Champion Chefs Compete in Benefit for Napa Food Programs

Five months into the Covid-19 pandemic, and the North Bay is still largely under sheltering orders that have forced many popular events to cancel their plans for the summer.

One of the most impactful financial fallouts of the canceled summer is the loss in fundraising revenue that these events generate for many local nonprofit organizations.

Case in point: Each year Oxbow Public Market’s Fork It Over benefit and the Hands Across The Valley fundraiser in St. Helena each raise money for the Napa Valley Food Bank and other local safety-net food programs such as Meals on Wheels.

These two benefit events are cancelled due to the Covid-19 pandemic this summer, meaning that the Napa Valley Food Bank and Meals on Wheels stand to lose approximately $250,000 in funding at a time when the number of families using these programs has nearly tripled due to the pandemic and the subsequent economic downturn.

In place of these canceled live events, the organizers behind both Fork It Over and Hands Across the Valley are working together to create a new virtual event to help close the financial gap in funding.

“Participating in Fork It Over is a way of supporting local people who need help at one time or another in their lives,” Steve Carlin, founder and managing partner of Oxbow Public Market, says in a statement. “This year is different in that there are more of us confronting food insecurity challenges. At Oxbow, we are doing everything we can to be part of the solution, and we’re proud to partner with Hands Across the Valley on this creative new fundraising effort.”

On Sunday, August 23, Fork It Over and Hands Across the Valley host the first-ever virtual Napa Valley Champions Cook-Off, pitting two acclaimed Napa Valley chefs against each other in a friendly challenge. Both of the participating chefs have won national televised cooking contests, and now North Bay viewers are invited to watch the live streaming event that will determine the ultimate champion chef.

“We were very disappointed when we had to cancel our annual benefit event due to the pandemic,” Hands across the Valley founder and board president George Altamura says in a statement. “This is a great way to engage some of our talented culinary stars, have some fun and raise money for these very important programs.”

Chef Elizabeth Binder and Chef Chris Kollar are slated to appear in the showdown, and both have plenty of experience cooking in front of a crowd.

Chef Binder, owner of Hand-Crafted Catering in Napa, helped her team “Beat Bobby Flay” on the popular cooking competition show’s seventh episode of Season 23, which aired on January 26, 2020.

Chef Kollar, recently named Yountville’s 2020 Business Leader of the Year, is best known as the owner of Kollar Chocolates. Chef Kollar was named a ‘Chopped Champion,’ winning a sweet and salty challenge on an episode of Food Network’s “Chopped” that also aired in January of this year.

The upcoming Napa Valley Champions Cook-Off will be held at the Culinary Institute of America at Copia’s large teaching kitchens, ensuring the chefs and crew can maintain social distancing.

Radio personality Liam Mayclem, known as the Foodie Chap on KCBS Radio, will host the streaming competition. Chef Ken Frank (La Toque in Napa), Chef Anita Cartagena (Protéa in Yountville), and Chef Tanya Holland (Brown Sugar Kitchen in Oakland) will all be on hand to judge the event.

The Napa Valley Champions Cook-Off will be free to watch via Facebook Live, and viewers will be encouraged to donate money throughout the approximately hour-long program to support The Napa Valley Food Bank and Meals on Wheels. Donations received during the event will be eligible to win $500 in OxBucks, redeemable at any Oxbow Public Market merchant.

The Napa Valley Champions Cook-Off streams online Sunday, Aug 23, at 2pm. Free. Facebook.com/OxbowPublicMarket.

North Bay Musician Responds to San Quentin Outbreak in New Song

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Based in West Marin, world music artist Jai Uttal is renowned worldwide for his mixture of instrumental and spiritual offerings.

Uttal is best known musically for his heartfelt renditions and upbeat adaptations of classic Kirtans, the Indian call-and-response practice of chanting ancient Sanskrit mantras, accompanied by music. He has also released more than 20 albums that blend elements of reggae, jazz, Indian, samba and rock ’n’ roll; most recently unveiling his ambient instrumental album, Gauri’s Lullaby, in May 2020.

Now, Uttal is releasing a new single, “Behind the Walls,” that addresses the ongoing Covid-19 outbreak at San Quentin State Prison, where Uttal has worked with inmates as part of an interfaith program. “Behind the Walls” is available to listen to online now, and Uttal encourages listeners to donate to inmate advocacy group Re:Store Justice.

For more than 40 years, Uttal has brought his music and interfaith spiritual messages to prisons throughout the country, first touring penitentiaries in the early 1970s with his friend, noted spiritual leader Ram Dass.

In 2011, Uttal began performing at San Quentin as part of the interfaith program, ‘Chaplain of the Heart,’ that features a small group of musicians leading semi-regular Kirtan programs in the San Quentin Chapel. Uttal bonded with many incarcerated individuals at San Quentin, and he—like many Marin residents—is disturbed by the ongoing health crisis currently taking place inside the prison.

According to the California Department of Corrections and Rehabilitation, more than 2,000 incarcerated people in San Quentin have tested positive for the coronavirus since June, more than two-thirds of the incarcerated population at the prison. Reports indicate the outbreak at the prison began in late May when infected inmates from the California Institution for Men at Chino were transferred to San Quentin and improperly introduced to the population there.

In “Behind the Walls,” Uttal bemoans the lack of public awareness and action to resolve the prison’s ordeal, which he calls the “San Quentin Blues.” Comprised of an acoustic guitar and Uttal’s voice laid over strings and a trumpet solo, the song is a somber call for help, and proceeds and donations from the single are going to nonprofit Re:Store Justice, which aims to reform the prison system by working with incarcerated individuals as well as recently released persons.

Listen to “Behind the Walls” now and read Uttal’s extensive artist’s statement about the song below.

“I first started singing in Federal penitentiaries around 1973, when I was touring with Ram Dass. We would go into the prisons and I would sing and share a Kirtan as part of his presentation to the inmates. I found those experiences intense and profound. But it wasn’t until decades later that I began to go semi-regularly into San Quentin prison to sing for the inmates and share with them the practice of Kirtan, as part of an interfaith program that had been in place for some time.

Standing outside of San Quentin can be quite intimidating, with its many huge gates and high walls, but, once inside, in the sanctuary of their small chapel, with a room full of enthusiastic men, that trepidation completely disappears. Of course, it took me a while to find my way to be authentic and real with the men; to not see them as ‘other.’ But once that happened, I found a community of brothers there who were so incredibly committed to their spiritual practices and to finding inner freedom within the confines of their incarceration. Their dedication and deep spiritual longing was completely inspiring to me.

So, I went again and again with a small group of musicians and, after a while, I saw that these men, who at first seemed so hard, we’re melting and smiling and singing and expressing so much emotion. In fact, many of the men got off of their seats and danced like wild Bengali Bauls. After one of the kirtans, a man came up to me and said, ‘This is the REAL San Quentin! This is what you have to tell everyone. Nobody believes this. THIS is the REAL San Quentin. We are all brothers here.’ With tears in his eyes, he referred to the prison as ‘The House of Healing.’

So, when I heard about the intense Covid surge inside the prison and how little the authorities we’re doing about it, I was affected very deeply, and personally concerned with the plight of some of my friends there. It’s amazing to me that what’s happening behind those walls is going unnoticed by most of the residents of Northern California. In fact, the devastation that’s occurring because of the virus in so many federal penitentiaries has just been a footnote in the national news. San Quentin was pretty much infection-free until an incomprehensible decision by the prison board transported a bus load of men from a prison in Chino, California, to San Quentin, in Marin County, California. Many of the transportees carried the virus, some already showing severe symptoms. With almost no medical facilities or possibilities for quarantine, the virus spread like a wildfire and began to decimate the San Quentin population. This is still happening.

So I decided to write and record this song, ‘Behind The Walls,’ and release it as soon as possible so people could know what’s happening in their backyard. (San Quentin is about a ten-minute drive from our home!). Thank you so much for listening to my song and reading my words. Much love, Jai”

Jaiuttal.com

Healdsburg Jazz Festival Founder Jessica Felix Announces Retirement

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After more than two decades of booking and directing the Healdsburg Jazz Festival, Jessica Felix has announced her retirement effective at the end of September.

Felix first formed the festival in 1999, focusing her extensive experience in booking jazz bands throughout Northern California on the small North Sonoma County town.

In addition to bringing the world’s foremost jazz musicians to the region for the annual summertime Healdsburg Jazz Festival, Felix also sponsored numerous music education programs in Healdsburg schools and presented masterful concerts throughout the year.

Now, Felix is ready to pass the reigns of the festival on to a new generation of jazz fans, and plans to spend her retirement traveling and returning to her work in jewelry-making.

“I love this music deeply and feel very proud of the vast and diverse array of incredible artists I have presented over the years, bringing many to the West Coast for the first time,” Felix says. “It’s time to be in the audience. It’s time to just enjoy my life.”

As the head of the Healdsburg Jazz Festival, Felix connected the town through music in times both good and bad, facing financial challenges and natural disasters with perseverance and a collaborative spirit that involved the whole town; from the vineyards to the restaurants, hotels, bars, schools and citizens, many of whom became festival volunteers or provided financial support, and some of whom offered up their guest homes to musicians.

With that support network in place, Felix feels confident that the festival will continue without her running the show.

“I have a strong board and staff, and with my artistic director successor—who we’ll be announcing soon—the festival will flourish,” she says.

Drummer Billy Hart, who holds the record for Healdsburg Jazz Festival appearances at 14, says that the festival’s success is due to Felix’s ability to make him and other touring musicians feel like family.

“Healdsburg festivals were around the time of my daughter’s birthday, so Jessica made sure the whole family came up. And she would come by to help us celebrate. You have to understand that being a touring musician puts a strain on families,” Hart says in a statement. “So being able to have your family with you is a special thing. And it wasn’t just me she did that for. Plus, she would find these beautiful homes for us to stay in, peoples’ second homes, where we could have privacy. And had restaurants that gave us great food.”

In addition to hospitality, Felix is an innovative music booker with a deep knowledge of the art form.

“Jessica sort of loves the music like a musician loves it,” Hart says in his statement. “She has some kind of way of communicating with us that shows she understands the creative aspects of what we’re doing. That makes her important to musicians, especially improvising musicians. It makes her very important to me.”

Felix has also earned a reputation as a fierce advocate for the music and the festival.

“Jessica is a warrior,” jazz flutist James Newton says in a statement. “She fights for the music, and ‘no’ is rarely in her vocabulary. You need people like that.”

That advocacy continued up until this summer, when the Covid-19 pandemic forced the cancellation of the 2020 Healdsburg Jazz Festival. Instead of sitting the summer out, Felix led a team to create an entire online program of music and educational offerings including Zoom classes on important jazz figures, listening parties and more. For more information on these programs, visit the festival’s website.

Former festival board member Gloria Hersch sums up Felix’s lasting impact on the North Bay by saying, “Jessica brought the musicians to Healdsburg, but she also brought Healdsburg to the musicians.”

Rancor at Petaluma Protest over Black Teacher Firings

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Hundreds of protesters crowded the St. Vincent’s Church Plaza on Sunday as part of a demonstration organized by St. Vincent’s High School alum Aidan Lynch and local Black Lives Matter supporters. Central to the protest was the firing of two Black women staff members at the Catholic High School.

The demonstration began at the private Catholic high school and culminated at the St. Vincent’s Church Plaza with a press conference communicating the protestors’ concerns, which stem from mid-June, when St. Vincent’s High School (SVHS) dismissed Dean of Counseling Joanna Paun and Physical Education Teacher Kinyatta Reynolds. The terminations came “one week after attempting to engage Principal Patrick Daly, Father Donahue, and the SVHS Board in a dialogue about institutional racism at the school and their proposed solutions,” according to an open letter written to school officials by Lynch and signed by over 200 other alumni.

Daly did not respond to the teachers’ attempts to dialogue about racism, but their positions were eliminated. Incidentally, the date of the teachers’ dismissal was the same as Juneteenth,, the annual observance of the Emancipation Proclamation, which some have observed as adding insult to injury, according to Lynch in an NBC news interview.

“It is ludicrous that SVHS fired all Black faculty under the guise of budget restructuring, while simultaneously accepting federally-insured money,” says Lynch in the alumni letter.

“What I would like to see is for everyone to engage in real, honest conversations without fear of retaliation,” said Paun in the same NBC news interview.

Calls to SVHS seeking comment from Daly went unanswered.

The masked protest was met by a sparse pro-Trump group—mostly without masks—that stood on the front steps of the Catholic church waving flags and signs that said Back the Blue and Trump 2020.

One counter-protester continuously attempted to drown out the press conference by shouting at them from a megaphone. Another counter-protester was seen shoving a BLM protester according to a bystander who wished to remain anonymous. “All of a sudden, I heard yelling and noticed the blonde woman in the red MAGA tank top aggressively going after one of the BLM protestors, shoving her to the ground, and pulling her hair. Several bystanders, including myself, ran over to intervene,” the bystander recounted. “That’s when she shoved her flag pole toward my chest.”

Young children also witnessed the incident. A Petaluma Police Department Press Release states that they have not yet been contacted by any victims.

Daly’s recent in-person roundtable conversation with President Trump about reopening schools was also cause for concern to the alumni and protesters. The SVHS alumni letter states “[Daly’s] decision to appear at the White House soon after [the dismissal of the teachers] served as a clear response, and spoke plainly that racism can occur with impunity at Saint Vincent de Paul on Daly’s watch.”

The SVHS alumni expressed a desire for fuller transparency with the school’s hiring practices budgets, inclusion efforts, and caution over the optimistic school reopening plans. The plans include a contingency plan for fully opening schools in person the week of September 8th, despite “a record-breaking month of fatalities linked to the coronavirus pandemic…500,000 confirmed cases of COVID-19, the most of any state” according to an August 3rd article in the Los Angeles Times.

In a response on the SVHS school website, Daly and school President Rev. William Donahue say that Daly went to the White House Forum not to “pay court to any person,” but to share their “knowledge and experience”. Additionally, they deny any wrongdoing and say that the staff members “were not singled out due to race or any other form of invidious discrimination.”

Principal Daly of St. Vincent’s High School was the only representative of Catholic and West Coast high schools at the July 7th White House roundtable conversation on reopening schools. He was praised by Trump during the meeting for wanting to fully open St. Vincent’s High School this Fall in spite of record numbers of COVID-19 cases.

Long-Running Napa Valley Chamber Music Festival Comes Home

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Wine Country views and world-class music come together each August in the Napa Valley for the Music in the Vineyards chamber music festival.

For 25 years, the nonprofit organization, which hosts fundraising events throughout the year for its musical outreach programs, showcases dozens of artists performing at several winery venues throughout the region.

This August, the 26th annual Music in the Vineyards is forced to move out of the fields and onto the internet, with a virtual iteration of the popular fest, Music in the Vineyards @ Home, streaming via YouTube for free beginning Aug. 5.

The online festival boasts a strong lineup of performers and winery venues partnering together to continue the event’s tradition of pairing wine and music in an intimate setting.

Music in the Vineyards @ Home presents each of the festival’s dozen concerts streaming online at the dates and times of its original concert schedule, running on select dates Aug. 5 through Aug. 23. All streaming concerts will remain online until Aug. 31, and all will be available to watch for free; donations will be accepted in lieu of tickets to help provide funding for the participating musicians and to help plan for a live festival in 2021.

Each concert will feature a unique winery venue, which will each offer discounts for festival patrons to wine order online to enjoy with each performance streamed.

Artistic Directors Michael and Daria T. Adams will introduce each evening’s performance, and the streaming concerts will also include interviews with the musicians, winemaker conversations and other surprise extras.

On Wednesday, Aug. 5, Music in the Vineyards @ Home Festival opens with selections by and inspired by Johann Sebastian Bach, the German composer and master of the Baroque era whom festival organizers write is “the go-to composer for musicians who are sequestered alone.” Broadcast at 7:30pm and hosted by Napa Valley’s picturesque Domaine Carneros winery, the concert begins with a performance of Bach’s “Suite No. 3 in C Major” by cellist Tanya Tomkins. Then, pianist and composer Michael Brown and cellist Nicholas Canellakis perform Brown’s original composition, “Prelude and Dance.” Finally, Music in the Vineyards favorites the Pacifica Quartet perform Felix Mendelssohn’s “String Quartet Op. 44, No.1.”

On Friday, Aug. 7, Leap Frog Winery hosts a streaming concert that musically travels to France to examine classical works by composers such as Chevalier de St-Georges—classical music’s first known composer of African descent—as well as French superstar composers César Franck, Claude Debussy and Maurice Ravel.

On Saturday, Aug. 8, Music in the Vineyards @ Home presents an evening of music, this time presented with host winery Charles Krug, which focuses on a theme of “Virtuosity.” Masterful performers such as the San Francisco–based Thalea String Quartet musically present that notion of expertise, with selections including “Dimensions for String Quartet” by contemporary European composer Garth Knox and the famously difficult Paganini Caprice No. 5 for violin played on the viola by Canadian musician Pierre Lapointe.

Sunday, Aug. 9, features a concert presented in partnership with Chimney Rock Winery that is dedicated to the memory of those who have recently died, with plaintive music from Bach and two Laments from the British Isles.

Many other international artists and acclaimed wineries join the Music in the Vineyards @ Home Festival during the remainder of the online schedule, and a full list of shows and performers can be found online, as well as winery-discount deals from participating venue hosts. Tune in to the free virtual festival on the MITV website and on YouTube.

Are you medically exempt from wearing a mask?

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On Sunday, about thirty people gathered in a small mid-town park in Petaluma to stage a political protest march. They were protesting against a Black Lives Matter protest against the firing of Black teachers by a local high school. Many of the protest protestors were waving American flags and “Back the Blue” signs and chatting face to face.

Most of them were not wearing face masks.

I took a few photos. Why? Because I am trying to understand why it is now a badge of honor in some social circles to not wear a mask in public places. The day before the protest of the protest, I was buying a tool at a ranching supply store on Lakeville Street when a woman and two children flowed through the doors, only to be verbally stopped in place by the sales clerk.

She informed the customers that they had to don masks to enter the store. The woman exclaimed that her family is “medically exempt” and do not need to wear masks. The clerk sighed as the woman moved briskly towards us sans mask. I jumped into the conversation.

“Excuse me, Ma-am, but there is no such thing as a medical exemption that allows for you to not wear a face-covering in a store.”

She insisted that she and her children are “medically exempt” and that privacy laws do not allow her to explain why and it is none of my business.

I raised the stakes, saying “Shall we video this conversation? maybe it can go viral.”

She donned a mask and went shopping.

The clerk told me, “My son has really bad asthma and he has to wear a mask!” We shared a comradely moment of Covid-19 fatigue and parted.

Covid-19 is a truly nasty disease with life-long lasting debilitating effects if it does not kill you outright, painfully, and in isolation. The invisibly spreading malady does not respect age, gender, class, caste, or nationality. It has brought the world to its knees and the end is not in sight. The good news is that the spread of the dread disease can be prevented by wearing a cloth mask indoors, and by physical distancing outdoors, and by not breathing on other people, or sucking in air laced with spikey-deadly nano devils.

But to be successful, masking and distancing have to be widely practiced. Sadly, the health of 300 million Americans is at risk because hordes of mask-resisting true believers in lies promoted by ultra-reactionary media and insane politicians consider Covid-19 to be a hoax, a liberal scheme to weaken Trump’s authoritarianism, a Jewish or Antifa or Black Lives Matter plot. Wearing a mask is in their hormonally convoluted minds an assault on individual “freedom” – an illegal abrogation of their supposed right to freely infect other people.

When challenged to wear masks appropriately, many resort to the false claim that they are medically exempt. There is even a bogus “US Department of Justice” certificate of exemption you can download and flash as “proof” of your special legal status as a virus-spreader.

In reality, there is no federal law containing a medical exemption for masks, although the Centers for Disease Control and Prevention advises physicians to tell persons suffering from facial deformities or severe respiratory and heart problems that they do not have to wear masks. Although, they should then shelter in place, so that they do not infect others.

In short, there is no such thing as a law or order providing for a medical exemption that allows for the infection of others, nor should there be. Let’s look at the Covid-19 orders.

Under an order issued by the California Department of Public Health, people older than two years of age must wear face masks indoors when they are around those with whom they do not reside. They must wear them outdoors when closer than six feet to other persons.

There is an exemption for, “Persons with a medical condition, mental health condition, or disability that prevents wearing a face covering. This includes persons with a medical condition for whom wearing a face covering could obstruct breathing or who are unconscious, incapacitated, or otherwise unable to remove a face covering without assistance.”

Those persons are asked to shelter in place or to wear a plastic face shield if they must be in contact with others. They are not allowed to go shopping without a face mask or shield.

Sonoma County’s health order explains why mask wearing is compulsory, “Persons have been shown to be infectious up to 48 hours before onset of symptoms, and as many as 50% of infections seem to occur from asymptomatic persons. All persons who contract COVID-19, regardless of their level of symptoms (none, mild, or severe), may place other vulnerable members of the public at significant risk.”

The Sonoma County order warns, “The violation of any provision of this Order constitutes a threat and menace to public health, constitutes a public nuisance, and is punishable by fine, imprisonment, or both.” Those unmasked folks walking around with All Lives Matter signs might want to consider the implications of their defiance of the laws and the social good.

Report: U.S. Response to Coronavirus Pandemic Has Been Poor at Best, Disastrous at Worst

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No matter how you dissect the numbers—and there are many ways to slice them—Randall Bolten says the United States’ response to the coronavirus pandemic has been “shockingly poor, if not disastrous.”


Bolten, a longtime Silicon Valley CFO, UC Berkeley professor, data scientist and author of Painting With Numbers: Presenting Financials and Other Numbers So People Will Understand You, points to this country’s failure to control the spread of new cases as the reason for his dire assessment. That, plus the continuing deaths, inadequate testing and the politicization of decisions that should be purely science-based, but are often not, as factors to why the U.S. has the highest rate of new cases of Covid-19 in the world.

According to Reuters, the U.S. took 98 days to reach one million confirmed cases of Covid-19, but just 16 days [in mid to late July] to increase from 3 million to 4 million.

Last week, Bolten released a research note of four specific graphs focusing on the U.S. and comparing how it is doing in the crisis compared to 13 other countries with similar resources and healthcare infrastructure, including Canada and a dozen other devloped Western European nations.

For the purposes of his study, Bolten left out Japan, Taiwan, Australia and New Zealand “because their Covid-19 numbers are too small to show up on these graphs.”

Bolten’s first graph featuring the trend of new Covid-19 cases in the U.S., the most widely-used measure of the pandemic’s spread, showed the U.S. and Sweden were the only two out of 14 countries in this study that hit a second surge/peak around Week 13 after the pandemic first hit the respective countries.

However, Sweden’s new cases are now down 50 percent, while the average number of new cases in the U.S. through July 23 rose by more than 2,600 per hour, the highest rate in the world. While many have attributed the surge in new cases to an increase in testing, Bolten said even if that were true, more testing cannot explain that many new cases.

“If testing is getting ramped up in other wealthy parts of the world, why are other countries not seeing the spike in new cases as the U.S.,” said Bolton, who spent 35 years in Silicon Valley working as a finance executive at high-tech companies. “If in fact we’re doing a lot more random testing and getting the pandemic under control, then what we call the positivity rate—the percentage of tests showing up positive for Covid-19—would go down and it’s not going down. More testing doesn’t mean more new cases. It just isn’t true, and those kind of statements are on the verge of lying.”

The U.S. recorded more than 1,100 Covid-19 deaths on each day from July 22 to 24, and even though the mortality rate has lowered, Bolten said the narrative that some people are taking that Covid-19 is not a deadly disease is flat-out dishonest.

“When the dust settles on this, we’re going to find out the fatality rate for Covid is somewhere around 1 percent,” he said. “The fatality rate of the common flu is 1/10th of 1 percent. In other words, Covid is 10 times as lethal as the flu. Covid is lethal and a lot of what you hear from people pooh-poohing this that it isn’t very deadly, well, that’s just not credible. One of the reasons they say this is to make their failure to deal with the pandemic not as terrible a mistake as it really is.”

Bolton said that motivating and mandating safe public practices and effective testing are the two critical factors a nation can take to control a pandemic’s spread, especially when a significant portion of those infected are asymptomatic. The former has elicited fierce arguments—requirements to wear masks in public have become the subject of a fierce political divide—as many argue such orders violate the U.S. Constitution.

States that have been hit hardest in the recent surge—California, Arizona and southern states—all reopened their economies sooner than they should have, with certain segments of the population failing to observe sound personal safety and health conduct.

“The population simply hasn’t gotten on board with good health management practices,” Bolten said. “Wearing masks, social distancing, this is really straightforward stuff. The problem is when a hot spot shows up in one place, it’s inevitable it will spread to another place. This is especially true in a big country like the U.S., where even now there is a fair amount of mobility with people traveling either in cars or planes.”

When it comes to strategic testing—testing people as the result of contact tracing, periodic testing in high-risk and high-contact occupations like health care and food service, and testing individuals when a recent experience justifies—Bolten’s study says the U.S. ranks only in the middle of the pack compared to other Westernized countries.

Strategic testing differs from necessary testing, which involves testing because people show symptoms. Strategic testing is superior because they give more insightful results to help control the spread of the disease.

Bolten said that countries that have done an effective job of testing—think Taiwan, South Korea, Japan, Iceland and Denmark—don’t have a lot of new cases and thus don’t burn up testing capacity dealing with people who are sick.

As a result, those countries can use the testing capacity to proactively test on people who are in sensitive industries so they don’t inadvertently start another hot spot. That’s why testing is so important, but it takes a fair amount of technology and a lot of personnel to implement something like contact tracing.

“So someone can test positive for Covid whether they’re showing symptoms or not, and they can get a phone call from somebody who is a tracer who will say, ‘OK, let’s go back three days. Who have you been in contact with?’” Bolten said. “The contact tracer can go backward and start letting people know they may have been in contact with a person who tested positive and they should get tested. This isn’t complicated, but it takes a lot of process and some technology to do contact tracing effectively.”

The eight to 10 days Bolten said it takes to receive a result from a Covid-19 test in the U.S. is another impediment to controlling the spread of the pandemic. By then the patient could be cured, out into society and infected a bunch of people without knowing it.

“So all in all testing is just a disaster in spite of what people are saying,” Bolten said in a recent interviw. “Frankly, I know our president said testing is overrated and that’s the kind of thing you would say if you were doing a terrible job of nationally organized testing. You haven’t done a good job, so of course you’re going to say testing is overrated. It’s kind of a sour grapes statement to say considering this country has kind of dropped the ball on how to handle this pandemic.”

Labor groups push for pandemic protections

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With limited federal labor benefits, including increased unemployment benefits, set to expire—or at least be significantly reduced—in the coming days, California labor groups are pushing state and local lawmakers to boost labor protections in the Golden State.

Throughout the pandemic, a statewide coalition of labor advocates has urged lawmakers to extend sick leave and other benefits, which they argue will allow workers to stay home and prevent the spread of Covid-19.

In February, state Assemblymembers Ash Karla and Lorena Gonzalez introduced Assembly Bill 3216, which would offer workers various extra protections amid the pandemic. The Assembly passed the bill in June, and the Senate is currently considering doing the same.

However, in an effort to appease business groups, the legislation has been significantly watered down during the legislative process, says Maddy Hirshfield, the political director for the North Bay Labor Council.

As a result, the North Bay Labor Council and its allies are pushing local North Bay cities and counties to pass stronger local sick-leave laws, namely a 10-day sick-leave mandate for companies with over 500 employees. 

Under federal rules, employers with more than 500 employees are exempt from Covid-19 sick leave rules. And, under the current version of AB 3216, employees would only receive three days of additional sick leave.

Hirschfield and other advocates, including North Bay Jobs With Justice, who support the state and local measures, say that in addition to providing workers with economic protections when they fall sick, the rule will help prevent the spread of Covid-19. For instance, if a low-income worker in the food service or hospitality industry catches the virus, they would be paid to stay home instead of being required to return to work.

“People will go to work sick if they don’t think they’re going to get paid. It’s just the reality,” says Hirschfield. “It’s a public health risk in the best of times, but during the pandemic it’s a public health nightmare to have people going to work sick.”

“If we’re ever going to flatten this curve we’ve got to use all the tools in the toolbox and providing people an incentive to stay home when they’re sick is a pretty important tool,” Hirschfield adds.

To date, nine local governments, including the cities of Santa Rosa, San Mateo County, San Jose and San Francisco, have passed local sick-leave policies since the start of the pandemic shutdown. Hirshfield says the group is pushing the Sonoma County Board of Supervisors and other cities in the county to consider a version of 10-day sick-leave policy.

Santa Rosa passed the sick-leave extension unanimously in June. Their ruling exempted the city’s own employees from the new rule.

As one might imagine, some businesses are not happy about the state and local proposals, arguing that additional sick leave will be costly to employers who they say are also struggling due to the pandemic’s economic impacts. 

An Assembly staff report states that a group of employers, including the California Chamber of Commerce, opposes AB 3216, the state labor legislation.

“[The bill] imposes staggering, significant and unprecedented new requirements on businesses of all sizes in California during a time of crisis when they can least afford it,” the report states.

In addition to expanding and extending sick leave during the pandemic, the bill would require some employers—including hotels and event centers—to offer laid-off employees their jobs back in writing once the company begins to rehire. That requirement, known as the Right of Recall, seems particularly offensive to business groups.

In a letter to the Assembly opposing AB 3216, the California Chamber of Commerce raised the threat of litigation against the state and the local governments which have already passed similar legislation. According to the Assembly staff report, the Chamber is arguing that the requirement is “the statutory right of recall contained in AB 3216 is legally suspect and would likely be struck down.”

The city and county of Los Angeles passed Right of Recall requirements for some businesses back in May.

Crazy Artist Types

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Artists are better at coping with challenges—because we’re crazy. Last spring, Artnet News published an interesting piece about researchers from the Yale Center for Emotional Intelligence—yes, apparently there is such a place—that found that creativity correlates with psychological weakness … (wait for it) … and mental strength (phew!).

“In 1963, the pioneering creativity scholar Frank Barron wrote that the ‘creative genius … is both more primitive and more cultured, more destructive and more constructive, occasionally crazier and yet adamantly saner than the average person,’” writes Rachel Corbett in a piece that boasts the longest headline ever published: Artists Are More Anxious and Depressed Than Those in Other Professions—But They Are Also Better at Coping With Challenges, a New Study Says.

File this under “Tell Me Something I Didn’t Know That Also Justifies My Bad Behavior and Fragile Self-Image.” What’s interesting is that Barron’s seemingly contradictory claims were reached via “personality tests and interviews” during the early “Mad Men”–era, prior to the use of more empirical processes. And yet, “they may turn out to be verifiably true,” writes Corbett, Artnews’ deputy editor. She adds, “In other words, the artists were both ‘crazier’ and ‘saner’ than the non-artists, as Barron phrased it.”

Here, here.

Interesting how “non-artist” is essentially used as a synonym for “neurotypical.” Of course, this reading correspondingly suggests that artists are inherently “neuroatypical.” This I’ve always found to be a kind of sloppy catch-all for those whose mood, anxiety and personality disorders (not to mention glistening, effervescent talent) diverge from an imaginary norm. And despite the voguish notion that so-called “invisible disabilities” like the ones listed above are, in fact, superpowers. But the truth is, no matter how dramatically I remove my glasses or rip open my shirt, no one ever says, “It’s Superman!” so much as, “He’s off his meds!”

Meanwhile, the Yale Center for Emotional Intelligence has created a rubric that might be useful for those, like me, who need to upgrade their super-ego to see how well they measure up. Meet RULER (see what I did there?), an acronym for the five skills of emotional intelligence (recognizing, understanding, labeling, expressing and regulating). I have zero mastery of exactly all of the above, which may qualify me to be a guinea pig at the Center. This is the only way I’ll ever get into Yale. New Haven, here I come!

Daedalus Howell is writer-director of the feature film ‘Pill Head,’ now playing on Amazon Prime.

Open Mic: Sadness in His Madness

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By Paul E. Cheney

A beggar stands bored

Reaches for his pocket

Finds nothing restored

His cigarette hangs

As disgust plagues his ways

Remorse for him

A way of life

Slow death, without change

Paths to follow, or rearrange

I felt sorry, as often I do

When many a poor man

Enters my view

No other direction, nor inflection

Of an exit, for a prosper

Richer sight ahead

Many wishing, and knowing

They were better off dead

He shakes come morning

Worries without warning

Begs at passersby

Wonders not at questions why

Drinks ’til sunset

Considering tomorrow’s upset

Another day for the beggar man

Chalk one off for you and I

We can be there

Like him

Fate

Future

On a whim

Paul E. Cheney lives in Petaluma.

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Crazy Artist Types

Artists are better at coping with challenges—because we’re crazy. Last spring, Artnet News published an interesting piece about researchers from the Yale Center for Emotional Intelligence—yes, apparently there is such a place—that found that creativity correlates with psychological weakness … (wait for it) … and mental strength (phew!). “In 1963, the pioneering creativity scholar Frank Barron wrote that the ‘creative...

Open Mic: Sadness in His Madness

By Paul E. Cheney A beggar stands bored Reaches for his pocket Finds nothing restored His cigarette hangs As disgust plagues his ways Remorse for him ...
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