Local Boy

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‘I really do love playing in small spaces,” says multi-instrumentalist Gabriel Kahane, describing the difference between playing enormous shows to thousands of people and doing smaller shows, like the 100-seat fundraiser he’ll be playing this week in Sebastopol.

“With a small show, it’s more fun to ‘run the room,’ as they say in the biz. I’m really looking forward to the Sebastopol show, for a whole number of reasons—and getting to play a focused, intimate show for a few people, that’s just one of them.”

For another, the show at the French Garden—a fundraiser for Main Stage West Theater—is a kind of a homecoming for Kahane. Twenty years ago, he was a student at Santa Rosa High School, best known then as the son of classical pianist Jeffrey Kahane, former conductor of the Santa Rosa Symphony. Today, the younger Kahane is a star in his own right.

As a composer, he’s written original pieces for the Los Angeles Philharmonic, Kronos Quartet and the Orpheus Chamber Orchestra. His own recordings, bearing a style similar to Rufus Wainwright, have made him someone to watch among fans of alternative music. His recent CD, The Ambassador—a sparkling collection of songs inspired by 10 different building in Los Angeles—was proclaimed one of the best albums of 2014 by Rolling Stone magazine. NPR called it a CD that “needs to be heard.”

Currently, Kahane is on tour with the experimental country-bluegrass-classical band the Punch Brothers, working their way across the country. But Kahane will be taking a night off on March 29 to play for just 100 people, tops. It’s a favor to his old friend and mentor, Kahane’s former high school drama teacher John Craven, whose wife Beth Craven is now artistic director of Main Stage West.

“John was one of the more influential figures in my life, as far as my early creative development is concerned,” says Kahane, on the phone from New York where he now resides. “A few months ago, John and Beth came to see a concert of mine in Seattle.” Afterward, Beth Craven contacted Kahane and asked if he’d be open to doing a fundraiser for Main Stage West.

“I got back immediately, telling her I’d be honored,” he says. “I’m delighted to be doing this show, in part as a way of giving back to the community that raised me, in a sense.”

The hot-ticket event on Sunday includes an elegant dinner, auctions and more. Local actor Jeffrey Weissman (Back to the Future II and III, Pale Rider) will be the host and auctioneer.

“I do a lot of big shows now,” says Kahane, whose theatrical roots are still active. He composes regularly for the theater and collaborated with Broadway director John Tiffany (Once,
The Glass Menagerie) to create a full-on theatrical staging for his concert tour of The Ambassador. “But in between New York and L.A., my audience is still very much developing. In the context of the tour I’m doing with Punch Brothers, I’m opening for them, and, yes, those are bigger rooms—a thousand or 2,000 people—but those are the Punch Brothers’ audiences, not mine.

“In a small space like the French Garden,” he continues, “it’s easier to make the audience feel as if they are all having the same experience at the same time. That doesn’t happen when there are 2,000 people in the audience.”

Asked what he learned from Craven, the Art Quest program and the whole Santa Rosa high school experience, Kahane wastes no time in answering.

“For me there was a real rigor and purity to the work that we were doing. It’s pretty improbable that at a public high school we could be doing plays by Chekhov and Oscar Wilde, Caryl Churchill and Tony Kushner. That’s not your typical high school drama fare. And we really dug deep into those plays! It was a pretty extraordinary experience.”

That said, the show Kahane plans for this weekend will be relatively stripped of theatricality, focusing on the drama of the songs themselves, which—as anyone knows who’s listened to Kahane’s work—will be plenty full of drama, comedy and narrative power.

“I will do a sort of tasty menu, sampling various aspects of my work,” he says, playfully nodding to the fact that he’ll be performing in a restaurant. “I’ll do a number of songs from The Ambassador, a couple of songs from Where Are the Arms, my previous album—and probably a classic or two.”

Kahane’s affection for the indelible tunes of the American Songbook is part of his growing reputation.

“That’s just one of the things I learned from John,” he says. “An appreciation for the classics.”

Mar. 20: Man at Work in Napa

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Best known as the vegemite-sandwich-eating lead singer for down-under ’80s band Men at Work, frontman-turned-solo-artist Colin Hay still has his nose to the grindstone, and is making some of the strongest music of his career. Written and recorded in his Los Angeles home studio, his latest album, Gathering Mercury, is Hay’s most personal effort. The passing of his father spurred the creation of the album; Hay shares these emotionally packed songs and more when he makes his way to Napa as part of a national tour on Friday, March 20, at City Winery Napa, 1030 Main St., Napa. 8pm. $30–$45. 707.260.1600. 

Mar. 21: Haunted Showman in Monte Rio

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If you like 3-D movies, you should have seen them in the 1950s; 3-D was invented then after all. But the fun didn’t stop at 3-D. For The Tingler, theaters installed vibrating seats, and flying skeletons circled patrons at screenings of The House on Haunted Hill. These innovations, and many others, were the product of one man, filmmaker William Castle. As strange as his methods were, they worked, and his films are considered classics. Castle gets the book treatment from author Joe Jordan, who comes to the North Bay on Saturday, March 21, to read from Showmanship and talk about Castle and his Haunted Hill—film clips included! Things get spooky at the Rio Theater, 20396 Bohemian Hwy., Monte Rio. 2pm. $5. 

Mar. 21-23: Russian Glory in Rohnert Park

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Moscow-born, New York–based classical pianist Olga Kern returns to the Santa Rosa Symphony after a spellbinding performance in 2013 for the orchestra’s latest performance, ‘Blaze of Russian Glory.’ This time, Kern sits in with conductor Bruno Ferrandis and the symphony for several fiery, passionate piano concertos written by Russian masters. First, the vivacious Piano Concerto no. 1 from Rachmaninoff lights up Weill Hall with spirited scales and unusual time signatures, then Prokofiev’s own Piano Concerto no. 1 heats up with experimental melodies and abundant creativity. Stravinsky’s Firebird Suite caps off the program taking place Saturday through Monday, March 21–23, at the Green Music Center. 1801, East Cotati Ave., Rohnert Park. Saturday and Monday, 8pm; Sunday, 3pm. $76 and up. 707.546.8742. 

Mar. 22: ‘No Ragrets’ in Sonoma

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Tattoos have never been more popular. But it’s really easy to mess up your ink. Sloppy lines can turn a loving portrait into a monstrosity. Overlooked typos can spell disaster for heartfelt messages. Then there are ideas that seem funny on paper but should never be committed to skin (I’m looking at you, Patrick Swayze centaur). If you own unsightly body art, fear not. Now you can stop hiding your shame and embrace your regrets with the Ugly Tattoo Contest, hosted by Kristine & Shotsie’s Tattoo. Win prizes for your ugly tattoos, listen to live music and chomp down on tasty food on Sunday, March 22, at Burgers & Vine, 400 First St. E., Sonoma. 7pm. No cover. 707.938.3000.

Chapter 2: Food & Drink

After a night in the softest sheets he’d ever slept in, Jake took a tip from the bellboy and headed to Aroma Cafe in San Rafael for an egg number called a shakshuka. He had trouble pronouncing it, but it sure was good.

On the way to Bolinas, Sir Francis Drake was clogged with bicycle enthusiasts—a real Tour de France scene. But it was smooth sailing after that, the Roadmaster lapping up the Shoreline Highway like a kitten drinking milk. Nice country, Jake thought, as the dark redwood forest gave way to ocean vistas. The kind of place a person could lose himself in.

Case in point, he realized after half an hour, he’d missed the turnoff to Bo-town.

Cursing his sloppy work, Jake pulled off the road to ask directions at a tidy little farm. Looking around for an Old MacDonald–type, he was surprised to find a bearded fellow in white spaceman rags walking toward him, like some kind of beatnik Flash Gordon.

“Hey, mac,” Jake called out. “Is this the road to Bolinas?”

“Yep. Keep on this road, it’s about 10 miles south of Point Reyes Station.”

“I just came from there. I didn’t see any sign for it.”

“Oh, you didn’t see it, all right,” the farmer said with a laugh. Bees were buzzing his head like Spitfires, but he didn’t seem to notice. “The locals take down the sign on the highway every time they put up a new one.”

“Are you blowing smoke?”

“It calms the bees.”

Jake narrowed his eyes. Farmer Flash was savvy. “I get the picture,” Jake said. Could be worse than beach bums and nature freaks, he thought. Sounds like Molly Pemberton had gone surfing in some murky waters.

Jake nodded toward a greenhouse. “Say, what’s this outfit here?”

“This is Heidrun Meadery. Come on, I’ll give you a taste.”

What the hell, it was almost noon. “Not bad,” Jake said, draining the glass. “What d’ya know—honey, with a kick.” That reminded him, there was a honey-blonde dame who needed finding. “Thanks for the hooch, chief.”

When Jake finally pulled into Bolinas, he circled through town and spied a likely place to start asking questions—some longhairs playing guitar on a dock. Just as he got out of his car, two dames in a Volkswagen bus zipped by in front of him, headed out of town. On the roof was a surfboard—mango orange. . . .

Continue the Story

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FOOD AND DRINK: WRITERS PICKS

Best Big Little Chicken

It’s nothing new to find a chicken-themed business in Petaluma, egg capital of the world, emeritus. It’s only slightly more surprising to learn that Henhouse Brewing Company, a three-year-old, 1,000-barrel operation in Petaluma’s burgeoning industrial “brewery district,” is run by three dudes—this is the craft-beer scene, after all. What’s great about Henhouse is how not-too-weird and actually really savory their signature oyster stout is, brewed with Hog Island oysters; how spicy, clean and refreshing their clove and banana-scented Belgian-style saisons are—and even though their “Big Chicken” is a belated nod to the double IPA category, the focus is on “food-friendly” beer in this arms-race era
of the ultra-hoppy. Here’s where the henhouse comes in: the brewery’s taps were made
from recycled wood from a certain Mrs. Schwarz’s old chicken barn. A black lager called “Mrs. Schwarzbier” is named in her honor. www.henhousebrewing.com.—James Knight

Best Tomales Bay Dining Experience

Up the road from bustling Point Reyes Station, where you can dine on gourmet food at Osteria Stellina or devour fine food at the Station House Cafe, there’s Tony’s Seafood in sleepy Marshall. It might not look enticing, but appearances can be deceiving. Probably the best time to arrive at Tony’s is Friday, community night, when folks who live along Tomales Bay gather to meet, greet, swap stories and feast on barbecued oysters. It’s only open on weekends from noon to 8pm, when folks get ready for bed. Weekenders from the city venture
inside and, if they’re lucky, a waitress will show them the menu that’s designed specifically for locals. Don’t worry.
Nearly everyone is local at Tony’s—
or can be with a smile and a willingness to share a table with strangers and act like old friends. On a clear day you can watch boats bobbing on the water or follow schools of sardines. The entrées might be a tad overpriced. The tables could be a bit cleaner, and the no-credit-card policy can be a hassle when you don’t have the cash, but there’s no place more authentic on Tomales Bay than Tony’s. 18863 Hwy. 1, Marshall. 415.663.1107.—Jonah Raskin

Best Brewery in a Winery That Has Wine in the Brew

And milk in the stout, did I mention the milk stout? Napa’s new City Winery, the West Coast outpost of a New York–based live music venue and fine-wine phenomenon with branches in Chicago and Nashville, puts the emphasis on its wine-on-tap system. Two rooms of kegs, one for reds and one for whites, feed taps with a choice selection of Sonoma and Napa wines. At the end of the hall in back, in a side room with a view of the Napa River, the brewmaster and assistant brewer preside over their own little seven-barrel world, controlled with a sweet touch-screen brewing system. But you can bet there’s wine in the beer: Chardonnay in the IPA, Sauvignon Blanc in the pilsner. None the worse for it, they’re crisp and zippy ales. Oh, and there’s milk in the stout. 1030 Main St., Napa.—James Knight

Best Comforting Chocolate Milkshake

Bustling Fourth Street in San Rafael is chock-a-block with dining options up and down the value chart. And it can be a little tough to make the lunch call when you’ve got further business in town and need to chillax and collect yourself. Theresa & Johnny’s Comfort Food makes it easy with a dab of outdoor seating to lure you, and with its utility of menu, the wide array of diner staples, the total meltdown sandwiches, patties of meat and cheesy things, crab cakes and crispy fried French toast and all the rest. Theresa and Johnny’s nabs a feel-goodness award for its delicious and rich chocolate milkshake served in a big ol’ pint-style glass. You must order it with your midday repast and not after, and appreciate it as a beverage through the course of your luncheon outing. It should be the last bit of lunch left before you, and you should slurp that last bit before heading off, with authority, to that important meeting. You will want the comfort and power it provides to linger. And go ahead and dip your fries into the creamy-thickness of it, everyone does it. 817 Fourth St., San Rafael, 415.259.0182.—Tom Gogola

Best Home-Brewed Green Fairy

Vincent van Gogh used it as a muse for his paintings. Oscar Wilde sipped it as he wrote his plays. Ernest Hemingway found it when he first traveled to Spain and Cuba as a young adventurer. It’s been embraced, banned and mythologized to death—there simply is nothing like absinthe. The “Green Fairy” emerged sometime in the late 18th century in France, crafted by blending herbs and spices into an alcoholic concoction with strong licorice and mint flavors. I first saw the drink for sale outside the U.S. in 2007, though America has since loosened its ban on the import and sales of absinthe. Still, imported bottles of the heady, intoxicating alcohol are and expensive. Your other option is to take the DIY approach and make it yourself. Luckily, your homebrew will be easy to assemble and even easier to acquire. Start with your favorite bottle of hard liquor. Vodka works well, but grab some Everclear if you’re nasty. Pour it into a big old jug. Then head over to Rosemary’s Garden in Sebastopol for your herbs and spices. Wormwood, hyssop, calamus root, fennel seed, cloves, coriander and nutmeg can all go in it. Grind the seeds and roots with a mortar and pestle. Steep the herbs in the alcohol for two weeks, strain, and then add some mint and anise extract to taste. Without this, you’ll have some bitter stuff. Pour the drink into a glass with an ice cube, place a slotted spoon or fork over the glass, set two ice cubes on it and pour cold water over the cubes very slowly so they dissolve. Drink it up, and say hello to the fairy for me. 132 N. Main St., Sebastopol. 707.829.2539.—Charlie Swanson

Best Place to Discover a Passion for Wine

Did you know that in the Napa Valley, you’re never more than 150 feet from a person who’s discovering a passion for wine? Strange but true, or so they say. In fact, Napa Valley plays host to the world’s highest concentration of persons overcome by an intense passion for wine. Not according to social scientists, Napa’s unique terroir creates the perfect conditions for wine passions to develop within the unique microclimates of the imaginations of susceptible individuals—those unburdened by financial concerns are especially at risk. Hailing from backgrounds as diverse as banking, law, banking, banking and banking, affected persons may eventually adopt a firm belief that wine is made in the vineyard, followed by a conviction to make wine that rivals the best of Bordeaux, ultimately in a Tuscan-style villa. Not mathematically speaking, wine passion is increasing at a rate where delta equals Mondavi plus 1976 squared by Pritchard Hill—but experts say the situation could worsen. Next time you’re in Napa, that’s not the wind you hear sighing. Someone is experiencing a passion for wine. Somewhere near St. Helena.—James Knight

Best Use of the Words ‘Free’ and ‘Beer’

Not only is the sidewalk sign in front of Jack & Tony’s in Railroad Square one of
the most photographed objects in the neighborhood, it’s a perfect example of how to get the attention of passersby with a head-turning offer, then make them laugh when they realize they fell for one of the oldest gags in the book. Best seen at a distance.
115 Fourth St., Santa Rosa. 707.526.4347.—David Templeton

Food & Drink: Readers Picks|
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Kudos

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It was a good night for the North Bay theater community.

At the 39th annual San Francisco Bay Area Theater Critics Circle awards, held at San Francisco’s Victoria Theater on Monday, March 9, a happy batch of North Bay theater companies saw their artists win honors for shows that caught critics’ attention in 2014.

Denise Elia-Yen won—her second year in a row—for her snappy portrayal of Annie Oakley in Spreckels Performing Arts Center’s brilliant production of Annie Get Your Gun; Janis Wilson won for musical direction of that show as well. Those were two of four awards won by Spreckels this year, including acting wins for Mary Gannon Graham and Jeff Coté for Bell, Book and Candle and The Book of Matthew (Liebowitz), respectively.

For 6th Street Playhouse, Abbey Lee was honored for her outrageous supporting performance as an oversexed gangster’s moll in Victor/Victoria, and Rebekah Pearson (no longer sporting her arm cast) for playing the title role in Thoroughly Modern Millie. For the same show, Anthony Guzman and Evan Attwood both picked up acting wins, and Joseph Favalora was honored for his peppy choreography.

For Main Stage West in Sebastopol, singer-songwriter Si Kahn won for best original music for his show Mother Jones in Heaven, along with actor Tyler Costin for the hilarious Vanya and Sonja and Masha and Spike and sound designer Albert Casselhoff for the outstanding T.I.C. (Trenchcoat in Common). Cinnabar Theater in Petaluma received a nomination for Mary Chun’s musical direction of last year’s elegant Fiddler on the Roof and an award for The Marriage of Figaro. The Best Ensemble win went to the cast of Sheri Lee Miller’s stellar staging of Of Mice and Men

One of the biggest winners was Marin Onstage and Curtain Theater’s co-production of Return to the Forbidden Planet, with acting wins for Steve Beecroft and Phillip Percy Williams, best director for Carl Jordan and several other technical and artistry awards, including Best Overall Show.

Other winners included Ross Valley Players (Journey’s End), AlterTheater (Baba), Novato Theater Company (Next to Normal) and Marin Theater Company (Failure: A Love Story, Lasso of Truth and Fences).

Congratulations to all the nominees and winners, who need not be reminded that theater awards like these are just a party game. Having the opportunity to make exceptional theater, that’s the real party.

For the full list of San Francisco Bay Area Theater Critics Circle nominees and recipients, visit www.sfbatcc.org.

Princess in Waiting

Kenneth Branagh’s version of Cinderella has a magnificent palace in it, like a Beaux Arts casino on the edge of an Alaskan fjord. Production designer Dante Ferretti and costumer Sandy Powell fill it up at great expense.

This fantasyland is created after the invention of aniline dyes; as garish as they are cruel, the stepsisters wear all the newly created hues at once. By contrast, the kind yet interesting prince, known as “Kit” (Richard Madden) holds court in a series of elegant Hussar uniforms. If you positively have to wear a military uniform, dress as light cavalry.

Lily James (Downton Abbey) as Cinderella was cast not because she’s this week’s most beautiful girl, but because she’s an actress able to convey an honest heart. Her endurance really changes the story, even if a bit of magic helps—the temporary enchantment melts delightfully during a chase, with the horses growing vast mouse ears and the lizard footmen and the goose coachman metamorphosing in front of us.

Wicked stepmom Lady Tremaine (Cate Blanchett), wrapped in poison-green gowns, makes this poor orphan Ella sleep in a rickety attic as tall as the library in The Name of the Rose. Though screenwriter Chris Weitz devises an intelligent reason why Ella would hide from her prince, the sturdy writing goes too far and overexplains. After all, Blanchett doesn’t need dialogue to explain why she’s bad; she’s Cate Blanchett—she can show us the hurt on the far side of her wrath without any words.

‘Cinderella’ is playing in wide release.

Best Citizen

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Debt Reckoning Michael Carnacchi would like to stick a boot up the bank’s ass, but he’ll settle for a hearing at the Supreme Court

Michael Carnacchi is a reluctant citizen-hero, a man who leads a conversation with humility and good humor. He’s easily the Best Of winner for Best North Bay Citizen, despite humble protestations to the contrary.

Carnacchi is the living embodiment of the “Main Street” that was often invoked during the run-up to the 2008 presidential election. That election occurred as the global economy was poised to collapse and, in the campaign vernacular of the day, Main Street couldn’t catch a break, while Wall Street demanded—and got—all the breaks it could handle.

He’s the living embodiment because Carnacchi’s cobbler shop, Apple Cobbler, is on Main Street in Sebastopol. And, by late 2007, while George Bush and his irresponsible neoconservative cabal were ruining the American economy—two unfunded wars, tax breaks for the rich—he was trying to stay afloat.

Like many Americans, Carnacchi’s shoe-making biz hit a wall as the economy headed south, which is where his troubles began. He had a Citibank credit card issued through U.S. Bancorp, which had a balance of about $14,000 on it—most of what he’d borrowed had gone right back into his business, he says.

Carnacchi was four days late with a payment back in Dec. 2007—and if you remember those days, they were pretty scary times for small businessmen and big banks alike.

The Bohemian reported at the time that Carnacchi was a responsible borrower whose monthly payments were reasonable, about $213, and his interest rate was about 3 percent. Manageable.

But when he was late, the interest and monthly nut ballooned the following month: New interest rate: 31 percent. New monthly payment: $1,224.

Carnacchi protested, but the bank wouldn’t work with him to reduce the interest rate or minimum payment—so he refused to pay it. He fought off debt collectors and fought in court—and continued to rebuff settlement offers as his case jumped from county to state to federal court.

At every turn, Carnacchi pushes credit onto other, anonymous supporters of his years-long David-and-Goliath battle against U.S. Bancorp. Mostly, he says, he couldn’t have done any of this without the support of his Sebastopol neighbors.

That battle comes to a head this week. On Friday, Carnacchi’s petition, the so-called writ of certiorari, will come before the nine justice of the United States Supreme Court. They’ll let the world know by Monday, March 23, whether they think his case has made the cut.

It’s a long shot that they’ll take the case, as the court only accepts a fraction of those that come before it each year. Carnacchi filed the writ himself after he lost his last battle in court, at the U.S. Court of Appeals for the Ninth Circuit.

He had a nonagenarian lawyer-mentor help him with legalese and research behind the scenes, and an anonymous supporter in Sebastopol covered the printing cost of the writ, about $300. Another Sebastopol supporter used to write him a check for $25 once a week, and he says people come to the store all the time to say, Keep fighting, man.

Win or lose, it’s been worth it for Carnacchi.

He’s eating bacon from a mess cup as the 52-year-old cobbler talks about the case and why he is pursuing it.

Carnacchi has been in business here for 21 years, and, yeah, he was the most expensive bootmaker in the country there for a minute. He makes boots for George Lucas and other luminaries, but business is down. He’s gone from two or three orders a month to one new order every other month. There’s a lot of backlog, so he’s got plenty of work to do—except he’s been spending much of his time at a law library in Santa Rosa trying to fight back against those insane interest and payment spikes from 2007.

Even as the bank aggressively sought to collect from Carnacchi, U.S. Bancorp was crying for relief from the U.S. government after the near-crash of the global economy. The bank got bailed out with Trouble Asset Relief (TARP) funds, even as it played hardball over Carnacchi’s bill.

“They used taxpayer money to sue a taxpayer,” Carnacchi says.

He fought back, and though he’s lost in court at all turns, he’s also turned back four settlement offers and says the case isn’t really about the money, anyway. He’s doing this, he says, for workers who got flushed out of the American economy over bad loans offered by irresponsible banks—and still haven’t made any kind of demonstrable comeback. Main Street has a long way to go.

Each settlement offer, Carnacchi says, came in the form of a “mutual walkaway.” The bank was willing to let him walk away from the entire debt—now eclipsing $50,000 with the fees and interest charges—but Carnacchi wasn’t letting go.

The bank would agree to not collect on the judgment or refer it to a third party for collection, if only Carnacchi would agree to not talk to the media or federal regulators in the aftermath of a settlement.

In effect, he says, he had to release the bank entirely from liability, and that wasn’t going to happen. This is a man from Detroit who rode his Harley-Davidson to California.

Instead of backing down, Carnacchi drew attention to the fact that U.S. Bancorp had merged with a bank incorporated in North Dakota. That move, he alleges in his writ, allowed it to “issue credit cards with no limitations as to interest in nearly every state in the Union.”

His complaint charges that the bank “knowingly conspired to unconstitutionally and covertly” evade usury laws. His basic argument is that U.S. Bancorp conspired to create an elaborate loan-sharking operation, subject to federal anti-racketeering laws. If corporations are people, he argues, then the bank should be treated like a Mafia gangster.

While Carnacchi takes a reporter through the twists and turns of his case, a young woman walks excitedly into the shop.

Carnacchi breaks out a cool pair of moccasins he’s worked on for her, and charges the woman $50, which she doesn’t have on her.

She leaves wearing the moccasins and carrying her sandals, and calls Carnacchi a little later to say she’ll be back soon with that $50. He laughs. He knows where she lives, he jokes. This is the small-town stuff that keeps him going—that has kept him going for seven years now.

“At each step, it was critical to my morale to have the community support,” he says. Not to mention the support of astrologer Rob Brezsny.

“I couldn’t have done it without him,” says Carnacchi with a laugh. He’s a Cancer, like Brezsny.

Justice Antonin Scalia will need to be in retrograde for this writ to have any chance of getting the four votes needed for the judges to hear the case. “I’ve lost so many times, it will be as much a surprise to me as anyone,” he says. Should they accept it, he says, he’ll deliver the oral argument himself.

One of three things can happen on Friday: the case will be rejected, it will be accepted, or U.S. Bancorp could be compelled to respond.

It only takes one justice to compel U.S. Bancorp to respond to Carnacchi’s writ. “That would be huge,” he says.

Debriefer: March 18, 2015

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This is our Best Of issue, but in the spirit of balance and contrarianism Debriefer presents a round-up of the worst of the North Bay.

Worst News We Heard About the Drought California’s going to run out of surface water in a year, sayeth Jay Famiglietti, senior water scientist at the NASA Jet Propulsion Lab, in the Los Angeles Times last week. The drought will never end, and there’s nothing, short of extreme rationing, that is going to stop that. Unless you live in Sebastopol, or Bolinas. They’ve got beaucoup local water resources, and those hippies are armed to the unfluoridated teeth. Keep out!

Worst Utterance by a Gubernatorial Candidate Brother Tim O’Donnelly, the Tea Party favorite who ran last year against Gov. Brown. Of course, Donnelly just had to send out a tweet that compared Barack Obama to that nasty Hitler fellow. Something about guns, and Obama not liking them much. Whatever.

Worst Cop-Out by a Local Elected Official It was quite funny to watch our local Democratic politicians try to grapple with the Bibi Netanyahu visit to Congress. When we asked Rep. Mike Thompson’s office what his plans were for the scheduled appearance, which went down in early March, Thompson told us he didn’t know what he was doing that week. Plans were unclear. Nice one.

Worst Example of a Governor Who May Have Lost His Mind to Wet-Brain Disease How about those twin Delta Tunnels, Gov. Brown? You might be the last man standing who thinks this is a good idea.

Worst Lie That fisherman at Smiley’s Saloon who told us that all those salmon boats trolling in Bolinas Bay late in the season last year were anchored up for the night. He told us they’d be headed out to the fishing grounds in the morning, that they’d made part of the journey from San Francisco, and were just resting up. All fishermen are liars, but that whopper stood out.

Worst News About the Big One The chance for an 8.0 or greater quake in the next 30 years jumped to about 7 percent from 4.7 percent. So there’s a 93 percent chance that the Big One won’t hit in the next three decades—unless you throw in the earthquake enhancing frack-factor, at which point the Big One is imminent.

Worst News for Those Poor Sea Lion Pups El Niño has arrived, the bastard. Warmer water may mean more bad news for the hungry marine mammals.

Worst News for the Oil and Gas Industry Stay out of those marine sanctuaries that the government just expanded in the Gulf of the Farallones!

Worst Development in Law Enforcement Shooting unarmed teenagers is a top contender, especially when you then invite Rudy Giuliani to comment on it. Closer to home, none of our county police departments needs armored personnel carriers or any of that other crap from the military. Send it back.

Worst Way to Die Alone, in a jail cell, while detoxing. The Sonoma County lockup had a string of deaths late last year that highlighted gaps in mental health services and a contractual arrangement with a for-profit health services provider.

Worst Turnabout by a Formerly Beloved Local Athlete Pablo Sandoval, jerk. He was the panda, the Giants fans loved him, and he’s acting like a complete jerk now that he’s signed up with Boston. Dude puts the ass in class.

Worst Case of Foot-in-Mouth Disease No, not the former Rancho slaughterhouse in Petaluma. The title goes to Adam Parks of Victorian Farmstead Meat Co., in Sebastopol who took to his blog last week to offer a suggestion that drivers could make a game out of running annoying bicyclists off the road. He thought it would be funny.—Tom Gogola

Local Boy

'I really do love playing in small spaces," says multi-instrumentalist Gabriel Kahane, describing the difference between playing enormous shows to thousands of people and doing smaller shows, like the 100-seat fundraiser he'll be playing this week in Sebastopol. "With a small show, it's more fun to 'run the room,' as they say in the biz. I'm really looking forward to...

Mar. 20: Man at Work in Napa

Best known as the vegemite-sandwich-eating lead singer for down-under ’80s band Men at Work, frontman-turned-solo-artist Colin Hay still has his nose to the grindstone, and is making some of the strongest music of his career. Written and recorded in his Los Angeles home studio, his latest album, Gathering Mercury, is Hay’s most personal effort. The passing of his father...

Mar. 21: Haunted Showman in Monte Rio

If you like 3-D movies, you should have seen them in the 1950s; 3-D was invented then after all. But the fun didn’t stop at 3-D. For The Tingler, theaters installed vibrating seats, and flying skeletons circled patrons at screenings of The House on Haunted Hill. These innovations, and many others, were the product of one man, filmmaker William...

Mar. 21-23: Russian Glory in Rohnert Park

Moscow-born, New York–based classical pianist Olga Kern returns to the Santa Rosa Symphony after a spellbinding performance in 2013 for the orchestra’s latest performance, ‘Blaze of Russian Glory.’ This time, Kern sits in with conductor Bruno Ferrandis and the symphony for several fiery, passionate piano concertos written by Russian masters. First, the vivacious Piano Concerto no. 1 from Rachmaninoff...

Mar. 22: ‘No Ragrets’ in Sonoma

Tattoos have never been more popular. But it’s really easy to mess up your ink. Sloppy lines can turn a loving portrait into a monstrosity. Overlooked typos can spell disaster for heartfelt messages. Then there are ideas that seem funny on paper but should never be committed to skin (I’m looking at you, Patrick Swayze centaur). If you own...

Chapter 2: Food & Drink

After a night in the softest sheets he'd ever slept in, Jake took a tip from the bellboy and headed to Aroma Cafe in San Rafael for an egg number called a shakshuka. He had trouble pronouncing it, but it sure was good. On the way to Bolinas, Sir Francis Drake was clogged with bicycle enthusiasts—a real Tour de France...

Kudos

It was a good night for the North Bay theater community. At the 39th annual San Francisco Bay Area Theater Critics Circle awards, held at San Francisco's Victoria Theater on Monday, March 9, a happy batch of North Bay theater companies saw their artists win honors for shows that caught critics' attention in 2014. Denise Elia-Yen won—her second year...

Princess in Waiting

Kenneth Branagh's version of Cinderella has a magnificent palace in it, like a Beaux Arts casino on the edge of an Alaskan fjord. Production designer Dante Ferretti and costumer Sandy Powell fill it up at great expense. This fantasyland is created after the invention of aniline dyes; as garish as they are cruel, the stepsisters wear all the newly created...

Best Citizen

Debt Reckoning Michael Carnacchi would like to stick a boot up the bank's ass, but he'll settle for a hearing at the Supreme Court Michael Carnacchi is a reluctant citizen-hero, a man who leads a conversation with humility and good humor. He's easily the Best Of winner for Best North Bay Citizen, despite humble protestations to the contrary. Carnacchi is the...

Debriefer: March 18, 2015

This is our Best Of issue, but in the spirit of balance and contrarianism Debriefer presents a round-up of the worst of the North Bay. Worst News We Heard About the Drought California's going to run out of surface water in a year, sayeth Jay Famiglietti, senior water scientist at the NASA Jet Propulsion Lab, in the Los Angeles Times...
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