Giving Green: Cannabis Gifts

Two stellar companies, Kikoko and Saka, both owned and operated by women, have made a big splash in the cannabis industry. Their products are perfect for holiday cheer this year.

Kikoko

Kikoko, a Marin County enterprise that emphasizes “wellness,” offers a variety of premium cannabis products, beautifully packaged and accurately labeled. The Emerald Triangle supplies the weed. The founders supply the love.

I recently received a “care package” from Kikoko, opened it immediately and began to test drive the goodies: cannabis mints, cannabis honey and cannabis teas. For three days—a Friday through a Sunday—I imbibed and monitored the effects on my mind and my body. It took effort, but it was worth it.

The organic mint green tea, with THC and CBD, as well as licorice root and safflower petals, got me pleasantly stoned.

The care package came with a nifty booklet about Kikoko’s wellness teas, plus facts about the dangers of opioids and ways to relieve PMS. The booklet’s back cover boasts an image of a woman wearing black gloves and a black hat. I think of her as one of Kikoko’s sophisticated customers, though I know one doesn’t have to be a sophisticate to enjoy the teas, the mints and the cannabis-infused New Zealand Manuka honey.

Two self-defined “middle-aged women,” Jennifer Chapin and Amanda Jones, founded Kikoko in 2014. Headquartered in Sausalito, the products are manufactured in Alameda County, which is friendlier to pot than Marin, where citizens vote “Yes” on cannabis measures, but where the NIMBY attitude prevails.

Marin doesn’t encourage the manufacture of products with THC and CBD, and on the whole, Marinites don’t want dispensaries in their neighborhoods, whether the San Geronimo Valley or around the Point Reyes National Seashore.

The only brick-and-mortar Marin dispensary is located in Fairfax, though the county has several delivery services. While the city of Sausalito recently gave cannabis companies the green light to transport cannabis products to homes and offices, storefront retail is prohibited.

Kikoko co-founder, Amanda Jones, who was born and raised in New Zealand, has lived in Marin for 30-plus years. “We wouldn’t sell anything we wouldn’t put in our own bodies,” she tells me. “We test our products at least four times before they hit the shelves.” Jones’ partner and Kikoko co-founder, Jennifer Chapin, says, “For decades, the cannabis plant has been demonized. We aim to debunk myths and educate the public about cannabis and wellness.”

Seventy-five percent of Kikoko’s employees are women. Half are people of color. At the manufacturing facility, women do much of the heavy lifting. “We’ve created an environment where women can be leaders,” Chapin says.  When I mention the stereotype of the “stoner,” she says, “We’re not that!” She adds, “We want our products to help people with health concerns, have fun and look to replacing pharmaceuticals and alcohol with cannabis.” 

Saka

House of Saka makes a beverage from Napa Valley grapes that has zero alcohol content, but that’s infused with THC and CBD. It comes in pink and in white. Rosé de pinot noir grapes for the pink and chardonnay grapes for the white.

“Saka” (not saki) is the name of the beverage. The instructions on the label read: “Pour ten capfuls into a glass, sip, savor and enjoy. Onset may be felt in as little as 5 to 15 minutes. Refrigerate after opening.” 

Each serving of Saka has 16 calories, 5 milligrams of THC and 1 milligram of CBD. A 750 ml bottle is $45.

“Saka” is named after a mythical tribe of women. The label features a warrior on horseback armed with bow and arrow.

On a recent Sunday, I sipped about four ounces of the white. Twenty minutes later I began to unwind. Space expanded. Time slowed down. An hour after my first sip, I was pleasantly high.

At a dinner party that evening with friends and neighbors, we paired the beverage with caviar, baked potatoes and crème freche, followed by a brined rotisserie chicken cooked by cabinet maker extraordinaire, Chris Sheppard. Herbalist Karin Larez prepared a salad of greens and tomatoes—the last of the season—from her own garden.

Karin’s mother, Thora, 85 and spry, drank the Saka, started to giggle and remembered the time, 50 years ago, when she came to San Francisco from Seattle.

House of Saka was co-founded by Cynthia Salarizadeh, who has eons of experience in the “cannabis space,” as she calls it, and Tracey Mason, who identifies as “a queer woman.” Mason says that after years in the wine industry she knows how to navigate “a male-dominated world.”

Cannabis Gifts

Salarizahed and Mason want their beverage to be enjoyed most of all by women, but they won’t be miffed if guys get into the act. They suggest that when you enjoy House of Saka “Saka,” you listen to singer-songwriter, Sade Adu, who killed it in 1985 with the hit single, “Is It A Crime,” and also Erykah Badu, who broke out of the pack with the LP Baduizm and followed it with Mama’s Gun.

Chez Panisse founder and cookbook author, Alice Waters, has often called for a “revolution of the senses.” Saka might help revolutionize your taste buds and expand your head. Drink it alone or with a friend, and of course drink sensibly.

Jonah Raskin is the author of “Marijuanaland: Dispatches from an American War.”

Discussion of Santa Rosa Police’s Response to Protests Delayed

When hundreds of North Bay residents poured onto the streets of Santa Rosa in late May and early June as part of this summer’s nationwide racial justice protests, officers from multiple local law enforcement agencies responded with force, injuring several protesters severely with rubber bullets and other “less lethal” crowd control weapons.

In one case, a crowd-dispersal weapon known as a sting-ball grenade broke a 35-year-old man’s jaw, causing him to go to a hospital for extensive reconstructive surgery. In November, the city paid $200,000 to a Healdsburg man who was shot with a rubber bullet in the groin while filming a May 31 protest. Other lawsuits are still ongoing.

The Santa Rosa City Council has yet to discuss the law enforcement’s response to the protests at length publicly.  The earliest that will happen is February or March, approximately nine months after the start of the protests.

All together, the council will discuss two reports currently being prepared by contractors and one published by the Sonoma County Commission on Human Rights this summer. 

On Aug. 31, city officials signed an $80,692 contract with Hillard Heintze to complete an After Action Report (AAR). The report will offer a “high-level summary” of the city’s response to the protests between May 30 and June 5.

This report “is not designed to be a detailed investigation of any single or individual incident that occurred during the Events,” according to the city’s contract. And, although the contract’s scope of work acknowledges that the Santa Rosa Police Department received help from other North Bay law enforcement agencies during the protests, the original contract states that the report will not include a review of the actions of outside agencies.

Asked about this omission, Adriane Mertens, a city spokesperson, told the Bohemian that other local agencies, including the Sonoma County Sheriff’s Office and City of Petaluma, have since agreed to participate in the Santa Rosa AAR. Although it was scheduled for completion in October, work on the AAR was delayed by the Glass fire, since city officials were scheduled to meet with Hillard Heintze the week of the fire.

In September, the city signed a contract with a second outside consultant, the OIR Group, a law enforcement auditing firm. Under its $50,000 contract with Santa Rosa, OIR Group will “conduct oversight” of an investigation by the SRPD’s internal Professional Standards Team into “particular [use of force] events that occurred during the protests.” 

In short, the OIR Group will oversee the SRPD investigation into the department’s response to the protests and then offer its opinion on the strength of the SRPD’s self-review. At a November City Council subcommittee meeting, City Attorney Sue Gallagher said the investigation would focus on specific instances when law enforcement officers used rubber bullets and tear gas on protesters. The SRPD’s internal team may “take disciplinary action … depending on the results of the investigation,” according to the OIR Group’s contract.

The City Council will also discuss a report published by the Sonoma County Commission on Human Rights in July. The report, titled “Human Right Violations in Santa Rosa California – Policing the Black Lives Matter Protests” is based on numerous interviews with protesters, public statements by local officials and press coverage of the protests.

NorBays Applaud Local Musicians

Each year since 2005, the North Bay Music Awards, a.k.a. the NorBays, have recognized and celebrated dozens of North Bay bands in many genres as voted by the readers of the Bohemian and Pacific Sun.

In this unprecedented year of 2020, as North Bay musicians and bands continue to safely create excellent music online and on record while they endure a pandemic that wiped out live indoor concerts and events, it’s more important than ever to recognize and support the creative folks who make the North Bay special.

Without further ado, here are the winners of the 2020 NorBays.

Americana: Sean Carscadden

The Sonoma singer-songwriter kept busy in 2020, performing solo and full-band shows when outdoor performances were permitted in Sonoma. Currently, Carscadden can be seen virtually as part of Sebastiani Theatre’s online musical holiday special streaming free right now.

Blues: Coyote Slim

The Sonoma County guitarist has played a blend of Delta blues and California soul since 2006, and while his live shows have been on hiatus since the pandemic’s onset, he’s uploaded past performances and at-home jam sessions on Facebook and Youtube.

Country: David Luning

North Bay rocker David Luning took home the NorBay’s Singer-Songwriter award last year, though local voters now recognize Luning for his heartfelt and rollicking full-band country-rock efforts, which can be heard on his latest release, a somber, countrified cover of “You’ve Got Another Thing Coming.”

Electronica: Eki Shola

In 2020, classically trained pianist and songwriter Eki Shola concluded a musical journey that began after losing her home in the 2017 Tubbs Fire with the release of her full-length electronica-jazz album, Essential.

Folk: Dave Hamilton

North Bay veteran Dave Hamilton, who continues his long running NorBays-winning streak with this year’s recognition, kept the music alive this year at outdoor spots in Sebastopol and Petaluma when he could, and posted living room recordings of some of his favorite tunes on Youtube.

Hip-Hop: Kayatta

Returning NorBay Award-winner Kayatta released her debut album, Beautiful and Messy, on Juneteenth, the oldest nationally-celebrated remembrance of the ending of slavery in the United States. The album features infectious beats and socially-conscious lyrics that entertain and empower local audiences.

Indie: Ellie James

A California native and graduate of the Berklee College of Music in Boston, Ellie James now makes music from her homebase in Santa Rosa. Since the onset of the pandemic, James has taken to the web for live streaming events. She goes outdoors for socially distant performances when possible. She’s also gearing up for a big 2021 and recently hit her crowd-sourced fundraising goal for recording a debut studio album next year.

Jazz: Nate Lopez

The eight-string guitarist takes the NorBay Award for Jazz once again, proving himself to be a prolific and popular one-man jazz band even during the pandemic. While Lopez stayed at home for most of 2020, fans kept up with him online through his regularly streaming jam sessions and performances.

Metal: Hellbender

For North Bay audiences that like their heavy metal to thrash, Petaluma-based four-man musical wrecking crew Hellbender delivers the old-school riffs and pounding rhythms on their new album, American Nightmare, released this summer.

Punk: Kurupi

When Kurupi performed virtually as part of a Halloween Covers Show for Petaluma’s Phoenix Theater this past October, Theater talent buyer Jim Agius called the four-piece punk band, “One hundred percent the next generation of young musicians in our scene.”

R&B: The Soul Section

For more than a decade, The Soul Section has packed North Bay venues with high-energy funk and soul revues. With no venues in 2020, the band was able to virtually get together for several socially distant video performances this summer.

Reggae: Dan Martin & the Noma Rocksteady Band

Sonoma native Dan Martin first put together the Noma Rocksteady Band in 2010, and the ensemble has been a regular part of the North Bay music scene ever since. Keeping the jams steady, Martin is pumping out the tunes in outdoor settings and offering shelter-in-place streaming performances when he’s able to.

Rock: The Bluebyrds

The seasoned musicians who make up folk-rock group the Bluebyrds take it back—way back—to the music of groups like Lovin’ Spoonful and Buffalo Springfield. While the set lists may feature well-known classics, the Bluebyrds showcase why these songs stand the test of time.

Singer-Songwriter: Sebastian Saint James

North Bay audiences first became enamored with Sebastian Saint James as the frontman of soul-powered rock band The Highway Poets. More recently, Saint James is popping up online everywhere during the pandemic, with virtual solo performances for North Bay series like “Social Distance Live” and “Living Room Live.”

How to Have a Virtual New Year’s Eve in the North Bay

Normally, when the clock strikes midnight on New Year’s Eve, crowds of friends and strangers gather together to celebrate.

In the North Bay, those gatherings usually include concerts, gala dinners, masquerade balls and more. Yet, 2020 is determined to go out kicking and screaming, and with the Covid-19 pandemic still firmly spreading in the region, this year’s parties will all be virtual events.

Luckily, several local organizations and entertainers are going digital to ring in the new year, and the public can join in the New Year’s Eve festivities from home.

The Charles M. Schulz Museum in Santa Rosa is the first stop for families celebrating the New Year with young ones, as the museum annually hosts afternoon balloon drops with root beer and activities. While the museum remains closed to the public due to the pandemic, the staff has kept the events going online, and this year, the Charles M. Schulz Museum presents a virtual version of its beloved “Happy New Year, Charlie Brown!”

The special “Noon-year’s-eve” event meets online Thursday, Dec. 31, at 11am. Snoopy and Woodstock will be there, and kids can enjoy partaking in “Peanuts”-themed craftings. Pre-registration is required at schulzmuseum.org.

North Bay music lovers have several virtual options for ringing in the New Year. First, a North Bay icon will broadcast live from San Rafael when Bob Weir and Wolf Bros play a New Year’s Eve concert on Dec. 31. The show will stream from Weir’s Tamalpais Research Institute (TRI Studios), a world-class streaming venue and recording facility, at 7pm. A rebroadcast will follow at 10pm. Tune in at Fans.Live.

Weir needs no introduction, but for the record: He is a founding member of Bay Area legend Grateful Dead, and his musical resume includes bands like Kingfish and Ratdog. In the Wolf Bros, Weir teams up with bassist Don Was and drummer Jay Lane to perform songs by the Grateful Dead and more.

For this live-streaming show, fellow musicians Jeff Chimenti and Greg Leisz join the trio on piano and pedal steel respectively for a high-energy performance. Tickets for Bob Weir and Wolf Bros’ New Year’s Eve show and more are available online at Fans.Live.

“We’re back and we’re here to light y’all up,” Weir says in a statement.

One of the North Bay’s best online summer concert series was Living Room Live. The weekly streaming showcase premiered in May as a virtual alternative to the annual Rivertown Revival in Petaluma. Presented by nonprofit group The Friends of the Petaluma River, Living Room Live featured local bands and artists performing from their homes, with host Josh Windmiller—founder of the Railroad Square Music Festival—acting as a Johnny Carson–style host on the couch.

Now, Living Room Live returns for one final concert to help ring in a new year. “Living Room Live: the New Year’s Eve Edition” streams on Rivertown Revival’s Facebook and Youtube pages on Dec. 31 at 7pm. The show will once again feature Windmiller as the musical master-of-ceremonies, with performances by Royal Jelly Jive, Sebastian St. James and other local favorites.

“Music will always find a way, and it rises to the challenge wherever we find adversity and a need for spirit,” Windmiller says in a statement. “I love to shine a light on the music emerging from the community because it gives me hope.”

“Living Room Live: the New Year’s Eve Edition” is free to watch, and audiences are encouraged to make donations to support Friends of the Petaluma River’s conservation and environmental education programs that range from outdoor nature programs for local youth to cleanup outings that have helped remove over 7,000 pounds of trash from Petaluma’s waterways this year.

“A core part of Friends’ work in the Petaluma Watershed is around celebration, celebrating the River and the natural world, our community and coming together,” Stephanie Bastianon, executive director of Friends of the Petaluma River, says in a statement. “If there is ever a time when our community needs lifting up, it is now. We felt it was important to bring back the Living Room Live concerts to offer some joy and light during this dark winter.” Facebook.com/RivertownRevival.

For those looking to jazz up New Year’s Eve, Santa Rosa’s 6th Street Playhouse will virtually host “Barbara Dixon’s New Year’s Eve Jazztacular” on Dec. 31 at 8pm and 11pm. The online show features “Broadway legend” Barbara Dixon, a.k.a. Los Angeles–based actor and writer Leah Sprecher, hosting a cabaret-style evening of musical comedy that satirizes the song-and-dance days of the past.

In addition, 6th Street Playhouse artistic director Jared Sakren and managing director Anne Clark will host a live fundraising event for the theater, which continues to offer online performances and a socially distanced school of drama while working to make the space safe for in-person events once gatherings begin again. Facebook.com/6thStreetPlayhouse.

Letters to the Editor: Point Reyes & Trivia

Thank you for publishing Peter Byrne’s reporting on the years of disastrous overgrazing and subsidized dairy cow ranching on this beautiful peninsula (“Apocalypse Cow,” News, Dec. 9).

I visited it on several occasions in 1968–1970, but haven’t yet had the opportunity to revisit since arriving here in September. Oyster farming in the Tomales Bay was just beginning in the ’60s and it is good to know that water quality degradation has not spoiled it. I don’t look forward to seeing the erosive effects of overgrazing in Point Reyes. It is evident elsewhere in Marin County, however, and shockingly evident on public lands in New Mexico, Arizona and Colorado that I saw on my recent road trip from North Carolina to Mill Valley.

Three observations on Trivia Café, which entertained us yesterday evening at the dinner table: 

#2 Green is not a primary color, even though television, etc. screens apply it that way (RBG). The primaries are red, blue and yellow. Blue and yellow mixed = green, as school children know.  #7 suggests that the pancreas and gallbladder are together known as glands. This cannot be. The gallbladder is not a gland. #9—the designation “camping” applies to different arrangements whereby folks enjoy the outdoors, whether hiking into wilderness areas to camp out or, more commonly, pitching tents in campgrounds where their vehicles are parked nearby. #9c should have read “backcountry camping gear retainer,” assuming you wanted to obfuscate by using the word retainer.

Peter H Freeman

MA Geography 1970

UC Berkeley 

Bedford Falls Revisited

Bedford Falls is the fictional, idyllic town that the beloved Christmas movie, It’s A Wonderful Life, is set in. The Frank Capra–directed movie features actor James Stewart as George Bailey, a “poor” everyman constantly challenged by life’s unforeseen circumstances.

We in the North Bay, like Mr. Bailey, have faced life’s slings and arrows in the last few years; political turmoil, floods, fires and now a pandemic. We all carry these traumatic events within us, and have suffered the ongoing physical and psychological wounds that accompany such stressful situations.

Mr. Bailey, distraught, without hope and “wishing” he was never born, contemplates suicide while standing on a bridge. Fate now enters the story, in the guise of an elderly angel, Clarence Odbody, who George sees “drowning” in the waters below. Diving in to save him (and himself), he will learn the lessons of what it really means to have his “wish” granted as his hero’s journey begins.

In conversations with the townspeople, family and friends he has known all his life, George is now a stranger, because he was never born, right? The past events he took as personal history also have now never occurred. Finally, with his guardian angel’s wisdom and words, he awakens and embraces the impact he has had on others and is able to acknowledge he has had and still has a wonderful life!

It is appropriate at this time of the year—and especially this year—we remember who and where we are in our own personal lives in response to what life throws at us. Yes, we surely must grieve our losses, but we can also rejoice and look around with gratitude at what we still have; and to know that this too shall pass—that we can find our own personal angels, to lift us up.

We only have to awaken and realize that Bedford Falls is still within each of us—it is a state of mind, if we take the time to look.

E.G. Singer lives in Santa Rosa. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Santa Rosa Symphony Music Director Signs Up for Five More Years

Francesco Lecce-Chong, the Santa Rosa Symphony’s fifth music director in its 93-year history, began his tenure in 2018.

In that time, he’s led the acclaimed orchestra through natural disasters and now a pandemic. Despite the difficulties that he and the orchestra have endured, Lecce-Chong is eager to keep working in the North Bay.

As 2020 comes to a close, the Santa Rosa Symphony and Lecce-Chong have agreed to renew his contract with the symphony for another five years following the completion of his current contract on June 30, 2021. The new agreement means that Lecce-Chong will continue directing and conducting in Sonoma County through at least June 30, 2026.

The renewed contract calls, pending continued pandemic restrictions, for Lecce-Chong to conduct six out of Santa Rosa Symphony’s seven annual Classical Series concerts along with several special event performances. Lecce-Chong will also continue his work in community outreach, representing the symphony off the stage as well as onstage at the symphony’s home, the Green Music Center’s Weill Hall.

“We could not have hoped for a more creative, collegial and inspirational artistic leader than Lecce-Chong,” Santa Rosa Symphony President and CEO Alan Silow says in a statement. “His renewed commitment to our orchestra, our young people and our patrons will serve as a beacon of light for years to come.”

Lecce-Chong’s commitment to the community was on display in 2020 as the Covid-19 pandemic canceled all of the symphony’s live concerts back in March. Faced with a social-distance dilemma, Lecce-Chong responded to the new reality by adapting concert programs to accommodate a smaller group of musicians, whom Lecce-Chong now leads in safe, virtual concerts as part of the ‘SRS @ Home’ series.  Last month, the symphony presented an online concert to mark Beethoven’s 250th birthday.

in addition to conducting the performances, Lecce-Chong provides the virtual audiences with live pre-concert talks and post-concert Q&A sessions for each concert. He has also helped the symphony stay connected with its subscribers and wider community during the pandemic through his weekly “Thursday Night Live” events on Facebook and YouTube, in which he dives into specific classical music pieces with special guest composers and musicians.

“It’s truly an honor to have such an enthusiastic, skilled conductor, who is a champion of living composers and music education, as our Music Director for another five years,” Santa Rosa Symphony Board Chairman Al Seidenfeld says in a statement. “His vision and drive will take this orchestra to ever-increasing heights.”

Now maintaining a residence in Sonoma County, Lecce-Chong simultaneously serves as Music Director of the Eugene Symphony in Oregon. He also guest conducts around the world, and made his San Francisco Symphony subscription debut in the 2018-2019 season and his New York Philharmonic debut as part of the legendary Young People’s Concert Series in the 2019-2020 season.

“In my three seasons as (Santa Rosa Symphony) Music Director, this orchestra and community have shown an astounding creativity, grit and resiliency in the face of wildfires, smoke, power outages and now a pandemic,” Lecce-Chong says in a statement. “We have brought the joy and excitement of our music-making to more people than ever before through our virtual series. So, I am thrilled to continue making music with my brilliant colleagues on stage and grateful for the opportunity to lead us through these challenging times.”

Srsymphony.org

John McCutcheon Virtually Visits Sonoma for Annual Concert

Even though he lives in the city of Smoke Rise, Georgia, veteran folk singer-songwriter and multi-instrumentalist John McCutcheon is a popular fixture in Sonoma County.

That is because McCutcheon annually plays at the historic Sebastiani Theatre in Sonoma as part of a self-described “Left Coast Tour” that he’s taken each January for more than 30 years.

This year, McCutcheon could not make the trip out to California due to the ongoing Covid-19 pandemic. So he’s dong the next best thing, performing an online show that will benefit the theatre on Saturday, January 9, at 4pm.

That online show is one of two concerts that McCutcheon is hosting as part of his Virtual Left Coast Tour, and each show benefits a number of California venues and organizations that McCutcheon regularly works with.

For example, Sebastiani Theatre is sponsoring the January 9 performance alongside co-sponsors The Freight & Salvage (Berkeley), KVMR (Nevada City-Grass Valley), Modesto Peace & Life, and KZFR (Chico).

On McCutcheon’s webpage, virtual concertgoers can purchase tickets to the show through their preferred venue’s link, which will ensure their ticket helps to support that sponsor directly.

“A lot of these presenters have become old friends by now. I want and need them to survive so that can continue our work together on the other side of all this,” McCutcheon says in a statement. “Each presenter gets a unique ticketing URL and sells tickets to ‘their’ audience.  They get a cut of the sales that they sold, just as if I were there live.  In fact, it’s a better percentage and they don’t even have to turn the lights on.”

The concerts on Jan. 9 will be broadcast on Mandolin, a new presenting platform that is becoming known for high-quality audio and video production. “We’ve done a couple concerts using this model and they’ve been really successful,” McCutcheon says. “I can’t wait to gather my audiences from California and get them all sitting together for the first time.”

Tickets are available for the virtual concert at three price points to give the show a “Pay what you can” feel, including a five-dollar ‘unemployed/laid off’ ticket.

“Everyone needs music these days, so we want to keep it affordable,” McCutcheon says.

 The prolific musician also promises that he will have plenty of new songs and stories for the upcoming virtual show, as he does each year that he comes to town. In fact, McCutcheon recently released his forty-first album, Cabin Fever: Songs from the Quarantine.

Written over the course of three weeks of self-imposed isolation following an Australian tour in Mid-March, Cabin Fever: Songs from the Quarantine is not even the album that McCutcheon was planning on recording in 2020.

Following his last release, To Everyone In All the World: a Celebration of Pete Seeger, McCutcheon had stockpiled over 30 new songs, but that record went on the shelf once the pandemic-related music and lyrics began pouring out of him while he was in isolation.

“It’s an album that is completely of its time,” McCutcheon said when the album came out this summer. “That is, the subject matter, while not exclusively about Covid-19 and its effects, came out of that milieu.  It was recorded in total isolation, mixed in isolation, my graphic designer worked on her part after she put her kids to bed, a remarkably quick turn-around time, and, to top it all off, it’s a pay-what-you-can release.”

Like his upcoming virtual concert, McCutcheon wanted to make the album accessible to everyone, regardless of finances.

“We’re in this together and we need to look out for one another,” McCutcheon says.  “It’s the only way, in the music business or in “real life”, that we’re going to make it.”

John McCutcheon performs his Virtual Left Coast Tour in partnership with Sebastiani Theatre on Saturday, Jan. 9, at 4pm. $5-$30. Get tickets at Folkmusic.com.

Culture Crush: Christmas 2020

The holidays are normally a time for families and friends to get together and share in seasonal delights. This year, the celebrations have to remain socially distant while the Covid-19 pandemic continues to spread in the North Bay, meaning many popular annual events and offerings are moving online or transitioning to socially distant affairs.

Lucky Penny Productions in Napa is one of several theater companies adjusting to the new social-distancing reality; and while they have endured a challenging year, they are celebrating what’s really important this season with an online video production of a new musical creation, “No Place Like Home for the Holidays.”

Offered as a “pay-what-you-can” show, “No Place Like Home for the Holidays” promises heart-warming music and entertainment. Donations will go directly into Lucky Penny’s pandemic survival fund to help keep the company alive into 2021. Stay home with Lucky Penny Productions beginning Friday, Dec. 18, at 7pm. Get the show schedule and purchase tickets at Luckypennynapa.com.

Holidays are always a special time at the Sebastiani Theatre in Sonoma, where elaborate decorations designed and created by Susan Bellach adorn the halls and holiday-themed shows all play out onstage. This year, due to ongoing social-distancing orders, the theater instead offers “A Special Musical Holiday” online showcase to get the community into the spirit of the season. The virtual show will feature musicians like Tommy Thomsen, Sean Carscadden, Jon Burdick, Dawn Angelosante, Tony Gibson and more than a dozen other performers who will join hosts Roger and Diana Rhoten with Eric Jackson and Santa Claus online beginning Sunday, Dec. 20, at 5pm. Free. Sebastianitheatre.com.

Dinner’s always a production around the holidays, and many prefer to dine out at their favorite local restaurants. This year, with social distancing in place, dinner comes home with to-go holiday menus and curbside pickup happening at restaurants throughout the region.

Sonoma’s innovative bistro The Girl & The Fig is offering a family-style feast for four, with optional wine and desserts, that is available to pickup on Dec. 24 from 9:30am to noon. Orders must be in by Sunday, Dec. 20 at noon (thegirlandthefig.com). Healdsburg’s Spoonbar is also serving ‘Christmas To-Go’ with a three-course menu, including a vegetarian option, and holiday wine discounts available for pickup on Dec. 25 between 3pm and 5pm (Spoonbar.com). Carneros Resort and Spa’s ‘Christmas Day At Home’ takeout menu boasts traditional holiday favorites and Napa Valley charm available for pickup on Dec. 24 and Dec. 25 (Carnerosresort.com).

Napa Movie Nights has been inviting the public to drive-in events at the Napa Expo to enjoy food and films, and this holiday weekend features screenings that make for fun and safe family outings. On Saturday, Dec. 26, the series plays superheroes with a screening of the Marvel Comics movie Guardians of the Galaxy; on Sunday, Dec. 27, the ‘80s Christmastime cult classic Gremlins closes out the weekend. Tickets come with options for a meal from Olive & Hay, pizzas from Filippi’s Pizza Grotto and other meals. Fri. and Sat. opens at 5:45pm; Sun. opens at 4:45pm. $30 per vehicle. Teammoralesevents.com.

New Joan Baez Art Exhibit Coming to the North Bay

In an iconic career spanning six decades, Joan Baez has done it all. She’s a Rock and Roll Hall of Fame inductee who helped define the coffeehouse folk scene in the 1960s; and her musical spirit is matched by an activist mentality that has put her on the forefront of major nonviolent social movements since she walked arm-in-arm with Martin Luther King Jr. in Mississippi civil rights marches and spent time in jail for protesting the Vietnam War.

In the last few years, another side of Baez’s creative force has emerged in the form of solo art exhibitions that showcase her portrait paintings and drawings of some of her personal heroes and famous friends who’ve brought about positive social change over the last half-century.

Baez’s first solo exhibition, “Mischief Makers,” debuted at Mill Valley’s Seager Gray Gallery in 2017. Now, Baez returns to the gallery with a new batch of art for “Mischief Makers 2,” once again showcasing her portraits of people making the world a better place.

“Mischief Makers 2” opens Wednesday, January 6, and runs through February 14 at Seager Gray Gallery and online, and the gallery is hosting a live streaming art reception for the show on Saturday, January 9, which also marks Baez’s 80th birthday.

Following in the artistic footsteps of her debut solo exhibit, “Mischief Makers 2” features a new cast of social justice activists, progressive political figures and other notable historic faces from the worlds of literature, sports, music, environmentalism, spirituality and the counterculture.

One such painting is Baez’s portrait of Vice President-elect Kamala Harris, which went viral when she posted it on social media with the word “Badass” as part of her get-out-the-vote campaign for the 2020 presidential election.

Her portrait of Dr. Anthony Fauci, the doctor at the head of the U.S’s Covid-19 response, also ignited the Internet when she posted the painting online and added the word “Trust” alongside the image, offering a strong a rebuke of right-wing political attacks on Fauci.

The new show also features portraits of figures like singer-songwriter Patti Smith, teenage climate activist Greta Thunberg, filmmaker Michael Moore, former NFL quarterback and activist Colin Kaepernick, hippie icon Wavy Gravy and Pulitzer Prize-winning author and activist Alice Walker.

As she did in the first “Mischief Makers” exhibit, Baez includes a self-portrait. Limited edition prints of the self-portrait as well as portraits of Bob Dylan, Ruth Bader Ginsburg, Anthony Fauci and Emma Gonzalez will also be available and on display in the gallery.

Seager Gray Gallery, established by partners Donna Seager and Suzanne Gray in 2005 and located on the square in Mill Valley, is one of the most accomplished and acclaimed gallery spaces in the North Bay. The gallery specializes in contemporary fine art from both established and up-and-coming talents. During the Covid-19 pandemic, the gallery is open for abbreviated hours from Wednesday to Sunday, noon to 4pm, or by appointment.

In addition to its in-person hours, the gallery will present “Mischief Makers 2” online and art lovers can virtually join the show’s digital reception that includes an interview with Baez, a virtual tour of the art and more on Saturday, Jan 9, at 5:30pm. Ticket are $15 and can be purchased in advance at bit.ly/JoanBaezLiveStream.

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Ellie James by Holy Smoke Photography
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Culture Crush: Christmas 2020

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New Joan Baez Art Exhibit Coming to the North Bay

In an iconic career spanning six decades, Joan Baez has done it all. She’s a Rock and Roll Hall of Fame inductee who helped define the coffeehouse folk scene in the 1960s; and her musical spirit is matched by an activist mentality that has put her on the forefront of major nonviolent social movements since she walked arm-in-arm with...
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