Welcome to Lumaville

After a drug overdose, art student Theda becomes an unwitting participant in her university’s experimental psychology program. Undergoing a new drug therapy, Theda begins to see the branching possibilities of reality, experiences alternate universes and contends with a doppelganger. Determined to escape the therapy, Theda mentally travels through a looking glass of quantum physics and ultimately must look into her own nature.

That’s the audacious plot of the new feature film, Pill Head, which dives into the deep end of cinema’s absurdity pool with arthouse flair. Conceived of, produced and filmed almost entirely in Petaluma, Pill Head is the latest creation from producer Karen Hess and writer-director Daedalus Howell, who collaborate on outside-the-box interactive art experiences in their ongoing endeavor, Culture Department.

“We created Culture Department as a vehicle for our projects,” says Hess.

“As a way to contain them,” says Howell.

Pill Head is by far the pair’s most ambitious project yet, and the film unintentionally turned into a love letter to the filmmakers’ hometown.

Pill Head is set within Howell’s fictional take on Petaluma, “Lumaville,” a sleepy Northern California college town in the grips of a startup boom that was also the setting for his 2015 sci-fi novel Quantum Deadline.

In addition to the themes of identity and mental health, Pill Head also wrestles with notions of nostalgia and redemption.

“I was interested in the possibilities of one’s life, and how every possibility could be realized if we had enough time,” says Howell. “I really enjoyed the idea of somebody who had crossed one step too far, and how far back the journey back would be.”

In the case of Pill Head, it’s college student Theda, brilliantly played by actress and Petaluma native Emily Ahrens (now Emily Tugaw), who takes one dose too many and finds herself in a drug-induced wonderland of possibilities.

“When I read it, I really loved it,” says Hess. “It had a different vibe to it and I wanted to make sure it happened.”

“Karen is great to work with because she’s super supportive,” says Howell. “She’s able to not just see a vision, but to complement and amplify a vision.”

Conceptually, Pill Head is a movie that plays out like a memory; nothing is exactly as it seems, but rather as it is remembered.

“There’s a theme of nostalgia, but it’s not pure nostalgia,” says Hess. “We’ve had people comment that the film reminds them of when they were young, but from different eras.”

“There’s something in the film that allows people to project a vision of their own youth to a degree,” says Howell.

For the Petaluma-born Hess and Howell, who have seen the city’s transformation from farm town to bustling hub, Pill Head is also a snapshot of the town as they see it today.

“This film is a time capsule,” says Howell.

Howell and Hess are also very aware of the history of filmmaking in Petaluma, and part of the impetus of Pill Head was to revisit Petaluma locations that were used in films like American Graffiti and Peggy Sue Got Married and, as Howell puts it, to reclaim them.

“Petaluma is like our own back lot,” says Howell. “We went to Paramount studios at one point scouting, really just hanging out in the lot, but they took us to their alley set, and it was a dead ringer for American Alley.”

The brick-lined American Alley is featured in the film, as are other downtown locations like the recently reopened music venue the Big Easy (see Music, pg 23), the Petaluma Masonic Hall and David Yearsley River Heritage Center, situated along the Petaluma River.

The film also features cameos by local characters like Eli Lucas, a longtime fixture known for roller-skating through Petaluma dressed in a Unitard, curly wig and aviator sunglasses and carrying a boombox blasting disco music.

“That’s a touchstone of Petaluma that George Lucas forgot to get,” says Howell with a laugh.

Stylistically, the black-and-white feature takes its main inspiration from the French New Wave and films like Breathless and Cleo From 5 to 7 that employed handheld cameras and nontraditional staging to achieve a cinéma vérité aesthetic that’s akin to a documentary. Other inspirations came from the early work of cult film veterans Jim Jarmusch and David Lynch.

“That filmmaking production style seemed to suit our budget and timeline,” says Howell, who shot at 20 locations within Petaluma and Santa Rosa.

The filmmaking process was not without its challenges and the sheer amount of work almost overwhelmed the team, especially given that Pill Head started shooting in October 2017, when wildfires brought the North Bay to a standstill.

After a two-week break in shooting, Hess redid the production schedule, and shooting ran through the end of 2017.

From there, Howell and Hess spent months at the editing deck. As Pill Head took shape, additional post-production editors helped with technical aspects like giving the soundtrack a Dolby 5.1 surround sound mix.

“I think the movie transcends the sum of its parts, and a lot of it has to do with the energy that everyone brought to it,” Howell says.

Prior to a video-on-demand release on May 16, Pill Head is getting a limited theatrical run in the North Bay, with screenings scheduled for May 9 in Santa Rosa, May 13 and 15 in Petaluma and May 13 in Sonoma and Fairfax.

“There’s so many ways to see Petaluma that really pop on the big screen,” says Howell. “I don’t think Petalumans have seen Petaluma this way.”

Indeed, Howell and Hess began to see Petaluma differently during the making of the film.

“I didn’t realize how much I love Petaluma until I saw the film in its final cut,” says Howell. “Petaluma is weird, and there’s no way around it. And the artists here will always remind you and reveal to you how weird it is and how weird you are.”

“As much hipster shellac that gets dripped over this place, there is something, it’s in the water, there is something here that is vital and that cannot be obscured by whatever pour-over coffee trend may occur,” says Howell. “If we’re not keeping Petaluma weird, we’re at least keeping ourselves weird in Petaluma.”

Mall Cats

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Santa Rosans woke up Monday morning a circling helicopter and news that a juvenile mountain lion was spotted camping out under at bush near Macy’s downtown at the Santa Rosa Plaza.

Headline machines cranked up around the North Bay to describe the peculiar phenomenon—”Mauled at the Mall!” was one headline we were glad to not see—as the animal was quickly tranquilized by the California Department of Fish & Wildlife, who said the animal would be released back into the wild. A leading theory from state officials was that the animal had found its way to Santa Rosa by following the city’s namesake creek downtown, or via the Manzanita creek.

“We’ve had a lot of interest and a lot of the public connecting with us about the mountain lion in the mall, says Dr. Quinton Martins, the Director and Principal Investigator with Living with Lions, which tracks the animals’ presence in the state. The sighting of large wild animals juxtaposed in urban environments is not a new story in the North Bay but it does have a new twist in recent years. Multiple online resources devoted to the life and times of apex predators, not to mention California environmental organizations, have noted an uptick in the number of animals loping into urban areas in recent years—mostly due to their habitats being squeezed by development or, as the case may be, a year-round fire season that’s seen beasts of all size and dimension fleeing the flames for un-scorched earth.

“It’s funny that it takes a mountain lion to go shopping at Macy’s to get people really aware of the fact that we are living with lions,” says Martins, who says the cat was given an ear tag to track it, and that its DNA was collected for testing before it was released. He estimates the cat to be between eight and 10 months old and says his organization will now try to figure out where it came from and see if it’s related to any of the other 17 cats the Living With Lions is tracking.

A posting on the mountain lion–loving site knowyourneighbors.com was characteristic in describing the phenomenon that hit home this week: “As mountain lion habitat becomes more fragmented, dispersing young mountain lions often find their way into urban areas by accident. Urbanization and habitat fragmentation disrupts the natural dispersal landscape, and reduces the amount of available territory for dispersing young.”

That site, among others, shares some recommendations on how to deal with the arrival of mountain lions: keep the pets locked up, not to mention the goats and sheep, and other vulnerable animals, from dusk ’til dawn.

The mountain lion was spotted at around 9am, and by 10am life had returned to normal on the corner of 4th Street and Avenue B. It was an hour that will live on in the imaginations of Santa Rosans mesmerized by the bizarre spectacle. We anticipate that a limited-edition Mountain Lion Malt Ale to emerge from nearby Russian River Brewery any day now, to commemorate the occasion.

But there’s a larger “what’s it all mean” storyline here that’s of a more spiritual question in search of an answer. While rare in Santa Rosa, mountain lions do appear on occasion in West Marin and especially in the Mt. Tam watershed—and when it happens, folks out in unicorn bush country tend to be both freaked out (hide the Pomeranian!) and spiritually awestruck at the sighting.

The Marin Municipal Water District reports on its website that the agency’s “watershed management staff occasionally receive reports of mountain lion sightings on Mt. Tamalpais Watershed lands. These sightings are not cause for alarm, but the district recommends that visitors to public lands follow the mountain lion precautions provided by the California Department of Fish and Wildlife.”

Those precautions include never hiking or jogging alone, refraining from leaving pets or small children outdoors unattended, and to “acknowledge that you live in mountain lion country and make a commitment to educate yourself.”

For all the caution recommended, it’s also helpful to educate oneself about the mountain lion’s heavy symbolism for the spiritually inclined, especially since Fish & Wildlife says that “mountain lion attacks on humans are extremely rare,” and that the animal is likely more scared of the humans it encounters than vice versa.

As a spiritual matter, for example, the noble animal pops up in Jimi Hendrix’s “Voodoo Chile,” right after the moon turns fire red and Jimi’s gypsy mother drops dead upon seeing the dread spawn she’s just birthed. Abandoned to his fate, like Moses, Jimi sings, “Well, mountain lions found me there waiting, and set me on an eagle’s back.”

Hendrix was part Cherokee, and First Nations folklore holds the mountain lion in very high totemic regard; the animal is conferred the status of “magical sun dancer,” and one of the bits of wisdom that pops up on sites devoted to animal symbolism is that if a mountain lion should appear in your cosmology, at your local mall or atop your local mountain, its message is that the human beings who engage with it must “find the balance between freedom and maintaining boundaries.”

In life as in redevelopment, that’s a message with some real poignancy. It’s especially wise counsel for a North Bay now under an intensive rebuilding regime after the 2017 wildfires wiped out five percent of the housing stock in Santa Rosa—a rebuild that’s met with increasing housing unaffordability for an underpaid North Bay workforce from Larkspur to Cloverdale, not to mention an anticipated population spike in coming years up and down the Highway 101 transit corridor to San Francisco.

Those “boundaries” alluded to by First Nations people are presumably inclusive of the locally legislated “urban growth boundaries” that have kept the North Bay from morphing into a gigantic sprawl with even less wild space to accommodate the occasional beast that wanders into town to check out the sale at Macy’s. Organizations including the Sonoma Land Trust have put a emphasis on maintaining, or developing, so-called “wildlife corridors,” around the region to mitigate against any local destruction of animals’ traditional rangelands at the hands of, for example, expanded vineyard footprints and the like.

Any time a big animal shows up downtown, it’s serious business—a potentially dangerous animal on the loose in a populated area. And, while mountain lion attacks on humans are rare, they do occur. After a mountain lion killed a bicyclist in Washington State, in 2018, the Mercury News reported that it was only the sixth fatal mountain-lion attack in the country over the preceding 25 years; three of the attacks occurred in California.

But if this episode is repeated Fish & Wildlife recommends that you fight back like it’s Black Friday and you’re beating off fellow shoppers to be first in line for the Christmas sales at Sears. “Research on mountain lion attacks suggests that many potential victims have fought back successfully with rocks, sticks, garden tools, even an ink pen or bare hands,” the state reports. “Try to stay on your feet. If knocked down, try to protect head and neck.”

Healdsburg State Senator Mike McGuire is hosting a hearing this Friday, May 3, that’s devoted to the prospects for offshore wind energy in the region and how it may impact California fisheries.

Earlier this year we reported on a push to develop wind farms off the Humboldt coast that’s been generally supported by California coastal electeds ranging from U.S. Rep. Jared Huffman to McGuire himself (“Full Tilt,” Feb. 27). McGuire is Chair of the Joint Committee on Fisheries and Aquaculture and says in a statement that he’s calling the meeting to take a close look “at any potential environmental impacts it could have on our state’s fisheries.”

The hearing is being presented as a question in search of answer that’s already been answered: “California’s Fisheries and Wildlife: Can they co-exist with Offshore Wind Energy Development?”

The answer appears to be, “They’re going to have to figure out a way to co-exist,” given McGuire’s support for offshore wind farms, which are increasingly being presented as a fait accompli, given the state’s robust push to go all-renewables by 2045—and by the federal Bureau of Ocean Energy Management initiating an offshore-leasing program in 2018.

Earlier this year, the American Jobs Project, a Democratic-leaning nonprofit think tank founded by former Michigan governor Jennifer Granholm, issued a white paper in support of two wind farms under consideration—one at Morro Bay and the aforementioned Humboldt County coast—and said that a combination of federal leases and state interest could see the first offshore wind farm leases as early as next year.

Coastal congressman Jared Huffman signaled support for a locally based wind energy project run by the Redwood Coast Energy Authority (Humboldt’s communitychoice aggregate), as he noted its potential benefit to Sonoma and Marin counties, both of which have their own CCA’s, Sonoma Clean Energy and Marin Clean Energy. Those entities purchase renewable energy from solar and wind farms that are often many miles down the electric wire from the point of consumption. Huffman says offshore wind in Humboldt could be of service to those CCAs, given that “there’s way more energy potential than there is demand,” in Humboldt County.

McGuire notes in his statement that “the burgeoning Pacific offshore wind energy industry is going to be a critical component of our state’s energy supply,” as he highlights the need for input from fisheries experts in advance of any leases.

As we reported last month, offshore wind projects on the East Coast had a traditional base of opposition driven by the fishing industry’s concerns over the tethered windmills’ potential impact on their gear and on their traditional fishing grounds.

Those concerns gave way over time, and the nation’s first big offshore wind-farm went online off the coast of Rhode Island in 2016. As we reported in February from the department of irony, Fishermen are now using their boats to haul “eco-tourists” to the site to check out the windmills, whose blade-span is more than the length of a football field and quite impressive to behold.

Friday’s meeting is taking place up in Eureka from 11am to 2pm and will be live-streamed via the state’s Joint Committee on Fisheries and Aquaculture online portal. Speakers are coming from a range of shareholders—including the BOEM, the California Coastal Commission, representatives from the windmill-energy industry, the National Resources Defense Council, and several organizations representing fishermen’s interests. They may be tilting at windmills.

Not So Easy

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When Amber Driscoll and her partner Roger Tschann opened the Big Easy five years ago in downtown Petaluma, they envisioned the underground space as a vibrant music venue.

Located in a former sensuality shop on American Alley near Driscoll and Tschann’s small-plate restaurant, Speakeasy, the Big Easy became a lively destination in the town’s cultural scene for visitors and locals alike, offering live jazz, folk, rock and other music four to five nights a week for little or no cover charge.

In addition to hosting local bands and musicians, the Big Easy is also a popular destination for North Bay charity events, fundraisers, weddings and other private events.

Last fall, the music at the Big Easy was silenced when city inspections lead to permitting problems.

“I’m chalking it up to bad luck, really,” says Driscoll. Following an initial inspection by the fire department in late October, which resulted in some minimal retrofitting requests, re-inspections suddenly incorporated over a dozen city officials in departments like building and planning, wastewater and health, triggering a closure of the venue.

“I tried to fight [closing the venue], but wanted to play along because I thought it would be pretty quick,” says Driscoll. “But they kept coming at us with new lists.”

After several back-and-forth attempts to resolve permitting and construction issues, Driscoll made a plea to the Petaluma city council and the public to support their efforts to get back open.

Soon, Driscoll found an advocate in Petaluma Economic Development manager Ingrid Alverde; an online crowdfunding campaign raised nearly $10,000 for construction costs.

“It was a crazy learning experience,” says Driscoll. “But the good thing is that I think the community, having had this venue taken away, realized how much they missed us.”

The Big Easy came out the other side of the ordeal and reopened April 3. Currently, the club is hosting bands on Wednesday through Saturday, with local acts like the Incubators, Citizen Flannel and the Wednesday Night Big Band taking the stage this week.

“The community really wants this space,” says Driscoll. “It’s a good reminder for everyone that this town values art and entertainment.”

Final Fight

Like many others at the end of a life of violence, the would-be demiurge Thanos (Josh Brolin) has retired to the country. His new planet looks like upcountry Maui. Dissolving half of all life was a tough job, but now he’s hung up his armor to rust, a scarecrow in his vegetable garden. Thanos is boiling himself a meal of outer-space taro root, when suddenly, through his roof bursts a living blast of light that was once known as Carol Danvers.

In the early scenes of Avengers: Endgame—indeed, throughout the entire movie—you get what was ordered: Thanos gets barbecued and body-slammed by several of Earth’s mightiest heroes. The ingenuity here is that this attack comes at the beginning of the film, not the end. The problem of the so-called ‘Infinity Stones’ proves to be a difficult anti-rapture, whose first step is triggered by the paws of a storage-room rat.

This massive cycle is a feat of cinematic engineering for which there is no parallel. Completing it, the Russo Brothers use their three hours not just for the usual battle royales, last stands and self-sacrifice, but also to capture the mood of a grieving Earth. As Ant-Man, the least respected member of the team, Paul Rudd does the great old Ebenezer Scrooge at the graveside scene, seeing his name on a cenotaph to “the Vanished” in Golden Gate Park. Survivors have moved on—Stark (Robert Downey Jr.) has also resettled in the country with wife Pepper (Gwyneth Paltrow) and child; Mark Ruffalo’s Bruce Banner, no longer bifurcated, but a scholarly Hulk with glasses, signs autographs for the kids who tug his sleeve.

In heading off Thanos at the pass, Stark gets to see his father one last time. Thor—who reacted to the extermination of half the universe by becoming a beer-bellied seaside town slouch—visits his mother on Asgard once more.

Avengers: Endgame didn’t seem a moment too long, and there wasn’t an awkward performance among its cast. The film has as much faith in quietness as in the noise of mile-long spaceships. For something that ends up nigh-Armageddon, there are a lot of scenes around lakes, scenes of fathers and daughters, quiet tearful farewells and the trilling of birds.

‘Avengers: Endgame’ is playing everywhere.

Weed Workers Unite?

Sounds like we need an ICE raid in
the cannabis industry (“Look for the
Union . . . Edible,” March 19)

via sanjoseinside.com

This is clearly work for slave labor, undocumented Democrats that don’t pay taxes.

via sanjoseinside.com

Renewables
Reaction

There needs to be some skepticism regarding the number of jobs created by wind and solar installations (“Full Tilt,” February 26; see also this week’s News Briefs). In Michigan, we were told a large number of jobs would be created by a 700 acre solar “farm” to be placed on actual prime farmland. When pressed for the actual number of FTE jobs, the developer admitted the cited jobs would only be during construction and after that, they would only have 2 to 5 FTEs. While there is a need for more clean energy, it needs to be placed responsibly. The proposed 700 acres of solar would not reduce CO2 in the air as much as the same acres of crops.

via goodtimes.sc.com

Stuttering Awareness

Do you stutter? Do you know someone who does? Most people do. More than three million Americans and 70 million people across the globe stutter, but sadly it is still quite misunderstood. Help us change that. May 13-19 is National Stuttering Awareness Week. To support the stuttering community, the nonprofit Stuttering Foundation launched a new website—stutteringhelp.org—with easy-to-find information like articles, brochures, magazines, videos, research reports and counselor referrals, with a new laptop- and mobile-friendly interface.

The Stuttering Foundation has accurate, trusted information about stuttering and free help on its new website—StutteringHelp.org.

Please take a look and tell a friend.

Via Bohemian.com

Write to us at le*****@******an.com.

Family Dynamics

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Siblings and significant others do battle in two comedies running now on North Bay stages.

Healdsburg’s Raven Players take you to rural Pennsylvania where Vanya and Sonia and Masha and Spike gather at the family homestead. Vanya (Steven David Martin) and Sonia (Diane Bailey) have held down the family fort and taken care of their infirm parents while sister Masha (Christi Calson) went off to be a big Hollywood star. Their psychic housekeeper Cassandra (Athena Gundlach) warns them of impending doom, and the next thing you know, Masha returns with Hollywood him-bo Spike (Bill Garcia) on her arm with some bad news.

Christopher Durang’s comedic take-off on Chekhovian themes won the 2013 Tony Award for Best Play and quickly became a staple of community theatres. Director Sandra Ish has a good cast running though their comedic paces on a nice set by Julie Raven-Smart. The Raven Players continue to up their game with improved technical elements.

The play is amusing, if a bit overlong, with the show’s highlight coming via a lengthy comedic monologue well-delivered by Martin on the drawbacks of modern technology.

Rating (out of 5): ★★★&#189

What’s a theater company to do with the exit of an actor in a key role deep into the rehearsal process? Sonoma Arts Live and director Carl Jordan had to deal with just that situation with their production of Garson Kanin’s 1946 comedy Born Yesterday.

Kanin’s tale of multi-millionaire junk dealer Harry Brock (Ken Bacon) and his mistress Billie Dawn (Melissa Claire) is experiencing something of a renaissance. Seems that a story about a crude, rude, ignorant Washington power-broker who eventually gets his comeuppance has a certain appeal with audiences these days.

It’s a good-looking show, with nice period costume work by Janis Synder and a nicely appointed set by Jason Jamerson.

Bacon came into the production late in the rehearsal process and it shows. Credit to him for doing as well as he did, but his tentativeness with lines really affected the show’s timing and limited rehearsal apparently led to little character development.

There’s good supporting work by Richard Kerrigan as Brock’s self-loathing legal counsel and David Abrams shows distinct chemistry with Claire as her knight in shining armor.

Rating (out of 5): ★★&#189

‘Vanya and Sonia and Masha and Spike’ runs through May 5 at the Raven Performing Arts Theater, 115 North St., Healdsburg. Friday–Saturday, 8 pm; Sunday, 2 pm. $10–$25. 707.433.6335. ‘Born Yesterday’ runs through May 12 at Andrews Hall, 276 E. Napa St., Sonoma. Thursday–Saturday, 7:30pm; Sunday, 2pm. $25–$40. 866.710.8942.

Beer Train

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The most memorable food pairing experience I’ve had in recent memory did not involve some precious, chef-prepared morsel of seared scallops or a $200 Cabernet.

In fact it two of Petaluma’s best-loved, if humble, signature products. Not butter and eggs, silly—craft brew and artisan cheese.

It was all quite accidental. The occasion was a 50-mile cycling challenge I put myself through just to complete a story in the Bohemian (“Surfin’ Curds,” May 11, 2019) about cheese. The plan was a brisk four-hour ride from the Petaluma SMART train station to Point Reyes Station and back, but by the time I reached the Petaluma Creamery store at 3:30, it was clear enough I wasn’t going to make the 3pm train back to Santa Rosa. So I picked up a wedge of dry goat jack cheese and then stopped in at Dempsey’s Restaurant & Brewery, a brew pub from the old school that holds its own in these days of craft-brew mania, to wait for the 4:30. Dempsey’s old English–style Petaluma Strong Ale, slightly sweet with malt, was a sensation with the tangy, crumbly, and not too “goaty” jack (it’s also less dry than the typical dry jack). Nice of the bartender to provide a full place setting for my cheese eating scheme, as well, and I could’ve lingered there longer, as the river and footbridge traffic meandered by, were it not for that 4:30 train.

Well, Lagunitas Brewing Company could have read my mind, because the next time they sent out a sample of their season Waldos’ Special Ale, in April, it was accompanied by a food pairing of local products that included a pocket-size picnic pouch of handmade flatbread from Petaluma’s Rustic Bakery, blue cheese from Point Reyes Farmstead Cheese Company (which now has a Petaluma production facility) and marmalade created by San Francisco cannabis chef, Stephany Gocobachi.

Now hold on! The Waldos’ is not so much a triple IPA, at 11.7 percent alcohol by volume, as a grotesquely hopped barleywine. Food pairing? Go ahead and cue the guffaws. But it works. Almost riparian in aroma, the ale smells like a dense thicket of hops and bog; dank, but not hazy. It’s no tutti-frutti IPA—more like a grainy, coarse reduction of a classic California pale ale—and it almost overwhelms both blue cheese and flatbread, until topped with a teaspoon of decidedly earthy (I had to be assured that it’s not that kind of edible) marmalade. It works—the Waldos’ turns into the champagne of dank, strong beers—and the darn thing works beautifully.

The $57,000 Question

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The Santa Rosa City Schools Board of Education gave its tentative approval to a two-year contract with the California School Employees Association on March 30. The union represents non-teaching lower-wage earners in the school district—secretaries, food-service employees, custodial staff and others.

The labor agreement with CSEA comes on the heels of a contract the Board of Education ratified last week for teachers in the Santa Rosa school system. The recent two-year deal with the Santa Rosa Teachers Association includes more than $14 million in increases to salary and benefits starting this school year; it raises salaries by 7 percent by 2020, and will raise teachers’ annual medical benefits cap from $5,300 to $6,800. There’s also a $200 dental benefit increase.

Next up is a highly contentious proposal to raise the salary of the SRCS superintendent, Diann Kitamura, and four assistant superintendents. The SRTA has come out strongly against a plan to increase Kitamura’s $200,000 salary by $57,000, retroactive to 2018, and with additional scheduled raises over the next two years.

The CSEA has yet to take a position on the proposal even as the SRTA has blasted it. The CSEA deal with the Board of Education increases future salaries, in phases, by 7.5 percent, starting in July of this year, and also increases the CSEA’s Health and Welfare cap to $907. The contract has not been ratified by CSEA or the Board of Education. The CSEA is an affiliated member of the AFL-CIO and at 230,000 members, is the largest classified school union in the country (according to Wikipedia).

The Santa Rosa City Schools district has 24 schools, 15,000 students and a total staff of 1,600 according to stats from the district. It’s the largest school district in Sonoma County. The tentative agreement comes after months of negotiation and as California teachers have gone on strike in Oakland and Los Angeles over lagging wages and little help from Sacramento.

Kitamura reiterated a call she’s made numerous times to increase state funding for education in an April 30 press release that announced the tentative deal with CSEA.

“We cannot provide a quality education without our dedicated classified staff, and we are happy to have signed a tentative agreement with CSEA,” she wrote.

“Like other districts throughout California, we know that our budget challenges are not going away. We look forward to joining with our classified staff and demanding that lawmakers in Sacramento provide the full and fair funding that all of California’s students deserve. . .”

Even as it worked to hammer out new labor agreements with the two unions, the seven elected members of the Board of Education have yet to consider the proposed pay hike for the superintendent and assistant superintendents.

According to a late April press release from the school district, a vote on raising management’s pay was put off to another day at the Board of Education meeting where the SRTA contract was ratified.

The SRTA has come out strongly against the proposed 29 percent retroactive pay hike for Kitamura and the assistant superintendents.

“The board also had been expected to consider contracts and salary increases for the superintendent and four assistant superintendents, to reflect increased duties in those positions and to bring salaries closer to those of other comparable—and even smaller—school districts,” the release notes.

“However, the item was pulled from the agenda when two of the seven board members could not attend the meeting. Board Vice President Laurie Fong, who was chairing the meeting, said it will be brought back to the full board at a future meeting.”

That future meeting is coming up on May 8. Here’s some perspective in the meantime:

According to the California Department of Education, the average starting salary for teachers in the state is around $48,000; the state DOE reports that teachers’ annual salaries peak at about $106,000 a year. School principals can earn up to $150,000 annually, while a superintendent can earn up to $271,000 a year.

Online data at transparentcalifornia.com shows that Santa Rosa schools superintendent Kitamura’s total compensation package for 2018 was $237,661,000; $200k was her 2018 base salary. A $57,000 raise would put her total compensation package at over $300,000 a year.

The SRTA has offered numerous points of contention and opposition to the proposal, which would see Kitamura’s salary jump by 29 percent, from 200k to $257,000, retroactive to 2018—and with an additional 7 percent raise between now and 2020.

The SRTA says management’s raise should be in line with their own, at 3 percent annually and without the retroactive pay to 2018. They also note in a press release that many non-teaching staff currently earn less than $15 an hour. In local news reports about the dust-up Kitamura has said she’s earned the raise because of (among other reasons) an increased workload due to the 2017 wildfires.

Kitamura also brought up the specter of bigotry at play when she told the Press Democrat recently that nobody would be taking issue with the proposed pay hike if she were a white man and not a Japanese-American woman.

Meanwhile, the transparentcalifornia.com site lists nearly 900 teachers in the Santa Rosa School District and their 2018 benefits packages; dozens of teachers on the list are earning $80,000 and up and have total compensation packages that exceed $100,000 a year.

Fling Time

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Cabernet Franc isn’t the first varietal I think of for springtime sipping. The spicy, floral white wine called Gewürztraminer—that’s more like it. When samples of both showed up on our doorstep, with a note linking them to a springtime event, it begged for inquiry and a full report. The standard package for Bordeaux-style Cab Franc is the French region’s high-shouldered bottle style. So what’s this one doing in a more gently curved (one hates to say, “feminine”) “Burgundy” glass?

In France’s Loire Valley, the wonder twins of white and red wine are crisp Chenin Blanc and silky Cabernet Franc. There they get to express their true selves instead of playing referee between Merlot and Cabernet Sauvignon.

The Paul Mathew Russian River Valley Cabernet Franc ($29) must be the softest, most supple (again, one hates to say, “feminine”) Cabernet Franc I’ve run across in these parts, showing pretty aromas of red licorice, soft leather and warmed olives. It’s the kind of easygoing bistro wine that plays nice, but doesn’t feel cheap.

This wine is made in 100 percent stainless steel, “and also made by a guy who predominately makes Pinot Noir,” says Barb Gustafson, co-conspirator in Paul Mathew Vineyards with winemaker Mat Gustafson, “so he’s trying to bring up the elegance of the wine, instead of oaking it and making a big, huge, chunky wine.”

You can pair this wine with small bites by Boon Eat + Drink, Agriculture Public House, Big Bottom Market, A La Heart Catering and other food vendors at the fourth annual Spring Fling, a benefit for the Guerneville Chamber of Commerce, which could use a little benefit after a soaking wet winter.

They’re calling it their coming out party after the floods, says Gustafson. Should the weather warm enough to mandate a splash of spicy white, try Paul Mathew’s Russian River Valley Gewürztraminer ($24). This is no sweet thing, like many wine drinkers expect of Gewürz. The aroma’s just a touch creamy, with accents of rosemary and juniper berry, and it drinks like a spicier Sauvignon Blanc, with zesty, kiwi cocktail acidity for days and a nice and dry finish.

For $50 you can bet there’s more wine at the Spring Fling: the seldom-seen Flowers and Wild Hog come down from the mountain, plus Woodenhead, and more. Korbel brings bubbles. The Thugz bring Grateful Dead cover music. And Michelle Anna Jordan brings cookbooks. Bring a thirst and an appetite, and this fling is sprung.

Spring Fling, downtown Guerneville, Saturday, April 27, 1–4pm. $30 food only; $50 food and wine. 707.869.9000. RussianRiver.com.

Musical Saviors

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Santa Rosa Junior College’s Theatre Arts Department closes out their second season “on the road” with a production of Andrew Lloyd Webber and Tim Rice’s 1971 rock opera Jesus Christ Superstar. With the Burbank Auditorium still undergoing renovations, Maria Carrillo High School’s theater hosts this production through May 5.

Director Leslie McCauley has gathered a multi-generational cast to tell Webber and Rice’s very loose interpretation of the last days of Jesus Christ set to a pounding rock score. Guest Artist Phillip Percy Williams has been brought in to essay the title role—and he’s excellent—but the lead character in this piece is actually Judas Iscariot. Noah Sternhill, last seen as Lord Farquaad in the JC’s production of Shrek, the Musical, tears up the stage as the man whose name is synonymous with “traitor” but whose character is given a lot more shading in Webber and Rice’s world.

Vocals were generally excellent under the direction of Joshua Bailey. Williams, a 12-year veteran of San Francisco’s Bleach Blanket Babylon revue, knows his way around a song and gets several opportunities to prove it. His rendition of “Gethsemane” is wrenching. Sternhill matches him from the get-go with “Heaven on Their Minds.” Ariana LaMark does well by the show’s most popular number—”I Don’t Know How to Love Him”—though her Mary Magdalene seemed curiously disconnected from the goings on. There’s great character work from Anthony Martin as Pontius Pilate, Michael Arbitter as Caiaphas, and Riley Craig makes quite an impression as a Liberace-esque King Herod.

The show’s technical elements are very strong. Scenic Designer Peter Crompton has the events taking place on a utilitarian set of scaffolds and columns that’s well enhanced by Vincent Mothersbaugh’s lighting.

Neither blasphemous nor slavishly pious, Jesus Christ Superstar can be seen as an interesting look at the culture of celebrity, the fickle nature of followers and the hypocrisy of those in leadership roles. Sound relevant?

Rating (Out of Five): ★★★★

‘Jesus Christ Superstar’ runs through May 5 at Maria Carrillo High School Theatre, 6975 Montecito Blvd., Santa Rosa. Recommended for ages 12 and above. Thursday -Saturday, 7:30pm; Saturday & Sunday, 1:30pm; $10–$22. 707.527.4307. theatrearts.santarosa.edu

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Musical Saviors

Santa Rosa Junior College's Theatre Arts Department closes out their second season "on the road" with a production of Andrew Lloyd Webber and Tim Rice's 1971 rock opera Jesus Christ Superstar. With the Burbank Auditorium still undergoing renovations, Maria Carrillo High School's theater hosts this production through May 5. Director Leslie McCauley has gathered a multi-generational cast to tell Webber...
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