Letters to the Editor April 24, 2019

On March 31 the Sonoma County Coast MAC (Municipal Advisory Council) met with approximately 80 people from Bodega Bay, Jenner, Occidental and Timber Cove at the Bodega Bay Grange. The meeting was to inform residents about the coastal marathon to be held Sept. 29. Originally, Highway 1 was to be closed from Fort Ross to Bodega Bay.

Because of public outcry, it was decided that the race would be a half marathon which would close one lane of Highway One and begin at Jenner and end in Bodega Bay. At the meeting many people spoke vociferously against the race. Concerns raised included environmental impacts, traffic, business shutdowns and a possibly slower emergency response times. Residents asked the race officials why the community wasn’t contacted first about this planned event. Efren Carrillo, the former 5th district supervisor, and Tina Wallis, the attorney for this event, were supposed to attend this meeting but failed to show up.

For now the race is canceled due to lack of necessary permits. However, if this race is permitted next year, a precedent would be set for years to come.

Occidental

Misplaced
Priorities

World Vision staff say about 14 million children in Ethiopia, Kenya, South Sudan, and Somalia are struggling to get enough to eat. Meanwhile,
$1 billion pours in from around the world to fix a church in France.

Occidental

How’s That Working Out?

Since the ’80s, politicians have told us that a “pure capitalism” economy will solve every problem we have economically. An unregulated free market became more important than democracy to many politicians. Bill McKibben, former New York Times science writer and founder of the climate change organization 350.org, recently said that it “was unfortunate that political point of view developed” just when we needed a response to climate change.

Unfortunate or deliberate, how is that working out for us? Fossil fuel companies are the obvious companies that—had they been mildly regulated or taxed for their carbon footprint—we would be far better off today. This is really true of most, if not all big businesses. The more we consume what they produce, the more carbon is released into the atmosphere. Our worldwide ecosystem is breaking down, and now we are faced with needing to take drastic measures to prevent going over 2 degrees Celsius. So far the interpretation that “a completely free market solves everything” is still our religious type of belief and appears to be elevated even above the ideal of democracy.

Monday was Earth Day, and this year’s theme was extinction. Species are going extinct at a rapid rate—plants, animals, birds, insects, coral reefs, ocean life.

How’s that theory of unregulated growth of production resulting in more and more consumption working out for us?

Boulder Creek

Write to us at le*****@******an.com.

Local Controllers

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It’s the battle of the housing bills.

First, there’s SB 50, San Francisco Sen. Scott Weiner’s attempt to end local control over zoning decisions in “transit rich” areas of the state. He proposed a similar bill last year, SB 827, which was met with various levels of alarm and support among localities and housing activists—but died in committee.

Then there’s SB 4, Healdsburg Senator Mike McGuire’s response bill to Weiner’s bill. McGuire says his bill seeks similar aims—to streamline the process for building high-desnity housing in transit-rich zones by giving the state a bigger hand in local zoning decisions—but of a less draconian nature, given the number and scope of the exemptions in SB 4.

McGuire, who helped kill Weiner’s bill last year in the Senate Transportation and Housing committee, put up a trio of housing-related bills this year as he was also elevated by Sen. Majority Leader Toni Atkins to his position as second in charge of the senate Democrats.

McGuire emphasizes workforce housing in his legislative package this year and criticized Weiner’s “one-size-fits-all” San Francisco–centric housing bill.

McGuire is also seeking a reanimation of the state’s redevelopment program, with the introduction last month of SB 5. That bill aims to ramp up state and regional efforts at building middle and low-income housing.

With SB 4, he offers a rejoinder to Weiner’s bill, which has received surprising support from construction trade unions and the construction industry, along with “YIMBY” groups, while being condemned by Marin electeds, Marin Independent Journal columnists, and the San Francisco Board of Supervisors.

Both bills passed through their respective committees earlier this month, with both men refraining from voting on the others’ proposal and pledging to hash out their differences in advance of hearings and committee votes on the bills this week.

Critics of Weiner’s proposed SB 827 last year variously accused him of being a “WIMBY” (Wall Street in My Backyard), and for abandoning any pretext of building an affordable-housing component into his bill. He responded with an upgraded bill this year that mandates a 20 percent affordable housing ratio in new housing developments in transit rich zones. The criticisms continue over the bill’s core push to end local control over sensitive zoning issues—even as a broad consortium of developers, housing advocates and unions have supported Weiner’s approach.

McGuire’s bill, by contrast, pushes for a 30 percent affordable housing set-aside for new residential projects in transit-rich areas. That’s twice the average in the North Bay, and represents the Highway 101 and SMART train corridor. Cities up and down the line have development projects in the pipeline that, in their own way, underscore the region’s dilemma when it comes to building affordable housing in a region with the highest valued real estate markets in the country that’s also facing a huge population boom in coming years to go along with various natural and man-made disasters.

McGuire’s bill would limit the new state zoning mandates to cities and towns with a population greater than 60,000 in a county with fewer than a million people. Marin’s population is 250,000; Sonoma is about 500,000.

In McGuire’s district, his bill’s population parameters mean that while Santa Rosa, Petaluma and San Rafael could be subject to new state zoning mandates (and be impelled to approve, for example, three-story mixed-use apartments near SMART stations), smaller cities such as Cloverdale and his own high-end home base of Healdsburg would not.

In Healdsburg, home to Sonoma County’s priciest median home value ($888,000, according to the latest Zillow figures), the city council recently gave the green light to an ambitious build-out of an old lumber yard that’s located yards from a proposed SMART station scheduled to arrive in town by 2022. The plan is very Healdsburg to the extent that it cozies up to the tourism industry while making an earnest effort at dealing with its workforce-housing crisis.

Replay Healdsburg LLC is a corporation under the umbrella of Vancouver-based developer Replay Destinations, which is mostly in the hotel business. Their public-private plan was approved by the city council and, when fully developed, will include 208 new residential dwellings split between 146 market-rate residencies, 40 multi-family rental units, and 48 “micro units” of 500 square feet or less. The latter represents twice the number of low-income units required under Healdsburg’s zoning code.

The Replay plan also calls for a 53-room hotel with a spa, and the company specifically noted in its 2017 proposal to the city that it would “take advantage of . . . the future SMART transit center,” along with providing numerous amenities to the town that include a new park and commercial district. The low and very-low income housing would be managed by Eden Housing, a Hayward-based supportive housing nonprofit that’s emerged as a go-to agency for private-public partnerships that are simultaneously pro-business and pro–affordable housing.

Under McGuire’s bill, Healdsburg, with a population of 12,000, would be exempt from any future state-driven attempts to seize control of local zoning decisions in the downtown area.

Meanwhile in Santa Rosa, there’s a SMART station at Railroad Square but an empty former freight train depot lot across the tracks that’s been a hot potato property since the SMART District was created in 2002 and subsequently purchased the land.

In the aftermath of the 2017 wildfires, which saw Santa Rosa lose five percent of its housing stock, the property has continued to languish under the weight of known soil contamination and complex issues related to the five acre lot’s extensive title history, according to city documents and published reports on the Santa Rosa snafu.

SMART’s been trying to jump-start trackside development where it’s been flagging—especially in Santa Rosa. According to SMART documents, General Manager Farhoud Mansourian tried to fast-track a development deal with the Santa Clara–based ROEM Development Corp. in 2018 with a planned high-density development of 321 apartments, including 48 below-market rate units. But, citing title and oil contamination issues, ROEM backed out of the deal early this year. Cornerstone Properties then stepped into the breach and bought the land from the SMART district for $5.4 million. A project plan is pending from Cornerstone.

What impact might a McGuire-Weiner compromise bill have on Santa Rosa? It’s unclear. Santa Rosa has the highest population in the North Bay, at 175,000, which puts it squarely within the population parameters set by McGuire. But McGuire’s bill also offers exemptions to areas where there’s a high risk of wildfire.

Marin County has been especially vociferous in denouncing Weiner’s bill and any legislative attempt to seize control over local zoning decisions. Marin’s been the much-publicized flashpoint for local control over high-density development along the travel corridor, with its rich “NIMBY” culture of older homeowners who have resisted the renewed rush to develop, met with a new YIMBY push that’s highlighting an outsized cost of living in Marin that’s driven largely by its pricey real estate market. San Rafael has seen several projects in recent years that demonstrate McGuire’s overall point about the “one-size-does-not-fit-all” approach to residential development.

In one pending project, San Rafael and the county have tentatively embraced a public-private partnership model that also makes use of support services from the nonprofit Eden Housing. Several years ago, BioMarin and the Whistlestop senior services facility both put forth ambitious redevelopment plans that were approved by city planners in San Rafael, only to have them face the regulatory buzzsaw of the county and the state—not to mention a funding wall for Whistlestop, thanks in part to the end of redevelopment.

Last year the entities combined their plans into one new project that would see a new plant for the local pharmaceutical firm, a residential tower for seniors and as well as parks, bikeways and other amenities. That plan is now being reviewed by numerous county departments, and an environmental review is underway. The Biomarin-Whistlestop plan serves as a demonstration model for how local control can play out and provide the maximum benefit to all parties—including those who are having a hard time making the rent in Marin. But as the YIMBYs like to point out, Marin County has been very slow to approve new residential developments in the past decade and has exacerbated
its own housing crisis through a local control regime that’s heavy on the control.

Weiner says his bill is designed to remediate the failings of local control when it comes to upzoning transit-rich areas, and it remains to be seen how or if Wednesdays hearings will address projects in the pipeline. McGuire’s staying mum on the subject. “Nothing to report yet,” says McGuire spokeswoman Kerrie Lindecker. “But more to come on [April 24] when the bills come to [the] Governance and Finance Committee.”

Bluesy Virtuosos

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Raised in San Rafael and now living in Novato, Rebecca Roudman makes her living as a cellist in the Oakland Symphony and the Santa Rosa Symphony. She started playing classical music when she was 7 years old, and after graduating as a music major in college, it was all classical music all the time.

“But classical music has never my first love,” says Roudman. “It’s been everything else; blues and bluegrass and rock.”

Eight years ago, she took a musical detour in that bluesy direction, teaming with her flutist-turned-guitarist husband Jason Eckl to form Dirty Cello a crossover smashup of cello strings and stomping blues rhythms that hit a note with Bay Area audiences almost immediately. “There was interest, people thought it was kind of cool and kind of weird,” says Roudman. “That’s the kind of people we are.”

Musically, Roudman’s biggest hurdle was learning to improvise on the cello during performances, not a skill that’s emphasized in classical training.

“It was an uphill battle at first,” she says. “Now, it feels natural, which feel good.”

Soon after they started, Dirty Cello expanded from a duo to a full four-piece band, and today the group includes bassist Colin Williams, drummer Ben Wallace-Ailsworth and occasionally vocalist and multi-instrumentalist Sandy Lindop.

This year is shaping up to be one of the group’s busiest yet. They’re currently preparing to release Bad Ideas Make Great Stories, their second record of 2019 after Bluesy Grass, which came out in January.

“It’s a pretty unique record because it’s made from personal stories of all our adventure we’ve been on,” says Roudman.

After a record-release concert at the HopMonk Tavern in Sebastopol, Dirty Cello again goes international, performing in England, Israel and Iceland over the summer.

“If people are expecting to see a classically-trained cellist playing mellow, smooth music, it’s not that,” says Roudman. “They’re going to hear something they haven’t heard before.”

Dirty Cello performs on Friday, April 26, at HopMonk Tavern, 230 Petaluma Ave., Sebastopol. 8pm. $13-$20.707.829.7300. dirtycello.com.

Space Junk

Hurtling toward a black hole, a spacecraft known only as “7” is in the middle of an eight-year mission. The outside of the craft is blandly boxlike. Inside, it’s crappy like the littered hall of a public housing apartment. Claire Denis’ High Life, and yes, the title is ironic, begins with two survivors aboard, Monte (Robert Pattinson) and Dr. Dibs (Juliette Binoche). Monte is repairing a magnetic shield outside the craft, while baby-monitoring the wails of a girl fussing in her makeshift playpen. When not tending to the babe, Monte is recycling his urine, or hauling the
scraps of his meals in a dingy plastic bucket to the indoor compost heap.

The rest of the crew is still aboard, corpses in space suits. The mission was made up of murderous criminals shot into space as a way of serving their sentences. In flashbacks, the shipmates’ crimes are teased out.

Dr. Dibs is the biggest criminal on the ship, to hear her tell it; she’s guilty of the kind of crime that makes up Greek myths.

High Life has poetry, but it’s awkward poetry. After a long and distinguished career (White Matter, Chocolat, 35 Shots of Rum) this is Denis’ first movie in English. Is there any reason, beyond increased ticket sales, that a director would cut off her tongue at age 70? It’s not like there needed to be much dialogue, since it’s mostly a movie about Pattinson looking bitter and Binoche looking wanton.

Dull colors and space madness explain why people might want to “space” themselves, to use The Expanse‘s term for the one way trip out the airlock. No one made an effort to decorate this flying slum, except with gouged graffiti and sprays of bodily fluid. But there is one break from the unnaturalness: a space garden.

The tantalizing dream of space exploration is absent in High Life‘s reckoning; it’d be better if we just stayed on Earth and tended our gardens.

‘High Life’ is playing at select theaters.

Retro Fool

I don’t know why exactly, but I’ve always been a collector. My first memories are filled with scenes of me picking up rocks and keeping them in a box to look over later, or sifting through my parent’s change to find old coins to keep (I still have a penny from 1896). Once I got into comic books at 8, I found a hobby that let my imagination soar, and I collected several thousand comics from Spider-Man to Swamp Thing, lovingly placing each book in a plastic sleeve to protect them.

Yet, comic books soon got expensive, old pennies stopped turning up, and the rocks found their way back to the fields where they belonged. I was a collector in need of an obsession. In 2007, I found what I was looking for: a dead media format called LaserDisc.

An Affair to Remember

My love affair with LaserDisc movies began in Santa Rosa. It was in a thrift shop, Sacks on the Square, in the heart of Railroad Square. I saw a dozen or so vinyl records sitting together in the corner.

Or so I thought.

As I pulled the first title from the shelf, I mistook it for the motion picture soundtrack to Terry Gilliam’s Brazil, the 1985 dystopian science fiction film in which a man stuck in a totalitarian world dreams of flying on metal wings. It’s one of my favorite films.

I had been toying with the idea of going whole hog on collecting vinyl records, as I already had a box of old LPs culled from thrift stores at home, so I grabbed the 12-inch record off the shelf to inspect the soundtrack.

Yet when I pulled the “record” out of its sleeve, a shining silver disc greeted me. As the light reflected in my eyes, that theme to Brazil somehow started playing in my head.

I began to stammer, completely unprepared for the supremely smooth slab of media I was gazing upon, before the words “LaserDisc” met my eyes, and I realized I was holding the actual movie itself, presented in an outdated, oversized and thoroughly obsolete technology.

I was hooked. In fact, there were over 20 LaserDisc films in that lot, with such classics as David Lynch’s Blue Velvet and Sylvester Stallone’s arm-wrestling masterpiece Over the Top in rank. I grabbed them all.

As it happened, the LaserDisc movie player, a Pioneer CLD-D406, was sitting on the other side of the store and in perfect working condition (a rare feat for thrift store shopping). I walked out of Sacks on the Square with the movies and the player, weighing in at about 40 pounds of awesomeness, for less than $20. I had finally found what I was looking for.

LaserDisc Legacy

What the heck is a LaserDisc? The retro tech goes back to 1958 when Dr. David Paul Gregg developed optical disc storage while working at California electronics company Westrex, a part of Western Electric. Gregg first developed a transparent videodisc covered by pits and ridges, with video and audio stored in analog format that was read by a laser rather than a needle such as vinyl records used.

He patented the technology in 1961 and again in 1969, when he sold the patent to Phillips, one of the largest tech and consumer electronics companies in the world. Phillips had already been working on a reflective disc system similar to Gregg’s, and they used his patent to develop LaserDiscs with the intention of selling it as a home video system. To do this, Phillips teamed up with MCA, who owned the rights to the largest catalog of films at the time, to bring the LaserDisc technology to market, and they demonstrated the technology first in 1972. Five years later, in 1978, Stephen Spielberg’s original blockbuster Jaws became the first LaserDisc movie to hit the market in North America.

At the time of its initial release, the medium was not actually called LaserDisc. Rather, MCA decided to call it DiscoVision, hoping to capitalize on the disco craze at the time, I suppose. Guess how long that name lasted? Not long.

Along with their own film catalogue, MCA also manufactured discs for other companies, including Paramount, Disney and Warner Brothers.

While home movie lovers in the early ’80s were obsessed with the VHS vs. Beta conflict, film aficionados were flocking to LaserDisc. It was considered the format for serious home video collectors, offering twice as much resolution as a VHS tape and the ability to store multiple audio tracks on one disc. This gave birth to the director’s commentary feature.

LaserDiscs were also the first video format with chapters, like DVD and Blu-ray today, that the viewer could skip directly to. This feature led to the creation of LaserDisc-based video arcade games, beginning with Dragon’s Lair in 1983, which wowed gamers with smooth animated graphics that were otherwise unheard of in the era of Galaga. LaserDiscs were also an essential teaching tool in the classroom, given that lessons could now be accompanied by illustrations, animations and video interviews to heighten the learning process.

In 1984, an upstart video distribution company, The Criterion Collection, began releasing films on LaserDisc exclusively, starting with the release of Citizen Kane and King Kong, and adding to LaserDisc’s appeal to serious collectors.

At its peak, 1 million LaserDisc players were operating in North American homes, and in Japan, the phenomenon grew even greater, with the anime market driving approximately 4 million people to own LaserDisc players. A collector’s market for LaserDisc is still thriving there today.

The Future Past

In North America, LaserDisc production lasted until 2000, with Tim Burton’s Sleepy Hollow and Martin Scorsese’s Bringing Out the Dead being the last two titles released on the format. Once DVDs came into the market in the mid-90s, the large, heavy, expensive and sometimes inconvenient LaserDisc format went the way of the Beta.

Gone, but not forgotten, LaserDisc has become an obsession for people like me who love the throwback look and feel of them, as well as the thrill of finding a true treasure of a film in a bin somewhere.

As a result, I’ve driven to every distant corner of the Bay Area and beyond to relieve them from Craigslist sellers. I’ve scrolled countless Ebay listings, scoured miscellaneous racks at every vintage store I come across and chatted on Internet forums like LaserDisc Database to find out the specifics of certain releases.

My beloved collection of 500 or so LaserDisc movie, television and educational releases is quite modest in comparison to others I’ve talked with. One serious dealer I contacted needed to use their entire garage to store approximately 10,000 discs he owns.

Recently, I’ve taken the obsession to a new height by starting a podcast, Laser Discourse, which is dedicated to revisiting the best and worst of LaserDiscs. So far, we’ve talked about classics like Jaws and The Terminator, as well as obscure movies like the Billy Blanks and Roddy Piper-starring 1993 head scratcher Back in Action.

Sadly, the truth is that LaserDiscs will never have a vinyl-esque resurgence, and the format is suffering; laser rot is a very real issue for many collectors. For now, all I can do is store my beloved collection as safely as possible and share my love of LaserDiscs now, while they are still around.

Chalk It Up

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Known for its great views and lively white wines, Chalk Hill Estate winery also offers a lunch tasting menu in a dining room high atop the 1,300 acre property.

The meals are largely sourced from culinary gardens just below the dining room, a modern, glass-walled building with sweeping views of the 300 acres of vines and points west.

Unlike many wineries that limit dining to wine club members, Chalk Hill Estate is open to the public. The 90-minute lunch goes for $120. For club members it’s $96. The experience, which includes a brief tour, is available by reservation, Tue-Sat at 11am.

The man behind Chalk Hill Estate is the late Fred Furth, an aviator and litigation lawyer who used his funding from a few big litigation wins to purchase his first three acres of land here in the 1960s. He planted some vines and by 1974 had produced a small lot of Chardonnay. Eventually, he purchased all 1,300 acres. In 2010, Bill Foley acquired the property as part of his ever-growing wine empire. Foley lives on the property half the year and produces 26,000 cases of Sauvignon Blanc and 12,000 cases of Chardonnay.

In spite of a large, domed horse pavillon, horses on property are a thing of the past, and the stables have been renamed as “VegStables.” Three culinary gardens on the property grow 80 percent of the daily culinary tasting menu. Produce is harvested early each morning for the kitchen.

Chalk Hill’s executive chef is Dave Thater. Lunch began with a tiny cup of delicious chilled leek soup served with bits of crunchy pancetta on top. The 2017 Felta Chardonnay pulled out the citrus notes of the Meyer lemon oil drizzled over the next dish: earthy, paper-thin slices of celery root carpaccio. Each slice varied the strength of the lemon that changed the acidity of each sip of wine. A garlic-cilantro emulsion and edible pansies added to the complexity of the dish.

The next course of roasted acorn squash topped with mint pistou of macadamia nuts was the size of a deck of playing cards. Underneath the block of squash was a bed of black lentils and wispy sheets of sliced carrots. Ricotta salata, pressed and aged one week, was strewn over the dish like confetti.

The 2015 Pinot Noir provided the perfect tannin structure for this pairing and was the only wine served that wasn’t grown on the Chalk Hill Estate vineyards. It’s a bit too warm for Pinot Noir here so the grapes come from the Russian River Valley.

Course three was a miso-braised octopus with pickled shiitake mushrooms and a briny vegetable broth served in a fire engine red Le Creuset crock. The earthiness of a 2014 Syrah served with it was a great pairing for this hearty dish.

The New York strip loin topped with a Petit Verdot saba (wine must reduction) and a dusting Bodega Bay sea salt ended the meal on a strong note, made even better with a glass of the 2014 Clara’s Blend (namesake of Furth’s granddaughter), a blend of Cabernet Sauvignon and a bit of Malbec and Petit Verdot.

Fitzgerald’s Game

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The venerable Ross Valley Players have a long history of presenting original works to their audiences. In 1984, they initiated the Ross Alternative Works (RAW) program, dedicated to staged readings and full productions of works by Bay Area playwrights. This season brings Scott & Zelda: The Beautiful Fools, running now through April 28.

Written by Sausalito resident Lance S. Bellville and directed by Lynn Lohr, it’s a look at the tumultuous relationship of writer F. Scott Fitzgerald and his wife Zelda. It’s not a strict bio piece per se, but a “stream of consciousness” play that takes place in the mind of Fitzgerald.

Set in the late 1930’s, we first meet Scott (Frankie Stornaiuolo) in the apartment of his mistress, Hollywood gossip columnist Sheila Graham (Marissa Ellison).

The play zips back and forth between the times and places—when he first meets Zelda (Emily Dwyer), their time together in Paris, his friendship with Ernest Hemingway (Izaak Heath), their Long Island residency with next-door neighbor Groucho Marx (Peter Warden), his parenthood of daughter “Scottie” (Charlotte Curtin), and Zelda’s decline due to mental illness. It’s all sort of “book-ended” with comments and exposition from Fitzgerald’s literary agent Harold Ober (Warden again) and editor Max Perkins (Ron Talbot).

There’s little depth to the characters and the hopscotching around their lives amounts to a Classics Illustrated approach to their story. Performance-wise, Dwyer does well as Zelda, a fascinating individual who deserves to have her story told (better). Stornaiuolo, who overcame script deficiencies with his character in the last RVP production, has no such luck here and is given little to do other than resemble Fitzgerald. Among the supporting players, Warden’s agent and Heath’s Hemingway come off best.

To paraphrase Fitzgerald’s contemporary Gertrude Stein, when it comes to Scott & Zelda, there’s no there there.

Rating (out of 5): ★★&#189

‘Scott & Zelda: The Beautiful Fools’ runs Friday – Sunday through April 28 at the Barn Theatre in the Marin Art and Garden Center, 30 Sir Francis Drake Blvd., Ross. Times vary. $20. 415.883.4498. rossvalleyplayers.com.

Letters to the Editor, April 17, 2019

If you as a school district or educator are denying a certain art form and subculture in our community, you’re also cutting arts and creative programs in the schools (“Small City, Big Dreams,” April 10). I never met a kid who didn’t appreciate learning, but I’ve met too many youth who didn’t get it in their schools. If you’re denying the existence of Latinos/Chicanos within hip-hop, you’re not understanding that it’s not just Latinos in hip-hop, it’s hip-hop that represents many multicultural people in various economic, educational and social struggles.

If you just don’t do hip-hop then you don’t value our culture, and you send the message that you only want hip-hoppers and Latinos who are catering to the beer, cheese, and wine industries.

Hip-hop is an art form that creates and channels art and music, and if that is not found in school programs, we can teach you how to do this. Rappers and the rap business industry are the people who rip people off and mess up venues and do bad business. We will continue to build in our own communities, like the community-block parties mentioned, despite the annexation and gentrification going on. We are not just a culture or a movement, we are the momentum.

Via Bohemian.com

WWJD?

One of the most extraordinary developments of recent political history is the loyal adherence of religious conservatives to Donald Trump. Trump won four-fifths of the votes of white evangelical Christians. This was a higher level of support than either Ronald Reagan or George W. Bush (an outspoken evangelical himself) ever received.

Trump’s background and beliefs could hardly be more incompatible with traditional Christian models of life and leadership. Trump’s past political stances (he once supported the right to partial-birth abortion), his character (he has bragged about sexually assaulting women), and even his language (he introduced the words pussy and shithole into the presidential discourse) would more naturally lead evangelicals toward exorcism than alliance. This is a man who has cruelly publicized his infidelities and made disturbing sexual comments about the size of his penis on the debate stage. Yet religious conservatives who once squirmed at
PG-13 public standards now yawn at such NC-17 maneuvers.

Evangelical used to denote people who claimed the high moral ground; now, in popular usage, the word is nearly synonymous with “hypocrite.”

Nevada City

Meatless
Celebration

Earth Day is April 22, marking a half century of promoting environmental awareness and calling for protection of our planet. But are we making a difference? Can we do more than reduce, reuse and recycle? Sure! We can adopt a plant-based diet and stop consuming animals. An environmentally sustainable world replaces meat and dairy products in our diet with vegetables, fruits, and grains, just as fossil fuels are replaced by wind, solar, and other pollution-free energy sources. We can celebrate the observance of Earth Day at our supermarket.

Santa Rosa

Write to us at le*****@******an.com.

Edible Complex

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MORE THAN THEY CAN CHEW Symptoms of those who ate too much pot include severe anxiety, vomiting, an exacerbation of asthma and severe intoxication.

We’re officially in the post-legalization era.

Five years after Colorado legalized recreational cannabis—and five years after New York Times columnist Maureen Dowd had her scary fetal-position encounter with a Rocky Mountain state edible in a hotel room (she ate too much of a candy bar)—that state has raised an alarm over an emerging problem with ingesting edibles in unhealthy amounts, and winding up in the hospital with severe anxiety or other symptoms.

How is this problem playing out in California, which legalized marijuana in 2017 and is now offering recreational cannabis consumers a range of edible products that range from chocolate bars to gummy bears to THC-infused soda?

In some measure, it’s a bit early to tell, say health officials and other experts. The state has only just embarked on legalization and the data is just starting to roll in to Sacramento officials charged with ensuring a safe rollout of California’s ambitious legalization regime for recreational cannabis.

The Bohemian/Pacific Sun contacted some 50 healthcare providers in the North Bay, from Marin General Hospital to small-town health clinics. We contacted paramedics and county health officials. What came back indicates that, if anything, this is an emerging story with scant detail from the state about the frequency of emergency-services calls and hospital visits related to cannabis use.

The survey of local healthcare providers, county health officials and emergency service revealed they don’t track the information. For example, Dean Fryer, a representative of Sutter Health in Sonoma County, said that the company does not monitor hospital admissions by cannabis-related admissions, and couldn’t therefore say whether they’ve seen a spike in edibles-related health issues since 2017.

“We have no way of really quantifying or knowing if this is an issue [or] if there’s a rise in admissions,” Fryer says. “It’s not tracked in that way.

Edibles-related calls for service do not appear to be tracked at the ground level, either. A representative of REDCOM Dispatch, the centralized agency which directs calls to fire and emergency service responders within Sonoma County, said the organization does not track emergency calls related to cannabis use.

Veteran emergency service officials in West Marin say that they have not seen any uptick in edibles-related calls since legalization took hold in California. For them, alcohol-related calls for service are predominant. Those officials amplify what others interviewed for this story have noted: Those who overdose on THC-infused edibles are often older persons who have not experimented with cannabis for some time—and are unaware that the cannabis they are ingesting has gotten far stronger since their youth. If anything, notes one high-ranking emergency services official in West Marin, young people are keenly aware that eating cannabis can be a far more potent experience than smoking it. And, say those officials, the handful of edibles-related calls they’ve gotten over the past couple of decades have not been for pre-packaged edibles on the legal market, but rather for an overly potent homegrown brownie or other food infused with cannabis.

Those edibles don’t come with the same degree of product information as is required under California law, including information about the potency of the product. But the state has struggled to square up its own regulations concerning THC potency in edibles, with conflicting regulations coming from two key state agencies—the Bureau of Cannabis Control and the California Department of Public Health.

Meanwhile, the production and manufacturing of edibles is overseen by one of the three legs of the California cannabis regulatory regime, the Manufactured Cannabis Safety Branch (MCSB). But, says CDPH spokesman Matt Conens, the MCSB’s role is not to assess whether edible health-related problems are on the rise—but to make sure the products it approves are safe and properly manufactured and packaged.

In February, as California’s interim cannabis regulations became permanent—and as first reported by the Marijuana Business Daily—state regulators moved to update regulations in the edibles industry. Officials moved in when it was discovered that the CDPH and the Bureau of Cannabis Control had differing regulations concerning the amount of THC that an edible could contain. The agencies in charge of regulating California’s legalization rollout, noted the MBD, “issued seemingly conflicting rules detailing THC limits, testing and packaging for infused products. That caused some testing labs to unexpectedly fail products based on different interpretations of the rules.

The snafu caused great upset in an edibles industry worried that, among other things, the discrepancies could expose edibles-producers to lawsuits from consumers, reported MBD, claiming they were harmed because the THC limits printed on the packaging didn’t reflect the exact THC contained in the product.

What this means is that localities are now sending their cannabis-health data to a state cannabis bureaucracy that itself may be in need of fine-tuning when it comes to allowable potencies in the products it is regulating. And, while the Office of Statewide Health Planning and Development is in charge of collecting patient data reported by hospitals (including ER visits and visits for cannabis poisoning) it’s yet to undertake an analysis of the data, says spokesman Andrew Diluccia, “and would not be able to provide any information/context as to why there might be rises or falls in cannabis poisonings. OSHPD does not have subject matter experts to address this issue. Also, the poisoning data does not contain how the cannabis entered the body (i.e., inhalation, ingestion), so there would be no data specific to edibles.

While the county “supplies all kinds of data to the state, it’s also just getting up to speed on any edibles-related health impacts that may be afoot in the county,” says Roshish Lal, the spokesperson for the Sonoma County Department of Health.

He notes that when the county eventually sends its cannabis-related data to the state Department of Health, “I don’t know whether it will be broken down specifically—there are so many products.

The main barrier to tracking the problem is that California has not formally defined the symptoms of a cannabis overdose and has not created a system to record cases, says Matt Willis, Marin County’s Public Health Officer. Although medical providers are likely able identify a cannabis-related incident when an individual comes into their care, they are currently unable to record it since the state has not defined the criteria.

The lack of state leadership has left county and city governments to attempt to track the problem on their own, he says. Many do not, but some are trying.

Six months ago, Marin Health and Human Services partnered with the county coroner to begin recording the level of THC during toxicology screenings in cases of accidental deaths.

“We are unlikely to have the same quality of data as Colorado does until we build a system to collect it,” says Willis, who adds that his department is also discussing ways of tracking cases in Marin County’s three emergency rooms.

If there has been an increase in the number of overdoses, Willis expects that it is due to the potency of cannabis since legalization. Legislators may be operating under outdated assumptions about the strength of the product; edibles are particularly dangerous because those experimenting with them may take a second or third dose while waiting for the drug to take affect.

While cannabis products are unlikely to be fatal on their own in the same way opioids and other drugs can be, Willis says he is concerned that the rate of DUIs because of cannabis use could increase.

Cannabis-related health issues are showing up in the South Bay since legalization, says Dr. Greg Whitley, chief medical officer at Dominican Hospital in Santa Cruz. The symptoms that users most often come in with, Whitley explains, include severe anxiety, vomiting, an exacerbation of asthma or emphysema, and severe intoxication. He says the last symptom is the most common one they are seeing in Santa Cruz which, like Sonoma County, has an historically liberal embrace with marijuana.

“Those people can come in with symptoms of just basically feeling really, really stoned—off-balance, difficulty walking, dizziness,” he says, and often it’s as a result of over-consumption of edibles. Sometimes people are lethargic,adds Whitley, who’s worked at Dominican since 2001 and served as the emergency room’s medical director until taking his new position April 1. Sometimes people look like they’re having a stroke because they’ve had basically an overdose of THC.”

Whitley also noted, anecdotally, that over the past couple of years, the number of people coming to the Dominican emergency room with acute cannabis-related symptoms has skewed older. A decent-sized chunk of the patients, he reports, have included fathers and grandfathers who’ve gotten into a family member’s pot brownies without realizing there might be any special ingredients.

And Whitley echoes the West Marin emergency services officials when he notes that lots of times, it’s older people who are surprised at the enhanced potency of the cannabis they are ingesting.

Bluesy Virtuosos

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Raised in San Rafael and now living in Novato, Rebecca Roudman makes her living as a cellist in the Oakland Symphony and the Santa Rosa Symphony. She started playing classical music when she was 7 years old, and after graduating as a music major in college, it was all classical music all the time.

“But classical music has never my first love,” says Roudman. “It’s been everything else; blues and bluegrass and rock.”

Eight years ago, she took a musical detour in that bluesy direction, teaming with her flutist-turned-guitarist husband Jason Eckl to form Dirty Cello, a crossover smashup of cello strings and stomping blues rhythms that hit a note with Bay Area audiences almost immediately. “There was interest, people thought it was kind of cool and kind of weird,” says Roudman. “That’s the kind of people we are.”

Musically, Roudman’s biggest hurdle was learning to improvise on the cello during performances, not a skill that’s emphasized in classical training.

“It was an uphill battle at first,” she says. “Now, it feels natural, which feel good.”

Soon after they started, Dirty Cello expanded from a duo to a full four-piece band, and today the group includes bassist Colin Williams, drummer Ben Wallace-Ailsworth and occasionally vocalist and multi-instrumentalist Sandy Lindop.

This year is shaping up to be one of the group’s busiest yet. They’re currently preparing to release Bad Ideas Make Great Stories, their second record of 2019 after Bluesy Grass, which came out in January.

“It’s a pretty unique record because it’s made from personal stories of all our adventure we’ve been on,” says Roudman.

After a record-release concert at the HopMonk Tavern in Sebastopol, Dirty Cello again goes international, performing in England, Israel and Iceland over the summer.

“If people are expecting to see a classically-trained cellist playing mellow, smooth music, it’s not that,” says Roudman. “They’re going to hear something they haven’t heard before.”

Dirty Cello performs on Friday, April 26, at HopMonk Tavern, 230 Petaluma Ave., Sebastopol. 8pm. $13-$20.707.829.7300. dirtycello.com.

Letters to the Editor April 24, 2019

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Raised in San Rafael and now living in Novato, Rebecca Roudman makes her living as a cellist in the Oakland Symphony and the Santa Rosa Symphony. She started playing classical music when she was 7 years old, and after graduating as a music major in college, it was all classical music all the time. "But classical music has never my...

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Bluesy Virtuosos

Raised in San Rafael and now living in Novato, Rebecca Roudman makes her living as a cellist in the Oakland Symphony and the Santa Rosa Symphony. She started playing classical music when she was 7 years old, and after graduating as a music major in college, it was all classical music all the time. "But classical music has never my...
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