Pass on New Gas Stations

In early April, concerned Petaluma residents lost a year-long battle against a proposed gasoline station at Maria Drive and South McDowell Boulevard when the city council narrowly voted to allow it to proceed. The case is headed to the courts.

Now, two other proposals for new gasoline stations have come to the attention of Sonoma County residents. One is at 5300 Sebastopol Road (Highway 12 and Llano Road) and the other is a huge 16-pump mega-station with car wash and mini-mart at 7180 Highway 116 (116 and Stony Point Road) that would wipe the Pond & Garden Nursery and Cali-Kind Tie-Dye small businesses off the map.

A new gas station in any community might be problematic for any number of valid reasons, including impacts to water and air quality, traffic congestion, noise, wildlife habitat, aesthetics, quality of life for nearby residents, disruption of existing uses, and more. The concern expressed here takes into account all of these issues, but focuses on one aspect: policy commitments to reduce greenhouse gases (GHGs) previously made by Sonoma County.

Sonoma County has a well-established record of response to the climate crisis beginning in 2002 with a resolution committing the county to reduce internal operations’ GHGs. Then in 2005 the county and all nine cities committed to ambitious goals by the year 2015. In 2006 the county approved a Climate Protection Action Plan as the roadmap to create certain specific GHG reductions. In 2008/2009 the county and cities formed the Regional Climate Protection Authority to coordinate countywide climate protection efforts. In 2012 the county voted to create Sonoma Clean Power with reductions of GHGs as its primary goal. And most recently, in 2018, the county adopted the “Climate Change Action Resolution” to “encourage a shift toward low-carbon fuels in vehicles and equipment” and “switch equipment from fossil fuel to electricity.”

In order to be consistent with existing county and state policy, these proposals must be denied. In fact, the effective result of the policies that have been adopted by Sonoma County commencing in 2002 should result in a prohibition of the construction of any new fossil energy-based facilities or infrastructure in Sonoma County unless some kind of clear community need is demonstrated.<.p>

Woody Hastings lives in Sebastopol. He can be reached at woodyhastings [at] gmail.com

Power of Pride

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What if you threw a one-of-a-kind, totally fabulous, over-the-top drag queen extravaganza and no one showed up?

That was the biggest fear confronting Napa’s Robert Doughty last year when he and his friend Dona Bonick decided to produce a massive pride week drag show as a benefit for Napa LGBTQ Connections. It would be a royal and rowdy showcase of the very best drag performers from San Francisco, and would end with a no-holds-barred dance party designed to shake the rafters and fill all attendees with love, joy, optimism and happiness.

And for good measure, the production—graced with the John Waters-esque title “Drag Queens of the Valley”—would be a fundraiser for LGBTQ Connections, a nonprofit founded in 2011 to provide an array of resources for Napa and Sonoma County residents in search of a stronger, wider, safer and healthier sense of community.

Still, Doughty admits that at times it felt as if they were taking a tremendous risk.

Rarely had a drag show of that size—10, high-profile queens and kings from the San Francisco drag community, all taking the stage at JaM Cellars Ballroom—had been produced in Napa. Sure, drag-themed events from bingo nights to church basement cabarets have been rapidly rising in popularity north of the Golden Gate Bridge, but producing a show of this size and caliber wouldn’t be cheap, or simple.

“It’s true. Last year, when we were putting it all together, we knew it would be a great show, and that it was for a good cause, and we promoted it all over the area, but we seriously didn’t know if anybody would come to the crazy thing,” says Doughty, best known by his stage name DJ Rotten Robbie. “We knew that with the popularity of ‘Ru Paul’s Drag Race,’ the visibility of drag performance as an art from has never been higher. But was there a big enough audience in Napa for something like this? We thought there might be, but we really didn’t know.

“And then,” he says, “we ended up selling, like, 400 tickets. We had to turn away about 150 people, we raised over $6,000 for LGBTQ Connections, and we ended up winning an award for Best LGBTQ Event in this year’s Best of the North Bay contest.”

As a follow-up, not only are Doughty and Bonick producing round two of “Drag Queens of the Valley” this year, on Saturday, June 8, they’ll be doubling the fun with the addition of a Sunday afternoon Drag Brunch and Pajama Party. Attendees are encouraged to come in pajamas, negligees, onesies, smoking jackets or any other appropriately sleep-related garb. During the brunch, catered by Alexis Baking Company, Doughty will be screening Saturday Morning cartoons and commercials from the ’80s and ’90s, hinting that brunchers could catch anything from classic Jackson 5ive and Scooby Doo cartoons to Thundercats, He-man and She-ra.

“So, basically, we’re producing two shows for 2019, to try and see if we can double the proceeds for LGBTQ Connection,” laughs Doughty. “This time, we’re not worried about whether people will show up. The only question is how many people will we have to turn away this time. With two very different drag shows, though with the same talent at each, maybe we can spread it around. That said, I know a lot of people who are planning on seeing both shows, so who knows?”

Initially founded as a youth support group, with meetings at Napa’s VOICES youth center, LGBTQ Connection has gown over the last nine years into a powerful nonprofit organization with a presence in Napa and Sonoma counties, and a wide scope of services and initiatives. Partly functioning as a hub for information of value to the Napa and Sonoma County LGBTQ community, the organization has also developed programs to encourage young leaders to create better awareness of and advocate for the needs of the many young and not-so-young queer residents of the North Bay.

“People who’ve never been to a drag show have no idea what they’re missing,” insists Doughty. “A modern day drag show is men and women of different gender identities dressing up as drag queens or drag kings. They each put on some kind of an outrageous act, some of them lip-synching to music and some of them actually singing. You’ll see lots of incredible costumes, and some of the best drag performers you’ll ever find, with spectacular names. In drag, your name is almost as important as your outfit. Seriously, our drag culture in San Francisco is some of the best in the world.”

Hosting this year’s show is the notorious Intensive Claire, known for her stunningly punk-gothic approach to drag performance. Known to sometimes throw food items into the audience, or to employ healthy amounts of fake blood in her act (she’s very popular around Halloween), Intensive Claire will be introducing each of the shows’ acts.

They will include the award-winning drag performer Vanilla Meringue (the alter-ego of professional make-up artist Joel King), plus the legendary Raya Light, along with the marvelous Coco Buttah, Vivvyanne Forevermore, Rock M. Sakura and more.

“If you have a problem with sequins and sparkles, you might want to avoid this one,” Doughty says, adding that he and Vonick are holding one spot open for an up-and-coming Napa drag queen or king, who will be selected from scores of videos submitted over the last several weeks. “The queen or king we pick will get a chance to perform along with the other royalty. I’m not sure what will happen, but let’s just say unpredictability is part of what a good drag show is all about.”

Man Among Giants

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When it pours it often floods. That’s part of the Guerneville story, but not all of it. Not by a long shot. The town along the Russian River that’s famous as a gay playground is much more, though long ago queers moved in and cozied up to the bars and restaurants on Main Street and in the surrounding resorts and breathed new life into a place that was down on its luck. If you’re not queer, don’t worry. The town with the frontier feel welcomes cowboys and cowgirls, geeks, freaks and members of the all-American family who can enjoy burgers, fries and pizza at Main Street Bistro and other eateries. But I prefer the trees.

Not long ago, when I lived in Occidental, I drove to Guerneville at least once a week to walk in Armstrong Redwoods State Reserve to commune with the ancient trees, an experience that ought to humble anyone with a computer chip on his or her shoulders.

In the old days, the theater on Main Street showed classic European films; the diner next door served the very best fried liver and onions platter this side of the Mississippi. These days, I still go to “Armstrong Woods,” as locals call it, and have my mind blown by trees that were alive long before Columbus arrived in the New World. The Colonel Armstrong tree is more than 1,400 years old. The Parson Jones is more than 310 feet tall. The woods provide a great setting for a picnic.

Most of the giant redwoods are long gone—hence Guerneville’s nickname, “Stumptown”—but Armstrong Woods provides a sense of what it was like in Sonoma County before the arrival of the pioneers with their saws and axes. It’s a trip back in time that restores one’s sanity and sense of balance in a world that often seems to have gone bonkers.

Korbel Champagne Cellars on River Road—five minutes by car from Main Street in Guerneville—uses the méthode champenoise to make very good sparkling wines that even French tourists appreciate. The 25-minute drive from Main Street to the coast on Highway 116 is breathtakingly beautiful. The wind-swept beaches are perfect for watching the waves and enjoying the majesty of the Pacific Ocean. On the way back, stop at Duncans Mills and wander about.

Stumptown Brewery on River Road has a deck that overlooks the Russian River, which is well worth a long look. It also provides a time out for meditation and self-reflection. Rat Bastard Pale Ale is a favorite with visitors, as is Dirty Rat IPA, for those who can’t live a day without an IPA. On Fridays and Saturdays, Stumptown Brewery is open until 2am. Hopefully, you’ve already booked a place to stay for the night. There are cottages on River Road and there’s also AutoCamp Russian River that describes itself as “a luxury boutique Airstream Hotel.” Bring a bottle or two of Korbel to celebrate. Each unit at the Airstream motel comes with a flat-screen TV, a refrigerator, a microwave, a sofa bed and a walk-in shower. With all those modern conveniences, you won’t feel that you’ve made a sacrifice by spending a day and a night, or even a weekend in the town along the Russian River that has survived floods and fires and droughts and that keeps on chugging.

The Lizard King

The very title of Godzilla: King of the Monsters makes up for Michael Dougherty’s bewildering direction. The “who, what and why” isn’t just out the window, it’s over the hills and far away.

Sizable info dumps are required because of links to Godzilla (2014), and there’s more cast than anyone knows what to do with: Sally Hawkins and David Strathairn stand around like guests who don’t know anyone at the party. The suggestion of PTSD is back, with paleobiologist Dr. Emma Russell (Vera Farmiga) waking up from the familiar nightmare of a giganotosaurus trampling San Francisco. Farmiga is a favorite tragedian, a woman of constant sorrow who never wears out that mood. Her Emma lives
with her daughter Madison (Millie Bobby Brown) who takes the traditional kaiju role of the plucky schoolkid in short pants who understands things the adults fail to take into consideration.

Emma is working with Alan Jonah (Charles Dance), a wealthy eco-terrorist bent on freeing the world’s chimera. Dance is the one who, sighting Godzilla, says, “Long live the king,” as if something were dying inside of him as an actor. It seems counterintuitive to free monsters after one stomps your son, but we get an explanation. Farmiga has
one of those effective mad-scientists speeches that starts logical and ends up fanatic. Meanwhile she finds herself re-encountering her estranged ex husband Mark
(Kyle Chandler), recruited by the world’s monster-monitoring organization MONARCH.

All credit to Ken Watanabe reprising his role as Dr. Ishiro Serizawa from Godzilla (2014). He gives the beast all reverence: “We must keep our faith in Godzilla.” Serizawa gives the grimmest warning a Japanese scientist can possibly give in a kaiju: “This is a dangerous path!” Insincerity does not dwell in Watanabe, and his final contact with Godzilla is quite touching, a tribute to the dramatic underpinnings of the better Toho studio movies. If it’s sometimes hard to tell which MONARCH base we’re at, what city we’re in and which direction the monsters are coming from, at least we always know the proper attitude to approach Godzilla: on our knees.

‘Godzilla: King of the Monsters’ is playing in wide release.

Light the Marquee

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On Feb. 27, 2019, Russian River flood waters inundated Jerry Knight’s historic River Theater in downtown Guerneville. The water flowed over the dance floor, the stage, the sound booth and up into the lobby of the multi-floor venue.

“It’s been a tough one,” says Knight, who has owned and operated the 72-year-old venue since 2010. “We took a catastrophic loss. I could’ve swam on the dance floor, it was probably eight feet under water.”

After the devastating event, Knight quickly found an outpouring of support from the musicians and community he’s been connected to for more than 40 years.

Stars like Elvin Bishop, Blues Hall of Famer Charlie Musselwhite and Tony Bennett drummer Harold Jones reached out to Knight shortly after the floods and offered time and money to help get the theater back on its feet.

“I love the musicians that I am connected with,” says Knight. In addition, other friends like Redwood Café owners Michael Mccullaugh and Mustapha “Moose” Jamal, and Claire Mills with 19 Broadway Nightclub in Marin County, hosted benefit concerts to aid in the theater’s recovery.

“Top-shelf people, I’ve got to tell you,” says Knight. “It’s amazing how people came out, not even in the same county, to help out the theater.”

With damages estimated at $125,000, it’s been no easy task and it’s taken more than three months of cleanup and repair before the venue could come to life, which it does this week with a concert on June 7 featuring Jerry Garcia tribute act Jerry’s Middle Finger.

“The future looks real good,” says Knight of the theater.

Even with new walls, fresh paint and state-of-the-art equipment, Knight also promises the theater’s classic spirit is still strong. “The spirits are never lost,” he says. “The spirits are encapsulated in the stone.”

In addition to welcoming back live music this summer, Knight is also in the process of making space in the theater to be the new home of community radio station KGGV the Bridge, 95.1 FM, and he continues to give back to the community through practices like employing and offering internships to veterans at the theater.

“We’re moving forward with a lot of support,” says Knight. “Every day is a gift, and I treat it as such.”

Jerry’s Middle Finger plays on Friday, Jun 7, at Jerry Knight’s historic River Theater, 16135 Main St., Guerneville. 8pm. $20. jerryknightsrivertheater.com.

Heady Stuff

On her hit single, “White Rabbit,” Grace Slick told stoned audiences, “Feed Your Head,” though they needed little encouragement. Fans of Jefferson Airplane and Jefferson Starship expanded their minds with various narcotics, too. Now, Grateful Dead drummer extraordinaire and long-time Sonoma County resident Mickey Hart has created his own cannabis brand called “Mind Your Head.” It sounds like a spinoff of “Feed Your Head,” though with a bit more emphasis on mindfulness and consciousness, not on the idea of following a White Rabbit into a drug-induced Wonderland.

The first product from Mind Your Head is a tin with 10 one-third gram pre-rolls called “Magic Minis.” Naturally, there’s a drawing of a skeleton on the cover created by Hart. This one is running—he’s not a couch potato—and he carries two drumsticks, one in each hand. The press release from Mind Your Head doesn’t actually say that Hart has smoked pot. What it does say is that the pre-rolled joints (is there another form than pre-rolled? Why not just call them joints?) seek “to share an essential part of the inspiration behind his [Hart’s] work as a musician and artist.”

The enterprise is a partnership with Left Coast Ventures and features the Chemdog strain, named after the man who reportedly discovered the strain outside a Indiana Dead show in 1991.

In spite of Hart’s corporate backing, Magic Minis could be a case of too little too late. Willie Nelson has his line of pot products and so does Francis Ford Coppola. Indeed, pre-rolled, dispensary-sold cannabis cigarettes have been around for years. Sonoma County’s Garden Society has been making theirs and distributing them all over California. The company has built up a loyal following, though there’s no famous name behind it, and has succeeded in attracting middle-aged, professional women to their products.

Still, the product launch is further evidence of the mainstreaming of the once-black market industry.

Jonah Raskin is the author of Marijuanaland: Dispatches from an American War.

An Ounce of Prevention

I am writing because of the proposed budget cuts in Sonoma County’s behavioral health funding that would necessitate closing almost all of the mental health self-help centers run by Goodwill Industries Redwood Empire. These established programs have a continuing history of proven success and I fear that in terms of long-term costs to the local community, they would be all-too conspicuous in their absence.

The secular recovery support groups are able to take up where the 12-step programs leave off and so avert some of the huge costs to our society from addictions and mental illness. I have lost friends and family to drug addiction and alcoholism so I am well aware of where untreated mental illness and addiction can take the unfortunate.

Santa Rosa

Troubling Signs

This past week surfaced a potentially serious red flag at Petaluma’s Kenilworth Junior High School. In this year’s published yearbook, several white student members of the basketball team are allegedly seen displaying a hand sign associated with white power hate groups. The parents, students and administration are now scrambling to understand how or why this picture was permitted to be published in what is meant to be a memory book for all students. Although the administration is offering an exchange for any student wishing to turn in their current yearbook with an updated copy, there is much more at play here. Youth are the seeds of the future, but how we fertilize and nurture these seeds is what gives us a flower or a weed. The incident at Kenilworth should surprise no one. A quick Google search fills our search page with stories of exponential hate crime growth around the country and in Sonoma County. The investigation into this incident should not focus solely on the students who participated in this alleged display of hate symbolism, but also include the current administration. Educators are front and center in ensuring these seeds are nurtured toward being flowers.

The Petaluma community, especially members of oppressed groups, are watching how our school board and Kenilworth administration handle this alleged student display of white supremacy. It’s time to face up to white supremacy and keep it’s toxic agenda out of our schools. Let’s be open and honest with the reality here and address it as a community to ensure we get more flowers from our schools.

Petaluma

This has to be a joke. The “OK” sign is racist now? And these kids are playing the circle joke! And doing it properly. Official rules state the circle must be below the waist.

Via Facebook.com

Department of Corrections

The opening photo of “Rocks & Rolling” (May 29, 2019) credited the wrong photographer. The photographer is John Blackwell. The Bohemian regrets the error.

Write to us at le*****@******an.com.

Strange Days

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Is there a darker or more depressing Broadway musical than Cabaret?

Kander and Ebb’s 1966 musical (with book by Joe Masteroff) won eight Tonys for its original run and four more for its 1998 revival. It’s become a staple of regional and community theatres, as evidenced by the umpteen productions throughout the Bay Area in recent memory. It’s the season-ending production at Napa’s Lucky Penny Productions and it runs through June 16.

Based on John Van Druten’s 1951 play I Am a Camera, it’s the tale of two couples in pre-Nazi Germany: American ex-patriate “novelist” Cliff Bradshaw (Ryan Hook), British cabaret performer Sally Bowles (Ashley Garlick), boarding house proprietor Fraulein Schneider (Karen Pinomaki) and grocer Herr Schultz (Tim Setzer).

Sally’s headlining days at Berlin’s Kit Kat Klub are over, as are the days of the Weimar Republic. The rise of National Socialism is reflected in the performances at the club, which are overseen by an omnipresent emcee (Brian Watson), and in the dissolution of the two couple’s relationships.

Director Ken Sonkin and his team have opted for a monochromatic approach to this production, bathing almost everything from the set and costumes to prop apples and oranges in shades of black, white and gray. This led to a sense of flatness, leaving little for other technical elements (especially lighting) to explore. The “dulling” of the space does not serve the production well, which was further clouded by an ever-present quantity of stage fog.

Sound is also an issue with this production, with background effects often overwhelming key dialogue and inconsistent microphone levels a real problem.

Performance-wise, Garlick does well with an extremely unlikeable female lead. Shallow, self-centered and selfish, Sally Bowles is not a character for whom you’ll find yourself rooting. Hook, a talented performer, is about a decade too young for his part and simply doesn’t have the weight yet for the role. Pinomaki and Setzer bring heart and a real sense of sadness, regret and resignation to their characters. There’s good work by F. James Raasch as a Nazi party official who’s the catalyst for most of the action and Watson is excellent as the emcee.

And yet, while several other aspects of the production are also done well (music, choreography), the show never really gelled and this Cabaret simply failed to connect with me. It should have.

Rating (out of 5): ★★&#9733

‘Cabaret’ plays through June 16 at the Lucky Penny Community Arts Center, 1758 Industrial Way, Napa. Thursday, 7pm; Friday & Saturday, 8pm; Sunday, 2pm. $30–$40. 707.266.6305.
luckypennynapa.com

Greener Acres

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Evidence, quite tangible evidence, of the Bass family’s commitment to the principles of biodynamic farming isn’t hard to find. Just a few minutes into a short stroll through the Port-Bass vineyard, I step right in it.

In a fresh cow patty, that is, and how perfect is that? Luke Bass takes the opportunity to explain that cows are central to the farming philosophy of Rudolf Steiner, the father of biodynamic agriculture, so he’s glad they finally got one. She’s just one brown cow, but her contributions to the fertilization program here have been impressive.

Luke’s parents came out west from upstate New York around 1980—a little late for the back to the land movement, but with a somewhat upgraded business model. They wanted to work on the land in two ways: his father established an architecture studio, and his mother, until five years ago, was the chief tractor driver for the vineyard, says Bass. They bought an old farm that looks carved right into the sylvan hills south of Guerneville, but it’s the other way around—first, the forest was carved out in the 1800s. Then, a family planted grapes just in time for Prohibition. Much of the topsoil washed away into the Russian River long ago, says Bass, so it’s a struggle to get a thousand dollars worth of grapes out of some parts of the vineyard, even after treating them to several thousand dollars more worth of compost. “When I hand this over to my son, it will be more healthy and more vibrant,” Bass says. He takes the long view: “Maybe he’ll get rich!”

Tastings at Porter-Bass are by appointment only and are held in the shade of a walnut tree, with mismatched patio chairs and a wood slab over two barrels. So, what does a ramshackle setup in the woods, native yeast fermentation, and no new barrels buy you? Well. Porter-Bass 2016 Chardonnay ($40) is the kind of Chardonnay that California Chardonnay detractors do somersaults for when they don’t know it’s California Chardonnay. It’s 100 percent malolactic fermented, but the lemon-lime acidity, tangy kiwi fruit and native microbial
actors only shrug a bit toward caramel aromas, dominated by dried lemon blossom. Their 2016 Pinot Noir ($50) shows woodsy spice, with a barge of black cherry and plum paste fruit steered by a stony hand of minerals. The 2015 Zinfandel ($40) is a “take that, Zin haters” kind of Zin, enticing with lingonberry and olallieberry fruit, green peppercorn, and finishing fresh and firm—tangible evidence that this winery’s practices are yielding even more pleasant results.

Porter-Bass, 11750 Mays Canyon Rd., Guerneville. By appointment only. Tasting fee, $15. 707.869.1475.

Occidental’s Discharge

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New rate increases for the Occidental Sanitation District underscore an old problem: the West County outpost is a small and underfunded district that has no wastewater disposal system of its own.

The Sonoma County Water Agency recently announced that it had approved routine rate increases for eight districts and zones that provide sewer service to more than 18,000 properties throughout the county. In a release, it says the increases will pay for maintenance and operations, and for $50 million in capital improvements to sewer collection and treatment centers in the affected districts.

None of the capital improvements are coming to Occidental, however, which has faced a wastewater-removal conundrum for two decades.

Among the proposed uses of the new revenue coming from consumers and businesses: The Geyserville district will get new aerators at its wastewater treatment facility; there’s proposed funding for a flood resiliency project in Penngrove; sewer-main projects are planned for Sonoma Valley and the Airport/Larkfield/Wikiup zone; and other improvements are afoot in the Russian River and South Park districts.

The districts’ rates are being increased from between 3.5 and 5 percent which, in and of itself, is neither controversial nor widely opposed by the impacted ratepayers, says SCWA principal programs specialist Barry Dugan. California’s Proposition 218 requires public notification and explanations behind proposed rate hikes such as the ones approved by the SCWA board last week. If more than 50 percent of respondents reject the new rate, it doesn’t pass. Fewer than 2 percent of 18,0000 impacted citizens wrote in to protest the new rate.

A review of the breakout of opponents doesn’t show any one district or another having outsized levels of opposition to the new rates. Indeed, as Dugan points out in an interview, there’s almost exactly the same number of opponents to this year’s increase (217) to last year’s (216).

If there’s any controversy it’s with Occidental’s chronic wastewater conundrum and what to do about it. A handful of Occidental resident disapproved of the rate increases, in a town that’s in a uniquely tough spot when it comes to wastewater removal: It’s a very small district with only 100 ratepayers that’s been underfunded for years, says Dugan, and that pays among the highest sanitation rates of any district in the state—if not the highest rate, suggests Dugan.

With the new 4.9 percent rate, residents and businesses there will now pay an annual average of $2,169 a year for wastewater-removal services.

The wastewater dilemma in Occidental means that SCWA currently subsidizes sanitation services in the town to the tune of $2 million a year, according to county documents. The subsidy program helps keep an already-high sewer rate from further ballooning, and is not likely to change, says Dugan—unless and until a long-term, cost-saving solution to Occidental’s wastewater-disposal dilemma is resolved. Graton’s high on SCWA’s list to help solve the problem, but it’s far from certain whether the nearby town will take on Occidental’s daily discharge of wastewater.

The new increases, he says, will retain the “status quo” in Occidental, which currently transports its wastewater to the Airport wastewater facility, fifteen miles away, and will continue to do so. “It isn’t the most elegant solution,” Dugan says.

Historically the town operated a wastewater treatment facility and discharged recycled water into Dutch Bill Creek and also stored it in Graham’s pond.

The North Coast Water Control Board moved to end those practices through cease-and-desist orders directed at Occidental’s sanitation district and the SCWA that were first put into play two decades ago. In its rulings, the NCWCB required that the district and SCWA stop all discharges into Dutch Bill Creek by 2018 (to help protect coho salmon, among other environmentally-driven reasons)—and come up with a new and environmentally safe wastewater plan.

One proposed solution called for a new $1 million treatment plant in town, along with the irrigation of redwoods with treated water, and using other ponds for storage of treated wastewater. That went nowhere. Nearby Guerneville rejected a plan that would have seen the wastewater shipped there. “In the past there have been a number of alternative plans that have been considered,” says Dugan. “None were accepted in the community.”

In the long term, Dugan says a contract with Graton could be the best bet to solve Occidental’s decades’ long wastewater dilemma—they have the capacity in their top-of-the-line facility, says Dugan, and it’s a shorter (and therefore cheaper) distance to truck wastewater seven miles Graton than to the Airport facility fifteen miles away.

What does Graton think? In late 2017, as Occidental was approaching a Jan. 2018 cease-and-desist deadline, the Graton Community Services District said it was friendly to the idea of treating Occidental’s transported wastewater at their facility, and joining the two sanitation districts into one . . .

Then the Graton locals got involved, and opposed it.

Pass on New Gas Stations

In early April, concerned Petaluma residents lost a year-long battle against a proposed gasoline station at Maria Drive and South McDowell Boulevard when the city council narrowly voted to allow it to proceed. The case is headed to the courts. Now, two other proposals for new gasoline stations have come to the attention of Sonoma County residents. One is...

Power of Pride

What if you threw a one-of-a-kind, totally fabulous, over-the-top drag queen extravaganza and no one showed up? That was the biggest fear confronting Napa's Robert Doughty last year when he and his friend Dona Bonick decided to produce a massive pride week drag show as a benefit for Napa LGBTQ Connections. It would be a royal and rowdy showcase of...

Man Among Giants

When it pours it often floods. That's part of the Guerneville story, but not all of it. Not by a long shot. The town along the Russian River that's famous as a gay playground is much more, though long ago queers moved in and cozied up to the bars and restaurants on Main Street and in the surrounding resorts...

The Lizard King

The very title of Godzilla: King of the Monsters makes up for Michael Dougherty's bewildering direction. The "who, what and why" isn't just out the window, it's over the hills and far away. Sizable info dumps are required because of links to Godzilla (2014), and there's more cast than anyone knows what to do with: Sally Hawkins and David Strathairn...

Light the Marquee

On Feb. 27, 2019, Russian River flood waters inundated Jerry Knight's historic River Theater in downtown Guerneville. The water flowed over the dance floor, the stage, the sound booth and up into the lobby of the multi-floor venue. "It's been a tough one," says Knight, who has owned and operated the 72-year-old venue since 2010. "We took a catastrophic loss....

Heady Stuff

On her hit single, "White Rabbit," Grace Slick told stoned audiences, "Feed Your Head," though they needed little encouragement. Fans of Jefferson Airplane and Jefferson Starship expanded their minds with various narcotics, too. Now, Grateful Dead drummer extraordinaire and long-time Sonoma County resident Mickey Hart has created his own cannabis brand called "Mind Your Head." It sounds like a...

An Ounce of Prevention

I am writing because of the proposed budget cuts in Sonoma County's behavioral health funding that would necessitate closing almost all of the mental health self-help centers run by Goodwill Industries Redwood Empire. These established programs have a continuing history of proven success and I fear that in terms of long-term costs to the local community, they would be...

Strange Days

Is there a darker or more depressing Broadway musical than Cabaret? Kander and Ebb's 1966 musical (with book by Joe Masteroff) won eight Tonys for its original run and four more for its 1998 revival. It's become a staple of regional and community theatres, as evidenced by the umpteen productions throughout the Bay Area in recent memory. It's the season-ending...

Greener Acres

Evidence, quite tangible evidence, of the Bass family's commitment to the principles of biodynamic farming isn't hard to find. Just a few minutes into a short stroll through the Port-Bass vineyard, I step right in it. In a fresh cow patty, that is, and how perfect is that? Luke Bass takes the opportunity to explain that cows are central to...

Occidental’s Discharge

New rate increases for the Occidental Sanitation District underscore an old problem: the West County outpost is a small and underfunded district that has no wastewater disposal system of its own. The Sonoma County Water Agency recently announced that it had approved routine rate increases for eight districts and zones that provide sewer service to more than 18,000 properties throughout...
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