Post Note

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Movie critics have hailed
The Post, directed by Steven Spielberg and starring Meryl Streep (pictured) as Washington Post publisher Katharine Graham. But the real-life political realities of Graham and her newspaper are another story.

The Post comes 20 years after Graham’s autobiography Personal History appeared and won enormous praise. The book is a poignant account of Graham’s quest to overcome sexism, learn the newspaper business and gain self-esteem. However, as media history, it is deceptive.

“I don’t believe that whom I was or wasn’t friends with interfered with our reporting at any of our publications,” Graham wrote. But Robert Parry, who was a Washington correspondent for Newsweek during the last three years of the 1980s, has shed light on the shadows of Graham’s reassuring prose.

Parry said he witnessed “self-censorship because of the coziness between Post-Newsweek executives and senior national security figures.”

Among his examples: “On one occasion in 1987, I was told that my story about the CIA funneling anti-Sandinista money through Nicaragua’s Catholic Church had been watered down because the story needed to be run past Mrs. Graham, and Henry Kissinger was her house guest that weekend. Apparently, there was fear among the top editors that the story as written might cause some consternation.”

Graham’s book exudes affection for Kissinger, Robert McNamara and other luminaries who remained her close friends until she died in 2001. In sharp contrast, Graham devoted dozens of righteous pages to vilifying Post press operators who went on strike in 1975. To her, the thuggish deeds by a few of the strikers were “unforgivable”—while men like McNamara and Kissinger were wonderful human beings after they oversaw horrendous slaughter in Southeast Asia.

In Graham’s world, elites mattered most. Although widely touted as a feminist parable, her Pulitzer Prize–winning autobiography lacks solidarity for women without affluence or white skin. They barely seemed to exist in her range of vision; painful realities of class and racial biases were dim, faraway specks.

Graham’s consent to report on the Pentagon Papers in June 1971 was laudable, helping to expose lies that had greased the wheels of the war machinery with such horrific consequences in Vietnam. But the Washington Post was instrumental in avidly promoting the lies that made the Vietnam War possible in the first place. No amount of rave reviews or Oscar nominations for The Post will change that awful truth.

Norman Solomon is the coordinator of RootsAction.org and executive director of the Institute for Public Accuracy. He is the author of a dozen books including “War Made Easy: How Presidents and Pundits Keep Spinning Us to Death.”

Familiar Ground

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‘Nice to be home this time of year,” says Tommy Castro, speaking from his home in San Rafael. The veteran Bay Area blues rocker and his band the Painkillers have just returned from back-to-back tours of the U.S. and Europe to promote their new album, Stompin’ Ground.

“We’re looking forward to getting back to the Mystic Theatre on New Year’s,” he adds. For several years, the Tommy Castro Band was a staple at the Petaluma venue on New Year’s Eve. Now, after a brief hiatus, Castro is ringing in the new year with the historic theater once again on Sunday, Dec. 31.

First forming the Tommy Castro Band in San Francisco in 1991, one year before the Mystic Theatre was founded as a venue, Castro feels an intimate connection with the Mystic.

“There’ve been so many great nights of music there,” he says. “We have a long history with the room and more importantly with the people.”

“I get sentimental now that I’m a gentleman of a certain age,” Castro laughs.

The 62-year-old songwriter’s sentimentality also shows through on his new album, as Stompin’ Ground is a window into Castro’s origins growing up in San Jose in the ’60s and ’70s.

After forming the Painkillers in 2012 with bassist Randy McDonald, keyboardist Michael Emerson and drummer Bowen Brown, Castro released The Devil You Know in 2014 and Method to My Madness in 2015, both of which were praised for their gritty, fiery blues-rock sound.

Stompin’ Ground mixes the blues Castro grew up listening to on the radio, the soul music he heard coming from the lowriders cruising the streets and the socially conscious message songs of the day.

“I just started working on songs like I always do,” says Castro. “As I was doing that, the album started to take on this theme of a certain time and place in my life.”

Lyrically, Stompin’ Ground features a passionate streak of songwriting, with tunes like “Fear Is the Enemy,” “Enough Is Enough” and “My Old Neighborhood” offering messages of introspection and inspiration.

“And then there’s just some cool, fun R&B songs,” says Castro.

Also featuring covers of Elvin Bishop and Buddy Miles, Stompin’ Ground sheds light on how Castro’s musical upbringing has had a lasting effect on his career.

“I’ve listened to a lot of music in the last, what is it, 50 years now?” Castro says. “But I’ve always held on to the three core ingredients from that time: blues, soul and rock ‘n’ roll.”

The Sunken Place

My top 10 of 2017, in alphabetical order: The Florida Project, Get Out, Lady Bird, The Shape of Water, The Square, Twin Peaks: The Return, War for the Planet of the Apes, Whose Streets?, Wonder Woman and Wonderstruck.

Most of the time, 2017 was “the sunken place,” in Get Out‘s term, the zone of helplessness in which one can only observe and hope for deliverance. In some respects, director Jordan Peele’s Get Out was the most Zeitgeist-ridden movie of the year, this mousetrap of a film about horrible science-fiction skullduggery carried out by good white people. War for the Planet of the Apes and Wonder Woman were vaster and more detailed with revolutionary fervor.

Guillermo del Toro’s Shape of Water had the texture of classic cinema, from its yearning for the red-velvet-lined movie theaters of the old days to its sensational use of color. Sally Hawkins’ performance sums up one odd aspect of 2017 in film: there were so many fine mute performances, including Hawkins (the best), the delightful Millicent Simmonds as a girl of 1927 in Wonderstruck and Amiah Miller’s Nova in Apes.

The Florida Project‘s endearingly hopeful study of the ground-down poor was unique. The street kids were ingenious, hustling, sticky and mischievous in this tribute to the Our Gang series set in Florida welfare-land motels. Lady Bird could have been as facile as John Hughes’ Pretty in Pink, but there’s a difference in the way it savors the reverse angle of the hard-working, weary mom (Laurie Metcalf) driven nuts by her daughter’s fancies.

Whose Streets? a documentary made under the noses of the police in Ferguson, introduced us to people different than the rampaging thugs in the news. We need visions of heroism—real, as in the neighborhood guardians in Whose Streets?, comic-book style, as in the gallant Gal Gadot (Wonder Woman) or just plain comic, like Lil Rel Howery’s TSA agent in Get Out. Peele’s faith in the TSA demonstrate we still have some trust in our institutions—but time is running out on how long we have left to understand one another.

Dregs of the Year

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In between the big themes of 2017—fire and rain, not necessarily in that order—a few pleasantly drinkable or otherwise amusing beverages got overlooked, axed in the final edit or otherwise failed to gain mention in our Swirl and Brew columns.

If you thought you’d see Lagunitas Brewing’s High West-ified Imperial Coffee Stout again, never mind that: just in time for the winter warmer season, the brewery’s annual “One-Hitter” monster stout release, and my candidate for the stoutest stout of 2017, is here. Called Willettized Coffee Stout because it’s aged in rye whiskey barrels from Willett Distillery of Kentucky, this roasted cocoa and root beer–scented brew is as creamy as the crema on a well-pulled espresso, shows chocolate liqueur and coffee notes without that “old coffee” taint that some stouts do, and is boozy but not hot, or “winey,” although this year’s version is stronger yet at 12.6 percent alcohol by volume. I may have seen a stronger stout, or maybe that was in some crazy dream. And why am I having these crazy dreams anyway—besides those whiskey-barrel coffee stouts?

It was nice to open a wine over the holidays to match the inevitable L.L. Bean merchandise—in Stewart tartan plaid, of course. Stewart Cellars, in Yountville, labels its most affordable red blend, Stewart 2014 Tartan Napa Valley Red Blend ($40), with a simple, green-dominated plaid label—that’d be a hunting Stewart tartan. Sweet and soft, this red has a creamy, raspberry liqueur charm as it sings past the lips, but puts on a bit of pencil shaving notes for show, too—it’s 60 percent Cabernet Sauvignon and 40 percent Merlot. Yes, in Yountville, $40 is the affordable red blend. While in Napa, and still in the holiday spirit, check out Hendry Winery’s 2014 Mike & Molly Zinfandel ($38) for its lively spiced note of cocoa, dregs of mulled wine or apple cider and deep flavor of berry liqueur.

This September, we enthused over Alley 6 Craft Distillery’s rye and single malt spirits but neglected to mention that tipplers who don’t prefer whiskey may enjoy the distillation of Dry Creek Valley peaches, while mixologists in the making may be inspired by the intoxicating aroma of the 86’d Candy Cap Bitters, made from wild-harvested mushrooms.

We also tasted unusual sparkling wine, but there’s nothing unusual about Woodenhead’s 2011 Russian River Valley Brut Rosé ($46), with its soft, strawberries and cream flavors, but the blend: mostly French Colombard, with only a splash of Pinot Noir. Dare we toast to a new year?

Dec. 21: Family Affair in Mill Valley

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Best known as the founder of San Francisco’s Hardly Strictly Bluegrass Festival, the late Warren Hellman’s musical legacy lives on today with an extended family of North Bay musicians and performers, who gather together for the Hellman Holiday Stomp. Children, grandchildren, siblings, cousins and friends of Hellman take the stage in several bands, including country-rock revelers Well Known Strangers, Lucinda Williams tribute act Lake Charlatans, Americana group Marco & the Polos and swinging outfit Nancy & the Lambchops. The evening caps off with the genial Go to Hell Man Band celebrating family bonds on Thursday, Dec. 21, at Sweetwater Music Hall, 19 Corte Madera Ave., Mill Valley. 8pm. $20–$22. 415.388.3850.

Dec. 22: Musical Wonderland in Petaluma

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With 60 albums to his name, as well as film, TV and video game scores, David Arkenstone is one of the most prolific and imaginative New Age musicians working today. And he loves the holidays. Like Yanni and Mannheim Steamroller, Arkenstone has long been synonymous with the holidays for albums like Christmas Spirit, Celtic Christmas, Christmas Lounge and the new Southwest-inspired Native Christmas. The musician makes his Petaluma debut with his latest holiday-themed concert, titled David Arkenstone’s Winter Fantasy and featuring festive original and traditional holiday tunes for the whole family on Friday, Dec. 22, at Mystic Theatre & Music Hall, 23 Petaluma Blvd. N., Petaluma. 8pm. $25–$50. 707.775.6048.

Dec. 22: Sweater Weather in Napa

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We’ve all got one, usually stashed away in a closet for 11 months of the year. An ugly Christmas sweater is a requirement for any self-respecting partygoer, and this weekend, you can don that tacky turtleneck or crass cardigan for a good cause at the Ugly Sweater Party Fundraiser for Fire Relief. The night’s musical offerings will have you sweating on the dance floor with performances by Akil of hip-hop group Jurassic 5, DJ RAAMM, Sanho the Indian and Tommy Odetto. Ticket proceeds go to fire victims, so dress up ugly and party down on Friday, Dec. 22, at JaM Cellars Ballroom, 1030 Main St., Napa. 8pm. $20–$50. 707.880.2300.

Dec. 23: Seasonal Speakeasy in Sebastopol

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Sebastopol’s Sirens Studio engages North Bay audiences with multicultural art, dance and musical experiences and supports the creative community with scholarships, apprenticeships, sponsorships and other services. Now, the community at large can get a look at the dance studio and performance art space in the upcoming Sirens Winter Gala. Set in the Prohibition-era, the studio transforms into the Cat’s Pajamas speakeasy, with extravagant performances, live music, cocktails and other surprises. Prohibition attire and a secret password are required to get in to the party on Saturday,
Dec. 23, at Subud Hall, 234 Hutchins Ave., Sebastopol. 7pm. $40; $60 per couple. sirenswintergala.brownpapertickets.com.

The Year in Review

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Twenty seventeen may go down as the Year of Venting Spleen (and not just because “spleen” rhymes with “seventeen”), but because of media events such as the Dec. 12 USA Today editorial which led with the observation that a president who would all but call New York Sen. Kirsten Gillibrand a whore is unfit to clean toilets in the Obama presidential library. You had to think: Whoa, is this USA Today or John Oliver?

USA Today, the American favorite in the hotel lobby newspaper box, was characteristically balanced in saying President Trump was equally unfit to shine George W. Bush’s shoes. The editorial wins the Bohemian and Pacific Sun‘s year-end award for most pungently spleen-clearing moment.

At the end of 2017, there are local blessings wherever you look and especially in the spirit of community that emerged in the aftermath of the catastrophic fire-borne losses in October. In life as in the partially burned Luther Burbank Center in Santa Rosa, the show must go on, and it has, as we all grapple with a nation divided, regions across the state burned to a crisp, a tax “reform” bill that just might kill the California economy dead and a beat-down media on the ropes with fake-news charges on the one hand and a never-ending shameful parade of groping media moguls on the other.

For the North Bay, the historically rainy winter was equal parts blessing and blight, and gave us plenty to write about, but the horrible local fires came with no actual silver lining. The flood-and-fire events framed a natural year for the books, as the bestial politics of our time unfold in the outer-outer sphere of Cocoon California, at a place known as Mar-a-Lago.

Outside
the Cocoon

But that USA Today editorial got me to thinking outside the cocoon and about how much of a pain in the neck it is having this maniac in the White House. The editorial’s arrival into the growing file on Trump-as-disaster had a historic irony in that nobody took the USA Today seriously when it was launched 35 years ago—the colorful, general-interest pretense signaled the death of serious journalism, said serious journalists.

Meanwhile, in 2017, a trove of serious journalists—Glenn Thrush at the New York Times, Ryan Lizza of The New Yorker, Charlie Rose, not to mention seriously funny Sen. Al Franken—found themselves out of work thanks to the #MeToo moment, which garnered Time‘s Person of the Year. The Bohemian‘s person (or people) of the year is, of course, the Santa Rosa Fire Department and any and all first responders who helped out in the fires.

The inferno brought some clarity to the role of local media in 2017. Since the 2008 economic crash, community newspapers have folded or been enfolded into larger media conglomerates. To be locally drawn and based, if not biased under this administration, is a more difficult enterprise given our at once media-hating and media-loving president. At the same time, the man has inspired some of the fiercest investigative reporting in the big national dailies since the days of Woodward, Bernstein and Hersh.

Locally, we can blame Trump for a lot of things, including our generally foul mood, but he’s not responsible for the quality of the roads in Petaluma or the fact that Marin County emerged in 2017 as one of the least pro-pot counties in the region, despite having birthed the 4/20 movement. We can, however, blame Trumpian politics for Walmart and the wealthiest family in the country selling T-shirts over the summer that called for the lynching of American journalists. The shirts have since been removed, but not the stain of violence directed at reporters in 2017, the same year that saw a senator from Montana take his seat despite beating up a reporter on the road to victory in 2016.

Election Day 2017 was a far more joyful occasion than 2016, with victories for progressives, LGBT candidates around the country and on turf previously targeted by the likes of the Christian Coalition—school boards, local councils and the election of transgendered Democrat Danica Roem to a North Carolina seat in the statehouse formerly occupied by the homophobe who freaked out over gender non-specific bathrooms.

The Bar Is Low, Head to the Bar

Notable deaths in 2017 included the death of satire, the death of consumer-financial protections, the death of net neutrality, the death of renewable-energy tax credits and the death of David Bowie.

Oh wait, Bowie died in 2016. I’m still not over it. It’s a soul-crushing time to reflect on a hard-bent year that has been kind of relentless with the stressors. So here’s to CBD oil and to legalization generally under Proposition 64, whose benefits kick in on Jan 1. And here’s to radio station KRSA, the
San Francisco–based K-Love,
aka 103.3 Relax FM on the FM dial—if only to hear that guy with the deep, rich voice jump on between songs and say: Relax.

The music on KRSA is indeed relaxing and I need all the help I can get, but I mostly tune in to hear that guy say it: Relax. Alas, the station switched to a Contemporary Christian format in October. Speaking of contemporary Christianity, at least it can be said that this country didn’t send a child molester to the U.S. Senate in 2017. This year, victories over the right-turned America came in small doses, and a Doug Jones victory in Alabama underscored just how low the bar is these days.

Did somebody just say, let’s head to the bar?

Dialing us back to the local scene, many would head to the bar in 2017 in the North Bay. In the aftermath of the fires, social media reported that drinking heavily and doing yoga were key North Bay healing strategies, along with screaming randomly at PG&E utility poles and scouring Coffey Park for burned-out cats and dogs.

After the fires, the good people of Marin County took in thousands of refugees, who decamped in far-flung locales including Lawson’s Landing at Dillon Beach to hidden glamping spots on the coyote-strewn mesas of West Marin. Less heart-warming to behold was how a robust if controversial anti-homelessness campaign in Santa Rosa started to look more anti-homeless than anything else after numerous and ongoing raids of sites around the city.

As 2017 draws to a close, the indicators call for a recession within two years and the pressure is growing in the North Bay to deal with its chronic absence of affordable housing. An already tight real estate market felt the hurt badly with the destruction of 6,000 homes around the region—and average home prices spiked by $100,000 on average a month after the fires. At the end of 2017, the median price for a home in Marin is closing in on $1.3 million; in Sonoma County, it’s half that at $680,000. Check in on those numbers this time next year.

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Summer of Dud

On the cultural front, the Bay Area ran the meta-event table in 2017, which was billed and marketed as the Summer of Love Redux. In 2017, there were some moments of love, love was in the air and love rose from the ashes. Love continued to do its thing in 2017, despite the challenges and temptations of, well, hate.

The 50th anniversary of the Summer of Love was celebrated locally, but it all felt flat and defeated, counter-nostalgic and out of place in the currently harsh times. Activists appeared to be more focused on the #MeToo moment, the Trump onslaughts on civil rights for immigrants and on national monuments such as the Bears Ears in Utah, and in taking back the House and Senate in 2018. Still, the Summer of Love Redux was filled with endless stories told by unreconstructed hippies sitting around doing nothing in particular. Relax.

In 2017, the summer was too hot, again, and for seekers of relief along the coast, it’s getting to be more of a pain to get there and stay there if you do not possess unlimited patience or a helicopter, and most of us will come up short.

In Marin County, Highway 1 south of Stinson Beach was closed all year because of the spring rains which washed out the road and made it impassable in both directions. As a result, the traffic in West Marin was epic all summer and the snarls were unbearable, as was the parking in Bolinas—which only got worse when a poor blue whale washed ashore in the summer after getting hit by a ship and drew thousands of gawking tourists.

At the same time along Highway 101, the congestion-beating emergence of the SMART train provided commuters with an alternative to road-raging along the Narrows, even if the train’s impact on traffic was barely a blip, but that could change. The endless delays in getting SMART off the ground were immediately met with immense popularity for the new ride, and plans afoot in 2018 will perhaps add a car to the train to accommodate the demand.

There were cultural offerings everywhere to escape the onslaught of a world gone bad and Kim Jong-un’s ridiculous haircut. Long may Netflix run with documentaries such as 2017’s The Center Will Not Hold, about Joan Didion, which reminded us that hippie culture had a dark side that slouched toward disgrace and murder at times—children fed acid in the Haight, the Manson murders. Blech. And then Charles Manson died, almost on cue, on Nov. 19, just in time for the holidays.

Across the Border

A rolling storyline along the Marin-Sonoma border could not have been more poignant for what it might signal for the new year: the emergence of people shutting up about how they just had to vote for Trump because Hillary was such a nightmare.

There’s been a running battle along the retaining walls astride the Avenue D extension out of Petaluma which has gone on since Trump started to run away with the GOP nomination last year. Anti-Trump graffiti has popped up across from a Trump campaign sign hung way up a tree that declared the silent majority was back in town.

Over the past several months, the war of competing images and sentiments escalated, and the anti-Trump stuff was met with an American flag with the cross sticking out of it. The image is pretty alt-right folksy and featured olive drab electrical tape shaped to a crucifix.

It was there for quite a while, and the image was straight out of the Roy Moore campaign via his ever-present crucifix-meets-flag lapel pendant. All the graffiti and imaging was taken down and painted over around Thanksgiving. The “Silent Majority Stands for Trump” sign is gone, too. Perhaps among us there are those whose conscience has been shocked into the realization that This Was a Very Bad Idea.

The generally held existential pain of 2017 was eclipsed by a life-altering local catastrophe. In 2017, we witnessed the startling right-wing violence against Charlottesville protesters on our devices and on CNN, and we witnessed—or lived through—the soul-crushing Coffey Park inferno. And yet there was also an amazing solar eclipse to reflect upon, not to mention that infectiously catchy radio-ready hit from Portugal: The Man where we can all be a rebel just for kicks and think back on our own year.

The bar was low, but at least I did not wreck my car this year or go to jail or bury a relative. I fell in love, and I fell out of love. I saw lightning in a place where they say lightning never strikes, let alone twice, so that was something.

Good News,
Bad News

Burying relatives reminds me that the year 2017 was not without its moments of “the bad news is . . . , but the good news is . . .” For example, democracy is on the ropes, that’s the bad news. The good news is nobody will ever think someone is too weird to get elected president. In lowering the bar, Trump has also raised the possibility that, indeed, anyone can be president some day.

We’re media folks over here, so the the bad news for us is that The Village Voice, the venerable New York City weekly, went out of business in 2017, one of a handful of media properties to go belly-up in one way or another this year. Those other papers include the Houston Press, which folded soon after economy-killing Hurricane Harvey hit, and the LA Weekly which has apparently been bought by a cabal of Republicans who want to run a newspaper where nobody gets paid for writing. The good news is that Henry Rollins’ column in the LA Weekly was even worse than Alice Cooper’s unbearable syndicated radio station, but I’m biased. Relax.

But the really good news is that with the death of The Village Voice, the Pacific Sun is now the oldest continuously published alternative newspaper in the United States. It hasn’t been bought out by Republicans, king tides have not, and will not, flood us out, and our team at the Bohemian and Pacific Sun have just published our first edition of Explore North Bay, a lifestyle magazine about food, drink, outdoor adventure and the arts—all the great things we have to be thankful for in our neck of the woods.

Long live print and in particular USA Today—especially now that my internet service has inexplicably slowed to a crawl and I can’t stand listening to the FCC’s Ajit Pai being interviewed on KSRO for another second. Relax . . .

Moon Stuck

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In most modern musical revues, much of the drama and emotion springs from the nostalgic hit an audience gets at hearing beloved and familiar old songs.

That’s certainly the case with My Way: A Musical Tribute to Frank Sinatra, now playing in a cozy, cabaret setting at Cinnabar Theater. Anyone who feels their pulse quicken at the opening strains of “Fly Me to the Moon,” or for whom the Rat Pack songbook exists as a poignant soundtrack to their lives, will likely be ecstatic from beginning to end. For such folks, there will be plenty of drama in the sweet or sad memories surfacing through the pleasant (but rarely very exciting) performances of Desiree Goyette-Bogas, Rocky Blumhagen, Carolyn Bacon and Mark Robinson singing dozens of Sinatra’s most famous songs. Everyone else will probably walk away thinking, “Meh.”

My Way, directed by Jennifer King, who certainly creates some pretty stage pictures, is certainly a classy affair, what with its quartet of singers dressed in tuxedos and evening gowns. The band—musical director Cesar Cancino (piano), Jan Martinelli (bass) and Randy Hood (drums)—is easily the best part of the show. They are so much fun to watch and listen to, at times I wished they’d been given a medley of songs to play themselves, sans lyrics.

The “script,” if that’s even the right word, is by Todd Olson, who randomly has the cast drop trivia tidbits, about Sinatra’s birth weight, his love of the moon, his various romances and wives. The songs are primarily presented in clusters, delineated by subjects—love, alcohol, aging, various cities, which almost gives the show a glimmer of plot now and then.

King gives the cast things to do from time to time—pouring drinks, tipping the pianist, flirting and kissing, even dancing a little—but rarely do they get a chance to break out and have fun, which seems to be missing the point of a show inspired by party animal Frank Sinatra.

Still, even at the evening’s frequently soporific pace, there are moments of true pleasure—when a four-part harmony soars, or two singers actually make eye contact and pleasantly remind us what it’s like to fall in love. At such moments, especially for those in the audience who fell in love to a Sinatra tune, My Way reminds us just how exciting a singer Sinatra was. If only this show were as interesting or thrilling as he was.

Rating (out of 5): ★★★

‘My Way: A Musical Tribute to Frank Sinatra’ runs through Dec. 14 at Cinnabar Theater, 3333 Petaluma Blvd. N., Petaluma. Friday–Saturday, 8pm; Sunday, 2pm. $25–$45. 707.763.8920.

Post Note

Movie critics have hailed The Post, directed by Steven Spielberg and starring Meryl Streep (pictured) as Washington Post publisher Katharine Graham. But the real-life political realities of Graham and her newspaper are another story. The Post comes 20 years after Graham's autobiography Personal History appeared and won enormous praise. The book is a poignant account of Graham's quest to overcome...

Familiar Ground

'Nice to be home this time of year," says Tommy Castro, speaking from his home in San Rafael. The veteran Bay Area blues rocker and his band the Painkillers have just returned from back-to-back tours of the U.S. and Europe to promote their new album, Stompin' Ground. "We're looking forward to getting back to the Mystic Theatre on New Year's,"...

The Sunken Place

My top 10 of 2017, in alphabetical order: The Florida Project, Get Out, Lady Bird, The Shape of Water, The Square, Twin Peaks: The Return, War for the Planet of the Apes, Whose Streets?, Wonder Woman and Wonderstruck. Most of the time, 2017 was "the sunken place," in Get Out's term, the zone of helplessness in which one can only...

Dregs of the Year

In between the big themes of 2017—fire and rain, not necessarily in that order—a few pleasantly drinkable or otherwise amusing beverages got overlooked, axed in the final edit or otherwise failed to gain mention in our Swirl and Brew columns. If you thought you'd see Lagunitas Brewing's High West-ified Imperial Coffee Stout again, never mind that: just in time for...

Dec. 21: Family Affair in Mill Valley

Best known as the founder of San Francisco’s Hardly Strictly Bluegrass Festival, the late Warren Hellman’s musical legacy lives on today with an extended family of North Bay musicians and performers, who gather together for the Hellman Holiday Stomp. Children, grandchildren, siblings, cousins and friends of Hellman take the stage in several bands, including country-rock revelers Well Known Strangers,...

Dec. 22: Musical Wonderland in Petaluma

With 60 albums to his name, as well as film, TV and video game scores, David Arkenstone is one of the most prolific and imaginative New Age musicians working today. And he loves the holidays. Like Yanni and Mannheim Steamroller, Arkenstone has long been synonymous with the holidays for albums like Christmas Spirit, Celtic Christmas, Christmas Lounge and the...

Dec. 22: Sweater Weather in Napa

We’ve all got one, usually stashed away in a closet for 11 months of the year. An ugly Christmas sweater is a requirement for any self-respecting partygoer, and this weekend, you can don that tacky turtleneck or crass cardigan for a good cause at the Ugly Sweater Party Fundraiser for Fire Relief. The night’s musical offerings will have you...

Dec. 23: Seasonal Speakeasy in Sebastopol

Sebastopol’s Sirens Studio engages North Bay audiences with multicultural art, dance and musical experiences and supports the creative community with scholarships, apprenticeships, sponsorships and other services. Now, the community at large can get a look at the dance studio and performance art space in the upcoming Sirens Winter Gala. Set in the Prohibition-era, the studio transforms into the Cat’s...

The Year in Review

Twenty seventeen may go down as the Year of Venting Spleen (and not just because "spleen" rhymes with "seventeen"), but because of media events such as the Dec. 12 USA Today editorial which led with the observation that a president who would all but call New York Sen. Kirsten Gillibrand a whore is unfit to clean toilets in the...

Moon Stuck

In most modern musical revues, much of the drama and emotion springs from the nostalgic hit an audience gets at hearing beloved and familiar old songs. That's certainly the case with My Way: A Musical Tribute to Frank Sinatra, now playing in a cozy, cabaret setting at Cinnabar Theater. Anyone who feels their pulse quicken at the opening strains of...
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