Far & Away

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Bay Area alt-folk string band Brothers Comatose have never been bound by tradition.

After eight years, countless tours and three acclaimed albums, Petaluma natives and brothers Ben and Alex Morrison, and fellow band members Gio Benedetti, Philip Brezina and Ryan Avellone, are changing the formula and putting their efforts into a series of strategically released singles, including the wistful acoustic gem “Joshua Tree,” released this month.

“The last record [2016’s City Painted Gold] inspired that a lot,” says Ben Morrison. “Putting out an album is a long process. You’re sitting on music over a year after you’ve recorded it before it’s released, and that just seems so crazy to me.”

Instead of holing up for months to record, mix, master, print, promote and tour behind one set of songs, Brothers Comatose are popping in to studios like Tiny Telephone in San Francisco and recording a single track. Once those songs are mixed, they’re released as soon as possible, one at a time.

“It’s mostly to keep us interested and excited,” says Morrison, “because you’re releasing the music while it’s still fresh.”

Already, Brothers Comatose have seen the fruits of their labor this year, as their first three singles—”Don’t Make Me Get Up and Go,” “Cedarwood Pines” and “Get Me Home”—became fan favorites in the middle of the band’s Campfire Caravan tour this past summer. “We went places we don’t normally go and would play the new songs,” says Morrison. “And it was cool to see people singing the words along to these songs that had just come out.”

The new “Joshua Tree” is a bit of a departure for the normally raucous and rowdy band; it’s a slow-building and intimate song that opens with a finger-picked guitar and Morrison’s resonant baritone voice invoking the national park’s famous sense of serenity. “It’s a magical place, it’s got this beautiful prehistoric vibe to it,” says Morrison. “It’s been a getaway for me.”

Speaking of getaways, after Brothers Comatose plays their annual run of pre–New Years Eve shows in Petaluma on Dec. 29–30, the band will travel to China in late January for three weeks as part of a cultural music exchange with the American Music Abroad program, directed by the U.S. State Department.

“It’s going to be a mix of shows and educational performances,” says Morrison. “Bringing American music to other parts of the world.”

Snatch

The 1973 J. Paul Getty III kidnapping is a chilling story that left its imprint on late-20th century cinema: the single grisliest detail was borrowed for everything from Blue Velvet to Reservoir Dogs. In Reservoir Dogs, Tarantino swerved the camera away from the ear-trimming scene; here, director Ridley Scott spares us nothing.

Charlie Plummer plays the grandson of the world’s richest man, tripping through what’s left of the La Dolce Vita scene in shapeless hippie clothes. He’s stuffed into a VW van by bumbling Calabrian kidnappers, who demand a $17 million ransom. The elder Getty (Christopher Plummer, a last-minute replacement for the disgraced Kevin Spacey) refuses to pay up.

According to this version, the billionaire Getty had both defensible and indefensible motives for his miserliness. Getty the elder had 17 grandchildren, all of whom might turn up kidnapped later if the criminals prospered. Less defensible: only the first million dollars of paid ransom is tax deductible.

It’s surprising how toast-dry this story of decadence and crime is. One problem is the difference between the plausible fictionalizations and the implausible ones, including an entire ending chase sequence that’s obviously concocted, as well as comeuppance for the plutocrat cheapskate.

As Paul’s grieving mother, Gail, Michelle Williams is feisty but seems to come from nowhere, a character there to demonstrate Williams’ ability to go full lamenting Pietà in five seconds. Despite an exciting near-escape from captivity using fire, Charlie Plummer isn’t much more interesting playing the imprisoned victim.

Pauline Kael believed there was never a really great movie about kidnapping—Kurosawa’s High and Low being the exception. All the Money in the World is a poor movie, and all it needed was a bad main performance to sink it. And as Getty’s ex-CIA security chief Fletcher Chase, Mark Wahlberg does the trick.

‘All the Money in the World’ is playing in wide release in the North Bay.

Local Odyssey

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‘Mid-May. Somewhere in a small, picturesque hamlet nestled snugly in the Northern California Wine Country, Rachel Fischer-Alvarez, forty-five, stands barefooted on the front stoop, soaking up rays of sunlight that filter through a half-dead mulberry.

“Having dropped the kids off, washed a sink full of dishes, made the beds, showered (barely), fed and walked the dog, wiped down the toilet seats, fed the much anticipated cat (missing three weeks now), disposed of the science projects in the refrigerator, and answered emails all by nine a.m., the rest of Rachel’s day is an Odyssey.”

So begins The Green Tara, the new mystery from Sonoma-based author and poet Lisa Summers. She unveils the book on Thursday, Dec. 21, at Bump Wine Cellars in Sonoma with a release party that will include a short treading from Summers and a performance of acoustic music from her daughter, Sarah.

The Green Tara signifies a new direction in Summers’ writing career, which began with pieces for the Pacific Sun and science articles. Summers went back to college and earned a masters in English from Sonoma State University, and soon after co-founded the Sonoma Writers’ Workshop, which hosts curated literary events, with friend Daedalus Howell.

“You have to remember, I’m raising four kids this whole time too,” says Summers.

While she wrote a novel for her thesis at SSU, Summers primarily considers herself a poet, and she’s released two collections; 2013’s Star Thistle: And Other Poems and 2014’s Ogygia.

The Green Tara “was an attempt to write something that could be commercially viable,” Summers laughs. More than that, The Green Tara is also her attempt to expand on her poetic perspectives and fully realize a female character, whom she believes is often missing from modern literature.

“I think women don’t recognize themselves in a lot of books,” says Summers.

Wanting to communicate the everyday struggles of domestic life, Summers’ characterization of Rachel in The Green Tara aims to de-stigmatize the role of the housewife and offer a portrayal of a woman living underpaid and under-recognized. And then Summers adds a bit of mystery.

“You have this smart, stay-at-home mom who’s buried under this domestic life, and because she’s so invisible, no one would ever assume she would be able to solve this mystery by herself,” says Summers. “But it’s the training of being a mom in a small town that clues her into all these little happenings.”

World of Art

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Twenty years ago, Napa Valley mom and music teacher Layla Fanucci was looking for some lively art to hang in her St. Helena home, but finding nothing she liked, she took it upon herself to create a large, colorful painting.

Quickly taking to the canvas, Fanucci discovered a talent for composing abstract cityscapes, depicting international locations like Paris and Washington, D.C. (pictured), with densely layered images of skyscrapers, urban parks and crowds of people that blur together with a dreamlike perspective.

Fanucci’s a background in music shows in her paintings, which practically hum with activity, suggesting movement and the passage of time while reflecting each cities distinct vibe in intermingling details.

In the last two decades, Fanucci has
taken the art world head on. Private collectors across the globe commission
her works, and she has shown at prestigious galleries in California, New York City, France and Morocco.

In 2010, Fanucci met Napa wine-industry pioneer and art curator Margrit Mondavi, and in 2012 participated in a group show at Robert Mondavi Winery. Now Fanucci is back at the winery as an artist-in-residence for a solo exhibit, “Traveling the World
City by City,” on display through Jan. 8
in the Margrit Mondavi Vineyard Room,
7801 St. Helena Hwy., Oakville. Daily, 10am to 5pm. 888.766.6328.—Charlie Swanson

Hot Topics

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Gregory Simon survived the 1991 Oakland Hills fires and lived to write a book about it.

The University of Colorado professor was in Santa Rosa this week to talk up his Flame and Fortune in the American West during a Monday event sponsored by the Greenbelt Alliance and Sierra Club, and much of the conversation turned on the question of what happens next in Santa Rosa’s fire-decimated Fountaingrove neighborhood.

Simon spoke about the generally accepted meme of an “urban-wildlife interface” in the post-fire moment as being an inadequate jump-off point for discussion and action on actually making sure that cities such as Santa Rosa don’t burn again. He instead emphasized what he called the “affluence-vulnerability interface,” a far trickier policy area to broach.

Enter Fountaingrove, the upscale neighborhood that lost all but 60 of its homes to the October inferno. That area had been burned out once before, in 1964, and was rebuilt.

Simon touched on a highly contentious issue now unfolding in the region over how a rebuilding ought to unfold. The Fountaingrove chain of accountability heads straight to the city planning and development officials who approve “putting homes in places where it’s a bad idea,” says Simon.

One of the biggest dirty words in town right now is “moratorium,” says Teri Shore, regional director of the Greenbelt Alliance, who noted that Santa Rosa officials recently signed off on a new multi-unit housing project in the Fountaingrove area, two months after the fires. City and county officials are now grappling with the intersecting complexities of the rights of property owners and the rights of the rest of the world not to have to subsidize high-risk luxe developments that have a tendency to burn.

The basic civic posture for post-disaster planners and decision-makers, says Simon, is “We knew there was a risk of fire, but we rebuilt anyway.” Like Fountaingrove, the Oakland Hills were—and remain—affluent neighborhoods where fire had previously visited.

Simon’s main point is to question not how to build in the so-called urban-rural interface, but whether to allow development in those fire-prone areas at all. He suggests calling such areas the “affluence-vulnerability interface.”

Such a definition, he said, allows for a deeper understanding of the “underlying social and political complexities that got us here in the first place.” An emphasis on the urban-wildlife interface, he says, essentially blows past the political and social processes that gave rise to the risks and vulnerabilities now on full display across the state “as fires increase in size, duration and intensity.”

Simon used the metaphor of an arsonist on the loose to drive home the distinction between the term terms: “We wouldn’t adapt to the arsonist; we’d try to stop the arsonist.”

Absent an outright ban on rebuilding in Fountaingrove or buying people out of their land, neither of which is happening anytime soon, Simon offered suggestions that ran along a matrix of severity for those who would build, or rebuild, in fire-sensitive areas. Santa Rosa could create a tax-assessment scheme so onerous that nobody would want to develop there, he said. Or the city and county could draw on the Australian model which says that homeowners can build in fire-prone areas but are responsible for putting out any fires that break out—and don’t come to the government for relief when it burns down.

For its part, the city says new local and state building and fire codes will make new housing better withstand future fires in areas like Fountaingrove. The arrival of gung-ho developers is exactly why Simon says the emphasis should be on process, as he spoke of the Oakland Hills dynamic where developers extracted profits from the area while simultaneously inserting risks into that residential area, in part by repurposing old logging roads into local roads. That was a big mistake, he said. Many who died in the 1991 blaze died in their car along one of the winding roads, stuck with everyone else.

The Oakland Hills saga began with the loggers who deforested the area, which made it attractive to developers; those developers in turn reforested the area with eucalyptus trees to beautify the area, “and at every step of the way people were profiting off of the transition,” Simon says.

Then, in 1986, the city of Oakland approved a high-density development, which “would generate lots of property tax revenue” for the city, and many of those houses burned in 1991.

So what is to be done in Fountaingrove? Simon toured the area earlier in the day. The gist of the Monday afternoon talk, held in the conference room at the Sonoma County Land Trust, revealed that the likeliest answer is to be found in the Oakland Hills, which was rebuilt after the 1991 fire.

Letters to the Editor: December 20, 2017

I Want to Know

Many questions here (“Haz Matters,” Dec. 13). Why are we hiring Florida cleanup crews instead of local? Who performed the discovery to make sure Florida cleanup crews knew California law? Why did hired cleanup crews not wear protective equipment and know procedure if that is their job?

Via Bohemian.com

NRA Terrorists

The NRA is a terrorist corporation. Literally, its agenda seems to be to generate sufficient fear and hate so as to increase gun sales. The NRA’s refusal to permit a reasonable approach to gun safety and ownership reveals its primary objective: to make money, even when the cost of increased sales is human life. It’s important that we understand that even though mass shootings are, for most of us, a good reason to enact gun-safety laws, for the NRA, it’s free advertising. It’s not lost on the NRA that there is a bump in the sale of firearms following every mass shooting. Clearly, it has no motivation to restrict access to weapons. That’s how it makes money, and that’s why it blocks any and all reasonable laws intended to increase our safety. Our safety equals a decrease in its profit.

How else are we to understand why, less than three months after the worst mass shooting in the history of our country, the NRA and its political whores in Congress have begun pushing for a law that overrides states’ rights to make laws restricting access to guns and replace it with a law that allows concealed weapons to be OK in every context, in every state: schools, churches, theaters, libraries—everywhere.

If this were any other terrorist organization facilitating the mass murder of American citizens, there would be a huge public, private and governmental response to stop it. And even though the majority of Americans want reasonable restrictions on access to weapons of mass murder, the Republicans and the White House line their pockets with the legal bribery allowed by Citizens United and cast votes that serve the NRA corporation rather than the needs, or will, of the American people.

Sebastopol

Meat Tax

With Congressional Republicans rushing to place a new tax bill on President Trump’s desk before Christmas, here comes the respected British publication The Guardian suggesting a new source of tax revenue: meat. Yes, a tax on meat to beat the health and climate crises.

The concept is hardly radical. We already pay taxes on tobacco, alcohol, sugary sodas, plastic bags and other consumables that afflict the public health and other social costs.

The revenue would reimburse Medicare, Medicaid and other government healthcare programs for treating victims of chronic diseases that have been linked conclusively with consumption of animal products. It would contribute to the costs of restoring air and water quality and wildlife habitats that have been devastated by production of these items.

Benjamin Franklin noted that nothing is certain except death and taxes. However, death can be deferred substantially by taxing the very products that make us sick.

Santa Rosa

Write to us at le*****@******an.com.

Pot & HIV

Researchers have found that the chemical tetrahydrocannabinol (THC) in marijuana could potentially slow the process of mental decline that affects up to 50 percent of HIV patients.

“It’s believed that cognitive function decreases in many of those with HIV partly due to chronic inflammation that occurs in the brain,” says Norbert Kaminski, director of the Institute for Integrative Toxicology at Michigan State University and lead author of the study, which appears in the journal AIDS.

“This happens because the immune system is constantly being stimulated to fight off disease,” Kaminski says.

Kaminski and his co-author, Mike Rizzo, a graduate student in toxicology, discovered that the compounds in marijuana were able to act as anti-inflammatory agents, reducing the number of white blood cells, called monocytes, and decreasing the proteins they release.

“This decrease of cells could slow down, or maybe even stop, the inflammatory process, potentially helping patients maintain their cognitive function longer,” Rizzo says.

The two researchers took blood samples from 40 HIV patients who reported whether or not they used marijuana. Then they isolated the white blood cells from each donor and studied inflammatory cell levels and the effect marijuana had on the cells.

“The patients who didn’t smoke marijuana had a very high level of inflammatory cells compared to those who did use,” Kaminski says. “In fact, those who used marijuana had levels pretty close to a healthy person not infected with HIV.”

Kaminski has studied the effects of marijuana on the immune system since 1990. His lab was the first to identify the proteins that can bind marijuana compounds on the surface of immune cells. Up until then, it was unclear how these compounds, also known as cannabinoids, affected the immune system.

HIV infects and can destroy or change the functions of immune cells that defend the body. With antiretroviral therapy—a standard form of treatment that includes a cocktail of drugs to ward off the virus—these cells have a better chance of staying intact. Yet even with this therapy, certain white blood cells can still be overly stimulated and eventually become inflammatory.

“What we learn from this could also have implications to other brain-related diseases like Alzheimer’s and Parkinson’s, since the same inflammatory cells have been found to be involved,” he adds.

Knowing more about this interaction could ultimately lead to new therapeutic agents that could help HIV patients specifically maintain their mental function.

This article was originally published by Futurity.or

Take Back St. Helena

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A political storm is brewing in St. Helena. The challenges at its root are sure to be familiar to all Napa and Sonoma county residents. When will we have enough winery event centers and hotels? How much development can our water supply support? How do we balance economic opportunity with protecting quality of life and public resources?

Agriculture, and wine-growing, will always be a vital part of our economy and culture. But the character of our communities and the beauty of our region are at risk if we do not take steps now to check commercial influence.

In St. Helena, residents have launched a campaign to curb the influence of the commercial hospitality industry over local planning decisions. We are working to recall Mayor Alan Galbraith, who has been overly accommodating to outside interests and flouts the majority of the community’s wishes. St. Helena is on an unsustainable path that can only be reversed by a change in leadership.

St. Helena residents are not alone in fighting to maintain autonomy in the face of deep-pocketed hospitality and wine-industry interests. Locals look on powerlessly as large-scale commercial operations openly flout permitting and planning regulations, only to be given a pass by public agencies. There are plenty of wine growers, winery owners and hospitality operations willing to play by the rules, but too often their voices are drowned out by large commercial interests more dedicated to protecting their bottom lines than the communities where they operate.

If we could shift local culture back to a place where discussion at public meetings were both encouraged and respected, we could find reasonable compromise solutions.

Recalling Mayor Galbraith may seem extreme. We’ve filed lawsuits. We’ve showed up in force at public meetings. We’ve met privately with our elected officials. Nothing has succeeded in getting our community back on track. With a little luck, this recall will.

Kathy Coldiron is a teacher and Mike Griffin is a retired local firefighter. Both are longtime St. Helena residents.

To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Field of Greens

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If Don Nolan’s job was a reality TV pitch, it might go like this: “Chef, your challenge is to create a healthful, high-quality entrée out of a random supply of unwanted food and crank out 500 to 600 meals while managing a rotating cast of 70 volunteers with varying degrees of cooking experience.”

And the prize is this: labor out of the limelight, five days a week, in the depths of a labyrinthine food bank. Nolan accepts.

The Kitchen Collective chef-prepared meal program was already up and running when the Redwood Empire Food Bank (REFB) launched its Station 3990 distributions in response to the North Bay fires. One among the Food Bank’s many programs serving low-income seniors and families, as well as fire victims currently, the program grew out of a long and deliberate process that began when the food bank moved into a vast new complex in north Santa Rosa.

The commercial kitchen was built on the premise that “if you build it, they will come,” says REFB chief executive officer David Goodman. At first, it was seldom used. “But one of the really cool things about the culture of the organization,” says Goodman, “is everybody was OK with that. We allowed ourselves time to figure out what we wanted to do with it.”

The REFB distributes $40 million worth of food every year, most of it donated by individuals, farms, food processors and retail and wholesale groceries. What makes Kitchen Collective inspiring, Goodman says, is that it turns discarded food into something more meaningful—both for the recipient and the organization. “As a hunger-relief worker, and specifically as a food banker, that’s a home run.”

On a recent morning, Nolan shows off some of the donations he’s got to work with, while keeping a team of five volunteers on task with gentle instructions. If this was reality TV, he’d possibly be the most amiable, low-key celebrity chef in reality TV history. Thankfully, he’s no Gordon Ramsay.

“Here, we’ve got some gluten-free baking mix we’re going to make biscuits with,” Nolan says, noting that while Kitchen Collective doesn’t generally make special diets, everything here is vegetarian.

Several volunteers roll dough and cut biscuits, while others help Nolan prepare kale saag, a riff on the creamy spinach Indian dish. This good-natured team has been helping out, two or three hours a week, for over a year. “It’s part of their routine,” says Nolan. “A lot say, ‘It’s like therapy for me.'”

Normally, saag would be made with spinach and paneer, but kale is what the farm sent this week. The cottage cheese, in a funny parallel, was donated by Guy’s Grocery Games, a Food Network show in which contestants “shop” for ingredients under time pressure.

Nolan’s shopping spree starts on the warehouse floor, where employees of a South Bay company are spending the day unpacking donations as a team-building exercise. Around the corner, Nolan pauses by a crate of locally grown mushrooms—looks like something he might use.

A freezer the size of a semi truck holds entrées from the previous day or so, each labeled with ingredients and sealed with plastic in a microwavable carton.

Back in the kitchen, Nolan’s volunteers have sautéed the kale with ginger and garlic until it’s bright green and aromatic. The chef blends it in batches with the cheese until he’s happy with the texture, and offers a spoonful.

It’s pretty good, but it’d probably be even better served with the Indian flatbread, naan. Having already met that challenge, without pause Nolan reaches into the refrigerator and presents a tray of prepared naan. “These are whole wheat, too!”

[page]

KALE SAAG

1-inch piece fresh ginger, peeled and coarsely chopped

6 cloves garlic

1/4 cup water, or more as needed

1/2 tsp. garam masala

16 ounces fresh kale cleaned and chopped

1 c. milk

1 c. cottage cheese

1/2 tsp. salt

1 pinch ground nutmeg

2 tsp. clarified butter

2 onions, chopped

Place the ginger and garlic in a blender with 1/4 cup of water, and blend to a smooth paste.

Heat a large skillet with a lid over medium-low heat, and scoop the ginger-garlic paste into the skillet. Sprinkle with garam masala, and stir to combine. Reduce heat to low, cover, and simmer the paste for about 15 minutes, checking to see that it hasn’t cooked dry. Add more water if the mixture gets dried out. Stir in the kale and cook, stirring occasionally, until the greens are bright green and limp, about 10 minutes.

Place the milk and cottage cheese into the blender, and blend until smooth. Add a pinch of salt and nutmeg to the blender, and pulse again just to mix.

Heat the butter in a skillet over medium heat, and cook and stir the onions until they are translucent, about 5 minutes.

Stir the cottage cheese mixture and the cooked onions into the skillet with the greens until well-combined, let cool slightly, and place about half the saag into the blender, and pulse until smooth. Return the blended mixture to the skillet, and stir well.

Find more of chef Don Nolan’s Kitchen Collective recipes at refb.org.

Seasonal Sparkles

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It’s been an unusual year in many respects, so we chose some unusual sparkling wines for our annual Bohemian roundup of wines to bring cheer to the holiday season.

Most sparkling wines on offer in California are made from a handful of grapes after the fashion of Champagne: Chardonnay, Pinot Noir and maybe Pinot Meunier—little else will ripen in that chilly clime. But here in Northern California, we have options.

Harvest Moon 2014 Russian River Valley Sparkling Zinfandel ($46) Yup. Zin can be made to sparkle, too, even when it’s a ruby red. The top-scoring bubbly grabbed our attention with festive aromas of fir tree, Christmas candle, nutmeg and ginger, but mostly, black pepper spice—effervescence turns up the dial on this winery’s signature, peppery expression of Zinfandel—and perked up Bohemian palates with dry, spicy red berry flavor. Unusually, this sparkling is produced entirely in-house, instead of via custom crush service. (Disclosure: I have sold grapes to Harvest Moon, but not for this wine.) Defying Zin clichés, it’s as low in alcohol as most other sparkling wines, at 12.5 percent alcohol by volume (ABV), but was also repeatedly described by some Bohemians as a “manly wine.”

Woodenhead 2010 Naturale Russian River Valley Sparkling Wine (Normally $42, but on sale for $30) The only controversy here was what citrus does this most resemble: lemon, lime or grapefruit? Maybe a hint of Orange Julius cream from four years aging on the lees. This clean, zippy fizzy is firmly in the style of some of Champagne’s best brut nature wines—a tightrope style to make because of little or no added sugar in the dosage. It’s sourced from an old plot of French Colombard, a once-popular white blender.

Breathless North Coast Moscato Sparkling Wine ($29) Made with 96 percent Muscat Canelli and 4 percent Chardonnay, this white wine teases with blackcurrant and cherry flavors and perfumy, herbal notes of olive and tarragon. It tastes a little off-dry, but it’s charmingly fruity, not cloying.

Harvest Moon 2013 Russian River Valley Sparkling Gewürztraminer ($42) Another varietal that’s typecast as a sweetie, this Gewürz is all about the spice, instead—green spice and white floral notes. Almond croissant adds richness to a zesty, lemony palate.

Korbel Rouge Sonoma County Champagne ($15.99) Mostly Pinot Noir with a 3 percent dash of Malbec, this is the deepest red bubbly of the lot, and with its puckery palate of blueberry and leather is perhaps better paired with the holiday roast, not the toast.

Amista Dry Creek Valley Sparkling Syrah ($45) Tart, chewy, and bright pink, this was inspired by the winery’s dry rosé of Syrah, and indeed evokes the dry rosé wines of the Rhône more than anything else—except maybe cranberry cotton candy on the nose? The sensation of sweetness some Bohemians noted comes from the fruit.

Far & Away

Bay Area alt-folk string band Brothers Comatose have never been bound by tradition. After eight years, countless tours and three acclaimed albums, Petaluma natives and brothers Ben and Alex Morrison, and fellow band members Gio Benedetti, Philip Brezina and Ryan Avellone, are changing the formula and putting their efforts into a series of strategically released singles, including the wistful acoustic...

Snatch

The 1973 J. Paul Getty III kidnapping is a chilling story that left its imprint on late-20th century cinema: the single grisliest detail was borrowed for everything from Blue Velvet to Reservoir Dogs. In Reservoir Dogs, Tarantino swerved the camera away from the ear-trimming scene; here, director Ridley Scott spares us nothing. Charlie Plummer plays the grandson of the world's...

Local Odyssey

'Mid-May. Somewhere in a small, picturesque hamlet nestled snugly in the Northern California Wine Country, Rachel Fischer-Alvarez, forty-five, stands barefooted on the front stoop, soaking up rays of sunlight that filter through a half-dead mulberry. "Having dropped the kids off, washed a sink full of dishes, made the beds, showered (barely), fed and walked the dog, wiped down the toilet...

World of Art

Twenty years ago, Napa Valley mom and music teacher Layla Fanucci was looking for some lively art to hang in her St. Helena home, but finding nothing she liked, she took it upon herself to create a large, colorful painting. Quickly taking to the canvas, Fanucci discovered a talent for composing abstract cityscapes, depicting international locations like Paris and Washington,...

Hot Topics

Gregory Simon survived the 1991 Oakland Hills fires and lived to write a book about it. The University of Colorado professor was in Santa Rosa this week to talk up his Flame and Fortune in the American West during a Monday event sponsored by the Greenbelt Alliance and Sierra Club, and much of the conversation turned on the question of...

Letters to the Editor: December 20, 2017

I Want to Know Many questions here ("Haz Matters," Dec. 13). Why are we hiring Florida cleanup crews instead of local? Who performed the discovery to make sure Florida cleanup crews knew California law? Why did hired cleanup crews not wear protective equipment and know procedure if that is their job? —Sharon J. Heaney Via Bohemian.com NRA Terrorists The NRA is a terrorist corporation....

Pot & HIV

Researchers have found that the chemical tetrahydrocannabinol (THC) in marijuana could potentially slow the process of mental decline that affects up to 50 percent of HIV patients. "It's believed that cognitive function decreases in many of those with HIV partly due to chronic inflammation that occurs in the brain," says Norbert Kaminski, director of the Institute for Integrative Toxicology at...

Take Back St. Helena

A political storm is brewing in St. Helena. The challenges at its root are sure to be familiar to all Napa and Sonoma county residents. When will we have enough winery event centers and hotels? How much development can our water supply support? How do we balance economic opportunity with protecting quality of life and public resources? Agriculture, and wine-growing,...

Field of Greens

If Don Nolan's job was a reality TV pitch, it might go like this: "Chef, your challenge is to create a healthful, high-quality entrée out of a random supply of unwanted food and crank out 500 to 600 meals while managing a rotating cast of 70 volunteers with varying degrees of cooking experience." And the prize is this: labor out...

Seasonal Sparkles

It's been an unusual year in many respects, so we chose some unusual sparkling wines for our annual Bohemian roundup of wines to bring cheer to the holiday season. Most sparkling wines on offer in California are made from a handful of grapes after the fashion of Champagne: Chardonnay, Pinot Noir and maybe Pinot Meunier—little else will ripen in that...
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