Bridging the Gap

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Promoter and event producer Jake Ward wants to see the entertainment scene in Sonoma County succeed. The founder of North Bay Cabaret and co-founder of Circus Maximus, which performs its new original production, Juxtapose, at the Glaser Center in Santa Rosa on April 9, has gained a wealth of knowledge, and he plans to pay it forward.

In the last year, Ward was introduced to and began working with promoter Rick Bartalini, the one-man force behind Rick Bartalini Presents, whose client list includes Diana Ross and comedian Bill Maher. Last month, Bartalini brought Ward on board to help with the sold-out Lyle Lovett and Robert Earl Keen acoustic show at the Marin Center in San Rafael.

“His approach to being a promoter really resonated with me,” Ward says. “He’s very successful, but he’s not in it for self-promotion. And he’s really dedicated to offering a quality experience for the artist.”

In addition to the idea of artist-focused attention, Bartalini has also introduced Ward to the financial scrutiny that comes with event promotion, analyzing and strategizing everything from venue size to ticket prices. Now Ward wants to translate this knowledge into helping local bands and venues maximize their potential. For Ward, the state of the scene in Sonoma County is at the forefront of his mind.

“There are so many bands who would be adept at creating their own shows, at dealing with independent tours, if they just had a little direction,” says Ward.

Ward points to the upcoming Next Level Showcase and Conference (see p21 for more info) as a great resource and sees his own concept, a series of workshops focused on helping musicians and venues connect, as the flip side of that coin.

“There is no book to being an independent promoter or producer,” Ward says. “Every market is different, every venue is different. I’m trying to boil some of that down and save people years of trial and error.”

Ward is also focused on his work with Circus Maximus. For the past few months, he’s organized biweekly workshops at the Arlene Francis Center in Santa Rosa, where potential performers can drop in and practice with things like stilts and tight ropes. The next event is Sunday, April 17.

This weekend’s Circus Maximus production will be an all-ages show with aerialists, acrobats and clowns. Face-painting, food, games and midway attractions will also be part of the action. “It’s an awe-inspiring lineup,” Ward says. “It’s going to be great for kids as well as adults.”

April Showings

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Arts in April, a celebration of art and community hosted by the Arts Council Napa Valley, is in its sixth year, and the size and impact of the event has grown tremendously, “from 42 in 2014 to over 80 this year,” says Arts in April producer Danielle Smith.

The festivities began on April 1. On April 7, Arts in April collaborates with the Napa Valley Museum for the exhibit “Napa Valley Collects,” which showcases and gives access to personal art collections from the area.

The Arts in April selection committee will spotlight 25 artists throughout the month. Local artists from Napa and the Bay Area will be featured alongside international artists in events ranging from fine art exhibitions at posh wineries to poetry readings in driveways. On the closing weekend,
April 30–May 1, 30 exhibitors will create and display their work in a facility in Calistoga.

“Napa Valley Collects” opens with a reception on Thursday, April 7, at the Napa Valley Museum, 55 Presidents Circle, Yountville. 5pm. $10–$20. 707.944.0500. For more information, visit www.artscouncilnapavalley.org.

Debriefer: April 6, 2016

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GHOST POTS

California’s crab fleet is back in action after many months of being stuck at the dock waiting for domoic acid levels to drop in the Dungeness fishery. Now that they’re back to work, State Sen. Mike McGuire,
D-Healdsburg, has another crab-related bill he’s pushing through the Legislature—one to keep the ocean free of lost crab gear, or “ghost pots,” as they’re called. McGuire last week offered a bill that aims to help California’s whale population from getting entangled in lost or abandoned crab gear that litters the ocean floor. His bill, SB 1287, provides incentives to fishermen “to retrieve Dungeness crab fishing gear that would otherwise be lost.”

It’s the first program of its kind in California that isn’t a voluntary pilot program; other coastal states have also enacted ghost-pot retrieval laws. Every year, writes McGuire’s office in a release, hundreds of pots, some with hundreds of feet of rope attached, are lost during the fishing season. Whales get entangled in the gear, and it’s a bad scene for the mammals.

The McGuire plan would be administered through the state Department of Fish and Wildlife. Who’s going to pay those incentives to gear retrievers? The crabbers themselves will fund the program. Under McGuire’s bill, the crabber whose lost or abandoned pot is retrieved will pay a retrieval fee once it’s been salvaged. That fee has yet to be set by Fish and Wildlife.

A single commercial Dungeness crab pot retails for around $100, according to online sources. They’re not cheap to replace. Does the fisherman who lost the pot at least get it back after paying the retrieval fee? Yes, he does. The State Senate’s Natural Resources Committee takes up the McGuire bill on April 12.

WEEP AND QUAIL

Petaluma-based vegetable and quail-egg farmer Molly Myerson recently lost her business to a fire, a tough deal for her and the Bay Area restaurants that purchase her eggs and produce. Myerson, a thirty-something native of New York City, operates the one-acre Little Wing Farm between Bloomfield and Tomales, and was profiled in these pages last Thanksgiving for the amazing, locally sourced holiday menu she contributed to the pages of the equally amazing, locally sourced Inverness Almanac. There was a benefit for Myerson at the restaurant Saltwater in Inverness last week, the first of a few that are in the offing as Myerson tries to get back on her feet. If you want to help her out, contact Myerson directly: PO Box 2770, Petaluma 94953.

GO RENTAL

Santa Rosa City Council member Julie Combs sent us a heads-up text last week as the Santa Rosa City Council was voting on a couple of rent-related regulations that we wrote about last month. Combs reported that a rent-stabilization and a just-cause-for-eviction measure were voted out of a council subcommittee “with a recommendation to support” on April 1. Those measures will come up for a full vote on May 10 and would enact a so-called soft rent stabilization program that won’t come with a big new enforcement bureaucracy.

$15 AND SENSE

Gov. Jerry Brown on Monday signed legislation that will steadily raise California’s minimum wage over the next five years to the $15 an hour that’s animated a national fight over living wages over the past couple of years. The California minimum wage presently stands at $10 an hour and will increase by $1 an hour until 2022, at which point the cost of living will have outpaced $15 an hour and we’ll be living in our car again, eating gas station peanuts for dinner. You just can’t win.

Civic Malfeasance?

It’s been nine weeks since the Santa Rosa City Council’s controversial decision to approve the $10–$20 million reunification of Courthouse Square. Public outcry over that decision ensued. The allegations of impropriety are numerous, but evidence points to a breach of ethics over city charter violations. Let your conscience be your guide.

The following are facts I located in the public records and via verbal confirmation from Councilmember Julie Combs. The Courthouse Square project is classified as a “capital improvement project” (CIP). These projects are subject to annual public budget review requirements, which take place over a five-year period prior to the commencement of a project. City charter section 28 requires that “prior to any annual goal setting meeting held by the Council, the Council shall hold a public hearing seeking oral and written comment from the public on budget priorities for the upcoming fiscal year.”

The capital budget records account for the five-year budget review of Courthouse Square sewer and street repairs. But Combs informed me that the remaining expenditures for Courthouse Square do not need to pass the five-year public-budget review, even though I pressed her on the fact that the taxpayer general fund will be used to pay for the project.

City charter section 10 requires that the council shall receive advisement through its appointed community advisory board (CAB). The CAB’s responsibility is to “greatly increase citizen and neighborhood participation and responsibility,” including helping to set annual “CIP budget priorities for their respective districts.” But the CAB failed to comply with a January deadline for the Courthouse Square community budget outreach. Combs gave me no guarantee that the council would enforce the charter.

The charter requirements are the city’s governing constitution voted by the people, which the city council must fulfill. If it is not, citizens remain unrepresented in meetings in which they’re allowed to participate—to support or oppose CIP budget priorities and review regarding Courthouse Square.

What are your thoughts? Have the citizens of Santa Rosa been disenfranchised from the budget review of Courthouse Square?

Jennifer Coleman is a private property manager and Santa Rosa activist. For more info, go to facebook.com/opposecourthousesquare.

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Drink the Stars

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The story of how Andreas Krieger became assistant winemaker to Sean Thackrey, the reputedly enigmatic vintner who’s been ensconced with his barrels in Bolinas since 1981, is really quite simple. “I put my bike on the fence, and walked around to the door, and introduced myself,” says Krieger. “I said, ‘Hi, I’m Andreas from Switzerland.'”

Now it’s just as easy to introduce yourself to the wines of Thackrey & Co. at its Forestville location—tucked away in an old backstreet cellar—where Krieger tends to the winery’s flagship Pleiades red blend, while juicing up the brand with new white blends.

Thackrey got the inspiration for his “heretic wine” when a batch of Nebbiolo that turned out rather wan and funky was transformed by the addition of Grenache. The blend is consistent year to year only in the way that a painter’s style is, explains Krieger: you recognize it in an entirely different painting. The heresy of Pleiades XXIV Old Vines ($24) is that it’s based on Pinot Noir, which is rarely seen in blends, let alone with Sangiovese. Showing a savory, sage aroma and light cherry fruit, the wine takes its time introducing notes of mandarin orange tea, raspberry pastille and vanilla bean. Silky texture builds on the light, quaffable palate as the wine becomes more interesting with each sip.

The new, white version of Pleiades, La Pleïade II ($24), is a blend of Roussanne, Marsanne and Viognier that hints at “orange wine,” although the crushed grapes were only soaked, not fermented, on their skins. An exotic medley of fermented apricots, marmalade, butterscotch and cinnamon bark leads to fleshy fruit and a firm, dry finish.

The second vintage inspired by a Sangiovese project that preferred to be a rosé instead, the 2014 Fifi ($24), is a bright, fun rosé with crunchy cherry flavor. On the deeply colored and alluring end of the spectrum, the 2013 Sirius Mendocino County Petite Sirah ($45) plays up the varietal’s cassis and blueberry sauce character with flavorful results.

Thackrey calls his 2013 Orion ($90) a “California native red wine,” a typically cryptic designation that really means it’s a single-vineyard field blend from old vines. Unlike many such blends, it’s light on Zinfandel and heavier on blueberry-fruited Petite Sirah (and whatever mystery varieties the vineyard contains). At
15.7 percent alcohol by volume, it’s a big, deceptively juicy wine, the intense olallieberry fruit obscuring a tannic chassis that, rather than crumbling after the bottle’s been open for three days, just keeps rolling that fruit along.

Thackrey’s wines are also available by the glass or bottle at Marin Sun Farms. Thackrey & Company, 6450 First St., Forestville. Tasting by appointment, Saturday and Sunday. 707.820.1428.

(See this week’s Feature for an interview with Sean Thackrey.)

Level Up

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In an exciting new meeting of the minds between Sonoma County musicians, business and government, the inaugural Next Level Showcase and Conference launches
April 15–17 at the Arlene Francis Center and Chops Teen Center in Santa Rosa.

Made possible by support from the California Arts Council and a grant from the Hewlett Foundation, Next Level will highlight the area’s wealth of local musical talent and help local bands and those in the music business take the next steps in achieving their personal and professional goals.

Next Level is the brainchild of Kristen Madsen and Josh Windmiller, the man behind local music collective the North Bay Hootenanny. Appointed last year as the director of Creative Sonoma, a program under the county’s Economic Development Board, Madsen brings a lifetime of music-industry experience to Sonoma County. She previously worked at the National Academy of Recording Arts and Sciences and was the senior vice president of the Grammy Foundation.

“I’ve been doing professional development and networking for music people for 20 years,” Madsen says. “So when I first came to Sonoma County last year, I was trying to find my way into the music community around here. And that’s when Josh and I hooked up.”

A Sonoma County native and lifelong musician, Windmiller has fronted the folk-punk ensemble the Crux since 2007, and founded the nonprofit Hootenanny to organize community events that included last year’s Railroad Square Music Festival.

“I got a really good sense of the wonderful spirit of comradery in the community,” says Madsen. “We wanted to find a way to build on that. That’s a core part of what Creative Sonoma is about: helping creative people do what they do better.”

For the two days of musical showcases, Windmiller joined forces with Second Octave, the creative team behind the summer concert series at the Somo Village Event Center in Rohnert Park, to book a far-reaching range of talent.

“We wanted to expand on the Hootenanny’s normal lineup of Americana music,” says Second Octave marketing director Bryce David Dow-Williamson. “We wanted to show off some of the younger, louder, more experimental music that’s also happening around Sonoma County, expand the breadth of the showcase.”

On Friday, April 15, the Arlene Francis opens its doors at 7pm for three stages of regional acts that include Petaluma pianist Saffell, songwriter Kevin Russell, indie-pop wonders Lungs and Limbs, acoustic folk band Mr. December, psychedelic blues-rockers Rainbow Girls, and others.

Saturday, April 16, continues with experimental West County band Antiphony, melodic indie-rock outfit Rags, fun-loving pop band Secret Cat, Gypsy-soul ensemble Royal Jelly Jive and songwriters Travis Hayes, Kristen Pearce, Ashley Allred and Timothy O’Neil.

Sunday, April 17, moves the activity to Chops for the conference. The day starts with a keynote talk by Griff Morris, senior manager of artists and industry strategy at Amazon Music. Also on the lineup is a conversation with Fairfax booking agency Mongrel Music and Latin music-royalty agency Regalias Digitales, as well as a panel with management firm A Train Entertainment and San Francisco indie label Tricycle Records. The day wraps with roundtable discussions where musicians can get one-on-one advice.

Next Level is also initiating a grants program, offering five bands or artists the chance to receive $2,500 to go toward their choice of projects.

The grant comes with 10 free hours of one-on-one consulting and three hours of legal advice, all meant to help musicians capitalize on the investment. “The bands not only get some money to help them get where they want to be, we’ll pair them with professionals so they can also get advice and expertise in whatever area they are going to use the money for,” explains Madsen.

Conference attendees will be able to submit their grant proposals at the event, and Creative Sonoma will track recipients’ progress throughout 2016. Next year, Madsen hopes to bring the bands back together to share their experiences at the second Next Level Conference.

“I think this is a unique experience to have this level of industry professionals coming to Sonoma County,” Madsen says. “It makes a strong statement about what people outside of the area see in terms of the music scene here, and that is really positive for the future of Sonoma County musicians.”

Fee or Not to Fee

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The term “iron ranger” may invoke a misbegotten 1980s hard-rock hybrid between San Francisco’s Night Ranger and British metal legends Iron Maiden—but of course beach-loving readers of the Bohemian know the iron rangers as the devilish devices that the state wants to install in eight coastal parks and parking lots in Sonoma County.

Critics have knocked the state’s pay-to-park plan for its dishonoring of the 1976 California Coastal Act, which enshrines equal access to the beach for all, regardless of one’s race, class or gruesomely weathered lizard skin. The issue will likely be resolved late next week when the California Coastal Commission meets in Santa Rosa to take up the proposal.

The pay-to-park fight has waged for several years between the California Department of Parks and Recreation (which wants the parking fees) and Sonoma County (whose supervisors unanimously rejected the plan in 2013). The iron rangers would be installed at destinations like Goat Rock, Salmon Creek, Shell Beach and other spots along a 35-mile stretch of Sonoma County coast.

The state appealed the county’s decision to the commission, which will meet on April 13–15 at the Veterans Memorial Auditorium in Santa Rosa. The meeting was moved from a smaller facility in anticipation of big crowds.

Every indication is that the commission is going to nix the state’s plan, since that’s what commission staff recommended in an epic February report on the dust-up that ran to over 700 pages. There, commission staff noted the popularity of the subject beaches, which draw over 3 million visitors annually—almost all of them arriving by car, and many from lower-income residences of Sonoma County.

“These facilities are essential for continuing lower-cost access to the coast at all for many economically disadvantaged groups,” the commission staffers noted, “including the significant Latino population centers located near and within the city of Santa Rosa. In many ways, the question of whether to charge fees here can also be considered a question of social justice.” That’s what local critics of the plan said when the state first announced its intention to install the iron rangers.

The machines have themselves been upgraded by the state over the years, and the state apparently believes this should be reason enough to install them—while also suggesting that charging people $8 to park for the day will bring more people to the beach. Don’t you love how technology provides its own rationale?

In a 2015 letter to the Coastal Commission, the state says it “will demonstrate pay station installation will not result in damage to coastal resources, and will actually enhance public access to the coastline within Sonoma County. . . .”

“The available technology now employed has rapidly evolved and improved,” the letter continues, before describing the high-tech machines as solar-powered, WiFi-equipped devices that “allow for the purchase of day use access through the use of cash, debit, credit, and Pay Pass options. . . . Users can add time using their smartphones in locations where cell phone service is available, and [California State Parks] can alternate rate schedules to ensure maximum access is promoted.”

“You’re motoring / what’s your price for flight?” asked Night Ranger’s Santa Rosa–based frontman Jack Blades, in the band’s hit “Sister Christian.” Next week’s Coastal Commission meeting ought to answer that question once and for all. Oh, the time has come.

California Roots

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Napa’s Basalt restaurant opened this week and showcases a menu inspired by California’s first settlers, drawing on flavors from Mexico, Spain and Portugal. Chef Esteban Escobar, formerly of San Francisco’s Town Hall and Walnut Creek’s Corners Tavern, has created a menu of plates large and small that includes dishes like chicharrones with lime salt and honey; marinated and fried chicken wings with cilantro cream; chorizo consommé with toasted noodles, pork belly and poached egg; and an achiote-cocoa-marinated black cod.

The restaurant is playing up its bar offerings, created by cocktail master Jason “Buffalo” LoGrasso. In addition to a solid list of classic cocktails, the bar will feature a 20-head tap system for wine and beer. The handsome interior was designed by Rapt Studios, which sourced 80 percent of all furnishings and lighting from local artisans and fabricators.

Basalt is open for dinner, 5pm to 10pm, Sunday–Thursday, and until 11pm on Friday and Saturday. Lunch service will be added later. 790 Main St., Napa. 707.927.5265. basaltnapa.com.

Sonoma International Film Festival Announces Audience Award Winners

Determined by ballots given out to festival attendees, the Sonoma International Film Festival today announced the winners of their Audience Awards in three categories; Best Documentary, Best American Independent Feature and Best World Feature.

The Audience Award for Best Documentary went to Harold and Lillian: A Hollywood Love Story, the previously untold story of Hollywood veterans Harold and Lillian Michelson and their secret romance.

The Audience Award for Best American Independent Feature went to The Great and The Small, the new film from director Dusty Bias which follows a petty criminal attempting to navigate his complex life while dealing with his former criminal boss, a mysterious detective and a spurned ex-girlfriend. Director Marianna Palka’s quirky Always Worthy took second place.

The Audience Award for Best World Feature went to both Australian film Oddball and Colombian film Between Sea and Land. Oddball is a family adventure where an eccentric farmer, his granddaughter and their troublemaking sheepdog face off against a pack of penguin-stealing foxes. Between Sea and Land is a touching story of Alberto, who is afflicted with a neurological disorder that confines him to his bed, his mother Rosa lovingly protects and takes care of him.

Concluding yesterday, Apr 3, the 19th annual festival screened dozens of films and hosted special guests like actress and director Meg Ryan, recipient of the Sonoma Salute Award.

Mar. 31: Voice Works in Napa

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Celebrated singer-songwriter Patty Griffin is taking her act in a new, powerful direction with a national tour featuring performers Sara Watkins and Anaïs Mitchell. Springing from the darkly political inspiration of her 2015 album, Servant of Love, Griffin is striking out with a musical message of voter engagement in conjunction with the League of Women Voters, banging the drum of democracy while strumming her folk, country and gospel music. Griffin shares the stage with Watkins and Mitchell in a special songwriters-in-the-round-style show that will see the three performers sharing songs and accompanying each other on Thursday, March 31, at the Uptown Theatre, 1350 Third St., Napa. 8pm. $40–$70. 707.259.0123.

Bridging the Gap

Promoter and event producer Jake Ward wants to see the entertainment scene in Sonoma County succeed. The founder of North Bay Cabaret and co-founder of Circus Maximus, which performs its new original production, Juxtapose, at the Glaser Center in Santa Rosa on April 9, has gained a wealth of knowledge, and he plans to pay it forward. In the last...

April Showings

Arts in April, a celebration of art and community hosted by the Arts Council Napa Valley, is in its sixth year, and the size and impact of the event has grown tremendously, "from 42 in 2014 to over 80 this year," says Arts in April producer Danielle Smith. The festivities began on April 1. On April 7, Arts in April...

Debriefer: April 6, 2016

GHOST POTS California's crab fleet is back in action after many months of being stuck at the dock waiting for domoic acid levels to drop in the Dungeness fishery. Now that they're back to work, State Sen. Mike McGuire, D-Healdsburg, has another crab-related bill he's pushing through the Legislature—one to keep the ocean free of lost crab gear, or "ghost...

Civic Malfeasance?

It's been nine weeks since the Santa Rosa City Council's controversial decision to approve the $10–$20 million reunification of Courthouse Square. Public outcry over that decision ensued. The allegations of impropriety are numerous, but evidence points to a breach of ethics over city charter violations. Let your conscience be your guide. The following are facts I located in the public...

Drink the Stars

The story of how Andreas Krieger became assistant winemaker to Sean Thackrey, the reputedly enigmatic vintner who's been ensconced with his barrels in Bolinas since 1981, is really quite simple. "I put my bike on the fence, and walked around to the door, and introduced myself," says Krieger. "I said, 'Hi, I'm Andreas from Switzerland.'" Now it's just as easy...

Level Up

In an exciting new meeting of the minds between Sonoma County musicians, business and government, the inaugural Next Level Showcase and Conference launches April 15–17 at the Arlene Francis Center and Chops Teen Center in Santa Rosa. Made possible by support from the California Arts Council and a grant from the Hewlett Foundation, Next Level will highlight the area's wealth...

Fee or Not to Fee

The term "iron ranger" may invoke a misbegotten 1980s hard-rock hybrid between San Francisco's Night Ranger and British metal legends Iron Maiden—but of course beach-loving readers of the Bohemian know the iron rangers as the devilish devices that the state wants to install in eight coastal parks and parking lots in Sonoma County. Critics have knocked the state's pay-to-park plan...

California Roots

Napa's Basalt restaurant opened this week and showcases a menu inspired by California's first settlers, drawing on flavors from Mexico, Spain and Portugal. Chef Esteban Escobar, formerly of San Francisco's Town Hall and Walnut Creek's Corners Tavern, has created a menu of plates large and small that includes dishes like chicharrones with lime salt and honey; marinated and fried...

Sonoma International Film Festival Announces Audience Award Winners

Annual event's attendees select favorites from five-day festival.

Mar. 31: Voice Works in Napa

Celebrated singer-songwriter Patty Griffin is taking her act in a new, powerful direction with a national tour featuring performers Sara Watkins and Anaïs Mitchell. Springing from the darkly political inspiration of her 2015 album, Servant of Love, Griffin is striking out with a musical message of voter engagement in conjunction with the League of Women Voters, banging the drum...
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