Talking Pictures

0

American Pie

Selena and the Mexican-American dream

By David Templeton

Writer David Templeton takes interesting people to interesting movies in his ongoing quest for the ultimate post-film conversation. This time out, he sends noted author and lecturer Himilce Novas to see the reverential new bio-pic Selena.

Though its initial box-office blaze has dwindled somewhat since its bright debut a few weeks back (15.6 million the first weekend; 6.1 the next), the charming biographical film Selena continues to be greeted by its audience with a sense of reverence and enthusiasm usually reserved for major cultural events.

Which–of course–it is.

Selena Quintanilla Perez was the dynamic, Grammy-winning Tejano singer from Texas who electrified the nation’s Mexican-American community and was on the verge of crossover success when she was murdered at the age of 23. As a representative of a significant portion of the country’s population–a group woefully underrepresented on the big screen–Selena has become a symbol of the dreams and promises of all Americans, Latino and otherwise.

The audience with which I saw Selena was full of families–huge families, 10 or 15 people strong, from babies to grandparents–many dressed up as if for church. For many, it is clear, Selena is more than just a movie.

“I met Selena,” says author Himilce Novas, speaking on the phone from her Santa Barbara home, where she saw the film the night before. “She was a natural stage person. And she was inordinately strong.”

Novas is the author of numerous books on multicultural issues, with an emphasis on Latino culture (Bananas, Mangoes, and Coconuts: a Cuban Love Story; Everything You Need to Know About Latino History; Everything You Need to Know About Asian-American History; and The Hispanic 100). She has also written two biographies: Secada! (Penguin Books, 1997), and Remembering Selena: A Tribute in Pictures and Words (St. Martin’s Press, 1995). She is a popular lecturer, hosts her own radio program (The Novas Report, KQSB 990-AM, and in RealAudio on the web).

According to Novas, Selena–the movie–though successful on the basis of its subject’s undeniable charm, is perhaps a bit too reverential, suffering from the possessive involvement of Selena’s father, Abraham Quintanilla.

“Honestly, is she a saint yet or what?” she laughs. “Is it fair to make her seem so spotless? Do we really believe she kept that figure on a diet of pizza? That she didn’t go to Mexico twice a year for liposuction treatment? Every performer does that. What’s to be ashamed of?”

Though the movie is less than frank as a biography, Novas agrees that Selena’s event-status is justified.

“I was sitting there, watching this movie,” she tells me, “thinking, ‘how many times do some people sitting in this theater get to see people who look like them, playing parts in movies other than maids, killers, or cocaine-sniffing drug addicts in East L.A.? That, I think is tremendous. To see your own face on the screen, to see your culture represented, is a very powerful thing.”

In the film, Selena (well played by Jennifer Lopez) is lectured by her father (Edward James Olmos) on the difficulties of being Mexican and American. “We have to speak perfect English or the whites think we just came over the border,” he says. “And we have to speak perfect Spanish or the Mexicans look down on us. We have to be twice as perfect as anyone else.”

“I think it’s a very interesting piece of information for those who’ve never thought of that, people who just think of Mexican-Americans as Mexicans,” Novas observes. “I think the point that they tried to make–that these people are Americans, that they’ve been here for many generations, sometimes for more generations than European-Americans who are considered truly American–that’s true, and it’s important that it be said.

“Selena was very important to the Mexican-Americans, because she struggled and rose above all that. She’s a wonderful role model. She was beautiful, she was talented, and, as an American, she insisted that she was entitled to the American pie.”

The singer was also important to the Tejano form of music that catapulted her to fame.

“It really took off because of her,” Novas says. “She was able to take Tejano music and force it three notches up by not being afraid to introduce other influences, Latin and Caribbean sounds.

“The real Tejano music is a cross between ballads–which are called corridos–and it’s that German influence, the Texas polka feel. Corridos are folk songs that have been traditional in Mexico for centuries, songs that tell a story. They were used instead of the radio to communicate news and information. For instance, when JFK died there were hundreds of corridos written. It’s a beautiful musical form, and it continues today. The Tejano music has a lot of the corrido feeling to it.

“Selena’s importance goes beyond that, though,” she continues. “She was important in bringing different groups of Latinos together. She did not belong only to the Mexican-Americans anymore. Now she’s every Latino’s.”

Selena’s growing popularity illuminates another point: that American tastes are changing to reflect the influences of an expanding minority base.

“The numbers speak for themselves,” Novas confirms. “By the year 2000, Latinos will be the largest single minority in this country. And by the year 2025, if the present demographic trends continue–which they will–one out of every three Americans will be Latino.

“There’s you, me, and someone else, and one of us is a Latino. Imagine that. In fact, the entire Social Security system will be supported by these people. Because they will be the workforce. You can’t help but see it. Go to the supermarkets. Look up and down the aisles. Our taste in food is changing. Everybody is eating hot these days.

“We talk about the great American novel,” Novas laughs. “I always say that the great American novel of the 21st century will probably be an ethnic novel. Just you watch and see if it isn’t.”

From the April 10-16, 1997 issue of the Sonoma County Independent

This page was designed and created by the Boulevards team.
© 1997 Metrosa, Inc.

Organic Coffee

0

Hill of Beans


Made in the Shade: Sustainable Harvest’s Stu Jenkins believes a strong ethical stance is good business.

Photo by Chris Gardner



Environmental and ethical concerns brew over organic coffee

By David Templeton

THERE IS A REVOLUTION brewing out on the fringes of America’s highly lucrative coffee-peddling industry. It is a revolution of ethics and philosophy–spearheaded mainly by the roasters and promoters of organic coffees–and it could end up reshaping the entire industry’s economic and agricultural ideologies.

It could even change the future of the planet.

As is usually the case in such grassroots industrial revolutions, the decision is solely in the hands–and coffee cups–of the consumers. And at the moment, the vast majority of this country’s faithful caffeine addicts are unaware of this potentially turning tide. Most consumers are not acquainted with the ethical issues represented in every cup of java that is sipped or gulped in the kitchens, cars, and coffeehouses of this, the largest coffee-consuming nation on the planet.

While the avoidance of chemical and pesticide use is the primary factor that most people associate with organic agriculture, it represents only the tip of the ethical coffee bean. The sustainability revolution that has energized efforts to save the tropical rain forests and educated consumers worldwide is sweeping the coffee industry. It now includes those who are striving to give economic stability to the indigenous farmers and laborers in impoverished, coffee-producing countries. Encompassed in organic ethos are efforts to save these regions’ rivers and streams, routinely poisoned by high-yield coffee-processing methods. There are forces working to establish small village banks to assist women in coffee-growing communities to launch their own micro-businesses.

In an eye-opening issue that many insiders believe will finally capture the conscience of the mainstream consumer, there is a growing effort to expose a trend in coffee production that is having a devastating effect on the world’s migratory songbirds, a species that is now rapidly disappearing from our own North American backyards.

On tiny Noyo Harbor, near Fort Bragg on Mendocino’s windy coastline, Paul Katzeff strides into the bright, aromatic warehouse of the Thanksgiving Coffee Co., the iconoclastic coffee-roasting operation he founded with his wife, Joan, in 1972. Specializing in organic coffees, Thanksgiving annually roasts a million and a half pounds of beans, all from product purchased from native co-ops and small-scale farmers for 40 to 70 percent above market value, with additional profits (15 cents for each package sold) returned to the growers through non-profit village banking programs.

An outspoken political activist (he once sued President Reagan for implementing the trade embargo on Nicaragua, and marketed a coffee from which a percentage of profit was sent to the Sandinistas), Katzeff has firmly established himself as one of the more dedicated, innovative, and aggressive leaders in the coffee industry’s ethical revolution.

“Look at this,” he exclaims, bending down to scoop up a handful of green coffee beans, spilled from one of the hundreds of exotically labeled burlap sacks piled up all around us, stuffed with coffee from Mexico, Panama, Ecuador, Colombia, Peru, Hawaii, and Africa. “I hate to see beans spilled like this. All of this will be swept up, thoroughly cleaned, and reused in one of our blends.

“If something travels 10,000 miles to get to you, you have to respect it.”

Respect is a word Katzeff uses often, and is clearly a vital force behind his business ethic: respect for customers who demand a quality cup of coffee and expect it to be free of toxins and chemicals; respect for the coffee itself, much of which is packaged in bags with a valve that allows the beans to breath; respect for the workers who put the beans in these bags, and for the communities in which they live; and respect for the fragile ecosystems in which the coffee plants are nurtured.

In recent months, Thanksgiving has introduced a program called Beyond Organic, a system of choosing and promoting coffees that are produced under a strict set of social, environmental, and fair-trade criteria. Potential coffee growers are rated according to a numerical value chart that gives high marks to coffees that are certified organic, with additional points given when land ownership promotes “strong cultural survival of indigenous peoples,” when workers are guaranteed a fair labor wage, and when coffees are shade-grown beneath a natural rain forest canopy. Coffees produced under these conditions are sold in markets with a “Love the Earth” seal.

Katzeff’s philosophies and practices are further reflected in his company’s slogan, “Not just a cup, but a just cup.”

This concept of coffee justice is being championed by a growing number of organic coffee companies around the nation. For them, such ethical and humanitarian ideals are a very short stretch from the health-conscious motives that led to them to organics in the first place. Because of their significant collective buying power, these companies have already begun to demonstrate that they can indeed make an impact on the environment–and the way business is conducted.

All they need now is an infusion of consumer support.


Chris Gardner

Hands On: From ground to grind, organic coffee exporters are active in every aspect of their business.

WHEN JOAN and I started this company, I knew that organics was a way to politicize the product,” Katzeff says. “We made a stand for what was right. Now, after a lot of work, we’ve broadened our base. We’ve found acceptance in the marketplace, and organics is no longer thought of as just a bunch of health nuts afraid of pesticides.

“But organics is limited, narrow,” he goes on. “There are bigger issues. Humanitarian issues. Right now, ‘shade grown’ is the big one. You ask how a coffee company can change the world? I’ll tell you: it can support, buy, and get the word out about shade-grown coffee.”

This traditional form of coffee growing requires that coffee be planted beneath a canopy of native trees. The coffee develops more slowly, creating a higher sugar content that, when the beans are roasted, gives the coffee a richer, fuller flavor. The trees fix nitrogen into the ground, resulting in fertile soil that requires little or no fertilizer or additional help. Pesticides are unnecessary because of the birds that thrive in the shade giving overstory. Organic coffee, by definition, is almost guaranteed to have been shade-grown.

Over the last two decades, however, this canopy has been torn down as coffee growers convert to a process known as technification. Able to grow coffee three times faster than the traditional method, technification employs a hybrid plant that grows in full sunlight. Valuable to farmers for its profit-producing yield, sun-grown coffee lacks the nitrogen supplied by trees and depends on a steady diet of fertilizers and chemicals. In the absence of a leafy overstory there is consequently an absence of insect-eating birds, thus creating a need for insecticides to protect the ripening crop.

According to a recent report from the Smithsonian Migratory Bird Center, this trend toward technification–17 percent of Mexico’s coffee crop is now sun-grown, 40 percent in Costa Rica, 69 percent in Colombia–amounts to a devastating loss of habitat for the birds, which have taken to the coffee plantations in past decades owing to the deforestation of their original rain forest homes. Of the 150 different species of birds that live on shade-grown coffee farms, many are migratory; they winter in southern climates before returning home to North America.

Some of these migrant species are beginning to dwindle in number. According to the U.S. Breeding Bird Survey, over the past 25 years the numbers of golden-winged warblers have dropped 46 percent, wood thrushes 40 percent, and orchard orioles 29 percent. An essay published in Science magazine (“The Case of the Missing Migrants,” November 1996) cites similar declines among the Baltimore oriole, the American redstart, and the Tennessee warbler, and concludes that the evidence “seems to implicate the shift to sun farms.”

Many coffee roasters, in response to these numbers, have begun marketing “bird-friendly coffees,”organic blends purchased from shade-grown coffee co-ops. Counter Culture, in Durham, N.C., has introduced a brand called Sanctuary. Thanksgiving recently unveiled Song Bird Shadegrown Coffees, sales from which (15 cents per package) are donated to the American Birding Association.

Thanksgiving’s Peter Matlin, when introducing the Song Bird coffee at a recent convention of vendors serving the nation’s vast birdwatching community, found that vendors were convinced that the coffees would sell, once the buyers understood the bird/coffee connection. “I think people want meaningful consuming,” Matlin says. “Who wants something that they know will pollute the watersheds and trash the birds? There is an ethical and moral beauty to shade-grown coffees that people will embrace–once they understand the issues.”

“Shade-grown is the hot button,” agrees Mark Inman, co-founder, with Chris Martin, of Taylor Maid Coffees, a small organic roaster based in Occidental that buys nothing but shade-grown coffee. “You’ll hear a lot about it in the future. Not only is shade-grown good for the birds, it’s better for the people. A grower can plant bananas and other fruit crops, and earn extra money while providing a canopy for the coffee.”

Inman, a roaster for 10 years with a mainstream coffee company in Oregon, became disgusted by the profit-hungry business practices he observed. With Taylor Maid, he’s been able to put his interest in human rights into effect in his dealings with growers, such as the tribal-owned farm in New Guinea with which he trades for an especially rich, shade-grown coffee. He also contributes–as do a growing number of coffee roasters and sellers–to such organizations as Coffee Kids and the Foundation for International Community Assistance, groups dedicated to economic development in impoverished nations.

“What would be a milestone now,” Inman says, “is for companies like MJB and Folgers to go shade-grown.”

This is unlikely, though not impossible: Procter & Gamble, major detergent manufacturer and owner of Folgers, recently purchased Millstone Coffee, which produces a certified organic coffee. Is this proof that the tide is turning, or merely that a limited market for organic coffees has developed and that some manufacturers are aiming to exploit it?

The answer is probably a little of both.

THE REASON that so many larger companies are coming around to organics is that they see that there is obviously a market for it. People are concerned about the chemicals they are ingesting,” says David Griswold, president of the Sustainable Harvest Coffee Co. based in Emeryville. Begun in 1995 as a brokerage operation that provides green beans to organic roasters around the country, Sustainable is the first, and so far the only, coffee brokerage with an exclusive shade-grown-only focus.

“The cup of coffee represents every sort of issue or element in the world,” Griswold says. “You’d be hard pressed to find another job where you can do this kind of meaningful work, work that is good for people, for the environment, where you can meet people like the farmers and pickers we work with, where you can feel excited about getting up every day.

“You can probably take any product and use it to live out your own ethics, but with coffee, the issues are limitless.” In order to gain the purest, cleanest coffees, Griswold goes the further step of pre-financing many of the Mexican growers, providing in advance the money they need to buy provisions–rice and beans–so that pickers can travel into the hills for the two weeks it takes to pick the coffee. So far, no one has defaulted, and such practices are attracting more and more growers to him.

“Buying organic has always been important to me,” says Jeff Sacher, who owns three of the cafes located in Copperfield’s bookstores. A burgeoning number of local cafes like Sacher’s serve only shade-grown coffees; the Starbucks franchise does not. In addition to the south-of-the-border organizations he supports through his coffee purchasing practices, Sacher–who majored in environmental ethics, writing his thesis on “How to Make a Café Green”–also donates a percentage of his restaurants’ profits to community services in Sonoma County.

“With three restaurants, I have a lot of buying power,” he says. “I can make a statement. The consumers can make their own statement by demanding an organic coffee–because in that one cup of coffee a lot of good things are done for the world. The customer feels good. This is right environmentally, and it’s right emotionally. And it tastes good, too, so what can be better than that?

“It’s like in that movie, Field of Dreams,” he adds. “‘If you build it they will come.’ Well, we have the product. Now we’re trying to get the word out to the community. When they realize what’s at stake, I know that the customers will come.”

From the April 10-16, 1997 issue of the Sonoma County Independent

This page was designed and created by the Boulevards team.
© 1997 Metrosa, Inc.

Anonymous 4 & Others

0

High Times


All 4 One: Having the Anonymous 4 playing in a local church is like having Bruce Springsteen playing in your garage.

Photo by Susan Johann



Unearthly delights, cowboys, strangers, and horny heathens

I’M HORNY FOR HILDY–the 12th-century German abbess and mystic who left behind a stunning litany of sacred and secular hymns, and turned me on to the transformative beauty of medieval music. OK, Hildegard von Bingen’s been dead for over 800 years, yet her otherworldly chants–recorded faithfully or with a wash of annoying synthesizers–are still hot items among fans of early music.

Which brings me to the Anonymous 4, superstars in the still remote galaxy of medieval musicians. Sure, the Benedictine Monks of Santo Domingo De Silos–who scored a landmark hit with 1994’s Chant (Angel/EMI), an uplifting collection of Gregorian numbers sung in Latin–get most of the press. And you can imagine the stir if that glorious choir were to pop up for a local tour. But it’s a sin that the upcoming performance by the Anonymous 4–actually classically trained singers Ruth Cunningham, Marsha Genensky, Susan Hellauer, and Johanna Maria–at the Redwood Arts Council’s chamber music series is scarcely causing a ripple on the local music scene.

Their captivating best-selling debut, An English Ladymass (Harmonia Mundi), sold over 150,000 copies worldwide and spent most of 1993 and 1994 on the classical music charts. Those aren’t high numbers by pop music standards, but impressive enough to earn this New York­based foursome a reputation as the King Midas of medieval chants and polyphonic singing. Their follow-up albums–1993’s On Yoolis Night, 1994’s Love’s Illusion, 1994’s The Miracles of Sant’iago, and 1995’s The Lily and the Lamb–all have charted equally well.

“There is justice in the world after all, for these are wonderful performers: distinctive personalities with individual voices,” the New York Times opined, “who by dint of hard work blend with superb balance and unearthly purity.”

No one’s ever going to say that about Courtney Love.

Anonymous 4’s most recent project was to sing the voice of Joan of Arc in Richard Einhorn’s Voices of Light, conceived to accompany Carl Dreyer’s classic silent film The Passion of Joan of Arc. Indeed, this is a small choir that is virtually unparalleled in their tonal purity and precision of pitch.

The spiritually uplifting superstars of high church music–who could ask for anything more?

Anonymous 4 performs Friday, April 11, at 8:30 p.m. at St. Vincent de Paul Church, 35 Liberty St., Petaluma. Tickets are $25, $20, and $15. For details, call 874-1124.
Greg Cahill

Random Notes

Other upcoming soul food includes the Kinky antics of Ray Davies Friday, April 4, at the Marin Center. Davies plans an unusual evening of storytelling and songs, including a spelling out of his classics and a bit of his twisted humor. A splendid time is guaranteed for all. 8 p.m. Avenue of the Flags, San Rafael. Tickets are $18-$25. 415/499-6400. . . . Closer to home, plan on arriving early for the Shawn Colvin gig Tuesday, April 8, at the Luther Burbank Center. Smart songstress Patty Griffin opens the evening, singing from her debut album Living with Ghosts (A&M), an effort that was recorded mainly in a Nashville kitchen. Griffin, who was a waitress with a penchant for poetry until just three years ago, has a heartbreaking delivery and an honesty that is beautiful to hear. Songwriter Freedy Johnston (named 1994’s songwriter of the year by Rolling Stone magazine) also fills the bill before Colvin, performing from his This Perfect World album. The whole evening sounds like a small, perfect world. From 7 p.m. Tickets are $22.50. 546-3600. . . . The Mystic Theater in Petaluma hosts the Little Dog Tour Saturday, April 12, featuring the Americana roots rock of producer/guitarist Pete Anderson (the man behind albums for Roy Orbison, k.d. lang, Michelle Shocked, and others), the sounds of The Lonesome Strangers, and guitarist Jeff Finlin. 9 p.m. Tickets are $10. 765-6665. . . . The rock-a-punk-a-billy of the Reverend Horton Heat drenches the Mystic in martini time Saturday, April 19, at 9 p.m. This gig is almost sold out, so hurry on over to get the $15 dollar tix. . . . Also on the verge of being ticketless is watching Les Claypool pound the cricks out of his new drummer when Primus plays a benefit gig at Petaluma’s Phoenix Theatre Saturday, April 12. Tickets are $25 and proceeds benefit the Carson Warner Memorial Skate Park Fund. 762-3566. . . . . And finally, former Sun Ra sideman Michael Ray brings his funky Cosmic Krewe back to the Powerhouse Brewing Co. Saturday, April 12, for more reeling jazz. 268 Petaluma Ave., Sebastopol. 9:30 p.m. Tickets are $14. 829-9171.
Gretchen Giles

From the April 3-9, 1997 issue of the Sonoma County Independent

This page was designed and created by the Boulevards team.
© 1997 Metrosa, Inc.

Critical Mass

0

Spokes Persons


Janet Orsi

Inventing the Wheel: The Critical Mass rides attract even the newly married to these monthly activist rides.

Bicyclists see transportation as critical

By Dylan Bennett and Gretchen Giles

ON THE LAST FRIDAY of March, the parking lot of Santa Rosa’s Howarth Park is charged with the balmy sunshine of spring and the anticipation of direct political action. Roughly 200 bicyclists converge on the asphalt: riders straddling unicycles, kids–some as young as 11–skateboarders, self-styled eco-punks, and committed bike commuters. Most of the riders are male, most are young. But included in the rabble of teenage boys in T-shirts are a few women: a mother and her 13-month-old baby; a woman elegantly attired in black pantsuit with a frilly white shirt. Almost no one is older than 40.

For over an hour in Santa Rosa’s rush-to-the-weekend traffic these self-powered, wheel-borne travelers will be kings of the road. The event is officially known as Critical Mass, the growing leaderless pro-bicycle protest movement. By converging on city streets at peak hours on the last Friday of each month, these activists put their mettle to the pedal to push the point that “bicycles don’t block traffic, bicycles are traffic.”

The goal is twofold: to legally inconvenience motorized vehicular traffic in a demonstration for improved bicycle traffic laws, more bike paths, and greater environmental awareness about cars; and to have a wonderful time. Spawned through equal amounts of activism and athleticism, Critical Mass rides began in San Francisco around 1992 (participants are unsure whether that monthly event is now celebrating its third or fourth birthday; that’s part of ride’s renegade charm) with participants gathering in the wharfside cool of Justin Herman Plaza.

“In the beginning,” remembers Sonoma resident Michael Teller of the monthly San Francisco run, which sometimes involves upwards of 2,000 people, “someone would just get up on a pole and yell, ‘Who wants to go to Stern Grove?’ Now they have a megaphone and route maps.” Bicyclists also take it to the streets in cities nationwide and internationally, including cities in Spain, England, Poland, Brazil, and Switzerland.

Critical Mass got critical in Sonoma County last April, inspired in part by the “Folks on Spokes” bicycle exhibit mounted by the Sonoma County Museum. Participants, including stalwart members of vintage-bike clubs, organized the first run to correspond with the museum’s opening reception. According to Rotator Bikes owner Steve Delaire, “There were an awful lot of people in town who were going to San Francisco already,” making Critical Mass ripe for the county. While Delaire still pedals up to the Howarth Park event occasionally, he acknowledges that a younger crowd has claimed the run for their own. “The kids from the college have done a great job.”

Critical Mass Online:

The San Francisco Bicycle Coalition home page

The Critical Mass brochure and info.

About Critical Mass in San Francisco.

Riders pride themselves on their lack of formal organization and leadership. Nonetheless, back in the parking lot, Santa Rosa resident Paul Ulanowski–decked out like a humanoid insect in helmet, glasses, goatee, gloves, tattoos, and tights–takes charge long enough to announce the route to everyone.

Urging the crowd to take the pro-bike movement to the federal level in order to win equal rights for bicyclists, Ulanowski speaks with exuberant conviction, claiming he has not driven a car for three years. “I’ve been hit by three cars,” he says. “Since I gave up my car, I’ve biked 3,800 miles in six months. I ride because of the rising costs of cars and the crappy state of public transportation. By riding, I take care of myself and the environment.”

Santa Rosa Police traffic sergeant Brad Marsh stands next to his squad car in the late-afternoon sun, not far from the shimmering surface of Lake Ralphine. “We are here to monitor, not to escort, the bicyclists,” he says. While police regularly ride with the San Francisco contingent, this is the first time that the Santa Rosa traffic department has been in attendance, a direct result of minor motorist/bicyclist shouting matches that broke out in February.

“Do you believe there’s a place on the road for bicyclists?” a young woman with assorted body piercings asks the officer. “Absolutely,” he answers from behind his dark reflecting sunglasses, “as long as they don’t create any dangerous situations and adhere to the rules of the road.”

“We’re trying to keep them restricted to one lane,” says Sgt. Tom Swearingen, “and that’s difficult to do because there’s no leadership.”

The ride, scheduled for 5 p.m., starts a little late with a fusillade of cheers as the swarm of bicycles pour slowly onto Summerfield Road. “It’s a chance to ride en masse and not be harassed by cars,” says Michael Teller, who admits that he has no compunction about stopping his bike directly in front of a vehicle to clear the road for his fellow Massers. “And that’s about the only time [that bikers are unmolested by auto traffic]. Plus, there’s the idea of taking over the streets.”

Whether the police presence is an “escort” or a “monitor” is irrelevant semantics. Kickstands are upended and the crowd begins to move. Sgt. Marsh’s squad of three motorcycle patrolmen on shiny Harley Davidsons, supported by a few police cars, accompanies the Critical Mass ride for 90 minutes, lending the pomp of a parade as the cyclists ride down Summerfield Road, loop through Santa Rosa, and end at Courthouse Square.

Along the route activists distribute a 14-page pamphlet titled “Critical Mass Info Booklet (Why Cars Stink).” Designed to indoctrinate those motorists who are stuck in traffic, the pamphlet presents perspectives on the social, ecological, and economic impact of cars. “I do it for the environmental bent,” says Delaire. “I don’t think that people realize the cost of cars. The biggest issue is pollution.”

Santa Rosa Junior College student Dave Gordon, 20, says he gave up driving because he couldn’t afford it, and didn’t want to anyway. “[Cars] are expensive,” he says. “And I [bike] more for those people who have gotten hit by cars and for all of the animals that get run over by cars every day and are just passed off as being in the way of progress. Most of the reason people come to these rides is because they’re frustrated with not being treated equally. It’s a threatening situation to be riding alongside a really busy road and there are cars whizzing by constantly.”

Santa Rosa city traffic engineer Gene Benton agrees. “It’s not always fun to go against somebody in a large vehicle. My staff is heavily into bicycles,” he says. “Probably over half my staff commutes on bicycles.” What Benton terms a “very controversial” traffic project to replace travel lanes for cars with bicycle lanes on Yulupa and Bethards avenues comes before the City Council at the end of April.

Benton also says the city adopted a Master Bicycle Plan two years ago and that all road construction projects such as the Fountaingrove Parkway, Marlow Road, and Guerneville Road include bike paths. According to Benton, the city has 43 miles of bike paths; about 100 miles would be ideal.

At the end of ride, standing in front of Wolf Coffee next to his experimental car seat­style two-wheeler, rider Orrin MacQuarrie likes the turnaround of vehicular fair play. “Usually one cyclist is surrounded by cars,” he says. “It’s cool to see cars surrounded by bicyclists.”

From the date-date, 1997 issue of the Sonoma County Independent

This page was designed and created by the Boulevards team.
© 1997 Metrosa, Inc.

The Scoop

Huff ‘n’ Puff

By Bob Harris

IN THE FIRST BREATH of fresh air a tobacco company has ever provided, Liggett has finally admitted that “cigarette smoking causes … lung cancer, heart and vascular disease, and emphysema.”

Let’s not stop there.

Maybe Liggett will also concede that the only reason they confessed was for the money–limiting their own liability via settlement, thereby making themselves more attractive as a takeover candidate.

Maybe Philip Morris will also admit that they are engaged, in the words of a Minnesota state court judge, in “an egregious attempt to hide” incriminating information about their manufacturing and marketing practices.

Maybe R.J. Reynolds will acknowledge that, as newly released documents reveal, in 1984 they made a “long-term commitment . . . to younger adult smoker programs.” After this decision, the Joe Camel ads were produced, and the number of children addicted to RJR’s death sticks increased by a factor of 50.

Maybe the ad agencies and PR flacks who whitewash tobacco will begin creating new campaigns to alert the public that cigarettes are America’s real drug problem. Maybe they’ll invent cuddly cartoon characters–Mighty Coughin’ Power Rangers, Nicotine Patch Kids, Tracheoto-Me-Elmo–to teach our kids that more than 40 times as many of our loved ones die from cigarettes as from all illegal drugs combined.

Maybe they’ll admit pouring money into “Smoker’s Rights” front groups whose only real purpose is to keep as many people addicted as possible. Maybe they’ll also admit how dopey their arguments are. (Suppose I enjoy wearing a dime bag of plutonium strapped to my left thigh; does that give me the “right” to irradiate everyone around me? Spitting on a sidewalk can be restricted, but blowing carcinogens into the air an infant is breathing is a “right”?)

Maybe the Republican Party will confess that its leading contributor is Philip Morris, and four of its top 10 supporters are tobacco companies. Maybe Bob Dole will admit that his insane comments questioning smoking’s addictive power were colored by his love for Marlboro money and frequent flights on U.S. Tobacco company jets.

Maybe Al Gore will cop to his obscene lie at last year’s Democratic convention, when he grandstanded his sister’s smoking-related death as an anti-tobacco epiphany. Maybe he’ll admit to soliciting cigarette money for years after her death, once proudly boasting to a convention of tobacco growers of his love for harvesting and rolling tobacco by hand.

Maybe the shareholders who profit from tobacco companies will realize their moral (if not legal) liability for the cancer trade. Maybe all the corporate types who deride their victims as lacking “personal responsibility” will suddenly remember that the primary purpose of forming a corporation is to evade personal responsibility.

Maybe the Partnership for a Drug-Free America, creators of “This Is Your Brain” and other ads–useless in stopping drug abuse, but great for maintaining phony Drug War hysteria–will admit that much of their funding originates with tobacco companies.

Maybe Time and Newsweek will own up to letting their own druglike dependence on tobacco ads influence their coverage of America’s tobacco holocaust for over 40 years.

Maybe public figures who glamorize smoking–Letterman, Limbaugh, Madonna, etc.–will admit they’re encouraging children to become addicted. Maybe they’ll learn from Humphrey Bogart, Steve McQueen, Groucho Marx, Arthur “Smoke ‘Em by the Carton” Godfrey, Edward R. Murrow, and several of the Marlboro Men in the ads themselves, all of whom died of lung cancer.

Maybe you storeowners who sell cigarettes will realize you’re as much to blame as the manufacturers. R.J. Reynolds needs you as badly as the Medellin Cartel needed Freeway Ricky Ross. Maybe you’ll stop selling products that kill your customers.

And maybe you smokers reading this right now will admit that you’re–putting it mildly–drug-addicted fools. Maybe you’ll get help to stop selfishly endangering others and cutting your own life short.

Or maybe that’s too much to ask.

From the April 3-9, 1997 issue of the Sonoma County Independent

This page was designed and created by the Boulevards team.
© 1997 Metrosa, Inc.

Kabuki

0

It’s a Wrap


Janet Orsi

See Food: The sushi served at Kabuki elevates raw fish wrapped in seaweed to visual and gastronomical art.

Get a raw deal at Petaluma’s Kabuki, and be glad of it

By Steve Bjerklie

SUSHI SUCCEEDS when it is offered in variety, prepared with quality, and presented with the elegance and delicacy of a Japanese enamel. Sushi’s very definition lives in these characteristics. Without one, two, or all of them, it is all just so much raw fish.

Kabuki, the Japanese sushi bar and restaurant in downtown Petaluma, excels at the presentation, hits middle ground with quality, and falls a bit short in variety when compared to the sushi palaces of San Francisco, but by any standard offers a well-priced taste of authentic Japanese cuisine.

We tried a variety of Kabuki’s sushi with pleasing results: the hamachi featured tender, almost soft (but not mushy) slices of yellowfin tuna atop rice; a colorful serving of ikura showcased delicate–though slightly runny–orange salmon eggs atop a pillow of white rice wrapped in a dark green seaweed leaf; and Kabuki’s California roll, a sushi-bar staple, was deliciously heavy on the crab, light on the avocado.

A garnish of pickled ginger was tart without being sassy. The presentation was picture-perfect in every instance: indeed, plucking at the hamachi and the roll with chopsticks felt a bit like hacking at a Japanese garden with a pickax. On the other hand, sips from a glass of blood-orange Japanese plum wine were a wonderful follow-up to each bite of the sushi. My only complaint is that the wait between ordering and eating seems a bit long, since Kabuki’s bright, almost harsh, lighting and hard surfaces don’t encourage the kind of intimate conversation that makes time disappear.

Our appetizers included a plate of excellent gyoza, which are best described as Japanese potstickers, and two skewers of the grilled and sauced chicken yakitori. After a mixed-green salad drizzled with a tasty, peanuty dressing, followed by a cup of mild miso soup, we enjoyed entrées of chicken teriyaki, tempura, and sukiyaki.

The chicken in the teriyaki wasn’t quite as tender or moist as the yakitori chicken, and the crusty tempura batter, which should be light as a Hokusai wave, tasted a bit oily, but the sukiyaki, served in a metal container fit for a lumber jack, was nothing short of wonderful. Deeply onioned, thick with clear Japanese noodles, and covered with a flotilla of thinly sliced cooked beef, the dish was absolutely exquisite–and absolutely filling. Forget breakfast the next morning.

The bill for four, including sushi, appetizers, entrées, sodas for the kids, and glasses of plum wine and sake (don’t miss the excellent and informative sake list!) for the adults, totaled a couple of bucks under $90, with tip. A good deal.

Johnny Huang and Bruce Chiang, who lead the partnership that opened Kabuki eight months ago, learned the sushi trade over a couple of years at restaurants in San Francisco and San Rafael. In their apprenticeship they connected with a critical associate, a good fish supplier. Trucks from the Japan Fish Co. in San Francisco roll in early every morning to deliver fresh tuna, salmon, crab, and abundant other aquatic creatures. The freshness is significant and detectable.

You won’t regret paying for it.

Kabuki Sushi Bar and Restaurant

17 Petaluma Blvd. N., Petaluma; 773-3232
Hours: Lunch, 11:30-2:30; dinner, 4:30-9:30 Sunday through Thursday, until 10 Friday and Saturday; open daily
Food: Traditional Japanese sushi and entrées
Service: Attentive but a bit slow
Ambience: Bright and clean, with snazzy, architectural Japanese-style chairs
Price: Moderate
Wine list: All California, with local emphasis, plus­not to be missed­ Japanese plum wine and 12 kinds of sake
Overall: ***

From the April 3-9, 1997 issue of the Sonoma County Independent

This page was designed and created by the Boulevards team.
© 1997 Metrosa, Inc.

Talking Pictures

0

Going Solo


Call of the Wild: Julia Ormond gives the cold shoulder to humanity.

Steven Voien and Lydia Bird discuss ‘Smilla’s’ sense of solitude

By David Templeton

Writer David Templeton takes interesting people to interesting movies in his ongoing quest for the ultimate post-film conversation. This time out, his guests are authors Steven Voien and Lydia Bird and the subject is solitude, as portrayed in the film Smilla’s Sense of Snow.

THE CAFE is crammed with weekend wanderers, collectively making merry cacophony while the espresso machine hisses out a noisy new latte every few minutes. Our foursome, bumped and jostled numerous times as we work our way to our table, takes refuge in the backmost corner of the place. Having just come from Smilla’s Sense of Snow–a film full of long potent silences and lingering shots of vast, unpeopled ice fields in Greenland–we find all this exuberant humanity around us a bit jarring and strange.

“Smilla was a very prickly, hostile, suspicious person!” shouts writer Steven Voien, referring to the film’s title character–an icy and reclusive, math-obsessed glaciologist investigating a murder, who is played with a tangible sadness by Julia Ormond. “Scientists–as a bunch, because they have to be loners–tend to be prickly people, wouldn’t you agree?” This question is directed at my brilliant and insightful scientist wife, Susan.

“Well, I’m a geologist,” she replies, leaning in to make herself heard. “We’re always happy to have company. One benefit of never having to sneak up quietly on a rock.”

“Anthropologists, I would imagine, would be fairly social scientists as well,” suggests author Lydia Bird, as the din around us settles. “They’re out on digs together, that sort of thing. Personally, that would get to me. I’m much more of a loner than Steven is. “

Voien and Bird (who are married), have lived in Africa, India, and Bulgaria, a result of Voien’s former position as a Foreign Service diplomat. Voien’s intelligent new novel Black Leopard (Knopf, 1997)–a sequel to his A High and Lonely Place–is set in the streets and forests of West Africa and features protagonist David Trowbridge, a globe-trotting, solace-craving, leopard-loving biologist.

Bird’s Sonnet: One Woman’s Voyage from Maryland to Greece (Farrar Straus Geroux/Northpoint Books, 1997) will be released in May. The sonnet of the title is the name of Bird’s boat, a craft that took on its own personality during the months-long solo adventure in which she rekindled her own love affair with solitude.

“What’s interesting about Smilla,” Voien continues, “is how she’s brought out of herself by the events she’s thrown into. From a writer’s point of view, loners are kind of sterile characters–unless you open them up.”

“What about nuns and monks?” I ask, wondering if the cloistered experience is perceived as sterile by those committed to it.

“That life is impossible to imagine to me,” Voien shrugs. “I suppose if you had a rich spiritual life, you could do it.”

“I think that may be part of what creates a loner,” suggests Bird. “They have enough within themselves so that they’re not seeking sustenance from outside. But in the case of the cloistered nun, that’s someone who decides to take herself, permanently, out of life. With a solo sailor or someone who wants to walk alone to the North Pole, it’s different. It’s taking yourself away from the world for a while to get perspective on it–but you are planning to come back. I can’t wait, sometimes, to get out on the ocean, to get into an environment that is simple, where I know every little part, like I know every element of my boat.”

“That’s exactly how Smilla is in regard to mathematics and to snow,” Susan adds. “Her understanding of them is comforting to her; they’re her constant.”

That sense of comfort can also, we agree, be derived from a connection with a place, as in Smilla’s relationship to her homeland of Greenland. We each name places that have put their hooks in us. For myself, it’s Mt. Tamalpais; for Susan, it’s Antarctica.

“Africa,” Voien states, “really got under my skin. I was sad to leave it. It broke my heart. That’s one of the reasons I wrote my novel, to re-create Africa for myself.”

“In the middle of the ocean, with no land in sight,” says Bird. “that will put its hooks in you. Then there’s a voyage I’ll never forget, to Glacier Bay in Alaska. To have these unbelievable calving glaciers made of unfathomably blue ice. That was an extraordinary experience.”

“Sleeping on a glacier in Central Asia,” remembers Voien with a laugh, “we’d pitch our tent on ice, lay down the rice pad, and climb into the sleeping bag, thinking it was warm enough. Two hours later we’d wake up and realize that we were sleeping on an ice cube! The cold seeps up from the glacier. Talk about putting its hooks into you. Those particular hooks went right into my bones!”

From the April 3-9, 1997 issue of the Sonoma County Independent

This page was designed and created by the Boulevards team.
© 1997 Metrosa, Inc.

End of the World

0

The End Is Nigh­Sort Of

Last month’s mass suicide by a San Diego UFO cult revealed the shadowy world of millennial doomsayers. But when will the end come for the rest of us?

By Matthew Richter

This really happened. I’m at home. It’s late. I sit on the couch and turn on the television. On the screen is the Seal of the President of the United States, looking regal against a Columbia blue background. A voice is saying, “pulling together in a multinational effort to deal with this crisis. The people of the United States and of the earth have risen to challenges in the past, and we will, with the grace of God, meet this trial successfully.” The voice doesn’t really sound like Bill Clinton’s, but it does have that ring of White House authority. “We have just launched all three space shuttles, in an attempt to get a better idea of what is happening.”

A news anchor talks from behind a network anchor desk: “More reports of disappearances are pouring in from around the world. We take you now live to a press conference at NASA headquarters. If for any reason we should go off the air, please remain calm and, if you can, get yourself to higher ground.” And sure enough, just as they cut to a panel of NASA scientists, sitting at a long table, obviously baffled by the surreal changes in their world, the screen bounces once or twice, rolls, and fades to a minute of white noise.

Finally, a Pat Boone look-alike walks in front of the static, wearing a yellow golf sweater and smiling reassuringly. Nodding slowly, he says, “When the Rapture comes, many will be perplexed by the sudden and radical changes around them. Don’t be left behind.”

I look at the cable box and realize it is tuned to the Trinity Broadcast Network. What I have seen was basically a test of Jesus’ Emergency Broadcast System. The End, for the time being at least, had not come. But it will.

This is the End

“When you look at myths from around the world,” says Graham Hancock, author of Fingerprints of the Gods, a brilliant overview of cultural mythologies, ancient architecture, and the end of the world, “you’ll find they say very strongly and persuasively that from time to time the earth is afflicted by a grievous cataclysm, and when it is, mankind is forced to begin again like children, with no memory of what went before.”

Cultural mythologies the world over, from Judaism to Seventh-Day Adventism, from Tibetan Buddhism to Hopi spiritualism, have prophesied a cataclysmic end to the world as we know it. Last week, 39 members of Heaven’s Gate–a cult that believes a UFO allegedly riding the tail of the Hale-Bopp comet is coming to take them to a spiritual plane–overdosed themselves on phenobarbital and alcohol in a San Diego mansion, the largest mass suicide in U.S. history. In 1975, the founders of that cult toured Sonoma County, holding a mystical retreat atop Sugarloaf Mountain and recruiting local converts.

The grisly conclusion to their earthbound journey reveals the apocalyptic mindset that permeates millennial cults. And there are many.

The Maya are counting down to the end of the Fifth Age; evangelical Christians eagerly await the Rapture; the Hopi say we are living on borrowed time at the end of the Fourth World; and the Kaogi people of Mexico’s Sierra Madre jungles have stopped spinning wool and weaving cloth in light of the impending catastrophe. Prophets from Nostradamus to Edgar Cayce, channelers from Madame Blavatsky to J. Z. Knight, have foreseen everything from polar shifts to cataclysmic earthquakes, from the resurfacing of Atlantis to the sinking of the Americas, all in the very near future.

But only a brave few have gone out on a limb and picked an actual date for The End. It is these brave few in which I’m most interested here.

In 1990, Elizabeth Clare Prophet drew her flock close to her holy self and dug deep into the forest floor of southwestern Montana. At midnight on April 23, 1990, she and the members of her Church Universal and Triumphant sat praying and waiting in their bomb shelters, listening intently for Gabriel’s first trumpet blast, for the nuclear warheads to start flying; listening for any sign of the chaos that must have been raging overhead as the world came crashing to its end. Underground they had months’ stores of dehydrated food, barrels of fresh water, first-aid kits, lots of weapons, and plenty of ammo. And they had their faith.

Four thousand people had collected at the Grand Teton Ranch to be among the saved. They quit jobs, sold homes, and bid farewell to family and friends. They were here to follow Ms. Prophet into the new age, through a nuclear holocaust and into a new, albeit radioactive, Garden of Eden.

As night fell on April 24, Gabriel’s trumpet had still not sounded and the world had not yet ended. Prophet and her followers emerged from their shelters the next morning, confused but not defeated. Their prayers had saved the world, Prophet told her flock. Undaunted, she carried on, and today she sits atop a religious empire claiming thousands of members and churches in 40 countries.

It seems the failure of a prophecy is about the best thing that can happen to a prophet. Case in point: the Millerites. In 1818, William Miller was a poor New England farmer. When he announced that according to his Biblical interpretation the world would end in 1843, he unintentionally started a religion.By 1842 there were tens of thousands of Millerites, and by 1843 he was touring the country, preaching to thousands of devout followers.

But 1843 came and went, as did March 21 and Oct. 22 of 1844, two dates Miller picked after the initial Great Disappointment. Miller died in 1849, ridiculed in the press but not forgotten by his followers. In 1860 they formed the Advent Christian Church, and today there are millions of Millerites worldwide.

The Millerites weren’t wrong, they simply miscalculated–the prophecy was a test of faith. Theoretically, by the time the year 2000 comes and goes, enough prophecies should have been disproven to make most of the people you know members of one prophetic group or another.

But lying on my couch that night watching the Jesus Channel, I realized that I simply wasn’t ready. Had the world come crashing to its end that Thursday, I’d have been caught, well, lying on my couch. When the world ends, I want to be prepared. I just need to know when. I mean, I need to know exactly when. I won’t be caught off guard again.

So on May 5, 2000, I’ll be in a spaceship, orbiting around the planet with Richard Noone, “high above the whole mess.” Richard Noone (word has it he wanted to change his name to “No One” but forgot the space) tells me that the entire crust of the earth is going to slip around its liquid magma core, putting Antarctica at the equator and Florida at the pole.

On May 5, 2000, the world is going to end.

Sun, Moon, Stars

It’s called the “earth crust displacement theory,” and it’s an intriguing idea. The crust of the earth, or lithosphere, is about 30 miles thick, and rests on top of the liquid magma part of the planet, or the asthenosphere. The asthenosphere is gooey enough to keep the lithosphere in place. If it wasn’t, the crust would be spinning around the planet’s core all the time.

But Charles Hapgood put forward a theory, and Albert Einstein agreed, that the crust has slipped in the past, and will slip again in the future. What will trigger this slip? The largest mass on the planet–the Antarctic ice cap.

The icecap at the South Pole is almost three miles high and covers an area equal to the size of the United States and Canada put together. And it’s off center. Einstein said it best: “The earth’s rotation acts on this unsymmetrically deposited mass, and produces centrifugal momentum that is transmitted to the rigid crust of the earth. The constantly increasing momentum produced in this way will, when it has reached a certain point, produce a movement of the earth’s crust over the rest of the earth’s body.”

The experience would not be unfamiliar to anyone who went through it before. The Hopi did, at the end of the Second World. As Hopi elder Oswald White Bear Fredericks tells it: “The twins [who held on to the world at its poles] had hardly abandoned their stations when the earth, with no one to control it, teetered off balance, spun around crazily, then rolled over twice. Mountains plunged into seas with a great splash, seas and lakes sloshed over the land, and as the earth spun through cold and lifeless space it froze into solid ice.”

Noone loves pointing out where Einstein agrees with him. Noone explains his version of the icecap earth-crust-displacement theory in slightly less scientific terms than Einstein used: “It’s like any woman can tell you about doing laundry,” he says in his huffy Southern drawl. “If the clothes are off-center, it throws the machine out of kilter.

“I was looking at some of the Egyptian pyramid prophecies and found the date May 5, 2000,” he tells me, not elaborating on where or how he arrived at his date. Working from the fact that ancient Egyptian culture had a highly advanced astronomy, Noone went to an astronomer and asked if anything special was up for the prophesied date. The astronomer pointed out that a conjunction, or syzygy, of seven planets and the moon would take place at noon on the given date.

That is to say, on May 5, 2000, at noon, if you look straight up, you will see the moon, the sun, Mercury, Venus, and (if you could see through the sun) Mars, Jupiter, and Saturn all clumped in a relatively small portion of the sky. The earth will be alone on one side of the solar system, with almost every other major object in the sky lined up overhead. This, according to Noone (and this is where he loses the Einstein support), will create enough gravitational force in the solar system to give the lithosphere the extra nudge it needs to start its “crust displacement,” or shift. Gravity, pulling on the icecap, combined with the centrifugal momentum of the earth’s rotation, is going to pull the ice around toward the sun, moon, and other planets.

Of course, all this could be averted. Noone maintains, “If we’re awake to the problem, there may be a way to stop it. It’s kind of late now, but you could alter ocean currents with giant black plastic mop-heads anchored in the sea.” Short of that, he’s going into space: “Orbit would be about the only safe place.” Short of that, he’s going back to his home in the mountains of north Georgia, near a freshwater lake. “Of course,” Noone tells me as we hang up, “you’ll find that if you talk to scientists about this, they’ll say, ‘Nothing like this could ever happen.'”

You can practically hear the bile dripping off that word “scientist”–Noone has dealt with his fair share of critics.

Enter Mark Hammergren, Scientist. Hammergren’s at the University of Washington, in the astronomy department, and has problems with the May 5 date. In fact, he thinks it has “absolutely no basis in scientific fact.”

Noone and I accuse Hammergren of being the enemy of reason, a non-cataclysmic “scientist” stuck in the dogma of old theory; a traditionalist. Hammergren explains to me that, to the contrary, he is “very much a cataclysmic scientist, concerned very directly with the end of the world.” Oh.

Hammergren believes that giant asteroids or comets have in the past, and will in the future, come crashing to earth, changing the face of the planet forever. But he can’t tell me exactly when. Which means he is of no further use to me.

I hang up with Hammergren and turn my attention to another favorite date of millennialists the world-round: Sept. 17, 2001, the day the world is going to end.

Peer Amid

On Sept. 17, 2001, I’m going to be with Moira Timms, “performing the most ancient and spiritually potent of all Egyptian rituals, Raising Ejed, at the Second Pyramid in the Gizeh Plateau, one of the main nodal acupuncture points on the global energy grid.”

The Great Pyramid at Gizeh is, indisputably, the most massive human-engineered thing on the planet.

Moira Timms, a New Age lecturer and author in Eugene, Ore., is interested in another feature of the Great Pyramid (or “peer amid,” as she points out): a 6,000- pyramid-inch-long “prophetic timeline” that starts in 3999 B.C. and ends on Sept. 17, 2001. She points to the research of Dave Davidson, who first published the idea of a timeline in 1925. She also argues that the pyramid prophesied the beginning of the First World War, the Great Depression, the beginning of the nuclear age, and the Harmonic Convergence of 1987.

She looks forward to what Sept. 17, 2001, has to offer–the “end of the world as we know it,” which according to her isn’t necessarily an evil thing (“Interestingly,” Timms points out, “evil is live spelled backwards.”) She intends to live through the end of the pyramid timeline and enter, spiritually cleansed, into a new age of enlightenment.

On Sept. 17, 2001, she and I will be in Egypt, raising the old Ejed, our chakras running smoothly and our karma primed for rebirth. But Moira is smart. Or just wary. She makes no promises about her prophetic date of choice.

There are other interpretations of the pyramid timeline, as she points out, interpretations that yield end dates of Aug. 20, 2011, March of 2029, and, as we have seen, May 5, 2000. So the Great Pyramid of Gizeh, the first wonder of the world, still can’t tell me when to fill up the van and head for the hills.

Because I’m depressed by this, Moira suggests another date, one that’s “written in stone,” so to speak: Dec. 23, 2012, the day the world is going to end.

Tonatiuh

On that day, I’ll be with Michael Coe, the man largely responsible for breaking the Maya code. We’ll be in the Yucatán, the cradle of one of the weirdest cultures the planet has produced–the Maya. Michael and I will be reading his favorite passage from the Book of Chilam Balam of Tizimín as we wait for the end: “The sky is divided and the land is raised. Then occurs the great flooding of the earth.

“The ending of the word, the folding of the Katun.”

Dec. 23, 2012, is actually 4 Ahua 3 Kankin, and it is the final day of a countdown that started on 4 Ahau 8 Cumku, or Aug. 13, 3114 B.C. The 5,125-year interval is the Mayan Tonatiuh, or Fifth Sun. The Mayan calendar has been steadily counting down, for more than five millennia, to a global cataclysm that will, according to the Popul Vuh, end life on the planet as we know it.

We might want to pay attention to it–the Mayan calendar was, until we put satellites into space in 1958, the most precise way we had of charting our path through the solar system. Our calendar, the Gregorian calendar, assumes a solar year to be 365.2425 days long. The Mayan calendar assumes a solar year to be 365.2420 days long. The exact length of a solar year is, in fact, 365.2422 days, making the Maya slightly more accurate than the Europeans a few thousand years later.

The Maya also had figured out some fairly esoteric math, such as metrical calculation, place numeration, and the abstract concept of zero. And this from a culture that hadn’t invented, or at least didn’t use, the wheel. Eric Thompson, an archaeologist who worked extensively in Central America, asks, “What mental quirks led the Maya to chart the heavens, yet fail to grasp the principle of the wheel; to visualize eternity, as no other semi-civilized people has ever done, yet ignore the short step from corbelled to true arch; to count in millions, yet never learn to weigh a sack of corn?”

The Maya shared a belief with hundreds of other world cultures that theirs was not the only age of humanity; that successive ages come and go, each brought to its end by some sort of monstrous global cataclysm. The thing that held the Maya together as a culture was their preoccupation with their calendar. With time. With a finite amount of time–a little over 5,000 years. If you had asked a Quiché Maya 3,000 years ago when the world would end, he would have said Dec. 23, 2012.

Unless, of course, said Quiché Maya happened to be standing next to Herbert Spinden, who would have said the date is actually Dec. 24, 2011. There are, truth be told, two differing interpretations of the Mayan calendar. Michael Coe believes one, and Herbert Spinden believes the other. It turns out that for a calendar that can accurately span eons, we can read it only to an accuracy of plus or minus six months.

Once again, my search for The Date has been thwarted, and I start to grasp at straws.

The Straws

I could go inland to southern Canada to avoid the “catastrophic land changes and flooding of all coastlines” that Edgar Cayce foresaw for late 1998. If I’m lucky, I’ll also be around in 2100 when he is to reincarnate and survey the damage.

I could hide in a cave on Aug. 18, 1999, the date Criswell predicted for The End, the day a “black rainbow will encircle the planet earth.” But Criswell (best known as the narrator of director Ed Wood’s B-flick Plan 9 from Outer Space) also predicted that by 1977 the English Channel would be so shallow you could walk from France to England, that humans would be living on Venus and Neptune by March of 1990, and (my favorite): “I predict paste-on bikinis for women and clamp-on bikinis for men.”

I could go to Arkansas, to an area that’s going to be thrust 2,000 feet into the air by a massive earthquake and survive the flood Dolores Cannon predicts for 2029. Or 2011. Or 2002. She’s not sure. Her interpretations of Nostradamus’ prophecies aren’t very precise. I could fall in love with Baby Jesus and wait for the Rapture, but who knows when that’s going to happen.

At the very least, I might want to get the hell away from Mt. Rainier, which, according to psychic Michael Scallion, is going to blow this summer. After the eruption, there will be massive earthquakes, sinking everything west of Bellingham, Wash., into the sea. Scallion predicts quakes up and down the West Coast next fall, finally establishing Phoenix, Ariz., as the major Pacific port of the United States.

You’re Gonna Die

“Hell, when you’re talking about the end of the world, who gives a damn exactly when it’s supposed to happen. I mean, really, a year here or there doesn’t seem to make that much difference.” This voice of reason belongs to author Graham Hancock.

History is littered with discarded millennial prophecies. In every generation since the dawn of civilization there have been those who believed that they were going to see The End in their lifetimes, that they would watch the earth plunge into darkness or emerge into light. Just because we humans count in a base-10 system and we’re coming up on a big old base-10 millennium doesn’t mean that end-of-the-world millennialists are more likely to be correct now than a thousand years ago.

But there is another, perhaps more compelling, possibility: Maybe they are right. I find myself drawn to this possibility in the same way I’m perversely drawn to the sight of roadkill. It gives me a morbid thrill to think that maybe we will be the generation that sees the end of an age; that we stand the chance of being the next Chosen People; that the paramilitary survivalists living in compounds in Idaho, the suburbanites with bomb shelters in Issaquah, the drag queens living in basement apartments on Capitol Hill in Seattle, and the stoners sitting on mountainsides on the Peninsula will be the survivors of the world cataclysm everyone’s been counting on since the beginning of our collective memory.

If only we knew the date, the exact time and date, of the end, then we might be among them, among the saved. Or we’d be dead. Maybe whatever’s coming really will kill us all.

Death is a major component of almost all millennialism; you can only get something clean by getting something else dirty. Date-setting is another way of measuring our mortality in order to make the time we have left somehow meaningful.

Does a date even matter?

“The world is going to end for all of us,” says Hancock. “This is one thing about which there is absolutely no doubt, that you or I or anybody else is going to face the end of the world within a certain very short number of years. You’re going to die, I’m going to die. And you can count down as well as someone counting down to May 5, 2000 or Dec. 23, 2012. You know that in 100 years you’re not going to be around. So you know that the world is going to end for you in 100 years.”

But 100 years is different from, say, three years, four months, and 13 days, or 16 years, 11 months, and seven days. Knowing that smoking will kill me isn’t making me quit; seeing a spot on an X-ray of my lung probably would.

What we do with that time is up to us.

“What is life about?” asks Hancock. “Is it simply a matter of fulfilling one individual lifetime and then dying and going to heaven or going to hell or whatever you happen to believe in? Or is there some kind of ongoing mission for humanity on the planet?

“If you feel that there is a long-term purpose to life,” Hancock continues, “then the idea of the destruction of the earth, and the destruction of human life and the loss of human knowledge and culture with it, is really horrific. But we do that now. We go around as a society wiping out and obliterating human experience. This destruction of past knowledge is something we do anyway, even without global catastrophe.”

This is a man who has spent decades of his life immersed in ancient cultures and their cataclysmic memories and prophecies. His work finds an elusive and powerful eloquence in the balance between rigorous science and mythology. He has watched as ancient cultures were all but erased from the planet, as the Great Pyramid became a tourist trap and the Maya calendar was printed on ash trays.

“We are a species that has a very large legacy of advice, intuition, warnings, and ideas, that has been passed down to us, that for some reason we choose entirely to ignore, and I think it’s irrational of us to do that. The end is nigh. Very nigh.”

From the April 3-9, 1997 issue of the Sonoma County Independent

This page was designed and created by the Boulevards team.
© 1997 Metrosa, Inc.

R&R

Play Time


Pump It Up: David Ramfier feels the burn at Gold’s Gym in Petaluma.

Photo by Eric Reed



‘Best of’ local recreation–
feeling laid back or laid out?

DID YOU EVER SEE that movie The River Wild, the rousing flick with Meryl Streep taking her family on a white-water rafting trip? Well, guess what? Though the movie tanked at the box office, and only did so-so in the video stores, this simulated river ride was still experienced by more people in its first month of release than the national yearly average of folks who actually wentrafting–or for that matter even dipped their toes in a real, live river. We are a nation that prefers to watch other people breaking a sweat while fantasizing about how much better we’d do it, if we only had the time. We at the Independent find this disheartening, and though local statistics on this subject are unavailable, we are certain that if the survey were taken in Sonoma County–land of rivers and coastline and mountains and trails and really cool exercise clubs–the results would have been far less predictable.


Best Place for a Close Coastal Escape

Red-tail hawks circling in the warm morning drafts. The sound of feeding waterfowl. The cool sensation of coastal fog against your cheeks. The musty scent of a teeming marsh. The 250-acre wetland restoration project at Chanslor Guest Ranch and Stables is one of the county’s most beautiful places–and one of its best-kept secrets. Located about a mile north of Bodega Bay and bisected by Salmon Creek, Chanslor Ranch boasts a bed and breakfast and a horseback riding stable. But it is the wetland that is the real jewel–a rich habitat to local bats, shore birds, and raptors, and home to such sensitive and endangered species as steelhead and coho salmon, the tidewater goby, the northern red-legged frog, California freshwater shrimp, and western pond turtles. The gentle, rolling hills provide a hearty, but not too strenuous climb suited to young and old alike. Ecologist Michael Fawcett offers guided nature hikes by appointment only. Adults, $10; children under 12, $5. 2660 Hwy. 1, Bodega Bay. 875-9861.–G.C.

Best Spot to Search for Spouts

Every year hundreds of California gray whales make their an annual 5,000-mile trek to birth their calves in the waters off Baja. You can travel there to see them, but if you don’t have the cash or the time, this time of the year you can just drive over to Bodega Head–one of the farthest points out to sea in the county–to catch a glimpse of these stately, 42-foot-long creatures. On weekend afternoons, docents are on hand to show you how to look for spouts, narrow geysers shooting up from the sea, and easy to spot when the sea is calm. If you’re lucky, you may catch a glimpse of a humpback, too. At the several-hundred-acre state park you’ll find well-worn trails, secluded beaches, and breathtaking views of the coastal panorama. But a warning. The cliffs are steep, the ocean is mighty, so be careful. To get there, take Eastshore Drive off Hwy. 1. Drive west until you can go no farther.–S.P.

Best Place to Learn the Ropes

There are calmer places to ponder one’s mortality than while trembling on a small wooden platform several stories up a redwood shaft. But there is no more exhilarating way to get down than the simulated soaring that is a peak experience for participants in the Four Winds Ropes Course, the outdoor “experiential training” offered by a company that has been operating for the past 10 years in a wooded canyon at Ocean Song Farm and Wilderness Center. The 11,000 visitors each year include a few curious individuals, but most are groups, such as business organizations, leadership teams, schools and youth groups, social clubs, and even therapy groups. The challenges of the course have more to do with cooperation and creative thinking than physical exertion, although some of that is required, too. As for a greater sense of self-knowledge, it’s there for the taking, too. Four Winds Inc., 7765 Healdsburg Ave., Suite 11, Sebastopol. 824-0917.–B.R.

Best Place to Pursue Endorphins,
Espresso, and the Great Outdoors

“We’re pretty much in outlaw mode out here,” muses Tom “Snap” Gonnella, the laid-back scion of an old west county family and owner of Gianni Cyclery in Occidental. He’s talking about bicycle racing. Gianni hosts numerous bike races each year, including the grueling Ring of Fire contest, unsanctioned by the major bicycling organizations. That way, the $10 entry fee trickles back to riders–“not to dictators”–via cool prizes and free food. “A racer should always get some food,” judges Gonella. Biking enthusiasts rave about the good vibes, the pancakes and coffee, and the gorgeous paths that take pedalers past giant redwoods, lush ferns, and lots of poison oak (thus the name). Winners get a can of Taylor Maid Organic Panic coffee, a loaf of Great Harvest bread, a bottle of Gianni Cyclery hot sauce, and the pride of being top dog. The pint-sized bike shop fields Team Gianni, which lives to ride by Snap’s simple creed: “Don’t quit, and have a good time.” 874-2833.–D.B.

Best Place for Great Legs
in a Hobbesian Universe

Soccer, the largest spectator sport on the planet, boasts about 17,000 participants in Sonoma County, making it the fastest-growing, most popular–and populist–game in town. Over 14,000 boys and girls ages 5 to 18 form the majority of soccer fanaticos kickin’ it around locally. Add to this swarm 1,300 high school players, a women’s league, a co-ed league, the Inter-American Soccer League known erroneously to gringos as the Latin League, a thriving over-30 men’s league, an overflowing indoor soccer barn, and even an a cohort of over-48 men who grow more devious as their legs slow down. Leagues typically arrange teams in several divisions to ensure relatively even competition. Occasionally men’s soccer can deteriorate into a rabble of trash-talking, puffy-chested roosters. But most players defer properly to the referee as the leviathan in this Hobbesian universe and stick with the fundamentals of dribbling, passing, and shooting.–D.B.

Best Way to Laze Down a River

You can count of plenty of company when you glide down the lower Russian River: turtles, herons, crayfish, bass and catfish, an otter if you’re lucky, or perhaps a raccoon. Oh, yes, and other folks in canoes, too. From a quiet private beach just off River Road at Mirabel Road in Forestville, Burke’s Canoe Trips dispatches dozens of sleek silver vessels daily through the summer months to meander downstream to just north of Guerneville. There, all you have to do is drag your craft up onto the sandy shore, gather your belongings, and take a short walk back up to the road to catch the funky old school bus that will shuttle you back to Burke’s parking lot. It’s about a 10-mile trip, typically accomplished in three to four hours. Along the way, there are other beaches–some secluded, some quite populous–a couple of bridges, and a few mildly tricky curves to negotiate. These get somewhat rearranged by the rampaging winter waters each year, but the essence of the trip remains unchanged: a leisurely way to appreciate nature while catching rays, snacking on whatever guilty pleasures you bring along, and wondering why you haven’t gotten out and done this sooner. 887-1222.–B.R.


From the March 27-April 2, 1997 issue of the Sonoma County Independent

This page was designed and created by the team.
© 1997 Metrosa, Inc.

Kids

Child’s Play


Janet Orsi

Just a Little Off of the Top: Evan Castro gets clipped by Desiree Casanova at Just Kidz Kutz.

‘Best of’ for kids–
keeping up with the young and restless

A CERTAIN FELLOW we know is fond of describing his philosophy of child-rearing. “When a kid is born, you lock them in a barrel and feed them through a hole until they are 18. Then,” he concludes merrily, “you plug up the hole.” In addition to recommending that he never have children, we must point out that this unfortunate man was raised in a boring suburb of Los Angeles that afforded few entertainment opportunities other than one would find inside a barrel. Had he been a child in Sonoma County–enticed daily by such delights as ice-skating with Snoopy and wandering the mystical trails of Armstrong Woods–even he might view spending time with a child as the eye-opening adventure it often can be.


Best Place to Introduce Your Kids
to the Wonders of Willy

Sitting out on a blanket in the enchantment of a midsummer night’s dream with a child on your lap is easily one of the finest ways to enjoy the dizzying wonder of a Shakespearean play, and the clover-scented, oak-shaded glen of Sonoma’s Dunbar Meadow is easily one of the best settings in which to enjoy it. While the county is lousy with Shakespeare festivals, none of these festivals are in any way lousy, and the productions by the Valley of the Moon Shakespeare Festival are notable for the loveliness of the setting as well as their unique approach to the limberness of some of the finest words ever penned in the English language. Pack an ample picnic and beam in pleasure as your children sit very, very still for the oddly uttered antics on the stage. Best about Dunbar Meadow (an attribute it shares with the also awfully good Sebastopol Shakespeare Fest) is that play equipment stands nearby should a child become restless during the soliloquy. As a parent who had to drag her children crying from Sebastopol’s production of Hamlet before the much-promised sword fight because of the late hour, I can vouch that the play equipment is rarely considered. Cross-dressing, star-crossed lovers, and a jewel hanging in an Ethiop’s ear are. Valley of the Moon, 11700 Dunbar Road, Glen Ellen. 996-4802–G.G.

Best Place to Stick a
Feather in Your Cap

For an aviary that will shame the collections in most zoos, you need venture no farther than a quiet lane within sight of Elsie Allen High School. Waldie and Bonnie Scheffler’s Santa Rosa Bird Farm is home to breeding pairs of 75 species, from tiny doves to towering ostriches. But the incredible variety of pheasants, peacocks, parrots, and other species, with their dazzling plumage, is the big attraction. These are breeding pairs, best left alone from February to June, but through the summer and fall they are a colorful and educational destination for visitors of all ages. By appointment only; call ahead. Santa Rosa Bird Farm, 1077 Butler Ave., Santa Rosa. 546-1776–B.R.

Best Substitute for a Saturday Night Bath

Right now, you can hear the creek chattering alongside the vacant pools at Morton’s Warm Springs, but when the Kenwood resort reopens in May, forget it. Instead, the air will be filled with other splashings–the sounds of kids vigorously enjoying themselves. Morton’s got its name from the family that established the resort and upgraded the waterworks back in the 1940s, but there have been popular, public hot springs on the site since before the Wappo Indians gave way to the winemakers. Nowadays, expansive lawns and playing fields, and a platoon of picnic tables augment the aquatic attractions, which are still filled daily from the 92° springs on the property. Open daily from May to September, with slightly lower rates and shorter hours on the weekdays, the resort also offers season passes for frequent visitors. Morton’s Warm Springs Park, 1651 Warm Springs Road, Kenwood. 833-5511.–B.R.

Best Place to Fool Kids
into a Two-Mile Walk

There must be something about the meandering oval that Spring Lake makes as it laps around its shores that fools the immature eye into thinking that the end is just around the corner, that the car is parked in just the next lot, and that the TV might still be warm at home. With the generous aid of this illusion, enterprising parents find it easy to lure ordinarily hike-less tykes around to the next grassy corner, up to the next sighting of a great white heron, and down to the next good climbing tree when walking around Spring Lake. Gently graded, with ducks aplenty, a parcourse for the ambitious, and a great summer swimming hole, Spring Lake catches sunset in the reflection of its waters and helps even the most recalcitrant young adventurer forget his or her Sega-side and savor the deeper, primal joys of stuffing filthy old feathers down a sibling’s pants and racing ahead to hide from mom or dad in a dark tree. Camping, picnicking, boating, and biking, too. 5690 Newanga Ave., Santa Rosa. Day use, dawn to dusk. Free admission. 539-8092–G.G.

Best Place to Fulfill a Childhood Dream

It’s a rite of passage. Every kid dreams about snaring the big one. But just don’t try to convince your child that the real joy of fishing is sitting in the sun on the shore of a tranquil freshwater lagoon while watching the wildlife. Kids know the point of the cast: the catch. Hagemann Ranch Trout Farm–which features a well-stocked pond surrounded by fragrant eucalyptus and a cool coastal clime–is the perfect place to fulfill that dream. You can rent a rod, buy the bait, and the helpful staff will even show you how to cast the darn line. Pay $2 for each fish caught (no catch and release allowed). But here’s the best part: they’ll even clean and ice the fish for no extra charge. Pack a picnic and make a day of it. Hagemann Ranch Trout Farm, Hwy. 1 north of the Bodega Hwy. intersection. Open April (weekends only until June) through November. 876-3217.–G.C.

Best Place to Spend No Money
Doing Nothing in Particular

This spot probably doesn’t apply to those with haughty teenagers who would rather eat razor blades than be trapped in public with their parents, but for those whose children still like them, the plaza in Sonoma is a marvelously low-key time-waster. The ducks are always hungry for the greening heels of bread, the play equipment includes high-flying, lofty swings; there are lots of trees for shade and for desperately scrambling up, and long stretches of unfettered grass on which to stretch, unfettered. Move with the deliberate, attentively eyed slowness of an oil dowser, and traverse the square. A different aspect is found on each side, and the children can’t get lost no matter how far they caper ahead. Simply round the next corner.–G.G.


From the March 27-April 2, 1997 issue of the Sonoma County Independent

This page was designed and created by the team.
© 1997 Metrosa, Inc.

Talking Pictures

American PieSelena and the Mexican-American dreamBy David TempletonWriter David Templeton takes interesting people to interesting movies in his ongoing quest for the ultimate post-film conversation. This time out, he sends noted author and lecturer Himilce Novas to see the reverential new bio-pic Selena.Though its initial box-office blaze has dwindled somewhat since its bright debut a few weeks back (15.6...

Organic Coffee

Hill of Beans Made in the Shade: Sustainable Harvest's Stu Jenkins believes a strong ethical stance is good business.Photo by Chris GardnerEnvironmental and ethical concerns brew over organic coffeeBy David TempletonTHERE IS A REVOLUTION brewing out on the fringes of America's highly lucrative coffee-peddling industry. It is a revolution of ethics and philosophy--spearheaded mainly by the roasters and...

Anonymous 4 & Others

High TimesAll 4 One: Having the Anonymous 4 playing in a local church is like having Bruce Springsteen playing in your garage.Photo by Susan JohannUnearthly delights, cowboys, strangers, and horny heathensI'M HORNY FOR HILDY--the 12th-century German abbess and mystic who left behind a stunning litany of sacred and secular hymns, and turned me on to the transformative beauty...

Critical Mass

Spokes PersonsJanet OrsiInventing the Wheel: The Critical Mass rides attract even the newly married to these monthly activist rides.Bicyclists see transportation as critical By Dylan Bennett and Gretchen GilesON THE LAST FRIDAY of March, the parking lot of Santa Rosa's Howarth Park is charged with the balmy sunshine of spring and the anticipation of direct political action. Roughly...

The Scoop

Huff 'n' PuffBy Bob HarrisIN THE FIRST BREATH of fresh air a tobacco company has ever provided, Liggett has finally admitted that "cigarette smoking causes ... lung cancer, heart and vascular disease, and emphysema."Let's not stop there.Maybe Liggett will also concede that the only reason they confessed was for the money--limiting their own liability via settlement, thereby making themselves...

Kabuki

It's a WrapJanet OrsiSee Food: The sushi served at Kabuki elevates raw fish wrapped in seaweed to visual and gastronomical art.Get a raw deal at Petaluma's Kabuki, and be glad of it By Steve BjerklieSUSHI SUCCEEDS when it is offered in variety, prepared with quality, and presented with the elegance and delicacy of a Japanese enamel. Sushi's...

Talking Pictures

Going Solo Call of the Wild: Julia Ormond gives the cold shoulder to humanity.Steven Voien and Lydia Bird discuss 'Smilla's' sense of solitudeBy David TempletonWriter David Templeton takes interesting people to interesting movies in his ongoing quest for the ultimate post-film conversation. This time out, his guests are authors Steven Voien and Lydia Bird and the subject is...

End of the World

The End Is Nigh­Sort OfLast month's mass suicide by a San Diego UFO cult revealed the shadowy world of millennial doomsayers. But when will the end come for the rest of us?By Matthew RichterThis really happened. I'm at home. It's late. I sit on the couch and turn on the television. On the screen is the Seal of the...

R&R

Play Time Pump It Up: David Ramfier feels the burn at Gold's Gym in Petaluma.Photo by Eric Reed'Best of' local recreation--feeling laid back or laid out?DID YOU EVER SEE that movie The River Wild, the rousing flick with Meryl Streep taking her family on a white-water rafting trip? Well, guess what? Though the movie tanked at the...

Kids

Child's Play Janet OrsiJust a Little Off of the Top: Evan Castro gets clipped by Desiree Casanova at Just Kidz Kutz.'Best of' for kids--keeping up with the young and restlessA CERTAIN FELLOW we know is fond of describing his philosophy of child-rearing. "When a kid is born, you lock them in a barrel and feed them through...
11,084FansLike
4,606FollowersFollow
6,928FollowersFollow