Festival, and a year after my tomatoes book came out, they started the Kendall-Jackson Tomato Festival,” she smiles.

For all her acclaim, including a James Beard Award for journalism, her Good Cook’s Books have all gone out of print—and in Jordan’s mind, out of date.

“I’ve changed, and my cooking has changed as well,” she says. “I’m much more confident as a cook, and the pantry available to us all is so much better now. I wanted to bring the books up to date, give them a longer life because they deserve a long life. I feel like they warrant time.”

Over the past 12 months, Jordan has been furiously revising and updating several titles from the Good Cook’s collection. In addition to the books already published, Skyhorse Publishing will rerelease The Good Cook’s
Book of Salt & Pepper
, The Good Cook’s Book of Oil & Vinegar and The Good Cook’s Book of Days:
A Food Lover’s Journal
this July.

KEEP IT GREEN

Jordan is still committed to the farm scene today, though watching Sonoma County transform from sleepy pastureland to a coveted agricultural hub has been a sometimes scary prospect.

“There’s always the expression ‘To kill the goose that lays the golden egg.’ A lot depends on what the [Sonoma] County Board of Supervisors and the Planning Commission do,” she says. “The good side is that we can sell our stuff. Produce from here sells much higher than produce from anywhere else. There is a market for Sonoma County. At the same time, the wrong people have money.”

Jordan points to instances like the recent lawsuit filed against the Sonoma Compost Company in Petaluma by several of the business’ neighbors in an attempt to shut it down, and proposals for mammoth winery “event centers.”

“People move up here because they want what they think is this idealized Sonoma lifestyle and then they get pissed off because it smells like cow shit,” Jordan says. “It’s like, you bought a house next to a farm—sometimes they smell. There’s always been that tension. You want to preserve the best of Sonoma County because it’s such an amazing place—the fertility, the versatility, the microclimates,” she says.

Jordan is hopeful that preservation efforts will prevail. She cites the recent developments at Middleton Farm in Healdsburg. The farm’s matriarch of many years, Nancy Skall, passed way in January, and there was a question of what would happen to the land. Last month, the farm sold to Anne and Monty Woods of San Francisco. So far, they are saying that they want to keep it open and running under the same name.

WHAT’S ON TAP

Looking ahead to the future of food, Jordan sees good things brewing.

“Cider is coming on strong, and sour beer. Sour beer is going to be huge. It’s refreshing, its tart, the acidity really connects with food,” she says. “And people are going to discover Vinho Verde. It’s a Portuguese white wine, very effervescent, and it’s inexpensive. I discovered it when I was stranded on the outskirts of Lisbon one day.”

Jordan is looking forward to giving her books a new life. After a much needed respite from publishing deadlines, she is already in the planning stages for her next work, a comprehensive and definitive look at Sonoma County told through the eyes of someone who’s seen, and tasted, it all.

Year of the Rat

Every so often in Petaluma you’ll see a big blow-up rat near the site of the Basin Street Properties Riverfront development.

It’s a non-union job site just west of Highway 101 along the Petaluma River, and the rat comes courtesy of the building trades and union workers who continue to agitate against Basin Properties. The claim: The Nevada-based developer created an unhealthy work zone for an underpaid, non-union labor force.

It’s a heavy charge, and the riverfront development is a big deal in Petaluma, which, like so many small cities around the country, has confronted a persistent construction lag that dates to the Great Recession. The 40-acre project offers the renewal of a scruffy piece of turf and promises over 250 housing units, 90,000 square feet of commercial space, a park, a hotel and a boathouse.

But critics say Basin Street and a compliant Petaluma city council pushed the project through at the expense of local workers—and that an environmental review failed to adequately address arsenic levels in the soil. Union officials in the North Bay highlight that Petaluma hasn’t pushed hard enough for a living wage as the economy sputtered in the aftermath of the 2007 crash.

Jack Buckhorn of Local 551 of the International Brotherhood of Electrical Workers, says the Basin labor force mirrors the one that built local big-box outlets such as Target. “They’re going with the lowest-wage workers from the Central Valley, at $12 an hour,” he says. “That’s what’s been happening in Petaluma since the Great Recession.”

Meanwhile, says Lisa Maldonado of the North Bay Labor Council, those workers should be earning $35 an hour and getting the benefits of union membership—guarantees of worker safety, workers’ comp, healthcare and apprenticeships in their chosen trade.

Even if the Basin project is a done deal, she says, “the alive part of this story is that we are trying to get people in the North Bay to see that middle-class jobs are tied up with union building trades. One of the dirty secrets of what’s called ‘scab’ or ‘rat’ construction is that a lot of the times they exploit undocumented workers. People will be happy to be getting $15 an hour, when they should be getting $35.”

Basin Street Properties’ general counsel Paul Andronico did not return calls for comment.

Petaluma mayor David Glass voted against the Basin plan for reasons that had to do with a proposed synthetic-turf soccer field. He supported the project until the decision was made to go with grass—bad idea during a drought. Glass was one of the two “no” votes on the 5–2 Basin project vote, and says, “I’m not going to argue with the fact that the applicant [Basin Properties] had a very friendly city council.”

Glass says he is “always for a local hire preference to the extent that you are able to do it,” and is reluctant, he says, to demonize Basin given that Petaluma had no leverage over the composition of the work force. There were no public monies at play in the development.

There’s an emergent theme within the scrum over organized labor and its role in the economic recovery: There’s plenty of anti-union agitating going on in Sonoma County, much of it in the name of progress—not progressive values like a living wage and local employment, however.

Locally, much of the heavy anti-union lift is done through the North Coast Builders Exchange (NCBE), a trade association that has consistently opposed so-called project labor agreements. Those agreements are put in place before projects kick into gear and are designed to ensure that workers are treated fairly.

Chief executive officer of the NCBE Keith Woods did not return a phone call seeking comment, but a January 2014 op-ed in the Press Democrat, co-written by an NCBE employee, says it all in one loaded headline: “Project labor agreements are bad policy, costly to county.”

Local officials walk a fine line that highlights a schism, between “high road” and “low road” development, says Maldonado. She notes that progressive Sonoma County officials nixed a 2012 proposal that would have enacted a blanket policy of project labor agreements for big-ticket county jobs.

Sonoma County Supervisor David Rabbitt was one of the “no” votes. He defended his vote and union posture in an email. “My relationship with labor, especially the building trades here in Sonoma County, is not defined by my suggestion of an alternate approach to project labor agreements. I would have gladly supported PLAs and offered a solution that included a bid alternate approach,” he writes.
“A bid alternate approach is as transparent as can be and tells the public the cost of a PLA along with its benefits.”

Rabbitt went on to defend his relationship with the likes of the left-leaning Service Employees International Union (SEIU ) and notes that “I think one can be supportive while not agreeing on every aspect of every item. Look at the fissure within the Democratic Party on the issue of fast-tracking trade treaties. The president is on a different side from labor. One wouldn’t say he is anti-labor because of that difference.”

Malt in the Family

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Lagunitas Brewing Co.’s IPA is the No. 1 selling IPA in California. So it’s a bit bold for an upstart brewery to open shop right across the street from the 500-pound Lagunitas gorilla.

J.J. Jay (yep, his real name) started Petaluma Hills Brewing Company in 2013 after a successful run as a homebrewer. At first, Jay resisted the North McDowell Boulevard location because he didn’t want to be seen as derivative or as a Lagunitas copycat. But when his then-prospective landlord also offered to invest in the beer startup, Jay went for it.

He and his crew, which happens to be his wife and adult children, gutted the place and built a comfortable taproom and lounge that has an open view of the gleaming brewery. The taproom opened last July. It’s not only a great place to drink beer, it’s a great place to learn about beer. Beer education is something that Jay promotes to distinguish himself from that other brewery across the street. Jay, who left a career as technical director at Pixar and Dreamworks to brew, can engage visitors as he’s working in the brewery a few steps away.

The surrounding neighborhood is reaching a beery critical mass. In addition to Lagunitas and Petaluma Hills, Henhouse Brewing Co. brews in Jay’s brewery and 101 North Brewing Co. is on Scott Street around the corner. (Note to Petaluma city planners: Someone, probably carrying beer in his arms or in his belly, is going to get hit on McDowell. How about a crosswalk? Instead of a black and yellow sign for a pedestrian, it could feature a slightly off-kilter dude holding a case of cold ones.)

Petaluma Hills does make an IPA (given the demand for hoppy beers, every brewery must), the fine Line & Twine IPA. But the brewery deserves to be known for its maltier, darker brews.

“For me, the goal was to produce a full-bodied, well-balanced ale,” says Jay.

Porterluma was the first beer Jay brewed, and it’s still his favorite. With its chewy but refreshing flavors of chocolate, malt and mocha (and low alcohol content), it’s one of my favorites too. Also check out the Lampost Ale, a honey-nut brown ale made with black barley, chocolate malt, wheat and honey. It’s a complex, deeply flavorful ale. My favorite, though, is the Big House Blonde, a refreshing, spicy and crisp Belgian style blonde ale. It’s much better suited to warm-weather drinking than a boozy IPA.

The taproom features many beers on nitro as well as regular CO2, giving beer fans an opportunity to taste the difference between the two. The nitrogenated beers are highly quaffable and go down smooth and creamy.

Petaluma Hills Brewing Company, 1333 N. McDowell Blvd., Petaluma. 707.766.4458.

Head to the Hills with Markus James

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By Eddie Jorgensen
Slide blues guitar player Markus James let’s his fingers do the talking on his latest album for Firenze Records, the fabulous ‘Head To The Hills.’ A resident of an unincorporated area of Sonoma Country James calls “between Graton and Occidental,” he says the title of his album was no mistake.MarkusJames-color-with-guitar
“Head To The Hills” was a conscious effort to break tradition in the recording business and make records wherever the mood fits. After traveling to Mississippi and joining some of the most intimidating players in the blues world, his finished batch of songs received national acclaim immediately upon release.
Locally, he’s been getting a nice rotation on Sonoma County’s KRSH radio station which are also sponsoring his upcoming HopMonk Tavern show May 8 in Sebastopol.
Fans of world music, roots, and sweat-soaked blues steeped in the rich cultural surroundings of the south will enjoy the shuffle of the album’s lead track “Just Say Yes” along with solo slide-guitar-laden anecdotes like “For Blind Willie.” If you’re into back-and-forth guitar work, check out the stellar “Sleepyhead” which sounds as if it could have been an outtake from 1996’s ‘Slingblade’ soundtrack.
The album ‘Head For The Hills’ was largely recorded in the hills of Mississippi. How did your surroundings effect the overall song?
The recording process for this album was the culmination of a lot of great experiences during many visits to North Mississippi over several years. When I started recording in Sherman Cooper’s potato barn in Como, Miss. I felt right at home. Drummer Kinney Kimbrough’s open-air carport, next to a train track, on a windy day when a storm was coming in ended up also sounding great. My favorite setting was on Calvin Jackson’s porch in Luxahoma with the birds. Sometimes we would stop for a minute when a car came past there on Yellow Dog Road. The sound of his feet on that porch was really something as well.
What was it like playing with the many other talented drummers and musicians you recorded with?
You know, one thing has just led to another. It wasn’t like I had a plan or anything. I’m a songwriter and have been hooked on recording for most of my life going back to suitcase recorders which, ironically, I’ve started using again. I just wanted to stand next to the flame, you know? Also, playing with Ali Farka Toure’s calabash player, Hamma Sankare, was a dream come true for me.
You played with drummer Calvin Jackson (of RL Burnside and Junior Kimbrough fame). How did that come about?
During one trip to Como, Sherman Cooper (whose barn I was staying in and recording in) said “how about playing with (drummer) Calvin Jackson?.” I couldn’t believe it. That was quite an experience. The mics were hanging on cables from the barn rafters, there was the most amazing lightning storm going on outside complete with flickering power on the inside, and he was polishing off a bottle in a brown bag.
What instruments do you play outside of the guitar are we hearing on the new record?
On ‘Head For The Hills’ I play numerous instruments. I play both acoustic and electric guitars, slide, cigar box guitar (3-string), gourd banjo (West African instrument), dulcimer, 1-string Diddley Bow, harp, and beat box.
How difficult is it to get that stinky groove only R.L. Burnside and Junior Kimbrough can play?
That’s why I wanted to play with their drummers Kinney Kimbrough and Calvin Jackson. They are just plain bad ass. The drummer I’ve been playing live with, Marlon Green, toured with the great John Lee Hooker for the last year of his life. If I had to guess what is the common thread (between the drummers), they all three played in church. There is something undefinable about what they call the “Hill Country Stomp.”
Markus James celebrates his ‘Head For The Hills’ CD release Friday, May 8 at HopMonk Tavern in Sebastopol, with HowellDevine opening. 9pm. Tickets are $12 advance and $15 at the door. 230 Petaluma Ave, Sebastopol, 707.829.7300. He also plays Saturday, May 9th at Sweetwater Music Hall in Mill Valley with Gurrumul opening. 8pm. Tickets are $25 advance and $27 at the door. 19 Corte Madera Ave, Mill Valley, 415.388.3850. For more info, visit Facebook.com/markusjamesmusic.

May 7-10: Wild Life in San Rafael & Petaluma

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They first appeared in 2013, but for the last year rock and jazz group Incidental Animals have been all too quiet. The group consists of members of the String Cheese Incident, the Trey Anastasio Band and ALO, and now they’ve awakened from hibernation for a West Coast weekend tour that includes stops in San Rafael and Petaluma. First, the band boogies with Phil Lesh and friends on Thursday, May 7, then play a set on their own on Friday, May 8, at Terrapin Crossroads (100 Yacht Club Drive, San Rafael. 8pm. 415.524.2773). On Sunday, May 10, they head north and kick it with the Highway Poets at the Mystic Theatre (23 Petaluma Blvd. N., Petaluma. 9:30pm. $26–$28. 707.765.2121). 

May 8: Mali Meets Mississippi in Sebastopol

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Longtime musician and one-time North Bay resident Markus James was always a soulful blues man with a raw and gritty approach to music. Yet ever since a trip to Mali in West African where he collaborated with shaman musicians, James has been a changed man, and his music reflects that in its afro-beats and rhythms. For his latest release, Head for the Hills, James went deep into Mississippi hill country, and this week he returns to the North Bay for a boot-stomping night of blues and roots music with a globe-trotting flair on Friday, May 8, at HopMonk Tavern, 230 Petaluma Ave., Sebastopol. 9pm. $12. 707.829.7300. 

Reading the Signs

Houses and roads are falling into the Pacific Ocean up and down the coast, from the Muir Beach slide on Highway 1 earlier this year, to the stunning collapse of numerous Gleason Beach properties on the Sonoma County coast over the past decade. This whole "oceans rising" thing has a real cost—who's gonna pay? The problem was on raw display...

Tearing It Up

At 27, events promoter and booker Jake Ward has steadily built an impressive résumé of music and art events that defy the ordinary and bring in the crowds. "It started very, very, very small," says Ward. With a stack of fliers in hand, Ward chronicles his passion and offers a vision for making Sonoma County a destination for a new...

Crazy for Poppins

Transforming one of the best-loved stories of all time into a stage musical takes guts, creativity and a bit of daring-do. In adapting Walt Disney's indelible Mary Poppins, writer Julian Fellowes (Downton Abbey) pulls it off, rewriting the plot to make it more faithful to the books by P. L. Travers, while retaining most of the movie's songs and...

That’s Amore

Pizza, pasta and salads are a winning combination. Why mess with it? Santa Rosa's Rosso Pizzeria could have gone with that formula at its North Dutton Avenue location and done just fine. They serve great pizza at their other Santa Rosa and Petaluma locations. But they dug a little deeper and have come up with something better. Fourteen-month-old Rosso Rosticceria &...

In the Kitchen with Michele Anna Jordan

'You want to learn how to make a salad? I'll teach you how to make a salad," says Michele Anna Jordan, moving quickly through the modest kitchen in her Sebastopol home. Placing a wooden bowl already filled with mixed greens in front of her, she reaches with her other hand for a two-gallon jar to her left. "The first thing...

Year of the Rat

Every so often in Petaluma you'll see a big blow-up rat near the site of the Basin Street Properties Riverfront development. It's a non-union job site just west of Highway 101 along the Petaluma River, and the rat comes courtesy of the building trades and union workers who continue to agitate against Basin Properties. The claim: The Nevada-based developer created...

Malt in the Family

Lagunitas Brewing Co.'s IPA is the No. 1 selling IPA in California. So it's a bit bold for an upstart brewery to open shop right across the street from the 500-pound Lagunitas gorilla. J.J. Jay (yep, his real name) started Petaluma Hills Brewing Company in 2013 after a successful run as a homebrewer. At first, Jay resisted the North McDowell...

Head to the Hills with Markus James

By Eddie Jorgensen Slide blues guitar player Markus James let's his fingers do the talking on his latest album for Firenze Records, the fabulous 'Head To The Hills.' A resident of an unincorporated area of Sonoma Country James calls “between Graton and Occidental,” he says the title of his album was no mistake. "Head To The Hills" was a conscious effort...

May 7-10: Wild Life in San Rafael & Petaluma

They first appeared in 2013, but for the last year rock and jazz group Incidental Animals have been all too quiet. The group consists of members of the String Cheese Incident, the Trey Anastasio Band and ALO, and now they’ve awakened from hibernation for a West Coast weekend tour that includes stops in San Rafael and Petaluma. First, the...

May 8: Mali Meets Mississippi in Sebastopol

Longtime musician and one-time North Bay resident Markus James was always a soulful blues man with a raw and gritty approach to music. Yet ever since a trip to Mali in West African where he collaborated with shaman musicians, James has been a changed man, and his music reflects that in its afro-beats and rhythms. For his latest release,...
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