Seminal Punk/Jazz Group Victims Family Hosts Record Release this Friday

Due to the conflicting schedules of band members, Victims Family—Ralph Spight (vocals / guitar), Tim Solyan (drums), and Larry Boothroyd (bass)—it has become increasingly harder for its members to plan live shows.

With Spight playing all over with The Freak Accident, Solyan constantly touring abroad as a professional roadie (at present he is out with Liam Gallagher of Oasis fame), and Boothroyd teaching bass students while working furiously on his next Specimen Box project, Sonoma County fans will need to be patient while the chips fall into place.

In the interim, the band managed to record a new split EP with Portland’s own Nasalrod. The end result is a gorgeous 10-song offering featuring 5 songs from each band. Released by boutique record label Nadine Records on March 22, the ridiculously cool, limited edition gold swirl pressing has since sold out.

However, there are some equally beautiful other colored variants still available which will be sold in person by founding members Boothroyd and Spight at a listening party this Friday. 

We caught up with Larry Boothroyd to get the 411 and on all things VF-related.

Bohemian: Victims Family or Victim’s Family? This has always confused me.

Larry Boothroyd: We usually don’t use the apostrophe, even though it is grammatically correct, but it happens. Especially in the days of handmade Xeroxed flyers. We were happy just having both words spelled correctly. Sometimes people use The Victim’s Family as well, which we normally don’t, but we did take our name from a B. Kliban drawing with that name.

Bohemian: Word has it you have new material after a long drought. Do tell.  

Larry Boothroyd: We did a split LP with Nasalrod (PNW punk band). Five songs each. We had a thread going with both bands sharing the subject matter of each of our tracks, and discovered some common topics. We recorded with Phil Becker (Pins Of Light/ex-Triclops! drummer) at El Studio and Spit Stix recorded their side, so the record sounds amazing. We also have a super cool painting by Brian Nothing we picked out for the cover. 

Bohemian: You released a wonderful collection of songs on your own called ‘Specimen Box.’ Do you already have more songs ready for the next collection? 

Larry Boothroyd: Yes, a third one is in the works. A quick history: The first one was an 80-minute instrumental soundscape, built from really short pieces that were segued together. 114 people played on that one and it took 10 years to make. Right when the pandemic struck, Valley King Records offered to put it out. The process of having people from all over the world sending files perfectly prepared me for the lockdown, so a second one came together quickly. This time though, I wanted to have singers and more traditional song structures. I asked Brian Polk, the drummer for Joy Subtraction, to send me a drum track as if he was playing along to a song, which he did. That became the first song, as well as the method used for the whole album. Building songs from the drums up. No loops, no quantizing, no editing. The third one is using that same basic idea, but I’m hoping to shake things up a bit stylistically and instrumentation-wise. I can’t really reveal who’s involved yet, other than to mention that I’m reaching out to a lot of Sonoma County musicians. Some I’ve known since before we even learned our instruments, and others that I’ve encountered recently. I ran into some dude in downtown Santa Rosa who was surrounded by various horns and banjos and whatnot. He told me his first gig was opening for Freddy Fender at the El Rancho Tropicana in ’78. I grabbed his business card and hope to get him inlvolved.

Bohemian: Will VF ever entertain the idea of doing a full US tour again? 

Larry Boothroyd: Hmm. Seems unlikely, but you never know. We did a West Coast thing with Gibby (Haynes, frontman of Butthole Surfers) and the kids from Paul Green Rock Academy. There was talk of an East Coast version, but scheduling is a bitch. Plus my cat would never go for it.

Bohemian: What was your favorite VF touring moment? Least?


Larry Boothroyd: Oh man, so many great memories. Overall, I’m just grateful that we were able to go so many places and really connect with people all over. We experienced a full range of treatment, from starving and crashing on filthy floors to staying at boutique hotels, playing sold out shows to playing to empty rooms, in no particular order. The ‘White Bread Blues’ tours were pretty epic. I found an old itinerary recently. We did a full 6-8 weeks in Europe, came back for a US tour that started with a bunch of shows with Nomeansno, a few with Alien Boys, and a couple with Plaid Retina. When we got to the East Coast, we flew back to Europe to play a couple festivals and some shows with Snuff, flew back to the East Coast and headed south for some shows with Coffin Break in Florida, and then through the Southwest and back home!

Our worst tour was definitely the US tour in ’87. Quick recap: Got as far as Fresno before having to replace the engine in the van, canceled some Arizona shows to get that done, and got everything ripped off in Oklahoma (including our booking information). The booker responsible for the whole East Coast dropped the ball, leaving us to scramble to find shows. We got kicked out of Canada for a year and lost some shows with Nomeansno and Ralph (Victims Family singer) and I gave blood in Lansing, MI just to make $8 each. And when we finally decided to give up and go home after 3 months on the road, the van died in Nevada, so our roadie and I had to take a bus home, leaving Ralph and Devon (original Victims Family drummer) behind. I left out a bunch of stuff, but even a crappy tour like that had its moments. We played with Bomb, Scratch Acid, Corrosion of Conformity, Honor Role, Adrenaline OD, and 76% Uncertain to name a few. Plus, we saw Butthole Surfers and followed them back to their hotel, only to be rebuffed, met GWAR, borrowed a PA from Doc Dart, and visited Graceland.

Bohemian: Can we expect new Jello Biafra & The Guantanamo School Of Medicine music anytime soon?

Larry Boothroyd: There are some songs that didn’t make it onto the ‘Tea Party Revenge Porn’ release, so hopefully we’ll get to do something with those.

Bohemian: What new (er) bands that are turning you?

Larry Boothroyd: Tim and I went to see Otoboke Beaver (from Japan), who were absolutely mind-blowing. Two other bands that I’ve recently gotten into are Igorrr and Polyphia. Holy cow, that is some next level stuff going on there! I like how every generation seems to have a higher jumping off point, and more references under their belt. Genres are melting together.

Bohemian: What are your favorite VF songs to play live?

Larry Boothroyd: I’m not sure I could pick 3. We have over 100 songs, which is one reason, but it’s not so much about which song is being played for me. My favorite moments are when the sound is just right, the audience is returning the energy, and it feels almost like I’m hovering over the stage, watching it happen without any thought or effort.

Check out the new Victims Family / Nasalrod split EP, “In The Modern Meatspace,” at their free-to-the-public listening party at 7 pm, Friday, March 29 at The Next Record Store located at 1899 Mendocino Avenue in Santa Rosa. Drinks and snacks will be provided. All ages are welcome. 

The Garagiste Festival Brings New Wine Discoveries to Sonoma

Sponsored content by The Garagiste Festival

garagiste festival sonoma logo

The Annual Garagiste Wine Festival: Northern Exposure brings new wine discoveries from 42 micro-production wineries to Sonoma on April 27 (and every year in the Spring) at the Sonoma Veterans Memorial Hall, located just a block north of Sonoma’s historic downtown plaza. 

The Garagiste Festival, which Sonoma Magazine said is “Beloved by wine geeks from near and far…offering tiny gems that are difficult to come by” is the only wine festival that exclusively features high-quality wines from small-lot, commercial garagiste winemakers. 

Unlike other festivals, the wines are poured by the winemakers and owners themselves, so attendees can interact with the creative forces behind the wines and be among the first to discover some of the best of the area’s hand-crafted wines from wineries that produce fewer than 1,500 cases per year. 

garagiste festival sonoma, wine tasting in sonoma california, Cabernet Sauvignon, Chardonnay, Pinot Noir, Syrah
The Grand Tasting includes favorites such as Cabernet Sauvignon, Chardonnay, Pinot Noir and Syrah.

The Festival, which premiered in Paso Robles in 2011, held its first festival in Sonoma in 2018 to focus on the wines of Sonoma and surrounding Northern California wine regions and returns each April. Next month’s event is the organizations sixth-annual foray to the region and offers first-look access to some of the area’s best hard-to-find wines.

Tickets are now on sale: https://www.caltix.com/e/northern-exposure-garagiste-wine-festival/tickets.

“We love these micro-wineries because each winery has its own fascinating story,” said Garagiste Festival Co-founder Doug Minnick, “and they are doing an incredibly wide range of varieties and styles—you’ll never find an array of wines this diverse anywhere else. And because the great majority of these wineries do not have a tasting room, this truly is a unique opportunity for the public to discover and taste all of these remarkable wines in one day.”

Some of the 2024 festival highlights will include:

Taste with small-production winemakers—Micro-wineries like those found at Garagiste are not focused on selling in supermarkets. Their small size and direct-to-consumer business model allows them to pursue their passions outside of the demands of the marketplace at large. Over 70 percent of the wineries participating in the sixth-annual event are making fewer than 500 cases per vintage. Each year the festival showcases new, up-and-coming wineries at the event, some even pouring their first vintage, so there’s always something new to taste! These rare, artisan wines are truly hand-made with love and passion. 

The Grand Tasting: Features the widest range of varieties you will EVER find under one roof. Over the last 12 years, the festival has highlighted a vast array of unheralded grapes, which makes for one of the most unique and exciting wine experience anywhere. Well-known faves such as Cabernet Sauvignon, Chardonnay, Pinot Noir and Syrah are always on the tasting list, but also some pretty rare varietals, such Fiano, Picpoul Blanc, Symphony, Tannat and Xiomavra are all being poured in Sonoma. Whether you are a wine expert or a novice, you will come away from the Garagiste Festival knowing more than when you arrived. 

No appointments needed:  For the cost of about two winery “experiences,” the Garagiste Festival delivers over 100 wines all in one place, on one day. No driving around—and no appointments—needed. Plus there is free parking, air-conditioning and easy access from downtown Sonoma in case you’d like to walk.

Rare and Reserve Wines: The Early Access ticket grants exclusive access to library, club only, or reserve wines, only being poured during the first hour of the Festival (from 1-2pm). Tickets for this session are limited to only 150 guests to encourage an even more personal experience with the winemakers. 

Food at the Festival: Complimentary cheese and charcuterie will be provided by local favorite Sonoma Cheese Factory, along with samples from artisan vendors Fleur Sauvage Chocolates and BoccaBella Olive Oils. Complimentary bottled water and a souvenir crystal wine glass are included as well.

Silent Auction:  Great deals can be found in the “wine only” silent auction, which not only allows guests to take wine home at the end of the day, but also benefits the Garagiste Festival Scholarship Fund at Cal Poly San Luis Obispo for deserving Enology and Viticulture students, who are on their way to becoming future winemakers and industry leaders. No need to go home empty-handed, which you can bid on your favorites and support a good cause.

garagiste festival sonoma, wine-only silent auction
The “wine only” silent auction benefits the Garagiste Festival Scholarship Fund at Cal Poly San Luis Obispo.

About the Garagiste Festivals

The Garagiste Festival, which premiered in Paso Robles in 2011, held its first festival in Sonoma in 2018 to focus on the wines of Sonoma and surrounding Northern California viticultural areas. Some of the accolades include:

• The Best Wine Festival in the United States by USA Today,

• One of the “Top Ten Incredible Epicurean Vacations” in the world by ABC News,

“One of the premier wine events of the year,” by the LA Times

“Best Festival” by Sunset Magazine,

• And many, many more. 

The festivals are produced by Garagiste Events, a non-profit dedicated to furthering the education of future winemakers and those training for employment within the wine industry. Proceeds from the festivals support the Garagiste Festival Scholarship Fund of the California Polytechnic State University at San Luis Obispo Wine and Viticulture Department.

Uncanceled: Kathy Griffin is back—and in Napa

In an age where the court of public opinion can decree the rise or fall of a career overnight, Kathy Griffin stands as a defiant testament to resilience, humor and the unyielding power of speaking one’s truth. Let it be known that Kathy Griffin is officially uncanceled.

Griffin’s career, marked by historic achievements and groundbreaking milestones, has seen her writing and starring in an unprecedented 20 televised stand-up specials, more than any comedian in history. Her hit Bravo series, Kathy Griffin: My Life on the D-List, aired for six years, winning two Emmys and earning a GLAAD Media Award for Best Reality Program. Her memoir, Official Book Club Selection: A Memoir According to Kathy Griffin, debuted at #1 on The New York Times Bestsellers list, followed by her second book, Kathy Griffin’s Celebrity Run-Ins: My A-Z Index, also a New York Times bestseller.

This is not to mention her advocacy work, particularly for women and the LGBT community, Honored with awards from The Human Rights Campaign, GLAAD and The Trevor Project, among others, Griffin’s activism is as integral to her identity as her comedy, which she brings to Napa on April 5.

Yet, it’s Griffin’s resilience in the face of controversy that truly defines her legacy.

“That actually scares me because I don’t want to be this fucking resilient,” Griffin countered. “Let me tell you something. My mother, may she rest in peace with a box of wine, or she might still be in purgatory. Frankly, the jury’s out. My mother lived to 99. If I fucking live till 99, I want you to come to my house in Malibu and shoot me. No, I mean that. I mean that. I don’t want to fucking live to 99. That’s a nightmare. Look, I’m 63 now.” Griffin comically added that 65 might be her limit, saying, “Fuck it. I’ve had a good run.”

“That’s why I named the show ‘My Life on the PTSD-List,’” Griffin shared, her diagnosis with complex PTSD becoming a poignant chapter in her storied career. Despite facing a whirlwind of public backlash, a suicide attempt and a battle with lung cancer (which cost the non-smoker half a lung), Griffin’s capacity to find humor in the face of adversity remains undiminished. “I’m not a combat veteran, although I’m a combat veteran of comedy, which means something,” she quipped, encapsulating her journey with the sharp wit that has endeared her to millions.

The Trump photo controversy became a defining moment in Griffin’s career, igniting a national debate on free speech and artistic expression. (Griffin was photographed holding a prop severed head that resembled Trump.) “Trump picture alone, it’s still circulated once a week online,” Griffin remarked, underscoring the enduring impact of the incident.

“The madness that surrounds even the notion that you’d get so mad at a 57-year-old female comedian who didn’t even have a job at the time because she took a picture that angered you or scared you or pissed you off or whatever,” said Griffin. “And they would go to these lengths and put you on the no-fly list. It was definitely a crazy time.”

Of course, Griffin is not alone in her comic criticisms of the former president. Jimmy Kimmel, her good friend and host of Jimmy Kimmel Live! as well as the recent Academy Awards show, lobbed a punchy gag Trump’s way, which Griffin lauded in an email to him.

“I’m like, ‘I didn’t like the suit.’ I’m just teasing him. And then I go, ‘A chef’s kiss to the joke about Trump’s post on Truth Social and then saying, ‘Isn’t it past your jail time?’” She then added, “Maybe we could be cellmates at Guantanamo… If Trump gets reelected, it might come true. You might be seeing me on a secret flight to Cuba.”

Despite the backlash at the time of the Trump photo controversy, she remained unapologetic, using her experience to fuel her return to the stage, where she finds solace and connection with her audience. “Laughter is the best medicine,” she affirmed. Moreover, performing is cathartic for her. “A hundred percent. It is the best. And it’s cathartic because I ask the audience when I’m talking about these topics, and trust me, I sprinkle in a lot of juicy celebrity stories, too. So I haven’t changed.”

Inside Outsider

Griffin’s insights into celebrity culture, peppered with anecdotes from her encounters with stars like Paris Hilton and Miley Cyrus, reveal her unique position as both an insider and an outsider in the world of fame. “Celebrity itself is ridiculous,” she stated, never one to mince words.

“Look, I admit I am one—I’m a ridiculous celebrity,” she continued. “But I do know the Kardashians, and we are friends, but I’m not going to go easy on them. I told Kim, I said, ‘I’m going to call you a dirty whore the rest of your life.’ And she said, ‘Okay.’”

Miley Cyrus gets the same deal from Griffin: “‘I’m not actually saying you’re a slut. I’m teasing you about your outfits and the crazy shit you say.’ But I’m also saying, ‘You’re an amazing singer and you’re a living fucking legend that’s going to be on forever.’”

Griffin added, “By the way, I’m the least of their problems… This is what I try to impress upon them. If a certain celebrity gets upset about a joke I made or a name I call them, I just go, ‘Look at your life. Look at your life. You’re going to worry about a Kathy Griffin joke? Give me a break.’”

As she looks to the future, Griffin’s legacy as a comedian who faced adversity with laughter is secure. “I’m so fucking canceled. I’m like the premier example of celebrities getting canceled,” she said, yet her voice carried a note of triumph. In the face of controversy, health scares and personal turmoil, Kathy Griffin remains indelibly Kathy Griffin.

“Jim Carrey told me most comedians would give their right arm for this to have happened to them,” she reflected. “And he said, ‘You’re going to put it through your Kathy Griffin prism, and you’re going to make it funny.’ I practically burst into tears when he said that.”

And then she laughed.

Kathy Griffin performs ‘My Life on the PTSD-List’ on Friday, April 5, at the Uptown Theatre, 1350 3rd St., Napa. Tickets start at $50 and are available at bit.ly/kathygriffin-napa.

There’s No Place Like Healdsburg for the ‘Wizard of Oz’

Healdsburg’s Raven Players is one of the few local companies to wear the phrase “community theater” as a badge of honor.

Absent a delusion of grandeur and pretenses of “Broadway quality,” the Players simply commit to being a place where all are welcome, both on and off the stage. Their casts are frequently composed of a mixture of stage veterans and newcomers, and what their shows may lack in production values or experience is often made up for by the energy and heart displayed by the participants. Their seasons lean to the familiar, occasionally presenting original or lesser-known works.

You can’t get any more familiar than The Wizard of Oz. Who hasn’t seen the classic 1939 film a couple of hundred times? John Kane and the Royal Shakespeare Company adapted the film for the stage in 1987, retaining all of the original dialogue and songs and adding just a wee bit more of both. Raven Players artistic director Steven David Martin has a double-cast production of this version running at the Raven Performing Arts Theater through April 7.

Dorothy Gale (Joanna Burrill, alternating with Eily Carniglia) runs away from her Kansas home to save her little dog Toto (a stuffed animal that transmogrifies into the precocious William Young) from the heinous Miss Gulch (Kate Edery). Transported via tornado to the Land of Oz, Dorothy seeks a way home with the assistance of a scarecrow (Bohn Connor/Elliot Davis), a tin man (Joe Caruselle/Dan Murray) and a cowardly lion (Nicholas Augusta/Evan Espinoza). Glinda the Good Witch (Katie Watts-Whitaker) sends them off to see the Wizard (Craig Peoples/Matt Farrell) while avoiding the Wicked Witch of the West (Edery).

The munchkins, talking trees, flying monkeys and jitterbugs that are met along the way are all energetically played by youth, many of whom are members of the Young at Heart Theatre program.

Veteran performers in the cast kept the show grounded, while the youthful ensemble’s energy and enthusiasm kept the show’s tempo and pace up and moving through its two-and-one-half hour running time. This went a long way in keeping the numerous younger members of the audience engaged.

Director Martin and his team have upped the Raven’s usual production values and added substantial projections, smoke, bubbles and other special effects to the mix. There’s an eight-piece live orchestra under the direction of Kelly Considine delivering the live music, and Jeanine Gray brings a touch of modernity to the traditional costumes.

Knowing the dialogue and lyrics helps as sound continues to be an issue at the Raven. The orchestra frequently overpowered the singing.

It takes brains, courage and a whole lot of heart to mount a production like The Wizard of Oz.

There’s no place like… Healdsburg.

‘The Wizard of Oz’ runs through April 7 at the Raven Performing Arts Theater, 115 North St., Healdsburg. Thurs-Sat, 7:30pm; Sat & Sun, 2pm. $10–$40. 707.433.6335. raventheater.org.

Herb Folk Medicine: Erin Masako Wilkins

Erin Masako Wilkins is an herbalist and acupuncturist based in Petaluma. Her new book, Asian American Herbalism, has received notices from the likes of eater.com, Vogue magazine and our own Rosemary Gladstar.

As interpreted through an Asian lens of traditional Chinese medicine, the book instructs the reader in the preparation of European and Asian herbs as teas, tinctures, syrups, salves, baths and meals. Together, these preparations address 100 common ailments, including joint pain, the common cold, allergies, skin breakouts, low energy, stress and dysregulated menstruation.

CH: Most of the medicines employed by corporatized and industrial Western medicine are based in the deep European tradition of herbalism. Pills come from plants. You explain in the book that one of the reasons for returning to these roots is “health justice.” Could you elaborate on that principle?

EMW: It’s the issue of accessibility. When I was studying to get my degree and licensure, I was very quickly aware of the gatekeeping of medical knowledge. I felt compelled to ask, how can I share this knowledge freely with people that don’t have the means, time, bandwidth for a private session? One of this book’s highest goals is to empower folks with tools and knowledge to heal themselves.

CH: You learned the foundation of your knowledge from the Japanese herbalism of your mother and grandmother. What did they teach you?

EMW: They taught me consistency, presence, showing up for yourself and your family every day … and how to brew an amazing cup of genmaicha green tea. What they taught was less about the intellectual nuances of herbalism and more about how to inhabit the experience of being an Asian American woman here in California.

CH: Was the writing of this book an opportunity to work through what it means to be Asian and American?

EMW: Yes. The question I continued to ask myself was, what does it mean to practice traditional Asian medicine in the context of modern day America? What came up was the stripping away of “the exotic.” The book isn’t an ancient secret or a mystical translation of a classical text. It’s about our connection to the earth and the people that came before us.

‘Asian American Herbalism’ is available at Copperfield’s Books.

This interview is taken from a longer audio interview available at ‘Sonoma County : A Community Portrait’ on Apple, Google and Spotify podcasts. linktr.ee/cincinnatushibbard.

‘A Step Back in Time’ Fundraiser at Sebastiani Theatre

For nearly a century, Sonoma’s Sebastiani Theatre has proven more than a venue for movies and live performances—it’s an institution that many Sonomans have either grown up loving or have grown to love.

The theater first opened its doors in April 1934 and for 90 years has been a consistent part of the Sonoma cultural landscape. It provides a venue for movies, live music, stage works and a bevy of events—among them the upcoming “Step Back in Time” event, which is a fundraiser for the theater itself.

This fundraiser features a diverse lineup of musicians and performers, including Sean Carscadden, a musician whose contributions to the western swing genre have earned him recognition in several halls of fame. Carscadden, whose family history is deeply rooted in the local music scene, will be performing alongside Mickey Cannon, the skilled drummer from Gator Nation, and Cliff Hugo, known for his work with Supertramp and Ray Charles, as part of the Sean Carscadden Trio.

The event also highlights the versatile Lexy Fridell, a performer with a rich history on Broadway, including roles in The Pee-wee Herman Show and Finding Nemo: The Musical. Fridell’s one-woman show, Brace Yourself! Tales of Broadway, Braces, Dating, & Drool, has likewise garnered accolades. Diego Garcia, a Sonoma native with an international performance record, adds to the event lineup. His education at the San Francisco Conservatory of Music and achievements in conducting, producing and songwriting showcase the depth of talent rallying for the fundraiser.

In addition to music, the event will feature performances by Grupo Folklorico Quetzalen and the Sonoma Conservatory of Dance, groups dedicated to preserving and promoting dance traditions and fostering the community’s creative spirit.

Emerging talent Zee Hubbard, who has graced the Sebastiani Theatre stage since her youth, will perform, as will the Sebastiani’s beloved in-house magician Roger Rhoten.

Culminating the evening’s performances, the Sebastiani Theatre House Band, The Neil Fontano Quintet, promises to deliver a set that encapsulates the fundraiser’s spirit. With Neil Fontano on piano, Robby Elfman on reeds, Tom Martin on bass, Todd Morgan on drums and Emily Day as vocalist, the ensemble will contribute their sounds to the night’s goal.

All proceeds go toward the continued operation and maintenance of the theater.

‘A Step Back in Time’ commences at 5:30pm on Saturday, April 6, with a reception featuring drinks and hors d’oeuvres. The show itself begins at 7pm. The Sebastiani Theatre is located on the Plaza in Sonoma at 476 First St. East. Tickets available at sebastianitheatre.com. VIP seats are $250; general admission is $150. Attendees are encouraged to wear ’30s-era costumes.

Luxury B&B seeks docs, correspondence in Superior Court

Ruse Sues

Healdsburg is involved in more than one lawsuit at the moment.

Mercy Wellness’ suit against the city of Healdsburg over the dispensary selection process was the most recent, but it was preceded by a filing in Superior Court more than four months earlier, on Oct. 27, 2023, by the owners of 891 Grove Street LLC—better known as The Ruse.

In the fall of 2022, The Ruse applied to expand its business to include not only the legacy right to operate a 13-room bed-and-breakfast, known to that point as the Honor Mansion, but to include club-like recreation and social facilities.

But the permit was denied by planning director Scott Duiven, who said the proposal most accurately met the Healdsburg Land Use Code as a “private club, fraternal lodge and meeting hall.” That more intensive use is not permitted in the residential zone R-1-6,000, so Duiven ruled that the LLC had applied for operations that were not permitted by zoning.

Most of the recreation facilities that The Ruse built during the three years of renovation fall in the residential zone, including pickleball courts, a badminton and yoga lawn, an extensive putting green, a redesigned swimming pool and other features of a luxury resort.

In a way, the decision hung on a technicality: The property at issue spans two city zones, the Grove Mixed Use zone that does allow such recreational uses, and the more limiting Residential zone, toward the west end of the three-acre lot.

The LLC appealed to the Planning Commission, but in October 2022, the commission backed Duiven and again denied the permit. Ten days after that denial, the LLC appealed to the city council, which was scheduled to hear its appeal on Feb. 21, 2023.

But a week before that hearing, the LLC mysteriously withdrew its appeal, for reasons that weren’t clear at the time. And for the next six months, the issue quieted down—until on Oct. 4, 2023, a citation or Notice of Violation (NOV) was issued by the Healdsburg Police.

It asserted that The Ruse was in violation of Healdsburg Municipal Code section 1.12.030 (Public Nuisance) and Healdsburg Land Use Code (HLUC) section 20.28.190 (Existing Conditional Uses).

The citation was signed by the city’s police chief, Matt Jenkins. When asked why the code enforcement NOV was filed, Jenkins told Weeklys, “The Notice of Violation was prompted by multiple factors, including anonymous complaints and social media posts by The Ruse promoting selling memberships for a club component for non-registered guests.”

Among the offenses: hosting lunch and dinner events at the Pavilion, an area only permitted for breakfast and afternoon snacks to registered guests only. Other violations enumerated in the NOV included hosting pickleball tournaments with non-registered guests; hosting loud parties that lasted past 11pm, again with non-registered guests; and serving alcoholic beverages without the required ABC permit.

In addition, the NOV says that “The Ruse is actively marketing memberships for a club component to be added to The Ruse for non-registered guests,” harkening back to the reason Duiven, and the Planning Commission, had rejected the use permit.

A Ruse by Another Name

The ownership of The Ruse is held by 891 Grove Street LLC, whose registered address is 1240 Mayacama Club Dr., the headquarters of the privately owned luxury golf resort near Mark West Springs. Owners include Jonathan Wilhem, Patrick Wilhelm and Craig Ramsey, who is also affiliated with the restaurant on the Plaza, The Matheson.

Following the NOV, The Ruse LLC went to court. It filed a Verified Petition for Writ of Mandate, which holds that the city failed to fully comply with several requests for documents under the Public Records Act (PRA), and should be ordered to conduct a thorough search and turn over all records to the LLC.

The suit holds that the LLC first requested the PRA documents in December 2022—a date that follows the Planning Commission’s denial of the use permit, but precedes the scheduled date of the city council review, Feb. 21.

The city began fulfilling that request with the first delivery of records on Feb. 3, 2023, after which (on Feb. 14) The Ruse dropped its appeal to the city council. Subsequent records were turned over in February, March and April.

The fact that the lawsuit requests a prompt search and delivery of all non-exempt documents—and that the city pays for the court fees and costs associated with the lawsuit—does not necessarily suggest the LLC is attempting to overturn the Planning Department’s denial of the permit.

Instead, the suit appears to be looking for something—something not found in the initial delivery of documents between February and April of 2023, and which will shed light on why the use permits were denied.

After outlining the steps the property owners took to work with the city, and their investment of “many millions of dollars to convert a historical building located on the Property into a boutique hotel and establish a separate swim and recreational club,” the process evidently took a sudden turn.

“But then something changed,” it reads. “For more than a year Respondent—or certain local officials—have taken steps to frustrate operations at the Property.”

It’s unclear who these “certain local officials” are, which may be the needle in the haystack of documents that The Ruse is looking for. “Respondent cannot hide records from the public,” the suit avers. It is unclear what records are suspected of being “hidden.”

The suit could be resolved only when the court decides that there are no more documents that can or should be turned over—or when the documents are produced, and The Ruse either discovers that smoking gun, whatever it is, or fails to do so.

The court filing continues through the civil judicial system with a Case Management Conference scheduled for early April, at which time the trial judge will likely set a discovery schedule and a tentative trial date.

Lawyers for the 891 Grove St. LLC have not yet responded to questions from Weeklys staff.

‘Starchitect’ Killed by AI

Making buildings smarter, more sustainable

In the next 30 years, sea levels will rise as much as they have in the last century, threatening urban areas all over the world.

Unfortunately, most of our existing cities aren’t built to withstand encroaching salt water or other climate-change impacts like floods and extreme storms. And while we need new infrastructure in order to adapt, construction is a major polluter. Today’s built environment is responsible for close to 40% of energy-related carbon emissions.

Architects can help us get out of this double bind—but only if they embrace generative artificial intelligence, which many have so far resisted. To fight climate change, architects need to reimagine their role and abandon their long-held obsession with individual authorship.

For example, generative AI can help architects pinpoint the best building locations and develop the most sustainable materials. It can use satellite images to create detailed land-use maps, making it possible to test future climate scenarios, such as extreme heat or flooding, for specific places.

In all likelihood, the collective creativity of generative AI heralds the end of sole authorship and the celebrity architect. It’s time for architects to abandon individual perspectives and work together to overcome the very real existential threat of climate change.

The end of the celebrity architect is actually a return to older understandings of authorship. Sole credit for a single designer has never been as central to great architecture as some would like to think. Long before Frank Lloyd Wright designed the Marin Civic Center, unknown designers created what is now the world’s longest-standing temple, 11,000-year-old Göbeklitepe in modern-day Turkey.

Architects, and those of us who teach future architects, have a major role to play in saving our environment. With the help of AI, we can design, construct and maintain structures that emit little or no carbon and also protect us from what’s ahead. Sacrificing claims to authorship to fulfill our duties to the planet is a small price to pay.

Alessandro Melis is the inaugural IDC Foundation endowed chair and a professor in the School of Architecture and Design at New York Institute of Technology.

Your Letters, 3/27

Countdown

With the election a few months away, those citizens who would not be comfortable with a fascist takeover of our country might want to take time out to make a things-to-do list.

The very first thing to do is to recognize the threats of all the anti-democratic people and ideas that are flying around like NFL linebackers. They are real.

The list might include supporting Republican Party officials who stand for democratic ideals, if there are any left.

We can also rally around non-partisan, independent public servants who still believe in the rule of law and are willing to defend our democratic institutions.

Pro-democracy and anti-violence coalitions may have to spring up around the country to protect first targets.

The American authoritarian phenomenon is now eight years old, at least, and it needs to be taken seriously and literally.

I don’t know about you, but I am not ready to “terminate” the Constitution, allow “retribution” against political opponents and to encourage anybody to be “dictator for a day.”

The dynamics of an authoritarian takeover are going to have to be altered in this country in order to preserve and protect this country.

There are still a lot of people who are a little too comfortable supporting a degenerate buffoon who has 91 felony counts on his head.

Let us make them very uncomfortable.

Craig J. Corsini

San Rafael

Payback

The Social Security Amendments of 1983 (Public Law 98-21, April 20, 1983) reinstated the previously expired interfund borrowing authority and extended it through 1987. Ronald Reagan started borrowing against Social Security in the ’80s. All following presidents have done this as well.

If you want to save Social Security, have Congress pay back what it has taken.

Gary Sciford

Santa Rosa

‘Private Space,’ Loretta Lynn and Recycled Art

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Petaluma

‘Private Space’ Goes Public

Dive into the enigmatic world of “Private Space,” an innovative, collaborative exhibition qua installation by Petaluma artists Luc Addleman and Taylor Mancini. The unveiling reception is scheduled for 5 to 8pm, Saturday, April 6 at Usher Gallery in downtown Petaluma. “Private Space” is engineered to be an immersive foray into the realms of painted vinyl and abstract artistry, delving into deep-seated themes of anxiety, perseverance and desire. This exhibition is designed to captivate attendees with its gravity-defying brushstrokes and soulful compositions, showcasing a blend of individual pieces alongside unique collaborations developed specifically for the Usher Gallery space. Meanwhile, attendees can groove to the tunes of local sensation Swing State, offering a fusion of funk, ska and jazz-inspired melodies. Savor the moment with fine wine and refreshments while mingling with the creative minds behind the mesmerizing display. Usher Gallery is located at 1 Petaluma Blvd. North. For more info, visit ushergallerypetaluma.com.

Santa Rosa

Clone Miner’s Daughter

“The Loretta Lynn Tribute Show,” a celebration of the iconic Coal Miner’s Daughter, is set to take place at The California, located at 528 7th St. in Santa Rosa. Scheduled for 7pm, Friday, April 19, this event brings together a lineup of Bay Area country music artists for an evening dedicated to the legendary Loretta Lynn. Featured artists include Crying Time, Laura Benitez, Jill Rogers, Becklyn, Loralee Christensen, Margaret Belton, Nashville Honeymoon, Mauri Tan, Aireene Espirtu, Cindy Each, Allegra Bandy, Laugh Crow, Rucy Vixenn and Lias Maris Johnston. The show will cover a range of Lynn’s hits and deep album tracks, highlighted by unique duets and interpretations, all accompanied by the Oakland-based band Crying Time. This event, priced at $25 per ticket, follows successful shows at notable venues like Freight & Salvage in Berkeley and The Chapel in San Francisco. It promises a special evening for fans of country music and Loretta Lynn, marking a one-time performance at this venue. Tickets are available online through the caltheatre.com website.

Santa Rosa

Reuse Muse

Santa Rosa Arts Center hosts “Transformations: Recycled Art” from April 5 through June 1. This unique exhibition focuses on the innovative reuse of materials through sculptures, assemblages and collages by artists from the Bay Area and Northern California. The artists’ reception is planned for 5 to 8pm, Friday, April 5, at the center, located at 312 South A St. in Santa Rosa. This annual exhibit not only showcases the creativity and ingenuity of local artists but also serves an educational purpose by promoting conservation and highlighting the potential for new uses of materials typically considered disposable. By incorporating these objects into their artwork, the artists contribute to reducing waste and the amount of trash ending up in landfills. “Transformations: Recycled Art” is an initiative that aligns with broader environmental conservation efforts, reflecting a commitment to sustainability. The exhibition is partially sponsored by Recology Sonoma Marin, emphasizing the importance of recycling and resource conservation. For more information about the exhibition, visit the Santa Rosa Arts Center’s website at santarosaartscenter.org.

Corte Madera

Memoir Moment

An author event with Satsuki Ina, focusing on her work, The Poet and the Silk Girl, is scheduled for 4pm, Saturday, March 30 at Book Passage in Corte Madera. This free event offers attendees the opportunity to dive into a narrative that spans generations, highlighting the resilience and struggles of Japanese Americans against racial oppression and their fight for civil liberties. Ina, a licensed psychotherapist with a specialization in community trauma, brings her expertise and personal activism into her writing. She explores the themes of resistance, empowerment and transformation against systemic oppression. Ina’s activism is further demonstrated through her co-founding of Tsuru for Solidarity, a project aimed at advocating for social justice and the end of detention sites through nonviolent direct action. In addition to her literary contributions, Ina has produced two significant documentaries, Children of the Camps and From a Silk Cocoon, focusing on Japanese Americans’ World War II incarceration. Book Passage is located at 51 Tamal Vista, Corte Madera. For more information, visit bit.ly/satsuki-ina.

Seminal Punk/Jazz Group Victims Family Hosts Record Release this Friday

Due to the conflicting schedules of band members, Victims Family—Ralph Spight (vocals / guitar), Tim Solyan (drums), and Larry Boothroyd (bass)—it has become increasingly harder for its members to plan live shows. With Spight playing all over with The Freak Accident, Solyan constantly touring abroad as a professional roadie (at present he is out with Liam Gallagher of Oasis...

The Garagiste Festival Brings New Wine Discoveries to Sonoma

garagiste festival sonoma, micro-wineries in sonoma california, buy artisan wines, Cabernet Sauvignon, Chardonnay, Pinot Noir, Syrah, festivals in sonoma
Sponsored content by The Garagiste Festival The Annual Garagiste Wine Festival: Northern Exposure brings new wine discoveries from 42 micro-production wineries to Sonoma on April 27 (and every year in the Spring) at the Sonoma Veterans Memorial Hall, located just a block north of Sonoma’s historic downtown plaza.  The Garagiste Festival, which Sonoma Magazine said is “Beloved by wine geeks...

Uncanceled: Kathy Griffin is back—and in Napa

In an age where the court of public opinion can decree the rise or fall of a career overnight, Kathy Griffin stands as a defiant testament to resilience, humor and the unyielding power of speaking one’s truth. Let it be known that Kathy Griffin is officially uncanceled. Griffin’s career, marked by historic achievements and groundbreaking milestones, has seen her writing...

There’s No Place Like Healdsburg for the ‘Wizard of Oz’

Healdsburg’s Raven Players is one of the few local companies to wear the phrase “community theater” as a badge of honor. Absent a delusion of grandeur and pretenses of “Broadway quality,” the Players simply commit to being a place where all are welcome, both on and off the stage. Their casts are frequently composed of a mixture of stage veterans...

Herb Folk Medicine: Erin Masako Wilkins

Erin Masako Wilkins is an herbalist and acupuncturist based in Petaluma. Her new book, Asian American Herbalism, has received notices from the likes of eater.com, Vogue magazine and our own Rosemary Gladstar. As interpreted through an Asian lens of traditional Chinese medicine, the book instructs the reader in the preparation of European and Asian herbs as teas, tinctures, syrups, salves,...

‘A Step Back in Time’ Fundraiser at Sebastiani Theatre

For nearly a century, Sonoma’s Sebastiani Theatre has proven more than a venue for movies and live performances—it’s an institution that many Sonomans have either grown up loving or have grown to love. The theater first opened its doors in April 1934 and for 90 years has been a consistent part of the Sonoma cultural landscape. It provides a venue...

Luxury B&B seeks docs, correspondence in Superior Court

Ruse Sues Healdsburg is involved in more than one lawsuit at the moment. Mercy Wellness’ suit against the city of Healdsburg over the dispensary selection process was the most recent, but it was preceded by a filing in Superior Court more than four months earlier, on Oct. 27, 2023, by the owners of 891 Grove Street LLC—better known as The Ruse. In...

‘Starchitect’ Killed by AI

Click to read
Making buildings smarter, more sustainable In the next 30 years, sea levels will rise as much as they have in the last century, threatening urban areas all over the world. Unfortunately, most of our existing cities aren’t built to withstand encroaching salt water or other climate-change impacts like floods and extreme storms. And while we need new infrastructure in order to...

Your Letters, 3/27

Countdown With the election a few months away, those citizens who would not be comfortable with a fascist takeover of our country might want to take time out to make a things-to-do list. The very first thing to do is to recognize the threats of all the anti-democratic people and ideas that are flying around like NFL linebackers. They are real. The...

‘Private Space,’ Loretta Lynn and Recycled Art

Petaluma ‘Private Space’ Goes Public Dive into the enigmatic world of “Private Space,” an innovative, collaborative exhibition qua installation by Petaluma artists Luc Addleman and Taylor Mancini. The unveiling reception is scheduled for 5 to 8pm, Saturday, April 6 at Usher Gallery in downtown Petaluma. “Private Space” is engineered to be an immersive foray into the realms of painted vinyl and...
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