The Down House Performs “Onstage”

thedownhouse
I’m a big fan of the podcast “Onstage with Jim & Tom,” hosted by Phoenix Theater music promoter Jim Agius and founder Tom Gaffey. Each week, the two sit down with a North Bay band or musician of note and chat about everything from tours and relationships to record collections and scary movies. It’s always a great conversation, especially when music veteran and wordsmith Gaffey heaps praise upon the guests in lovingly extended passages.
This time around, Jim and Tom welcome to the show Santa Rosa shoegaze outfit the Down House. The band talks about what it’s like having two couples in a band and the state of the North Bay hardcore scene before plugging in and performing a couple of tunes.
The Down House is made up of Casey Colby (Spirits of Leo), Cody Sullivan (Sabertooth Zombie), Sarah Sullivan, Sarah Davis and Chloe Connaughton. Gaffey calls them evocative right off the bat and the band proves why by the end, playing their dark and stylish Joy Division-inspired post-punk.
Listen to the episode below, and catch the Down House when they play the Phoenix Theater on Sunday, Sept 27, alongside State Faults, Lil Dowager and SPELLS.

Meet the Last Audio Cassette Factory

tapes
If you’re a record collector, you’ve probably read that there are very few vinyl pressing plants left in the USA today, causing massive delays for popular releases on vinyl. But, if you’re a cassette tape collector, you may not know that there is only ONE factory still making analog, magnetized cassette tapes for music.
When all the other manufacturers moved to CD replication in the 1990s, the National Audio Company held on tight to their tapes, even buying out their former competitors’ equipment. With a major re-emergence in the last decade of cassette-only music labels and album releases from independent musicians everywhere, this Springfield, MO, plant is busier than ever.
Learn all about National Audio Company in this cool little video from Bloomburg Business and relive the salad days of the Walkman.

City Winery to Leave Napa

After a month of speculation and conflicting reports, City Winery Napa, housed in the historic Napa Valley Opera House, announced in an email yesterday they will be closing their doors at the end of this year.

Last month, Napa Valley Register reported that Michael Dorf, owner and CEO of City Winery, was in talks with the Opera House’s board of directors to end his 10-year lease a full eight years early. At the time, City Winery spokespeople denied those reports to the Bohemian. Apparently, the move to leave Napa has moved forward after all.

With successful venues in Chicago and New York, City Winery originally came to Napa to infuse wine country with dynamic live music and entertainment, and despite occasional sell-out shows, tickets sales have been low for many performances and the restaurant has not fared much better.

It’s unclear at the moment what the future holds for the opera house, which underwent a major renovation prior to City Winery moving in. The venue will continue to provide a full calendar of events until Dec. 31.

Listen to Destruction Unit’s Intense New Track, “The Upper Hand”

dunit
Arizona psychedelic rockers Destruction Unit are a no-holds-barred head trip through post-rock walls of sound. After two years of relative quiet, the pummeling five-piece outfit is back with the their most experimental brain melter of a record yet, Negative Feedback Resistor, due out Sept 18 on Sacred Bones.
In anticipation of the new album, Destruction Unit has released a few tracks via the world wide web, including this absolute scorcher of a song, “The Upper Hand.” In fact, this thing sound more like a punk rock cherry bomb, set off in the midst of a tornado, eclipsed by a tsunami swell of noise that washes over the whole thing by the end. It’s a monster, and it’s one of the band’s best ever. Listen here, if you dare.

The group is slated to hit European shores the same day the new record drops for a month-long tour, but before they embark, Destruction Unit is playing three dates in California, including a show hosted by the Pizza Punx on Thursday, Sept 3, at the Arlene Francis Center.
Also on the bill are Gag and White Wards, both Olympia, WA, bands that know how to thrash. Southern California weirdo punks the Coltranes and Seattle noisemakers Health Problems open the show.
Destruction Unit headline on Sept 3 at the Arlene Francis Center, 99 Sixth St, Santa Rosa. 8pm. $10.

Glee Club: Should Democrats still be cheering on Donald Trump as Americans go all-out ugly for him?

In late July I interviewed U.S. Rep. Jared Huffman to get his take on the evolving 2016 presidential race. Huffman, the second-termer from Marin County who represents much of the North Bay, said that based on his read of the politics, he’d be supporting—if not endorsing—Hillary Clinton on the basis that she was the clear front-runner and the obvious eventual nominee.

Huffman credited Bernie Sanders with injecting the race with some bracingly populist rhetoric, but stood his ground on the Hillary eventuality. He now says he wasn’t endorsing Clinton, merely prognosticating, and says there’s still a probability that she is the nominee and eventual winner—despite Sanders’ dogged popularity and the distant possibility of a Joe Biden run. “But definitely,” Huffman says, “this could still take some twists.”

Speaking of, and almost as an aside, I asked Huffman in July who he’d like the GOP to nominate and without pause—except for a quick chuckle—Huffman said he was crossing his fingers and hoped Donald Trump got nominated by the opposition party. He noted that someone like Scott Walker was a more likely candidate to emerge from the primary process.

That was then, and this is now. Huffman was one of scores of Democrats who expressed their glee over the Trump run in its early days, when everyone wanted to believe that it couldn’t possibly last.

But since his mid-June announcement that he’d run for president on a revanchist bash-the-immigrant platform, Trump has surged in GOP polling from worst to first among the top contenders, and now owns something like a 30 percent support rating, leaps and bounds above the next also-ran. He’s forced most of the other GOP candidates to swing hard right on immigration.

But Trump’s GOP putsch quickly devolved into outright pugilism: Two men in Boston beat up a Mexican immigrant in Trump’s name in late August. A large and intimidating Trumptard got in Jorge Ramos’ face just the other day and told the Univision anchor to “Get out of my country,” even though Ramos is an American citizen who lives in Florida.

So: How many Mexicans have to get beaten up or otherwise bashed in Donald Trump’s name before Democrats move beyond their glee over the politics, which appear to favor their candidate in 2016?

Huffman gave me a ring earlier this week to talk about it. He says that when we spoke in July, Trump was a “humorous sideshow and a flash in the pan. We thought he’d be gone by now. Now that it’s clear that he’s not going anywhere, we need to re-evaluate. The toxic things that he is saying about immigrants, among other things, are taking root and gaining traction with a significant part of the Republican electorate.”

There’s two elements of that dynamic to consider, Huffman says. One is that “we don’t want our national debate to be cynical and divisive,” the other is that “we are also learning that this stuff was already out there and to some extent maybe it needed to be exposed, and maybe the GOP needed Trump as a sort of reality check so the responsible, thoughtful ones could take [the party] back from the crazies.”

Responsible and thoughtful Republicans, you say? Tell me more! Huffman cites Sen. Lindsey “I’m Quite Possibly Gay” Graham and former New York governor George “Nobody Cares Who I Am Anymore” Pataki, both of whose polling numbers essentially add up to “rounding errors,” but who have distanced themselves from the promised anti-immigrant violence of a Trump presidency.

As for the Trump surge in the polls, “It’s definitely more real and sinister than anyone could have previously thought, so it’s not something you flippantly joke about at this point,” Huffman says. “This is something that may well represent a majority of Republican voters at this point in time.”

I’m not sure that this development is all that surprising. Let’s not forget that Trump tried to hog the presidential spotlight in 2011 and thought he’d be able to gain traction in the 2012 race by jumping in with a two-fisted thrust of birther mongrelism.

People seem to have largely forgotten those televised images of the smug and smirking Trump as he carelessly hurled the reddest of red meat available to a paranoid, racist right that hated Barack Obama from day one and still sees him and his presidency as somehow less than legitimate. Not because he’s black or anything.

That pseudo-campaign was largely viewed as a ratings-boost gimmick by Trump, who then still had his ridiculous reality show on TV. Now he’s back and there’s no TV show to pimp—just some immigrants to pounce on, and Jimmy Fallon to help mainstream his message. On the latter point, Trump is scheduled to appear on the Tonight Show on 9/11, where, if history is any indication, he’ll be treated to a kid-glove interview from resident throne-sniffer Fallon, who never met a tough question he would actually dare ask. Perhaps he might see fit to ask about those undocumented immigrants who reportedly helped build Trump’s hotel empire. For starters.

Huffman says he offered the Bohemian his quickie thought on Trump 2016 “somewhat tongue in cheek,” and that’s fair enough. But there’s no doubt about Democratic glee over Trump. Hell, just go type “Democrat” “glee” and “Trump” into the Google search engine and you too will get millions of results.

It was safe to be gleeful when the mainstream media, already agog at the Trump phenomenon, had baked into the agreed-upon reporting cake the notion that a Trump campaign couldn’t possibly last. Mexicans are rapists? This can’t last. Megyn Kelly’s a bimbo? This can’t last! Enthusiastic endorsements from David Duke and other white supremacists? This can’t last?

Last week Time reported on a GOP focus group that was put together by messaging guru Frank Luntz. The upshot was that Trump has emerged as a Teflon Don whose most extreme positions are exactly what disfranchised Republicans are foaming after in 2016. Luntz told the magazine he was freaked out at the realization of how far the establishment GOP had strayed from the desires of this most base of bases.

The Democratic Party is not of course responsible for the emergence of a Trumptard movement, and Rep. Huffman notes that “whether we are gleeful that Trump is tearing apart the party from within, or alarmed at the way he is activating bigotry and divisiveness, frankly, the way liberal Democrats in California see this is not going to decide the race.”

Huffman still believes that at some point Trump will flame out. The script called for Bernie Sanders to have flamed out by now, too—and yet, like Trump, his crowds get bigger with each passing week.

Now there is talk of a possible Joe Biden entrance in the race. Most of that chatter is premised on a sense of dread over the Entitled One: All this email mishegas will eventually grind Hillary Clinton right out of contention, again.

Yet it was none other than Hillary’s hubby Bill Clinton who may have put the wind in Trump’s presidential sails during a phone call that Clinton and Trump both deny they placed. The Washington Post reported on the conversation from early this year, where Clinton reportedly told his friend that if he did run, he’d really shake up the GOP establishment.

And that’s exactly what has happened. With Clinton’s counsel to Trump, we’ve now come full circle in the louche politics of the mutual American reach-around, where Trump emerges as a rolling “bimbo eruption” in his own right, while Bimbo Boy the Original is no doubt gleeful that Trump jumped in to the race—you can practically hear the characteristic Clintonian snicker—since that’s good news for Hillary, or supposedly so.

In any case, Huffman maintains that there’s still a benefit to the Trump campaign insofar as it highlights the following: “There are a lot of racists in the Republican Party in 2015, a lot of bigots and a lot of haters, and I think we’ve allowed this narrative: It’s just the margins. Trump is revealing that it’s not just the margins—the Republican Party fundamentally has a character problem.”

Sept. 3: CULT Status in Santa Rosa

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The last time underground horror director William Lustig visited the North Bay he brought a double bill of his classic slasher and action films remastered for the big screen. Lustig is back, and this time he shows two of his most popular horror flicks ever when he screens Maniac Cop and its sequel. Starring a young and awesome Bruce Campbell, Maniac Cop is a thrilling ride through the streets of New York, as a deranged killer in a police uniform terrorizes the city. In between the two films, Lustig, one of the best storytellers in the business, offers a Q&A session, on Thursday, Sept. 3, at Roxy Stadium 14, 85 Santa Rosa Ave., Santa Rosa. 7pm. $10. 707.525.8909.

Sept. 4: Music Man in Napa

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Before moving to Yountville, songwriter Michael Madden already had tremendous success in music, publishing and promotions, both in his hometown of Lanikai, Hawaii, and in Los Angeles, where he worked with heavy hitters like Sting and Jerry Garcia. After moving to the North Bay, Madden helped revitalize the Napa Valley Performing Arts Center at Lincoln Theater and served as the executive director there until last year. This week, Madden returns to the stage for an evening of music with some of his friends, including vocalist Tori Anna and ukulele prodigy Ari Eisenberg, on Friday, Sept. 4, at City Winery Napa, 1030 Main St., Napa. 8pm. $15–$19. 707.260.1600.

Sept. 5: Technicolor Art in Santa Rosa

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Twenty fifteen marks the 100-year anniversary of Technicolor, the company and process that defined Hollywood films for decades. Inspired by this achievement, Santa Rosa artist Kristen Throop presents ‘The Lion-for-real,’ a new solo exhibit of paintings that incorporate layered colors designed to mimic Technicolor’s vivid look. Throop frequently employs animal symbols in scenes, though this new showing features personal figures that represent her past and childhood memories. The works will be mounted in light boxes, illuminating the gouache pieces from behind, for a bright and imaginative exhibit. “The Lion-for-real,” running through Sept. 27, opens with a reception on Saturday, Sept. 5 at Backstreet Gallery, on Art Alley off South A Street, Santa Rosa. 6pm. 707.478.4739.

Sept. 5: Huge Pianist in Mill Valley

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Standup star and actor Owen Benjamin is as adept at making jokes as he is with tickling the ivories; onstage, he often sits at the piano mixing classical works with jokes about contemporary culture. He’s been seen in the films The House Bunny and Staten Island Summer and the TV show Sullivan & Sons, as well as his first Comedy Central special, High Five Til It Hurts. Currently touring the States in preparation for his upcoming special, Huge Pianist, Benjamin appears on Saturday, Sept. 5, at Throckmorton Theatre, 142 Throckmorton Ave., Mill Valley. 8pm. $20–$35. 415.383.9600.

Debriefer: September 2, 2015

Hey, folks, this paper has a new blog up by news editor Tom Gogola, called “The Fishing Report.” Gogola plans to be posting a couple of times a week and hopes you’ll tune in, send tips to him at tg*****@******an.com, engage, and, of course, push back against his wild-eyed tirades when necessary.

Last week, the Fishing Report made its debut with an item about that incident on the Napa Valley Wine Train that’s been all over the news. The one where 10 black women, and one white woman, got thrown off the popular tourist train for the crime of laughing too loudly.

As the story made its way to an inevitable national “Say whaaaa???” moment, the company that runs the train said it would apologize to the women, even though it had done nothing wrong.

But by the time CNN was on the story a few days after the mass ejection, the company took a 180-degree turn: “We were 100 percent wrong.” Now there’s a civil rights lawsuit in the offing.

Many people who commented on this story—and especially, it seems, in the Napa Valley Register—took the position that “obnoxious” behavior is a race-neutral deal, so why do you have to make everything about race?

Picture this: A group of 10 white women, proud and nerdy members of a book club, are all smiles when they arrive for a long-planned journey on the tourist train. They’re even wearing matching book club T-shirts. It’s not a cheap ride, and the women are excited for the luxe adventure that’s about to unfold.

Almost immediately upon taking their seats, the women are confronted by other train riders for laughing too loudly and for other “disruptive” activities. One of them is 85 years old. Management is summoned, and so too are the police. After a couple of warnings, the women are thrown off the train.

Now pause to reflect: Does anyone really think this sort of treatment would have been visited upon an 85-year-old white woman? Does anyone believe 10 white women from a book club would be frog-marched through the entire train on their way out the door?

In the aftermath, the Napa Valley Wine Train pledged to do better next time. That’s commendable. The company says it will institute sensitivity training so that 85-year-old black women aren’t forced off of old Pullman railroad cars for the “crime” of laughing too loudly.

Those Pullman cars are themselves a part of the racial backstory. As the Fishing Report noted, the Jim Crow “separate but equal” doctrine was enshrined following the Supreme Court’s Plessy v. Ferguson case—itself a case about a man on a Pullman train. Homer Plessy was a mixed-race “octoroon” who in 1892 defied Louisiana’s separate-car law and defiantly sat in the white man’s car. Plessy was thrown off the train and arrested after he refused to move to the “colored” car. He wasn’t laughing.

Check out the Fishing Report as part of your regular media diet at www.bohemian.com.

The Down House Performs “Onstage”

I'm a big fan of the podcast "Onstage with Jim & Tom," hosted by Phoenix Theater music promoter Jim Agius and founder Tom Gaffey. Each week, the two sit down with a North Bay band or musician of note and chat about everything from tours and relationships to record collections and scary movies. It's always a great conversation, especially...

Meet the Last Audio Cassette Factory

If you're a record collector, you've probably read that there are very few vinyl pressing plants left in the USA today, causing massive delays for popular releases on vinyl. But, if you're a cassette tape collector, you may not know that there is only ONE factory still making analog, magnetized cassette tapes for music. When all the other manufacturers moved...

City Winery to Leave Napa

The music venue plans to close their doors at the end of the year.

Listen to Destruction Unit’s Intense New Track, “The Upper Hand”

Arizona psychedelic rockers Destruction Unit are a no-holds-barred head trip through post-rock walls of sound. After two years of relative quiet, the pummeling five-piece outfit is back with the their most experimental brain melter of a record yet, Negative Feedback Resistor, due out Sept 18 on Sacred Bones. In anticipation of the new album, Destruction Unit has released a few tracks...

Glee Club: Should Democrats still be cheering on Donald Trump as Americans go all-out ugly for him?

In late July I interviewed U.S. Rep. Jared Huffman to get his take on the evolving 2016 presidential race. Huffman, the second-termer from Marin County who represents much of the North Bay, said that based on his read of the politics, he’d be supporting—if not endorsing—Hillary Clinton on the basis that she was the clear front-runner and the obvious...

Sept. 3: CULT Status in Santa Rosa

The last time underground horror director William Lustig visited the North Bay he brought a double bill of his classic slasher and action films remastered for the big screen. Lustig is back, and this time he shows two of his most popular horror flicks ever when he screens Maniac Cop and its sequel. Starring a young and awesome Bruce...

Sept. 4: Music Man in Napa

Before moving to Yountville, songwriter Michael Madden already had tremendous success in music, publishing and promotions, both in his hometown of Lanikai, Hawaii, and in Los Angeles, where he worked with heavy hitters like Sting and Jerry Garcia. After moving to the North Bay, Madden helped revitalize the Napa Valley Performing Arts Center at Lincoln Theater and served as...

Sept. 5: Technicolor Art in Santa Rosa

Twenty fifteen marks the 100-year anniversary of Technicolor, the company and process that defined Hollywood films for decades. Inspired by this achievement, Santa Rosa artist Kristen Throop presents ‘The Lion-for-real,’ a new solo exhibit of paintings that incorporate layered colors designed to mimic Technicolor’s vivid look. Throop frequently employs animal symbols in scenes, though this new showing features personal...

Sept. 5: Huge Pianist in Mill Valley

Standup star and actor Owen Benjamin is as adept at making jokes as he is with tickling the ivories; onstage, he often sits at the piano mixing classical works with jokes about contemporary culture. He’s been seen in the films The House Bunny and Staten Island Summer and the TV show Sullivan & Sons, as well as his first...

Debriefer: September 2, 2015

Hey, folks, this paper has a new blog up by news editor Tom Gogola, called "The Fishing Report." Gogola plans to be posting a couple of times a week and hopes you'll tune in, send tips to him at tgogola@bohemian.com, engage, and, of course, push back against his wild-eyed tirades when necessary. Last week, the Fishing Report made its debut...
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