Level Up

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In an exciting new meeting of the minds between Sonoma County musicians, business and government, the inaugural Next Level Showcase and Conference launches
April 15–17 at the Arlene Francis Center and Chops Teen Center in Santa Rosa.

Made possible by support from the California Arts Council and a grant from the Hewlett Foundation, Next Level will highlight the area’s wealth of local musical talent and help local bands and those in the music business take the next steps in achieving their personal and professional goals.

Next Level is the brainchild of Kristen Madsen and Josh Windmiller, the man behind local music collective the North Bay Hootenanny. Appointed last year as the director of Creative Sonoma, a program under the county’s Economic Development Board, Madsen brings a lifetime of music-industry experience to Sonoma County. She previously worked at the National Academy of Recording Arts and Sciences and was the senior vice president of the Grammy Foundation.

“I’ve been doing professional development and networking for music people for 20 years,” Madsen says. “So when I first came to Sonoma County last year, I was trying to find my way into the music community around here. And that’s when Josh and I hooked up.”

A Sonoma County native and lifelong musician, Windmiller has fronted the folk-punk ensemble the Crux since 2007, and founded the nonprofit Hootenanny to organize community events that included last year’s Railroad Square Music Festival.

“I got a really good sense of the wonderful spirit of comradery in the community,” says Madsen. “We wanted to find a way to build on that. That’s a core part of what Creative Sonoma is about: helping creative people do what they do better.”

For the two days of musical showcases, Windmiller joined forces with Second Octave, the creative team behind the summer concert series at the Somo Village Event Center in Rohnert Park, to book a far-reaching range of talent.

“We wanted to expand on the Hootenanny’s normal lineup of Americana music,” says Second Octave marketing director Bryce David Dow-Williamson. “We wanted to show off some of the younger, louder, more experimental music that’s also happening around Sonoma County, expand the breadth of the showcase.”

On Friday, April 15, the Arlene Francis opens its doors at 7pm for three stages of regional acts that include Petaluma pianist Saffell, songwriter Kevin Russell, indie-pop wonders Lungs and Limbs, acoustic folk band Mr. December, psychedelic blues-rockers Rainbow Girls, and others.

Saturday, April 16, continues with experimental West County band Antiphony, melodic indie-rock outfit Rags, fun-loving pop band Secret Cat, Gypsy-soul ensemble Royal Jelly Jive and songwriters Travis Hayes, Kristen Pearce, Ashley Allred and Timothy O’Neil.

Sunday, April 17, moves the activity to Chops for the conference. The day starts with a keynote talk by Griff Morris, senior manager of artists and industry strategy at Amazon Music. Also on the lineup is a conversation with Fairfax booking agency Mongrel Music and Latin music-royalty agency Regalias Digitales, as well as a panel with management firm A Train Entertainment and San Francisco indie label Tricycle Records. The day wraps with roundtable discussions where musicians can get one-on-one advice.

Next Level is also initiating a grants program, offering five bands or artists the chance to receive $2,500 to go toward their choice of projects.

The grant comes with 10 free hours of one-on-one consulting and three hours of legal advice, all meant to help musicians capitalize on the investment. “The bands not only get some money to help them get where they want to be, we’ll pair them with professionals so they can also get advice and expertise in whatever area they are going to use the money for,” explains Madsen.

Conference attendees will be able to submit their grant proposals at the event, and Creative Sonoma will track recipients’ progress throughout 2016. Next year, Madsen hopes to bring the bands back together to share their experiences at the second Next Level Conference.

“I think this is a unique experience to have this level of industry professionals coming to Sonoma County,” Madsen says. “It makes a strong statement about what people outside of the area see in terms of the music scene here, and that is really positive for the future of Sonoma County musicians.”

Fee or Not to Fee

The term “iron ranger” may invoke a misbegotten 1980s hard-rock hybrid between San Francisco’s Night Ranger and British metal legends Iron Maiden—but of course beach-loving readers of the Bohemian know the iron rangers as the devilish devices that the state wants to install in eight coastal parks and parking lots in Sonoma County.

Critics have knocked the state’s pay-to-park plan for its dishonoring of the 1976 California Coastal Act, which enshrines equal access to the beach for all, regardless of one’s race, class or gruesomely weathered lizard skin. The issue will likely be resolved late next week when the California Coastal Commission meets in Santa Rosa to take up the proposal.

The pay-to-park fight has waged for several years between the California Department of Parks and Recreation (which wants the parking fees) and Sonoma County (whose supervisors unanimously rejected the plan in 2013). The iron rangers would be installed at destinations like Goat Rock, Salmon Creek, Shell Beach and other spots along a 35-mile stretch of Sonoma County coast.

The state appealed the county’s decision to the commission, which will meet on April 13–15 at the Veterans Memorial Auditorium in Santa Rosa. The meeting was moved from a smaller facility in anticipation of big crowds.

Every indication is that the commission is going to nix the state’s plan, since that’s what commission staff recommended in an epic February report on the dust-up that ran to over 700 pages. There, commission staff noted the popularity of the subject beaches, which draw over 3 million visitors annually—almost all of them arriving by car, and many from lower-income residences of Sonoma County.

“These facilities are essential for continuing lower-cost access to the coast at all for many economically disadvantaged groups,” the commission staffers noted, “including the significant Latino population centers located near and within the city of Santa Rosa. In many ways, the question of whether to charge fees here can also be considered a question of social justice.” That’s what local critics of the plan said when the state first announced its intention to install the iron rangers.

The machines have themselves been upgraded by the state over the years, and the state apparently believes this should be reason enough to install them—while also suggesting that charging people $8 to park for the day will bring more people to the beach. Don’t you love how technology provides its own rationale?

In a 2015 letter to the Coastal Commission, the state says it “will demonstrate pay station installation will not result in damage to coastal resources, and will actually enhance public access to the coastline within Sonoma County. . . .”

“The available technology now employed has rapidly evolved and improved,” the letter continues, before describing the high-tech machines as solar-powered, WiFi-equipped devices that “allow for the purchase of day use access through the use of cash, debit, credit, and Pay Pass options. . . . Users can add time using their smartphones in locations where cell phone service is available, and [California State Parks] can alternate rate schedules to ensure maximum access is promoted.”

“You’re motoring / what’s your price for flight?” asked Night Ranger’s Santa Rosa–based frontman Jack Blades, in the band’s hit “Sister Christian.” Next week’s Coastal Commission meeting ought to answer that question once and for all. Oh, the time has come.

California Roots

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Napa’s Basalt restaurant opened this week and showcases a menu inspired by California’s first settlers, drawing on flavors from Mexico, Spain and Portugal. Chef Esteban Escobar, formerly of San Francisco’s Town Hall and Walnut Creek’s Corners Tavern, has created a menu of plates large and small that includes dishes like chicharrones with lime salt and honey; marinated and fried chicken wings with cilantro cream; chorizo consommé with toasted noodles, pork belly and poached egg; and an achiote-cocoa-marinated black cod.

The restaurant is playing up its bar offerings, created by cocktail master Jason “Buffalo” LoGrasso. In addition to a solid list of classic cocktails, the bar will feature a 20-head tap system for wine and beer. The handsome interior was designed by Rapt Studios, which sourced 80 percent of all furnishings and lighting from local artisans and fabricators.

Basalt is open for dinner, 5pm to 10pm, Sunday–Thursday, and until 11pm on Friday and Saturday. Lunch service will be added later. 790 Main St., Napa. 707.927.5265. basaltnapa.com.

Sonoma International Film Festival Announces Audience Award Winners

Determined by ballots given out to festival attendees, the Sonoma International Film Festival today announced the winners of their Audience Awards in three categories; Best Documentary, Best American Independent Feature and Best World Feature.

The Audience Award for Best Documentary went to Harold and Lillian: A Hollywood Love Story, the previously untold story of Hollywood veterans Harold and Lillian Michelson and their secret romance.

The Audience Award for Best American Independent Feature went to The Great and The Small, the new film from director Dusty Bias which follows a petty criminal attempting to navigate his complex life while dealing with his former criminal boss, a mysterious detective and a spurned ex-girlfriend. Director Marianna Palka’s quirky Always Worthy took second place.

The Audience Award for Best World Feature went to both Australian film Oddball and Colombian film Between Sea and Land. Oddball is a family adventure where an eccentric farmer, his granddaughter and their troublemaking sheepdog face off against a pack of penguin-stealing foxes. Between Sea and Land is a touching story of Alberto, who is afflicted with a neurological disorder that confines him to his bed, his mother Rosa lovingly protects and takes care of him.

Concluding yesterday, Apr 3, the 19th annual festival screened dozens of films and hosted special guests like actress and director Meg Ryan, recipient of the Sonoma Salute Award.

Mar. 31: Voice Works in Napa

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Celebrated singer-songwriter Patty Griffin is taking her act in a new, powerful direction with a national tour featuring performers Sara Watkins and Anaïs Mitchell. Springing from the darkly political inspiration of her 2015 album, Servant of Love, Griffin is striking out with a musical message of voter engagement in conjunction with the League of Women Voters, banging the drum of democracy while strumming her folk, country and gospel music. Griffin shares the stage with Watkins and Mitchell in a special songwriters-in-the-round-style show that will see the three performers sharing songs and accompanying each other on Thursday, March 31, at the Uptown Theatre, 1350 Third St., Napa. 8pm. $40–$70. 707.259.0123.

Apr. 1-10: Art Hunters in Sebastopol

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If you find yourself walking the streets anywhere in Sonoma County this week, keep your eyes open, or you might miss the art. For the first 10 days in April, Pie Eyed Studio is hosting the second annual Big Art Treasure Hunt, boasting 50 pieces of original art hidden throughout the area. The rule is: if you find it, you keep it, meaning that this hunt is the perfect time to bolster your collection. Pie Eyed will be releasing cryptic clues on its Facebook page between April 1 and April 9, and the studio wraps up the hunt with a party on Sunday, April 10, at 2371 Gravenstein Hwy. S., Sebastopol. Noon. Free. 707.477.9442. facebook.com/pieeyedstudio.

Apr. 2: Local Lit in Rohnert Park

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North Bay bookworms will be in literary heaven this weekend, as the Sonoma County Local Authors Showcase and Symposium welcomes writers and readers for an informative and fun gathering. Fans of poetry, fiction, children’s literature and history will have the chance to put faces to their favorite writers. Founded by novelist Sabrina Rawson, the event includes talks from nearly 20 wordsmiths, including transformative self-help writer Tina Azaria, detective novelist Waights Taylor Jr. and Bohemian contributor David Templeton. Exhibitors like cookbook guru Michele Anna Jordan and a panel discussion on the business of writing will also inspire on Saturday, April 2, at the Rohnert Park Cotati Regional Library, 6250 Lynne Conde Way, Rohnert Park. 10am. Free. sonomalibrary.org.

Apr. 2: Seasonal Sensation in Santa Rosa

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The dark days of winter are finally in the past, and the North Bay is basking in the sun with its Spring into Art event. Featured artists include live painter and poet Kaija Sabbah, stencil artist and cartoonist Last Ruby, tattoo artist Quinn Brown and Urban Pilgrim Photography’s Gina Lopez. For the music lover, San Francisco’s soulful shoegaze girl group Future Twin headline a slate of acts that also features Santa Rosa rockers Faulty Lockets and young punks Kitten Drunk. Live comedy and DJ sets round out the night, which happens on Saturday, April 2, at the Arlene Francis Center, 99 Sixth St., Santa Rosa. 7pm. $10. 707.528.3009.

Beef of Burden

Litigants in the battle over the future of cattle grazing on the Point Reyes National Seashore will head to federal court later this spring.

A lawsuit filed by a trio of environmental organizations in February is aimed at the National Park Service and Cicely Muldoon, superintendent of the park. Its stated purpose is to force the NPS to better manage the 18,000 acres of dairy and beef cattle that graze the park’s pastoral zone, along with the not-so-occasional tule elk that wander into those lands, located in the southern end of the park.

But the stakes are potentially higher. A successful outcome for the plaintiffs, says Huey D. Johnson of the Mill Valley–based Resource Renewal Institute, could impact other cattle operations, including ranches located within the Golden Gate National Recreation Area and beyond.

“Sure. It will transfer over to the nation,” says Johnson, a local titan of environmentalism and a former state resource secretary under Gov. Jerry Brown in the 1970s. His organization is joined in the suit by the Center for Biological Diversity and the Western Watersheds Project. “There are a number of national parks with cows,” says Johnson, “and powerful special interests that promote grazing in federal landscapes.”

The suit calls on the National Park Service (NPS) to update its Point Reyes documents, especially the 1980 General Management Plan to include, for example, an environmental impact review of the ranches. The lawsuit claims, among other negative impacts, that the cattle cause erosion and manure impacts salmon downstream.

Following hard on the hooves of a bad-blood lawsuit with the now-closed Drakes Bay Oyster Company, the latest Point Reyes lawsuit comes as the NPS is working on its Ranch Comprehensive Management Plan as part of its responsibilities under the National Environmental Policy Act.

On that front, the lawsuit appears to demand the NPS do what it is already doing—come up with a plan for managing the ranchlands—with the kicker that there are still too many cows (about 4,000). The park’s point-person on ranching issues, Melanie Gunn, couldn’t comment on the pending litigation, but NPS officials have stated that the agency is determined to keep the ranchers in the park.

While the battle to save Drakes Bay is over, those iconic “Save Drakes Bay” signs are still up all over the North Bay—as are signs along ranch fences around West Marin that call for more fencing in the park to keep the elk and cow herds separated.

The oyster and cattle suits appear similar—commercial activity undertaken with ad hoc leases on public land—but the potential elimination of cattle ranching in Point Reyes is on a higher order of magnitude when it comes to the potential economic impacts.

Ranching advocates highlight that the milk that flows from the Holsteins and Jerseys is some of the finest and that the ranches support numerous other jobs in the area—from truckers to veterinarians to graphic artists to the Marin Sun Farms restaurant and retail outpost on Highway 1 in Point Reyes Station. Marin Sun’s ranch is located in the park.

Johnson says he loves his beef and his ice cream, too, but that’s not the point. The point, he says, is to enforce accountability on an agency that’s mucked through its management of the cows (and the elks) for decades.

Johnson says that opposition to the suit is coming from a “funny little cabal of dairy lovers out there. They’ve gotten well-rooted, the local press often favors them, they are nice people and it seems like a good idea. . . . I would say that there’s been something of a public relations war, not really a war but an ongoing struggle, and a handful of well-meaning elderly environmentalists have long ago fallen in love with dairy cattle.”

But it’s not just the green elders of Inverness who are supporting new leases for the ranchers; the West Marin Environmental Action Committee was a driving force behind the Drakes Bay lawsuit, but is not onboard with the current litigation. The former executive director, Amy Trainer, moved on in October, and the current director, Morgan Patton, says the organization is supporting a pledge made to ranchers to grant longer leases made by then–secretary of the interior Ken Salazar as the Drakes Bay battle waged.

To ease the concerns of ranchers that they were next on the get-out list—including Kevin Lunny, who ran Drakes Bay and operates one of the cattle ranches in Point Reyes National Seashore—Salazar said he would work on securing 20-year leases for the ranchers.

“We support the decision,” says Patton of the Salazar pledge, in an interview at the Environmental Action Committee office in Point Reyes Station (which was vandalized during the Drakes Bay fight). The ranchers are now on ad hoc, year-to-year leases which can both foster financial insecurity and don’t provide a whole lot of incentive to properly manage one’s ranch.

The organization, says Patton, is working with the park and ranchers on the management plan. Patton notes that a key difference between the respective suits was that Drakes Bay Oyster Company was operating in an area with a wilderness zoning designation; the cattle are all on land zoned as pastoral in the enabling legislation that gave rise to the Point Reyes National Seashore in 1962. In other words, the cattle occupy land that was originally zoned so that they could occupy it.

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“We have to make our decisions based on the law and policy,” Patton says.

Johnson sees things a little differently when it comes to Salazar’s deal with the ranchers: “I want that land to be managed properly, I want there to be grass growing, and I don’t have time to fool around with their demands for longer leases and whatever.”

The Marin Agricultural Land Trust, also based in Point Reyes Station, fosters voluntary agricultural conservation easements aimed at preserving agricultural and keeping development at bay. Executive director Jamison Watts says the parkland ranches are a vital resource for the area and the world at large, providing not just superior organic, GMO-free products, but a model for how to do it on environmentally sensitive land. He readily acknowledges that park service management of cattle isn’t perfect, but says that’s exactly why they are working on a ranch-management plan. A sustainability framework in the park would be economically viable (if not profitable to the ranchers), Watts says, not to mention “environmentally sustainable, and contributing to a high quality of life for the community.”

“We have a great opportunity to continue demonstrating sustainable ag in Point Reyes,” Watts adds, noting that the cattle in the seashore and in Golden Gate National Recreation Area comprises 20 percent of Marin County’s annual agricultural yield of about $100 million.

“We’re not saying anything about getting any cattle out of there,” Johnson says of the lawsuit. “We want the park service to do what they haven’t done,” he says, “because they are in the pocket of the dairy interests.”

In Johnson’s vision of a properly managed national park, Point Reyes National Seashore would resemble an English park in the plains, which often have, he says “a few cows grazing out there with the grass up to their belly. Here, you see pictures of pastures that are just mud and manure with no grass on them.”

He sees a future Point Reyes National Seashore with ranching continuing on a “much more reduced scale—they’ve got several times the number of cattle that should be on that land. The parks service should tell them to take care of the land, but they don’t.”

The lawsuit comes as the NPS’ management of the elk herd has itself been under a cloud of criticism. Johnson says his impetus was the plight of the reintroduced tule elk who also live and graze in the park; many dozens died during the drought.

“I was so upset that the parks service [said], ‘Yeah, we lost 250 elk, they died of thirst and hunger.’ What the hell kind of organization are they running when animals are dying of thirst?”

Anti-rancher activists have also raised concerns around the killing of elk that were culled by the NPS because they’d been exposed to Johne’s disease, an illness that leaves the animals emaciated. The NPS says that while a few animals tested positive for the bacteria that causes the illness, none of the elk in PRNS have exhibited symptoms of the disease.

Marin rancher and attorney Nicolette Hahn Niman has been speaking up on behalf of the Point Reyes ranchers and says that concerns for the elk and the culling of diseased animals have been conflated into accusations that the ranchers are themselves calling for the eradication of the elk, serving a cow-vs.-elk dynamic that’s convenient for the plaintiffs but isn’t backed up by the facts.

She cites a recent Wall Street Journal video that features one of the plaintiffs and “an almost exclusive focus on the elk. Is this what is actually motivating these individuals? Because I was really surprised at how central it is to their argument. Ranchers as a group are not advocating for the elimination of the elk and have repeatedly called for nonlethal methods to get rid of them when they have to.”

In a 2014 letter to Muldoon, the Point Reyes Seashore Ranchers Association said that the elk and cows ought to be kept apart from each other. There’s no mention in the letter of killing the elk to achieve that end. That letter also goes to lengths to talk about best management practices, including, for example, “managing the rangelands in a fashion proven to sequester carbon.”

Properly managed, grazing animals can help trap climate-changing carbon in the soil. Hahn Niman says that while there is real concern about what the suit might mean for ranchers, she doesn’t anticipate that it will go anywhere—though as an attorney, she says you never know. “There is a distinct possibility that it will be dismissed fairly early on,” she says. “I know what the park’s been doing to update the management plan, and it’s a lot.”

Hahn Niman questioned the wisdom of filing a lawsuit about a particular set of concerns in Point Reyes National Seashore, while the plaintiffs concede that the suit, if successful, would create a precedent that could be applied elsewhere.

“If you read the lawsuit, it’s not that ambitious—manage it better, the park’s not keeping its management plan up to date—but when you understand that the plaintiff wants to get all the cattle out of all [public lands], the ranchers are right to be alarmed.”

Hahn Niman says she is only speaking for herself and her husband, sustainable livestock pioneer Bill Niman, as she notes that ranchers are “extremely concerned about this lawsuit and rightly alarmed because not only is [Johnson] making this statement, but the two other groups—that’s all they do is try to get grazing out of public lands, and there’s no question that’s what is motivating the lawsuit.”

Johnson is standing his ground. He has an expert opinion on grazing, he says, which found Point Reyes National Seashore to be “the worst example of overgrazing that he has seen.”

He is looking forward to his day in court. “We obviously had such difficulty communicating with the parks service, given the interests and their special deal with the ranchers,” Johnson says. There was no way to do this except to say, ‘Go talk to a federal judge.’ It’ll do them a world of good. I look forward to the process.”

Correction: An earlier version said there were 6,000 cattle in PRNS. Also, the story has been updated to include additional information and clarification from the National Park Service about Johne’s Disease in the park, and the Drake’s Bay Oyster Company lawsuit, which was filed by the oyster company and not the NPS. We regret the errors.

Triple Shot

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If Ramen Gaijin left things the way they were, it would still be a great place. The ramen is superb, as is the menu of salads and starters. Friendly folks and cool vibes add to the appeal.

But owners Matthew Williams and Moishe Hahn-Schuman didn’t leave well enough alone. They closed for three months late last year and gutted the place. They demolished the woodburning oven (it didn’t really fit in a Japanese restaurant). They ripped out the redwood-slab bar top and moved it to an adjacent counter space and built a new concrete bar. The addition of beautiful reclaimed barn-wood paneling, and new tables and chairs in the lounge area make the place look downright sexy.

But the restaurant got more than a makeover. Gaijin added an exciting

izakaya (Japanese tapas) menu and a cocktail program created by spirit wizard Scott Beattie, one of the prime movers behind the craft-cocktail movement. The menu he created runs with the Japanese theme, and the bar is now a destination in its own right.

The Japanese tea highballs, made with tea-infused Japanese whiskies, are great with a bowl of ramen; the bubbles in the seltzer cut through the rich broth of the soup. Gillian Tyrnauer, late of the Healdsburg Shed, now manages the bar at Ramen Gaijin and brought her shrub-making skills. The sweet and sour fermented creations appear in the changing list of seasonal “tonics” like the Winter Ball ($11)—Spirit Works gin, grapefruit-juniper shrub, lime and pickled juniper. Shrubs also appear in the ginger beer–based bucks and mules served in copper mugs like the eminently refreshing Mujina Mule (vodka, ginger-turmeric shrub, lime and nutmeg).

The list of Spirited Away drinks is a treat—lighter, stirred cocktails made with Japanese plum wines, Japanese spirits and aromatic bitters and essential oils. The drinks’ names are taken from Japanese pop culture and mythology, and refer to various phantoms and avenging ghosts.

The Teke Teke (El Dorado eight-year-old rum, St. Elizabeth Allspice Dram, Alessio Vermouth Chinato and honey umeshu; $11) is named after the ghost of a girl severed at the waist by a train who spends her days dragging her upper torso around looking to slice others in half.

I loved the refreshing Ashimagari ($11), a pale purple cocktail made with Torikai shochu, shiso/plum liqueur and an ethereal, floating sheet of purple nori seaweed. Ashimagari is a ghostly phenomenon said to feel like a kitten wrapping around your feet at night, impeding your ability to walk—a sensation akin to drinking too many of these.

In addition to the Japanese-inspired drinks there’s a list of a dozen classic cocktails.

Like Forchetta Bastoni, the restaurant that came before it, Ramen Gaijin is two restaurants in one, but this one is much more cohesive. There’s the ramen side of the restaurant, and the izakaya and bar side. The full izakaya menu is not available on the ramen side. And you can’t order ramen at the bar or in the lounge. The idea was to create two distinct dining experiences. That it is, with great drinks to boot.

Ramen Gaijin, 6948 Sebastopol Ave., Sebastopol. 707.827.3609.

Level Up

In an exciting new meeting of the minds between Sonoma County musicians, business and government, the inaugural Next Level Showcase and Conference launches April 15–17 at the Arlene Francis Center and Chops Teen Center in Santa Rosa. Made possible by support from the California Arts Council and a grant from the Hewlett Foundation, Next Level will highlight the area's wealth...

Fee or Not to Fee

The term "iron ranger" may invoke a misbegotten 1980s hard-rock hybrid between San Francisco's Night Ranger and British metal legends Iron Maiden—but of course beach-loving readers of the Bohemian know the iron rangers as the devilish devices that the state wants to install in eight coastal parks and parking lots in Sonoma County. Critics have knocked the state's pay-to-park plan...

California Roots

Napa's Basalt restaurant opened this week and showcases a menu inspired by California's first settlers, drawing on flavors from Mexico, Spain and Portugal. Chef Esteban Escobar, formerly of San Francisco's Town Hall and Walnut Creek's Corners Tavern, has created a menu of plates large and small that includes dishes like chicharrones with lime salt and honey; marinated and fried...

Sonoma International Film Festival Announces Audience Award Winners

Annual event's attendees select favorites from five-day festival.

Mar. 31: Voice Works in Napa

Celebrated singer-songwriter Patty Griffin is taking her act in a new, powerful direction with a national tour featuring performers Sara Watkins and Anaïs Mitchell. Springing from the darkly political inspiration of her 2015 album, Servant of Love, Griffin is striking out with a musical message of voter engagement in conjunction with the League of Women Voters, banging the drum...

Apr. 1-10: Art Hunters in Sebastopol

If you find yourself walking the streets anywhere in Sonoma County this week, keep your eyes open, or you might miss the art. For the first 10 days in April, Pie Eyed Studio is hosting the second annual Big Art Treasure Hunt, boasting 50 pieces of original art hidden throughout the area. The rule is: if you find it,...

Apr. 2: Local Lit in Rohnert Park

North Bay bookworms will be in literary heaven this weekend, as the Sonoma County Local Authors Showcase and Symposium welcomes writers and readers for an informative and fun gathering. Fans of poetry, fiction, children’s literature and history will have the chance to put faces to their favorite writers. Founded by novelist Sabrina Rawson, the event includes talks from nearly...

Apr. 2: Seasonal Sensation in Santa Rosa

The dark days of winter are finally in the past, and the North Bay is basking in the sun with its Spring into Art event. Featured artists include live painter and poet Kaija Sabbah, stencil artist and cartoonist Last Ruby, tattoo artist Quinn Brown and Urban Pilgrim Photography’s Gina Lopez. For the music lover, San Francisco’s soulful shoegaze girl...

Beef of Burden

Litigants in the battle over the future of cattle grazing on the Point Reyes National Seashore will head to federal court later this spring. A lawsuit filed by a trio of environmental organizations in February is aimed at the National Park Service and Cicely Muldoon, superintendent of the park. Its stated purpose is to force the NPS to better manage...

Triple Shot

If Ramen Gaijin left things the way they were, it would still be a great place. The ramen is superb, as is the menu of salads and starters. Friendly folks and cool vibes add to the appeal. But owners Matthew Williams and Moishe Hahn-Schuman didn't leave well enough alone. They closed for three months late last year and gutted the...
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