Swirl ‘n’ Spit

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Swirl ‘n’ Spit
Tasting Room of the Week

Ferrari-Carano

By Heather Irwin

Lowdown: If you’ve ever been to Reno, it’s not real hard to understand why Don and Rhonda Carano needed to find themselves a little wine country retreat. While a weekend of gambling, smoking and drinking in the Biggest Little City in the World is fun, making razzle-dazzle a full-time job tends to take its toll. So the Caranos, who own a quaint little place called the El Dorado Hotel and Casino, found themselves some 30 acres up Dry Creek way and started a winery. Begun just for fun, really, and to make some nice wine for their restaurants, this gambit seems to have worked. Through the years, Ferrari-Carano wines have found their place among some of the most highly respected wines in Sonoma… and California. Not bad for a couple from Nevada.

The Villa reflects the Carano’s Italian heritage and desire for peace and tranquility. Located some nine miles outside Healdsburg. It’s among the farthest flung in Dry Creek. Grand gardens and lush vegetation surround the majestic hospitality center/tasting room. Just watch out for the drooling pig.

Mouth value: Whites take center stage at Ferrari-Carano, but there are gobs of reds that range from passable to downright lip-smacking to choose from as well. Though a $10 tasting fee (for the reserve wines) may seem a bit steep, it’s your best bet to savor some really lovely wines. Don’t cheap out. You’ll recoup it on your bottle purchase–and you’ll likely be walking about with at least one. Among my favorites is the 2003 Fumé Blanc ($15), an oakier cousin to Sauvignon Blanc with more than a passing resemblance in its fruity, floral ways. The 2002 Alexander Chardonnay ($26) has plenty of fresh, bright flavor, but the drop-to-your-knees-and-genuflect wine is the 2002 Reserve Chardonnay ($36) that eclipses everything else on the menu. With a bigger, smoky taste than the Alexander Chard, it has a perfect mix of butter and toffee with lots of tasty and toasty flavor.

Of the reds, the 1999 TreMonte Cabernet Sauvignon ($38) and 2001 Sonoma Cab ($28) impressed most with promises (and delivery) of jammy, fruity, saucy little bodies. The 2001 Siena ($24) is a nice super Tuscan with a mix of Sangiovese and Cabernet, but lacked some presence. For a sweet aperitif, the 2003 Villa Fiore “Fior di Moscato” ($16) is a peach of a wine–mincingly sweet and delicate. The 2001 Eldorado Noir ($25) is 100 percent black Muscat–lushly dark and mysterious–while the 2001 Eldorado Gold ($29) puzzles with a funky smell (sweat? rubber?) but ends up tasting of dried fruit and fig. Blame it on the Noble Rot.

Don’t miss: Sneak into the gated gardens or down the back stairs of the tasting room to the cellar. Both are open to the public, but offer a quiet respite from the hubbub of all the swirling and sloshing going on around you.

Five second snob: Villa Fiore means House of Flowers. In the spring months, thousands of tulips and daffodils adorn the estate.

Spot: Ferrari-Caruno Vineyards and Winery, 8761 Dry Creek Road, Healdsburg. Tasting room open 10am to 5pm. 707.433.6700.

From the September 22-28, 2004 issue of the North Bay Bohemian.

© Metro Publishing Inc.

COPIA

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At COPIA, wine is food and food is art and the collective table awaits

By R. V. Scheide

Not that it would ever admit it, but the culinary arts has what in politics is called an “image problem.” For a small segment of the population–the educated, the erudite, the epicureans–good food and wine is akin to a fetish, replete with its own indecipherable language and symbolism. The rest of us are left scratching our heads wondering what all the fuss is about.

Since it opened in Napa in November 2001, COPIA: The American Center for Wine, Food and the Arts has gone a long way toward correcting this state of affairs.

“Our mission is to investigate and celebrate the collective table,” says COPIA president and CEO Peggy Loar. She’s using “collective” in the progressive sense. “We are not about the good life. We are about the better life for all.”

That’s not a message that’s always gotten through, particularly considering the culinary arts’ aforementioned image problem. For a large percentage of people, there’s just something about swirling and spitting that seems too high-falutin’. Little do they know that COPIA is really here for them.

“Lots of people are still afraid of wine,” Loar says. “They think they don’t know about it. If they come here, we can demystify that.”

This writer, having once attended a Taste of COPIA luncheon, can personally attest to Loar’s statement. The luncheon featured food and wine pairings from Mendocino County and was hosted by COPIA wine curator Peter Marks, who artfully explained the reasons why certain wines go better with certain foods, how to distinguish the complex flavors flowing across our palates and, most importantly, how to enjoy winetasting despite its intimidating aspects.

“Your palate, your tongue, your taste, your preference–that’s what’s important here,” Loar says.

2004 Boho Awards
Bill Bowker
COPIA
Vicki Kumpfer
Marin Shakespeare Co.
Zebulon’s Lounge

Art, food and wine are irrevocably intertwined, and when it comes to the art exhibits at COPIA, food is always the common denominator. “We don’t do art for art’s sake, we stay close to our mission,” says Loar. For instance, the 80,000-square-foot museum’s current exhibit, “The Art of Rice: Spirit and Sustenance in Asia,” explains through painting, ceramics, weaving and photography how the grain travels from earth to table to soul in the Eastern Hemisphere.

“We want to show the geography and economics of how we move food around,” Loar says. “We want to teach kids where their food comes from. There’s so much about food and food history that we don’t know.”

Interestingly, the center does not shy away from offering the occasional provocative exhibit, such as Julie Green’s The Last Supper, a series of 186 plates painted with depictions of the last meals requested by death-row inmates.

“When we first opened, people thought we were going to be still-life paintings of food and wine,” Loar explains. “Who would come to see that?”

Because COPIA is a nonprofit organization, it relies both on philanthropy and the people who come through the door for revenue. Recognizing that not everyone can pony up the admission price, the center offers at least three free community days a year. The events have so far been well-attended, with as many as 1,500 people turning out.

Also well-attended have been the farmers markets held in COPIA’s parking lot, where parents can shop for fresh vegetables and chat up local farmers while children play or even learn the fine art of composting in COPIA’s edible gardens. Thank God It’s Monday! nights feature live music by such seminal favorites as Tommy Castro, and the center’s state-of-the-art cinema offers excellent alternatives to the multiplex. The community feels welcomed. Special events are even held for members of Napa County’s hospitality industry, and cooking classes led by prominent local, national and international chefs rotate through on a continual basis.

It’s a difficult charge, offering something for everybody, but COPIA is up to the task. Here, even the most cynical neophyte can become a seasoned swirl-‘n’-spitter in but a day.

“Come to COPIA and cross over,” Loar implores. “Wine people discover food. Food people discover art. People do come and cross over, and they come to their senses, to eat and be on a different plain, maybe even a different planet. Maybe that’s escapism, but this is a good place to escape.”

From the September 22-28, 2004 issue of the North Bay Bohemian.

© Metro Publishing Inc.

2004 Boho Awards

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2004 Boho Awards

Bill Bowker
COPIA
Vicki Kumpfer
Marin Shakespeare Co.
Zebulon’s Lounge

EVERY week this paper strives to reflect the community that lives, works, learns, eats and plays in the North Bay. For inspiration, we draw our ideas from you, aiming to mirror and inform some 80,000 fellow citizens about our collective lives. But for one fabulous week, we get to full on, plain old hail five people and/or organizations that make this rich community an even richer place for all of us to thrive.

While it’s never easy to choose just five Boho Award recipients, it’s always an absolute thrill to pick from such a large group of worthies. This year is no exception. We shout out to radio personality Bill Bowker for his 25 years of service, Napa’s COPIA center for its strong devotion to the surrounding community, city of Santa Rosa arts coordinator Vicky Kumpfer for beautifying the heart of the North Bay, Marin Shakespeare Co. for staying trippingly on the tongue, and Zebulon’s Trevor Cole for le jazz hot and le school cool.

Furthermore, this is our great excuse to throw a party. Our Boho Awards party is for our awardees, our readers, our neighbors, our friends–for you. This year, the fandango is slated for Thursday, Sept. 23, from 3:30pm to 7:30pm at the Museum of Contemporary Art at the LBC. Food, drink, live music from those cuties the Girls in Suede and those hep cats the Lemon Lime Lights… it’s all free.

Why? Because we love you.

From the September 22-28, 2004 issue of the North Bay Bohemian.

© Metro Publishing Inc.

Mushrooms

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: Mycologist Paul Stamets believes that mushrooms show evidence of consciousness. –>

That fungus among us is good for more than just eating

By Kelly Hearn

A visionary biologist says mushrooms are potent antiviral and antibacterial agents, as well as key boosters to the human immune system. They also might end up saving the earth. To lots of folks, a middle-aged man who says mushrooms can save the world falls into the category of turbo-freak. But to some environmentalists, scientists and major investors, Paul Stamets is the trippiest of profitable kings.

“Mushrooms restore health both on the personal and ecological level,” says Stamets, a mycologist and owner of Fungi Perfecti, a family-owned mushroom business in Shelton, Wash. “Mushrooms can heal people and the planet.”

Stamets, a former logger turned scanning electron microscopist, is bent on showing that fungal mycelium and mushrooms (the actual mushroom is the fruit of the mycelium) could be the cornerstone to several earth-friendly, multibillion dollar industries. To him, there’s no end to what spores can do.

Collaborating with public and private agencies from Battelle Industries to the National Institutes of Health, Stamets is giving ‘shrooms their 15 minutes of fame, promoting them as antiviral and antibacterial agents, as well as key boosters to the human immune system.

Outside the body, Stamets says he has cloned mycelia and mushrooms that can kill pests, absorb radioactive material, filter toxic wastes and, according to an article in Jane’s Defense Weekly, even degrade surrogates of deadly VX
and sarin gas.

Stamets, who has collected over 250 strains of wild mushrooms, says that until now they were largely ignored by environmentalists and scientists. He has filed for dozens of patents, he says, with more to follow. “Every failure is a cost of tuition of the education you have come to learn,” he says, “You graduate to greater and greater techniques.”

Mushrooms themselves graduated through evolution to become acute survivors that recycle life after devastation. About 250 million years ago, after a massive extinction from a meteorite, Stamets says fungi inherited the earth and “recycled the postcataclysmic debris fields.”

Today they are a keystone species spanning large swaths of land and secreting enzymes and acids that break down plant matter (which, luckily enough, have chemical bonds similar to contaminants like petroleum and pesticides).

“The 21st century will be the century of the biologist,” Stamets says in nod to technologies that are exposing life’s basic microcellular relationships. Teasing apart those relationships has helped Stamets come up with some radically successful models. One aims to stop silt runoff on logging roads, for example, by spreading bark and wood chips that have been coated with mycelia of local native fungal species. The mycelia’s natural filtration properties stop the silt flow and prompt the regrowth of the topsoil.

In another technique he calls “mycorestoration,” Stamets uses fungi to filter out pathogens, silt and chemicals from water (mycofiltration) and to denature toxic wastes. The low-tech devices–which often involve placing the fungi in straw, for example–can be placed around farms, watersheds, factories and roads.

Stamets also uses fungi to hurry the natural decomposition of logs on the forest floor. Knowing that local habitat better evolves when the sequence of decomposition is sped up (rather than burned), Stamets devised a way to put spores in chainsaw oil. The result: when a logger cuts a tree, he also coats it with spores that help it decompose.

As proof of mushrooms’ ability to mop up humanity’s deadly mistakes, Stamets tells of mushrooms growing near Chernobyl that were found to have accumulated high levels of the deadly cesium 137 that leaked from faulty reactors. Why not put mushrooms near environmentally wrecked sites, allowing them to work as a natural immune system?

Stamets’ key project–which has attracted the attention of Ben Du Pont, an investor from the famed family–is U.S. patent number 6,660,290.

Somewhere during his study of the dialectic relationship between fungi and insects, Stamets came up with a way to use one to kill the other. “Mycopesticides,” he says, are nonpolluting tools that could upend the global pesticide industry.

One version of the idea involves using parasitic fungi that act on specific insects. The fungus, which can be presented on tasty foods like grain, kills the pest when digested.

Du Pont’s company, Yet2.com, matches new technologies with bigger business partners. Stamets, however, wouldn’t discuss Yet2’s plans for his pesticides, saying only that the group is involved in talks with major companies.

 

Kind and undeniably brilliant, Stamets’ passionate, rapid-fire descriptions of fungal experiments and patents can give the feeling he’s a mix of scientist, inventor, environmentalist and snake-oil salesman. He admits he has his detractors (“Some mycologists think I’m a heretic,” he shrugs), but he also has a loyal following.

“There are very few people capable of combining the breadth of understanding and the academic rigor to naturally based problem solutions [like] Paul,” says Dr. Eric Rasmussen, formerly of the Defense Advanced Research Projects Agency, the Pentagon’s high risk, high-payoff scientific entity. “His combination of factors in his intellect and experience are a somewhat rare combination. And his work is likely to prove to have significant benefit to the United States.”

(Though he would not discuss details, Stamets says he has isolated a strain of mushroom from the Old Growth forest that has shown activity against viruses that could be potentially weaponized.)

Phil Stern of Yet2 says that for all Stamets’ scientific acumen, at the end of the day, he’s about his beliefs.

“One of the best things about Paul is not just his groundbreaking technology but his principals,” says Stern. “He says, ‘If I license this product to you, you have to uphold these principals.’ I respect his integrity.”

Stamets has a few things working against him, especially when promoting his ideas in the mental lockdown of 21st-century America. He did, after all, conduct now-famous research on psilocybin hallucinogenic mushrooms at Evergreen State College in the late 1970s. And he wrote that stoner classic, Psilocybin Mushrooms of the World.

What’s more, to conservative minds, the trippy-dippiness of some of his ideas can come off as silliness. In one breath, for example, he ticks off a riveting observation that our neurological landscape looks like mycelium or that brain neurons and the Internet share mycelia’s basic structural arrangements. In another he talks of “fungal intelligence” or the possibility of using spores to put life on other planets.

In the draft of his new book, Mycelium Running: Growing Mushrooms to Heal People and Planet, Stamets writes that, “The mycelium is an exposed sentient membrane, aware and responsive to changes in its environment. I especially feel this when I enter a forest after a rainfall. Interlacing mycelial membranes form, I believe, a complex neuron-like web that acts as a fungal collective consciousness.”

Whether or not corporate investors will ever vibe with the fungal collective consciousness, Stamets says his ideas are helped by a shift in scientific culture that’s more accepting of non-Western, natural solutions to problems.

And he’s never short of evidence to back his theories.

“The idea that a cellular organism demonstrates intelligence may seem radical if not for work by researchers like Toshuyiki Nakagami, published in Nature 2000,” Stamets writes. “He placed a maze over an agar-filled petri dish and introduced nutritious oat flakes at the entrance and exit. He then inoculated the entrance with a culture of the slime mold Physarum polycephalum under sterile conditions. It grew through the maze and consistently chose the shortest route to the oat flakes at the end. Rejecting dead-ends, the slime mold demonstrated, according to the researchers, a form of intelligence.”

That intelligence, according to Stamets, might one day be used to extend life throughout the solar system. Mushrooms are the first organism to restart an ecosystem after catastrophes like tornadoes or forest fires, popping up from the ground to return nutrients back to the food chain. The mushrooms’ scent attracts insects, which then attract birds and animals that bring in seeds, creating a life generation domino effect that underscores the possibility of using fungi for creating habitats on other worlds.

For now, Stamets’ most secure convictions are planted here on Earth.

“I believe ecosystems are conscious,” he says. “These mycelia networks, like the Internet, share information on changes in the environment such as the availability of new food sources or responses to cataclysmic changes. So really these are information-sharing networks,” he reasons.

“I think science will prove they have a form of consciousness that we do not recognize.”

From the September 22-28, 2004 issue of the North Bay Bohemian.

© Metro Publishing Inc.

Republicans for Kerry

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How bad is Bush? Enough to make some local Republicans turn colors.

By Tara Treasurefield

Sebastopol resident Edith Nervo knows there’s always room for change in life. After her first husband died, she cared for her parents until they also passed away; she continued on, driving a school bus for a living, eventually retiring after 25 years. Change also arrived two years ago when she married her second husband at age 78. And it came again last month when Nervo, a lifelong Republican, re-registered as a Democrat.

It was a bold move for an elderly Republican, and it reflects the disenchantment of a growing number of Republicans, both locally and across the country, with the administration of Republican president George W. Bush. Though Nervo’s reasons for abandoning the party are deeply personal–she disliked Bush from the start and didn’t vote in 2000–many disenchanted Republicans cite Bush’s dismal record in both foreign and domestic policy as reason to bolt the party.

Since Bush took office, his administration has put the radical policy of preemptive war in place. U.S. casualties in Iraq have now topped 1,000, and weapons of mass destruction, the pretext for going to war, have yet to be found. Five million Americans have lost health coverage. Four million have fallen into poverty. A million have lost their jobs. Health insurance, college tuition and fuel costs have soared. The budget deficit has skyrocketed to nearly half a trillion dollars.

“I’m just thoroughly disgusted with what the Republicans are doing,” says Nervo. “I don’t care for Bush’s attitude; he’s arrogant.” Her heart goes out to mothers and grandmothers of soldiers in Iraq, and she thanks her lucky stars that her grandson, a Marine, is stationed at a recruiting station in Minneapolis. “I think that somebody was not really up on their school work, as far as going after the weapons of mass destruction are concerned,” she says. With education very much on her mind, Nervo adds, “They’re closing schools! Good grief, what are our young people going to do?”

Joe Bowman of Santa Rosa, a Republican for 50 years, explains why Kerry will get his vote this year. “I’m not happy with the way things are going, and I point the finger at Mr. Bush. My greatest fear for America is the worldwide feeling against us. How many friends do we have? We’re unquestionably aggressors. This is the first time I can remember that.”

Liz Basile, membership committee chair of the Sonoma County Democratic Club, is doing her part to meet the needs of local disenchanted Republicans. Basile’s committee helped 13 Republicans re-register as Democrats in August, the average number of Republican-to-Democrat registrations the committee has handled every month since January.

Recalling some of her encounters with Republicans for Kerry, Basile says, “As I was registering voters at G&G Market in Santa Rosa one day, a man who looked to be in his late 80s came up to me and said, ‘I’m a Republican. I’ve been a Republican all my life. And I’ll die a Republican. But I’m voting for Kerry.'” On another occasion, a Republican woman who stopped to chat told Basile that she is pro-choice and supports stem-cell research. “I asked her, ‘Are you sure you’re a Republican? You sound like a Democrat.’ She gave me $5 and took three Kerry buttons.”

The current state of the economy is another reason that many Republicans will vote against Bush this year.

“I’ve always done fine economically, but there are a lot of middle-income jobs going overseas now,” says Matt Gogl, a property manager in Sebastopol. “I don’t know that that’s the president’s fault, but he doesn’t seem to be doing anything to prevent that from happening, and it’s affecting a lot of people negatively.”

Gogl also worries about acquaintances in the National Guard who are over 40 years old and may soon be sent to Iraq. “I’d hate to see Bush in the next four years [invade] another country,” he says. “He’s looking at Iran, eyeballing Korea. It’s just not our place.”

Ken Stremme of El Dorado County says he’s embarrassed to be a Republican. On his long list of complaints is the fact that the Bush administration is filled with former executives of corporations who contribute what he terms “megabucks” to Bush’s campaign. “It appears to me that [Bush] thinks that being president raises him above the Constitution,” says Stremme. “Haliburton getting contracts to rebuild Iraq without having to go through the bidding process like the rest of us is a criminal act.”

Disgust with the Bush administration has led to unlikely alliances between moderates and conservatives seeking the president’s ouster. Bipartisans for Kerry (BFK), based in Tiburon, is a group of moderate Republicans and Democrats who view Kerry as a moderate candidate and Bush as an extreme candidate. Putting their money where their mouth is, they staged a rally in May and raised $100,000 for Kerry. Their purpose is “to elect John Kerry president of the United States by urging more of our fellow Americans to vote and encouraging informed debate on the major issues.”

To encourage debate, the BFK steering committee releases weekly articles on issues of critical importance, posts them to www.bipartisansforkerry.com and distributes them via e-mail. The latest paper to come out of BFK explores the Bush administration’s support for nuclear weapons, such as bunker busters and mini-nuclear weapons for the battlefield. Greg Price, a lifelong Republican who belongs to BFK and serves on the steering committee and who helped author the report, says, “The U.S. is trying to eliminate nuclear weapons development in Iraq, Iran and other countries. If we develop [nuclear weapons], so will they.”

Price decided to vote for a Democrat this November when it became clear that Bush was determined to invade Iraq. After listening to each Democratic contender speak, he put his weight behind John Kerry. Though he never before donated a dime to a political candidate, he has been raising money for Kerry ever since.

Republicans for Kerry, which consists of moderate, conservative and progressive Republicans, raise another issue: the sanctity of the Constitution and Bill of Rights. Their website explains that the group supports Kerry over Bush “because we believe he more honestly represents these values so vital to the health and well-being of our democracy.”

The long-term goal of the group is to replace what they see as the right-wing radicals that now control their party with true conservatives. They write letters to the editor, display bumper stickers and buttons, speak in public, register voters and send essays urging their fellow GOP members to do the same via e-mail to Republicans all over the world.

Republicans for Environmental Protection, or REP America, is another national organization that is fighting hard to remove Bush from office. REP America president Martha Marks reminds anyone who will listen that president Theodore Roosevelt’s environmentalism represented the Republican Party at its greatest, and that REP America reflects mainstream Republican thought. “If conservatives don’t conserve, who will?” asks Marks.

Content in her appreciation for change and in her decision to leave Mr. Bush behind, Edith Nervo has never been happier in her life. She says, “Maybe the Democrats won’t do any better. But I think it’s time to give them a chance.”

From the September 22-28, 2004 issue of the North Bay Bohemian.

© Metro Publishing Inc.

Habitat for Humanity

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Moving In

For Habitat for Humanity of Sonoma County, homes are where the heart is

By Ellen Bicheler

Sherri Lee can’t jump for joy–she has degenerative arthritis. So when she receives the keys to her new home from Habitat for Humanity of Sonoma County on Sept. 18, she’ll have her two sons do the jumping for her. The Lees, along with the seven-member family of Juan Ordaz, are the first to benefit from the nonprofit organization’s campaign to build 20 new homes in Sonoma County by 2010.

“I feel very happy that we’re getting the opportunity to own a home,” says Ordaz. “Habitat is a really good organization, because so many people contribute to the houses.”

The Ordaz family is moving from a small, two-bedroom apartment to a spacious four-bedroom, two-and-a-half-bath home. From its front porch with its raisin-colored trim to the hardwood floors to the bedrooms painted with the children’s choice of colors, the house is a work of collective art and community.

Habitat for Humanity of Sonoma County is part of the larger Habitat for Humanity International (HFHI). Since its inception in 1976, HFHI has built more than 175,000 homes, sheltering more than 900,000 people in over 100 countries by building a house every 27 minutes somewhere in the world with an overall goal of sheltering 1 million people by the end of next year.

The Santa Rosa Habitat affiliate originated in 1984 and has concentrated on refurbishing existing structures; so far, this chapter has rehabilitated 18 homes. Having constructed two homes from scratch in 1991 and 2000, the local branch has renewed its commitment to building. The Lee and Ordaz homes are the first Habitat has constructed in its new Kali subdivision of southwest Santa Rosa, one among 11 new multihome sites.

“The dedication of these two homes is a milestone for Habitat for Humanity of Sonoma County,” says executive director Kathy Tonkovich. “It is a major accomplishment in our commitment to becoming continuous builders of affordable housing.

The faith-based organization’s mission is ambitious: to provide a decent place to live for everyone in Sonoma County. To achieve this, it partners with local construction contractors and other businesses who donate labor, material and money to build the new homes. More than 5,000 volunteer hours have been logged since January, according to coordinator Amy Lemmer.

Painting contractor Stephen Black was initially reluctant to relinquish a Saturday to paint for Habitat. But once there, Black painted the whole Ordaz house in a day with the help of a volunteer. “The whole spirit of the volunteer work is the giving,” he says. “It was fabulous to be able to contribute my talent.”

“It keeps me alive and gives me a purpose,” says Brent Billings, who describes himself as an “old carpenter.” Pointing to the Ordaz’s hall, he asks proudly, “See those hardwood floors? I taught two women to lay the floor. They did it in five hours.”

Kevin Gilleran, from Gilleran Energy Management, is part of Habitat’s “green team,” ensuring the houses employ sustainable building methods wherever possible. “We put tankless water heaters and whole house fans in both of these houses,” Gilleran says.

Larger businesses such as Cisco Systems, Coldwell Banker and the personal banking software developer Intuit contribute volunteer building teams to the job sites. In addition, families selected by Habitat must contribute 500 hours of sweat equity to the project.

Sherri Lee has put most of her sweat equity into office work. She’s spent years in substandard housing or in a state of homelessness because of her disability and low income. Habitat is installing an elevator chair lift in the home to facilitate her ability to go upstairs and downstairs. Regardless of the subdivision’s inherited name, which honors the Hindu goddess of creation and destruction, Lee has dubbed her new home the “good karma house.”

“These are wonderful people,” she says. “I hope they can continue to grow for the community; I’ll continue to volunteer for them.” The Ordaz and Lee families were the first families chosen from the over 150 applications. Qualifications include the need for adequate housing and the ability to repay a no-interest loan. Applicants must make 25 to 50 percent of the median Sonoma County income.

“We have had tremendous support from the construction industry, the faith community, local businesses and the community at large,” says Tonkovich.

But most importantly, she smiles, “two more families in our community will be in safe, decent homes.”

From the September 15-21, 2004 issue of the North Bay Bohemian.

© Metro Publishing Inc.

Lenny Bruce

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New CDs spotlight Bruce’s comedic genius

By Greg Cahill

He was a dangerously funny man. Before his death from a morphine overdose in 1966 at the age of 40, standup comedian Lenny Bruce shook the foundation of American society, emerging from the sleazy L.A. strip joints to fly in the face of ’50s white-bread culture and the political witch hunts of the McCarthy era. He has continued to cast a long shadow, influencing the likes of Richard Pryor, George Carlin, Eric Bogosian and, more recently, such shock comics as Sam Kinison and Howard Stern.

“I never heard anything like him before,” Pryor recently told Mojo magazine, “and I remember thinking, ‘If this is comedy, then what the fuck am I doing?'”

Yet for years, few comedy fans had a chance to hear Bruce’s biting (often foul-mouthed) humor or his stinging satire firsthand, since his comedy albums were out of print until 1992. Except for the handful of comedy bits reprised in Bruce’s raffish autobiography How to Talk Dirty and Influence People, and those included in Bob Fosse’s excellent 1974 film Lenny, starring Dustin Hoffman, Bruce fans were out of luck.

Now a pair of outstanding reissues, including an extensive new box set, are primed to introduce Bruce–the brash Jewish hipster with jazz-inflected rhythms and a switchblade tongue–to the South Park generation.

The expanded reissue of Bruce’s 1972 Fantasy Records album Thank You Masked Man, due in October, offers several previously unreleased tracks and includes a CD-Rom version of John Magnuson’s clever animated film of the same name. And Lenny Bruce: Let the Buyer Beware (Shout! Factory), a remarkable six-disc collection set release this week, gathers such popular tracks as “How to Relax Your Colored Friends at Parties” and “To Is a Preposition, Come Is a Verb,” along with concert bootlegs, and rare and previously unreleased recordings, including those documenting Bruce’s courtroom battles for onstage obscenity. The box set, which also has an 80-page booklet, was co-produced by Bruce’s late manager Marvin Worth, Saturday Night Live music director Hal Willner and the comedian’s daughter Kitty Bruce, 49, a former Warhol actress and onetime Fairfax resident.

“It’s a collected masterwork of love,” says Kitty, during a phone interview from her home outside Scranton, Penn. “My father had so much material.”

The Shout! Factory project rescued some of those rare reel-to-reel tapes from almost certain oblivion: one set was stored in an open container just a few hundred yards from the Pacific Ocean; another was in the possession of actor and accused wife-killer Robert Blake.

In an essay in the liner notes, Kitty sheds light on her father’s legal battles, pointing out that his “truths were based on our most coveted lies.” Lenny felt it was his duty, she says, to jab an accusing finger at the hypocrisy he saw in what she calls “the Andy Hardy view” of American society. “He used to say, ‘It’s not what should be, it’s what is,” Kitty says. “He cut through all the lies we tell ourselves on a daily basis.”

And he paid the ultimate price for his brutal honesty.

During a November 1964 performance at the Cafe Au Go Go in Greenwich Village, Lenny used more than 100 words deemed “obscene” by the state of New York. Undercover police in the audience that night later testified that Bruce had given an obscene performance.

He was convicted, and for the next 20 months played a cat-and-mouse game with police and prosecutors, continuing to push the boundaries of standup comedy while appealing his conviction on the grounds that it violated his right to free speech. But the case took its toll. Onstage, Bruce bored audiences with longwinded accounts of his legal fight as he mishandled his own appeal. Off stage, beset by legal and financial problems, he turned increasingly to drugs and alcohol.

At 40, he died of an overdose on a bathroom floor. His appeal was still pending.

“He fought hard and he paid with his life–he just would not bend or break,” Kitty says. “The government could not shut him up because he believed in free speech and he believed in the right to due process.”

Last December, Kitty and Bruce’s ex-wife, Honey Bruce Friedman, joined two dozen civil rights lawyers and entertainers (including the Smothers Brothers and Robin Williams) in successfully petitioning New York Gov. George Pataki, a three-term Republican, to pardon Bruce for the 40-year-old obscenity conviction–the first posthumous pardon in New York history.

For Kitty Bruce, the pardon is a bittersweet victory.

“The harder he pushed, the harder they pulled him down. The harder he banged the doors open, the harder the authorities banged them shut,” she says. “He was one man against a huge, powerful, grinding machine. But it’s 2004, and he’s still talking and people are still listening to what he has to say.

“So in the end, he really had the last word, didn’t he?”

From the September 15-21, 2004 issue of the North Bay Bohemian.

© Metro Publishing Inc.

Coma Lilies and Seeded Skies

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: The Coma Lilies, above, and Seeded Skies are musicians only of note. –>

Coma Lilies and Seeded Skies are lyrical enough without words

By Gabe Meline

Charles Mingus, that great pioneer of instrumental music, once remarked that he couldn’t play a particular solo without thinking about hate and persecution. The song in question, “Haitian Fight Song” (a tribute to the island’s slave revolt of 1801), is filled with fire and determination. Listening to the song, it’s impossible not to feel that something important is being conveyed, or as Mingus himself put it, “It usually ends with my feeling [that] ‘I told them! I hope somebody heard me.'”

Mingus’ idea of putting concrete ideas into strictly instrumental music is the challenge that faces the members of the Coma Lilies and Seeded Skies, two local instrumental bands. It’s not that they hate words. Ask them what’s been on their nightstand lately and they’ll rattle off Vonnegut and Hesse. Or take them to a library, where I met up with them on a recent Sunday afternoon, and you’ll find the high-volume instrumental band members rather chatty among the quiet, hallowed walls of books.

In an age where lyrics are more prominent than ever in popular music and singers are instantly groomed to be celebrity symbols, starting an instrumental band seems like an alienating act. However, the popularity of such groups as Tortoise, Trans Am and Mogwai have blown open a door for instrumental indie rock, however under-the-radar it may be.

The Coma Lilies’ eponymous album, recorded earlier this year, is the sound of expansive ambition channeled through frets and keys. A strong moment comes in the form of “Have Fun at Your War,” a riff-cluttered epic with varying levels of texture. The provocative title, the band says, is meant to convey a certain idea. “We put a lot of mind into our music,” says bassist Brian Kincaid, 19. “We’re here to write music that we feel will express what we’re trying to express.”

“It takes some part on the listener to have an open mind,” adds 19-year-old guitarist Hunter Ellis, “so it’s a two-way situation.” Over the past two years, the Coma Lilies have found enough such listeners to headline shows and make a name for themselves–no small feat for a band with no singer.

“I don’t think we’re intentionally alienating ourselves from the mass culture,” continues Ellis, “but I’d say we are definitely taking a step back and separating ourselves.” Most fans who come to see the band aren’t concerned with image, anyway, says keyboardist Asher Katz. “Young people are more open to instrumental music,” says the 17-year-old.

Have the Coma Liles ever toyed with the idea of getting a singer? “We had a fat drunk guy in San Marcos ask us if he could sing for us,” laughs Ellis. “We got the show over the Internet. Don’t trust the Internet.”

Seeded Skies have a less structured, more improvisational approach to their instrumental songs. On Clockwise, the band’s new CD, Andrew Maurer has established himself as a dizzying guitarist to be reckoned with. The 18-year-old says he never listens to the radio, but he is no stranger to the library’s CD collection.

“I’ve flipped through all these about 30 times,” he says, and pulling out a compilation of Hawaiian choral chants, adds, “This one here is pretty great.”

Such varied influences have only added to Maurer’s playing style, though he usually lets bassist Michael Bellonio and drummer Ross Harris create the framework for Seeded Skies’ compositions. Without a vocalist, the members are allowed space to strive for musical ideas. In the instrumental medium, Maurer points out, “The guitar lines are singable, you can hum them.”

Ellis jumps in on this idea of composition. “I’ll hear it in my head,” he says, “I’ll hum what I hear, and then play what I hum.”

“So in a lot of ways,” summarizes Maurer, ignoring the supposed detriment of having no lead vocalist, “you’re singing through the instrument.”

The Coma Lilies perform with Toast Machine, Life in Braille and Archeopteryx on Friday, Oct. 1, at Clo’s Parkside Grill, 557 Summerfield Road, Santa Rosa. 7:30pm. $8. 707.539.6100. Seeded Skies are on hiatus until December while Ross Harris is globetrotting in Argentina, that lucky bum.

From the September 15-21, 2004 issue of the North Bay Bohemian.

© Metro Publishing Inc.

Ben Schott’s ‘Miscellany’

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Crumbs of Knowledge

Ben Schott’s ‘Miscellany’ has everything you never needed to know about food and drink

By Heather Irwin

It’s the rare book that’s made me look into the toilet and really take an interest in finding out just how healthy I am based on the Bristol Stool Form Chart. According to the handy guide before me, normal, er, movements, are apparently somewhere between a three and four–I’ll spare you the descriptive details. Based on my untrained observation, things seem to be working out somewhere between a four and a five for me. I’m not sure how worried I need to be at this point.

Possibly even more cause for concern is that I’ve committed approximately eight Biblical food abominations and I may have possibly been both “squiffy” and “rosinned” in the last 48 hours, according to page 39. I’m not totally sure, but if so, this may explain the bathroom situation. My only consolation is that I can now name with confidence all of the children from Charlie and the Chocolate Factory. Things do seem to be looking up.

Arriving from across the pond this month is the sequel to Ben Schott’s Original Miscellany, titled Schott’s Food and Drink Miscellany (Bloomsbury USA; $14.95). Defying any real explanation, the book is a 153-page compendium of such bite-sized odd and irrelevant factoids as the aforementioned. Thank goodness, I now know that I can effectively cure a hangover with raw egg, sugar and milk (p. 121) and accurately read my own tea leaves (p. 53). Then again, after reading my own stool, I’m not sure how much more I really want to know about my future–or my past.

But I’m a sucker for totally useless information–the stuff that both concerns and horrifies your friends upon discovering that you actually know. (Horrified or not, I’ll note that I’m a popular teammate choice when it comes to Trivial Pursuit.) Schott’s Food and Drink offers just the kind of totally useless information that clogs the mind from remembering mundane things like where you left your keys and whether you’ve put your pants on.

Just last night, for example, I found myself using terms like the “Scoville Scale” (p. 47) to describe the capsicum content of the chilies in our salsa to people who frankly could care less. I now actually know that habañeros and Scotch bonnets are the hottest by far. That little jalapeño you’re choking on? Please. It’s a mere 2,500 SU’s compared to the habañero’s potential 300,000. Stop yawning, damn it!

Over the water cooler, you can let co-workers know that you’re now an expert in the various ways to prepare and eat dog and that without proper refrigeration it can be a real salmonella hazard (p. 120). Just wait and see who’s about to become employee of the month with handy tips like those!

That, of course, brings me to Toblerone peaks. How many, you may ask, are too many in such a scrumptious and velvety chocolate treat? What is enough? Is there some hidden meaning in the fact that both the 50 and 75 gram chocolate bars have 11 peaks each? The mind wobbles, to quote Kelly Bundy, over such weighty matters.

But to those of us who do not so much eat to live as live to eat, this really is important stuff. We gorge ourselves on the manna–or is it ambrosia? (no, according to p. 66, it is, in fact, manna)–of food trivia. And after gorging, we gourmands are recommended to always have an emetic (p. 11) to help avoid the perils of indigestion. Don’t worry, I had to look that up, too. It means something to make you throw up. Think of the Roman vomitoriums or high school. Eat, purge, eat.

That may not be such a bad idea when it comes to being served giant water bugs. We’re told that they actually taste a lot like Gorgonzola cheese (p. 61), but that one can never really know if one is getting a fresh water bug or not. A better choice, perhaps, would be monkeys, iguanas or armadillos, all of which purportedly taste something like rabbit. Baby wasps, if you like scrambled eggs, go down pretty easy, according to Schott’s descriptions of various odd and exotic foods.

Ack.

All of this Miscellany wackiness arose from a humorous Christmas card that Schott, a professional photographer with a “shockingly short career in advertising,” created a few years ago to effusive response from friends. From 16 pages originally, the cards became increasingly bulky with odd and humorous anecdotes. The first book, Schott’s Original Miscellany, has become an international bestseller, leading to the current food and drink compendium.

What’s so amusing about the book is that, unlike the usual top 10 or record-breaking lists, there is no rhyme or reason to the collection. It is purposely idiosyncratic in its disorder. A schematic of the Last Supper is followed by a description of Chinese bird’s nest soup, followed by the maximum refrigerator and freezer storage times for various foodstuffs. (That live lobster in your fridge is only gonna last two to three days, buddy.) It’s a bit like walking through the Ripley’s Believe It or Not Museum; you’re constantly amazed at the absurdity of it all, while vacillating between fascination and repulsion.

Among the Miscellany‘s great news is that when visiting England, you can get corn, along with tuna, on your Domino’s Pizza (p. 101). The Japanese, it seems, prefer squid to arrive atop their 30-minutes-or-less slices, while the French go for a little crème fraîche with their super-stuffed crust. Avoid poisoned mushrooms as a topping (you can identify them on p. 142), which are almost as deadly as fugu, the toxic blowfish (p. 138).

Hey, did you know that, contrary to popular belief, Britney Spear’s concert dressing room is not required by contract to contain a bag of pork rinds and spray cheese? In fact, her rider stipulates instead a bag of Cool Ranch Doritos and one box of Altoids. One can never be too careful about having fresh breath while stealing the father of some poor girl’s newborn baby, especially after eating Cool Ranch Doritos (p. 146). As for the spray cheese? That’s stipulated in ZZ Top’s contract. The flavor, apparently, is at the host’s discretion, though I can personally vouch for the bacon and cheddar.

I don’t want to give away too much about Schott’s Food and Drink Miscellany, mainly because meandering through the pages and discovering the menagerie of food trivia is the real fun of the book. I will, however, reveal that you can read the complete 1870 menu of the Christmas Day dinner served at Voisin’s in Paris.

Suffice it to say that during that winter, things got pretty economically tough at the local zoo and the keepers were forced to sell the animals off to the highest bidder–which happened to be Voisin’s.

Hey, you don’t see roast camel and cats on just every menu.

From the September 15-21, 2004 issue of the North Bay Bohemian.

© Metro Publishing Inc.

‘Cabaret’

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: Nancy Prebilich as Sally Bowles and Greg Grabow as the emcee in Cinnabar Theater’s ‘Cabaret.’ –>

Cinnabar’s staging of ‘Cabaret’ transcends

Cinnabar Theater is gone. That is, the inside of the little red theater on the hill in Petaluma is gone. What has replaced it, rearranging a number of the seats in the process, is the Kit Kat Klub, the notorious Berlin nightspot from Masteroff, Kander and Ebb’s 1967 musical, Cabaret.

In the Cinnabar’s sharp, sexy, inventive new staging of that classic show, directors Elly Lichenstein and Nancy Prebilich have transformed the theater into a slightly creepy 1939 nightclub, complete with tables adorned with telephones (so visitors can pretend to call other visitors to offer sultry propositions, something the actors occasionally do) and a number of roving Kit Kat Boys, German-accented waiters in fishnets and makeup, wearing existentially bored expressions and skimpy torso-exposing aprons, who wander the club preshow to take drink orders and flirt with the women and men filing in to take their seats.

The play is essentially a love story, set in pre-WW II Berlin as rumblings of danger pop up here and there but are largely ignored by the heads-in-the-sand singers and dancers at the Kit Kat Klub, where “Everything is beautiful!” Actually, it is two love stories. Uptight American novelist Cliff Bradshaw (Chris Koval) has fallen for an unstable English actress, Sally Bowles (the magnificent co-director Nancy Prebilich), the Kit Kat’s star. Complicating their relationship is the vaguely criminal Ernst Ludwig (Robert Dornaus), who comes to Cliff for English lessons, but appears to be interested in more.

The other relationship is between Cliff’s middle-aged landlady, the moralistic but pragmatic Fraulein Schneider (Joan Hawley) and Herr Schultz (Dwayne Stincelli, marvelous in this role), a lonely Jewish fruit seller whose idea of courtship involves the gifting of pineapples.

As these relationships evolve, we can’t escape the pull of the Klub, where the emcee rules the show, escorting us through a parade of human vice and decadence, with such songs as “Money, Money,” “Two Ladies” and, of course, the show-starting (and -stopping) “Willkommen.” As played by Greg Grabow, the emcee is less overtly sinister than in other productions, but his play-all-sides ambiguity and his aggressive blankness make him genuinely frightening–and very, very funny.

Now, here’s my confession: I’ve never been crazy about Cabaret.

Every stage production I’ve ever seen has been unable to effectively blend the various elements of the script. Usually, the bittersweet sentimentality of the Herr Schulz/Fraulein Schneider storyline is at odds with the darker stuff emerging from the other love affairs, often seeming as if it was written for an entirely different musical. And, with a number of tiny characters appearing to speak a few lines before disappearing forever, many Cabaret productions seem top-heavy with actors and faces, unable to figure out what to do with everyone.

While I have a few small quibbles with this production, Lichenstein and Prebilich have solved the plot problems by reducing the cast to a manageable and versatile troupe of supporting players (mainly the Kit Kat Boys) who each take on a number of other small roles. For once, the love stories are tonally balanced and work together as two varieties of a similar heartbreak.

As the story moves toward tragedy, as the rise of Nazis can no longer be ignored, the production becomes increasingly surreal, and the final moments are genuinely chilling. By the end, as Bowles takes the spotlight to reprise the titular number (“Life is a cabaret”), it is no longer possible to believe that “everything is beautiful,” but in this first-rate Cabaret, it is quite possible to be dazzled just the same.

‘Cabaret’ runs through Oct. 9, with remaining shows Sept. 17-18, 23-26, Oct. 1-3 and 7-10. Thursday-Saturday at 8pm; Sunday at 2pm. Cinnabar Theater, 3333 Petaluma Blvd. N., Petaluma. $28-$30. 707.763.8920.

From the September 15-21, 2004 issue of the North Bay Bohemian.

© Metro Publishing Inc.

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: Nancy Prebilich as Sally Bowles and Greg Grabow as the emcee in Cinnabar Theater's 'Cabaret.' -->Cinnabar's staging of 'Cabaret' transcends Cinnabar Theater is gone. That is, the inside of the little red theater on the hill in Petaluma is gone. What has replaced it, rearranging a number of the seats in the process, is the Kit Kat...
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