BottleRock Announces Aftershows

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Michael Franti plays at Auberge du Soleil in Napa Valley on May 26.
Michael Franti plays at Auberge du Soleil in Napa Valley on May 26.

Last week, BottleRock Napa Valley Music Festival broke the news that it had already sold out all three days of its fourth annual fest, taking place in Napa May 27 to 29. For those who’ve missed out on the event, there’s now a ray of hope, as the fest has announced a week of aftershows taking place in and around Napa Valley.
The lineup of artists appearing at various venues range from songwriter Michael Franti to comedy duo Cheech & Chong to classic hip-hop group the Pharcyde to gypsy punk ensemble Gogol Bordello; meaning there’s something for everyone. There will also be pre-fest shows on Thursday, May 26, and a post festival performance by Rodrigo y Gabriela on Monday, May 30, at Uptown Theatre.
Check out the full list below, and grab tickets to these concerts at bottlerocknapavalley.com.

Apr. 29: Support for Survivors

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Sonoma County’s 42-year-old nonprofit Verity is a service for anyone directly or indirectly affected by sexual violence or trauma. As April is Sexual Assault Awareness Month, Verity is holding a timely benefit show this week with several local bands and educational outreach. Headlining is Santa Rosa folk pop group the Dollhouses, led by the multitalented Heather Castle Van Cleave. Petaluma songwriter Emily Whitehurst’s solo project Survival Guide is also on the bill, along with Oakland dream pop outfit Snow Angel (performing an acoustic set) and songwriter Kristen Pearce. The show happens on Friday, April 29, at Arlene Francis Center, 99 Sixth St., Santa Rosa. 7pm. $15–$20. Veritybenefit.brownpapertickets.com.

Apr. 30 – May 1: Art Engagement in Calistoga

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This weekend is the last chance to experience Napa Valley’s Arts in April program. Luckily, the Engage Art Fair is the biggest showing of the month, immersing guests in the works of dozens of artists and makers in every media, who will be on hand for a weekend that boasts fine food and wine along with paintings, photography and live performances from musicians like Shelby Lanterman and Kristen Van Dyke. Art demonstrations and talks will also give patrons an insight into the process and offer an interactive experience. The Engage Art Fair takes place on Saturday and Sunday, April 30–May 1, at the Napa County Fairgrounds, 1435 N. Oak St., Calistoga. 10am to 4pm both days. Free admission. engageartfair.org.

Apr. 30: Good Greenhouse in Santa Rosa

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The homegrown professionals behind Studio Space Santa Rosa recently teamed up with national nonprofit organization the Greenhouse Project, a group that focuses on offering artistic and educational resources to those in need and engaging local communities to help establish a place where elders enjoy a higher quality of care. This weekend, Studio Space opens its gallery for a special fundraising art show, where guests can enter a raffle to win artwork by over 20 talented local artists and photographers. There will be live music too. The doors open on Saturday, April 30, at Studio Space Santa Rosa, 840 Piner Road #14, Santa Rosa. 6pm. $10 admission. studiospacesantarosa.com.

Apr. 30: Tell Me About It, Stud in Cloverdale

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Nearly 40 years after its release, 1978’s Grease is still the word. This weekend, the Alexander Film Society presents a special Grease Sing-Along at the Drive-In. Cloverdale’s fairgrounds turn into a retro-party with your favorite Pink Ladies and T-Birds on the big screen, and everyone is invited to sing and dance along with classic hits like “Summer Nights” and “Greased Lightnin’.” You won’t be branded a fool. Food and drinks will be available and proceeds go to the film society. Gates open at 6:30pm on Saturday, April 30, at the Cloverdale Citrus Fairgrounds, 1 Citrus Drive, Cloverdale. $15 per individual; $50 per car. avfilmsociety.org.

Pinot to Pine For

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Being a fan of Williams Selyem is an exercise in delayed gratification. It’s not that the wines require years of cellaring—being mostly Pinot Noir, they are reasonably drinkable upon release. And it’s only partly that they are offered just twice a year. First, you must add your name to “the List” and wait, for more than half a year, until your name is called. This is why the words that most often follow “Williams” and “Selyem” and “iconic” are “highly allocated.”

To top that, the winery has no tasting room open to the public, so you cannot try before you buy. First, get in line. Recently, I jumped that line, to find out what this world-famous but locally secretive winery’s got tucked away off Westside Road in Healdsburg.

The first thing I do is overshoot the driveway by about a mile. Point taken: Williams Selyem does not invite the casual visitor, and displays only a discreet address by a buzzer and a locked gate. At the top of the drive looms a striking, glass-fronted building that seems to be bursting with wine barrels. They’re empty, decorative barrels, it turns out, each a tribute to vineyard sources they’ve worked with over the years.

This slick space, opened in 2010, is a place apart from the humble garage where founders Burt Williams and Ed Selyem made their first wines under the name “Hacienda del Rio” in the early 1980s. When I ask about that label, tasting salon host Jesse Hummel reaches over and plucks that very bottle off the wall to show me. This could be a magic moment for a long-waiting fan.

A dented, old stainless-steel dairy tank enhances the shrine-like experience—on a tight budget, Williams and Selyem bought these second-hand tanks to use as fermenters. But it’s more than a relic: fermentation is still done the same way in dozens of such tanks up the road at the old facility, ensuring, perhaps, that some subtle character of the wines does not change.

“You could say it’s self-created market scarcity,” Hummel suggests of the complex allocation scheme. “But do the prices reflect that?” Indeed, the cinnamon-spiced and pomegranate-and-blood-orange-fruited 2013 Sonoma Coast Pinot Noir ($60) is not crazy expensive for a coveted Pinot from this area.

The latest iteration of the California State Fair winner that got the winery noticed in 1987, the silky, demure 2012 Rochioli Riverblock Russian River Valley Pinot Noir ($89), is attention-getting if you’re paying attention. A rare library release, the warm, earthy and strawberry-conserve-scented 2012 Bucher Vineyard Russian River Valley Pinot Noir ($69) is offered directly to visitors—hope for instant gratification after all.

Williams Selyem, 7227 Westside Road, Healdsburg. First, get on the list. 707.433.6425.

Vinyl Scream

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This story starts in 1999, the year the acclaimed documentary American Movie introduced audiences to the idiosyncratic brilliance of independent Milwaukee filmmaker Mark Borchardt. The funny and inspiring film followed Borchardt as he worked to complete his short, low-budget horror film Coven (which Borchardt pronounces to rhyme with “woven”) while facing financial and personal hardships.

American Movie painted Borchardt and his associates in a humorous light, but the fact is Coven is an intense and visceral achievement, shot in stark black-and-white and featuring a creepy synthesizer score composed by Milwaukee musician Patrick Nettesheim.

It was that score that hooked Sonoma County musician and podcaster Josh Staples. Since 2013, Staples, Jef Overn and Brian Henderson have hosted the horror podcast Forever Midnight, described as a joyful discussion of horror in cinema. Last week, the Forever Midnight crew went from enthusiasts to entrepreneurs by releasing the official Coven soundtrack on vinyl, nearly 20 years after the film’s release.

“I love putting out records,” says Staples, who’s been producing albums as a member of Sonoma County bands the Velvet Teen and the New Trust for two decades. “I’ve also been a horror-movie music collector since I’ve had records. The music is so intense.”

Two years ago, Staples introduced Overn and Henderson to American Movie and Coven. Soon, the group was addictively watching and rewatching Borchardt’s film, about a struggling, alcoholic writer who joins a support group that appears to have demonic motivations.

“To me, Coven is a symbol of artistic struggle, but the movie turns out to be great,” says Staples. Coven is regarded by fans as the quintessential cult classic, and its ominous, dreamlike score is one of its strongest elements.

Staples reached out to both Borchardt and Nettesheim about releasing a soundtrack, and was happy to find both were excited to work on the project. From there, the Forever Midnight crew collected Nettesheim’s original recordings, remastered the tracks and worked with Borchardt to assemble a high-quality vinyl package that includes hand-painted artwork, liner notes by Borchardt and Nettesheim, and an original Coven movie poster. With a pressing of 500 copies, this first run of the soundtrack also includes a digital download of the film and a page from the screenplay.

“We went as far as we could with it,” says Staples. “It felt like what the movie deserved.”

‘The Coven Original Motion Picture Soundtrack’ is available now at the Last Record Store, 1899 Mendocino Ave., Santa Rosa, and online at forevermidnight.net.

Sour Notes

What lessons can we draw from the life of socialite and amateur opera singer Florence Foster Jenkins? Director Xavier Giannoli’s fictionalization, Marguerite, set in 1920s France, supposes only tragic ones.

After inheriting her father’s fortune in the early 1900s, Jenkins, a former piano teacher, built up a fashionable social circle and pursued her dream of a career in music, despite possessing zero talent. Like Jenkins, the Baroness Marguerite Dumont (the agreeably sweet Catherine Frot) has an unkillable ambition to perform opera in public, though her voice is like that of a tortured screech owl.

With the connivance of Mandelbos, her butler and photographer (Denis Mpunga in a part modeled after Erich von Stroheim’s Max in Sunset Boulevard), the neglected wife assembles a group of freakish supporters to encourage her as she heads for the stage where, dressed in angel wings (like Jenkins), she massacres the classic arias.

It’s likely that Giannoli named his heroine after actress Margaret Dumont, the superbly oblivious matron so often needled by Groucho in the Marx Brothers’ movies. If only this Marguerite had the real Dumont’s ability to tune the world out; the assumption is that Marguerite’s passion for music is simply the tragedy of a woman seeking the attention of her disaffected husband—a sentimental approach to the Jenkins legend.

Barely sketched in: the romantic subplot of a critic and a young singer of genuine talent, as well as a Dadaist backdrop that never pays off. (In the film’s single best scene, Marguerite causes a riot in an avant-garde cabaret with her key-free performance of the French national anthem.) But this movie is in no position to mock, since it never finds its own key and flounders its way to a haywire finale.

‘Marguerite’ opens April 29 and Summerfield Cinemas, 551 Summerfield Road, Santa Rosa. 707.522.0719.

Debriefer: April 27, 2016

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A signage war on the Sonoma-Marin county border on Red Hill Road reached a state of edgy ceasefire recently as competing pro– and anti–Donald Trump sentiments were eliminated from view. It was a terse battle that found symmetry in the escalating violence surrounding Trump and his supporters.

The first sign appeared about three months ago on a tree with a trunk that leaned into the road. It read, in military-style stencil: “Vote Trump.” Not long after, the sign disappeared. Another sign appeared, higher up the tree, sturdier and yellow and sheathed in plastic. It read, “Trump 2016.”

The sign was a too-juicy target for anti-Trump sentiment, and soon thereafter—and right around the time Trump supporters were sucker-punching protesters—the middle of the sign was gouged out by what appeared to be a rock.

The embattled signage toughed it out for awhile, its gaping wound of victimhood there for the world to see—but was met with competing messages that appeared on retaining walls near the Trump Tree.

“Trump = Hate” appeared one day and appeared to spark a reaction. “Vote Trump” returned and replaced the broken sign. “Trump = Hate” was painted over, then the stencil-signage was gone, too. Now there’s just a blank rectangle of wood on the Trump Tree. “Fuck Trump” appeared on another nearby retaining wall; it too has since been painted over.

Trump is steamrolling toward victory in the GOP primary, and polls show he’s blowing Ted Cruz out of the water in California, whose primary is June 7. Whether Trump’s reluctant pivot to a “more presidential” posture will be rewarded with a new Trump Tree or even a Trump Stump, we’ll keep you posted.

Letters to the Editor: April 27, 2016

Just the Facts

In reference to Alice Chan’s opinion piece (Open Mic, April 20), here are the facts. Hillary Clinton is, and will be, ahead in pledged delegates, by hundreds. She has garnered more than 2.7 million more votes “by the people.”

She has overwhelmingly more endorsements and newspaper support. All but one senator support Hillary, and here in Sonoma there has not been one poll, except in fundraising, that shows Bernie ahead. Hillary has a growing group of staff and volunteers locally that have spoken to many, many pro-Hillary voters who will help her win the California primary.

Superdelegates have always been guided by the will of the voter. Hillary’s superdelegates switched to Obama in 2008, when it was clear he was ahead. Losing is not fun, but it’s not true that it’s a rigged system, no matter how much you whine and complain about it.

Sebastopol

Whither the People?

Voter suppression and disenfranchisement are alive and well and doing exactly what they are supposed to be doing: keeping voters away from the polls. The Republicans have been using a variety of techniques for decades and have been quite successful, even if they used somewhat outdated strategies.

The Democrats, not to be undone by their comrades across the isle, have been using some tricks of their own. For example, the Wyoming caucus voted pretty convincingly for Bernie, 56 percent to Clinton’s 44 percent. He beat Hillary by 12 points. Here’s the kicker, the delegate count was Clinton, 11; Sanders, 7. Now how does that happen? What a monumental waste of time for those who voted for Bernie. What a rigged system it is, leaning heavily on the side of the Democratic establishment!

Example number two: Bernie Sanders crushed Clinton in the Vermont primary, getting 86.1 percent of the vote, receiving all 16 pledged delegates and winning every single town in Vermont. And yet regardless of this overwhelming mandate of Vermont voters, U.S. Sen. Patrick Leahy, Gov. Peter Shumlin, former governor and former DNC chair Howard Dean and Democratic National Committeewoman Billi Gosh, continue to pledge their support and their superdelegate status to Hillary Clinton.

Am I mistaken in my limited political understanding that all politicians are voted into office by their constituents, to serve the needs and will of said constituents? Sanders’ victory was nothing less then a clear and powerful message from the citizens of Vermont, that Sanders was their choice for president of the United States. To be a “government of the people, by the people, for the people,” our political leaders and elected officials must uphold the will of the people, especially when it is expressed so decisively through the ballot box.

What happened to the “Will of the People”? Do American voters have such an insignificant impact on the whole system of government that their votes mean nothing?

Windsor

Write to us at le*****@******an.com.

BottleRock Announces Aftershows

Last week, BottleRock Napa Valley Music Festival broke the news that it had already sold out all three days of its fourth annual fest, taking place in Napa May 27 to 29. For those who've missed out on the event, there's now a ray of hope, as the fest has announced a week of aftershows taking place in and...

Apr. 29: Support for Survivors

Sonoma County’s 42-year-old nonprofit Verity is a service for anyone directly or indirectly affected by sexual violence or trauma. As April is Sexual Assault Awareness Month, Verity is holding a timely benefit show this week with several local bands and educational outreach. Headlining is Santa Rosa folk pop group the Dollhouses, led by the multitalented Heather Castle Van Cleave....

Apr. 30 – May 1: Art Engagement in Calistoga

This weekend is the last chance to experience Napa Valley’s Arts in April program. Luckily, the Engage Art Fair is the biggest showing of the month, immersing guests in the works of dozens of artists and makers in every media, who will be on hand for a weekend that boasts fine food and wine along with paintings, photography and...

Apr. 30: Good Greenhouse in Santa Rosa

The homegrown professionals behind Studio Space Santa Rosa recently teamed up with national nonprofit organization the Greenhouse Project, a group that focuses on offering artistic and educational resources to those in need and engaging local communities to help establish a place where elders enjoy a higher quality of care. This weekend, Studio Space opens its gallery for a special...

Apr. 30: Tell Me About It, Stud in Cloverdale

Nearly 40 years after its release, 1978’s Grease is still the word. This weekend, the Alexander Film Society presents a special Grease Sing-Along at the Drive-In. Cloverdale’s fairgrounds turn into a retro-party with your favorite Pink Ladies and T-Birds on the big screen, and everyone is invited to sing and dance along with classic hits like “Summer Nights”...

Pinot to Pine For

Being a fan of Williams Selyem is an exercise in delayed gratification. It's not that the wines require years of cellaring—being mostly Pinot Noir, they are reasonably drinkable upon release. And it's only partly that they are offered just twice a year. First, you must add your name to "the List" and wait, for more than half a year,...

Vinyl Scream

This story starts in 1999, the year the acclaimed documentary American Movie introduced audiences to the idiosyncratic brilliance of independent Milwaukee filmmaker Mark Borchardt. The funny and inspiring film followed Borchardt as he worked to complete his short, low-budget horror film Coven (which Borchardt pronounces to rhyme with "woven") while facing financial and personal hardships. American Movie painted Borchardt and...

Sour Notes

What lessons can we draw from the life of socialite and amateur opera singer Florence Foster Jenkins? Director Xavier Giannoli's fictionalization, Marguerite, set in 1920s France, supposes only tragic ones. After inheriting her father's fortune in the early 1900s, Jenkins, a former piano teacher, built up a fashionable social circle and pursued her dream of a career in music, despite...

Debriefer: April 27, 2016

A signage war on the Sonoma-Marin county border on Red Hill Road reached a state of edgy ceasefire recently as competing pro– and anti–Donald Trump sentiments were eliminated from view. It was a terse battle that found symmetry in the escalating violence surrounding Trump and his supporters. The first sign appeared about three months ago on a tree with a...

Letters to the Editor: April 27, 2016

Just the Facts In reference to Alice Chan's opinion piece (Open Mic, April 20), here are the facts. Hillary Clinton is, and will be, ahead in pledged delegates, by hundreds. She has garnered more than 2.7 million more votes "by the people." She has overwhelmingly more endorsements and newspaper support. All but one senator support Hillary, and here in Sonoma there...
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